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Shakespeare was a dramatist of note who lived by writing things to quote.

quote by H.C. Bunner
Added by Lucian Velea
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Dont Quote Me On That

Its all eggs bacon beans and a fried slice.
Did you see the one, yeah yeah,
The one they wrote in the paper just the other day,
Well, well would you believe it,
Well what I said, they took it all the wrong way.
Now youve gotta be careful, bout what you say,
Cos theyve got a bad habit
Were you reading in between the lines?
Or is that what I said? , now I just cant remember
They seem to have a very good memory though
But as far as Im concerned, as as far as Im concerned
You don;t have to be black white, chinese or anything really
Just enjoy, shut up, listen and dance...
Its all eggs bacon beans and a fried slice
Dont quote me on that, dont quote me on that
Dont quote me on that, please dont quote me
Dont quote me on that
Dont quote me on that
Hey hey, you know something, I said I liked that guy,
But thats not what I read in the paper
I dont have anything against them,
Its just eggs bacon and a fried slice
Dont quote me on that dont quote me on that
Dont quote me on that please dont quote me
Dont quoe me on that
Dont quote me on that.
You know, now we get worried about what we say
We shouldnt be that way
You know, I dont care who comes,
Cos as far as Im concerned,
Its, eggs bacon beans and a fried slice
Dont quote me on that
Dontr quote me on that
Please dont quote me
Mama mama, you know Im still friends with mickey
They say I shouldnt like him anymore, because Im all white,
Well hes allright by me
Dont quote me on that
Please dont quote me
Dont quote me on that
Dont quote me on that
Now what I do, I bring all my old friends along to see the show
And if you have the wrong ideas well,
Its all eggs bacon beans and a fried slice
Dont quote me on that oh no
(dont quote me on that)
Please dont quote me
(dont quote me on that)
I never said that
(dont quote me on that)

[...] Read more

song performed by Madness
Added by Lucian Velea
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Truth and the Devil

The devil unstoppably took pride in salaciously writing; the book of
obnoxious caste-creed and venomously penalizing hatred,

The devil unstoppably took pride in acrimoniously writing; the book of
indiscriminate bloodshed and disastrously traumatizing ruthlessness,

The devil unstoppably took pride in vengefully writing; the book of
tyrannical devastation and lecherously bellicose orphaning,

The devil unstoppably took pride in fretfully writing; the book of
vindictive war and satanically criminal holocausts,

The devil unstoppably took pride in maliciously writing; the book of
coldblooded barbarism and manipulatively bizarre malice,

The devil unstoppably took pride in forlornly writing; the book of
worthless
ghosts and mortuaries brutally anointed with fresh blood,

T The devil unstoppably took pride in indigently writing; the book of
nonchalant spuriousness and fecklessly insipid meaninglessness,

The devil unstoppably took pride in torturously writing; the book of
ominous
animosity and hedonistically pugnacious illwill,

The devil unstoppably took pride in dictatorially writing; the book of
licentious bawdiness and insanely threadbare nothingness,

The devil unstoppably took pride in heinously writing; the book of
lascivious poverty and baselessly crippling uncertainty,

The devil unstoppably took pride in savagely writing; the book of
despicable
defeat and lethally ballistic atrociousness,

The devil unstoppably took pride in raunchily writing; the book of
dolorous
delinquency and insidiously slandering betrayal,

The devil unstoppably took pride in preposterously writing; the book of
scurrilous lunatism and barbarously incarcerating fiendishness,

The devil unstoppably took pride in frigidly writing; the book of
jejune
mockery and impudently castigating brazenness,

The devil unstoppably took pride in heartlessly writing; the book of
ghastly
bloodshed and indefatigably bombarding politics,

[...] Read more

poem by Nikhil Parekh
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Sonnet Cycle to M C after W S Sonnets CXXXI - CXXXIX

Sonnet Cycle to M C after William Shakespeare Sonnets CXXXI - CLIV

[c] Jonathan Robin

CARE IS OUR DREAM

Sonnet Cycle after William Shakespeare: Part II
Sonnets CXXXI - CLIV

Shakespeare Sonnet CXXXI

Thou art so tyrannous, so as thou art,
As those whose beauties proudly make them cruel;
For well thou know'st to my dear doting heart
Thou art the fairest and most precious jewel.
Yet, in good faith, some say that thee behold,
Thy face hath not the power to make love groan;
To say they err I dare not be so bold,
Although I swear it to myself alone.
And to be sure that is not false, I swear,
A thousand groans, but thinking on thy face,
One on another's neck, do witness bear
Thy black is fairest in my judgement's place.
In nothing art thou black save in thy deeds,
And thence this slander, as I think, proceeds.

Sonnet CXXXI
Swift in succession fleet speed thoughts when I
Allow time to rhyme contemplating smile.
Nefertiti resignèdly would cry
Grieving 'Quits' obliged to reconcile
To defeat, a feat none else dare try.
Outer skin and inner heart worthwhile
Most naturally ally I testify,
Adopt love’s truth to heart, scorn art and style.
Millions shudder – to your rank unworthy -
Aware all their priorities weigh zilch,
Understatements glib by small minds scurvy,
Deprived of value still your fame they’d filch.
Enshadowed, dark, stark dead their teeming dreams
Compelled to spell fell shutters, failing themes.

Shakespeare Sonnet CXXXII

Thine eyes I love, and they, as pitying me,
Knowing thy heart torments me with disdain,
Have put on black and ivory mourner she,
Looking with pretty ruth upon my pain.
And truly not the morning sun of heaven
Better becomes the grey cheeks of the east,

[...] Read more

poem by Jonathan Robin
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When I wasn't breathing

When I wasn’t blissfully snoring; I was still inexhaustibly writing a
cistern of stupendously rhapsodic and gloriously majestic Immortal Love
Poetry,

When I wasn’t unsurpassably fantasizing; I was still inexhaustibly
writing a
garden of ingeniously magical and miraculously mitigating Immortal Love
Poetry,

When I wasn’t superbly adventuring; I was still inexhaustibly writing
an
ocean of bountifully resplendent and timelessly undefeated Immortal
Love
Poetry,

When I wasn’t scrumptiously relishing; I was still inexhaustibly
writing a
playground of optimistically enlightening and unbelievably royal
Immortal
Love Poetry,

When I wasn’t limitlessly triumphing; I was still inexhaustibly writing
a
cascade of beautifully panoramic and effulgently liberating Immortal
Love
Poetry,

When I wasn’t pricelessly smiling; I was still inexhaustibly writing a
lantern of unendingly vibrant and inscrutably tantalizing Immortal Love
Poetry,

When I wasn’t gloriously partying; I was still inexhaustibly writing a
paradise of eternally vivacious and pristinely redolent Immortal Love
Poetry,

When I wasn’t unassailably inspiring; I was still inexhaustibly writing
a
festoon of incredulously ameliorating and perpetually compassionate
Immortal
Love Poetry,

When I wasn’t magnanimously feasting; I was still inexhaustibly writing
a
cocoon of symbiotically philanthropic and ubiquitously coalescing
Immortal
Love Poetry,

When I wasn’t ebulliently fornicating; I was still inexhaustibly
writing a
mist of wonderfully reinvigorating and blessedly burgeoning Immortal

[...] Read more

poem by Nikhil Parekh
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Quote the raven

quote the raven terrorist more
killed 3000 people
quote the raven terrorist more
next time kill a million people
quote the raven terrorist more

blow up planes on both shores
quote the raven terrorist more
women and children of usa feel the scorn
quote the raven terrorist more

shopping and laughing in a mall boom
quote the raven terrorist more
ride a bus take a train not going to get there
quote the raven terrorist more

wont stop till the west is like sun
people who are diffrent all done
not our beliefs our way of life
then burn in the fires of hell you live a dammed life
but allah has a surprize for you in your so called after life
that you will be just dead, you dont get to live another life
so go ahead kill all of us if you must
we are all going to heaven that you can trust
quote the raven terrorist more

poem by Vincent Armone
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Shakespeare Daughter's Hungry Street

Jules travelled down smoking art surreal street
to explore bohemian style flavoured beat.
Where all the noble artist souls are found
carrying her doves heart, she was stage bound.
Down to Shakespeare daughter's hungry street.

Jazz sax soared art savouring lovers danced.
Midget naked dancing twin brothers pranced.
Fire eater sister showed her fiery flash style.
Marching the military two step erotic mile.
Down upon Shakespeare daughter's hungry street.

Some priest held paintings of narrow grief.
Some lovers carried crosses of their belief.
Some miracle workers photographed their smile.
Some frozen suit prophets flaunted their style.
Down upon Shakespeare daughter's hungry street.

The red body wine skull shape face glowed.
Humanities blood of experience muse flowed.
Sax and ghost trumpeter explore reality theme.
Every jazz hip poet was singing up wild scene.
Down upon Shakespeare daughter's hungry street.

Some choir angels sung 'let humanity be heard'.
Redemptions poems quote reality to disturb.
Let the high barbed pitched tongues glow.
Artist dreams and mad sanity will overflow.
Down upon Shakespeare daughter's hungry street.

The immaculate dripping sky turned bright red.
Some saint laughed loud, cool your aching head.
Poets, junkies, taxman, lovers played high dice.
Each and every sister painted their own paradise.
Down upon Shakespeare daughter's hungry street.

Drinking her own redemption flavour wine divine.
Slept childlike and woke mysteriously to fine.
The seven stone evangelist had shifted outa town.
The sculptured Valentino had fallen nose down.
Down upon Shakespeare daughter's hungry street.

Jules travelled down smoking art valley street.
To savour bohemian flavour feel burning heat,
but finally her natural innocence was blown.
All the poets ritual seers faces had flown.
Down to Shakespeare daughter's hungry street.

poem by Wayne Falconer
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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

[...] Read more

poem by Robert Browning from Men and Women (1855)
Added by Veronica Serbanoiu
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Writing To

Writing to feel
Writing to heal
Writing to steal
Writing every emotion..
With such a white background.
It makes no sound
Even as the keys I pound.
Let my words have bite
Let from my words drip out meanings beyond meanings
Its something I try to be constantly be achieving.

Writing to feel
Writing to heal
Writing to steal
I want every heart and mind
Sucked in cause this is my world stage
No sense of the time.
Never to turn the page
Stuck in to a world oh so oh so fine

Writing to feel
Writing to heal
Writing to steal
Listen to her melody, as she sings.
Let chaos reign down from the skies
What will this day really bring?
Will the letter say good bye?
Will it mend everything?

Making everything better.
Destroying all the consequences
That exist in your world.
Welcome to the place I visit daily.
Inspirational maddness,
It attacks, attacks, and attacks.
With perfect sadness
I must let go once more.
And then the words hit the floor

Writing to feel
Writing to heal.
Writing to steal.
Becoming one with my soul.
Fighting for its one and only control.
Its mine, Its mine. Its mine.
In this reality it subsequently is not
A constant questioning of what?

Writing to feel
Writing to heal.

[...] Read more

poem by Ace Of Black Hearts
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I quote the mornings/Citiram jutra

I quote the mornings and awakening
And a sunbeam exploding in a treetop
I quote an old hope between my lips
And the fall of the sun down the abysses of the twilight
I quote the fire that cannot be extinct
In the torches of a cave-like current
The mark of the light on the palm of my hand
And the ashes of my future
I quote the passion of an eye
Destructive and horrifying
Fearing eyesight
I quote the alphabet that goes beyond words
Inexpressibility of every alpha and beta
Gamma and delta
I quote a life
And within my bosom I quote a fear
That everything will remain just a quotation

Citiram jutra i budjenje
I zrak sunca raspuknut u krošnji
Citiram nadu ostarjelu medju prstima
I pad sunca u sunovrate sumraka
Citiram vatru neugasivu
U bakljama pecinskog toka
I trag svjetlosti na dlanu
I pepeo svoje buducnosti
Citiram strast oka razornu i strašnu
Pred kojom strepi pogled
Citiram azbuku koja nadilazi rijeci
Neizrecivost svakog alfa i beta
Gama i delta
Citiram život i u njedrima ko guju gajim strah
Da ce sve ostati u citatnosti

poem by Miroslava Odalovic
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Sonnet LX - Variations In Imitation - after William Shakespeare

See below W S Sonnet LX for English and French variations

Sonnet LX

Like as the waves make towards the pebbled shore
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity, once in the main of light
Crawls to maturity, wherewith being crown’d,
Crooked eclipses ‘gainst his glory fight
And Time that gave doth now his gift confound.
Time doth transfix the flourish set on youth
And delves the parallels in beauty’s brow
Feeds on the rareities of Nature’s truth,
And nothing stands but for his scythe to mow;
And yet to times in hope my verse shall stand,
Praising thy worth despite his cruel hand.

William SHAKESPEARE shak1_0008_shak1_0000 PST_DZX
________________________

So nnet LX Imitation - Par Vagues

Par vagues, s’approchant à la rive pierreuse,
Nos instants précieux écument leur destin,
Chacun son précédent remplaçant en chemin,
Le tout se bousculant - avancée périlleuse.
Le Temps notre jeunesse avale et l’âme heureuse,
Avance, et, mûrissant, se voit sacrée: sa main
Dispute nos chansons, gloires d’antan, - déclin
Que le faucheur étale, éclipse malheureuse.
Le Temps reprend ses dons, de profonds sillons creuse,
Des affronts forts profonds au front jadis si saint,
En dévorant les traces de notre grâce éteinte,
Aucun ne faisant face à sa fauche rieuse!
Pourtant malgré le Temps, sa main sans pitié,
Ces lignes attendent un jour coulant de vérité.

15 December 1991 revised 2005 robi3_0508_shak1_0008 PFT_DZX see robi3_0654
Translation William SHAKESPEARE – Sonnet LX for previous version see below

__________________

Sonnet LX

Ainsi qu’aux vagues visant la rive pierreuse,
Nos instants précieux se hâtent vers leur destin,
Chacun son précedent remplaçant en chemin,

[...] Read more

poem by Jonathan Robin
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Whos Been Writing On The Wall Again

Someone keeps on telling me how much he loves me so
Writes it on the wall outside so I will always know
Whos been writing on the wall again
Whos been writing on the wall again
Whos been writing on the wall again
Lori, I love you , lori, I love you
Evry evening I come home , its waiting there for me
Three little words, one little voice , someone I cant see
Whos been writing on the wall again
Whos been writing on the wall again
Whos been writing on the wall again
Lori , I love you , lori , I love you
Is he tall or is he small
I wonder what his game is
I wish hes write it on the wall
And tell me what his name is
I dont know if his hair is blonde or if his eyes are blue
But I know that when I meet him ,Im gonna love him too
Whos been writing on the wall again
Whos been writing on the wall again
Whos been writing on the wall again
Lori , I love you , lori , I love you
Is he tall or is he small
I wonder what his game is
I wish hed write it on the wall
And tell me what his name is
I dont know if his hair is blonde or if his eyes are blue
But I know that when meet him , Im gonna love him too
Whos been writing on the wall again
Whos been writing on the wall again
Whos been writing on the wall again
Lori , I love you , lori , I love you
Whos been writing on the wall again
Whos been writing on the wall again (fade)

song performed by Bee Gees
Added by Lucian Velea
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Something

I'm writing in hope for something with sweet melody,
A rhythm that can be felt,
A beauty that can be read.
With words flowing like water over rocks,
Steadily without fault or obstruction.
A liquid in its purest state.

I'm writing in hope for something with sweet remembrance,
Like the scent of falling rain,
Or the memorable sound of a mothers cooing voice.
Something so memorable,
The slightest reminder sends you back to the exact moment,
Replaying in unbroken pattern of mind.

I'm writing in hope for something spectacular to happen,
For my words to form a feeling so deep they hurt,
For each image to be as clear as these words on this paper.
I want you to feel what I feel,
A feeling of lonely discontent,
Sitting alone in my own my own world, writing away.

I am writing this in hope for something to stick with you,
A message or a meaning that I've hidden inside a syllable,
A voice of reason that you have kept from yourself,
Silenced with the voice of your shallow desires.
A dream that you once had forgotten,
Lost in the darkness of the night.

I am writing this in hope for something to be brought to light.
Maybe a buried thought that you wish you never had,
Or an inner conflict that you hadn't noticed but feel tearing apart your skin,
Even an aspiration you promised to live up to but left to die.
Something so lost in the world of your mind,
Swallowed by deep chasms of thought and memory.

I am writing this in hope of telling a story.
The story of a world that can only be imagined in a dark room,
Hidden from the world and apart from anything else.
The story of a broken heart of a shortened life,
The story of the silent cries of a lost soul reaching for sanity.
My own story, perhaps, or even yours, is this your story?

I am writing in hope of making your thoughts and feelings dance,
A slow and steady music in the background,
Propelling your eyes left to right and back again.
Following the steps of each word,
The flow off each line and stanza.
An endless waltz with the reader and the writer, will you dance with me?

I am writing in hope of making an impression on your mind,

[...] Read more

poem by Bethany Maxwell
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Imitations of Horace: The First Epistle of the Second Book

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;
How shall the Muse, from such a monarch steal
An hour, and not defraud the public weal?
Edward and Henry, now the boast of fame,
And virtuous Alfred, a more sacred name,
After a life of gen'rous toils endur'd,
The Gaul subdu'd, or property secur'd,
Ambition humbled, mighty cities storm'd,
Or laws establish'd, and the world reform'd;
Clos'd their long glories with a sigh, to find
Th' unwilling gratitude of base mankind!
All human virtue, to its latest breath
Finds envy never conquer'd, but by death.
The great Alcides, ev'ry labour past,
Had still this monster to subdue at last.
Sure fate of all, beneath whose rising ray
Each star of meaner merit fades away!
Oppress'd we feel the beam directly beat,
Those suns of glory please not till they set.

To thee the world its present homage pays,
The harvest early, but mature the praise:
Great friend of liberty! in kings a name
Above all Greek, above all Roman fame:
Whose word is truth, as sacred and rever'd,
As Heav'n's own oracles from altars heard.
Wonder of kings! like whom, to mortal eyes
None e'er has risen, and none e'er shall rise.

Just in one instance, be it yet confest
Your people, Sir, are partial in the rest:
Foes to all living worth except your own,
And advocates for folly dead and gone.
Authors, like coins, grow dear as they grow old;
It is the rust we value, not the gold.
Chaucer's worst ribaldry is learn'd by rote,
And beastly Skelton heads of houses quote:
One likes no language but the Faery Queen ;
A Scot will fight for Christ's Kirk o' the Green:
And each true Briton is to Ben so civil,
He swears the Muses met him at the Devil.

Though justly Greece her eldest sons admires,
Why should not we be wiser than our sires?
In ev'ry public virtue we excel:

[...] Read more

poem by Alexander Pope
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Pure & Easy

There once was a note, pure and easy,
There once was a note, pure and easy,
Playing so free, like a breath rippling by.
Playing so free, like a breath rippling by.
The note is eternal, I hear it, it sees me,
The note is eternal, I hear it, it sees me,
Forever we blend it, forever we die.
Forever we blend it, forever we die.
I listened and I heard music in a word,
I listened and I heard music in a word,
And words when you played your guitar,
And words when you played your guitar,
The noise that I was hearing was a million people cheering,
The noise that I was hearing was a million people cheering,
And a child flew past me riding in a star.
And a child flew past me riding in a star.
As people assemble,
As people assemble,
Civilization is trying to find a new way to die,
Civilization is trying to find a new way to die,
But killing is really merely scene changer,
But killing is really merely scene changer,
All men are bored with other mens lies.
All men are bored with other mens lies.
I listened and I heard music in a word,
I listened and I heard music in a word,
And words when you played your guitar,
And words when you played your guitar,
The noise that I was hearing was a million people cheering,
The noise that I was hearing was a million people cheering,
And a child flew past me riding in a star.
And a child flew past me riding in a star.
Gas on the hillside, oil in the teacup,
Gas on the hillside, oil in the teacup,
Watch all the chords of life lose their joy,
Watch all the chords of life lose their joy,
Distortion becomes somehow pure in its wildness,
Distortion becomes somehow pure in its wildness,
The note that began all can also destroy.
The note that began all can also destroy.
We all know success when we all find our own dreams,
We all know success when we all find our own dreams,
And our love is enough to knock down any walls,
And our love is enough to knock down any walls,
And the futures been seen as men try to realize,
And the futures been seen as men try to realize,
The simple secret of the note in us all.
The simple secret of the note in us all.
I listened and I heard music in a word,
I listened and I heard music in a word,

[...] Read more

song performed by Who
Added by Lucian Velea
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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

[...] Read more

poem by Talile Ali
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The Dictaphone Bard

[And here is a suggestion: Did you ever try dictating your stories or articles to the dictaphone for the first draft? I would be glad to have you come down and make the experiment.--From a shorthand reporter's circular letter.]
(As "The Ballad of the Tempest" would have to issue from the dictaphone to the stenographer)

We were crowded in the cabin comma
Not a soul would dare to sleep dash comma
It was midnight on the waters comma
And a storm was on the deep period

Apostrophe Tis a fearful thing in capital Winter
To be shattered by the blast comma
And to hear the rattling trumpet
Thunder colon quote capital Cut away the mast exclamation point close quote

So we shuddered there in silence comma dash
For the stoutest held his breath comma
While the hungry sea was roaring comma
And the breakers talked with capital Death period

As thus we sat in darkness comma
Each one busy with his prayers comma
Quote We are lost exclamation point close quote the captain shouted comma
As he staggered down the stairs period

But his little daughter whispered comma
As she took his icy hand colon
Quote Isn't capital God upon the ocean comma
Just the same as on the land interrogation point close quote

Then we kissed the little maiden comma
And we spake in better cheer comma
And we anchored safe in harbor
When the morn was shining clear period

poem by Franklin P. Adams
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Depression, Kills.

a cold icy hole in the middle of a large bed of ice acrossed a lake, wide as the horizon.

in the middle, down this deep blackend hole, shown a girl frozen in a position of pain.

no blood runs through her veins where it once had roamed warm and healthy.

i was born prepared to be dissapointed.

living is just a waste of death; were the last lyrics through her now blue lips.

her exsistance- 'quote the raven 'never more''

her life- 'quote the raven 'never more''

her dreams- 'quote the raven 'never more''

her love- 'quote the raven 'never more''

her wisdom- 'quote the raven 'never more''

her inner being- 'quote the raven 'never more''

before you put yourself first, think of those around you; those who may hurt you, those who overcome you, those lesser then you, those who think you dont know they exsist; they're crying inside.

there is no one true happieness, but we all still stride to find it.

some will give up

some will give out

and some have that right taken from them

who did you hurt today?

poem by Alexandra Blisse
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Johnny One Note

Johnny could only sing one note
And the note he sings was this
Ah!
Poor johnny one-note
Sang out with gusto
And just overlorded the place
Poor johnny one-note
Yelled willy nilly
Until he was bleu in the face
For holding one note was his ace
Couldnt hear the brass
Couldnt hear the drum
He was in a class
By himself, by gum!
Poor johnny one-note
Got in aida
Indeed a great chance to be brave
He took his one note
Howled like the north wind
Brought forth wind that made critics rave,
While verdi turned round in his grave!
Couldnt hear the flute
Or the big trombone
Evry one was mute
Johnny stood alone.
Cats and dogs stopped yapping
Lions in the zoo
All were jealous of johnnys big trill
Thunder claps stopped clapping,
Traffic ceased its roar,
And they tell us niagra stood still.
He stopped the train whistles,
Boat whistles,
Steam whistles,
Cop whistles,
All whistles bowed to his skill
Sing johnny one-note,
Sing out with gusto and
Just overwhelm all the crowd
Ah!
So sing johnny one-note, out loud!!
Sing johnny one-note
Sing johnny one-note out loud!

song performed by Ella Fitzgerald
Added by Lucian Velea
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An Unfortunate Likeness

I'VE painted SHAKESPEARE all my life -
"An infant" (even then at "play"!)
"A boy," with stage-ambition rife,
Then "Married to ANN HATHAWAY."

"The bard's first ticket night" (or "ben."),
His "First appearance on the stage,"
His "Call before the curtain" - then
"Rejoicings when he came of age."

The bard play-writing in his room,
The bard a humble lawyer's clerk.
The bard a lawyer (3) - parson (4) - groom (5) -
The bard deer-stealing, after dark.

The bard a tradesman (6) - and a Jew (7) -
The bard a botanist (8) - a beak (9) -
The bard a skilled musician (10) too -
A sheriff (11) and a surgeon (12) eke!

Yet critics say (a friendly stock)
That, though it's evident I try,
Yet even I can barely mock
The glimmer of his wondrous eye!

One morning as a work I framed,
There passed a person, walking hard:
"My gracious goodness," I exclaimed,
"How very like my dear old bard!

"Oh, what a model he would make!"
I rushed outside - impulsive me! -
"Forgive the liberty I take,
But you're so very" - "Stop!" said he.

"You needn't waste your breath or time, -
I know what you are going to say, -
That you're an artist, and that I'm
Remarkably like SHAKESPEARE. Eh?

"You wish that I would sit to you?"
I clasped him madly round the waist,
And breathlessly replied, "I do!"
"All right," said he, "but please make haste."

I led him by his hallowed sleeve,
And worked away at him apace,
I painted him till dewy eve, -
There never was a nobler face!

[...] Read more

poem by William Schwenck Gilbert
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