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Jurgen Habermas

Since our complex societies are highly susceptible to interferences and accidents, they certainly offer ideal opportunities for a prompt disruption of normal activities.

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Social Netowrking Of Robots

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A Map Of Culture

Culture


Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?



What is Culture?


I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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S. N. A. F. U.

Now, the industry has got me thinking twice
Thinking with the treble mix, gotta shake em like dice
Let the whole world know I cant go for that
Girls know that I got gold and stacks
In every cul de sac from the streets to the clubs
Im making hits and everybodys showing love
Fact is Im back and Im rolling like jackson
Wont stop until Im back at multi platinum
So I start with some action, Im the main attraction
Here to lie down to the west crackin
Stackin big chips, holmes, gotta get em
Hauling in lots of residuals, what you got
You cant choose me
Bring it to you live for the year 2g
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Thought I was a puppet you tried to play me
Yeah - and Im going crazy
Thought I was a puppet you tried to play me
No - you never ever made me
Thought I was a puppet you tried to play me
Yeah - and Im going crazy
Thought I was a puppet you tried to play me
No - Im all fu_ked up
Yo, ice its jim splice me in - no, stop
Begin, pause, cause I gotta call the next of kin
Tell em where you been, tell em that youre ok
Doa, here say, no way, wont say
Dead yes, dead all, not dead and gone
Like a multi-leader, a little bit withdrawn
Time and go like a vicious cycle
Then wham, make em think that you are coming out like george michael
On par to make people to turn in no sooner
Hook, line, and sinker; like charlie the tuna
Drop the hero and get with the zero
Ill try to keep it clean like mr. belvedere
Fu_k me, fu_k you, fu_k the single
Dont want to take it in the can, youre not pringles
But once you pop you cant stop
So dont interrupt - situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Thought I was a puppet you tried to play me
Yeah - and Im going crazy
Thought I was a puppet you tried to play me
No - you never ever made me

[...] Read more

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Accidents Can Happen

Theres a side of you, could bring on homicide
But livin in a cell changes my view
Maybe your automobile could lose its right front wheel
It happens every day, it could be you
Look back over your shoulder, when you think youre alone, youre not
Each noise, every shadow, look out!
Chorus:
Accidents can happen, its always in the news
Accidents can happen to you
You read it in the paper, you see it on the tube
Accidents can happen
To you
A little haitian doll, that looks a lot like you do
A little powdered poison in your tea
Electricity, invisible to see, Id like to introduce you to mr. e
A malfunction, who would notice, machines and things get hot
A permanent vacation can be bought
Chorus - look out!
(solo)
Accidents can happen, accidents can happen, accidents can happen to you
Chorus - accidents can happen, accidents can happen - look out!

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Dont Believe In Accidents

Anything can happen
When I wind up alone with you
Put your finger on the things I like to do
Well anything can happen
Theres a feel in the air around you
Commanding parts of me
I never ever knew
I want your love
Of flesh and blood
Hey you!
This was really meant to be
Its for sure our destiny
Making lovers out of friends
I dont believe in accidents
Anything can happen
When you hit that electric room in me
I lose the time, the place and everything I see
Well anything can happen
Theres nothin else in the world Id rather do
Than to feed the secret dreams
Hidden in you
You want the love
Of flesh and blood
Hey you!
This was really meant to be
Its for sure our destiny
Making lovers out of friends
I dont believe in accidents
I dont believe in accidents
Hey you!
This was really meant to be
Its for sure our destiny
Making lovers out of friends
Dont believe in accidents
This was really meant to be
Its for sure our destiny
Making lovers out friends
I dont believe in accidents
I dont believe in accidents
Dont believe in accidents
Dont believe in accidents...

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Don't Believe In Accidents (demo)

Anything can happen
when I wind up alone with you
Put your finger on the things I like to do
Well anything can happen
There's a feel in the air around you
Commanding parts of me
I never ever knew
I want your love
of flesh and blood
hey you!
This was really meant to be
It's for sure our destiny
Making lovers out of friends
I don't believe in accidents
Anything can happen
when you hit that electric room in me
I lose the time, the place and everything I see
Well anything can happen
there's nothin' else in the world I'd rather do
than to feed the secret dreams
hidden in you
You want the love
of flesh and blood
hey you!
This was really meant to be
It's for sure our destiny
Making lovers out of friends
I don't believe in accidents
I don't believe in accidents
Hey you!
This was really meant to be
It's for sure our destiny
Making lovers out of friends
Don't believe in accidents
This was really meant to be
It's for sure our destiny
Making lovers out friends
I don't believe in accidents
I don't believe in accidents
Don't believe in accidents
Don't believe in accidents...

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Whatever

ideal feat. r.l.: whatever
(r.l.:)
Yeah, ideal
Y2 kay gee and r.l. collabo
Uh-oh make 'em, make 'em
Make 'em dance to this
Uh yeah ideal come on
Make 'em, make 'em
Make 'em dance to this
Let's go
1:
(ideal:)
Whatever you
Wanna do, uh-huh
Whether it's at
The crib or club
It's all up to you, what?
What?
Whatever you wanna do
So you wanna
Groove, uh-huh
Show me how
You move, uh-huh
What'cha gonna do?
What? what?
'cause i wanna
Rock with you
Whatever you wanna do
(ideal:)
Tonight you're with me
I'm talking vip
Cristal, moet
Don p tonight, oh
Nice suite at
The double tree
You and me in
Between the sheets
It's whatever you
Like baby, tell me
2:
(lil' mo:)
I like when you
Move up close to me
Sexy grinding holding me
Real close cause you're
Supposed to be, baby
(ideal:)
I like it when you
Put that thing on me
Pushin' it up against the jeans

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Nuclear Is Safe? No They Lied To You

A list of non classified nuclear disasters
chalk one up for Chalk River Canada
rating 5 a “reactor shutoff rod failure,

combined with several operator errors,
led to a major power excursion of more
than double the reactor's rated output
at AECL's NRX reactor” then a big deal.1952

Entrant two Windscale Pile United Kingdom
rating 5 a “Release of radioactive material to
the environment following a fire in a reactor
core.” Toast a good year for nuclear disasters.1957

graphite core of a British nuclear “[weapons
programme] reactor at Windscale, Cumberland
(now Sellafield, Cumbria) caught fire, releasing
substantial amounts of radioactive contamination
into the surrounding area.” Radioactive fire.

A warm welcome to entrant three. Kyshtym
Russia rating 6 a “Significant release of
radioactive material to the environment
from explosion of a high activity waste tank.” 1957

Please all welcome contestant one back
Chalk River Canada (rating?) “Due to
inadequate cooling a damaged uranium
fuel rod caught fire and was torn in two.” 1958

Champagne pops cheer another good year
Vinč a Yugoslavia (rating?) “During
a subcritical counting experiment a power
buildup went undetected - six scientists
received high doses.” What detailed detail? 1958

Applause please for our first American entry
Santa Susana Field Laboratory US (rating?)
“Partial core meltdown.” Sounds serious.
Tick one deep operations public cover up.1959

Time to take a nice country waltz in a US county
Westinghouse Waltz Mill Westmoreland County
(rating?) a core melt accident in a test reactor? 1960

Looks like American is going for a hat trick
Charlestown US (rating?) “Error by a worker
at a United Nuclear Corporation fuel facility
led to an accidental criticality”. Human error? 1964

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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

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Charles Baudelaire

L'Idéal (The Ideal)

Ce ne seront jamais ces beautés de vignettes,
Produits avariés, nés d'un siècle vaurien,
Ces pieds à brodequins, ces doigts à castagnettes,
Qui sauront satisfaire un coeur comme le mien.

Je laisse à Gavarni, poète des chloroses,
Son troupeau gazouillant de beautés d'hôpital,
Car je ne puis trouver parmi ces pâles roses
Une fleur qui ressemble à mon rouge idéal.

Ce qu'il faut à ce coeur profond comme un abîme,
C'est vous, Lady Macbeth, âme puissante au crime,
Rêve d'Eschyle éclos au climat des autans;

Ou bien toi, grande Nuit, fille de Michel-Ange,
Qui tors paisiblement dans une pose étrange
Tes appas façonnés aux bouches des Titans!

The Ideal

It will never be the beauties that vignettes show, Those damaged products of a good-for-nothing age,
Their feet shod with high shoes, hands holding castanets,
Who can ever satisfy any heart like mine.

I leave to Gavarni, poet of chlorosis,
His prattling troop of consumptive beauties,
For I cannot find among those pale roses
A flower that is like my red ideal.

The real need of my heart, profound as an abyss,
Is you, Lady Macbeth, soul so potent in crime,
The dream of Aeschylus, born in the land of storms;

Or you, great Night, daughter of Michelangelo,
Who calmly contort, reclining in a strange pose
Your charms molded by the mouths of Titans!


— Translated by William Aggeler

The Ideal

It's not with smirking beauties of vignettes,
The shopsoiled products of a worthless age,
With buskined feet and hands for castanets —
A heart like mine its longing could assuage.

I leave Gavarni, poet of chloroses,
His twittering flock, anaemic and unreal.
I could not find among such bloodless roses,

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The Dialogue: Time tested knowledge -Globilization is the ladder

Time –Ladder

My words of inspiration
Will always begin by time
They say time is money
I am thinking of time sitting with my best friend
Then I came to recognize that time is friend who is caring
He is sharing me with his past experiences about life
Hear is the beginning:
My friend: Do you see that we are now failing to do the things in the way that our past forefathers were doing
Me: Yes but why
My friend: This is because we are failing to use the time in a more sunssict manner
Me: what do you mean?
My friend: Have you noticed how naughty the pupils are during the class.
Me: yes
My friend: That is because they tend to take all of things that are being said by the lectures fro granted.
Me: Why is that happening
My: That is not only because the students do not looked to attend the lectures, but that is because they think they will be able to catch up the notes either on the book or on the internet.
Me: Oh yes, But not all of us who are having the similar abilities to grasp exactly what the lectures are saying, doesn’t that cause others to fail.

My friend: That affect everybody.

Me: How

My friend: Do you know what? Time is very important. Most of students – tends to blame the lectures when they have failed. The University is another level of education. There is no one who will push as in the high schools. You need to go and search the information for them.
Me: Besides that my friend: Most of lectures have experience. They have devoted their times in doing their studies. Besides that, most of lectures are very old. For us as the students it is very difficult to develop knowledge about something we have never seen. Do you ever red Ferranti – the sociolology book part about Industrial Revolutions?

Me: Do you mean that Industries evolutes in Europe that any other world?

My friend: That is good but can you think of how the Industrial Revolution tests our time-knowledge?

Me: I think of the time when the animals were being domesticated. I red that book from Diamond Larry. Those animals were then used as transport for goods. Two or three Horse carriages followed on one another. But they may have seen how heavy the goods are. They developed the wheels so that the weight is reduced. That was fine. However the roads were built because of too much bumps on the lands. They have therefore conquered the knowledge of making the trains. Note that the trains mimic the movement of horse carriages. Thereafter, everything followed. That includes cars, aero planes and even telegrams. What we are talking about today is time-distance friction – which means that our world is totally shrinking. That is literally because it does not refer to the actual shrinking of world. It refers to the time that we are now using to travel from one place to another. So you can see that what ever that is happening is traced from the past experience.
My friend: Wow my friend you have killed it? (We shack the hands)

Me: So we cannot only talk about the lectures but we can make our new statement of change.

My friend: Yes my friend you are clever, because you see that this world is changing. It is also said that in our modern societies some societies are failing to change because they are still stick to the superstitions of the past. In terms of culture do you think how can we change culture in the way that will be time- tested?

Me: I like when you say time –tested knowledge. Do you know what? If we can just switch off the knowledge and hysterical notes of writings about anything, including math, science and even culture there is no point to disagree that we shall not have developed in the way that the modern world development is taking place. I don’t like your term change and I suggest that you will use transform in the future. As you have had of how the industrial development was developed and then transformed. We need to study the ways in which the things were being done in the past in other to be able to transfer our modern word in a very smoothest way.

My friend: those words are now clear. You make me remember something. During the case of the ANC president Jackop Zuma. Well you know the rape case and -

Me: Can guess what you want to say. You are talking about the groups of women’s protection, who claimed that the girl did not cry or screamed because she was extremely terrified.

My friend: Yes and the judge said “that is not acceptable. A lady might otherwise have raped dead. No matter how terrifying the thing is, when we see something that terrifies us we tend to scream or be in the state of death. The statement that the women’s protection is trying raise has therefore no interaction in the universe”

Me: The judges are professionally trained; they are the people who are saying things based on the laws that were invented by based on the past experience. It does happen that Law is changed.But again I do not like to use the word change I will prefer to use the word transform. The transformations of laws are usually caused by the transformations of the modern societies. We are highly globalized and we have no point to oppose that. So in other to make the smooth transformation of our laws we need to see what was it cause and aims and what makes it fail to fit with the modern societies.

My friend: Yes you are speaking like lawyer now.

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The Power Beyond What Is Normal (2 Cor.4: ; 7) ...

The Power Beyond What Is Normal
Humans Can Hardly Explain
But The Power Beyond What Is Normal
Can Pull You Out of Pain

The Power Beyond What Is Normal
Can Really Make A Change
It Can Lift You From The Dumps
Up Into Sun Rays!

It Can Take An Aching Heart
In The Deep Of The Night
Heal It ‘Til It Glows
Like Candlelight

Whether Its Your Lowest Moments
Or The Coldest, Lonely Hours
The Power Beyond What Is Normal
Is A High Power!

It Is The Powers That Be
It Is The Power That Is
It Beats All Other Powers
and It’s HIS!

It Is The Power For The Better
It Is The Power That Lasts Forever
To Really Turn It On
Just Pull Love – Lever

Call On It In A Hurry
In An Emergency
When It Comes To You
You Will Finally See

It Is The Power Of Holy Spirit
And It’s Awesome To Be Near It
But When It Fills Your Soul
… Boy, It’s Joy Is Bold!

It’s Like An Apple Covered In Carmel (1 Pet.2: 3)
I Can’t Resist The Power Beyond Normal
It’s The Sweetest Power Treat (Ps.19: 7-10)
I’ll Ever Eat …

It’s The Strongest Power Trip, I’ll Take
While I’m Awake …
It’s Not A Gimmick Fake
It Feels So Great!

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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Sun And Steel

You killed your first man at 13
Killer instinct, Animal supreme
By 16 you had learned to fight
The way of the warrior, you took it as your right
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Through earth and water, fire and wind
You came at last - nothing was the end
Make a cut by fire and stone
Take you and your blade and break you both in two
Break you both in two
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel - rolling on and on
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel - and it's rolling still

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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.


FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.


I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.


I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!


IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.


RAGING FIRE

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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Seasonal Cycle - Chapter 01 - Summer

"Oh, dear, this utterly sweltering season of the highly rampant sun is drawing nigh, and it will always be good enough to go on taking daytime baths, as the lakes and rivers will still be with plenteous waters, and at the end of the day, nightfall will be pleasant with fascinating moon, and in such nights Love-god can somehow be almost mollified...[who tortured us in the previous vernal season... but now without His sweltering us, we can happily enjoy the nights devouring cool soft drinks and dancing and merrymaking in outfields...]

"Oh, beloved one, somewhere the moon shoved the blackish columns of night aside, somewhere else the palace-chambers with water [showering, sprinkling and splashing] machines are highly exciting, and else where the matrices of gems, [like coolant pearls and moon-stone, etc.,] are there, and even the pure sandalwood is liquefied [besides other coolant scents,] thus this season gets an adoration from all the people...

"The beloved ones will enjoy the summer's clear late nights while they are atop the rooftops of buildings that are delightful and fragranced well, while they savour the passion intensifiers like strong drinks and while the ladylove's face suspires the bouquets of those drinks together with melodious instrumental and vocal music...

"The women are ameliorating the heat of their lovers with their chicly silken coolant fineries gliding onto their rotund fundaments, for they are knotted loosely, and on those silks glissading are their golden cinctures with their dangling tassels that are unfastened on and off, and with their buxom bosoms that are bedaubed with sandal-paste and semi-covered with pearly strings and golden lavalieres, and with their locks of hair that are sliding onto their faces, which locks are fragrant with bath-time emulsions, which are just applied before their oil bath...

"Brightly coloured with the reddish foot-paint that is akin to the colour of lac's reddish resin, adorned with anklets that are festooned with jingling bells, whose tintinnabulations on their stepping after stepping mimic the clucks of swans, with such feet those women with bumpy behinds are rendering the hearts of people impassioned, in these days of pre-summer...

"These days the bosoms of womenfolk are bedaubed with scents and sandal-paste, and they are given out to snowily and whitely pearly pendants that are sported on those bosoms, and even their hiplines are with the dangling golden griddle-strings, with such a lovely ostentation whose heart is it, that does not fill with raptures...

"The seams of limbs of ladies of age are conquered by the often emerging sweat, thus those peaky bosomed lustful ladies are presently banding their bosoms with softish fineries, casting aside their roughish apparels ...

"The rustles of air comprising the aroma of watered sandal-paste, blown off by the fans with peacocks' plumage, and the rustle of strings of pearls when the roundish bosoms of loves are hugged, together with the subtle melody of string instruments, and subtly sung intonations of singers, now appear to awaken Love-god, Manmatha, who is as though asleep after his manoeuvres in the last spring season...

"On leisurely seeing the faces of the maids that are comfortably sleeping well on the tops of whitish edifices, the moon of these nights is highly ecstasized, for he is unpossessed with any such flawless face, as his own face is flawed with rabbit-like, deer-like foibles, and when the night dwindles, he doubtlessly goes into state of pallidity, as though ashamed to show his face to the flawless sun...

"The intolerable westerly wind of the summer is up-heaving the clouds of dust, even the earth is ablaze, set by the blazing sun, and the itinerants whose hearts are already put to blaze by the blazing called the detachment from their ladyloves, and now it has become impossible for them even to look at the blazing earth, to tread further...

"The reigning sun's torridity rendered the animals parched, and with unquenchable thirst highly shrivelled are their tongues, throats and lips, and on seeing kneaded blackish mascara like mirages on the sky in another forest, that are cloudlike in their shine, those animals are rushing there, presuming them to be water...

"The women of charm are with smiles and slanted looks, and now they are on par with the twilights that are ornamented with a beautiful ornament called moon, and they are now decorating themselves confusedly and they are inciting the incorporeal Love-god in the hearts of itinerants...

"Extremely seared by the rays of sun, and even by the already seared dust on the pathway, with its slithery motion and downcast hood, repeatedly suspiring when being scalded thus awfully, that serpent is sinking down under the pave of peacock's plumage, distrait of the fact that a peacock is an enemy of serpents, thus distrait is the relative danger from a born enemy or from the searing summer...

"Thwarted are the valorousness and venturesomeness of that king of animals, the lion, for the thirst is abnormal, thereby gaping his mouth much lengthily, and suspiring repeatedly with a lengthened and dangling tongue, and repeatedly whisking his frontal hair of the mane, that lion is not pawing the elephants, though they are at his nearby, and though they both of them are born rivals, thus the scalding summer cooled off their mutual contempt...

"Verily dried up are their throats, but somehow some cool water remaining in their trunks is brought to those dry throats with the prehensility of their trunks, but too scanty is that water for those mega-vores, further muchly scorched by sun's scorching rays and overpowered by heightened thirst, even those water-seeking tuskers are unafraid of those nearby lions, as negligible is the physical danger than the natural danger...

"The scorching sunrays that are akin to the tongues of blazed up Ritual-fire, by them the bodies as well as the souls of peacocks are wilted, thus they wedge their faces in the pack of their plumage for certain coolness, and though they mark the serpents that are milling about under the very same plumage through the plumes and feathers, they peck not those serpents to death, as their priority is to cool off their faces and heads...

"The slime in the ponds is dried up but in some areas Bhadramusta grass is available, and while the herd of wild boars is digging up that grass with their long and broad snouts for a piggish slumber, the sunrays have highly sweltered their backs, but that herd dug the dry swamp more and more, as though to enter the interior of earth, to get a mucky, miry, muddy slumber...

"With the unbearable prickly heat of sunrays highly seared is a frog, and jumping up from a pond with mud and muddy water, it jumped to sit under the shade of a parasol, called the hood of a snake... neither thirstier frog is aware that it is the shade of a snake's hood, nor the thirstiest snake is aware that it is shading a thirsty frog...

"When each other elephant is highly huddling, belaboured is that lake by their elephantine limbs, and completely uprooted are the tall slender stems of lilies and lotuses of that lake, without any remnants of standing lotuses or lilies, thus trampled and agglutinated with mud, they are heaped up under the feet of elephants, and ill-fated are the fishes when trodden by elephants underfoot, and the Saarasa waterfowls are fleeing with fear of this rumpus...

"Akin to sunshine upcast is irradiance of the jewel on its hood, and wigwagging is its twinned tongue licking the air, and it is seared by its own venom, by fiery soil, and by the searing sun as well, and thus tottering thirstily, that hooded serpent is not draining the dregs of frogs, to the dregs...

"Frothily gaping and reeling are the two-pieced snouts, and jerkily extruding are the lightly reddened tongues, and staggering thirstily looking for water with upraised snouts, those herds of she-buffalos are extruding from the caves of mountain with such snouts and gaits, wherein they took shade from the scorching sun so far, but thirst drove them out of those cool caves...

"Extremely withered as though by wildfire and utterly shrivelled are the tender stalks of crops, and windswept by harsh winds they are uprooted and completely wilted and reduced to straw, and all over scorched are they in an overall manner as the water is evaporated, and if seen from highlands till the end of forest, this summer is foisting upon the onlookers a kind of disconcert, as the straw in the wind about the monsoon is unnoticeable...

"Perching on the trees with wilted leaves, flocks of birds are hyperventilating, the overtired troops of monkeys are going nigh of viny caves on the mountain, the water-craving herds of buffalos are rambling hither and thither, the straight flying Sharabha birds are nose-diving into wells and easily lifting up the water...

"The wildfire, that is simulative of a just blossomed bright and fierily ochreish safflower, is exceedingly speedy and further whipped up by the speed of the wind it is eagerly embracing the treetops, that are on the banks of lakes and rivers, with tongues of fire, onto which trees the apices of climber plants are eager to embrace, thus that wildfire has burnt down every quarter of land, in a trice...

"That wildfire, now intensified by the gusts, is blazing the valleys of mountains, and thus skittering across it entered the stands of bamboos, only to shatter them in a second with clattering rattles, then escalated by gusts it is overspreading the straw fields, then from their within, on smacking the perimeter of straw-field, it is broiling the herds of deer, tumultuously ...

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Sugar We're Going Down

Am I more than you bargained for yet
I've been dying to tell you anything you want to hear
Cause that's just who I am this week
Lie in the grass, next to the mausoleum
I'm just a notch in your bedpost
But you're just a line in a song
(A notch in your bedpost, but you're just a line in a song)
Drop a heart, break a name
We're always sleeping in, and sleeping for the wrong team
We're going down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it
We're going down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it
Is this more than you bargained for yet
Oh don't mind me I'm watching you two from the closet
Wishing to be the friction in your jeans
Isn't it messed up how I'm just dying to be him
I'm just a notch in your bedpost
But you're just a line in a song
(Notch in your bedpost, but you're just a line in a song)
Drop a heart, break a name
We're always sleeping in, and sleeping for the wrong team
We're going down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it
[x2]
Down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it
We're going down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it
We're going down, down (down, down)
Down, down (down, down)
We're going down, down (down, down)
A loaded god complex, cock it and pull it
We're going down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it

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The Susceptible Chancellor

The law is the true embodiment
Of everything that's excellent.
It has no kind of fault or flaw,
And I, my lords, embody the Law.
The constitutional guardian I
Of pretty young Wards in Chancery,
All very agreeable girls - and none
Is over the age of twenty-one.
A pleasant occupation for
A rather susceptible Chancellor!

But though the compliment implied
Inflates me with legitimate pride,
It nevertheless can't be denied
That it has its inconvenient side.
For I'm not so old, and not so plain,
And I'm quite prepared to marry again,
But there'd be the deuce to pay in the Lords
If I fell in love with one of my Wards:
Which rather tries my temper, for
I'm SUCH a susceptible Chancellor!

And every one who'd marry a Ward
Must come to me for my accord:
So in my court I sit all day,
Giving agreeable girls away,
With one for him - and one for he -
And one for you - and one for ye -
And one for thou - and one for thee -
But never, oh never a one for me!
Which is exasperating, for
A highly susceptible Chancellor!

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Almost Ideal Eyes

Here she comes with her almost ideal eyes
And her flawless skin and her petulant pout
The memory of such a long blond alibi
Still makes me want to shout out loud
You ************ when you clear your head my dear
You cant come out here in those stolen clothes
Telling me all about some mystery
I hope she isnt one, I hope she isnt one of those
Almost ideal eyes
Viewed through a rosey hue
So beautiful, trusting
You find liberal is an insult now and care is what you pay for
Be sure of what youre wishing for, be careful what you pray for
When you look into those almost ideal
Love is smiles, he will hypnotize you wild
He tries to analyze your dreams
Fill you up with all his big ideas while he really wants to make you
Scream out loud at the phony innocence
And pained pretence and the dismal rage.
The vacant lot that thankfully time forgot
Where you never have to act, you never have to act your age
Almost ideal eyes
Viewed through a rosey hue
So beautiful, trusting
You find stupid is a compliment and thrill is what you play for
Be sure of what youre wishing for, be careful what you pray for
When you look into those almost ideal eyes
In the spirit(? ) all your friends look uglier
And you find youre wearing an evening gown
Weeping over some tiny broken bird
While the sky is decorated
Shocking pink and a dirty shade of brown
And you think you need to be tranquilized
A feat that may fit to your new career
Whatever you invent youll never be content with
Almost ideal eyes
Viewed through a rosey hue
So beautiful, trusting
Rebellion is just currency, the moon is what you pay for
Be sure of what youre looking for, be careful what you pray for
When you look into those almost ideal eyes
Here she comes, here she comes now.....

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