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You must be willing to risk everything to really express it all.

quote by John Cassavetes
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Trans-Europe Express

Trans-Europe Express
Trans-Europe Express
Trans-Europe Express
Trans-Europe Express
Trans-Europe Express
Trans-Europe Express
Trans-Europe Express
Trans-Europe Express
Rendezvous on Champs-Elysees
Leave Paris in the morning on T.E.E.
Trans-Europe Express
Trans-Europe Express
Trans-Europe Express
Trans-Europe Express
In Vienna we sit in a late-night cafe
Straight connection, T.E.E.
Trans-Europe Express
Trans-Europe Express
Trans-Europe Express
Trans-Europe Express
From station to station
back to Dusseldorf City
Meet Iggy Pop and David Bowie
Trans-Europe Express
Trans-Europe Express
Trans-Europe Express
Trans-Europe Express

song performed by Kraftwerk
Added by Lucian Velea
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Running The Risk

Seeing you, watching you
Watching me
I hold back my emotions
I keep them veiled in secrecy
I cant let go of this thing weve started
Wasnt looking for love
No conspiracy of the broken hearted
I dont know how far to go
Until Im gone, gone, gone
I couldnt see the danger
It was just a little taste of temptation
I could not read the silence
That was written on your face
But here comes that feeling again
And theres nothing more I can do
I keep running the risk of losing you
Theres nothing more I can say
Im still running the risk of you walking away
Im lost drowning in a sea of emotion
Ive got one simple need
I need you to feel my devotion
I dont know how far to go
Until Im gone, yeah gone
Its a complicated picture
Im all tangled up in temptation
I couldnt read the silence
That was written on your face
But here comes that feeling again
And theres nothing more I can do
I keep running the risk of losing you
Theres nothing more I can say
Im still running the risk of you walking away
Im running the risk of losing you
Im walking this tightrope
Youre my only hope
Theres nothing more I can do
I keep running the risk of losing you
Losing you
And theres nothing more I can do
I keep running the risk of losing you
Theres nothing more I can say
Im still running the risk of you walking away
Im running the risk of losing you
Im walking this tightrope
Darling, youre my only hope
Theres nothing more I can do
I keep running the risk of losing you
Im running the risk of losing you
Im telling you honey
This heart of mine cant run the risk

[...] Read more

song performed by Foreigner
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Express Yourself

(she takes him in her arms,
She kisses his face on the lips)
(one woman in the world,
One woman in many faces)
(she takes him in her arms,
She kisses his face on the lips)
Dont go for second best baby
Put your love to the test
You know, you know, youve got to
Make her express how she feels
And maybe then youll know your love is real
You dont need diamond rings
Or eighteen karat gold
Fancy cars that go very fast
You know they never last, no, no
What you need is a big strong hand
To lift you to your higher ground
Make you feel like a king on a throne
Make her love you till you cant come down
Dont go for second best baby
Put your love to the test
You know, you know, youve got to
Make her express how she feels
Then youll know your love is real
(one woman in the world,
One woman in many faces)
Long stem roses are the way to your heart
But she needs to start with your head
Satin sheets are very romantic
What happens when youre not in bed
You deserve the best in life
So if the time isnt right then move on
Second best is never enough
Youll do much better baby on your own
Dont go for second best baby
Put your love to the test
You know, you know, youve got to
Make her express how she feels
Then youll know your love is real
Express yourself
Youve got to make her
Express herself
Hey, hey, hey, hey
So if you want it right now, make her show you how
Express what shes got, oh baby ready or not
And when youre gone she might regret it
And think about the love she once had
Try to carry on, but she just wont get it
Shell be back on her knees
To express herself

[...] Read more

song performed by Information Society
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Trans Europa Express

Trans Europa Express
Trans Europa Express
Trans Europa Express
Trans Europa Express
Rendez-vous auf den Champs Elysees
Verlass Paris am Morgen mit dem TEE
Trans Europa Express
Trans Europa Express
Trans Europa Express
Trans Europa Express
In Wien sitzen wir im Nachtcafe
Direkt Verbindung TEE
Trans Europa Express
Trans Europa Express
Trans Europa Express
Trans Europa Express
Wir laufen 'rein in Duesseldorf City
Und treffen Iggy Pop und David Bowie

song performed by Kraftwerk
Added by Lucian Velea
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World In Motion (Subbuteo Mix)

ENGLAND NEW ORDER - 'WORLD IN MOTION'
=====================================
Express yourself
Create the space
You know you can win
Don't give up the chase
Beat the man
Take him on
You never give up
Its one on one
Express yourself
Its one on one
Express yourself
Its one on one
Express yourself
You can't be wrong
When somethings good
Its never gone
Loves got the world in motion
And I know what we can do
Loves got the world in motion
And I can't believe its true
Now is the time
Let everyone see
You never give up
Thats how it should be
Don't get caught
Make your own play
Express yourself
Don't give it away
Express yourself
Its one on one
Express yourself
Its one on one
Express yourself
You can't be wrong
When somethings good
Its never wrong
Loves got the world in motion
And I know what we can do
Loves got the world in motion
And I can't believe its true
Loves got the world in motion
And I know what we can do
Loves got the world in motion
And I can't believe its true
You've got to hold and give
But do it at the right time
You can be slow or fast
But you must get to the line

[...] Read more

song performed by New Order
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World In Motion

Express yourself
Create the space
You know you can win
Dont give up the chase
Beat the man
Take him on
You never give up
Its one on one
Express yourself
Its one on one
Express yourself
Its one on one
Express yourself
You cant be wrong
When somethings good
Its never gone
Loves got the world in motion
And I know what we can do
Loves got the world in motion
And I cant believe its true
Now is the time
Let everyone see
You never give up
Thats how it should be
Dont get caught
Make your own play
Express yourself
Dont give it away
Express yourself
Its one on one
Express yourself
Its one on one
Express yourself
You cant be wrong
When somethings good
Its never wrong
Loves got the world in motion
And I know what we can do
Loves got the world in motion
And I cant believe its true
Loves got the world in motion
And I know what we can do
Loves got the world in motion
And I cant believe its true
Youve got to hold and give
But do it at the right time
You can be slow or fast
But you must get to the line
Theyll always hit you and hurt you
Defend and attack

[...] Read more

song performed by New Order
Added by Lucian Velea
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It's a poem thing

A poem is a thing to express your feelings,
A poem is a thing to express your rageing...

A poem is a thing to express your sadness,
A poem is a thing to express your madness...

A poem is a thing to express your heart,
A poem is a thing to express your art...

A poem is a thing to express your real self,
A poem is a thing to express your necessities that are more than art...

A poem is a thing to know,
A poem it a thing we all should and could know...

This is what a poem thing should show...

poem by Alexandra Greif
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Risk

flowers
bloom
revealing
its inner
beauty
secrets
earth
blooms
shedding
age old secrets
women
bloom
men
bloom
slowly
but surely
everything reveals
what it really is!
risk or no risk!

Risk
And then the day came,
when the risk
to remain tight
in a bud
was more painful
than the risk
it took
to Blossom.
Anaïs Nin

poem by John Tiong Chunghoo
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Desperate Love

Secret calls long after hours
Suspicions rise, why does she whisper
Someones hiding something
Whats going on
She smiles and finds an excuse to go out
Meets him somewhere on the edge of town
For one more night of real love
How can it be wrong
cause when they turn out the lights
In their rented room tonight
Two lovers wont be lonely anymore
When its a desperate love, risk is high
Cheating hearts making alibis
In the shadows someone is waiting
Waiting for their lover to come tonight
A cheaters conscience has no pride
To spend the night with another mans wife
Lie to his best friend and never think twice
He knows where to find what he longs to have
And do anything cause he wants her that bad
Love has many faces, faces to hide
cause when they turn out the lights
In their rented room tonight
Two lovers wont be lonely anymore
When its a desperate love, risk is high
Cheating hearts making alibis
In the shadows someone is waiting
Waiting for their lover to come tonight
When its a desperate love, risk is high
Cheating hearts making alibis
In the shadows someone is waiting
Waiting for their lover to come tonight
When its a desperate love (desperate love), risk is high
Cheating hearts making alibis
In the shadows someone is waiting
Waiting for their lover to come tonight
When its a desperate love (desperate love), risk is high
Cheating hearts making alibis
In the shadows someone is waiting
Waiting for their lover to come tonight ...

song performed by America
Added by Lucian Velea
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One World We've Been Given

Oh no I just can't sit,
Without noticing it...
That division isn't hiding,
To disguise from eyes.

One world we've been given.
On one world we're all living.

So many seem committed to being misfits.
As we all forget...
Our lives here are limited.
So many seem committed to begin conflicts.
As we all forget...
No one lives without a gift.
As we all forget...
Destroying it no one exists.
As we all forget,
There is a risk of losing this...
One world we've been given.
On one world we're all living.

Oh no I just can't sit,
Without noticing it...
One world we've been given.
On one world we're all living.

And that division isn't hiding,
To disguise from eyes.
But just one world we've been given.
And on it we sit.

So many seem committed to being misfits.
As we all forget...
Our lives here are limited.
So many seem committed to begin conflicts.
As we all forget...
No one lives without a gift.
As we all forget...
Destroying it no one exists.
As we all forget,
There is a risk of losing this...
One world we've been given.
On one world we're all living.

As we all forget,
There is a risk of losing this...
One world we've been given.
On one world we're all living.

As we all forget,

[...] Read more

poem by Lawrence S. Pertillar
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Heartbreak Express

Packin my suitcase writin a tear stained good-bye note
Sayin so long to a love gone wrong and thats all she wrote
Leavin behind what once was mine with sad regrets
But its all gone now and Im leavin town on the heartbreak express
Walkin in the rain with a heart full of pain to the train depot
The only things thats gonna keep me warm now is my overcoat
Lost and lonely waitin in line at the ticket desk
Hey mister wont you give me a one-way ticket on the heartbreak express
Im gonna roll on down the line
Im gonna go so far Im gonna get it off my mind
It hurts to know it aint enough when you give your best
Got a ticket to ride and Im leavin tonight on the heartbreak express
Oh I couldnt hold a candle to a flaming beauty that caught his eye
Its killin me now but I wont stay around and let him watch me die
Oh it just goes to show you never do know cause I never woulda guessed
Id be sittin here now on a train sorrow bound called the heartbreak express
Im gonna roll on down the line
Im gonna go so far Im gonna get it off mt mind
Maybe someday somewhere someway I will forget
But theres no goin back so roll down the track you ole heartbreak express
Feelin alone while a low whistle moans
On the heartbreak express

song performed by Dolly Parton
Added by Lucian Velea
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Metamorphoses: Book The Sixth

PALLAS, attending to the Muse's song,
Approv'd the just resentment of their wrong;
And thus reflects: While tamely I commend
Those who their injur'd deities defend,
My own divinity affronted stands,
And calls aloud for justice at my hands;
Then takes the hint, asham'd to lag behind,
And on Arachne' bends her vengeful mind;
One at the loom so excellently skill'd,
That to the Goddess she refus'd to yield.
The Low was her birth, and small her native town,
Transformation She from her art alone obtain'd renown.
of Arachne Idmon, her father, made it his employ,
into a Spider To give the spungy fleece a purple dye:
Of vulgar strain her mother, lately dead,
With her own rank had been content to wed;
Yet she their daughter, tho' her time was spent
In a small hamlet, and of mean descent,
Thro' the great towns of Lydia gain'd a name,
And fill'd the neighb'ring countries with her fame.
Oft, to admire the niceness of her skill,
The Nymphs would quit their fountain, shade, or
hill:
Thither, from green Tymolus, they repair,
And leave the vineyards, their peculiar care;
Thither, from fam'd Pactolus' golden stream,
Drawn by her art, the curious Naiads came.
Nor would the work, when finish'd, please so much,
As, while she wrought, to view each graceful touch;
Whether the shapeless wool in balls she wound,
Or with quick motion turn'd the spindle round,
Or with her pencil drew the neat design,
Pallas her mistress shone in every line.
This the proud maid with scornful air denies,
And ev'n the Goddess at her work defies;
Disowns her heav'nly mistress ev'ry hour,
Nor asks her aid, nor deprecates her pow'r.
Let us, she cries, but to a tryal come,
And, if she conquers, let her fix my doom.
The Goddess then a beldame's form put on,
With silver hairs her hoary temples shone;
Prop'd by a staff, she hobbles in her walk,
And tott'ring thus begins her old wives' talk.
Young maid attend, nor stubbornly despise
The admonitions of the old, and wise;
For age, tho' scorn'd, a ripe experience bears,
That golden fruit, unknown to blooming years:
Still may remotest fame your labours crown,
And mortals your superior genius own;
But to the Goddess yield, and humbly meek

[...] Read more

poem by Ovid
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Glad To Be Happy

Yesterday I was glad that I m happy
I don't know the reason to be,
But I danced with the tune as
I am glad to be happy

Unable to express I started playing drums
Don't know how to hold that one
But trying as I am glad
But it sounds damn hell

So unable to express again
This time with a guitar I begin
Hardly a minute and 3 rd one gone
Still I m glad to be happy
I don't know the reason to be..

So unable to express again
This time in painter's style
Trying a country side
But it was almost suicide
It turns out to be a modern art
And was 1st in that chart
Still unable to express
That I m glad to be happy

Trying to express again
But don't know what to do
I m not a drummer nor a guitarist
Nor a painter or any artiest

So searching someone to express
I called u up and said
I m glad that I am happy
I don't know the reason to be…

poem by Jaideep Garg
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Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

[...] Read more

poem by Byron
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Canto the Sixteenth

I
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings --
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

II
The cause of this effect, or this defect, --
"For this effect defective comes by cause," --
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

III
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'T is true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
"De rebus cunctis et quibusdam aliis."

IV
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost --
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'T is time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

V
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 't is so. Who nibble, scribble, quibble, he
Quiets at once with "quia impossibile."

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Don Juan: Canto The Sixteenth

The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings--
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

The cause of this effect, or this defect,--
'For this effect defective comes by cause,'--
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'Tis true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
'De rebus cunctis et quibusdam aliis.'

But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost--
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'Tis time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 'tis so. Who nibble, scribble, quibble, he
Quiets at once with 'quia impossibile.'

And therefore, mortals, cavil not at all;
Believe:--if 'tis improbable you must,
And if it is impossible, you shall:
'Tis always best to take things upon trust.
I do not speak profanely, to recall

[...] Read more

poem by Byron
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Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

[...] Read more

poem by Byron
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Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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poem by Byron
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What Would You Like

Tell me you name, tell me your sign.
Please tell me that my mind is right.
I just want to take you to my home.
Where we can talk by a fire all alone.
There's just one thing that I need to know.
Could you ever be there when I woke up,
Or will you be just another and be gone?

Should I buy you a dozen roses?
Should I write you a love poem,
Of how my heart can't stop beating for you?
Should I take you to a lakeside with a romantic dinner?
Would you like candle light flickering in front of us?
Would you like the lovely words that could roll off my tongue?
Would you like me to express how much you mean to me?
Would you like that soft romantic music in the background?

I take one look at you and my heart can't stop smiling.
It begins to display on the outside and my lips curl up.
Looking at you from across the void I can see my life with you.
You take a glance at me and can't help but notice to.
I walk around the corner and fade out of your sight.
I love playing this game.

Should I buy you a dozen roses?
Should I write you a love poem,
Of how my heart can't stop beating for you?
Should I take you to a lakeside with a romantic dinner?
Would you like candle light flickering in front of us?
Would you like the lovely words that could roll off my tongue?
Would you like me to express how much you mean to me?
Would you like that soft romantic music in the background?

You chase me around the corner at the end of the aisle.
And we both meet each other eye to eye.
My hands behind my back.
Can you guess what I've got in mind.
Oh I think you'll be suprized.
You look at me and begin to smile.

Should I buy you a dozen roses?
Should I write you a love poem,
Of how my heart can't stop beating for you?
Should I take you to a lakeside with a romantic dinner?
Would you like candle light flickering in front of us?
Would you like the lovely words that could roll off my tongue?
Would you like me to express how much you mean to me?
Would you like that soft romantic music in the background?

I see the moonlight fall across your face as you sleep.

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poem by Josh Burnett
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