This is one of the factors that also made me very much want to make this film, apart from the fact that I loved it. If the boy hadn't been Jewish and the man hadn't been Muslim, it wouldn't have made any difference to the film. I don't think it's relevant, really.
quote by Omar Sharif
Added by Lucian Velea
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Related quotes
Loved
Loved
Written by Ricky Wilde & Terry Ronald
Take all your goodness and shiness away
I'll tell you the things I've been longing to say
I'll break it to you just so you understand
The force and control that you hold in your hands
Make me the beat of your heart
Then fall into mine
One step at a time
You have no reason for doubting your feelings
Love isn't always the same
You are loved
You are loved
You are loved
You I love
You
You are loved
You are loved
You are loved
You I love
You
(Ooh you are loved)
Live for the moment according to you
And so when the time comes you know what to do
Trust me, I'm giving no secret away
I'm drowning in you but I want it that way
Make me the beat of your heart
Then fall into mine
One step at a time
You have no reason for doubting your feelings
Love isn't always the same
You are loved
You are loved
You are loved
You I love
You
You are loved
You are loved
You are loved
You I love
You
You are loved
(Ooh you are loved)
You are loved
You are loved
You I love
You
You are loved
(Ooh you are loved)
You are loved
[...] Read more
song performed by Kim Wilde
Added by Lucian Velea
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The Other One Needs
She's nothing but a bad boy,
Oh boy.
Oh boy!
Oh boy...
She's nothing but a bad boy,
Oh boy.
Oh boy!
Oh boy...
And he prefers that over others.
Oh boy.
Oh boy!
Oh boy...
She's nothing but a bad boy,
Oh boy.
Oh boy!
Oh boy...
She's nothing but a bad boy,
Oh boy.
Oh boy!
Oh boy...
He's nothing but a whatever he wants to be.
He lives,
And breathes...
From a different,
Reality.
She's nothing but a bad boy,
Oh boy.
Oh boy!
Oh boy...
And he prefers that over others.
Oh boy.
Oh boy!
Oh boy...
She's nothing but a bad boy,
Oh boy.
Oh boy!
Oh boy...
And he prefers that over others.
Oh boy.
Oh boy!
Oh boy...
[...] Read more
poem by Lawrence S. Pertillar
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Give The Po Man A Break
Give po man a break
Give po man a break
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
[...] Read more
song performed by Fatboy Slim
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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What Is A Jewish Poem?
WHAT IS A JEWISH POEM?
What is a Jewish poem?
‘Shema’ is a Jewish poem
Perhaps the Jewish poem-
'Shmoneh Esreh' is comprised of Jewish poems
Nineteen prayers as one-
Our history is filled with Jewish poems-
From the beginning with Abraham and Sarah
Those who have given so much beyond our understanding -
Jewish poems everywhere -
Is each Jewish life a poem and a story also?
Or is it only those who give something to our people and history
Who are worthy of Poetry?
I have known many Jewish poems
People the great world will not know the names of
People who whether they walked humbly or not
Made the lives of others better in some way –
Kindness is perhaps the ultimate Jewish poem
And Justice also-
And Jewish poems are not without their contradictions –
As I write this poem in Jerusalem in the land of Israel
I think of the small Jewish world of Troy New York where I came from so many years ago
And miss so many people no longer of that and this world –
Longing for Israel for two thousand years was the Jewish poem
Living here now is a blessing and a gift
I thank God for.
poem by Shalom Freedman
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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What A Difference Youve Made
What a difference youve made in my life.
What a difference youve made in my life.
Youre my sunshine day and night.
Oh, what a difference youve made
In my life.
What a change you have made in my heart.
What a change you have made in my heart.
You replaced all the broken parts.
Oh, what a change you have made
In my heart.
Love to me was just a word in a song
That had been way overused.
But you gave love a meaning,
So I joined in the singing,
Thats why I wanna spread the news.
What a difference youve made in my life.
What a difference youve made in my life.
Youre my sunshine day and night.
Oh, what a difference youve made,
(what a difference youve made,)
What a difference youve made in my life.
What a difference youve made in my life.
What a difference youve made in my life.
Youre my sunshine day and night.
What a difference youve made.
(what a difference youve made in my life.)
What a difference youve made in my life.
(what a difference youve made in my life.)
Difference youve made in my life.
(youre my sunshine day and night.)
What a difference youve made.
(what a difference youve made in my life.)
Difference youve made in my life.
(difference youve made in my life.)
Youre my sunshine day and night.
What a difference youve made.
(what a difference youve made in my life.)
Youve made a difference in me.
(what a difference youve made in my life.)
Youve made a change in my life.
Youre my sunshine day and night.
song performed by Amy Grant
Added by Lucian Velea
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Boy
I can't help it
When I'm not around you (Boy)
'Cause all I ever seem to
Do is drift away
In dreams about you
'Cause when I'm without you (Boy)
It always seems like
Part of me is missing baby
Sometimes I don't call
Like I don't care at all
But secretly, you're the only thing
That lifts me up
And makes me smile
When I'm unhappy
All you gotta do is call
And suddenly things don't really
Seem so bad at all
(Boy) I need you
(Boy) Adore you (Boy)
Gotta have you (Oh boy)
I wanna feel your touch
This ain't no little crush
So come and get my love
Baby anything you want
Feeling you (Boy)
Fiending for you (Boy)
Just waiting on you (Boy)
When I see you (Oh boy)
I'm gonna wrap you up
Inside my love
And never let you go boy
Never let you go boy
My heart races when
My Motorola beeps
Or my cell rings
I just make a wish and if it's you
My whole day changes
'Cause when I know
You're thinking of me (Boy)
Heaven knows
Suddenly it's not so dismal baby
Sometimes I don't call
Like I don't care at all
But secretly, you're the only thing
That lifts me up
And makes me smile
When I'm unhappy
All you gotta do is call
And suddenly things don't really
Seem so bad at all
[...] Read more
song performed by Mariah Carey
Added by Lucian Velea
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Satan Absolved
(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.
[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.
Satan. Ye have in truth good cause.
Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.
[...] Read more
poem by Wilfrid Scawen Blunt
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Salmacis and Hermaphroditus.
MY wanton lines doe treate of amorous loue,
Such as would bow the hearts of gods aboue:
Then Venus, thou great Citherean Queene,
That hourely tript on the Idalian greene,
Thou laughing Erycina, daygne to see
The verses wholly consecrate to thee;
Temper them so within thy Paphian shrine,
That euery Louers eye may melt a line;
Commaund the god of Loue that little King,
To giue each verse a sleight touch with his wing,
That as I write, one line may draw the tother,
And euery word skip nimbly o're another.
There was a louely boy the Nymphs had kept,
That on the Idane mountains oft had slept,
Begot and borne by powers that dwelt aboue,
By learned Mercury of the Queene of loue:
A face he had that shew'd his parents fame,
And from them both conioynd, he drew his name:
So wondrous fayre he was that (as they say)
Diana being hunting on a day,
Shee saw the boy vpon a greene banke lay him,
And there the virgin-huntresse meant to slay him,
Because no Nymphes did now pursue the chase:
For all were strooke blind with the wanton's face.
But when that beauteous face Diana saw,
Her armes were nummed, & shee could not draw;
Yet she did striue to shoot, but all in vaine,
Shee bent her bow, and loos'd it streight againe.
Then she began to chide her wanton eye,
And fayne would shoot, but durst not see him die,
She turnd and shot, and did of purpose misse him,
Shee turnd againe, and did of purpose kisse him.
Then the boy ran: for (some say) had he stayd,
Diana had no longer bene a mayd.
Phoebus so doted on this rosiat face,
That he hath oft stole closely from his place,
When he did lie by fayre Leucothoes side,
To dally with him in the vales of Ide:
And euer since this louely boy did die,
Phoebus each day about the world doth flie,
And on the earth he seekes him all the day,
And euery night he seekes him in the sea:
His cheeke was sanguine, and his lip as red
As are the blushing leaues of the Rose spred:
And I haue heard, that till this boy was borne,
Rose grew white vpon the virgin thorne,
Till one day walking to a pleasant spring,
To heare how cunningly the birds could sing,
Laying him downe vpon a flowry bed,
The Roses blush'd and turn'd themselues to red.
[...] Read more
poem by Francis Beaumont
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Hold On Lynette The Horses Are Coming
Lynette was a beautiful baby
A true joy to her ma and pa
Free from oriningal sin she was
The whole family was in awe
She was loved loved loved
She was loved loved loved
One day she woke with fever
There was snow and wind and cold
The car was stuck at the end of the drive
To the doctor they could not go
She was loved loved loved
She was loved loved loved
Quick hook-up the team and the sleigh
By horse she'll surely make it
Hold on Lynette the horses are coming
Let's take some time to say how much we love you
She was loved loved loved
She was loved loved loved
Manes a flyin' tales a whippin'
The horse's plowed right through
Muscles a bulgin' and hides a sweating
Let's take some time to say how much we love you
She was loved loved loved
She was loved loved loved
Well by horse they surely made it
By horse they surely did
Just in time to tell them
There was nothing they could do for her
She was loved loved loved
She was loved loved loved
She was loved loved loved
She was loved loved loved
Well, for all those ma's and pa's out there
Who've lost their little ones
This songs not about a child dying
It's of a parent's love
One day on earth is just the same
as one year or fifty or a hundred
The only difference my friends
[...] Read more
poem by Atty Davis
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Mosque of Omar and Jewish Temple
The Dome of the Rock was erected by the Muslim ruler Abd el-Malik in 688-691 A.D. It sits where the old Jewish temple mount was. The Roman General Titus destroyed the last Jewish temple around 70 A.D. This mosque is considered very sacred and would cause an international stir and possible war if it were destroyed.
The Jewish people begin to come back to their original homeland and after World War Two and the holocaust became the country of Israel again in 1948 under Jewish rule. They always have wanted to rebuild their temple. The city of Jerusalem went under their control during the six-day war in 1967. Jerusalem is a main point of any peace between Israel and the Palestinians. Everyone dealing with the volatile peace process in the world knows peace in the mid-east involves Jerusalem and the temple mount area.
Solomon’s Temple was the first temple built in Jerusalem and was completed around 953 BC and was destroyed by Nebuchadnezzar and the Babylonians and burned with fire in 586 BC. Zerubbabel and the returning exiles built the second temple, completing it in 516 BC. This temple was later embellished greatly by King Herod and was the temple Jesus Christ was dedicated in and preached in. Titus and the Romans destroyed this Temple in 70 AD.
Scholars such as Asher Kauffman are now saying Solomon’s original temple and the second temple built by Zerubbabel after the 70 year captivity to Babylon was aligned with the Eastern Gate and the temple was north of the Dome of the Rock mosque.
The Eastern Gate was the gate the Lord Jesus came riding thru on a donkey or what many Christians call Palm Sunday. This gate is now closed. The Golden Gate (Eastern Gate) in the eastern wall of Jerusalem gave access to the courtyards of the temple from the Kidron valley. The East gate was walled up by its Muslim conquerors (the Ottoman Turks) with great stones in 1530 A.D. The Prophet Ezekiel by a vision seen the Eastern Gate shut…Ezekiel 44: 1-3 'Then he brought me back to the outer gate of the sanctuary, which faces east; and it was shut. And he said to me, 'This gate shall remain shut; it shall not be opened, and no one shall enter by it; for the LORD, the God of Israel, has entered by it; therefore it shall remain shut. Only the prince may sit in it to eat bread before the LORD; he shall enter by way of the vestibule of the gate, and shall go out by the same way.'
I remember starring at this gate when I was at the Mount of Olives knowing when Christ touches the Mount of Olives at the end of the Tribulation this gate will be open. Ezekiel seen this vision around 600 BC This alignment of the future Jewish temple with the Eastern Gate would only be appropriate. The architectural layout of the temple would surely have been to allow the Messiah to come through the eastern gate and go straight ahead into the Holy City. He would not be doing any turning left and then right or any 'jigs'. He would enter the city and go straight ahead and up into the temple.
This will allow the third temple to be built while co-existing for a while with the mosque now there.
As we look now at the present situation we see that the Dome of the Rock occupies the center of the temple mount. The future third temple could therefore be rebuilt to the north of the Dome. It would be on the same site as the former temple. There would be room to provide an acceptable easement between the two buildings. There would, in fact, be a clearance of 150 feet. This certainly would take an international agreement.
When Ariel Sharon presumptuously decided to take a stroll on the temple mount some years ago the result was bloody mayhem. There was a huge outcry throughout the Islamic world. For the Jewish temple to be built next to the Dome of the Rock mosque will take a peace covenant of world magnitude and import.
We also see in the book of Revelation 11: 2 KJV 'But the court which is without the temple leave out, and measure it not; for it is given unto the Gentiles: and the holy city shall they tread under foot forty and two months'. Many believe this is a reference to the Dome of the Rock being there. Some say that later when the earthquake comes in
Zechariah 11 and Ezekiel 38 at the end of the Tribulation that this temple and mosque will destroyed as Christ touches the Mount of Olives preparing the way for the millennial temple of Ezekiel 40.
This would mean the third temple during Jacobs’ trouble and the Great Tribulation will not be the final temple.
It is uncanny that Jerusalem is a center of three major religions, Judaism, Christianity and Islam. The oil in the area is of major economic and political concern to the entire world. The whole region is now involved with international politics and the Israeli Palestinian conflict is paramount..
We Christians believe in a second coming of Christ when he will open the Jewish peoples eyes showing them he was their Messiah. We think it is prophecy that they are back from the nations. Mathew 24: 15 lets us know the temple will be rebuilt and defiled. We believe the gentile church age will end and many prophecies written in the Old Testament concerning Israel and the region and the world will be fulfilled
The more I see the picture unfold with prophecy the more I feel that the Mosque of Omar called the Dome of the Rock will not be destroyed but will stay there next to the rebuilt Jewish temple and will be a sign of peace between Israel and moderate Islam brokered by the man of peace from Europe. Jerusalem will be given to both sides and an agreement will be reached.
The false liberal church will help broker the situation as well. Radical Islam will seem to dissipate and the anti christ will use the false prophet of the false church and this very liberal so called church of eclectic faith will seem to respect all faiths allowing the temple in Jerusalem to coexist with the Mosque of Omar.
This covenant will be broken after three and one half years when Russia will come down as written about in Ezekiel 38. The peace will be broken with the Jews and the anti Christ will turn against them and also give a mark where by no man will be able to buy or sell.
I totally believe we are soon to come to these days and we are in the last days of the church age and the times of the gentiles mentioned in Luke 21: 24. We are now in the time of sorrows and distress amongst nations (Math 24: 6-8) and soon will go into the Great Tribulation when all this will happen. Math.24: 21
The Apostle Paul said in Romans 11: 25 that blindness in part has happened to Israel until the fullness of the Gentiles become in”. This dispensation of the gospel to the gentile nations is ending and there will also be a great falling away towards liberalism that will accept gay life styles and various religions.
The false church will not be based on the Bible but theology, psychology, philosophy and the wisdom of man and so called reason. It will use religious rhetoric and talk about liberation and peace, it will appear to many as good but it really is a wolf in sheep clothing and eventually will back up the anti christ and be destroyed in the tribulation period. Many a person already talks about Jesus Christ separate from the Holy Scriptures. This false church will help lead to a unified Europe and extend its hand to the mid east peace process.
I always thought that the Mosque of Omar would be destroyed but even if it was the Arabs and Islam would want it immediately rebuilt. In order to really broker a peace this Temple and Mosque problem has to be settled.
Recently all kinds of Orthodox Jews are buying up East Jerusalem and tunneling and digging. There was a segment concerning this on 60 minutes. Many are also saying the Mosque and Temple can co-exist along side one another. Israel would never give up the temple area and Islam would never give up the Mosque of Omar. The peace process that will be started by the anti christ who will come to power in the west will settle this question.
We are in the times of prophecy. Hold on to your Bible faith and never let it go for some liberal church system that doesn’t preach Jesus Christ according to the Scriptures and revelation. We need twenty-four hour prayer going up in our churches and real praise and worship and Bible teaching
poem by Joseph Narusiewicz
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Romeo
My baby wears his heart on his sleeve
He wears a look on his face that says please please please
Love it everything he flaunts love it
Everything he vaunts I just cant hesitate
When he wants what he wants
Oh chucka, oh chucka, oh chucka, oh chucka
And I said oh chucka, oh chucka, oh chucka, oh chucka
Last night he calls me on the telephone
You know at two in the morning I just want to sleep on
But he got a way with words and
He got a way with charm
You know at three in the morning hes back into my arms
And I said oh chucka, oh chucka, oh chucka, oh chucka
And I said oh chucka, oh chucka, oh chucka, oh chucka
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my r-o-m-e-o, romeo
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes mine
My my romeo, my my romeo, my my romeo, my my romeo
He looks so good the girls stop and stare
But I soon wanna look with his double dark hair
Im not gonna let him go
Im not taking any chance
Its a one in million mad mad romance
Oh chucka, oh chucka, oh chucka, oh chucka
Oh chucka, oh chucka, oh chucka, oh chucka
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my r-o-m-e-o, romeo
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes mine, romeo
My my romeo, my my romeo
Hes my romeo
My my romeo
Hes my romeo
My my romeo, hes my romeo
My romeo..
song performed by Donna Summer
Added by Lucian Velea
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Dirty White Boy
Hey, baby, if youre feelin down
I know whats good for you all day
Are you worried what your friends see
Will it ruin your reputation lovin me
cause Im a dirty white boy
Yeah a dirty white boy
A dirty white boy
Dont drive no big black car
Dont like no hollywood movie star
You want me to be true to you
You dont give a damn what I do to you
Im just a dirty white boy
Dirty white boy, dirty white boy
Dirty white boy, dirty white boy
Dirty white boy
Well, Im a dirty white boy
Dirty white boy, dirty white boy
Dirty white boy, yeah, dirty white boy
A dirty white boy
Ive been in trouble since I dont know when
Im in trouble now and I now somehow Ill find trouble again
Im a loner, but Im never alone
Every night I get one step closer to the danger zone
cause Im a dirty white boy
Dirty white boy, yeah, dirty white boy
Dirty white boy, Im a dirty white boy
Dirty white boy
Cmon, cmon boy
Dirty white boy, white boy
Dirty white boy, Im a dirty white boy
Dirty white boy
Hey, Im a dirty white boy
Dirty white boy, yeah, Im a dirty white boy
Dirty white boy, dirty white boy, yeah
song performed by Foreigner
Added by Lucian Velea
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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I. The Ring and the Book
Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.
Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Joseph's Gloss On God
When Joseph tells his brothers: “I
am not God, ” he perhaps implies
that unlike God he sometimes lies,
and unlike Him, is doomed to die.
The words that Joseph never said
are wrong, as we find out when burned;
God often lies, a lesson learned
from history, and God is dead.
Inspired by a review by Paul Buhle of R. Crumb’s The Whole Book of Genesis, in Forward, October 10,2009 (“In the Image of God: The Ambition of R. Crumb’s Graphic Genesis”:
To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement. It doesn’t hurt that excerpts of the book appeared during the summer in the New Yorker and that the Hammer Museum in Los Angeles is opening an exhibit of the original drawings from which the book’s contents were adapted. “The Book of Genesis, ” Robert Crumb’s version, nevertheless stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.
No comic artist has been more influential than Crumb. In terms of sales, his work is dwarfed by the superheroes and, in comic art prestige. Art Spiegelman, and a short list of others including Alison Bechdel and Marjane Sartrapi may have displaced Crumb. But Crumb’s influence abides and endures in his occasional LP/CD covers, in his volumes of collected work (16 volumes so far and counting) , his artistic prizes and a generation of artists who have incorporated his particular view of humanity.
Surprisingly, his best work in 20 years has actually been in the genre of adaptation, specifically an adaptation of Franz Kafka, dating to the mid 1990s. On that highly curious point, any consideration of this “Genesis, ” as a highly personal comic art, properly begins. Notoriously, Crumb is a gentile who fled from his deeply dysfunctional Delaware family to the Cleveland neighborhood of Harvey Pekar and the arms of the first of two Jewish wives. “Crumb, ” the 1994 film documentary, was in many ways about emotional pain (including a brother doomed to suicide) and his craving for a certain kind of woman, who, although possibly any female with a bemuscled backside, was in fact most likely to be Jewish. She, reality and image, was his consolation. The strips that he drew of Jewish-American life, nevertheless, reworked stereotypes, some funny (he visits Florida with his second wife, and holds a tiny grandfather on his knee) , and some, doubtless, insulting to many readers.
In the pages of “Introducing Kafka, ” Crumb became his fictional protagonist with such depth of insight into the logic of the doomed writer, as well as of Kafka’s famed works, that many readers were simply astonished, this reviewer among them. Kafka is the exemplar par excellence of a type of ambiguous, tortured mittel European Jewish personality as it hovered between faith and uncertainty, shortly before the Holocaust. Not Spiegelman, not Ben Katchor, nor Sharon Rudahl, nor others who drew historical or quasi-historical strips about Jewish history, had taken the characterization as far as Crumb. An earlier escape from Middle American culture had propelled Crumb toward his satirical protagonist Mister Natural, a Zen-like, robed quasi-prophet of the 1970s-80s. Three decades later, Crumb’s robed prophets are far from Zen.
Crumb’s “Genesis” is then perfectly serious and the author wants us to know it. As he says on the cover, “Nothing Left Out! ” Every “beget” from the King James Bible can be found here, along with plenty of scenes censored from previous graphic adaptations. And more prose, in the final “Commentary” segment of the book, than non-writer Crumb may have put on the page anywhere, aside from his published letters. More striking for anyone but the seasoned Crumb fan: unlike previous Biblical comic adaptations, including some published and drawn by Jews, Crumb’s characters actually look Jewish, the women even more than the men. The contrast to the classic work, EC Comics’ “Picture Stories from the Bible” (1945) in that respect is most illuminating. But more recent works like the best-selling “Manga Bible” (2000) are not much different (nor was the “The Wolverton Bible” by one of the strangest of comic artists Basil Wolverton) . Close readers will see Crumb’s wife Aline Kominsky, to whom the book is dedicated, again and again, in various guises; perhaps only Chagall drew his beloved wife so often and with such varied imagination.
Not only are the characters Jewish here, they are all ages and sizes. If, for instance, there are more drawings of Jewish elders in any single volume of comic art anywhere, I have never seen them. The women here are beautiful when young, heavily busted with large, muscular thighs. The men are strong, their beards full and noble. The deity has a really big beard and retains his notoriously bad temper, as well as his commanding presence, and absolute demand for loyalty. The animals of Genesis (in Noah’s ark and elsewhere) may be where Crumb is most similar to earlier comic art adaptations of Biblical texts, but they are drawn, like everything else, with such loving care that they are special and demand repeated viewing.
In those extensive notes at the end, Crumb comes as close as he is ever likely to revealing the sources and depth of his commitment to the text. He had been puzzling, no doubt under a wave of feminist criticism, about the gender struggle, until Torah scholar Savina Teubel’s “Sarah the Priestess” (1984) gave him new insight: a matriarchal background, female deities and actual female power, in a society turning toward patriarchy but retaining some elements of women’s prehistorical strength and centrality to the direction of early civilization. If anything is reinterpreted purposefully in “Genesis, ” it is in gender, and Crumb does so not by scoring points but by rearranging the visual subtext. Gender issues also help him reframe somewhat the class dimension of tribal society, which endures not through brute force but because of the strength of its women.
The commentary on his visual choices and his broader interpretations explores and explains his few intentional deviations, not only in the name of narrative clarity but artistic intent. Mainly, his notes drive home how he struggled to interpret the text in suitable graphic form, chapter by chapter, sometimes even character by character. There is no doubting the artist’s integrity or hard work, in no small part because he redrew again and again, trying to find historically accurate clothing and scenery. The Old Testament of cinematic Charlton Heston, so to speak, became the Genesis of lived and perceived experience, socially real and super-real. Clues are provided with translations of specific Hebrew names within the visual text, essentially metaphorical in meaning. These clues may be the closest to footnotes that Crumb has ever provided.
Comics scholar Jeet Heer, has noted in “Bookforum” that Crumb’s biblical characters, with the exception of the deity, have no internal lives: only the deity has depth and personality. As with the original text, much more is implied in Crumb’s visual text than can be stated, because scenes rush by so fast and because the artist forever works out, pen or brush in hand, a unique meaning that escapes easy interpretation. Even closer to the mark, Heer argues that above all, this is a book about bodies, the natural expression of an artist whose work has, possibly more than any other master of comic art, been concerned with body structure and expression.
And offending the deity? Crumb treads with a caution all the more remarkable for an artist, who, short decades ago, allowed himself the full run of his imagination, heedless of the consequences. Crumb’s innovation might be summed up in his characterization of Joseph, brilliant in subjugating Egypt but weary of his own powers. In the final phrases of the book, the artist suggests a radical view several thousand years previous to Jewish Karl Marx. “In the very last chapter, when his obstreperous brothers fling themselves at this feet and proclaim, ‘Here we are, your slaves, ’ he says to them, “I am not God, am I’ Joseph has learned a much finer humility than the fear-driven kind shown by his barbaric brothers.” So says a humble Crumb.
10/22/09
poem by Gershon Hepner
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Ninth Book
EVEN thus. I pause to write it out at length,
The letter of the Lady Waldemar.–
'I prayed your cousin Leigh to take you this,
He says he'll do it. After years of love,
Or what is called so,–when a woman frets
And fools upon one string of a man's name,
And fingers it for ever till it breaks,–
He may perhaps do for her such thing,
And she accept it without detriment
Although she should not love him any more
And I, who do not love him, nor love you,
Nor you, Aurora,–choose you shall repent
Your most ungracious letter, and confess,
Constrained by his convictions, (he's convinced)
You've wronged me foully. Are you made so ill,
You woman–to impute such ill to me?
We both had mothers,–lay in their bosom once.
Why, after all, I thank you, Aurora Leigh,
For proving to myself that there are things
I would not do, . . not for my life . . nor him . .
Though something I have somewhat overdone,–
For instance, when I went to see the gods
One morning, on Olympus, with a step
That shook the thunder in a certain cloud,
Committing myself vilely. Could I think,
The Muse I pulled my heart out from my breast
To soften, had herself a sort of heart,
And loved my mortal? He, at least, loved her;
I heard him say so; 'twas my recompence,
When, watching at his bedside fourteen days,
He broke out ever like a flame at whiles
Between the heats of fever . . . 'Is it thou?
'Breathe closer, sweetest mouth!' and when at last
The fever gone, the wasted face extinct
As if it irked him much to know me there,
He said, Twas kind, 'twas good, 'twas womanly,'
(And fifty praises to excuse one love)
'But was the picture safe he had ventured for?'
And then, half wandering . . 'I have loved her well,
Although she could not love me.'–'Say instead,'
I answered, 'that she loves you.'–'Twas my turn
To rave: (I would have married him so changed,
Although the world had jeered me properly
For taking up with Cupid at his worst,
The silver quiver worn off on his hair.)
'No, no,' he murmured, 'no, she loves me not;
'Aurora Leigh does better: bring her book
'And read it softly, Lady Waldemar,
'Until I thank your friendship more for that,
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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It Mustve Been My Boy
2-3-4!
It mustve been
It mustve been my boy
It mustve been my boy
It mustve been my boy
It mustve been my boy
It mustve been
Theres this guy.....
You see, hes got all the girls talkin
Makes em sweat
Just by the way hes walkin
They wish they had him
But, they never will
cause theres just one boy I know
Who can give em that extra thrill
Bridge:
Oh, sweet jealousy
Is this revenge?
cause its me, me, me
Wholl be holding him
Tonight
Yeah!
It mustve been my boy
It mustve been my boy
(yeah, yeah, yeah, yeah)
It mustve been my boy
It mustve been my boy theyre talkin about
It mustve been my boy
It mustve been (yeah, yeah)
It mustve been my boy
It mustve been.....
Theres this girl named genevieve
I know what shes got up her sleeve
Think she can steal his heart from me
But thats an impossibility
Shes only good for just one thing
But me I get to wear his ring
People are talkin in the street
About the guy who gives off the heat
Bridge
It mustve been my boy (it mustve, mustve)
It mustve been my boy
It mustve been my boy (it mustve, mustve)
It mustve been my boy theyre talkin about
It mustve been my boy (who else could it be? yeah!)
It mustve been my boy (ooh baby baby)
It mustve been him thats got them talkin
Hes a class-a lover
Theres no other
Hes the original romeo
[...] Read more
song performed by Debbie Gibson
Added by Lucian Velea
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