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I have never savored life with such gusto as I do now.

quote by Candice Bergen
Added by Lucian Velea
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Gusto Blusto

Well you tried so hard
To change the story
It was love but it was nothing new
Just a question of a moments glory
Cos you want to take me for a fool
You told me I was such a fool
First you were kind
Then you were cruel
You taught me how to break the rules
And I said thank you baby
Gusto blusto
If your loving is so good
Gusto blusto
Id do it if I could
Gusto blusto
Id love you if you would
Gusto blusto
Do it! do it! yeah!
Well you think you really had the answer
But I never made a move on you
I dont even get a chance
To get whats coming
Baby that aint all I knew
Gusto blusto
If your loving is so good
Gusto blusto
I wish you understood
Gusto blusto
Id love you if you would
Gusto blusto
Do it! do it! yeah!
I give you good good loving
Sweet memories of you
You gave and taught me nothing new
Thank you baby
Gusto blusto
If your loving is so good
Gusto blusto
I wish I understood
Gusto blusto
I never break the rules
Gusto blusto
Dont you be so cruel
Wanna dance? dont sit there
Do it now

song performed by Culture Club
Added by Lucian Velea
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Kon Ako Mahimong Tore

kon ako mahimong tore
gusto ko nga daghang lumot
og mga tanom nga motubo
sa akong mga kilid
gusto ko nga aduna akoy kampana
sa akong kinatumyan
gusto ko nga aduna akoy daghang
mga bintana sama kadaghan
sa akong mga pultahan

ug gusto ko nga mosaka ka
sa kinatas-an aron didto nimo
makita ang kalibotan
gusto ko nga imong bagtingon
ang akong kampana
aron mabati nila
ang akong tingog
aron mangutana sila
kon kinsa na usab
ang ilubong karong adlawa

gusto ko nga mabati nila
ang akong kasubo
gusto ko nga mahanggab nila
ang hangin ug ang tambag
sa usa ka pari nga kitang tanan
mangandam sa atong
kataposang adlaw

apan sayod ka nga
dili ka na mahimo kay
ako usa lamang ka hawanan
ug ang akong hangin
walay gisubay nga agianan

poem by Ric S. Bastasa
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Pagkalaay

unsang orasa na ba? maoy pangutana sa mga bintana diha sa mga silya nga atong gilingkoran, apan ikaw nga karon pa lamang miabot sa america wala gayod magpapugong sa imong gibati. unsang orasaha na ba? mibalos og pangutana ang mga bungbong diha sa mga bintana nga gusto na nga manirado, apan ikaw nagsugid pa gihapon nga didto sa sulod sa pultahan sa mcdonald's ikaw natulog kay wala ka nay kapuy-an didto sa chicago, ug wala ka na gani kwarta. naghuy-ab ang mga kurtina ug ang mga alugnan diha sa sofa nahikatulog na, apan ikaw sa imong dakong kahiubos sa america, nagpadayon sa tinuod nga panghitabo dihang ikaw nagbantay og mga tigulang nga milabay nimo og baso dihang ikaw nawad-an na sa paglaom. bug-at na kaayo ang akong mga mata. nangahapla na ang akong mga pilok. wala na ako kasabot sa imong mga gisugilon, sa imong lalom kaayo nga kaguol, diin ako maayong pagkahulog sama sa usa ka lalom kaayong dagat. gusto lang nakong matulog, apan ikaw nagsulti nga gusto nang mamatay, moambak sa usa ka tulay nga habog kaayo. wala akoy labot kang bisan kinsa. wala akoy labot kanimo. gusto lang nakong matulog kay ako gikapoy na og pamati sa mga kagul-anan sa ubang tawo nga walay hunong sa pagyawit. gusto nako nga moundang ka na, gusto na nakong magdamgo. palihog, gihangyo ko ikaw, nga atong kutloon ang mga bunga sa kahilom, sungkiton ta ang iyang mga dahon, ug atong ihapnig sa atong katre. palihog lang, mangatulog na kita. ay, kasakit! wala ka ba laayi anang kangitngit?

poem by Ric S. Bastasa
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Fegato, Fegato Spappolato

Comunque non questo il modo di fare,
disse il commerciante all'uomo del pane
domani sar festa in questo stupido paese,
ma non per noi che stiamo a lavorare.
L'uomo del pane fece finta di niente,
se ne and tranquillamente.
Aveva, tante, tante, tante cose da fare,
poi lui non ci poteva fare niente, niente
La primavera insiste la mattina
dalla mia cucina vedo il mondo tondo,
sempre diverso, sempre ogni mattina,
sin dal giorno prima,
dal giorno prima
con in bocca un gusto amaro che fa schifo
chissa cosa stato, quello che ho bevuto,
m'alzo dal letto e penso al mio povero,
fegato, fegato, fegato spappolato
fegato, fegato, fegato spappolato
Dice mia madre devi andare dal dottore
a farti guardare, a farti visitare,
hai una faccia che fa schifo
guarda come sei ridotto,
mi sa tanto che finisci male.
La guardo negli occhi, con un sorriso strano,
neppure la vedo ma forse ha ragione davvero.
Ma fuori c' la festa del paese
e vado a fare un giro,
non l'ho neanche detto,
che gi mia madre mi corre dietro con il vestito nuovo,
la fuga veloce mi metto le scarpe che sono gi in strada,
che bella giornata, non bado alla gente che guarda sconvolta,
ormai ci sono abituato, sono vaccinato, sono controllato,
si pensa ormai addiritura in giro,
chiaro che sono drogato.
La festa ha sempre il solito sapore,
il gusto di campane, non neanche male,
c' chi va a messa e c' chi pensa di fumare
come aperitivo prima di mangiare.
Fini s' alzato da poco, e non ancora sveglio,
non ancora sveglio,
ed talmente scazzato
che non riesce a parlare nemmeno.
La sera che arriva non mai diversa dalla sera prima
la gente che affoga nell'unica sala, la discoteca
ci vuol qualcosa per tenersi a galla sopra questa merda
sopra questa merda
e non m'importa se domani mi dovr svegliare ancora
con quel gusto in bocca, gusto in bocca, gusto in bocca,..........

song performed by Vasco Rossi
Added by Lucian Velea
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Gusto, Brio And Panache

Gusto, brio and panache
happy writers have, who dash,
while those lack élan and verve
scribe slower, fearing they may swerve,
which doesn't matter if you've brio,
panache and gusto, happy trio,
but does if you have no élan
or verve, not just an also-ran
but, what's far worse, an also-walker,
and, yet more horror, also-talker.

The ones who stand and wait to serve
because they lack élan and verve
won't slow down writers who are rash
and with their brio, gusto dash,
because panache provides the torrent
that those who're slow may find abhorrent,
for those whose writing style is speedy,
of gusto, brio never needy,
in flights of fancy won't be flustered
when they're panached and, brioed, gusted.

On November 4,1838, Stendhal, born Marie Henri Beyle, sat down at No.8 Rue Caumartin in Paris and gave orders that he was under no circumstances to be disturbed. The manuscript of 'The Charterhouse of Parma' was finished seven weeks later. As Daniel Mendlessohn says, reviewing a new translation by Richard Howard in the Modern Library ('After Waterloo' A new translation of Stendhal's masterpiece about a young soldier in Napoleon's arm, his aunt and her lover, ' The New York Times Book Review, August 29,1999) , though the swiftness of its composition with 'gusto, brio, élan, verve and panache' took a toll in narrative coherence the urgency of its style is masterly. As an example, he quotes: 'Here we shall ask permission to pass, without saying a single word about them, over an interval of three years.'

9/3/99

poem by Gershon Hepner
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Bad Side Of The Moon

(bernie taupin/elton john)
Published by songs of polygram international - bmi
Seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
It seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
There aint no need for watchdogs here, to justify our ways
We lived our lives in manacles, the main cause of our stay
And exiled here from other worlds, my sentence comes to soon
Why should I be made to pay on the bad side of the moon
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life

song performed by April Wine
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

[...] Read more

poem by Mahendra Bhatnagar
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Music To My Ears

Music to my ears
Losing all the fears
Where they go?
They just disappeared
If only a moment.
It must be savored
As if it was a savior
The sanity within
It is where it begins and ends

Welcome to my world friend
I live it everyday
With every word I say
Its a dream
I have created
Destinies be fated
Emotions so jaded

Music to my ears
Losing all the fears
Where they go?
they just disappeared
If only a moment.
It must be savored
As if it was a savior
The sanity within
It is where it begins and ends

Never let it stop
It is hope beneath my cloths
It is my strength
It is my everything
It grows bigger every day
So please follow me this way
And maybe I can share
In your moments of despair

Music to my ears
Losing all the fears
Where they go?
they just disappeared
If only a moment.
It must be savored
As if it was a savior
The sanity within
It is where it begins and ends

poem by Ace Of Black Hearts
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

[...] Read more

poem by Robert Browning from Men and Women (1855)
Added by Veronica Serbanoiu
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Snobbery

A solitary rose in red attire
Condescended:
A fleeting glance -
She apprehended
My affections,
Turned away
From me, a stray -

Stubble weed -
Genes to build an oddity:
Common seed -
Happy-go-lucky entity
In dull array.

The rose glowered,
But in ascension
Slipped a view of blight
Upon her regal greenery:
Black spot!

In all her bold perfumery
And blushing flower,
The sheen of vulnerability in jet
Reminded me how snobbery
And haughty shower
Tarnish with an underlying debt!

She wavered in her shallow play -
Man-bred -
Hardiness foregone.

The rose no longer shone.

Copyright © Mark R Slaughter 2010
From: Poetry Rivals 2010 - A New Dawn Breaks
Forward Press

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poem by Mark R Slaughter
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Gusto Nako Mahimo Kong Gary Soto

gusto nakong mosulat sama kang gary soto
kanang mora kog trabahante nga gadala anang
pala og piko kanang gakandos sa yuta og dayog
pangagho, kanang gahandom kos bulad nga sud-an
og humot kaayo nga mais nga luto og dayon og
inom sa bugnaw kaayong tubig gikan sa atabay,

gusto kong moadto sa uma og mosimhot sa mga
bulak sa iyang mga gapas, gusto nakong makita
ang iyang giingon nga pula kaayo nga adlaw nga
iyang gikumkom sa iyang palad, ganahan ko nga
mahimo kong gary soto, magtindog nga gary soto,
og molingkod nga gary soto, og modagan nga gary
soto, og moambak na gary soto, kadtong mokuyog
sa mga langgam nga namakwit paingon sa San
Francisco, kanang mora kog tubig sa kanal nga
mikuyog sa pagdagan sa hangin paingon sa mga
lugar nga dagko og sweldo ang hago nga trabaho,

apan dili man gyod nako makaya si gary soto,
mas nindot man gayod ang pagsulat ni gary
sa iyang mga pangagho, sa iyang mga kahiubos
og pagpalutos: dili gayod ako mahimong gary
soto, mao nga ako ania, mao lang gihapon sa
akong pagkaako niining akong mga balak sa
pag-eksperimento. Sagdi na lang, basin puhon
maawat ko ra si gary soto sa iyang pagkamaldito

poem by Ric S. Bastasa
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August 15

The fifteenth of August is august
For, we Indians feel gusto of freedom-
an emotional gust: terrible gusto.
Kings paid once; princes restored, hence
Peace (piece?) for all echoes in halls
Outside roll away chariots
Over the labouring class-corpses;
whom death is peace; dearth is wealth.
Gusto of August is of chicken-fry 'nd Rum
And the chicken-hearted dream of Ram 'nd Rum.
Many cry for a dish of fry
But the dish is with the wry.
Battered Tri-colours shattered
And the Colours in hands severally try
To flutter along the gutter roads.
Rum and Ram make many 'hurrahs'!
In the halls over which Silence shroud.
Silence, aged sixty-four, with pointed guns emerges
Slitting doors of emergency.
No cry, no slogans, bow all, lie all
Along the dead-roads' baton-lies,
That leads to uncouth power
over our hour of failure.
Success of the some is success of the sum;
Sum aspires access to success;
Some aspire access to success.
Ventriloquists, 'nd Sychophants dog that way!
Hum! august August 15! silence, please.

poem by Nasarudheen.P. Param
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Selected Poems Of Dr. Mahendra Bhatnagar [2]

[1] O WINGED STEEDS OF DESTINY

O Winged steeds of Destiny!
Holding thy reins
With confidence
And with firm hands,
We will pull them
To give ye direction,
Every time!

Lustrous and indomitable,
We are the sons of the soil
We stand by the toil
We cherish the youthful vigour;
We will pull
Thy bridle — mind you —
To give ye direction,
Every time!

O ye, the sentinels and the stars foretelling!
Our labour is marked with brilliance,
We will pull out
Thy light undecaying;
For, we can reach
The inaccessible Space
Through endurance and steadfast endeavours.
O ye, our stars!
We will, forsooth,
Take away from ye
Thy brilliance!

O ye, the moving invisible hand!
Thou art the invincible citadels
Echoing the distressed cries
Of the ill-fated ones!
Bathed in sweat
We will wash
Thy ominous lines,
And singing sweet the inspiring music
Of hard work,
We will break through
Thy citadels
Of distress and destruction!

O winged steeds of Destiny!
We will hold thy bridle
And give ye direction!

 

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poem by Mahendra Bhatnagar
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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poem by Jonathan Robin
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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

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poem by Coventry Patmore
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Good Life

The good life, 1 day thats what Ill be livin
Fantasy never hurt nobody, whatever chills the illin
When the everyday gets on your last 1, give it up and go
2 the place in everyones future, the good life - 1 day well know
(good life)
Everyday after school, u know where 2 find this brother
Uptown at every movie show, outta my life 2 another
That was the only thing that I wanted 2 do, that was my drug of choice
Left all the funny smellin cigarettes 2 the american boys
La dolce vita was the knob that turned me on
Marcello mastroianni italian mac comin on strong
He had all the honies, the kind from the magazines
Small waist, big - right!... biggest ones uve ever seen
The good life (good life), 1 day thats what Ill be livin
Fantasy never hurt nobody, whatever chills the illin
When the everyday gets on your last 1, give it up and go
2 the place in everyones future, the good life - 1 day well know
1 day well know
(good life)
(good life)
Mama worked all night, went 2 school by day
Wanted 2 get her master degree so she could make a better way
Set examples 4 her babies that well never forget
Thats where I guess my spirit comes from, eternally never met
Oh, the good life (good life), 1 day thats what Ill be livin
Fantasy never hurt nobody, whatever chills the illin (ooh, good life)
When the everyday gets on your last 1, give it up and go
2 the place in everyones future, (the good life)
The good life - 1 day well know
(good life)
Good life
Good life
Good life (good life)
Hey, hey, hey!
Peace 2 the mother that knows
That the babies are the key 2 the world, key 2 the world
The battles of the future will be won
By those who teach those baby boys and girls
This is our plea 2 the brothers
Who are tired of the barely gettin by, instead u should try
2 see your future map out your steps
And make sure no 1 dies
The good life (good), 1 day thats what Ill be livin
Fantasy never hurt nobody, whatever chills the illin
(1 drop of blood aint worth forsaking your dreams)
When the everyday gets on your last 1, give it up and go
(music, sports, fashion, whatever)
2 the place in everyones future, the good life - 1 day well know
(consolidate, think ahead, and cream, cream)
The good life (good life), 1 day thats what Ill be livin

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song performed by Prince
Added by Lucian Velea
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What Part Of Life Are You Living

What part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

And what part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living.
What part of life are you living to give?
What part of life is a drive by.
What part of life is a downslide.

And what part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.

What part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.
What part of life is a downslide.
What part of life is a drive by.
And...
What part of life are you living.
What part of life are you living to give?

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poem by Lawrence S. Pertillar
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