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I don't want to say anything because I know I am unable to protect you from the harm that I see.

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Leave It Open

With my ego in my gut,
My babbling mouth would wash it up.
(but now Ive started learning how,)
I keep it shut.
My door was never locked,
Until one day a trigger come cocking.
(but now Ive started learning how,)
I keep it shut.
Wide eyes would clean and dust
Things that decay, things that rust.
(but now Ive started learning how,)
I keep em shut.
I keep em shut.
Harm is in us.
Harm is in us, but power to arm.
Harm is in us.
Harm in us, but power to arm.
Harm is in us.
(leave it open!)
Harm is in us, but power to arm.
Narrow mind would persecute it,
Die a little to get to it.
(but now Ive started learning how.)
I leave it open.
I kept it in a cage,
Watched it weeping, but I made it stay.
(but now Ive started learning how.)
I leave it open.
I leave it open.
Harm is in us.
Harm in us, but power to arm.
Harm is in us.
Harm in us, but power to arm.
Harm is in us.
(leave it open!)
Harm in us, but power to arm.
Harm is in us.
Harm in us, but power to arm.
Harm is in us.
(leave it open!)
Harm in us, but power to arm.
Harm is in us.
Harm in us, but power to arm.
Harm is in us.
Har in us, but power to arm.
Harm is in us!
Harm is in us!
Harm is in us!
Harm is in us!
Harm is in us!

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Walt Whitman

Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Protect Me From What I Want

Its that desease of the age
Its that desease that we crave
Alone at the end of the race
We catch the last bus home
Corporate america wakes
Coffee republic in case
We open the latch on the gate
Of the hole that we call our home
Protect me from what I want...
Protect me protect me
Maybe were victims of fate
Remember when wed celebrate
Wed drink and get high until late
And now were all alone
Wedding bells aint gonna chime
With both of us guilty of crime
And both of us sentenced to time
And now were all alone
Protect me from what I want...
Protect me protect me
Protect me from what I want...
Protect me protect me
Protect me from what I want...
Protect me protect me
Protect me from what I want...
Protect me protect me

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Protect My Heart

Here we go
Puerto Rico
I gotta protect my heart
I gotta protect my heart
You were the highlight of the spot
but you wouldn't tell me your name
You were like, Girl are you ready or not?
to dance the entire night away
You were like, Let me hold ya girl
You were sayin, Let me touch ya girl
You were sayin, Let me squeeze ya girl
You turned me on. Let me f*** ya girl
See, when I first got here, I knew love barely
I gotta protect my heart
Then ya come changin things, I knew that's unfair, babe
I gotta protect my heart
The room was oh so hot
If you won't move, then move out of the way
I'm giving it all I got
but at the same time trying to maintain
You were like, Let me hold ya girl
You were sayin, Let me touch ya girl
You were sayin, Let me squeeze ya girl
You turned me on. Let me f*** ya girl
See, when I first got here, I knew love barely
I gotta protect my heart
Then ya come changin things, I knew that's unfair, babe
I gotta protect my heart
Never been touched by the way someone moves
and that scares me
I gotta protect my heart
If Cupid knew you were comin, he shoulda prepared me
I gotta protect my heart
I I I I just I just, I just need to
Walk away from the door
But I could feel myself reversing
I never gave in before
See I guess that's what happened when
You were like, Let me hold ya girl
You were sayin, Let me touch ya girl
You were sayin, Let me squeeze ya girl
You turned me on. Let me f*** ya girl
See, when I first got here, I knew love barely
I gotta protect my heart
Then ya come changin things, I knew that's unfair, babe
I gotta protect my heart
Never been touched by the way someone moves
and that scares me
I gotta protect my heart
If Cupid knew you were comin, he shoulda prepared me

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Fundamental of Liar Chapter CX: Ability

It’s not unable, it’s just not a favor
It’s not unable, it’s just reluctance
It’s not unable, it’s just not my style
It’s not unable, it’s just wrong
It’s not unable, it’s just no time
It’s not unable, it’s just out of place
It’s not unable, it’s just not consideration
It’s not unable, it’s just objection
It’s not unable, it’s just not effective
It’s not unable, it’s just stubbornness
It’s not unable, it’s just not important
It’s not unable, it’s just mercy

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The Libelle of Englyshe Polycye

Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.

The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.


For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.


And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.


For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.


Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.


Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.

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For Me You Are…………

Building the wall of confidence, all around my ribs
Inspiring, when am alone, even in noise
Showing me, the fairy way, when I get confused
Hauling me from, those atrocious affairs, that matters
Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
(Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Under my heart to hide.)
Pursuing illusion, enlightening my life
Reaching, as a shadow at the time of tide
Intimacy, in the dream that comes into my mind
Yielding smile at my labor, creating zeal at my failure
(Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Under my heart to hide.)
At every insult and every admire
Youth mind, mine even if retires
Occupying for me, the seat of mentor
Uprooting all solitary despairs
Aspiring not to be worry, else to fear
Reinforcing skeleton by self-esteem of yours
(Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Under my heart to hide.)
Enriching my each moment, being even so bare
Animating my life, that anyone can't imagine
Nursing me, to special from alone
Grasping me in the midst of up and down
Enlivening those deadly postures of dreams
Lightening by a heavy power as thunderstorm
(Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Under my heart to hide.)
Forgiving me for each-every mistakes done
Organizing such beautiful ceremonies
Rearranging me, trying to make me genuine
My life you are, I can't remain alone
Eagerly, have awaited for you, oh my feminine!
(Now, am feeling proud, to have you like a friend in my life
Unable to be mute and those unspoken tales
Now, am feeling proud, to have you like a friend in my life

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Tom Zart's 52 Best Of The Rest America At War Poems

SONS AND DAUGHTERS OF WORLD WAR III

The White House
Washington
Tom Zart's Poems


March 16,2007
Ms. Lillian Cauldwell
President and Chief Executive Officer
Passionate Internet Voices Radio
Ann Arbor Michigan

Dear Lillian:
Number 41 passed on the CDs from Tom Zart. Thank you for thinking of me. I am thankful for your efforts to honor our brave military personnel and their families. America owes these courageous men and women a debt of gratitude, and I am honored to be the commander in chief of the greatest force for freedom in the history of the world.
Best Wishes.

Sincerely,

George W. Bush


SONS AND DAUGHTERS OF WORLD WAR III


Our sons and daughters serve in harm's way
To defend our way of life.
Some are students, some grandparents
Many a husband or wife.

They face great odds without complaint
Gambling life and limb for little pay.
So far away from all they love
Fight our soldiers for whom we pray.

The plotters and planners of America's doom
Pledge to murder and maim all they can.
From early childhood they are taught
To kill is to become a man.

They exploit their young as weapons of choice
Teaching in heaven, virgins will await.
Destroying lives along with their own
To learn of their falsehoods too late.

The fearful cry we must submit
And find a way to soothe them.
Where defenders worry if we stand down
The future for America is grim.

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Miss Piggy regrets..

Miss Piggy regrets she’s unable to lunch today, madam..
Miss Piggy regrets she’s unable to lunch today:
That tastelessly named flu’s got her
(She forgot to wash her front trotter…) so
Miss Piggy regrets she’s unable to lunch today..

Miss Piggy regrets she’s unable to lunch today, madam..
Miss Piggy regrets she’s unable to lunch today:
It’s a swine of a stroke of bad luck:
Her eyelashes, she sneezed them unstuck… so
Miss Piggy regrets she’s unable to lunch today…

Miss Piggy regrets she’s unable to lunch today, madam..
Miss Piggy regrets she’s unable to lunch today:
She’s all pink from her snout to her face;
Her mascara’s all over the place… so
Miss Piggy regrets she’s unable to lunch today..

Why not try the lamb today, madam…?

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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DARE

It's coming up
It's coming up
It's coming up
It's coming up
It's DARE
It's DARE
You got to press it on you
You just protect[?] it
That's what you do, baby
Hold it down, DARE
Jump with the moon and move it
Jump back and forth
It feels like you would let yourself work it out
Never did no harm
Never did no harm
It's DARE
It's coming up
It's coming up
It's coming up
It's coming up
It's coming up
It's DARE
It's DARE
You got to press it on you
You just protect[?] it
That's what you do, baby
Hold it down, DARE
Jump with the moon and move it
Jump back and forth
It feels like you would let yourself work it out
Never did no harm
Never did no harm
It's DARE
It's coming up
It's coming up
It's coming up
It's coming up
It's coming up
It's DARE
Never did no harm
Never did no harm
It's DARE
It's coming up
It's coming up
It's coming up
It's coming up
It's coming up
It's DARE
You got to press it on you
You just protect[?] it

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Give me a Hero!

What is a Fantasy?
What is a Dream?
If they’re as true as they seem
Than can I make this Reality?

As I walk through the narrow stream
Soaked in make believe
My only thought is to yell and scream
To bring the missing piece I need

I need a Hero
Tired of falling for Zero’s
He’s got to be tough
It’s got to be love
Strong enough to protect my soul

I want a Hero
Watching me sleep through my window
He’s got to be smart
Key to my heart
Unable to let me go

Give me a Hero!

Fast as lightning speed
More steady then the breeze
Face so dear that it pains his enemies
In the distance on his noble stead

When I see him I pretend to fall
Making out a scene
He so bravely answers my call
And comes to rescue me

I need a Hero
Tired of falling for Zero’s
He’s got to be tough
It’s got to be love
Strong enough to protect my soul

I want a Hero
Watching me sleep through my window
He’s got to be fast
Worth the time that it lasts
Unable to let me go

I need a Hero!

Trustworthy as knight
Gentleness in his eyes

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Protection

We don't need protection from terrorists anymore.
What we protection from is never-ending war.
Protect us from the propaganda.
Proect us from the lies.
Protect us from the legislation
set up to tyrannize.
Protect us from the vaccines
that cause more harm than good.
Protect us from the violence
that comes from Hollywood.
Protect us from injustice
emanating from the courts.
Protect our kids from drug enhancements
while they're playing sports.
Protect us from illegals taking all our jobs.
Protect us from the gangs and all the angry mobs.
Protect us from the wealthy who never have enough.
The terrorists are not coming.
It's time to call their bluff.

We don't need protection from terrorists anymore.
What we need protection from is right within our shore.

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