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John Fowles

Duty largely consists of pretending that the trivial is critical.

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Condition Critical

Oh the tension's mounting
The pressure starts to show
All the men in haunting
Please don't let me go
(Don't go)
Try to free my body
(Don't go)
Try to strap me down
(Don't go)
These'll never break me
(Don't go)
Free wheel to look at me
Condition critical
I'm feeling physical
Condition critical
Now I'm really cynical
The bells they are ringing
Or is it in my head
My nerves numb understanding
I'm falling out of bed
(Don't go)
So call it paranoia
(Don't go)
I don't see it that way
(Let's go)
You say I adore ya
(Hell no)
We're gonna rock they way
Condition critical
I'm feeling physical
Condition critical
Now I'm really cynical
Ooh ooh
Whips and chains
Don't feel no pain
What's so wrong
I think I'm going out of my head
Over heels
I can't feel
No pain, only pleasure
Get me out
Take me home
Can't you see my condition
Woo-woo-woo
Condition
Condition
Condition critical, critical
Condition
Condition
Condition critical

[...] Read more

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The greatest sin

Having supremely spell binding eyes was simply not a sin at all; but
pretending that you were gruesomely blind; unable to see a step
further even after possessing them right since innocent childhood;
was the greatest sin,

Having robust complexioned feet was simply not a sin at all; but
pretending that you couldn't walk even an inch forward; had not the
slightest of capacity to run even after possessing them right since
innocent childhood; was the greatest sin,

Having tenaciously knotted fingers projecting from the palm was
simply not a sin at all; but pretending that you had grave difficulty
in hoisting objects; didn't posses the most minuscule of power to
defend yourself even after possessing them right since innocent
childhood; was the greatest sin,

Having dangling earlobes delectably cascading from the periphery of
your rubicund cheek was simply not a sin at all; but pretending that
you couldn't bear the tiniest of sound; floundered miserably to
decipher the intricacy of voice even after possessing them right
since innocent childhood; was the greatest sin,

Having a perfectly throbbing heart palpitating in marvellous
synchrony inside your chest was simply not a sin at all; but
pretending that you just didn't have the power to love; the virtue to
embrace other humans of your kind even after possessing it right
since innocent childhood; was the greatest sin,

Having dual pairs of luscious lips was simply not a sin at all; but
pretending that you couldn't speak a single word; abysmally stuttered
to convey the most infinitesimal of message to your compatriots even
after possessing them right since innocent childhood; was the
greatest sin,

Having ravishing clusters of hair on your scalp was simply not a sin
at all; but pretending that God had kept you disdainfully bald; that
your head shivered uncontrollably in cold even after possessing them
right since innocent childhood; was the greatest sin,

Having boundless lines on your glowing palm was simply not a sin at
all; but pretending that your entire life was ruined; your progress
had come to an abrupt standstill even after possessing them right
since innocent childhood; was the greatest sin,

Having pompously bulging muscle in your arms was simply not a sin at
all; but pretending that you were as feeble as a mosquito; couldn't
lift your very own body even after having them right since innocent
childhood; was the greatest sin,

Having thousands of voluptuously tantalizing eyelashes extruding from

[...] Read more

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I’m Pretending

I’m pretending nothing happened,
that we are still together.
I’m pretending you never
went away with someone new.
I’m pretending we are still a couple,
that you are still nearby.
I’m pretending,
pretending
I am still with you.

I’m pretending that our love
still shines brightly.
I’m pretending that you still care
and lying to myself each day.
I’m pretending that you just stepped out
and that you are not far away.
I’m pretending,
pretending
I am still with you.

I’m pretending it always summer
and that winter never comes.
I’m pretending life is as it was
and I’m forever with you.
I’m pretending you are with me
and not in the arms of someone new.
I’m pretending that I am smiling
and that I’m not feeling blue.
I’m pretending,
pretending
I am still with you.

20 April 2009

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Pretending

(by jerry lynn williams)
How many times must we tell the tale?
How many times must we fall?
Living in lost memory
You just recalled
Working on the sound of the band
Trying to get the music right
Two go out working
Three stay home at night
Thats when she said she was pretending
Like she knew the plan
Thats when I knew she was pretending
Pretending to understand
Pretending, pretending
Pretending, pretending
Satisfied but lost in love
Situations change
Youre never who you used to think you are
How strange
Chorus
I get lost in alibis
Sadness cant prevail
Everybody knows strong love
Cant fail
Dont be pretending about how you feel
Dont be pretending that your love is real
Dont be pretending about how you feel
Dont be pretending that your love is real
Pretending, pretending
Pretending, pretending

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Pretending

Love is a flame that can't be tamed
And though we are its willing prey, my darling
We are not the ones to blame
Trust is a word all lovers know
The glorious art of staining souls, my darling
We are not the ones to blame
The more we have the more we want
And the more it hurts our hearts, my baby
It always ends up in tears
So keep on pretending
Our heaven is worth the waiting
Keep on pretending, it's alright
So keep on pretending
It will be the end of our craving
Keep on pretending
It's alright
When doubts arise the game begins
The one we will never win, my baby
It always ends up in tears
So keep on pretending
Our heaven is worth the waiting
Keep on pretending, it's alright
So keep on pretending
It will be the end of our craving
Keep on pretending
It's alright
Come on...
So keep on pretending
Our heaven is worth the waiting
Keep on pretending, it's alright
So keep on pretending
It will be the end of our craving
Keep on pretending
It's alright
Love is a flame that can't be tamed
And though we are its willing prey, my darling
We are not the ones to blame

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Pretending

Love is a flame that cant be tamed
And though we are its willing prey, my darling
We are not the ones to blame
Trust is a word all lovers know
The glorious art of staining souls, my darling
We are not the ones to blame
The more we have the more we want
And the more it hurts our hearts, my baby
It always ends up in tears
So keep on pretending
Our heaven is worth the waiting
Keep on pretending, its alright
So keep on pretending
It will be the end of our craving
Keep on pretending
Its alright
When doubts arise the game begins
The one we will never win, my baby
It always ends up in tears
So keep on pretending
Our heaven is worth the waiting
Keep on pretending, its alright
So keep on pretending
It will be the end of our craving
Keep on pretending
Its alright
Come on...
So keep on pretending
Our heaven is worth the waiting
Keep on pretending, its alright
So keep on pretending
It will be the end of our craving
Keep on pretending
Its alright
Love is a flame that cant be tamed
And though we are its willing prey, my darling
We are not the ones to blame

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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Pretending

I was right the first time
But I outguessed myself
You sympathized so sweetly
When you sent me to hell
What have I got to complain for
Had to throw myself overboard
Like to see that my dues are paid
Its just the way I was made
And when I cry, I was burning inside
Youre out there pretending
And though I lie, I had nothing to hide
Youre the one whos pretending
I live in anticipation
Things that never occurred
Turned my back to the loving ones
On the strength of your word
Whats the answer Im looking for
You mix your meanings with metaphors
Glass bricks and a ten foot wall
You really dont care at all
And when I came to relieve all the pain
You were somewhere pretending
And Im still here, and its still just as clear
That youre only pretending
I believe in believing
And I hope that theres still hope for me
cause I need to be needing
And youre free to be free as you please
But Im not the kind
Who can live with life
And I never could
cause Im just no good at pretending
Whats the truth after all this time
Is it your perception or is it mine
Sometimes youre better off alone
You cant get blood from a stone
And while you cry, Ill be laughing inside
cause I know youre pretending
Look me straight in the eye
When I tell you good bye
cause I wont be pretending
You could beg me and fall down on your knees
But youd just be pretending
Maybe someday youll have something to say
And you wont be pretending

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

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It IS Milk!

Pretend it is milk!
That is all we are asking you to do!
Just keep pretending that it is.
What difference does it make,
That it isn't produced from a cow?
Keep pretending that it was!
And your pretensions will make it come true.

'But...
It is not milk!
It's not even a cheap version of it.'

Pretend it is milk!
That is all we are asking you to do!
Just keep pretending that it is.
What difference does it make,
That it isn't produced from a cow?
Keep pretending that it was!
And your pretensions will make it come true.

'But...
It is not milk!
It's not even a cheap version of it.'

Pretend it is milk!
That is all we are asking you to do!
Just keep pretending that it is.
What difference does it make,
That it isn't produced from a cow?
Keep pretending that it was!
And your pretensions will make it come true.

'But...
It is not milk!
It's not even a cheap version of it.'

Pretend it is milk!
That is all we are asking you to do!
Just keep pretending that it is.
What difference does it make,
That it isn't produced from a cow?
Keep pretending that it was!
And your pretensions will make it come true.

'It is!
It IS milk! '

Great!
Now...
Let's move on to the meat and vegetables.

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With A Downsizing Subsidized

Opps!
Caught in the middle of being super critical.
Opps!
Caught in the middle of being super critical.
Opps!
Caught in the middle of being super critical.

Sitting in the middle and being hypocritical.

They use denial in attempt to disguise...
With a minimizing done to be felt inside.
With a downsizing subsidized tried,
With a hiding pushed aside.
But what is scooped...
Can not be duped to opps!

As they sit in the middle,
Knowing they are hypocritical.

Opps!
Caught in the middle of being super critical.
Opps!
Caught in the middle of being super critical.
Opps!
Caught in the middle of being super critical.

But what is scooped...
Can not be duped to opps!
With a downsizing subsidized,
And pushed aside!

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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They were only doing their duty (Two ballades with a prologue)

I. Prologue: Four days of terror

The arrest was just before five o’clock
on a Thursday afternoon,
with one white and one black constable
waiting at his work
and when he returned from business
cuffing him and searching his body
and taking him into custody.

The employer notified his relatives,
seeing the incident
as a blot on the company’s name
and then his job was hanging in balance
and the charges was
based on a false affidavit
made by stepson
on persuasion of the mother in law

and where his car had been stolen,
criminals had broken into his rented house
and robbed him of the TV, DVD-player,
hifi and everything valuable
no arrest was ever made
and the police was only doing their job
and will tell you
that another unit
is responsible for robberies
and hijackings
passing the buck endlessly.

Three days elapsed before a bail hearing
as the black state attorney
was that Friday busy
with another case
in another town
while he was innocently locked up.

It is no joke being innocent and locked up
in a police cell with eighteen other people
with one toilet,
in the middle of the room,
no shower,
no bathing facilities, dirt everywhere
and lice jumping into your hair,

not being able to close your eyes
and knowing if you will be safe
from a attack from any of them

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A Map Of Culture

Culture


Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?



What is Culture?


I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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Jack Kerouac

The Scripture of the Golden Eternity

1
Did I create that sky? Yes, for, if it was anything other than a conception in my mind I wouldnt have said 'Sky'-That is why I am the golden eternity. There are not two of us here, reader and writer, but one, one golden eternity, One-Which-It-Is, That-Which- Everything-Is.

2
The awakened Buddha to show the way, the chosen Messiah to die in the degradation of sentience, is the golden eternity. One that is what is, the golden eternity, or, God, or, Tathagata-the name. The Named One. The human God. Sentient Godhood. Animate Divine. The Deified One. The Verified One. The Free One. The Liberator. The Still One. The settled One. The Established One. Golden Eternity. All is Well. The Empty One. The Ready One. The Quitter. The Sitter. The Justified One. The Happy One.

3
That sky, if it was anything other than an illusion of my mortal mind I wouldnt have said 'that sky.' Thus I made that sky, I am the golden eternity. I am Mortal Golden Eternity.

4
I was awakened to show the way, chosen to die in the degradation of life, because I am Mortal Golden Eternity.

5
I am the golden eternity in mortal animate form.

6
Strictly speaking, there is no me, because all is emptiness. I am empty, I am non-existent. All is bliss.

7
This truth law has no more reality than the world.

8
You are the golden eternity because there is no me and no you, only one golden eternity.

9
The Realizer. Entertain no imaginations whatever, for the thing is a no-thing. Knowing this then is Human Godhood.

10
This world is the movie of what everything is, it is one movie, made of the same stuff throughout, belonging to nobody, which is what everything is.

11
If we were not all the golden eternity we wouldnt be here. Because we are here we cant help being pure. To tell man to be pure on account of the punishing angel that punishes the bad and the rewarding angel that rewards the good would be like telling the water 'Be Wet'-Never the less, all things depend on supreme reality, which is already established as the record of Karma earned-fate.

12
God is not outside us but is just us, the living and the dead, the never-lived and never-died. That we should learn it only now, is supreme reality, it was written a long time ago in the archives of universal mind, it is already done, there's no more to do.

13
This is the knowledge that sees the golden eternity in all things, which is us, you, me, and which is no longer us, you, me.

14
What name shall we give it which hath no name, the common eternal matter of the mind? If we were to call it essence, some might think it meant perfume, or gold, or honey. It is not even mind. It is not even discussible, groupable into words; it is not even endless, in fact it is not even mysterious or inscrutably inexplicable; it is what is; it is that; it is this. We could easily call the golden eternity 'This.' But 'what's in a name?' asked Shakespeare. The golden eternity by another name would be as sweet. A Tathagata, a God, a Buddha by another name, an Allah, a Sri Krishna, a Coyote, a Brahma, a Mazda, a Messiah, an Amida, an Aremedeia, a Maitreya, a Palalakonuh, 1 2 3 4 5 6 7 8 would be as sweet. The golden eternity is X, the golden eternity is A, the golden eternity is /\, the golden eternity is O, the golden eternity is [ ], the golden eternity is t-h-e-g-o-l-d-e-n-e-t-e-r- n-i-t-y. In the beginning was the word; before the beginning, in the beginningless infinite neverendingness, was the essence. Both the word 'god' and the essence of the word, are emptiness. The form of emptiness which is emptiness having taken the form of form, is what you see and hear and feel right now, and what you taste and smell and think as you read this. Wait awhile, close your eyes, let your breathing stop three seconds or so, listen to the inside silence in the womb of the world, let your hands and nerve-ends drop, re-recognize the bliss you forgot, the emptiness and essence and ecstasy of ever having been and ever to be the golden eternity. This is the lesson you forgot.

15
The lesson was taught long ago in the other world systems that have naturally changed into the empty and awake, and are here now smiling in our smile and scowling in our scowl. It is only like the golden eternity pretending to be smiling and scowling to itself; like a ripple on the smooth ocean of knowing. The fate of humanity is to vanish into the golden eternity, return pouring into its hands which are not hands. The navel shall receive, invert, and take back what'd issued forth; the ring of flesh shall close; the personalities of long dead heroes are blank dirt.

16
The point is we're waiting, not how comfortable we are while waiting. Paleolithic man waited by caves for the realization of why he was there, and hunted; modern men wait in beautified homes and try to forget death and birth. We're waiting for the realization that this is the golden eternity.

17
It came on time.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Picking It Up

Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up...
Like that does not ensure,
Self assurance to occur.

Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up...
Like that does not ensure,
Self assurance to occur.

It is a strategy that one should seek.
With satisfaction first examined.
To make sure that one increases harmony!
With a proactive way,
Of life to live.

Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.

It is the heat that one releases.
When nothing satisfies to analyzing eyes...
Only seeing with a vision that's fixed.
As if in a tunnel,
To rip through quick.

It's not a riddle when one plays it second fiddle,
Oh...
Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up,
With proactive actions to prevent blurs.

And...
Don't be vague!

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Do Your Duty

Be done with a hook up and go.
Do your duty to the booty,
And satisfy the mood.

Be done with a hook up and go.
And do your duty to the booty,
Don't present an attitude.
Or make excuses for what you choose.

Do your duty to the booty and go!
Whether clothed or nude.
Today folks care less who they screw.
Or spreading diseases and to who!

Be done with a hook up and go.
Do your duty to the booty,
And satisfy the mood.

Be done with a hook up and go.
And do your duty to the booty,
Don't present an attitude.
Or make excuses for what you choose.

Do your duty to the booty,
Whether clothed or nude.
Today folks care less who they screw.
Or spreading diseases and to who!

Do your duty to the booty and go!
And don't present an attitude.
Or make excuses for what you choose.
Today folks care less who they screw.
Or spreading diseases and to who!

Be done with a hook up and go.
Do your duty to the booty,
And satisfy the mood.
Care less about affects,
And what they do!

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Thespis: Act II

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.

CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.

SILL. To work and think, my dear,
Up here would be,

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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