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How in the world any one weighing 185 pounds can be cute is beyond me.

quote by Vaughn Monroe
Added by Lucian Velea
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99 Lbs

Written by: d. bryant
Twenty-five pounds of pure cane sugar
Shes got in each and every kiss
You wouldnt know what Im talking bout
If you never had a love like this
Well, I dont mean to be frank with you all
Its a natural fact
Good things come wrapped up in small, small packages now
Well you cant argue with that
Oh, oh, yeah
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul, oh, oh
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Twenty-five pounds of tenderness
She got in each and every touch
Twenty-five pounds of understanding my woman
cause I was the one running round town worrying too much
Twenty-four pounds of sunday
That I cant see, yeah
And it all adds up to ninety-nine big pounds
Oh, Im talking about a feline friend
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul

song performed by Black Crowes
Added by Lucian Velea
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Props 'n Pounds

KURT LODER - MTV NEWS:
"Here is someone that's obviously playing rock and roll who is also a
funk artist, who covered a lot of categories that which artists have
been separating for so long and brought them together purposely ... ."
Props n pounds
Props n pounds
Love 4 one another is the only sound 2day
Positivity is the only way
Chorus:
Props n pounds
Props n pounds
Love 4 one another is the only sound 2day
Negative people don't get to play
Props n pounds
Props n pounds
Why you wanna holler when you know what the bible say
Positivity is the only way
Once again when the coin is tossed
And lands upon the sea
Unsuspecting lives are lost
They didn't have to be
When the book is opened
and The Son condemns them all
Pagan holidays,crucifixes
$100 tears will fall
Chorus :
(hey)
(no play)
(you know it)
All the ones still in the game
Never give me pounds
Egotists to proud to say the opposite of found
Worrying about the validity of the rulers crown
When everyone ought 2 be in line giving props n pounds
Chorus:
(hey hey hey)
(ooow)
Props n pounds
Props n pounds
Props n pounds
Once again when the money get tossed
Never gonna see npg floss
Keeping you happy is the only cost
Love God and everyone or your life will be lost
Listen to the words that will save every one
Safe sex campaign talking about a gun
With CON as the prefix, suffix be the DOM
(dumb)
Look at them both and tell me something
What's in the Trojan Horse? Lubrication.

[...] Read more

song performed by Prince
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Weigh

Id like to cut your head off so I could weigh it, what do ya say?
Five pounds, six, pounds, seven pounds
Id like to go to your house and gather all your razors and pick all the
Little prickly hairs so I can weigh them, what do ya say?
Five pounds, six pounds, seven pounds
Id like to gather all your friends and squish them all into a small
Swimming pool so I can weigh them, what do ya say?
Five pounds, six pounds, seven pounds
Why weigh on a sunny day?
So much to do so why, why weigh?
On a sunny day, why wei-igh-hey?
Why weigh, why weigh?
Id like to hear my options, so I can weigh them, what do ya say?
Five pounds, six pounds, seven pounds
Why weigh on a sunny day?
So much to do, so why, why weigh?
On a sunny day, why wei-gh-hey?
Why
Oh why[x11]
Why weigh?

song performed by Phish
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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99 Pounds

I tell ya shes a heart breaker
And you cant tell me she aint
Theres a little devil in her
Under all that powder and paint
And she can hang you up every night
And get you so uptight
Shes 99 pounds, I said 99 pounds,
Shes 99 pounds of some kind of dynomite
I tell you half a ton of sugar aint half as sweet as her
She can change and rearrange you
Till you cant tell what you were
And it dont even pay to fight
cause she dont know wrong from right
Shes 99 pounds, I said 99 pounds,
Shes 99 pounds of some kind of dynomite
And she may look like an angel
But shes made out of tnt
Shes a little bitty thing and she ? ? ? ?
Yeah but when she holds you tight
Shes some kind of outa sight
Shes 99 pounds, I said 99 pounds,
I said 99 pounds of some kind of dynomite
I said 99 pounds, I said 99 pounds,

song performed by Monkees
Added by Lucian Velea
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Part I

"That oblong book's the Album; hand it here!
Exactly! page on page of gratitude
For breakfast, dinner, supper, and the view!
I praise these poets: they leave margin-space;
Each stanza seems to gather skirts around,
And primly, trimly, keep the foot's confine,
Modest and maidlike; lubber prose o'er-sprawls
And straddling stops the path from left to right.
Since I want space to do my cipher-work,
Which poem spares a corner? What comes first?
'Hail, calm acclivity, salubrious spot!'
(Open the window, we burn daylight, boy!)
Or see—succincter beauty, brief and bold—
'If a fellow can dine On rumpsteaks and port wine,
He needs not despair Of dining well here—'
'Here!' I myself could find a better rhyme!
That bard's a Browning; he neglects the form:
But ah, the sense, ye gods, the weighty sense!
Still, I prefer this classic. Ay, throw wide!
I'll quench the bits of candle yet unburnt.
A minute's fresh air, then to cipher-work!
Three little columns hold the whole account:
Ecarté, after which Blind Hookey, then
Cutting-the-Pack, five hundred pounds the cut.
'Tis easy reckoning: I have lost, I think."

Two personages occupy this room
Shabby-genteel, that's parlor to the inn
Perched on a view-commanding eminence;
———— -Inn which may be a veritable house
Where somebody once lived and pleased good taste
Till tourists found his coign of vantage out,
And fingered blunt the individual mark
And vulgarized things comfortably smooth.
On a sprig-pattern-papered wall there brays
Complaint to sky Sir Edwin's dripping stag;
His couchant coast-guard creature corresponds;
They face the Huguenot and Light o' the World.
Grim o'er the mirror on the mantlepiece,
Varnished and coffined, Salmo ferox glares
—Possibly at the List of Wines which, framed
And glazed, hangs somewhat prominent on peg.

So much describes the stuffy little room—
Vulgar flat smooth respectability:
Not so the burst of landscape surging in,
Sunrise and all, as he who of the pair
Is, plain enough, the younger personage
Draws sharp the shrieking curtain, sends aloft
The sash, spreads wide and fastens back to wall

[...] Read more

poem by Robert Browning from The Inn Album (1875)
Added by Veronica Serbanoiu
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The Drummer

1
The drummer beats slowly, the drummer beats loud
As he beats of Humanity wrapped in a shroud.
Well he beats of the bone bags Dame Famine's designed
As she ravished and plagued us since dawn of mankind;
And he beats of Lord Boss letting oranges decay
While a child suffers scurvy and passes away;
And he beats of the beasts we've so needlessly slain
And of critters and creatures cast off in distain;
And he beats of combatants who're dying deceived
As the merchants of murder count profits received;
And he beats of the rape and the killing of war
And the mind blinding sorrow we blithely ignore.
He beats and he pounds till our consciences gnaw
And his fingers are battered and bloody and raw
And his hands are all broken and bleeding and raw.
2
The drummer beats slowly, the drummer beats loud
As he beats of abuse that we try to becloud.
Well he beats of the barons and princes and kings
Who have broken our backs while crushing our wings
And he beats of the bribes that the powerful make
To key politicians who fawn in their wake;
And he beats of the waifs bound and chained to machines
And of slaves in the fields and other such scenes;
And he beats of decrees stating all men are free
While ignoring the blacks and their agonised plea;
And he beats of the tyrants in clerical garb
Who have tortured with faggots and thumbscrews and barb.
He beats and he pounds till revealing the flaw
And his fingers are battered and bloody and raw
And his hands are all broken and bleeding and raw.
3
The drummer beats slowly, the drummer beats loud
As he beats of the strength of the rebels so proud.
Well he beats of the spirit the rack couldn't break,
And the flame of the flesh that was burned at the stake;
And he beats of the minds that could never be chained
By the faith that was living while ignorance reigned;
And he beats of the struggles when Spartacus rose
Having tired of shackles and slavery's woes;
And he beats of the women who'll die to be freed
And will never give up till they finally succeed;
And he beats of the progress outliving the jeers
So belying the pessimist's fatuous sneers.
He beats and he pounds till we stand back in awe
And his fingers are battered and bloody and raw
And his hands are all broken and bleeding and raw.
4
The drummer beats slowly, the drummer beats loud

[...] Read more

poem by Terry O'Leary
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Confessio Amantis. Prologus

Torpor, ebes sensus, scola parua labor minimusque
Causant quo minimus ipse minora canam:
Qua tamen Engisti lingua canit Insula Bruti
Anglica Carmente metra iuuante loquar.
Ossibus ergo carens que conterit ossa loquelis
Absit, et interpres stet procul oro malus.

Of hem that writen ous tofore
The bokes duelle, and we therfore
Ben tawht of that was write tho:
Forthi good is that we also
In oure tyme among ous hiere
Do wryte of newe som matiere,
Essampled of these olde wyse
So that it myhte in such a wyse,
Whan we ben dede and elleswhere,
Beleve to the worldes eere
In tyme comende after this.
Bot for men sein, and soth it is,
That who that al of wisdom writ
It dulleth ofte a mannes wit
To him that schal it aldai rede,
For thilke cause, if that ye rede,
I wolde go the middel weie
And wryte a bok betwen the tweie,
Somwhat of lust, somewhat of lore,
That of the lasse or of the more
Som man mai lyke of that I wryte:
And for that fewe men endite
In oure englissh, I thenke make
A bok for Engelondes sake,
The yer sextenthe of kyng Richard.
What schal befalle hierafterward
God wot, for now upon this tyde
Men se the world on every syde
In sondry wyse so diversed,
That it welnyh stant al reversed,
As forto speke of tyme ago.
The cause whi it changeth so
It needeth nought to specifie,
The thing so open is at ije
That every man it mai beholde:
And natheles be daies olde,
Whan that the bokes weren levere,
Wrytinge was beloved evere
Of hem that weren vertuous;
For hier in erthe amonges ous,
If noman write hou that it stode,
The pris of hem that weren goode

[...] Read more

poem by John Gower
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Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Stay Up Late

Mommy had. a little baby.
There he is. fast asleep.
Hes just. a little plaything.
Why not. wake him up?
Cute. cute. little baby.
Little feet-feet. little toes.
Now hes comin to me.
Crawl across. the kitchen floor.
Baby, baby, please let me hold him
I wanna make him stay up all night
Sister, sister, hes just a plaything
We wanna make him stay up all night
Yeah we do
See him drink. from a bottle.
See him eat. from a plate.
Cute. cute. as a button.
Dont you wanna make him. stay up late.
And were having fun. with no money.
Little smile. on his face.
Dont cha love. the little baby.
Dont you want to make him. stay up late.
Chorus
Here we go (all night long)
Sister, sister (all night long)
In the playpen...woo...(all night long)
Little baby goes, ha! (all night long)
I know you want to leave me...
Why dont. we pretend.
There you go. little man.
Cute. cute. why not?
Late at night. wake him up.
Chorus
Here we go (all night long)
Sister, sister...woo...
(with the television on)
Little baby goes...woo! (all night long)
Hey, hey, baby! (all night long)
And he looks so cute (all night long)
In his little red suit (all night long)

song performed by Talking Heads
Added by Lucian Velea
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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

[...] Read more

poem by Wilfrid Scawen Blunt
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The Brus Book 19

[The conspiracy against King Robert; its discovery]

Than wes the land a quhile in pes,
Bot covatys, that can nocht ces
To set men apon felony
To ger thaim cum to senyoury,
5 Gert lordis off full gret renoune
Mak a fell conjuracioun
Agayn Robert the douchty king,
Thai thocht till bring him till ending
And to bruk eftre his dede
10 The kynrik and to ryng in hys steid.
The lord the Soullis, Schyr Wilyam,
Off that purches had mast defame,
For principale tharoff was he
Off assent of that cruelte.
15 He had gottyn with him sindry,
Gilbert Maleherbe, Jhone of Logy
Thir war knychtis that I tell her
And Richard Broun als a squyer,
And gud Schyr Davy off Breichyn
20 Wes off this deid arettyt syne
As I sall tell you forthermar.
Bot thai ilkane discoveryt war
Throu a lady as I hard say
Or till thar purpos cum mycht thai,
25 For scho tauld all to the king
Thar purpose and thar ordanyng,
And how that he suld haf bene ded
And Soullis ryng intill his steid,
And tauld him werray taknyng
30 This purches wes suthfast thing.
And quhen the king wist it wes sua
Sa sutell purches gan he ma
That he gert tak thaim everilkan,
And quhar the lord Soullis was tane
35 Thre hunder and sexty had he
Off squyeris cled in his lyvere
At that tyme in his cumpany
Outane knychtis that war joly.
Into Berwik takyn wes he
40 That mycht all his mengne se
Sary and wa, bot suth to say
The king lete thaim all pas thar way
And held thaim at he takyn had.

[The trial in parliament; the fate of the conspirators]

The lord Soullis sone eftre maid
45 Plane granting of all that purchas.

[...] Read more

poem by John Barbour
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The Lawyer’s Second Tale: Christian

A highland inn among the western hills,
A single parlour, single bed that fills
With fisher or with tourist, as may be;
A waiting-maid. as fair as you can see,
With hazel eyes, and frequent blushing face,
And ample brow, and with a rustic grace
In all her easy quiet motions seen,
Large of her age, which haply is nineteen,
Christian her name, in full a pleasant name,
Christian and Christie scarcely seem the same;
A college fellow, who has sent away
The pupils he has taught for many a day,
And comes for fishing and for solitude,
Perhaps a little pensive in his mood,
An aspiration and a thought have failed,
Where he had hoped, another has prevailed,
But to the joys of hill and stream alive,
And in his boyhood yet, at twenty-five.
A merry dance, that made young people meet,
And set them moving, both with hands and feet;
A dance in which he danced, and nearer knew
The soft brown eyes, and found them tender too.
A dance that lit in two young hearts the fire,
The low soft flame, of loving sweet desire,
And made him feel that he could feel again;
The preface this, what follows to explain.
That night he kissed, he held her in his arms,
And felt the subtle virtue of her charms;
Nor less bewildered on the following day,
He kissed, he found excuse near her to stay,
Was it not love? And yet the truth to speak,
Playing the fool for haply half a week,
He yet had fled, so strong within him dwelt
The horror of the sin, and such he felt
The miseries to the woman that ensue.
He wearied long his brain with reasonings fine,
But when at evening dusk he came to dine,
In linsey petticoat and jacket blue
She stood, so radiant and so modest too,
All into air his strong conclusions flew.
Now should he go. But dim and drizzling too,
For a night march, to-night will hardly do,
A march of sixteen weary miles of way.
No, by the chances which our lives obey,
No, by the Heavens and this sweet face, he’ll stay.

A week he stayed, and still was loth to go,
But she grew anxious and would have it so.
Her time of service shortly would be o’er,
And she would leave; her mistress knew before.

[...] Read more

poem by Arthur Hugh Clough from Mari Magno or Tales on Board
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Five-Per-Cent

Because I have ten thousand pounds I sit upon my stern,
And leave my living tranquilly for other folks to earn.
For in some procreative way that isn't very clear,
Ten thousand pounds will breed, they say, five hundred every year.
So as I have a healthy hate of economic strife,
I mean to stand aloof from it the balance of my life.
And yet with sympathy I see the grimy son of toil,
And heartly congratulate the tiller of the soil.
I like the miner in the mine, the sailor on the sea,
Because up to five hundred pounds they sail and mine for me.
For me their toil is taxed unto that annual extent,
According to the holy shibboleth of Five-per-Cent.

So get ten thousand pounds, my friend, in any way you can.
And leave your future welfare to the noble Working Man.
He'll buy you suits of Harris tweed, an Airedale and a car;
Your golf clubs and your morning Times, your whisky and cigar.
He'll cosily install you in a cottage by a stream,
With every modern comfort, and a garden that's a dream>
Or if your tastes be urban, he'll provide you with a flat,
Secluded from the clamour of the proletariat.
With pictures, music, easy chairs, a table of good cheer,
A chap can manage nicely on five hundred pounds a year.
And though around you painful signs of industry you view,
Why should you work when you can make your money work for you?

So I'll get down upon my knees and bless the Working Man,
Who offers me a life of ease through all my mortal span;
Whose loins are lean to make me fat, who slaves to keep me free,
Who dies before his prime to let me round the century;
Whose wife and children toil in urn until their strength is spent,
That I may live in idleness upon my five-per-cent.
And if at times they curse me, why should I feel any blame?
For in my place I know that they would do the very same.
Aye, though hey hoist a flag that's red on Sunday afternoon,
Just offer them ten thousand pounds and see them change their tune.
So I'll enjoy my dividends and live my life with zest,
And bless the mighty men who first - invented Interest.

poem by Robert William Service
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The Pencil Seller

A pencil, sir; a penny -- won't you buy?
I'm cold and wet and tired, a sorry plight;
Don't turn your back, sir; take one just to try;
I haven't made a single sale to-night.
Oh, thank you, sir; but take the pencil too;
I'm not a beggar, I'm a business man.
Pencils I deal in, red and black and blue;
It's hard, but still I do the best I can.
Most days I make enough to pay for bread,
A cup o' coffee, stretching room at night.
One needs so little -- to be warm and fed,
A hole to kennel in -- oh, one's all right . . .

Excuse me, you're a painter, are you not?
I saw you looking at that dealer's show,
The croûtes he has for sale, a shabby lot --
What do I know of Art? What do I know . . .
Well, look! That David Strong so well displayed,
"White Sorcery" it's called, all gossamer,
And pale moon-magic and a dancing maid
(You like the little elfin face of her?) --
That's good; but still, the picture as a whole,
The values, -- Pah! He never painted worse;
Perhaps because his fire was lacking coal,
His cupboard bare, no money in his purse.
Perhaps . . . they say he labored hard and long,
And see now, in the harvest of his fame,
When round his pictures people gape and throng,
A scurvy dealer sells this on his name.
A wretched rag, wrung out of want and woe;
A soulless daub, not David Strong a bit,
Unworthy of his art. . . . How should I know?
How should I know? I'm Strong -- I painted it.

There now, I didn't mean to let that out.
It came in spite of me -- aye, stare and stare.
You think I'm lying, crazy, drunk, no doubt --
Think what you like, it's neither here nor there.
It's hard to tell so terrible a truth,
To gain to glory, yet be such as I.
It's true; that picture's mine, done in my youth,
Up in a garret near the Paris sky.
The child's my daughter; aye, she posed for me.
That's why I come and sit here every night.
The painting's bad, but still -- oh, still I see
Her little face all laughing in the light.
So now you understand. -- I live in fear
Lest one like you should carry it away;
A poor, pot-boiling thing, but oh, how dear!
"Don't let them buy it, pitying God!" I pray!

[...] Read more

poem by Robert William Service
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The bow-leg boy

Who should come up the road one day
But the doctor-man in his two-wheel shay!
And he whoaed his horse and he cried "Ahoy!
I have brought you folks a bow-leg boy!
Such a cute little boy!
Such a funny little boy!
Such a dear little bow-leg boy!"

He took out his box and he opened it wide,
And there was the bow-leg boy inside!
And when they saw that cunning little mite,
They cried in a chorus expressive of delight:
"What a cute little boy!
What a funny little boy!
What a dear little bow-leg boy!"

Observing a strict geometrical law,
They cut out his panties with a circular saw;
Which gave such a stress to his oval stride
That the people he met invariably cried:
"What a cute little boy!
What a funny little boy!
What a dear little bow-leg boy!"

They gave him a wheel and away he went
Speeding along to his heart's content;
And he sits so straight and he pedals so strong
That the folks all say as he bowls along:
"What a cute little boy!
What a funny little boy!
What a dear little bow-leg boy!"

With his eyes aflame and his cheeks aglow,
He laughs "aha" and he laughs "oho";
And the world is filled and thrilled with the joy
Of that jolly little human, the bow-leg boy--
The cute little boy!
The funny little boy!
The dear little bow-leg boy!

If ever the doctor-man comes my way
With his wonderful box in his two-wheel shay,
I 'll ask for the treasure I'd fain possess--
Now, honest Injun! can't you guess?
Why, a cute little boy--
A funny little boy--
A dear little bow-leg boy!

poem by Eugene Field
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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What's In It For Me?

THE WORLD WHERE PEOPLE HAVE TIME FOR TWITTER AND FACEBOOK, BUT NONE FOR THEMSELVES OR OTHERS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE HAVE A HUNDRED 'FRIENDS' ON FACEBOOK,
BUT NOT EVEN TEN IN REAL LIFE
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE EMOTE WITH EMOTICONS BUT NOT WITH THEIR FACES,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE PREFER TO WRITE 'LOL' RATHER THAN ACTUALLY LAUGHING OUT LOUD,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LOVE THEIR COMPUTER MORE THAN THEIR FRIENDS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LIVE THEIR LIVES MORE ONLINE THAN OFF IT,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE CAN SPOT THE ERROR IN SOMEONE'S TYPING BUT CANNOT SPOT A TEAR IN A FRIEND'S EYE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE CAN GROW ANY CROP ONLINE BUT CANNOT EVEN PICK UP A SPADE IN REAL LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE RELISH THE FOOD AT MCDONALDS AND DOMINOS, BUT CRIB OVER HOME COOKED FOOD,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE ARE READY TO KILL FOR A FEW SHREDS OF PAPER,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE KILL IN THE NAME OF RELIGION,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE A MAN IS READY TO KILL HIS BROTHER OVER PROPERTY AND MONEY,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE VALUE OF MONEY IS MORE THAN THE VALUE OF LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE LIVING A LIFE IS TOUGHER THAN KILLING A LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE IT'S EASIER TO EARN MONEY BY CHEATING THAN BY WORKING HONESTLY,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE VALUE OF A GIFT IS THROUGH ITS PRICE AND NOT ITS EMOTIONS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE MEASURE OF A MAN IS THROUGH HIS CAR AND HOUSE RATHER THAN HIS CHARACTER,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LOVE THEIR POSSESSIONS MORE THAN THEIR FRIENDS AND PARENTS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THINGS ARE LOVED AND PEOPLE ARE USED,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE DO ANYTHING FOR A BETTER PAY BUT NOTHING FOR A BETTER CONSCIENCE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD IS BAD AND I KNOW THAT BUT SILL IF I WIN THIS WORLD,
WHAT'S IN IT FOR ME?

poem by Deepak Hariharan
Added by Poetry Lover
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Georgia Peaches

(ronnie vanzant -- steve gaines)
Well, you can see her walkin down on peachtree street
She got high-heeled shoes and a dot on her cheek
Shes lookin good, shes headed downtown
Aint got no money, honey
She knows her way around
I think shes cute, think shes cute as she can be
Talkin about a funny talkin, honk-tonking georgia peach
Well these georgia peaches
Son they know their way around
They can take your money, son before you get sight of town
Well they talk a little funny, but they look so fine
Nine out of ten of them gonna sell you a dime
I think theyre cute, think theyre cute as they can be
Talkin about a funny talkin, honk-tonking georgia peach
Well, peaches, peaches
Love them georgia peaches
Well, peaches, peaches
Love them georgia peaches
Well them georgia peaches
Sure do got the style
Theyll steal your heart with a southern smile
Well they talk a little funny, but they look so fine
The older they get, I swear its like good wine
I think theyre cute, think theyre cute as they can be
Talkin about a funny talkin, honk-tonking georgia peach
Talkin about a funny talkin, honk-tonking georgia peach
I just seem to fall in love with the wrong things

song performed by Lynyrd Skynyrd
Added by Lucian Velea
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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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poem by Wilfrid Scawen Blunt
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