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There is winning and there is misery.

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Dark and Deadly

Dark and deadly are these pains that reside in my head,
One falters with chilly winds, the very cool friends,
Then the winds are breezes, more breezes to be bled.

Dust and dirt are elite elements for all the men with a bed,
One seeks misery when there is misery that attends,
Dark and deadly are these pains that reside in my head.

Mighty rivers applaud the taste of the truly bred,
One stays in a whole sea for the corn that defends,
Then the winds are breezes, more breezes to be bled.

When do waters boil? And where are the flowers dead?
One picks up plants forcing the very grand ends,
Dark and deadly are these pains that reside in my head.

The delirious means used by some are to what fed?
One of us mends hearts too fragile, one that bends,
Then the winds are breezes, more breezes to be bled.

A delightful method gains acceptance from those to imbed,
One’s agony seems too fair as the fairest intends,
Dark and deadly are these pains that reside in my head,
Then the winds are breezes, more breezes to be bled.

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The Real And The Ideal

I feel I have - and who has not?
An inner and outer life:
The one may be a dreary lot,
With sorrow and with suff'ring rife;
While in the other may be found
A magic world of fancies fair,
Where brightest dreams of joy abound,
And never enters dark despair.

The life I live may seem to those
Who gaze upon it outwardly
A drear existence, full of woes
And never-ceasing misery;
But in the mystic life of mind,
Abstracted from earth's things of sense,
Oblivious to my grief, I find
A joy exalted and intense.

My outward life is prison-gloomed,
My life of dreams is fancy free;
The one is ever care-consumed,
The other tranquil as can be.
Existence that is sternly real
As mine would crush the heart with grief,
Were it not that the bright ideal
With visioned joy imparts relief.

There's not a joy the world can give,
There's not a bliss the heart has known,
But in the spirit life I live
I have the power to make my own.
I care not what my actual lot
While thus sustained my soul can be;
My sorrows shall be all forgot
In fairest dreams of poesy.

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Trial and Tribulation

If you allow yourself
To sink and wallow
In misery and fear
It will surely overcome you
Until you slowly disappear
Return to me,
I beg of you
You'll always have
A place here


Don't let the world tell you
Who you are
Don't let the world decide
who you're not
Sadly, you're still battling
Demons
Everyone else has already
Forgot
So preoccupied in the race
To catch up
That you only end up falling
Further behind
Carrying the weight of the world
Upon your shoulders
With nowhere to turn or hide
Darkness arises
And overwhelms you
Creating a heavy heart
Brewing trouble in your mind

No one but God
Is Judge and Jury
It takes time to heal
There's no need to hurry
Searching all the wrong places
Trying to fill your need
For love and validation
Causing so much devastation
It brings you to your knees
Repeating the same mistakes
All over again
Causing old wounds to reopen
And bleed

Learn your lessons
Walk through the pain
Look for the sunshine
As you walk in the rain
Once you've lived within
Such suffering
And come out on the other side
The victory of happiness
Belongs to you
The calmness from peace of Mind
Blessed you'll be with
Newfound appreciation,
For the Glory that is Life

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A lot of misery

You brought the misfortune and lot of misery
I was brought to penniless condition devoid of money
It was never the same situation as before
I was thinking of it seriously therefore

Was it my bad luck or failing stars?
Was my destiny shaped from too far?
What had it to do with falling standard?
What precaution was to be taken from the start?

I think my over ambition was all that responsible
Some of the circumstances were totally enforceable
They could have been avoided without much problem
The greed and desire was emanating from the stem

There is no end to wishful thinking and desire
I am firm holder of the views and never admire
Still it occupies in the life as main interest
We are going after it and try for the best

It may not succeed at all as desired
It may stand in vain and misfired
All calculations may go wrong
You will find it difficult to go along

Had been living in contended position?
There should have been altogether different proposition
It was not at all difficult to sustain the drawbacks
The things might have been improved after initial setbacks

One should not blame the situation or circumstances
We are the creator of our own doing in the presence
We must remain within our own limitations and act
There is no other recourse to for it and react

It may come to you if it was really meant for you
This is, to some extent, very much very true
It is not coming to anybody without great efforts
They must not only maintain good relations but rapports also

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William Butler Yeats

A Woman Young And Old

I
FATHER AND CHILD
SHE hears me strike the board and say
That she is under ban
Of all good men and women,
Being mentioned with a man
That has the worst of all bad names;
And thereupon replies
That his hair is beautiful,
Cold as the March wind his eyes.

II
BEFORE THE WORLD WAS MADE

IF I make the lashes dark
And the eyes more bright
And the lips more scarlet,
Or ask if all be right
From mirror after mirror,
No vanity's displayed:
I'm looking for the face I had
Before the world was made.
What if I look upon a man
As though on my beloved,
And my blood be cold the while
And my heart unmoved?
Why should he think me cruel
Or that he is betrayed?
I'd have him love the thing that was
Before the world was made.

III
A FIRST CONFESSION

I ADMIT the briar
Entangled in my hair
Did not injure me;
My blenching and trembling,
Nothing but dissembling,
Nothing but coquetry.
I long for truth, and yet
I cannot stay from that
My better self disowns,
For a man's attention
Brings such satisfaction
To the craving in my bones.
Brightness that I pull back
From the Zodiac,
Why those questioning eyes
That are fixed upon me?
What can they do but shun me
If empty night replies?

IV
HER TRIUMPH

I DID the dragon's will until you came
Because I had fancied love a casual
Improvisation, or a settled game
That followed if I let the kerchief fall:
Those deeds were best that gave the minute wings
And heavenly music if they gave it wit;
And then you stood among the dragon-rings.
I mocked, being crazy, but you mastered it
And broke the chain and set my ankles free,
Saint George or else a pagan Perseus;
And now we stare astonished at the sea,
And a miraculous strange bird shrieks at us.

V

CONSOLATION

O BUT there is wisdom
In what the sages said;
But stretch that body for a while
And lay down that head
Till I have told the sages
Where man is comforted.
How could passion run so deep
Had I never thought
That the crime of being born
Blackens all our lot?
But where the crime's committed
The crime can be forgot.

VI
CHOSEN

THE lot of love is chosen. I learnt that much
Struggling for an image on the track
Of the whirling Zodiac.
Scarce did he my body touch,
Scarce sank he from the west
Or found a subtetranean rest
On the maternal midnight of my breast
Before I had marked him on his northern way,
And seemed to stand although in bed I lay.
I struggled with the horror of daybreak,
I chose it for my lot! If questioned on
My utmost pleasure with a man
By some new-married bride, I take
That stillness for a theme
Where his heart my heart did seem
And both adrift on the miraculous stream
Where -- wrote a learned astrologer --
The Zodiac is changed into a sphere.

VII
PARTING
i{He.} Dear, I must be gone
While night Shuts the eyes
Of the household spies;
That song announces dawn.
i{She.} No, night's bird and love's
Bids all true lovers rest,
While his loud song reproves
The murderous stealth of day.
i{He.} Daylight already flies
From mountain crest to crest
i{She.} That light is from the moom.
i{He.} That bird...
i{She.} Let him sing on,
I offer to love's play
My dark declivities.

VIII
HER VISION IN THE WOOD

DRY timber under that rich foliage,
At wine-dark midnight in the sacred wood,
Too old for a man's love I stood in rage
Imagining men. Imagining that I could
A greater with a lesser pang assuage
Or but to find if withered vein ran blood,
I tore my body that its wine might cover
Whatever could rccall the lip of lover.
And after that I held my fingers up,
Stared at the wine-dark nail, or dark that ran
Down every withered finger from the top;
But the dark changed to red, and torches shone,
And deafening music shook the leaves; a troop
Shouldered a litter with a wounded man,
Or smote upon the string and to the sound
Sang of the beast that gave the fatal wound.
All stately women moving to a song
With loosened hair or foreheads grief-distraught,
It seemed a Quattrocento painter's throng,
A thoughtless image of Mantegna's thought --
Why should they think that are for ever young?
Till suddenly in grief's contagion caught,
I stared upon his blood-bedabbled breast
And sang my malediction with the rest.
That thing all blood and mire, that beast-torn wreck,
Half turned and fixed a glazing eye on mine,
And, though love's bitter-sweet had all come back,
Those bodies from a picture or a coin
Nor saw my body fall nor heard it shriek,
Nor knew, drunken with singing as with wine,
That they had brought no fabulous symbol there
But my heart's victim and its torturer.

IX
A LAST CONFESSION

WHAT lively lad most pleasured me
Of all that with me lay?
I answer that I gave my soul
And loved in misery,
But had great pleasure with a lad
That I loved bodily.
Flinging from his arms I laughed
To think his passion such
He fancied that I gave a soul
Did but our bodies touch,
And laughed upon his breast to think
Beast gave beast as much.
I gave what other women gave
'That stepped out of their clothes.
But when this soul, its body off,
Naked to naked goes,
He it has found shall find therein
What none other knows,
And give his own and take his own
And rule in his own right;
And though it loved in misery
Close and cling so tight,
There's not a bird of day that dare
Extinguish that delight.

X
MEETING

HIDDEN by old age awhile
In masker's cloak and hood,
Each hating what the other loved,
Face to face we stood:
'That I have met with such,' said he,
'Bodes me little good.'
'Let others boast their fill,' said I,
'But never dare to boast
That such as I had such a man
For lover in the past;
Say that of living men I hate
Such a man the most.'
'A loony'd boast of such a love,'
He in his rage declared:
But such as he for such as me --
Could we both discard
This beggarly habiliment --
Had found a sweeter word.

XI
FROM THE 'ANTIGONE'

OVERCOME -- O bitter sweetness,
Inhabitant of the soft cheek of a girl --
The rich man and his affairs,
The fat flocks and the fields' fatness,
Mariners, rough harvesters;
Overcome Gods upon Parnassus;
Overcome the Empyrean; hurl
Heaven and Earth out of their places,
That in the Same calamity
Brother and brother, friend and friend,
Family and family,
City and city may contend,
By that great glory driven wild.
Pray I will and sing I must,
And yet I weep -- Oedipus' child
Descends into the loveless dust.

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Byron

Don Juan: Canto The Fourteenth

If from great nature's or our own abyss
Of thought we could but snatch a certainty,
Perhaps mankind might find the path they miss--
But then 'twould spoil much good philosophy.
One system eats another up, and this
Much as old Saturn ate his progeny;
For when his pious consort gave him stones
In lieu of sons, of these he made no bones.

But System doth reverse the Titan's breakfast,
And eats her parents, albeit the digestion
Is difficult. Pray tell me, can you make fast,
After due search, your faith to any question?
Look back o'er ages, ere unto the stake fast
You bind yourself, and call some mode the best one.
Nothing more true than not to trust your senses;
And yet what are your other evidences?

For me, I know nought; nothing I deny,
Admit, reject, contemn; and what know you,
Except perhaps that you were born to die?
And both may after all turn out untrue.
An age may come, Font of Eternity,
When nothing shall be either old or new.
Death, so call'd, is a thing which makes men weep,
And yet a third of life is pass'd in sleep.

A sleep without dreams, after a rough day
Of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt
At once without instalments (an old way
Of paying debts, which creditors regret)
Lets out impatiently his rushing breath,
Less from disgust of life than dread of death.

'Tis round him, near him, here, there, every where;
And there's a courage which grows out of fear,
Perhaps of all most desperate, which will dare
The worst to know it:--when the mountains rear
Their peaks beneath your human foot, and there
You look down o'er the precipice, and drear
The gulf of rock yawns,--you can't gaze a minute
Without an awful wish to plunge within it.

'Tis true, you don't - but, pale and struck with terror,
Retire: but look into your past impression!
And you will find, though shuddering at the mirror
Of your own thoughts, in all their self--confession,
The lurking bias, be it truth or error,
To the unknown; a secret prepossession,
To plunge with all your fears - but where? You know not,
And that's the reason why you do - or do not.

But what's this to the purpose? you will say.
Gent. reader, nothing; a mere speculation,
For which my sole excuse is - 'tis my way;
Sometimes with and sometimes without occasion
I write what's uppermost, without delay:
This narrative is not meant for narration,
But a mere airy and fantastic basis,
To build up common things with common places.

You know, or don't know, that great Bacon saith,
'Fling up a straw, 'twill show the way the wind blows;'
And such a straw, borne on by human breath,
Is poesy, according as the mind glows;
A paper kite which flies 'twixt life and death,
A shadow which the onward soul behind throws:
And mine's a bubble, not blown up for praise,
But just to play with, as an infant plays.

The world is all before me - or behind;
For I have seen a portion of that same,
And quite enough for me to keep in mind;--
Of passions, too, I have proved enough to blame,
To the great pleasure of our friends, mankind,
Who like to mix some slight alloy with fame;
For I was rather famous in my time,
Until I fairly knock'd it up with rhyme.

I have brought this world about my ears, and eke
The other; that's to say, the clergy, who
Upon my head have bid their thunders break
In pious libels by no means a few.
And yet I can't help scribbling once a week,
Tiring old readers, nor discovering new.
In youth I wrote because my mind was full,
And now because I feel it growing dull.

But 'why then publish?'- There are no rewards
Of fame or profit when the world grows weary.
I ask in turn,--Why do you play at cards?
Why drink? Why read?- To make some hour less dreary.
It occupies me to turn back regards
On what I've seen or ponder'd, sad or cheery;
And what I write I cast upon the stream,
To swim or sink - I have had at least my dream.

I think that were I certain of success,
I hardly could compose another line:
So long I've battled either more or less,
That no defeat can drive me from the Nine.
This feeling 'tis not easy to express,
And yet 'tis not affected, I opine.
In play, there are two pleasures for your choosing -
The one is winning, and the other losing.

Besides, my Muse by no means deals in fiction:
She gathers a repertory of facts,
Of course with some reserve and slight restriction,
But mostly sings of human things and acts -
And that's one cause she meets with contradiction;
For too much truth, at first sight, ne'er attracts;
And were her object only what's call'd glory,
With more ease too she 'd tell a different story.

Love, war, a tempest - surely there 's variety;
Also a seasoning slight of lucubration;
A bird's-eye view, too, of that wild, Society;
A slight glance thrown on men of every station.
If you have nought else, here 's at least satiety
Both in performance and in preparation;
And though these lines should only line portmanteaus,
Trade will be all the better for these Cantos.

The portion of this world which I at present
Have taken up to fill the following sermon,
Is one of which there's no description recent.
The reason why is easy to determine:
Although it seems both prominent and pleasant,
There is a sameness in its gems and ermine,
A dull and family likeness through all ages,
Of no great promise for poetic pages.

With much to excite, there's little to exalt;
Nothing that speaks to all men and all times;
A sort of varnish over every fault;
A kind of common-place, even in their crimes;
Factitious passions, wit without much salt,
A want of that true nature which sublimes
Whate'er it shows with truth; a smooth monotony
Of character, in those at least who have got any.

Sometimes, indeed, like soldiers off parade,
They break their ranks and gladly leave the drill;
But then the roll-call draws them back afraid,
And they must be or seem what they were: still
Doubtless it is a brilliant masquerade;
But when of the first sight you have had your fill,
It palls - at least it did so upon me,
This paradise of pleasure and ennui.

When we have made our love, and gamed our gaming,
Drest, voted, shone, and, may be, something more;
With dandies dined; heard senators declaiming;
Seen beauties brought to market by the score,
Sad rakes to sadder husbands chastely taming;
There's little left but to be bored or bore.
Witness those 'ci-devant jeunes hommes' who stem
The stream, nor leave the world which leaveth them.

'Tis said - indeed a general complaint -
That no one has succeeded in describing
The monde, exactly as they ought to paint:
Some say, that authors only snatch, by bribing
The porter, some slight scandals strange and quaint,
To furnish matter for their moral gibing;
And that their books have but one style in common -
My lady's prattle, filter'd through her woman.

But this can't well be true, just now; for writers
Are grown of the beau monde a part potential:
I've seen them balance even the scale with fighters,
Especially when young, for that's essential.
Why do their sketches fail them as inditers
Of what they deem themselves most consequential,
The real portrait of the highest tribe?
'Tis that, in fact, there's little to describe.

'Haud ignara loquor;' these are Nugae, 'quarum
Pars parva fui,' but still art and part.
Now I could much more easily sketch a harem,
A battle, wreck, or history of the heart,
Than these things; and besides, I wish to spare 'em,
For reasons which I choose to keep apart.
'Vetabo Cereris sacrum qui vulgarit-'
Which means that vulgar people must not share it.

And therefore what I throw off is ideal -
Lower'd, leaven'd, like a history of freemasons;
Which bears the same relation to the real,
As Captain Parry's voyage may do to Jason's.
The grand arcanum's not for men to see all;
My music has some mystic diapasons;
And there is much which could not be appreciated
In any manner by the uninitiated.

Alas! worlds fall - and woman, since she fell'd
The world (as, since that history less polite
Than true, hath been a creed so strictly held)
Has not yet given up the practice quite.
Poor thing of usages! coerced, compell'd,
Victim when wrong, and martyr oft when right,
Condemn'd to child-bed, as men for their sins
Have shaving too entail'd upon their chins,--

A daily plague, which in the aggregate
May average on the whole with parturition.
But as to women, who can penetrate
The real sufferings of their she condition?
Man's very sympathy with their estate
Has much of selfishness, and more suspicion.
Their love, their virtue, beauty, education,
But form good housekeepers, to breed a nation.

All this were very well, and can't be better;
But even this is difficult, Heaven knows,
So many troubles from her birth beset her,
Such small distinction between friends and foes,
The gilding wears so soon from off her fetter,
That - but ask any woman if she'd choose
(Take her at thirty, that is) to have been
Female or male? a schoolboy or a queen?

'Petticoat influence' is a great reproach,
Which even those who obey would fain be thought
To fly from, as from hungry pikes a roach;
But since beneath it upon earth we are brought,
By various joltings of life's hackney coach,
I for one venerate a petticoat-
A garment of a mystical sublimity,
No matter whether russet, silk, or dimity.

Much I respect, and much I have adored,
In my young days, that chaste and goodly veil,
Which holds a treasure, like a miser's hoard,
And more attracts by all it doth conceal-
A golden scabbard on a Damasque sword,
A loving letter with a mystic seal,
A cure for grief - for what can ever rankle
Before a petticoat and peeping ankle?

And when upon a silent, sullen day,
With a sirocco, for example, blowing,
When even the sea looks dim with all its spray,
And sulkily the river's ripple's flowing,
And the sky shows that very ancient gray,
The sober, sad antithesis to glowing,--
'Tis pleasant, if then any thing is pleasant,
To catch a glimpse even of a pretty peasant.

We left our heroes and our heroines
In that fair clime which don't depend on climate,
Quite independent of the Zodiac's signs,
Though certainly more difficult to rhyme at,
Because the sun, and stars, and aught that shines,
Mountains, and all we can be most sublime at,
Are there oft dull and dreary as a dun -
Whether a sky's or tradesman's is all one.

An in-door life is less poetical;
And out of door hath showers, and mists, and sleet,
With which I could not brew a pastoral.
But be it as it may, a bard must meet
All difficulties, whether great or small,
To spoil his undertaking or complete,
And work away like spirit upon matter,
Embarrass'd somewhat both with fire and water.

Juan - in this respect, at least, like saints -
Was all things unto people of all sorts,
And lived contentedly, without complaints,
In camps, in ships, in cottages, or courts -
Born with that happy soul which seldom faints,
And mingling modestly in toils or sports.
He likewise could be most things to all women,
Without the coxcombry of certain she men.

A fox -hunt to a foreigner is strange;
'T is also subject to the double danger
Of tumbling first, and having in exchange
Some pleasant jesting at the awkward stranger:
But Juan had been early taught to range
The wilds, as doth an Arab turn'd avenger,
So that his horse, or charger, hunter, hack,
Knew that he had a rider on his back.

And now in this new field, with some applause,
He clear'd hedge, ditch, and double post, and rail,
And never craned, and made but few 'faux pas,'
And only fretted when the scent 'gan fail.
He broke, 'tis true, some statutes of the laws
Of hunting - for the sagest youth is frail;
Rode o'er the hounds, it may be, now and then,
And once o'er several country gentlemen.

But on the whole, to general admiration
He acquitted both himself and horse: the squires
Marvell'd at merit of another nation;
The boors cried 'Dang it? who'd have thought it?'--Sires,
The Nestors of the sporting generation,
Swore praises, and recall'd their former fires;
The huntsman's self relented to a grin,
And rated him almost a whipper-in.

Such were his trophies--not of spear and shield,
But leaps, and bursts, and sometimes foxes' brushes;
Yet I must own,--although in this I yield
To patriot sympathy a Briton's blushes,--
He thought at heart like courtly Chesterfield,
Who, after a long chase o'er hills, dales, bushes,
And what not, though he rode beyond all price,
Ask'd next day, 'If men ever hunted twice?'

He also had a quality uncommon
To early risers after a long chase,
Who wake in winter ere the cock can summon
December's drowsy day to his dull race,--
A quality agreeable to woman,
When her soft, liquid words run on apace,
Who likes a listener, whether saint or sinner,--
He did not fall asleep just after dinner;

But, light and airy, stood on the alert,
And shone in the best part of dialogue,
By humouring always what they might assert,
And listening to the topics most in vogue;
Now grave, now gay, but never dull or pert;
And smiling but in secret--cunning rogue!
He ne'er presumed to make an error clearer;-
In short, there never was a better hearer.

And then he danced;- all foreigners excel
The serious Angles in the eloquence
Of pantomime;--he danced, I say, right well,
With emphasis, and also with good sense--
A thing in footing indispensable;
He danced without theatrical pretence,
Not like a ballet-master in the van
Of his drill'd nymphs, but like a gentleman.

Chaste were his steps, each kept within due bound,
And elegance was sprinkled o'er his figure;
Like swift Camilla, he scarce skimm'd the ground,
And rather held in than put forth his vigour;
And then he had an ear for music's sound,
Which might defy a crotchet critic's rigour.
Such classic pas--sans flaws--set off our hero,
He glanced like a personified Bolero;

Or, like a flying Hour before Aurora,
In Guido's famous fresco which alone
Is worth a tour to Rome, although no more a
Remnant were there of the old world's sole throne.
The 'tout ensemble' of his movements wore a
Grace of the soft ideal, seldom shown,
And ne'er to be described; for to the dolour
Of bards and prosers, words are void of colour.

No marvel then he was a favourite;
A full -grown Cupid, very much admired;
A little spoilt, but by no means so quite;
At least he kept his vanity retired.
Such was his tact, he could alike delight
The chaste, and those who are not so much inspired.
The Duchess of Fitz-Fulke, who loved 'tracasserie,'
Began to treat him with some small 'agacerie.'

She was a fine and somewhat full-blown blonde,
Desirable, distinguish'd, celebrated
For several winters in the grand, grand monde.
I'd rather not say what might be related
Of her exploits, for this were ticklish ground;
Besides there might be falsehood in what's stated:
Her late performance had been a dead set
At Lord Augustus Fitz-Plantagenet.

This noble personage began to look
A little black upon this new flirtation;
But such small licences must lovers brook,
Mere freedoms of the female corporation.
Woe to the man who ventures a rebuke!
'Twill but precipitate a situation
Extremely disagreeable, but common
To calculators when they count on woman.

The circle smiled, then whisper'd, and then sneer'd;
The Misses bridled, and the matrons frown'd;
Some hoped things might not turn out as they fear'd;
Some would not deem such women could be found;
Some ne'er believed one half of what they heard;
Some look'd perplex'd, and others look'd profound;
And several pitied with sincere regret
Poor Lord Augustus Fitz-Plantagenet.

But what is odd, none ever named the duke,
Who, one might think, was something in the affair;
True, he was absent, and, 'twas rumour'd, took
But small concern about the when, or where,
Or what his consort did: if he could brook
Her gaieties, none had a right to stare:
Theirs was that best of unions, past all doubt,
Which never meets, and therefore can't fall out.

But, oh! that I should ever pen so sad a line!
Fired with an abstract love of virtue, she,
My Dian of the Ephesians, Lady Adeline,
Began to think the duchess' conduct free;
Regretting much that she had chosen so bad a line,
And waxing chiller in her courtesy,
Look'd grave and pale to see her friend's fragility,
For which most friends reserve their sensibility.

There's nought in this bad world like sympathy:
'Tis so becoming to the soul and face,
Sets to soft music the harmonious sigh,
And robes sweet friendship in a Brussels lace.
Without a friend, what were humanity,
To hunt our errors up with a good grace?
Consoling us with - 'Would you had thought twice!
Ah, if you had but follow'd my advice!'

O job! you had two friends: one's quite enough,
Especially when we are ill at ease;
They are but bad pilots when the weather's rough,
Doctors less famous for their cures than fees.
Let no man grumble when his friends fall off,
As they will do like leaves at the first breeze:
When your affairs come round, one way or t'other,
Go to the coffee-house, and take another.

But this is not my maxim: had it been,
Some heart-aches had been spared me: yet I care not--
I would not be a tortoise in his screen
Of stubborn shell, which waves and weather wear not.
'Tis better on the whole to have felt and seen
That which humanity may bear, or bear not:
'Twill teach discernment to the sensitive,
And not to pour their ocean in a sieve.

Of all the horrid, hideous notes of woe,
Sadder than owl-songs or the midnight blast,
Is that portentous phrase, 'I told you so,'
Utter'd by friends, those prophets of the past,
Who, 'stead of saying what you now should do,
Own they foresaw that you would fall at last,
And solace your slight lapse 'gainst 'bonos mores,'
With a long memorandum of old stories.

The Lady Adeline's serene severity
Was not confined to feeling for her friend,
Whose fame she rather doubted with posterity,
Unless her habits should begin to mend:
But Juan also shared in her austerity,
But mix'd with pity, pure as e'er was penn'd:
His inexperience moved her gentle ruth,
And (as her junior by six weeks) his youth.

These forty days' advantage of her years--
And hers were those which can face calculation,
Boldly referring to the list of peers
And noble births, nor dread the enumeration--
Gave her a right to have maternal fears
For a young gentleman's fit education,
Though she was far from that leap year, whose leap,
In female dates, strikes Time all of a heap.

This may be fix'd at somewhere before thirty--
Say seven-and-twenty; for I never knew
The strictest in chronology and virtue
Advance beyond, while they could pass for new.
O Time! why dost not pause? Thy scythe, so dirty
With rust, should surely cease to hack and hew.
Reset it; shave more smoothly, also slower,
If but to keep thy credit as a mower.

But Adeline was far from that ripe age,
Whose ripeness is but bitter at the best:
'Twas rather her experience made her sage,
For she had seen the world and stood its test,
As I have said in--I forget what page;
My Muse despises reference, as you have guess'd
By this time;--but strike six from seven -and -twenty,
And you will find her sum of years in plenty.

At sixteen she came out; presented, vaunted,
She put all coronets into commotion:
At seventeen, too, the world was still enchanted
With the new Venus of their brilliant ocean:
At eighteen, though below her feet still panted
A hecatomb of suitors with devotion,
She had consented to create again
That Adam, call'd 'The happiest of men.'

Since then she had sparkled through three glowing winters,
Admired, adored; but also so correct,
That she had puzzled all the acutest hinters,
Without the apparel of being circumspect:
They could not even glean the slightest splinters
From off the marble, which had no defect.
She had also snatch'd a moment since her marriage
To bear a son and heir - and one miscarriage.

Fondly the wheeling fire-flies flew around her,
Those little glitterers of the London night;
But none of these possess'd a sting to wound her -
She was a pitch beyond a coxcomb's flight.
Perhaps she wish'd an aspirant profounder;
But whatsoe'er she wish'd, she acted right;
And whether coldness, pride, or virtue dignify
A woman, so she's good, what does it signify?

I hate a motive, like a lingering bottle
Which with the landlord makes too long a stand,
Leaving all-claretless the unmoisten'd throttle,
Especially with politics on hand;
I hate it, as I hate a drove of cattle,
Who whirl the dust as simooms whirl the sand;
I hate it, as I hate an argument,
A laureate's ode, or servile peer's 'content.'

'Tis sad to hack into the roots of things,
They are so much intertwisted with the earth;
So that the branch a goodly verdure flings,
I reck not if an acorn gave it birth.
To trace all actions to their secret springs
Would make indeed some melancholy mirth;
But this is not at present my concern,
And I refer you to wise Oxenstiern.

With the kind view of saving an eclat,
Both to the duchess and diplomatist,
The Lady Adeline, as soon's she saw
That Juan was unlikely to resist
(For foreigners don't know that a faux pas
In England ranks quite on a different list
From those of other lands unblest with juries,
Whose verdict for such sin a certain cure is);-

The Lady Adeline resolved to take
Such measures as she thought might best impede
The farther progress of this sad mistake.
She thought with some simplicity indeed;
But innocence is bold even at the stake,
And simple in the world, and doth not need
Nor use those palisades by dames erected,
Whose virtue lies in never being detected.

It was not that she fear'd the very worst:
His Grace was an enduring, married man,
And was not likely all at once to burst
Into a scene, and swell the clients' clan
Of Doctors' Commons: but she dreaded first
The magic of her Grace's talisman,
And next a quarrel (as he seem'd to fret)
With Lord Augustus Fitz-Plantagenet.

Her Grace, too, pass'd for being an intrigante,
And somewhat mechante in her amorous sphere;
One of those pretty, precious plagues, which haunt
A lover with caprices soft and dear,
That like to make a quarrel, when they can't
Find one, each day of the delightful year;
Bewitching, torturing, as they freeze or glow,
And - what is worst of all - won't let you go:

The sort of thing to turn a young man's head,
Or make a Werter of him in the end.
No wonder then a purer soul should dread
This sort of chaste liaison for a friend;
It were much better to be wed or dead,
Than wear a heart a woman loves to rend.
'T is best to pause, and think, ere you rush on,
If that a 'bonne fortune' be really 'bonne.'

And first, in the o'erflowing of her heart,
Which really knew or thought it knew no guile,
She call'd her husband now and then apart,
And bade him counsel Juan. With a smile
Lord Henry heard her plans of artless art
To wean Don Juan from the siren's wile;
And answer'd, like a statesman or a prophet,
In such guise that she could make nothing of it.

Firstly, he said, 'he never interfered
In any body's business but the king's:'
Next, that 'he never judged from what appear'd,
Without strong reason, of those sort of things:'
Thirdly, that 'Juan had more brain than beard,
And was not to be held in leading strings;'
And fourthly, what need hardly be said twice,
'That good but rarely came from good advice.'

And, therefore, doubtless to approve the truth
Of the last axiom, he advised his spouse
To leave the parties to themselves, forsooth -
At least as far as bienseance allows:
That time would temper Juan's faults of youth;
That young men rarely made monastic vows;
That opposition only more attaches -
But here a messenger brought in despatches:

And being of the council call'd 'the Privy,'
Lord Henry walk'd into his cabinet,
To furnish matter for some future Livy
To tell how he reduced the nation's debt;
And if their full contents I do not give ye,
It is because I do not know them yet;
But I shall add them in a brief appendix,
To come between mine epic and its index.

But ere he went, he added a slight hint,
Another gentle common-place or two,
Such as are coin'd in conversation's mint,
And pass, for want of better, though not new:
Then broke his packet, to see what was in 't,
And having casually glanced it through,
Retired; and, as went out, calmly kiss'd her,
Less like a young wife than an aged sister.

He was a cold, good, honourable man,
Proud of his birth, and proud of every thing;
A goodly spirit for a state divan,
A figure fit to walk before a king;
Tall, stately, form'd to lead the courtly van
On birthdays, glorious with a star and string;
The very model of a chamberlain--
And such I mean to make him when I reign.

But there was something wanting on the whole--
I don't know what, and therefore cannot tell--
Which pretty women--the sweet souls!--call soul.
Certes it was not body; he was well
Proportion'd, as a poplar or a pole,
A handsome man, that human miracle;
And in each circumstance of love or war
Had still preserved his perpendicular.

Still there was something wanting, as I've said -
That undefinable 'Je ne scais quoi,'
Which, for what I know, may of yore have led
To Homer's Iliad, since it drew to Troy
The Greek Eve, Helen, from the Spartan's bed;
Though on the whole, no doubt, the Dardan boy
Was much inferior to King Menelaus:-
But thus it is some women will betray us.

There is an awkward thing which much perplexes,
Unless like wise Tiresias we had proved
By turns the difference of the several sexes;
Neither can show quite how they would be loved.
The sensual for a short time but connects us,
The sentimental boasts to be unmoved;
But both together form a kind of centaur,
Upon whose back 'tis better not to venture.

A something all-sufficient for the heart
Is that for which the sex are always seeking:
But how to fill up that same vacant part?
There lies the rub--and this they are but weak in.
Frail mariners afloat without a chart,
They run before the wind through high seas breaking;
And when they have made the shore through every shock,
'Tis odd, or odds, it may turn out a rock.

There is a flower call'd 'Love in Idleness,'
For which see Shakspeare's everblooming garden;-
I will not make his great description less,
And beg his British godship's humble pardon,
If in my extremity of rhyme's distress,
I touch a single leaf where he is warden;-
But though the flower is different, with the French
Or Swiss Rousseau, cry 'Voila la Pervenche!'

Eureka! I have found it! What I mean
To say is, not that love is idleness,
But that in love such idleness has been
An accessory, as I have cause to guess.
Hard labour's an indifferent go-between;
Your men of business are not apt to express
Much passion, since the merchant-ship, the Argo,
Convey'd Medea as her supercargo.

'Beatus ille procul!' from 'negotiis,'
Saith Horace; the great little poet's wrong;
His other maxim, 'Noscitur a sociis,'
Is much more to the purpose of his song;
Though even that were sometimes too ferocious,
Unless good company be kept too long;
But, in his teeth, whate'er their state or station,
Thrice happy they who have an occupation!

Adam exchanged his Paradise for ploughing,
Eve made up millinery with fig leaves -
The earliest knowledge from the tree so knowing,
As far as I know, that the church receives:
And since that time it need not cost much showing,
That many of the ills o'er which man grieves,
And still more women, spring from not employing
Some hours to make the remnant worth enjoying.

And hence high life is oft a dreary void,
A rack of pleasures, where we must invent
A something wherewithal to be annoy'd.
Bards may sing what they please about Content;
Contented, when translated, means but cloy'd;
And hence arise the woes of sentiment,
Blue devils, and blue -stockings, and romances
Reduced to practice, and perform'd like dances.

I do declare, upon an affidavit,
Romances I ne'er read like those I have seen;
Nor, if unto the world I ever gave it,
Would some believe that such a tale had been:
But such intent I never had, nor have it;
Some truths are better kept behind a screen,
Especially when they would look like lies;
I therefore deal in generalities.

'An oyster may be cross'd in love,'--and why?
Because he mopeth idly in his shell,
And heaves a lonely subterraqueous sigh,
Much as a monk may do within his cell:
And a-propos of monks, their piety
With sloth hath found it difficult to dwell;
Those vegetables of the Catholic creed
Are apt exceedingly to run to seed.

O Wilberforce! thou man of black renown,
Whose merit none enough can sing or say,
Thou hast struck one immense Colossus down,
Thou moral Washington of Africa!
But there's another little thing, I own,
Which you should perpetrate some summer's day,
And set the other halt of earth to rights;
You have freed the blacks - now pray shut up the whites.

Shut up the bald-coot bully Alexander!
Ship off the Holy Three to Senegal;
Teach them that 'sauce for goose is sauce for gander,'
And ask them how they like to be in thrall?
Shut up each high heroic salamander,
Who eats fire gratis (since the pay's but small);
Shut up - no, not the King, but the Pavilion,
Or else 'twill cost us all another million.

Shut up the world at large, let Bedlam out;
And you will be perhaps surprised to find
All things pursue exactly the same route,
As now with those of soi -disant sound mind.
This I could prove beyond a single doubt,
Were there a jot of sense among mankind;
But till that point d'appui is found, alas!
Like Archimedes, I leave earth as 'twas.

Our gentle Adeline had one defect--
Her heart was vacant, though a splendid mansion;
Her conduct had been perfectly correct,
As she had seen nought claiming its expansion.
A wavering spirit may be easier wreck'd,
Because 'tis frailer, doubtless, than a stanch one;
But when the latter works its own undoing,
Its inner crash is like an earthquake's ruin.

She loved her lord, or thought so; but that love
Cost her an effort, which is a sad toil,
The stone of Sisyphus, if once we move
Our feelings 'gainst the nature of the soil.
She had nothing to complain of, or reprove,
No bickerings, no connubial turmoil:
Their union was a model to behold,
Serene and noble,--conjugal, but cold.

There was no great disparity of years,
Though much in temper; but they never clash'd:
They moved like stars united in their spheres,
Or like the Rhone by Leman's waters wash'd,
Where mingled and yet separate appears
The river from the lake, all bluely dash'd
Through the serene and placid glassy deep,
Which fain would lull its river-child to sleep.

Now when she once had ta'en an interest
In any thing, however she might flatter
Herself that her intentions were the best,
Intense intentions are a dangerous matter:
Impressions were much stronger than she guess'd,
And gather'd as they run like growing water
Upon her mind; the more so, as her breast
Was not at first too readily impress'd.

But when it was, she had that lurking demon
Of double nature, and thus doubly named -
Firmness yclept in heroes, kings, and seamen,
That is, when they succeed; but greatly blamed
As obstinacy, both in men and women,
Whene'er their triumph pales, or star is tamed:-
And 'twill perplex the casuist in morality
To fix the due bounds of this dangerous quality.

Had Buonaparte won at Waterloo,
It had been firmness; now 'tis pertinacity:
Must the event decide between the two?
I leave it to your people of sagacity
To draw the line between the false and true,
If such can e'er be drawn by man's capacity:
My business is with Lady Adeline,
Who in her way too was a heroine.

She knew not her own heart; then how should I?
I think not she was then in love with Juan:
If so, she would have had the strength to fly
The wild sensation, unto her a new one:
She merely felt a common sympathy
(I will not say it was a false or true one)
In him, because she thought he was in danger,-
Her husband's friend, her own, young, and a stranger,

She was, or thought she was, his friend - and this
Without the farce of friendship, or romance
Of Platonism, which leads so oft amiss
Ladies who have studied friendship but in France,
Or Germany, where people purely kiss.
To thus much Adeline would not advance;
But of such friendship as man's may to man be
She was as capable as woman can be.

No doubt the secret influence of the sex
Will there, as also in the ties of blood,
An innocent predominance annex,
And tune the concord to a finer mood.
If free from passion, which all friendship checks,
And your true feelings fully understood,
No friend like to a woman earth discovers,
So that you have not been nor will be lovers.

Love bears within its breast the very germ
Of change; and how should this be otherwise?
That violent things more quickly find a term
Is shown through nature's whole analogies;
And how should the most fierce of all be firm?
Would you have endless lightning in the skies?
Methinks Love's very title says enough:
How should 'the tender passion' e'er be tough?

Alas! by all experience, seldom yet
(I merely quote what I have heard from many)
Had lovers not some reason to regret
The passion which made Solomon a zany.
I've also seen some wives (not to forget
The marriage state, the best or worst of any)
Who were the very paragons of wives,
Yet made the misery of at least two lives.

I've also seen some female friends ('tis odd,
But true--as, if expedient, I could prove)
That faithful were through thick and thin, abroad,
At home, far more than ever yet was Love--
Who did not quit me when Oppression trod
Upon me; whom no scandal could remove;
Who fought, and fight, in absence, too, my battles,
Despite the snake Society's loud rattles.

Whether Don Juan and chaste Adeline
Grew friends in this or any other sense,
Will be discuss'd hereafter, I opine:
At present I am glad of a pretence
To leave them hovering, as the effect is fine,
And keeps the atrocious reader in suspense;
The surest way for ladies and for books
To bait their tender, or their tenter, hooks.

Whether they rode, or walk'd, or studied Spanish
To read Don Quixote in the original,
A pleasure before which all others vanish;
Whether their talk was of the kind call'd 'small,'
Or serious, are the topics I must banish
To the next Canto; where perhaps I shall
Say something to the purpose, and display
Considerable talent in my way.

Above all, I beg all men to forbear
Anticipating aught about the matter:
They'll only make mistakes about the fair,
And Juan too, especially the latter.
And I shall take a much more serious air
Than I have yet done, in this epic satire.
It is not clear that Adeline and Juan
Will fall; but if they do, 'twill be their ruin.

But great things spring from little:- Would you think,
That in our youth, as dangerous a passion
As e'er brought man and woman to the brink
Of ruin, rose from such a slight occasion,
As few would ever dream could form the link
Of such a sentimental situation?
You'll never guess, I 'll bet you millions, milliards--
It all sprung from a harmless game at billiards.

'Tis strange,--but true; for truth is always strange;
Stranger than fiction; if it could be told,
How much would novels gain by the exchange!
How differently the world would men behold!
How oft would vice and virtue places change!
The new world would be nothing to the old,
If some Columbus of the moral seas
Would show mankind their souls' antipodes.

What 'antres vast and deserts idle' then
Would be discover'd in the human soul!
What icebergs in the hearts of mighty men,
With self-love in the centre as their pole!
What Anthropophagi are nine of ten
Of those who hold the kingdoms in control
Were things but only call'd by their right name,
Caesar himself would be ashamed of fame.

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Canto the Fourteenth

I
If from great nature's or our own abyss
Of thought we could but snatch a certainty,
Perhaps mankind might find the path they miss --
But then 't would spoil much good philosophy.
One system eats another up, and this
Much as old Saturn ate his progeny;
For when his pious consort gave him stones
In lieu of sons, of these he made no bones.

II
But System doth reverse the Titan's breakfast,
And eats her parents, albeit the digestion
Is difficult. Pray tell me, can you make fast,
After due search, your faith to any question?
Look back o'er ages, ere unto the stake fast
You bind yourself, and call some mode the best one.
Nothing more true than not to trust your senses;
And yet what are your other evidences?

III
For me, I know nought; nothing I deny,
Admit, reject, contemn; and what know you,
Except perhaps that you were born to die?
And both may after all turn out untrue.
An age may come, Font of Eternity,
When nothing shall be either old or new.
Death, so call'd, is a thing which makes men weep,
And yet a third of life is pass'd in sleep.

IV
A sleep without dreams, after a rough day
Of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt
At once without instalments (an old way
Of paying debts, which creditors regret)
Lets out impatiently his rushing breath,
Less from disgust of life than dread of death.

V
'T is round him, near him, here, there, every where;
And there's a courage which grows out of fear,
Perhaps of all most desperate, which will dare
The worst to know it -- when the mountains rear
Their peaks beneath your human foot, and there
You look down o'er the precipice, and drear
The gulf of rock yawns -- you can't gaze a minute
Without an awful wish to plunge within it.

VI
'T is true, you don't -- but, pale and struck with terror,
Retire: but look into your past impression!
And you will find, though shuddering at the mirror
Of your own thoughts, in all their self-confession,
The lurking bias, be it truth or error,
To the unknown; a secret prepossession,
To plunge with all your fear -- but where? You know not,
And that's the reason why you'd -- or do not.

VII
But what's this to the purpose? you will say.
Gent. reader, nothing; a mere speculation,
For which my sole excuse is -- 't is my way;
Sometimes with and sometimes without occasion
I write what's uppermost, without delay:
This narrative is not meant for narration,
But a mere airy and fantastic basis,
To build up common things with common places.

VIII
You know, or don't know, that great Bacon saith,
"Fling up a straw, 't will show the way the wind blows;"
And such a straw, borne on by human breath,
Is poesy, according as the mind glows;
A paper kite which flies 'twixt life and death,
A shadow which the onward soul behind throws:
And mine's a bubble, not blown up for praise,
But just to play with, as an infant plays.

IX
The world is all before me -- or behind;
For I have seen a portion of that same,
And quite enough for me to keep in mind; --
Of passions, too, I have proved enough to blame,
To the great pleasure of our friends, mankind,
Who like to mix some slight alloy with fame;
For I was rather famous in my time,
Until I fairly knock'd it up with rhyme.

X
I have brought this world about my ears, and eke
The other; that's to say, the clergy, who
Upon my head have bid their thunders break
In pious libels by no means a few.
And yet I can't help scribbling once a week,
Tiring old readers, nor discovering new.
In youth I wrote because my mind was full,
And now because I feel it growing dull.

XI
But "why then publish?" -- There are no rewards
Of fame or profit when the world grows weary.
I ask in turn -- Why do you play at cards?
Why drink? Why read -- To make some hour less dreary.
It occupies me to turn back regards
On what I've seen or ponder'd, sad or cheery;
And what I write I cast upon the stream,
To swim or sink -- I have had at least my dream.

XII
I think that were I certain of success,
I hardly could compose another line:
So long I've battled either more or less,
That no defeat can drive me from the Nine.
This feeling 't is not easy to express,
And yet 't is not affected, I opine.
In play, there are two pleasures for your choosing --
The one is winning, and the other losing.

XIII
Besides, my Muse by no means deals in fiction:
She gathers a repertory of facts,
Of course with some reserve and slight restriction,
But mostly sings of human things and acts --
And that's one cause she meets with contradiction;
For too much truth, at first sight, ne'er attracts;
And were her object only what's call'd glory,
With more ease too she'd tell a different story.

XIV
Love, war, a tempest -- surely there's variety;
Also a seasoning slight of lucubration;
A bird's-eye view, too, of that wild, Society;
A slight glance thrown on men of every station.
If you have nought else, here's at least satiety
Both in performance and in preparation;
And though these lines should only line portmanteaus,
Trade will be all the better for these Cantos.

XV
The portion of this world which I at present
Have taken up to fill the following sermon,
Is one of which there's no description recent.
The reason why is easy to determine:
Although it seems both prominent and pleasant,
There is a sameness in its gems and ermine,
A dull and family likeness through all ages,
Of no great promise for poetic pages.

XVI
With much to excite, there's little to exalt;
Nothing that speaks to all men and all times;
A sort of varnish over every fault;
A kind of common-place, even in their crimes;
Factitious passions, wit without much salt,
A want of that true nature which sublimes
Whate'er it shows with truth; a smooth monotony
Of character, in those at least who have got any.

XVII
Sometimes, indeed, like soldiers off parade,
They break their ranks and gladly leave the drill;
But then the roll-call draws them back afraid,
And they must be or seem what they were: still
Doubtless it is a brilliant masquerade;
But when of the first sight you have had your fill,
It palls -- at least it did so upon me,
This paradise of pleasure and ennui.

XVIII
When we have made our love, and gamed our gaming,
Drest, voted, shone, and, may be, something more;
With dandies dined; heard senators declaiming;
Seen beauties brought to market by the score,
Sad rakes to sadder husbands chastely taming;
There's little left but to be bored or bore.
Witness those ci-devant jeunes hommes who stem
The stream, nor leave the world which leaveth them.

XIX
'T is said -- indeed a general complaint --
That no one has succeeded in describing
The monde, exactly as they ought to paint:
Some say, that authors only snatch, by bribing
The porter, some slight scandals strange and quaint,
To furnish matter for their moral gibing;
And that their books have but one style in common --
My lady's prattle, filter'd through her woman.

XX
But this can't well be true, just now; for writers
Are grown of the beau monde a part potential:
I've seen them balance even the scale with fighters,
Especially when young, for that's essential.
Why do their sketches fail them as inditers
Of what they deem themselves most consequential,
The real portrait of the highest tribe?
'T is that, in fact, there's little to describe.

XXI
"Haud ignara loquor;" these are Nugae, "quarum
Pars parva fui," but still art and part.
Now I could much more easily sketch a harem,
A battle, wreck, or history of the heart,
Than these things; and besides, I wish to spare 'em,
For reasons which I choose to keep apart.
"Vetabo Cereris sacrum qui vulgarit --"
Which means that vulgar people must not share it.

XXII
And therefore what I throw off is ideal --
Lower'd, leaven'd, like a history of freemasons;
Which bears the same relation to the real,
As Captain Parry's voyage may do to Jason's.
The grand arcanum's not for men to see all;
My music has some mystic diapasons;
And there is much which could not be appreciated
In any manner by the uninitiated.

XXIII
Alas! worlds fall -- and woman, since she fell'd
The world (as, since that history less polite
Than true, hath been a creed so strictly held)
Has not yet given up the practice quite.
Poor thing of usages! coerced, compell'd,
Victim when wrong, and martyr oft when right,
Condemn'd to child-bed, as men for their sins
Have shaving too entail'd upon their chins, --

XXIV
A daily plague, which in the aggregate
May average on the whole with parturition.
But as to women, who can penetrate
The real sufferings of their she condition?
Man's very sympathy with their estate
Has much of selfishness, and more suspicion.
Their love, their virtue, beauty, education,
But form good housekeepers, to breed a nation.

XXV
All this were very well, and can't be better;
But even this is difficult, Heaven knows,
So many troubles from her birth beset her,
Such small distinction between friends and foes,
The gilding wears so soon from off her fetter,
That -- but ask any woman if she'd choose
(Take her at thirty, that is) to have been
Female or male? a schoolboy or a queen?

XXVI
"Petticoat influence" is a great reproach,
Which even those who obey would fain be thought
To fly from, as from hungry pikes a roach;
But since beneath it upon earth we are brought,
By various joltings of life's hackney coach,
I for one venerate a petticoat --
A garment of a mystical sublimity,
No matter whether russet, silk, or dimity.

XXVII
Much I respect, and much I have adored,
In my young days, that chaste and goodly veil,
Which holds a treasure, like a miser's hoard,
And more attracts by all it doth conceal --
A golden scabbard on a Damasque sword,
A loving letter with a mystic seal,
A cure for grief -- for what can ever rankle
Before a petticoat and peeping ankle?

XXVIII
And when upon a silent, sullen day,
With a sirocco, for example, blowing,
When even the sea looks dim with all its spray,
And sulkily the river's ripple's flowing,
And the sky shows that very ancient gray,
The sober, sad antithesis to glowing, --
'T is pleasant, if then any thing is pleasant,
To catch a glimpse even of a pretty peasant.

XXIX
We left our heroes and our heroines
In that fair clime which don't depend on climate,
Quite independent of the Zodiac's signs,
Though certainly more difficult to rhyme at,
Because the sun, and stars, and aught that shines,
Mountains, and all we can be most sublime at,
Are there oft dull and dreary as a dun --
Whether a sky's or tradesman's is all one.

XXX
An in-door life is less poetical;
And out of door hath showers, and mists, and sleet,
With which I could not brew a pastoral.
But be it as it may, a bard must meet
All difficulties, whether great or small,
To spoil his undertaking or complete,
And work away like spirit upon matter,
Embarrass'd somewhat both with fire and water.

XXXI
Juan -- in this respect, at least, like saints --
Was all things unto people of all sorts,
And lived contentedly, without complaints,
In camps, in ships, in cottages, or courts --
Born with that happy soul which seldom faints,
And mingling modestly in toils or sports.
He likewise could be most things to all women,
Without the coxcombry of certain she men.

XXXII
A fox-hunt to a foreigner is strange;
'T is also subject to the double danger
Of tumbling first, and having in exchange
Some pleasant jesting at the awkward stranger:
But Juan had been early taught to range
The wilds, as doth an Arab turn'd avenger,
So that his horse, or charger, hunter, hack,
Knew that he had a rider on his back.

XXXIII
And now in this new field, with some applause,
He clear'd hedge, ditch, and double post, and rail,
And never craned, and made but few "faux pas,"
And only fretted when the scent 'gan fail.
He broke, 't is true, some statutes of the laws
Of hunting -- for the sagest youth is frail;
Rode o'er the hounds, it may be, now and then,
And once o'er several country gentlemen.

XXXIV
But on the whole, to general admiration
He acquitted both himself and horse: the squires
Marvell'd at merit of another nation;
The boors cried "Dang it? who'd have thought it?" -- Sires,
The Nestors of the sporting generation,
Swore praises, and recall'd their former fires;
The huntsman's self relented to a grin,
And rated him almost a whipper-in.

XXXV
Such were his trophies -- not of spear and shield,
But leaps, and bursts, and sometimes foxes' brushes;
Yet I must own -- although in this I yield
To patriot sympathy a Briton's blushes, --
He thought at heart like courtly Chesterfield,
Who, after a long chase o'er hills, dales, bushes,
And what not, though he rode beyond all price,
Ask'd next day, "If men ever hunted twice?"

XXXVI
He also had a quality uncommon
To early risers after a long chase,
Who wake in winter ere the cock can summon
December's drowsy day to his dull race, --
A quality agreeable to woman,
When her soft, liquid words run on apace,
Who likes a listener, whether saint or sinner, --
He did not fall asleep just after dinner;

XXXVII
But, light and airy, stood on the alert,
And shone in the best part of dialogue,
By humouring always what they might assert,
And listening to the topics most in vogue;
Now grave, now gay, but never dull or pert;
And smiling but in secret -- cunning rogue!
He ne'er presumed to make an error clearer; --
In short, there never was a better hearer.

XXXVIII
And then he danced -- all foreigners excel
The serious Angles in the eloquence
Of pantomime -- he danced, I say, right well,
With emphasis, and also with good sense --
A thing in footing indispensable;
He danced without theatrical pretence,
Not like a ballet-master in the van
Of his drill'd nymphs, but like a gentleman.

XXXIX
Chaste were his steps, each kept within due bound,
And elegance was sprinkled o'er his figure;
Like swift Camilla, he scarce skimm'd the ground,
And rather held in than put forth his vigour;
And then he had an ear for music's sound,
Which might defy a crotchet critic's rigour.
Such classic pas -- sans flaw -- set off our hero,
He glanced like a personified Bolero;

XL
Or, like a flying Hour before Aurora,
In Guido's famous fresco which alone
Is worth a tour to Rome, although no more a
Remnant were there of the old world's sole throne.
The tout ensemble of his movements wore a
Grace of the soft ideal, seldom shown,
And ne'er to be described; for to the dolour
Of bards and prosers, words are void of colour.

XLI
No marvel then he was a favourite;
A full-grown Cupid, very much admired;
A little spoilt, but by no means so quite;
At least he kept his vanity retired.
Such was his tact, he could alike delight
The chaste, and those who are not so much inspired.
The Duchess of Fitz-Fulke, who loved tracasserie,
Began to treat him with some small agacerie.

XLII
She was a fine and somewhat full-blown blonde,
Desirable, distinguish'd, celebrated
For several winters in the grand, grand monde.
I'd rather not say what might be related
Of her exploits, for this were ticklish ground;
Besides there might be falsehood in what's stated:
Her late performance had been a dead set
At Lord Augustus Fitz-Plantagenet.

XLIII
This noble personage began to look
A little black upon this new flirtation;
But such small licences must lovers brook,
Mere freedoms of the female corporation.
Woe to the man who ventures a rebuke!
'T will but precipitate a situation
Extremely disagreeable, but common
To calculators when they count on woman.

XLIV
The circle smiled, then whisper'd, and then sneer'd;
The Misses bridled, and the matrons frown'd;
Some hoped things might not turn out as they fear'd;
Some would not deem such women could be found;
Some ne'er believed one half of what they heard;
Some look'd perplex'd, and others look'd profound;
And several pitied with sincere regret
Poor Lord Augustus Fitz-Plantagenet.

XLV
But what is odd, none ever named the duke,
Who, one might think, was something in the affair;
True, he was absent, and, 't was rumour'd, took
But small concern about the when, or where,
Or what his consort did: if he could brook
Her gaieties, none had a right to stare:
Theirs was that best of unions, past all doubt,
Which never meets, and therefore can't fall out.

XLVI
But, oh! that I should ever pen so sad a line!
Fired with an abstract love of virtue, she,
My Dian of the Ephesians, Lady Adeline,
Began to think the duchess' conduct free;
Regretting much that she had chosen so bad a line,
And waxing chiller in her courtesy,
Look'd grave and pale to see her friend's fragility,
For which most friends reserve their sensibility.

XLVII
There's nought in this bad world like sympathy:
'T is so becoming to the soul and face,
Sets to soft music the harmonious sigh,
And robes sweet friendship in a Brussels lace.
Without a friend, what were humanity,
To hunt our errors up with a good grace?
Consoling us with -- "Would you had thought twice!
Ah, if you had but follow'd my advice!"

XLVIII
O Job! you had two friends: one's quite enough,
Especially when we are ill at ease;
They are but bad pilots when the weather's rough,
Doctors less famous for their cures than fees.
Let no man grumble when his friends fall off,
As they will do like leaves at the first breeze:
When your affairs come round, one way or t' other,
Go to the coffee-house, and take another.

XLIX
But this is not my maxim: had it been,
Some heart-aches had been spared me: yet I care not --
I would not be a tortoise in his screen
Of stubborn shell, which waves and weather wear not.
'T is better on the whole to have felt and seen
That which humanity may bear, or bear not:
'T will teach discernment to the sensitive,
And not to pour their ocean in a sieve.

L
Of all the horrid, hideous notes of woe,
Sadder than owl-songs or the midnight blast,
Is that portentous phrase, "I told you so,"
Utter'd by friends, those prophets of the past,
Who, 'stead of saying what you now should do,
Own they foresaw that you would fall at last,
And solace your slight lapse 'gainst bonos mores,
With a long memorandum of old stories.

LI
The Lady Adeline's serene severity
Was not confined to feeling for her friend,
Whose fame she rather doubted with posterity,
Unless her habits should begin to mend:
But Juan also shared in her austerity,
But mix'd with pity, pure as e'er was penn'd:
His inexperience moved her gentle ruth,
And (as her junior by six weeks) his youth.

LII
These forty days' advantage of her years --
And hers were those which can face calculation,
Boldly referring to the list of peers
And noble births, nor dread the enumeration --
Gave her a right to have maternal fears
For a young gentleman's fit education,
Though she was far from that leap year, whose leap,
In female dates, strikes Time all of a heap.

LIII
This may be fix'd at somewhere before thirty --
Say seven-and-twenty; for I never knew
The strictest in chronology and virtue
Advance beyond, while they could pass for new.
O Time! why dost not pause? Thy scythe, so dirty
With rust, should surely cease to hack and hew.
Reset it; shave more smoothly, also slower,
If but to keep thy credit as a mower.

LIV
But Adeline was far from that ripe age,
Whose ripeness is but bitter at the best:
'T was rather her experience made her sage,
For she had seen the world and stood its test,
As I have said in -- I forget what page;
My Muse despises reference, as you have guess'd
By this time -- but strike six from seven-and-twenty,
And you will find her sum of years in plenty.

LV
At sixteen she came out; presented, vaunted,
She put all coronets into commotion:
At seventeen, too, the world was still enchanted
With the new Venus of their brilliant ocean:
At eighteen, though below her feet still panted
A hecatomb of suitors with devotion,
She had consented to create again
That Adam, call'd "The happiest of men."

LVI
Since then she had sparkled through three glowing winters,
Admired, adored; but also so correct,
That she had puzzled all the acutest hinters,
Without the apparel of being circumspect:
They could not even glean the slightest splinters
From off the marble, which had no defect.
She had also snatch'd a moment since her marriage
To bear a son and heir -- and one miscarriage.

LVII
Fondly the wheeling fire-flies flew around her,
Those little glitterers of the London night;
But none of these possess'd a sting to wound her --
She was a pitch beyond a coxcomb's flight.
Perhaps she wish'd an aspirant profounder;
But whatsoe'er she wish'd, she acted right;
And whether coldness, pride, or virtue dignify
A woman, so she's good, what does it signify?

LVIII
I hate a motive, like a lingering bottle
Which with the landlord makes too long a stand,
Leaving all-claretless the unmoisten'd throttle,
Especially with politics on hand;
I hate it, as I hate a drove of cattle,
Who whirl the dust as simooms whirl the sand;
I hate it, as I hate an argument,
A laureate's ode, or servile peer's "content."

LIX
'T is sad to hack into the roots of things,
They are so much intertwisted with the earth;
So that the branch a goodly verdure flings,
I reck not if an acorn gave it birth.
To trace all actions to their secret springs
Would make indeed some melancholy mirth;
But this is not at present my concern,
And I refer you to wise Oxenstiern.

LX
With the kind view of saving an éclat,
Both to the duchess and diplomatist,
The Lady Adeline, as soon's she saw
That Juan was unlikely to resist
(For foreigners don't know that a faux pas
In England ranks quite on a different list
From those of other lands unblest with juries,
Whose verdict for such sin a certain cure is); --

LXI
The Lady Adeline resolved to take
Such measures as she thought might best impede
The farther progress of this sad mistake.
She thought with some simplicity indeed;
But innocence is bold even at the stake,
And simple in the world, and doth not need
Nor use those palisades by dames erected,
Whose virtue lies in never being detected.

LXII
It was not that she fear'd the very worst:
His Grace was an enduring, married man,
And was not likely all at once to burst
Into a scene, and swell the clients' clan
Of Doctors' Commons: but she dreaded first
The magic of her Grace's talisman,
And next a quarrel (as he seem'd to fret)
With Lord Augustus Fitz-Plantagenet.

LXIII
Her Grace, too, pass'd for being an intrigante,
And somewhat méchante in her amorous sphere;
One of those pretty, precious plagues, which haunt
A lover with caprices soft and dear,
That like to make a quarrel, when they can't
Find one, each day of the delightful year;
Bewitching, torturing, as they freeze or glow,
And -- what is worst of all -- won't let you go:

LXIV
The sort of thing to turn a young man's head,
Or make a Werter of him in the end.
No wonder then a purer soul should dread
This sort of chaste liaison for a friend;
It were much better to be wed or dead,
Than wear a heart a woman loves to rend.
'T is best to pause, and think, ere you rush on,
If that a bonne fortune be really bonne.

LXV
And first, in the o'erflowing of her heart,
Which really knew or thought it knew no guile,
She call'd her husband now and then apart,
And bade him counsel Juan. With a smile
Lord Henry heard her plans of artless art
To wean Don Juan from the siren's wile;
And answer'd, like a statesman or a prophet,
In such guise that she could make nothing of it.

LXVI
Firstly, he said, "he never interfered
In any body's business but the king's:"
Next, that "he never judged from what appear'd,
Without strong reason, of those sort of things:"
Thirdly, that "Juan had more brain than beard,
And was not to be held in leading strings;"
And fourthly, what need hardly be said twice,
"That good but rarely came from good advice."

LXVII
And, therefore, doubtless to approve the truth
Of the last axiom, he advised his spouse
To leave the parties to themselves, forsooth --
At least as far as bienséance allows:
That time would temper Juan's faults of youth;
That young men rarely made monastic vows;
That opposition only more attaches --
But here a messenger brought in despatches:

LXVIII
And being of the council call'd "the Privy,"
Lord Henry walk'd into his cabinet,
To furnish matter for some future Livy
To tell how he reduced the nation's debt;
And if their full contents I do not give ye,
It is because I do not know them yet;
But I shall add them in a brief appendix,
To come between mine epic and its index.

LXIX
But ere he went, he added a slight hint,
Another gentle common-place or two,
Such as are coin'd in conversation's mint,
And pass, for want of better, though not new:
Then broke his packet, to see what was in 't,
And having casually glanced it through,
Retired; and, as went out, calmly kiss'd her,
Less like a young wife than an agéd sister.

LXX
He was a cold, good, honourable man,
Proud of his birth, and proud of every thing;
A goodly spirit for a state divan,
A figure fit to walk before a king;
Tall, stately, form'd to lead the courtly van
On birthdays, glorious with a star and string;
The very model of a chamberlain --
And such I mean to make him when I reign.

LXXI
But there was something wanting on the whole --
I don't know what, and therefore cannot tell --
Which pretty women -- the sweet souls -- call soul.
Certes it was not body; he was well
Proportion'd, as a poplar or a pole,
A handsome man, that human miracle;
And in each circumstance of love or war
Had still preserved his perpendicular.

LXXII
Still there was something wanting, as I 've said --
That undefinable "Je ne sçais quoi,"
Which, for what I know, may of yore have led
To Homer's Iliad, since it drew to Troy
The Greek Eve, Helen, from the Spartan's bed;
Though on the whole, no doubt, the Dardan boy
Was much inferior to King Menelaüs: --
But thus it is some women will betray us.

LXXIII
There is an awkward thing which much perplexes,
Unless like wise Tiresias we had proved
By turns the difference of the several sexes;
Neither can show quite how they would be loved.
The sensual for a short time but connects us,
The sentimental boasts to be unmoved;
But both together form a kind of centaur,
Upon whose back 't is better not to venture.

LXXIV
A something all-sufficient for the heart
Is that for which the sex are always seeking:
But how to fill up that same vacant part?
There lies the rub -- and this they are but weak in.
Frail mariners afloat without a chart,
They run before the wind through high seas breaking;
And when they have made the shore through every shock,
'T is odd, or odds, it may turn out a rock.

LXXV
There is a flower call'd "Love in Idleness,"
For which see Shakspeare's everblooming garden; --
I will not make his great description less,
And beg his British godship's humble pardon,
If in my extremity of rhyme's distress,
I touch a single leaf where he is warden; --
But though the flower is different, with the French
Or Swiss Rousseau, cry "Voilà la Pervenche!"

LXXVI
Eureka! I have found it! What I mean
To say is, not that love is idleness,
But that in love such idleness has been
An accessory, as I have cause to guess.
Hard labour's an indifferent go-between;
Your men of business are not apt to express
Much passion, since the merchant-ship, the Argo,
Convey'd Medea as her supercargo.

LXXVII
"Beatus ille procul!" from "negotiis,"
Saith Horace; the great little poet's wrong;
His other maxim, "Noscitur a sociis,"
Is much more to the purpose of his song;
Though even that were sometimes too ferocious,
Unless good company be kept too long;
But, in his teeth, whate'er their state or station,
Thrice happy they who have an occupation!

LXXVIII
Adam exchanged his Paradise for ploughing,
Eve made up millinery with fig leaves --
The earliest knowledge from the tree so knowing,
As far as I know, that the church receives:
And since that time it need not cost much showing,
That many of the ills o'er which man grieves,
And still more women, spring from not employing
Some hours to make the remnant worth enjoying.

LXXIX
And hence high life is oft a dreary void,
A rack of pleasures, where we must invent
A something wherewithal to be annoy'd.
Bards may sing what they please about Content;
Contented, when translated, means but cloy'd;
And hence arise the woes of sentiment,
Blue devils, and blue-stockings, and romances
Reduced to practice, and perform'd like dances.

LXXX
I do declare, upon an affidavit,
Romances I ne'er read like those I have seen;
Nor, if unto the world I ever gave it,
Would some believe that such a tale had been:
But such intent I never had, nor have it;
Some truths are better kept behind a screen,
Especially when they would look like lies;
I therefore deal in generalities.

LXXXI
"An oyster may be cross'd in love" -- and why?
Because he mopeth idly in his shell,
And heaves a lonely subterraqueous sigh,
Much as a monk may do within his cell:
And à-propos of monks, their piety
With sloth hath found it difficult to dwell;
Those vegetables of the Catholic creed
Are apt exceedingly to run to seed.

LXXXII
O Wilberforce! thou man of black renown,
Whose merit none enough can sing or say,
Thou hast struck one immense Colossus down,
Thou moral Washington of Africa!
But there's another little thing, I own,
Which you should perpetrate some summer's day,
And set the other half of earth to rights;
You have freed the blacks -- now pray shut up the whites.

LXXXIII
Shut up the bald-coot bully Alexander!
Ship off the Holy Three to Senegal;
Teach them that "sauce for goose is sauce for gander,"
And ask them how they like to be in thrall?
Shut up each high heroic salamander,
Who eats fire gratis (since the pay's but small);
Shut up -- no, not the King, but the Pavilion,
Or else 't will cost us all another million.

LXXXIV
Shut up the world at large, let Bedlam out;
And you will be perhaps surprised to find
All things pursue exactly the same route,
As now with those of soi-disant sound mind.
This I could prove beyond a single doubt,
Were there a jot of sense among mankind;
But till that point d'appui is found, alas!
Like Archimedes, I leave earth as 't was.

LXXXV
Our gentle Adeline had one defect --
Her heart was vacant, though a splendid mansion;
Her conduct had been perfectly correct,
As she had seen nought claiming its expansion.
A wavering spirit may be easier wreck'd,
Because 't is frailer, doubtless, than a stanch one;
But when the latter works its own undoing,
Its inner crash is like an earthquake's ruin.

LXXXVI
She loved her lord, or thought so; but that love
Cost her an effort, which is a sad toil,
The stone of Sisyphus, if once we move
Our feelings 'gainst the nature of the soil.
She had nothing to complain of, or reprove,
No bickerings, no connubial turmoil:
Their union was a model to behold,
Serene and noble -- conjugal, but cold.

LXXXVII
There was no great disparity of years,
Though much in temper; but they never clash'd:
They moved like stars united in their spheres,
Or like the Rhone by Leman's waters wash'd,
Where mingled and yet separate appears
The river from the lake, all bluely dash'd
Through the serene and placid glassy deep,
Which fain would lull its river-child to sleep.

LXXXVIII
Now when she once had ta'en an interest
In any thing, however she might flatter
Herself that her intentions were the best,
Intense intentions are a dangerous matter:
Impressions were much stronger than she guess'd,
And gather'd as they run like growing water
Upon her mind; the more so, as her breast
Was not at first too readily impress'd.

LXXXIX
But when it was, she had that lurking demon
Of double nature, and thus doubly named --
Firmness yclept in heroes, kings, and seamen,
That is, when they succeed; but greatly blamed
As obstinacy, both in men and women,
Whene'er their triumph pales, or star is tamed: --
And 't will perplex the casuist in morality
To fix the due bounds of this dangerous quality.

XC
Had Buonaparte won at Waterloo,
It had been firmness; now 't is pertinacity:
Must the event decide between the two?
I leave it to your people of sagacity
To draw the line between the false and true,
If such can e'er be drawn by man's capacity:
My business is with Lady Adeline,
Who in her way too was a heroine.

XCI
She knew not her own heart; then how should I?
I think not she was then in love with Juan:
If so, she would have had the strength to fly
The wild sensation, unto her a new one:
She merely felt a common sympathy
(I will not say it was a false or true one)
In him, because she thought he was in danger, --
Her husband's friend, her own, young, and a stranger,

XCII
She was, or thought she was, his friend -- and this
Without the farce of friendship, or romance
Of Platonism, which leads so oft amiss
Ladies who have studied friendship but in France,
Or Germany, where people purely kiss.
To thus much Adeline would not advance;
But of such friendship as man's may to man be
She was as capable as woman can be.

XCIII
No doubt the secret influence of the sex
Will there, as also in the ties of blood,
An innocent predominance annex,
And tune the concord to a finer mood.
If free from passion, which all friendship checks,
And your true feelings fully understood,
No friend like to a woman earth discovers,
So that you have not been nor will be lovers.

XCIV
Love bears within its breast the very germ
Of change; and how should this be otherwise?
That violent things more quickly find a term
Is shown through nature's whole analogies;
And how should the most fierce of all be firm?
Would you have endless lightning in the skies?
Methinks Love's very title says enough:
How should "the tender passion" e'er be tough?

XCV
Alas! by all experience, seldom yet
(I merely quote what I have heard from many)
Had lovers not some reason to regret
The passion which made Solomon a zany.
I've also seen some wives (not to forget
The marriage state, the best or worst of any)
Who were the very paragons of wives,
Yet made the misery of at least two lives.

XCVI
I've also seen some female friends ('t is odd,
But true -- as, if expedient, I could prove)
That faithful were through thick and thin, abroad,
At home, far more than ever yet was Love --
Who did not quit me when Oppression trod
Upon me; whom no scandal could remove;
Who fought, and fight, in absence, too, my battles,
Despite the snake Society's loud rattles.

XCVII
Whether Don Juan and chaste Adeline
Grew friends in this or any other sense,
Will be discuss'd hereafter, I opine:
At present I am glad of a pretence
To leave them hovering, as the effect is fine,
And keeps the atrocious reader in suspense;
The surest way for ladies and for books
To bait their tender, or their tenter, hooks.

XCVIII
Whether they rode, or walk'd, or studied Spanish
To read Don Quixote in the original,
A pleasure before which all others vanish;
Whether their talk was of the kind call'd "small,"
Or serious, are the topics I must banish
To the next Canto; where perhaps I shall
Say something to the purpose, and display
Considerable talent in my way.

XCIX
Above all, I beg all men to forbear
Anticipating aught about the matter:
They'll only make mistakes about the fair,
And Juan too, especially the latter.
And I shall take a much more serious air
Than I have yet done, in this epic satire.
It is not clear that Adeline and Juan
Will fall; but if they do, 't will be their ruin.

C
But great things spring from little -- Would you think,
That in our youth, as dangerous a passion
As e'er brought man and woman to the brink
Of ruin, rose from such a slight occasion,
As few would ever dream could form the link
Of such a sentimental situation?
You'll never guess, I'll bet you millions, milliards --
It all sprung from a harmless game at billiards.

CI
'T is strange -- but true; for truth is always strange;
Stranger than fiction; if it could be told,
How much would novels gain by the exchange!
How differently the world would men behold!
How oft would vice and virtue places change!
The new world would be nothing to the old,
If some Columbus of the moral seas
Would show mankind their souls' antipodes.

CII
What "antres vast and deserts idle" then
Would be discover'd in the human soul!
What icebergs in the hearts of mighty men,
With self-love in the centre as their pole!
What Anthropophagi are nine of ten
Of those who hold the kingdoms in control
Were things but only call'd by their right name,
Cæsar himself would be ashamed of fame.

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There are two great pleasures in gambling: winning and losing.

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There are two great pleasures in gambling: that of winning and that of losing.

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Neil Gaiman

So the Comic Book Legal Defense Fund is out there preserving and fighting for, and sometimes winning and sometimes losing, the fight for First Amendment rights in comics and, more generally, for freedom of speech.

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When God loves a creature he wants the creature to know the highest happiness and the deepest misery He wants him to know all that being alive can bring. That is his best gift. There is no happiness save in understanding the whole.

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I think what coaching is all about, is taking players and analyzing there ability, put them in a position where they can excel within the framework of the team winning. And I hope that I've done that in my 33 years as a head coach.

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If you can react the same way to winning and losing, that's a big accomplishment. That quality is important because it stays with you the rest of your life, and there's going to be a life after tennis that's a lot longer than your tennis life.

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There is a set of religious, or rather moral, writings which teach that virtue is the certain road to happiness, and vice to misery in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that it is not true.

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Habits

Habits interest my cruelty,
Going like second nature
And the memory of size.
Through reason is happiness
Thrilling, winning and wonderful
To obsess.
Why do habits be so ancient?
And is there ending to few of them
That it is faced by them,
That I myself can have it anyway?
What? The habit. The habit.

Is it custom to endanger us with the wrong
Habits?

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Alas! This Is Not What I Thought Life Was

Alas! this is not what I thought life was.
I knew that there were crimes and evil men,
Misery and hate; nor did I hope to pass
Untouched by suffering, through the rugged glen.
In mine own heart I saw as in a glass
The hearts of others ... And when
I went among my kind, with triple brass
Of calm endurance my weak breast I armed,
To bear scorn, fear, and hate, a woful mass!

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The Usual Story...

and then the problem comes
after the meeting of the
the turtle and the rabbit
after the winning and the losing
to each priority
the rabbit to the bushes
to the river the turtle goes

there is no saying that
after all, the warning is given
personally, the rabbit will
always remember
and so does the turtle
there is no point of reconciliation

the facts of life are here again
nothing to lose nothing to gain.

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Today

dwell on the left side of your brain
learn the art of everything,
of winning and losing
of giving and taking

learn the art of loving
emote, denote, connote
appreciate what this world
is all about
rotate, collide, vibrate,
revolve, evolve, devolve
involve, indulge,

drink what dew and nectar is there
be happy
if literal must i be
join the bees
fly with the wind and the butterflies

why not? you are young
and the world is not that old enough
not to understand.

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Who Should I Write

When I want to write history
Apparently there are many facets that must be written
Side of the Master, winner of the war
Side of Mr. Small, who lost the war

But his position could be reversed
Mr. Little and Mr. Big winners who lost
Winning and losing in war is common
But the victim is always

the common people, who have sacrificed everything
gentlemen for gentlemen
or a victim of the ideas that are still abstract
the problem is not that common people

clothing, food, shelter
and education

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Angel

Gotta find me an angel
To fly away with me
Gotta find me an angel
Who set me free
My heart is without a home
I dont want to be alone
Gotta find me an angel
In my life
Too long have I loved
So unattached within
So much that I learn
That I need somebody so
Still Ill just go on
Hoping that Ill find someone
Gotta find me an angel in my life
I know there must be someone someone for me
Ive lived too long without the love of someone
And theres no misery like the misery I feel in me
Gotta find me an angel in my life
Shell be there now dont you worry
Keep looking now just keep looking

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