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The trumpet is forceful.

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The Eve Of Revolution

The trumpets of the four winds of the world
From the ends of the earth blow battle; the night heaves,
With breasts palpitating and wings refurled,
With passion of couched limbs, as one who grieves
Sleeping, and in her sleep she sees uncurled
Dreams serpent-shapen, such as sickness weaves,
Down the wild wind of vision caught and whirled,
Dead leaves of sleep, thicker than autumn leaves,
Shadows of storm-shaped things,
Flights of dim tribes of kings,
The reaping men that reap men for their sheaves,
And, without grain to yield,
Their scythe-swept harvest-field
Thronged thick with men pursuing and fugitives,
Dead foliage of the tree of sleep,
Leaves blood-coloured and golden, blown from deep to deep.

I hear the midnight on the mountains cry
With many tongues of thunders, and I hear
Sound and resound the hollow shield of sky
With trumpet-throated winds that charge and cheer,
And through the roar of the hours that fighting fly,
Through flight and fight and all the fluctuant fear,
A sound sublimer than the heavens are high,
A voice more instant than the winds are clear,
Say to my spirit, "Take
Thy trumpet too, and make
A rallying music in the void night's ear,
Till the storm lose its track,
And all the night go back;
Till, as through sleep false life knows true life near,
Thou know the morning through the night,
And through the thunder silence, and through darkness light."

I set the trumpet to my lips and blow.
The height of night is shaken, the skies break,
The winds and stars and waters come and go
By fits of breath and light and sound, that wake
As out of sleep, and perish as the show
Built up of sleep, when all her strengths forsake
The sense-compelling spirit; the depths glow,
The heights flash, and the roots and summits shake
Of earth in all her mountains,
And the inner foamless fountains
And wellsprings of her fast-bound forces quake;
Yea, the whole air of life

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Alexander Pope

The Temple of Fame

In that soft season, when descending show'rs
Call forth the greens, and wake the rising flow'rs;
When op'ning buds salute the welcome day,
And earth relenting feels the genial day,
As balmy sleep had charm'd my cares to rest,
And love itself was banish'd from my breast,
(What time the morn mysterious visions brings,
While purer slumbers spread their golden wings)
A train of phantoms in wild order rose,
And, join'd, this intellectual sense compose.
I stood, methought, betwixt earth, seas, and skies;
The whole creation open to my eyes:
In air self-balanc'd hung the globe below,
Where mountains rise and circling oceans flow;
Here naked rocks, and empty wastes were seen,
There tow'ry cities, and the forests green:
Here sailing ships delight the wand'ring eyes:
There trees, and intermingled temples rise;
Now a clear sun the shining scene displays,
The transient landscape now in clouds decays.
O'er the wide Prospect as I gaz'd around,
Sudden I heard a wild promiscuous sound,
Like broken thunders that at distance roar,
Then gazing up, a glorious pile beheld,
Whose tow'ring summit ambient clouds conceal'd.
High on a rock of Ice the structure lay,
Steep its ascent, and slipp'ry was the way;
The wond'rous rock like Parian marble shone,
And seem'd, to distant sight, of solid stone.
Inscriptions here of various Names I view'd,
The greater part by hostile time subdu'd;
Yet wide was spread their fame in ages past,
And Poets once had promis'd they should last.
Some fresh engrav'd appear'd of Wits renown'd;
I look'd again, nor could their trace be found.
Critics I saw, that other names deface,
And fix their own, with labour, in their place:
Their own, like others, soon their place resign'd,
Or disappear'd, and left the first behind.
Nor was the work impair'd by storms alone,
But felt th' approaches of too warm a sun;
For Fame, impatient of extremes, decays
Not more by Envy than excess of Praise.
Yet part no injuries of heav'n could feel,
Like crystal faithful to th' graving steel:
The rock's high summit, in the temple's shade,
Nor heat could melt, nor beating storm invade.
Their names inscrib'd, unnumber'd ages past
From time's first birth, with time itself shall last;
These ever new, nor subject to decays,

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Edgar Lee Masters

Epilogue

(THE GRAVEYARD OF SPOON RIVER. TWO VOICES ARE HEARD BEHIND A SCREEN DECORATED WITH DIABOLICAL AND ANGELIC FIGURES IN VARIOUS ALLEGORICAL RELATIONS. A FAINT LIGHT SHOWS DIMLY THROUGH THE SCREEN AS IF IT WERE WOVEN OF LEAVES, BRANCHES AND SHADOWS.)

FIRST VOICE

A game of checkers?

SECOND VOICE

Well, I don't mind.

FIRST VOICE

I move the Will.

SECOND VOICE

You're playing it blind.

FIRST VOICE

Then here's the Soul.

SECOND VOICE

Checked by the Will.

FIRST VOICE

Eternal Good!

SECOND VOICE

And Eternal Ill.

FIRST VOICE

I haste for the King row.

SECOND VOICE

Save your breath.

FIRST VOICE

I was moving Life.

SECOND VOICE

You're checked by Death.

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The Death Of Aliatar

FROM THE SPANISH.


'Tis not with gilded sabres
That gleam in baldricks blue,
Nor nodding plumes in caps of Fez,
Of gay and gaudy hue--
But, habited in mourning weeds,
Come marching from afar,
By four and four, the valiant men
Who fought with Aliatar.
All mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.

The banner of the Phenix,
The flag that loved the sky,
That scarce the wind dared wanton with,
It flew so proud and high--
Now leaves its place in battle-field,
And sweeps the ground in grief,
The bearer drags its glorious folds
Behind the fallen chief,
As mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.

Brave Aliatar led forward
A hundred Moors to go
To where his brother held Motril
Against the leaguering foe.
On horseback went the gallant Moor,
That gallant band to lead;
And now his bier is at the gate,
From whence he pricked his steed.
While mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.

The knights of the Grand Master
In crowded ambush lay;
They rushed upon him where the reeds
Were thick beside the way;
They smote the valiant Aliatar,
They smote the warrior dead,
And broken, but not beaten, were
The gallant ranks he led.

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The Coming Of Arthur

Leodogran, the King of Cameliard,
Had one fair daughter, and none other child;
And she was the fairest of all flesh on earth,
Guinevere, and in her his one delight.

For many a petty king ere Arthur came
Ruled in this isle, and ever waging war
Each upon other, wasted all the land;
And still from time to time the heathen host
Swarmed overseas, and harried what was left.
And so there grew great tracts of wilderness,
Wherein the beast was ever more and more,
But man was less and less, till Arthur came.
For first Aurelius lived and fought and died,
And after him King Uther fought and died,
But either failed to make the kingdom one.
And after these King Arthur for a space,
And through the puissance of his Table Round,
Drew all their petty princedoms under him.
Their king and head, and made a realm, and reigned.

And thus the land of Cameliard was waste,
Thick with wet woods, and many a beast therein,
And none or few to scare or chase the beast;
So that wild dog, and wolf and boar and bear
Came night and day, and rooted in the fields,
And wallowed in the gardens of the King.
And ever and anon the wolf would steal
The children and devour, but now and then,
Her own brood lost or dead, lent her fierce teat
To human sucklings; and the children, housed
In her foul den, there at their meat would growl,
And mock their foster mother on four feet,
Till, straightened, they grew up to wolf-like men,
Worse than the wolves. And King Leodogran
Groaned for the Roman legions here again,
And Csar's eagle: then his brother king,
Urien, assailed him: last a heathen horde,
Reddening the sun with smoke and earth with blood,
And on the spike that split the mother's heart
Spitting the child, brake on him, till, amazed,
He knew not whither he should turn for aid.

But--for he heard of Arthur newly crowned,
Though not without an uproar made by those
Who cried, `He is not Uther's son'--the King
Sent to him, saying, `Arise, and help us thou!
For here between the man and beast we die.'

And Arthur yet had done no deed of arms,

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Bible in Poetry: Revelation 8

1He opened then the seventh seal,
And heav’n turned silent for half hour.
2The seven angels before God,
Were given seven trumpets then.
3An angel, with a gold censer,
Came and stood before the altar.
He had incense to offer much,
With prayers of all the saints,
On the golden altar of God.
4The incense-smoke and saints’ prayers
Went up to God from angel's hand.
5The angel took the censer then,
And filled it with altar’s fire,
And hurled it onto the earth’s face;
There came thunder, rumblings, flashes
Of lightning and an earthquake great.

The Trumpets:

6The seven angels then prepared
To blow their trumpets, one by one.
7 When first angel blew his trumpet,
Hail came with fire, mixed with blood,
And it was hurled down on the earth.
A third of earth was burned up soon,
A third of trees were burned up too,
And all the green grass was burned up.
8The second angel blew trumpet,
And something like a huge mountain
Ablaze, was thrown into the sea.
A third of sea then turned to blood,
9A third of creatures of sea died,
A third of ships were all destroyed.
10The third angel blew his trumpet,
A great star, blazing like a torch,
Fell from sky on third of rivers
And on the earth’s springs of water—
11The name of the star was Wormwood.
A third of waters turned bitter,
And many people died from it.
12The fourth angel sounded trumpet,
A third of sun was darkened then,
A third of moon, and third of stars,
Was turned dark soon afterwards.
A third of day was without light,
A third of night also alike.
13And as I watched, an eagle flew
In midair, calling out aloud:
'Woe! Woe! To earth’s inhabitants,
Because of trumpet blasts about

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Langston Hughes

Trumpet Player

The Negro
With the trumpet at his lips
Has dark moons of weariness
Beneath his eyes
where the smoldering memory
of slave ships
Blazed to the crack of whips
about thighs

The negro
with the trumpet at his lips
has a head of vibrant hair
tamed down,
patent-leathered now
until it gleams
like jet-
were jet a crown

the music
from the trumpet at his lips
is honey
mixed with liquid fire
the rhythm
from the trumpet at his lips
is ecstasy
distilled from old desire-

Desire
that is longing for the moon
where the moonlight's but a spotlight
in his eyes,
desire
that is longing for the sea
where the sea's a bar-glass
sucker size

The Negro
with the trumpet at his lips
whose jacket
Has a fine one-button roll,
does not know
upon what riff the music slips

It's hypodermic needle
to his soul
but softly
as the tune comes from his throat
trouble
mellows to a golden note

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The Troubadour. Canto 2

THE first, the very first; oh! none
Can feel again as they have done;
In love, in war, in pride, in all
The planets of life's coronal,
However beautiful or bright,--
What can be like their first sweet light?

When will the youth feel as he felt,
When first at beauty's feet he knelt?

As if her least smile could confer
A kingdom on its worshipper;
Or ever care, or ever fear
Had cross'd love's morning hemisphere.
And the young bard, the first time praise
Sheds its spring sunlight o'er his lays,
Though loftier laurel, higher name,
May crown the minstrel's noontide fame,
They will not bring the deep content
Of his lure's first encouragement.
And where the glory that will yield
The flush and glow of his first field
To the young chief? Will RAYMOND ever
Feel as he now is feeling?--Never.

The sun wept down or ere they gain'd
The glen where the chief band remain'd.

It was a lone and secret shade,
As nature form'd an ambuscade
For the bird's nest and the deer's lair,
Though now less quiet guests were there.
On one side like a fortress stood
A mingled pine and chesnut wood;
Autumn was falling, but the pine
Seem'd as it mock'd all change; no sign
Of season on its leaf was seen,
The same dark gloom of changeless green.
But like the gorgeous Persian bands
'Mid the stern race of northern lands,
The chesnut boughs were bright with all
That gilds and mocks the autumn's fall.

Like stragglers from an army's rear
Gradual they grew, near and less near,
Till ample space was left to raise,
Amid the trees, the watch-fire's blaze;
And there, wrapt in their cloaks around,
The soldiers scatter'd o'er the ground.

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0011 Chet Baker Sings and Plays: a homage

That’s the word we use
for the abrupt suddenness
of the old rubber-squeezed car horn
on the outside, by the driving seat
of the old battered Ford

and unforgettably for the anguished heart,
the bugle on the battlefield
as stretcher-bearers move in gathering dusk,
the final drawn-out, liquid, haunting pa-a-a-rp.... dies away
to pregnant, bloody silence;
death after life; life after death.

and then the sound of the civilian trumpet
in the days of the uneasy, hopeful postwar peace
hitting our eardrums, calling to attention,
stirring our blood
or perversely,
making the silence in between the notes
more silent, more laid back, more significant,
as if to say, how quickly
rest may follow action, action rest,
hot, cool; cool, hot;

So trumpet can be voice; voice, trumpet;
behind them, heart and mind, and mood and mode
sing, even whisper, you’re unforgettable,
that’s what you are; there will never be
another you; that’s how it is;
if you don’t know what love is,
I’ll play it to you; maybe sing..

his husky, boyish voice,
a hint of Oklahoma on Pacific shores,
sang – sings – the standards tenderly
as if they are the given texts for all mankind
of this new day of love; they apply
to him, and you; and everyone; so
he makes no pretence he thought them first; .
yet, in the long pauses in his singing, he's thinking them into now.

then as the line’s still finishing, his trumpet
turns the words to comment, as the cage is opened,
the bird flies out and up, released to joy
in boundless air and space;

as if it were outside the soundproofed recording studio
but recognised the song; and knew itself as free,
soaring high in sad songs or in glad songs,
knowing them the same at heart,

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Trumpet Voice

I live to hear my father sing
People come
Far and wide
Gathering like anchovies in a can
To hear his deep, trumpet voice

My father burns a record
Neighbors and friends
Float from their lonely birdhouses
To hear his deep, trumpet voice

My father records a tape
The family sits in the living room
Under the golden chandelier
To hear his deep, trumpet voice

My father has a CD
My brother and I sit in my room
Playing Parcheesi
We open the player
To hear his deep, trumpet voice

I lie on the city bus
One seat for my head
The other for my feet
I turn on my small, silver iPod
And zone out from the world
To hear his deep, trumpet voice

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Those Who Move Clouds

The throwing of your mental clothes wasnt ever your intention
The malady within your heart has no cure and prevention
There are those who move clouds
Those who move clouds
Heard it murmured in a far off crowd
Those who move clouds
I wish that I could offer you a chance to change direction
But you know that pathways must be followed to near destruction
There are those who move clouds
Those who move clouds
Heard it murmured in a far off crowd
Those who move clouds
There are those who will patronise and compromise your position
They cant feel the forceful hand of
Predetermined destination
There are those who move clouds
Those who move clouds
Heard it murmured in a far off crowd
Those who move clouds
I can feel the forceful hand
And it wont let me change direction no
And theres this hunger inside of me
And it wont and it wont no it wont stop its aching
And I can feel it inside of my head the forceful hand
And it wont let me change direction
And theres this hunger and it wont let me
And it wont let me stop and it wont let me stop this aching no

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The Columbiad: Book IV

The Argument


Destruction of Peru foretold. Grief of Columbus. He is comforte the promise of a vision of future ages. All Europe appears in vision. Effect of the discovery of America upon the affairs of Europe. Improvement in commerce; government. Revival of letters. Order of the Jesuits. Religious persecution. Inquisition. Rise and progress of more liberal principles. Character of Raleigh; who plans the settlement of North America. Formation of the coast by the gulph stream. Nature of the colonial establishments, the first great asylum and infant empire of Liberty. Liberty the necessary foundation of morals. Delaware arrives with a reinforcement of new settlers, to consolidate the colony of Virginia. Night scene, as contemplated by these patriarchs, while they are sailing up the Chesapeak, and are saluted by the river gods. Prophetic speech of Potowmak. Fleets of settlers from seyeral parts of Europe steering for America.


In one dark age, beneath a single hand,
Thus rose an empire in the savage land.
Its wealth and power with following years increase,
Its growing nations spread the walks of peace;
Religion here, that universal name,
Man's proudest passion, most ungovern'd flame,
Erects her altars on the same bright base,
That dazzled erst, and still deludes the race;
Sun, moon, all powers that forceful strike his eyes,
Earth-shaking storms and constellated skies.

Yet all the pomp his labors here unfold,
The vales of verdure and the towers of gold,
Those infant arts and sovereign seats of state,
In short-lived glory hasten to their fate.
Thy followers, rushing like an angry flood,
Too soon shall drench them in the nation's blood;
Nor thou, Las Casas, best of men, shalt stay
The ravening legions from their guardless prey.
O hapless prelate! hero, saint and sage,
Foredoom'd with crimes a fruitless war to wage,
To see at last (thy life of virtue run)
A realm unpeopled and a world undone!
While pious Valverde mock of priesthood stands,
Guilt in his heart, the gospel in his hands,
Bids, in one field, their unarm'd thousands bleed,
Smiles o'er the scene and sanctifies the deed.
And thou, brave Gasca, with persuasive strain,
Shalt lift thy voice and urge thy power in vain;
Vain are thy hopes the sinking land to save,
Or call her slaughter'd millions from the grave.

Here Hesper paused. Columbus with a sigh
Cast o'er the continent his moisten'd eye,
And thus replied: Ah, hide me in the tomb;
Why should I live to see the impending doom?
If such foul deeds the scheme of heaven compose,
And virtue's toils induce redoubled woes,
Unfold no more; but grant a kind release;
Give me, tis all I ask, to rest in peace.

And thou shalt rest in peace, the Saint rejoin'd,
Ere these conflicting shades involve mankind.
But broader views shall first thy mind engage,

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Ye Shall Be Changed

You harbor resentment
You know there aint too much of a thrill
You wish for contentment
But you got an emptiness that cant be filled
Youve had enough hatred
Your bones are breaking (and you) cant find nothing sacred, (but)
Ye shall be changed, ye shall be changed
In a twinkling of an eye, when the last trumpet blows
The dead will arise and burst out of your cloths
And ye shall be changed
Everything youve gotten
Youve gotten by sweat, blood and muscle
From early in the morning til way past dark
All you ever do is hustle
All your loved ones have walked out the door
Youre not even sure bout your wife and kids no more, but
Ye shall be changed, ye shall be changed
In a twinkling of an eye, when the last trumpet blows
The dead will arise and burst out of your cloths
And ye shall be changed
(now) the past dont control you
But the futures like a roulette wheel spinning
(and) deep down inside
You know you need a whole new beginning
Dont have to go to russia or iran
Just surrender to God and hell move you right here where you stand, and
Ye shall be changed, ye shall be changed
In a twinkling of an eye, when the last trumpet blows
The dead will arise and burst out of your cloths
And ye shall be changed
You drink bitter water
And you been eating the bread of sorrow
You cant live for today
When all youre ever thinking of is tomorrow
The path youve endured has been rough
And when youve decided that youve had enough, then
Ye shall be changed, ye shall be changed
In a twinkling of an eye, when the last trumpet blows
The dead will arise and burst out of your cloths
And ye shall be changed

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Amy Lowell

1777

I

The Trumpet-Vine Arbour

The throats of the little red trumpet-flowers are wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.

I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
'Yankee Doodle,' my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings 'Yankee Doodle' at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.


II

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With Trumpet and Drum

With big tin trumpet and little red drum,
Marching like soldiers, the children come!
It 's this way and that way they circle and file---
My! but that music of theirs is fine!
This way and that way, and after a while
They march straight into this heart of mine!
A sturdy old heart, but it has to succumb
To the blare of that trumpet and beat of that drum!
Come on, little people, from cot and from hall---
This heart it hath welcome and room for you all!
It will sing you its songs and warm you with love,
As your dear little arms with my arms intertwine;
It will rock you away to the dreamland above---
Oh, a jolly old heart is this old heart of mine,
And jollier still is it bound to become
When you blow that big trumpet and beat that red drum!
So come; though I see not his dear little face
And hear not his voice in this jubilant place,
I know he were happy to bid me enshrine
His memory deep in my heart with your play---
Ah me! but a love that is sweeter than mine
Holdeth my boy in its keeping to-day!
And my heart it is lonely---so, little folk, come,
March in and make merry with trumpet and drum!

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George Meredith

The Nuptials Of Attila

I

Flat as to an eagle's eye,
Earth hung under Attila.
Sign for carnage gave he none.
In the peace of his disdain,
Sun and rain, and rain and sun,
Cherished men to wax again,
Crawl, and in their manner die.
On his people stood a frost.
Like the charger cut in stone,
Rearing stiff, the warrior host,
Which had life from him alone,
Craved the trumpet's eager note,
As the bridled earth the Spring.
Rusty was the trumpet's throat.
He let chief and prophet rave;
Venturous earth around him string
Threads of grass and slender rye,
Wave them, and untrampled wave.
O for the time when God did cry,
Eye and have, my Attila!

II

Scorn of conquest filled like sleep
Him that drank of havoc deep
When the Green Cat pawed the globe:
When the horsemen from his bow
Shot in sheaves and made the foe
Crimson fringes of a robe,
Trailed o'er towns and fields in woe;
When they streaked the rivers red,
When the saddle was the bed.
Attila, my Attila!

III

He breathed peace and pulled a flower.
Eye and have, my Attila!
This was the damsel Ildico,
Rich in bloom until that hour:
Shyer than the forest doe
Twinkling slim through branches green.
Yet the shyest shall be seen.
Make the bed for Attila!

IV

Seen of Attila, desired,

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Henry Wadsworth Longfellow

The Golden Legend: III. A Street In Strasburg

Night.
PRINCE HENRY _wandering alone, wrapped in a cloak._

_Prince Henry._ Still is the night. The sound of feet
Has died away from the empty street,
And like an artisan, bending down
His head on his anvil, the dark town
Sleeps, with a slumber deep and sweet.
Sleepless and restless, I alone,
In the dusk and damp of these wails of stone,
Wander and weep in my remorse!

_Crier of the dead (ringing a bell)._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Hark! with what accents loud and hoarse
This warder on the walls of death
Sends forth the challenge of his breath!
I see the dead that sleep in the grave!
They rise up and their garments wave,
Dimly and spectral, as they rise,
With the light of another world in their eyes!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Why for the dead, who are at rest?
Pray for the living, in whose breast
The struggle between right and wrong
Is raging terrible and strong,
As when good angels war with devils!
This is the Master of the Revels,
Who, at Life's flowing feast, proposes
The health of absent friends, and pledges,
Not in bright goblets crowned with roses,
And tinkling as we touch their edges,
But with his dismal, tinkling bell,
That mocks and mimics their funeral knell!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Wake not, beloved! be thy sleep
Silent as night is, and as deep!

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Herman Melville

Bridegroom Dick

1876

Sunning ourselves in October on a day
Balmy as spring, though the year was in decay,
I lading my pipe, she stirring her tea,
My old woman she says to me,
'Feel ye, old man, how the season mellows?'
And why should I not, blessed heart alive,
Here mellowing myself, past sixty-five,
To think o' the May-time o' pennoned young
fellows
This stripped old hulk here for years may
survive.

Ere yet, long ago, we were spliced, Bonny Blue,
(Silvery it gleams down the moon-glade o' time,
Ah, sugar in the bowl and berries in the prime!)
Coxswain I o' the Commodore's crew,--
Under me the fellows that manned his fine gig,
Spinning him ashore, a king in full fig.
Chirrupy even when crosses rubbed me,
Bridegroom Dick lieutenants dubbed me.
Pleasant at a yarn, Bob o' Linkum in a song,
Diligent in duty and nattily arrayed,
Favored I was, wife, and _fleeted_ right along;
And though but a tot for such a tall grade,
A high quartermaster at last I was made.

All this, old lassie, you have heard before,
But you listen again for the sake e'en o' me;
No babble stales o' the good times o' yore
To Joan, if Darby the babbler be.

Babbler?--O' what? Addled brains, they
forget!
O--quartermaster I; yes, the signals set,
Hoisted the ensign, mended it when frayed,
Polished up the binnacle, minded the helm,
And prompt every order blithely obeyed.
To me would the officers say a word cheery--
Break through the starch o' the quarter-deck
realm;
His coxswain late, so the Commodore's pet.
Ay, and in night-watches long and weary,
Bored nigh to death with the navy etiquette,
Yearning, too, for fun, some younker, a cadet,
Dropping for time each vain bumptious trick,
Boy-like would unbend to Bridegroom Dick.
But a limit there was--a check, d' ye see:
Those fine young aristocrats knew their degree.

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The Reality

The first trumpet was sound'
shaking all those belonging to the ground
the fire, blood and hail hurled earth's dwellers
one out of three of the ground burned

The second trumpet was blown
A similarity of a huge mountain though unknown
deprived life a third of the sea dwellers
as a third of the latter, into blood it turned

He sounded the third, the angel who firmly stood,
falling the great star, blazing like a torch, The worm-wood
many people died of the streams' bitter waters,
the worm-wood made the bitter, they learned.

A third of the sun was struck,
the moon and 1/3 all the constellations were dark
this is the tribulation of the forth angles trumpet
He cried woe! woe! woe! for three though more to be blast

The fifth angel sounded the trumpet,
and the woe! it beholds is unbelievable,
a star fell and opened abyss shaft
and an enormous smoke emanated
blackening the sun and all the stars
out of the smoke came locust
causing grief to humanity, and for 5 months they'll last
to punish whom the seal of God away they'd cast.
they were comparable with war horses of the old
having coverings like crowns made of gold.
they had faces like that of human
their hair was like the hair of a woman,
teeth like lion's, breastplates of iron not to spare any man
they had tails that sting like scorpion
very deadly than anything on earth.
yet two woes were to come.
revelation tells more.............

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Horatius

A Lay Made About the Year Of The City CCCLX

I

Lars Porsena of Closium
By the Nine Gods he swore
That the great house of Tarquin
Should suffer wrong no more.
By the Nine Gods he swore it,
And named a trysting day,
And bade his messengers ride forth,
East and west and south and north,
To summon his array.

II

East and west and south and north
The messengers ride fast,
And tower and town and cottage
Have heard the trumpet's blast.
Shame on the false Etruscan
Who lingers in his home,
When Porsena of Clusium
Is on the march for Rome.

III

The horsemen and the footmen
Are pouring in amain
From many a stately market-place,
From many a fruitful plain,
From many a lonely hamlet,
Which, hid by beech and pine,
Like an eagle's nest, hangs on the crest
Of purple Apennine;

IV

From lordly Volaterræ,
Where scowls the far-famed hold
Piled by the hands of giants
For godlike kings of old;
From seagirt Populonia,
Whose sentinels descry
Sardinia's snowy mountain-tops
Fringing the southern sky;

V

From the proud mart of Pisæ,

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