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I never let any of my sons beat me at videogames.

quote by Coolio
Added by Lucian Velea
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She Said

One - two - three - four - five - six - seven -
Eight - nine - ten - eleven - twelve - yes!
Yeeah! yeeah! yeeah! yeah! yeah! yeah! yeah! yeah! yeah! yeah! yeah!
She said move, move, move to the rythm!
She said move, move, move to the rythm!
She said move, move, move to the rythm!
She said move, move, move to the rythm!
She said move to the rhythm!
Get down!
She said move!
Allright!
Im just rocking to the, rocking to the rythm of a groovy,
Rocking to the, rocking to the beat i, beat i,
Rocking to the, rocking to the, rocking to the beat i,
Rocking to the rythm of a groovy beat, beat, beat, beat,
Beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat.
Rocking to the, rocking to the beat i, beat i,
Rocking to the, rocking to the, rocking to the beat i,
Rocking to the rythm of a groovy beat, beat, beat, beat,
Beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat.
Im just rocking to the, rocking to the rythm of a groovy,
Rocking to the, rocking to the beat i, beat i,
Rocking to the, rocking to the, rocking to the beat i,
Rocking to the rythm of a groovy beat, beat, beat, beat,
Beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat.
She said move, move, move to the rythm!
She said move, move, move to the rythm!
She said move to the rythm!
Get down!
She said move!
Shake it, shake it, shake it, shake it,
Shake it, shake it, shake it, shake it!
Shake it, shake it, shake it, shake it,
Shake it, shake it, shake it, shake it!
She said move, move, move to the rythm!
She said move, move, move to the rythm!
She said move to the rythm!
She said move!
Are there any questions?

song performed by Scooter
Added by Lucian Velea
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Beat It

Written & composed by michael jackson.
1st verse
They told him dont you ever come around here
Dont wanna see your face, you better disappear
The fires in their eyes and their words are really clear
So beat it, just beat it
2nd verse
You better run, you better do what you can
Dont wanna see no blood, dont be a macho man
You wanna be tough, better do what you can
So beat it, but you wanna be bad
Chorus
Just beat it, beat it, beat it, beat it
No one wants to be defeated
Showin how funky strong is your fighter
It doesnt matter whos wrong or right
Just beat it, beat it
Just beat it, beat it
Just beat it, beat it
Just beat it, beat it
3rd verse
Theyre out to get you, better leave while you can
Dont wanna be a boy, you wanna be a man
You wanna stay alive, better do what you can
So beat it, just beat it
4th verse
You have to show them that youre really not scared
Youre playin with your life, this aint no truth or dare
Theyll kick you, then they beat you,
Then theyll tell you its fair
So beat it, but you wanna be bad
Chorus
Just beat it, beat it, beat it, beat it
No one wants to be defeated
Showin how funky strong is your fighter
It doesnt matter whos wrong or right
Chorus
Just beat it, beat it, beat it, beat it
No one wants to be defeated
Showin how funky strong is your fighter
It doesnt matter whos wrong or right
Just beat it, beat it, beat it, beat it, beat it
Chorus
Beat it, beat it, beat it, beat it
No one wants to be defeated
Showin how funky strong is your fighter
It doesnt matter whos wrong or right
Chorus
Just beat it, beat it, beat it, beat it
No one wants to be defeated

[...] Read more

song performed by Michael Jackson
Added by Lucian Velea
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Let the Beat Control Your Body

-a- anita ; r - ray
A: let the beat control your body / let the beat control your body
A: let the beat control your body / let the beat control your body
A: let the beat control your body / let the beat control your body / let the beat contol your body
R: now the my beat control your body!
R: let my beat / let my beat
A: control your body/ the beat is running throw your vains/ control your body /when you let it penetrate your brain!
R: the booming system which plays in places / move your system, change these spaces / when Im on the mic you cant refuse / no one ever came to preach, I came to amuse / techno making; no mista
Never faking / always breaking it down, hey to a party / now let my beat control your body!
A: let the beat control your body / let the beat control your body / let the beat control your body
R: now let my beat control your body
A: let the beat control your body / let the beat control your body / let the beat control your body
R: let my beat / let my beat
A: control your body/ the beat is running throw your vains/ control your body /when you let it penetrate your brain!
R: its my beat now / its my beat
A: let the beat control your body / let the beat control your body / let the beat control your body
A: let the beat control your body / let the beat control your body / let the beat control your body / let the beat control your body, yeah...
R: let my beat / let my beat
R: down with the forces how we go / the second to first just you to show / you just cant stand still cause you gotta move / you feel the bass line you feel the groove / my beat accepts you jus
You are / it drives you away just like a fast car / its my beat, it belongs to me / so let my beat control your body!
A: let the beat control your body / let the beat control your body / let the beat control your body
R: let the beat control your body!
A: let the beat control your body / let the beat control your body / let the beat control your body
R: now let my beat control your body!
A: control your body/ the beat is running throw your vains/ control your body /when you let it penetrate your brain!
A: let the beat control your body!

song performed by 2 Unlimited (1996)
Added by Lucian Velea
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Sons Of The Pioneers

(myles goodwyn)
Published by northern goody two tunes, ltd./capac - ascap
Reachin for a space in time, layin our fate on the line
Starting out a life anew, after weve come so far
Wont you look and see now, here we are
You were the ones, there is no doubt
You ate it up and spit it out
You were the ones, you made it clear, you could take it
We are the sons of the pioneers (we are the sons of pioneers)
The day has come, our fate is clear
Were the sons of the pioneers
Sons of the pioneers (sons of the pioneers)
Were not afraid to try (were not afraid to try)
Sons of the pioneers (sons of the pioneers)
Men not afraid of fear
Whats the point of going on, if you feel that it couldnt be done
Cause I just wanna understand, freedoms the soul of a man
Wont you look and see now, and show me how
We have the chance, there is no doubt
Well pick it up, and see it out
We are the ones, you made it clear, we can take it
We are the sons of the pioneers (we are the sons of pioneers)
The day has come, the way is clear
For the sons of the pioneers
Sons of the pioneers (sons of the pioneers)
Men not afraid to try (men not afraid to try)
Sons of the pioneers (sons of the pioneers)
Men not afraid of fear......................fear
When you think of how far weve come, and to know that weve only begun
Leaving us a legacy, makes sense to me
That now our time has come, for we have to move on
You were the ones, there is no doubt
You ate it up and spit it out
You were the ones, you made it clear, you could take it
And now its time, our fate is surely here now
There is no doubt about it, its time we thought about it
We are the ones, the way is clear, for the sons of the pioneers
Sons of the pioneers (sons of the pioneers)
Men not afraid to try (men not afraid to try)
Sons of the pioneers (sons of the pioneers)
Men not afriad of fear
Is there any doubt, none at all, they heard the call of the
Sons of the pioneers (sons of the pioneers)
Men not afraid to try (men not afraid to try)
Sons of the pioneers (sons of the pioneers)
Sons of the pioneers (sons of the pioneers)
Men not afraid to try (men not afraid to try)
Sons of the pioneers (sons of the pioneers)
Men not afraid of fear

song performed by April Wine
Added by Lucian Velea
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Beat Of Your Drum

Photograph king, watches you go
Now fashions may change, heaven knows, but you
Still leave a stain on me
Only to go colours may fade
The seasons may change, weather blows, but you still leave a mark on me
Wrong-negative fades-never the twain, reckless and tame
I like the beat of your drum
I like to look in your eyes
I like to look thru your things
Id like to beat on your drum
I like the smell of your flesh
I like the dirt that you dish
I like the clothes that you wear
Id like to beat on your drum
I beat it I beat I beat it
I feel it
Disco brat-follow the pack
Watching you peel, heaven knows, prison cant hold all this greedy intention
Only to go-i picture you now
Music may change-hi-di-ho keen to follow your nose
Wrong-love out of tune
Sweet is the night, bright light destroys me
I like the beat of your drum
I like to look in your eyes
I like to look thru your things
Id like to beat on your drum
I like the smell of your flesh
I like the dirt that you dish
I like the clothes that you wear
Id like to beat on your drum
I beat it I beat cant beat it
I feel it
I like to beat on your drum
I like to beat on your drum
I like your face in the crowd
I like to beat on your drum
I beat it I beat cant beat it
I feel it
Cant beat it
I feel it
Ho beat it
I beat it
Oh yeah
Id like to beat on your drum
Id like to beat on your drum
Id like to yell it out loud
Id like to beat on your drum
Cant beat it cant beat it
I feel it I feel it
Id like to beat on your drum

[...] Read more

song performed by David Bowie
Added by Lucian Velea
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Even When I Rap It With A Scatting

That beat.
Sometimes I lose that beat.
That natural beat that's in me.
And my...
Feet pats on,
But the beat is gone.

That beat.
Sometimes I lose that beat.
That natural beat that's in me.
And my...
Feet pats on,
But the beat is gone.

My fingers start to snap it,
But the beat is gone.
I try to tap and pat it,
But the beat is gone.
I even try to scat it,
But the beat is gone,
Even when I rap it with a scatting that snaps!
Something's wrong.
The beat is gone.
Even when I rap it with a scatting that snaps!
Something's wrong.
The beat is gone.

My fingers start to snap it,
But the beat is gone.
I try to tap and pat it,
But the beat is gone.
I even try to scat it,
But the beat is gone,
Even when I rap it with a scatting that snaps!
Something's wrong.
The beat is gone.
Even when I rap it with a scatting that snaps!
Something's wrong.
The beat is gone.

That beat.
Sometimes I lose that beat.
That natural beat that's in me.
And my...
Feet pats on,
But the beat is gone.

That beat.
Sometimes I lose that beat.
That natural beat that's in me.

[...] Read more

poem by Lawrence S. Pertillar
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The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

[...] Read more

poem by John Dryden
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All We Got Left Is The Beat

[Intro]
Ey, ey, check it out homie
man, you need to get up out of this spot man
and get a job man before you get smoked man
(yeah, yeah, yeah, yeah, yeah, yeah son...)
I know you don't wanna hear it man
but, ey, man, wait, hold up loc. you got company man
(where's my guns?)
[Gunshot]
[LL Cool J]
When I'm ridin' on the street I hear gunshots [rare shots]
(swear) crack niggas cause they moms missed flips
So black man really care about politics
In the ninety's, our governments so slick
I watch CNN sometimes and I realize
they're playin' tricks on my mind
They want a man to work with his hands
Too young to die, and they don't give a damn
Rare-momma got down on her knees
But not no more, god damn it, I make cheese
I'm on the move and I'ma show and prove
you might cry to my political groove
Rest in peace, Sauce Brothers underneath
I love you to death while my beats' like a reef
In the middle of the night on the city streets
The only thing we got left is the beat
[Chorus: LL Cool J]
All we got left is the beat, is the beat, yo
All we got left is the beat, huh, give it to me
All we got left is the beat, the beat, yo
All we got left is the beat, uh
[LL Cool J]
Who brings guns into the USA?
And then makes sure that they come around the way
Gain the points until the whole race traps
And teach up my woman that she should call up the cops
The projects are hell, wait a, minute
There's nothin' we do but ride on top of an elevator
Say the clubs, I can't get a job
Mouth to feed, somebody's gettin' robbed
I ain't worked, but I ain't workin' for crumbs
You ever seen a man-shelter?
Check out the bombs!!!
Brother of pain, their whole lives are over
They spent every dime tryin' not to be sober
And all the ladies got bags of clothes
They'll be your long lost momma, one never knows
The streets are like a nightmare
While the presidents secretary is chillin' in his leather chair
[Chorus: LL Cool J]

[...] Read more

song performed by LL Cool J
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Tiriel

1

And Aged Tiriel. stood before the Gates of his beautiful palace
With Myratana. once the Queen of all the western plains
But now his eyes were darkned. & his wife fading in death
They stood before their once delightful palace. & thus the Voice
Of aged Tiriel. arose. that his sons might hear in their gates
Accursed race of Tiriel. behold your father
Come forth & look on her that bore you. come you accursed sons.
In my weak arms. I here have borne your dying mother
Come forth sons of the Curse come forth. see the death of Myratana
His sons ran from their gates. & saw their aged parents stand
And thus the eldest son of Tiriel raisd his mighty voice
Old man unworthy to be calld. the father of Tiriels race
For evry one of those thy wrinkles. each of those grey hairs
Are cruel as death. & as obdurate as the devouring pit
Why should thy sons care for thy curses thou accursed man
Were we not slaves till we rebeld. Who cares for Tiriels curse
His blessing was a cruel curse. His curse may be a blessing
He ceast the aged man raisd up his right hand to the heavens
His left supported Myratana shrinking in pangs of death
The orbs of his large eyes he opend. & thus his voice went forth
Serpents not sons. wreathing around the bones of Tiriel
Ye worms of death feasting upon your aged parents flesh
Listen & hear your mothers groans. No more accursed Sons
She bears. she groans not at the birth of Heuxos or Yuva
These are the groans of death ye serpents These are the groans of death
Nourishd with milk ye serpents. nourishd with mothers tears & cares
Look at my eyes blind as the orbless scull among the stones
Look at my bald head. Hark listen ye serpents listen
What Myratana. What my wife. O Soul O Spirit O fire
What Myratana. art thou dead. Look here ye serpents look
The serpents sprung from her own bowels have draind her dry as this[.]
Curse on your ruthless heads. for I will bury her even here
So saying he began to dig a grave with his aged hands
But Heuxos calld a son of Zazel. to dig their mother a grave
Old cruelty desist & let us dig a grave for thee
Thou hast refusd our charity thou hast refusd our food
Thou hast refusd our clothes our beds our houses for thy dwelling
Chusing to wander like a Son of Zazel in the rocks
Why dost thou curse. is not the curse now come upon your head
Was it not you enslavd the sons of Zazel. & they have cursd
And now you feel it. Dig a grave & let us bury our mother
There take the body. cursed sons. & may the heavens rain wrath
As thick as northern fogs. around your gates. to choke you up
That you may lie as now your mother lies. like dogs. cast out
The stink. of your dead carcases. annoying man & beast
Till your white bones are bleachd with age for a memorial.
No your remembrance shall perish. for when your carcases
Lie stinking on the earth. the buriers shall arise from the east

[...] Read more

poem by William Blake (1789)
Added by Veronica Serbanoiu
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The Iliad: Book 24

The assembly now broke up and the people went their ways each to his
own ship. There they made ready their supper, and then bethought
them of the blessed boon of sleep; but Achilles still wept for
thinking of his dear comrade, and sleep, before whom all things bow,
could take no hold upon him. This way and that did he turn as he
yearned after the might and manfulness of Patroclus; he thought of all
they had done together, and all they had gone through both on the
field of battle and on the waves of the weary sea. As he dwelt on
these things he wept bitterly and lay now on his side, now on his
back, and now face downwards, till at last he rose and went out as one
distraught to wander upon the seashore. Then, when he saw dawn
breaking over beach and sea, he yoked his horses to his chariot, and
bound the body of Hector behind it that he might drag it about. Thrice
did he drag it round the tomb of the son of Menoetius, and then went
back into his tent, leaving the body on the ground full length and
with its face downwards. But Apollo would not suffer it to be
disfigured, for he pitied the man, dead though he now was; therefore
he shielded him with his golden aegis continually, that he might
take no hurt while Achilles was dragging him.
Thus shamefully did Achilles in his fury dishonour Hector; but the
blessed gods looked down in pity from heaven, and urged Mercury,
slayer of Argus, to steal the body. All were of this mind save only
Juno, Neptune, and Jove's grey-eyed daughter, who persisted in the
hate which they had ever borne towards Ilius with Priam and his
people; for they forgave not the wrong done them by Alexandrus in
disdaining the goddesses who came to him when he was in his
sheepyards, and preferring her who had offered him a wanton to his
ruin.
When, therefore, the morning of the twelfth day had now come,
Phoebus Apollo spoke among the immortals saying, "You gods ought to be
ashamed of yourselves; you are cruel and hard-hearted. Did not
Hector burn you thigh-bones of heifers and of unblemished goats? And
now dare you not rescue even his dead body, for his wife to look upon,
with his mother and child, his father Priam, and his people, who would
forthwith commit him to the flames, and give him his due funeral
rites? So, then, you would all be on the side of mad Achilles, who
knows neither right nor ruth? He is like some savage lion that in
the pride of his great strength and daring springs upon men's flocks
and gorges on them. Even so has Achilles flung aside all pity, and all
that conscience which at once so greatly banes yet greatly boons him
that will heed it. man may lose one far dearer than Achilles has lost-
a son, it may be, or a brother born from his own mother's womb; yet
when he has mourned him and wept over him he will let him bide, for it
takes much sorrow to kill a man; whereas Achilles, now that he has
slain noble Hector, drags him behind his chariot round the tomb of his
comrade. It were better of him, and for him, that he should not do so,
for brave though he be we gods may take it ill that he should vent his
fury upon dead clay."
Juno spoke up in a rage. "This were well," she cried, "O lord of the
silver bow, if you would give like honour to Hector and to Achilles;

[...] Read more

poem by Homer, translated by Samuel Butler
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Keep That Beat Just Heated

You keep that conga beat strickly in the rhythm.
You keep that conga beat heat, rhythmically.
And keep that beat just heated as it flows around the room.
And keep that beat just heated.
Keep it and just heated.
Keep it as it's needed.

You keep that conga beat heat, rhythmically.
And keep that beat just heated as it flows around the room.
And keep that beat just heated.
Keep it and just heated.
Keep it as it's needed to stir up a good mood.

Give me some cello,
With the flute and bassist playing.
You keep that conga beat heat,
Rhythmically.

Add some violins and French horns too.
With the build up of some trumpets,
And a sax player's groove.

You keep that conga beat strickly in the rhythm.
You keep that conga beat heat, rhythmically.
And keep that beat just heated as it flows around the room.
And keep that beat just heated.
Keep it and just heated.
Keep it as it's needed.

Give me some cello,
With the flute and bassist playing.
You keep that conga beat heat,
Rhythmically.
You keep that conga beat...
Strickly in the rhythm.
You keep that conga beat heat, rhythmically.

Give me some cello,
With the flute and bassist playing.
You keep that conga beat heat,
Rhythmically.
You keep that conga beat...
Strickly in the rhythm.
You keep that conga beat heat, rhythmically.

Give me some cello,
With the flute and bassist playing.
Add some violins and French horns too.
With the build up of some trumpets,
And a sax player's groove.

[...] Read more

poem by Lawrence S. Pertillar
Added by Poetry Lover
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Clint Eastwood

Clint Eastwood (Phi Life Cypher [Si Phili]
Yo. Yo.
'Cause I'm this, Gorillaz from the mist lyricist and my thoughts be twisted
I spit the wickedest rhymes from a time that's never existed
My futuristic linguistics turn fools into statistics
I'm a lyrical misfit with the sadistic characteristics
I perform murderous acts on my tracks with a single breath
and if a boy wanna test, then I be stampin' upon his chest
Done makin' a mess - Not a man could concieve the weed I'm consumin'
and I transform from my cartoon pseudonym, turn to a human
I spit words from my mouth that be turnin' you inside out
and I tie knots in intestines just like I'm a boy scout
that's workin' 'em out - Now rearrangin' your whole skeletal structure
then I find some nine inch nails to perform some accupuncture
When I punch ya, I rupture one of your rib cage in a rage
and I turn you into a cartoon toon and erase the page
I take you back to the Stone Age with Barney and Fred Flinstone
Got Dino to take a machinos and then forage in a live home
[Life]
I'ma take off like a jet pack with the get back, rather step back
I'ma make the crowd react and nod they heads until they neck snap
Life conflict rap while riding a skateboard and doin' a tic-tac
and leave your head in a spin like servin' on turn table skid mats
I'm a concrete lion, big cat - These are real talk, not big-chat
Did ya get that 'cause I ain't no small timer - I rhyme on big tracks
Now feel the vise I create - This heavyweight, I'm a rap to detonate
and demonstrate how I generate lyrics that supernaturally levitate
to the top - My lyrics are skeletons - Accelerate and leave you panicin'
Take the ground from beneath your feet, leave you Skywalk-in' like Anakin
I'm sharper than the tips of Zulu spears and Olympic javelins
My style is totally buck wild and most definitely happenin'
To your brains I be tappin' in, to computers I be hackin' in
To me, I be out of this world like aliens who were time travelin'
I'm babblin' in the Fists of Fury technique when I speak
Forget Karate Kid and these wooden blocks, I chop from concrete
Concrete, concrete, concrete!
Wha-wha-wha-wha-wha-wha!
[Si Phili]
I been stoned; ever since the days of creation, I've been red
I'm a mad dred, causin' so much havoc in Russel's head
My lyricism is just like an aneurysm inside his brain
He plays the beat in a trance and he's never feeling no pain
I could never be a racist because I posess so many faces
I'm one of those beat-up bad wit' bags and a pair of braces
with lines longer than laces - I'm gracin' you with my presence
The lyrics went flippin', makin' ya bubble like effervescence
I pulverize and bamboozle, shake numb skulls like a boodle
I smashed the top of your head with a guitar I borrowed from Noodle
I'm as animated as Japanese animes causin' callamities
Some serious savory from my roarous rhymes of reality

[...] Read more

song performed by Gorillaz
Added by Lucian Velea
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Fingal - Book III

ARGUMENT.

Cuthullin, pleased with the story of Carril, insists with that bard for more of his songs. He relates the actions of Fingal in Lochlin, and death of Agandecca, the beautiful sister of Swaran. He had scarce finished, when Calmar, the son of Matha, who had advised the first battle, came wounded from the field, and told them of Swaran's design to surprise the remains of the Irish army. He himself proposes to withstand singly the whole force of the enemy, in a narrow pass, till the Irish should make good their retreat. Cuthullin, touched with the gallant proposal of Calmar, resolves to accompany him and orders Carril to carry off the few that remained of the Irish. Morning comes, Calmar dies of his wounds; and the ships of the Caledonians appearing, Swaran gives over the pursuit of the Irish, and returns to oppose Fingal's landing. Cuthullin, ashamed, after his defeat, to appear before Fingal re tires to the cave of Tura. Fingal engages the enemy, puts them to flight: but the coming on of night makes the victory not decisive. The king, who had observed the gallant behavior of his grandson Oscar, gives him advice concerning his conduct in peace and war. He recommends to him to place the example of his fathers before his eyes, as the best model for his conduct; which introduces the episode concerning Fainasóllis, the daughter of the king of Craca, whom Fingal had taken under his protection in his youth. Fillan and Oscar are despatched to observe the motions of the enemy by night: Gaul, the son of Morni, desires the command of the army in the next battle, which Fingal promises to give him. Some general reflections of the poet close the third day.

"PLEASANT are the words of the song! "said Cuthullin, "lovely the tales of other times! They are like the calm dew of the morning on the hill of roes! when the sun is faint on its side, and the lake is settled and blue on the vale. O Carril, raise again thy voice! let me hear the song of Selma: which was sung in my halls of joy, when Fingal, king of shields, was there, and glowed at the deeds of his fathers.

"Fingal! thou dweller of battle," said Carril, "early were thy deeds in arms. Lochlin was consumed in thy wrath, when thy youth strove in the beauty of maids. They smiled at the fair-blooming face of the hero; but death was in his hands. He was strong as the waters of Lora. His followers were the roar of a thousand streams. They took the king of Lochlin in war; they restored him to his ship. His big heart swelled with pride; the death of the youth was dark in his soul. For none ever but Fingal, had overcome the strength of the mighty Starno. He sat in the hall of his shells in Lochlin's woody land. He called the gray-haired Snivan, that often sung round the circle of Loda; when the stone of power heard his voice , and battle turned in the field of the valiant!

"'Go, gray-haired Snivan,' Starno said: 'go to Ardven's sea-surrounded rocks. Tell to the king of Selma; he the fairest among his thousands; tell him I give to him my daughter, the loveliest maid that ever heaved a breast of snow. Her arms are white as the foam of my waves. Her soul is generous and mild. Let him come with his bravest heroes to the daughter of the secret hall!' Snivan came to Selma's hall: fair-haired Fingal attended his steps. His kindled soul flew to the maid, as he bounded on the waves of the north. 'Welcome,' said the dark-brown Starno, 'welcome, king of rocky Morven! welcome his heroes of might, sons of the distant isle! Three days within thy halls shall we feast; three days pursue my boars; that your fame may reach the maid who dwells in the secret hall.'

"Starno designed their death. He gave the feast of shells. Fingal, who doubted the foe, kept on his arms of steel. The sons of death were afraid: they fled from the eyes of the king. The voice of sprightly mirth arose. The trembling harps of joy were strung. Bards sung the battles of heroes; they sung the heaving breast of love. Ullin, Fingal's bard, was there: the sweet voice of resounding Cona. He praised the daughter of Lochlin; and Morven's high-descended chief. The daughter of Lochlin overheard. She left the hall of her secret sigh! She came in all her beauty, like the moon from the cloud of the east. Loveliness was round her as light. Her steps were the music of songs. She saw the youth and loved him. He was the stolen sigh of her soul. Her blue eyes rolled on him in secret: she blessed the chief of resounding Morven.

"The third day, with all its beams, shone bright on the wood of boars. Forth moved the dark-browed Starno; and Fingal, king of shields. Half the day they spent in the chase; the spear of Selma was red in blood. It was then the daughter of Starno, with blue eyes rolling in tears; it was then she came with her voice of love, and spoke to the king of Morven. 'Fingal, high-descended chief, trust not Starno's heart of pride. Within that wood he has placed his chiefs. Beware of the wood of death. But remember, son of the isle, remember Agandecca; save me from the wrath of my father, king of the windy Morven!'

"The youth with unconcern went on; his heroes by his side. The sons of death fell by his hand; and Germal echoed around! Before the halls of Starno the sons of the chase convened. The king's dark brows were like clouds; his eyes like meteors of night. 'Bring hither,' he said, 'Agandecca to her lovely king of Morven! His hand is stained with the blood of my people; her words have not been in vain!' She came with the red eye of tears. She came with loosely flowing locks. Her white breast heaved with broken sighs, like the foam of the streamy Lubar. Starno pierced her side with steel. She fell, like a wreath of snow, which slides from the rocks of Ronan, when the woods are still, and echo deepens in the vale! Then Fingal eyed his valiant chiefs: his valiant chiefs took arms! The gloom of battle roared: Lochlin fled or died. Pale in his bounding ship he closed the maid of the softest soul. Her tomb ascends on Ardven; the sea roars round her narrow dwelling."

"Blessed be her soul," said Cuthullin; "blessed be the mouth of the song! Strong was the youth of Fingal; strong is his arm of age. Lochlin shall fall again before the king of echoing Morven. Show thy face from a cloud, O moon! light his white sails on the wave: and if any strong spirit of heaven sits on that low-hung cloud; turn his dark ships from the rock, thou rider of the storm!"

Such were the words of Cuthullin at the sound of the mountain stream; when Calmar ascended the hill, the wounded son of Matha. From the field he came in his blood. He leaned on his bending spear. Feeble is the arm of battle! but strong the soul of the hero! "Welcome! O son of Matha," said Connal, "welcome art thou to thy friends! Why bursts that broken sigh from the breast of him who never feared before?" "And never, Connal, will he fear, chief of the pointed steel! My soul brightens in danger; in the noise of arms I am of the race of battle. My fathers never feared.

"Cormar was the first of my race. He sported through the storms of waves. His black skiff bounded on ocean; he travelled on the wings of the wind. A spirit once embroiled the night. Seas swell and rocks resound. Winds drive along the clouds. The lightning flies on wings of fire. He feared, and came to land, then blushed that he feared at all. He rushed again among the waves, to find the son of the wind. Three youths guide the bounding bark: he stood with sword unsheathed. When the low-hung vapor passed, he took it by the curling head. He searched its dark womb with his steel. The son of the wind forsook the air. The moon and the stars returned! Such was the boldness of my race. Calmar is like his fathers. Danger flies from the lifted sword. They best succeed who dare!

"But now, ye sons of green Erin, retire from Lena's bloody heath. Collect the sad remnant of our friends, and join the sword of Fingal. I heard the sound of Lochlin's advancing arms: Calmar will remain and fight. My voice shall be such, my friends, as if thousands were behind me. But, son of Semo, remember me. Remember Calmar's lifeless corse. When Fingal shall have wasted the field, place me by some stone of remembrance, that future times may hear my fame; that the mother of Calmar may rejoice in my renown."

"No: son of Matha," said Cuthullin, "I will never leave thee here. My joy is in an unequal fight: my soul increases in danger. Connal, and Carril of other times, carry off the sad sons of Erin. When the battle is over, search for us in this narrow way. For near this oak we shall fall, in the streams of the battle of thousands! O Fithal's son, with flying speed rush over the heath of Lena. Tell to Fingal that Erin is fallen. Bid the king of Morven come. O let him come like the sun in a storm, to lighten, to restore the isle!"

Morning is gray on Cromla. The sons of the sea ascend. Calmar stood forth to meet them in the pride of his kindling soul. But pale was the face of the chief. He leaned on his father's spear. That spear which he brought from Lara, when the soul of his mother was sad; the soul of the lonely Alcletha, waning in the sorrow of years. But slowly now the hero falls, like a tree on the plain. Dark Cuthullin stands alone like a rock in a sandy vale. The sea comes with its waves, and roars on its hardened sides. Its head is covered with foam; the hills are echoing round.

Now from the gray mist of the ocean the white-sailed ships of Fingal appear. High is the grove of their masts, as they nod, by turns, on the rolling wave. Swaran saw them from the hill. He returned from the sons of Erin. As ebbs the resounding sea, through the hundred isles of Inistore; so loud, so vast, so immense, returned the sons of Lochlin against the king. But bending, weeping, sad, and slow, and dragging his long spear behind, Cuthullin sunk in Cromla's wood, and mourned his fallen friends. He feared the face of Fingal, who was wont to greet him from the fields of renown!

"How many lie there of my heroes! the chiefs of Erin's race! they that were cheerful in the hall, when the sound of the shells arose! No more shall I find their steps in the heath! No more shall I hear their voice in the chase. Pale, silent, low on bloody beds, are they who were my friends! O spirits of the lately dead, meet Cuthullin on his heath! Speak to him on the winds, when the rustling tree of Tura's cave resounds. There, far remote, I shall lie unknown. No bard shall hear of me. No gray stone shall rise to my renown. Mourn me with the dead, O Bragéla! departed is my fame." Such were the words of Cuthullin, when he sunk in the woods of Cromla!

Fingal, tall in his ship, stretched his bright lance before him. Terrible was the gleam of his steel: It was like the green meteor of death, setting in the heath of Malmor, when the traveller is alone, and the broad moon is darkened in heaven.

"The battle is past," said the king. "I behold the blood of my friends. Sad is the heath of Lena! mournful the oaks of Cromla! The hunters have fallen in their strength: the son of Semo is no more! Ryno and Fillan, my sons, sound the horn of Fingal! Ascend that hill on the shore; call the children of the foe. Call them from the grave of Lamderg, the chief of other times. Be your voice like that of your father, when he enters the battles of his strength! I wait for the mighty stranger. I wait on Lena's shore for Swaran. Let him come with all his race; strong in battle are the friends of the dead!"

Fair Ryno as lightning gleamed along: dark Fillan rushed like the shade of autumn. On Lena's heath their voice is heard. The sons of ocean heard the horn of Fingal. As the roaring eddy of ocean returning from the kingdom of snows: so strong, so dark, so sudden, came down the sons of Lochlin. The king in their front appears, in the dismal pride of his arms! Wrath burns on his dark-brown face; his eyes roll in the fire of his valor. Fingal beheld the son of Starno: he remembered Agandecca. For Swaran with tears of youth had mourned his white-bosomed sister. He sent Ullin of songs to bid him to the feast of shells: for pleasant on Fingal's soul returned the memory of the first of his loves!

Ullin came with aged steps, and spoke to Starno's son. "O thou that dwellest afar, surrounded, like a rock, with thy waves! come to the feast of the king, and pass the day in rest. To-morrow let us fight, O Swaran, and break the echoing shields." — "To-day," said Starno's wrathful son, "we break the echoing shields: to-morrow my feast shall be spread; but Fingal shall lie on earth." — "To-morrow let his feast be spread," said Fingal, with a smile. "To-day, O my sons! we shall break the echoing shields. Ossian, stand thou near my arm. Gaul, lift thy terrible sword. Fergus, bend thy crooked yew. Throw, Fillan, thy lance through heaven. Lift your shields, like the darkened moon. Be your spears the meteors of death. Follow me in the path of my fame. Equal my deeds in battle."

As a hundred winds on Morven; as the streams of a hundred hills; as clouds fly successive over heaven; as the dark ocean assails the shore of the desert: so roaring, so vast, so terrible, the armies mixed on Lena's echoing heath. The groans of the people spread over the hills: it was like the thunder of night, when the cloud bursts on Cona; and a thousand ghosts shriek at once on the hollow wind. Fingal rushed on in his strength, terrible as the spirit of Trenmor; when in a whirlwind he comes to Morven, to see the children of his pride. The oaks resound on their mountains, and the rocks fall down before him. Dimly seen as lightens the night, he strides largely from hill to hill. Bloody was the hand of my father, when he whirled the gleam of his sword. He remembers the battles of his youth. The field is wasted in its course!

Ryno went on like a pillar of fire. Dark is the brow of Gaul. Fergus rushed forward with feet of wind; Fillin like the mist of the hill. Ossian, like a rock, came down. I exulted in the strength of the king. Many were the deaths of my arm! dismal the gleam of my sword! My locks were not then so gray; nor trembled my hands with age. My eyes were not closed in darkness; my feet failed not in the race!

Who can relate the deaths of the people? who the deeds of mighty heroes? when Fingal, burning in his wrath, consumed the sons of Lochlin? Groans swelled on groans from hill to hill, till night had covered all. Pale, staring like a herd of deer, the sons of Lochlin convene on Lena. We sat and heard the sprightly harp, at Lubar's gentle stream. Fingal himself was next to the foe. He listened to the tales of his bards. His godlike race were in the song, the chiefs of other times. Attentive, leaning on his shield, the king of Morven sat. The wind whistled through his locks; his thoughts are of the days of other years. Near him, on his bending spear, my young, my valiant Oscar stood. He admired the king of Morven: his deeds were swelling in his soul.

"Son of my son," began the king, "O Oscar, pride of youth: I saw the shining of the sword. I gloried in my race. Pursue the fame of our fathers; be thou what they have been, when Trenmor lived, the first of men, and Trathal, the father of heroes! They fought the battle in their youth. They are the song of bards. O Oscar! bend the strong in arm; but spare the feeble hand. Be thou a stream of many tides against the foes of thy people; but like the gale, that moves the grass. to those who ask thine aid. So Trenmor lived; such Trathal was; and such has Fingal been. My arm was the support of the injured; the weak rested behind the lightning of my steel.

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poem by James Macpherson
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Wild Dancing

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Wild dancing
[Wild dancing]
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[Wild dancing]
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Wi, wild da, dance
Wild dancing
Dancing beat
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[Wild dancing]
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song performed by Madonna
Added by Lucian Velea
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The Iliad: Book 2

Now the other gods and the armed warriors on the plain slept
soundly, but Jove was wakeful, for he was thinking how to do honour to
Achilles, and destroyed much people at the ships of the Achaeans. In
the end he deemed it would be best to send a lying dream to King
Agamemnon; so he called one to him and said to it, "Lying Dream, go to
the ships of the Achaeans, into the tent of Agamemnon, and say to
him word to word as I now bid you. Tell him to get the Achaeans
instantly under arms, for he shall take Troy. There are no longer
divided counsels among the gods; Juno has brought them to her own
mind, and woe betides the Trojans."
The dream went when it had heard its message, and soon reached the
ships of the Achaeans. It sought Agamemnon son of Atreus and found him
in his tent, wrapped in a profound slumber. It hovered over his head
in the likeness of Nestor, son of Neleus, whom Agamemnon honoured
above all his councillors, and said:-
"You are sleeping, son of Atreus; one who has the welfare of his
host and so much other care upon his shoulders should dock his
sleep. Hear me at once, for I come as a messenger from Jove, who,
though he be not near, yet takes thought for you and pities you. He
bids you get the Achaeans instantly under arms, for you shall take
Troy. There are no longer divided counsels among the gods; Juno has
brought them over to her own mind, and woe betides the Trojans at
the hands of Jove. Remember this, and when you wake see that it does
not escape you."
The dream then left him, and he thought of things that were,
surely not to be accomplished. He thought that on that same day he was
to take the city of Priam, but he little knew what was in the mind
of Jove, who had many another hard-fought fight in store alike for
Danaans and Trojans. Then presently he woke, with the divine message
still ringing in his ears; so he sat upright, and put on his soft
shirt so fair and new, and over this his heavy cloak. He bound his
sandals on to his comely feet, and slung his silver-studded sword
about his shoulders; then he took the imperishable staff of his
father, and sallied forth to the ships of the Achaeans.
The goddess Dawn now wended her way to vast Olympus that she might
herald day to Jove and to the other immortals, and Agamemnon sent
the criers round to call the people in assembly; so they called them
and the people gathered thereon. But first he summoned a meeting of
the elders at the ship of Nestor king of Pylos, and when they were
assembled he laid a cunning counsel before them.
"My friends," said he, "I have had a dream from heaven in the dead
of night, and its face and figure resembled none but Nestor's. It
hovered over my head and said, 'You are sleeping, son of Atreus; one
who has the welfare of his host and so much other care upon his
shoulders should dock his sleep. Hear me at once, for I am a messenger
from Jove, who, though he be not near, yet takes thought for you and
pities you. He bids you get the Achaeans instantly under arms, for you
shall take Troy. There are no longer divided counsels among the
gods; Juno has brought them over to her own mind, and woe betides
the Trojans at the hands of Jove. Remember this.' The dream then

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poem by Homer, translated by Samuel Butler
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Fingal - Book I

ARGUMENT.

Cuthullin (general of the Irish tribes, in the minority of Cormac, king of Ireland) sitting alone beneath a tree, at the gate of Tura, a castle of Ulster (the other chiefs having gone on a hunting party to Cromla, a neighboring hill,) is informed of the landing of Swaran, king of Lochlin, by Moran, the son of Fithil, one of his scouts. He convenes the chiefs; a council is held, and disputes run high about giving battle to the enemy. Connal, the petty king of Togorma, and an intimate friend of Cuthullin, was for retreating, till Fingal, king of those Caledonians who inhabited the north-west coast of Scotland, whose aid had been previously solicited, should arrive; but Calmar, the son of Matha, lord of Lara, a country in Connaught, was for engaging the enemy immediately. Cuthullin, of himself willing to fight, went into the opinion of Calmar. Marching towards the enemy, he missed three of his bravest heroes, Fergus, Duchômar, and Cáthba. Fergus arriving, tells Cuthullin of the death of the two other chiefs: which introduces the affecting episode of Morna, the daughter of Cormac. The army of Cuthullin is descried at a distance by Swaran, who sent the son of Arno to observe the motions of the enemy, while he himself ranged his forces in order of battle. The son of Arno returning to Swaran, describes to him Cuthullin's chariot, and the terrible appearance of that hero. The armies engage, but night coming on, leaves the victory undecided. Cuthullin, according to the hospitality of the times, sends to Swaran a formal invitation to a feast, by his bard Carril, the son of Kinfena. Swaran refuses to come. Carril relates to Cuthullin the story of Grudar and Brassolis. A party, by Connal's advice, is sent to observe the enemy; which closes the action of the first day.

CUTHULLIN sat by Tura's wall; by the tree of the rustling sound. His spear leaned against the rock. His shield lay on the grass by his side. Amid his thoughts of mighty Cairbar, a hero slain by the chief in war; the scout of ocean comes, Moran the son of Fithil!

"Arise," said the youth, "Cuthullin, arise. I see the ships of the north! Many, chief of men, are the foe. Many the heroes of the sea-borne Swaran!" — "Moran!" replied the blue-eyed chief "thou ever tremblest, son of Fithil! Thy fears have increased the foe. It is Fingal, king of deserts, with aid to green Erin of streams." — "I beheld their chief," says Moran, "tall as a glittering rock. His spear is a blasted pine. His shield the rising moon! He sat on the shore! like a cloud of mist on the silent hill! Many, chief of heroes! I said, many are our hands of war. Well art thou named, the mighty man; but many mighty men are seen from Tura's windy walls.

"He spoke, like a wave on a rock, 'Who in this land appears like me? Heroes stand not in my presence: they fall to earth from my hand. Who can meet Swaran in fight? Who but Fingal, king of Selma of storms? Once we wrestled on Malmor; our heels overturned the woods. Rocks fell from their place; rivulets, changing their course, fled murmuring from our side. Three days we renewed the strife; heroes stood at a distance and trembled. On the fourth, Fingal says, that the king of the ocean fell! but Swaran says he stood! Let dark Cuthullin yield to him, that is strong as the storms of his land!'

"No!" replied the blue-eyed chief, "I never yield to mortal man! Dark Cuthullin shall be great or dead! Go, son of Fithil, take my spear. Strike the sounding shield of Semo. It hangs at Tura's rustling gale. The sound of peace is not its voice! My heroes shall hear and obey." He went. He struck the bossy shield. The hills, the rocks reply. The sound spreads along the wood: deer start by the lake of roes. Curach leaps from the sounding rock! and Connal of the bloody spear! Crugal's breast of snow beats high. The son of Favi leaves the dark-brown hind. It is the shield of war, said Ronnart; the spear of Cuthullin, said Lugar! Son of the sea, put on thy arms! Calmar, lift thy sounding steel! Puno! dreadful hero, arise! Cairbar, from thy red tree of Cromla! Bend thy knee, O Eth! descend from the streams of Lena Caolt, stretch thy side as thou movest along the whistling heath of Mora: thy side that is white as the foam of the troubled sea, when the dark winds pour it on rocky Cuthon.

Now I behold the chiefs, in the pride of their former deeds! Their souls are kindled at the battles of old; at the actions of other times. Their eyes are flames of fire. They roll in search of the foes of the land. Their mighty hands are on their swords. Lightning pours from their sides of steel. They come like streams from the mountains; each rushes roaring from the hill. Bright are the chiefs of battle, in the armor of their fathers. Gloomy and dark, their heroes follow like the gathering of the rainy clouds behind the red meteors of heaven. The sounds of crashing arms ascend. The gray dogs howl between. Unequal bursts the song of battle. Rocking Cromla echoes round. On Lena's dusky heath they stand, like mist that shades the hills of autumn; when broken and dark it settles high, and lifts its head to heaven.

"Hail," said Cuthullin, "Sons of the narrow vales! hail, hunters of the deer! Another sport is drawing near: it is like the dark rolling of that wave on the coast! Or shall we fight, ye sons of war! or yield green Erin to Lochlin? O Connal! speak, thou first of men! thou breaker of the shields! thou hast often fought with Lochlin: wilt thou lift thy father's spear?"

"Cuthullin!" calm the chief replied, "the spear of Connal is keen. it delights to shine in battle, to mix with the blood of thousands. But though my hand is bent on fight, my heart is for the peace of Erin. Behold, thou first in Cormac's war, the sable fleet of Swaran. His masts are many on our coasts, like reeds on the lake of Lego. His ships are forests clothed with mists, when the trees yield by turns to the squally wind. Many are his chiefs in battle. Connal is for peace! Fingal would shun his arm, the first of mortal men! Fingal who scatters the mighty, as stormy winds the echoing Cona; and night settles with all her clouds on the hill!"

"Fly, thou man of peace!" said Colmar, "fly," said the son of Matha; "go, Connal, to thy silent hills, where the spear never brightens in war! Pursue the dark-brown deer of Cromla: stop with thine arrows the bounding roes of Lena. But blue-eyed son of Semo, Cuthullin, ruler of the field, scatter thou the Sons of Lochlin! roar through the ranks of their pride. Let no vessel of the kingdom of snow bound on the dark-rolling waves of Inistore. Rise, ye dark winds of Erin, rise! roar, whirlwinds of Lara of hinds! Amid the tempest let me die, torn, in a cloud, by angry ghosts of men; amid the tempest let Calmar die, if ever chase was sport to him, so much as the battle of shields!

"Calmar!" Connal slow replied, "I never fled, young son of Matha! I was swift with my friends in fight; but small is the fame of Connal! The battle was won in my presence! the valiant overcame! But, son of Semo, hear my voice, regard the ancient throne of Cormac. Give wealth and half the land for peace, till Fingal shall arrive on our coast. Or, if war be thy choice, I lift the sword and spear. My joy shall be in midst of thousands; my soul shall alighten through the gloom of the fight!"

"To me," Cuthullin replies, "pleasant is the noise of arms! pleasant as the thunder of heaven, before the shower of spring! But gather all the shining tribes, that I may view the sons of war! Let then pass along the heath, bright as the sunshine before a storm; when the west wind collects the clouds, and Morven echoes over all her oaks! But where are my friends in battle? the supporters of my arm in danger? Where art thou, white-bosomed Câthba? Where is that cloud in war, Duchômar? Hast thou left me, O Fergus! in the day of the storm? Fergus, first in our joy at the feast! son of Rossa! arm of death!

comest thou like a roe from Malmor? like a hart from thy echoing hills? Hall, thou son of Rossa! what shades the soul of war?"

"Four stones," replied the chief, "rise on the grave of Câthba. These hands have laid in earth Duchômar, that cloud in war! Câthba, son of Torman! thou wert a sunbeam in Erin. And thou, O valiant Duchômar! a mist of the marshy Lano; when it moves on the plains of autumn, bearing the death of thousands along. Morna! fairest of maids! calm is thy sleep in the cave of the rock! Thou hast fallen in darkness, like a star, that shoots across the desert; when the traveller is alone, and mourns the transient beam!"

"Say," said Semo's blue-eyed son, "say how fell the chiefs of Erin. Fell they by the sons of Lochlin, striving in the battle of heroes? Or what confines the strong in arms to the dark and narrow house?"

"Câthba," replied the hero, " fell by the sword of Duchômar at the oak of the noisy streams. Duchômar came to Tura's cave; he spoke to the lovely Morna. 'Morna, fairest among women, lovely daughter of strong-armed Cormac! Why in the circle of stones: in the cave of the rock alone? The stream murmurs along. The old tree groans in the wind. The lake is troubled before thee: dark are the clouds of the sky! But thou art snow on the heath; thy hair is the mist of Cromla; when it curls on the hill, when it shines to the beam of the west! Thy breasts are two smooth rocks seen from Branno of streams. Thy arms, like two white pillars in the halls of the great Fingal.'

"'From whence,' the fair-haired maid replied, 'from whence Duchômar, most gloomy of men? Dark are thy brows and terrible! Red are thy rolling eyes! Does Swaran appear on the sea? What of the foe, Duchômar?' 'From the hill I return, O Morna, from the hill of the dark-brown hinds. Three have I slain with my bended yew. Three with my long-bounding dogs of the chase. Lovely daughter of Cormac, I love thee as my soul: I have slain one stately deer for thee. High was his branchy head-and fleet his feet of wind.' 'Duchômar!' calm the maid replied, 'I love thee not, thou gloomy man! hard is thy heart of rock; dark is thy terrible brow. But Câthba, young son of Torman, thou art the love of Morna. Thou art a sunbeam, in the day of the gloomy storm. Sawest thou the son of Torman, lovely on the hill of his hinds? Here the daughter of Cormac waits the coming of Câthba!"

"'Long shall Morna wait,' Duchômar said, 'long shall Morna wait for Câthba! Behold this sword unsheathed! Here wanders the blood of Câthba. Long shall Morna wait. He fell by the stream of Branno. On Croma I will raise his tomb, daughter of blue-shielded Cormac! Turn on Duchômar thine eyes; his arm is strong as a storm.' 'Is the son of Torman fallen?' said the wildly-bursting voice of the maid; 'is he fallen on his echoing hills, the youth with the breast of snow? the first in the chase of hinds! the foe of the strangers of ocean! Thou art dark to me, Duchômar; cruel is thine arm to Morna! Give me that sword, my foe! I loved the wandering blood of Câthba!'

"He gave the sword to her tears. She pierced his manly breast! He fell, like the bank of a mountain stream, and stretching forth his hand, he spoke: 'Daughter of blue-shielded Cormac! Thou hast slain me in youth! the sword is cold in my breast! Morna; I feel it cold. Give me to Moina the maid. Duchômar was the dream of her night! She will raise my tomb; the hunter shall raise my fame. But draw the sword from my breast, Morna, the steel is cold!' She came, in all her tears she came; she drew the sword from his breast. He pierced her white side! He spread her fair locks on the ground! Her bursting blood sounds from her side: her white arm is stained with red. Rolling in death she lay. The cave re-echoed to her sighs."

"Peace," said Cuthullin, "to the souls of the heroes! their deeds were great in fight. Let them ride around me on clouds. Let them show their features of war. My soul shall then be firm in danger; mine arm like the thunder of heaven! But be thou on a moonbeam, O Morna! near the window of my rest; when my thoughts are of peace; when the din of arms is past. Gather the strength of the tribes! Move to the wars of Erin! Attend the car of my battles! Rejoice in the noise of my course! Place three spears by my side: follow the bounding of my steeds! that my soul may be strong in my friends, when battle darken around the beams of my steel!

As rushes a stream of foam from the dark shady deep of Cromla, when the thunder is traveling above, and dark-brown night sits on half the hill. Through the breaches of the tempest look forth the dim faces of ghosts. So fierce, so vast, so terrible rushed on the sons of Erin. The chief, like a whale of ocean, whom all his billows pursue, poured valor forth, as a stream, rolling his might along the shore. The sons of Lochlin heard the noise, as the sound of a winter storm. Swaran struck his bossy shield: he called the son of Arno. "What murmur rolls along the hill, like the gathered flies of the eve? The sons of Erin descend, or rustling winds roar in the distant wood! Such is the noise of Gormal, before the white tops of my waves arise. O son of Arno! ascend the hill; view the dark face of the heath!"

He went. He trembling swift returned. His eyes rolled wildly round. His heart beat high against his side. His words were faltering, broken, slow. "Arise, son of ocean, arise, chief of the dark-brown shields! I see the dark, the mountain-stream of battle! the deep. moving strength of the sons of Erin! the car of war comes on, like the flame of death! the rapid car of Cuthullin, the noble son of Semo! It bends behind like a wave near a rock; like a sun-streaked mist of the heath. Its sides are embossed with stones, and sparkle like the sea round the boat of night. Of polished yew is its beam; its seat of the smoothest bone. The sides are replenished with spears; the bottom is the foot-stool of heroes! Before the right side of the car is seen the snorting horse! the high-maned, broad-breasted, proud, wide-leaping strong steed of the hill. Loud and resounding is his hoof: the spreading of his mane above is like a stream of smoke on a ridge of rocks. Bright are the sides of his steed! his name Sulin-Sifadda!

"Before the left side of the car is seen the snorting horse! The thin-maned, high-headed, strong-hoofed fleet-bounding son of the hill: His name is Dusronnal, among the stormy sons of the sword! A thousand thongs bind the car on high. Hard polished bits shine in wreath of foam. Thin thongs, bright studded with gems, bend on the stately necks of the steeds. The steeds, that like wreaths of mist fly over the streamy vales! The wildness of deer is in their course, the strength of eagles descending on the prey. Their noise is like the blast of winter, on the sides of the snow-headed Gormal.

"Within the car is seen the chief; the strong-armed son of the sword. The hero's name is Cuthullin, son of Semo, king of shells. His red cheek is like my polished yew. The look of his blue-rolling eye is wide, beneath the dark arch of his brow. His hair flies from his head like a flame, as bending forward he wields the spear. Fly, king of ocean, fly! He comes, like a storm along the streamy vale!

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poem by James Macpherson
Added by Poetry Lover
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My heart beat

It all seems like today
Ages have passed by…

My heart missed a beat
When I first saw you
When you stretched out your hand
When you spoke to me first
When you said you look good
When you stood talking for hours
My heart missed a beat

My heart missed a beat
When I met you
When we started dating
When we went on shopping
When we spent time in each other’s company
When we were in each other’s arms
My heart missed a beat

My heart missed a beat
When I wanted to say something
When you found that life was miserable
When you thought I should live with you
When you enjoyed my company
When you proposed to me
My heart missed a beat

My heart missed a beat
When I felt your love
When we first had a talk
When we had a long walk
When we never heard the waves on the shore
When we knew we loved each other
My heart missed a leap

My heart missed a leap
When I lost words
When you found them for me
When you touched me first
When you blew in my ears
When you kissed me first
My heart missed a beat

My heart missed a beat
When I saw the ring
When we decided
When we finalized things
When we knew everything was fine
When we heard the revolt

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poem by Leena Bose
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A poem, on the rising glory of America

LEANDER.
No more of Memphis and her mighty kings,
Or Alexandria, where the Ptolomies.
Taught golden commerce to unfurl her falls,
And bid fair science smile: No more of Greece
Where learning next her early visit paid,
And spread her glories to illume the world,
No more of Athens, where she flourished,
And saw her sons of mighty genius rise
Smooth flowing Plato, Socrates and him
Who with resistless eloquence reviv'd
The Spir't of Liberty, and shook the thrones
Of Macedon and Persia's haughty king.
No more of Rome enlighten'd by her beams,
Fresh kindling there the fire of eloquence,
And poesy divine; imperial Rome!
Whose wide dominion reach'd o'er half the globe;
Whose eagle flew o'er Ganges to the East,
And in the West far to the British isles.
No more of Britain, and her kings renown'd,
Edward's and Henry's thunderbolts of war;
Her chiefs victorious o'er the Gallic foe;
Illustrious senators, immortal bards,
And wise philosophers, of these no more.
A Theme more new, tho' not less noble claims
Our ev'ry thought on this auspicious day
The rising glory of this western world,
Where now the dawning light of science spreads
Her orient ray, and wakes the muse's song;
Where freedom holds her sacred standard high,
And commerce rolls her golden tides profuse
Of elegance and ev'ry joy of life.

ACASTO.
Since then Leander you attempt a strain
So new, so noble and so full of fame;
And since a friendly concourse centers here
America's own sons, begin O muse!
Now thro' the veil of ancient days review
The period fam'd when first Columbus touch'd
The shore so long unknown, thro' various toils,
Famine and death, the hero made his way,
Thro' oceans bestowing with eternal storms.
But why, thus hap'ly found, should we resume
The tale of Cortez, furious chief, ordain'd
With Indian blood to dye the sands, and choak
Fam'd Amazonia's stream with dead! Or why,
Once more revive the story old in fame,

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poem by Hugh Henry Brackenridge
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Heart

(tennant/lowe)
--------
(beat)
(h-h-heartbeat)
Every time I see you something happens to me
Like a chain reaction between you and me
My heart starts missing a beat
My heart starts missing a beat
Every time
Oh oh oh, every time
Oh oh oh, every time
If I didnt love you, I would look around for someone else
But every time I see you, you have the same effect
My heart starts missing a beat
My heart starts missing a beat
Every time
Oh oh oh, every time
Oh oh oh, every time
Every time
I hear your heart beat next to me
Im in love with you; I mean what I say
Im in love with you, and you dont know
What it means to be with you
(beat)
(beat)
(beat)
(h-h-heartbeat)
(beat)
(beat)
(beat)
(h-h-heartbeat)
Every time I see you, no matter what we do
Theres a strange reaction, can you feel it too?
My heart starts missing a beat
My heart starts missing a beat
Every time
Oh oh oh, every time
Oh oh oh, every time
I hear your heart beat next to me
Im in love with you; I mean what I say
Im in love with you, and you dont know
What it means to be with you
Oh oh oh, every time
Oh oh oh, every time
Oh oh oh, every time
Oh oh oh, every time
(beat)
(beat) every time
(beat)
(beat) every time

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song performed by Pet Shop Boys
Added by Lucian Velea
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Brand New Funk

Artist: dj jazzy jeff and the fresh prince
[fresh prince]
Its new, its out of the ordinary
Its rather extrordinary, so yo bust this commentary
A literary, genius, and a superior beat creator
Have come together, and we made a
Musical composition which we think is a remedy
To cure all the dance floors thats empty
You wanna dance? we got what you want
Jazzy jeff and fresh prince bustin out with the brand new funk
It was kind of an accident, the way that it happened
One day I was rappin, and on the beat, jeff was backin me up
And all of a sudden, he brought in a cut
And I dropped my microphone and said, what the...?
Hold up, jeff, wait a minute, play it
He just smiled and said, yeah def aint it?
It was {funky} it made wanna {get, get down!}
And we knew almost at once it was the {brand new funk}
So we continued to listen to it
And we knew it was def when I started rappin to it
So I gave a hi-five to jeff
And without hesitation popped in my cassette
I took it home that night, and analyzed it
Rewound the tape over and over, and memorized it
That friday, we went to the club
And out and out cold tore it up!
You shoulda seen the people dancin and shakin and movin and jumpin
And spinnin and clappin, while the beatboxin was groovin
And screamin and yellin while on the microphone I was flowin
Fresh rhymes I was showin, the people say, yo keep goin
So I continued to rock, while jeff was on the beatbox
Special assistance from my homeboy ready rock
People barged just to get up front
To get a birds eye view of what we call the brand new funk
Yo jeff! {rock the beat}
Yo jeff! {rock the beat}
Yo jeff! {rock the beat}
* jazzy jeff cuts and scratches *
Yo jeff! {rock the beat}
Yo jeff! {rock the beat}
Yo jeff! {rock the beat with your hands..}
* jazzy jeff cuts and scratches *
Now get funky with the beat!
* jeff starts spinning backwards *
Now turn it all around!
The most original, amazing, astounding, miraculous
Remarkable, startling, sensational, stupendous
Music, that has ever been created
Is ours - but believe me it was complicated
But we have done it, so now we can breathe

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song performed by Will Smith
Added by Lucian Velea
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