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Val Kilmer

I sang the songs in 'The Doors'.

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The Queen of Jhansi

1st Stanza

The throne was shaken and tensions rose among the Raajvanshs, the royal heirs,
In aged India, new ideas were taking hold,
The people of all India lamented their lost freedom,
And decided to cast off British rule,
Old swords glittered anew as the freedom movement of 1857 started.
The Bandelas and Harbolas sang once again of the courage of the Queen of Jhansi,
How she fought like a man against the British intruders
So was the Queen of Jhansi.

2nd Stanza

She was as dear to the Nana (Nana Ghunghupant) of Kanpur as his real sister,
Laxmibai was her name, her parents only daughter
She'd been with Nana since her schoolgirl days
The spear, knife, sword, and axe were her constant companions.
She knew by heart the tales of valor of Shivaji
The Bandelas and Harbolas sang once again of the courage of the Queen of Jhansi,
How she fought like a man against the British intruders
So was the Queen of Jhansi.

3rd Stanza

None were sure, was she Laxmi or Durga devi or Devi durga reincarnate?
The people of Marathward were awed by her (expertise) skill with the sword,
They learned from her how to fight, the strategy of war,
To attack and humiliate the enemy were her favorite sports.
Her love for Maharashatra-kul-Devi was equaled only by her love for Bhavani.
The Bandelas and Harbolas sang once again of the courage of the Queen of Jhansi,
How she fought like a man against the British intruders,
8) So was the Queen of Jhansi.

4th Stanza

Laxmibai was married in Jhansi, with great jubilation
Entering the joyous city as Queen,
Grand celebrations were held in the palace in Jhansi, in honor of her coming.
Just as when Chitra met Arjun or Shiv had found his beloved Bhavani.
The Bandelas and Harbolas sang once again of the courage of the Queen of Jhansi,
How she fought like a man against the British intruders,
So was the Queen of Jhansi.


5th Stanza

Her presence was a blessing at the palace of Jhansi and candles of celebration burned long
But as days passed the dark clouds of misfortune overshadowed the royal palace.
She put aside her bangles and prepared for battle
For fate was unkind and made her a widow

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Day Of The Locusts

Oh, the benches were stained with tears and perspiration,
The birdies were flying from tree to tree.
There was little to say, there was no conversation
As I stepped to the stage to pick up my degree.
And the locusts sang off in the distance,
Yeah, the locusts sang such a sweet melody.
Oh, the locusts sang off in the distance,
Yeah, the locusts sang and they were singing for me.
I glanced into the chamber where the judges were talking,
Darkness was everywhere, it smelled like a tomb.
I was ready to leave, I was already walkin,
But the next time I looked there was light in the room.
And the locusts sang, yeah, it give me a chill,
Oh, the locusts sang such a sweet melody.
Oh, the locusts sang their high whining trill,
Yeah, the locusts sang and they were singing for me.
Outside of the gates the trucks were unloadin,
The weather was hot, a-nearly 90 degrees.
The man standin next to me, his head was exploding,
Well, I was prayin the pieces wouldnt fall on me.
Yeah, the locusts sang off in the distance,
Yeah, the locusts sang such a sweet melody.
Oh, the locusts sang off in the distance,
And the locusts sang and they were singing for me.
I put down my robe, picked up my diploma,
Took hold of my sweetheart and away we did drive,
Straight for the hills, the black hills of dakota,
Sure was glad to get out of there alive.
And the locusts sang, well, it give me a chill,
Yeah, the locusts sang such a sweet melody.
And the locusts sang with a high whinin trill,
Yeah, the locusts sang and they was singing for me,
Singing for me, well, singing for me.

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William Butler Yeats

Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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One Way To Go

Youve got to lift yourself up so high
Youve got to lift yourself up so high
You cant see the ground
You cant see the ground
You dont hear a sound
You dont hear a sound
Youve got to move it up so slow
Youve got to move it up so slow
You see it all
You see it all
Youll probably fall
Youll probably fall
Id rather die than see you fly
Than see you try
Id rather die than see you fly
Id rather die than see you fly
Than see you try
Than see you try
Id rather die than see you fly
Than see you try
Its like pushing locked doors to get in your mind
I dont care what I find
Its like pushing locked doors to get in your mind
Its like pushing locked doors to get in your mind
I dont know what Ill find
I dont care what I find
Its like pushing locked doors to get in your mind
Youve got to move me up
I dont know what Ill find
So high it hurts
So high it burns
But if you let me down
Youve got to move me up
Dont bother to call
So high it hurts
Just let me fall
So high it burns
Id rather die than see you fly
But if you let me down
Than see you try
Dont bother to call
Id rather die than see you fly
Just let me fall
Than see you try
Id rather die than see you fly
Than see you try
Its like pushing locked doors to get in your mind
Id rather die than see you fly
I dont know what Ill find
Than see you try

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One Way To Go

Youve got to lift yourself up so high
Youve got to lift yourself up so high
You cant see the ground
You cant see the ground
You dont hear a sound
You dont hear a sound
Youve got to move it up so slow
Youve got to move it up so slow
You see it all
You see it all
Youll probably fall
Youll probably fall
Id rather die than see you fly
Than see you try
Id rather die than see you fly
Id rather die than see you fly
Than see you try
Than see you try
Id rather die than see you fly
Than see you try
Its like pushing locked doors to get in your mind
I dont care what I find
Its like pushing locked doors to get in your mind
Its like pushing locked doors to get in your mind
I dont know what Ill find
I dont care what I find
Its like pushing locked doors to get in your mind
Youve got to move me up
I dont know what Ill find
So high it hurts
So high it burns
But if you let me down
Youve got to move me up
Dont bother to call
So high it hurts
Just let me fall
So high it burns
Id rather die than see you fly
But if you let me down
Than see you try
Dont bother to call
Id rather die than see you fly
Just let me fall
Than see you try
Id rather die than see you fly
Than see you try
Its like pushing locked doors to get in your mind
Id rather die than see you fly
I dont know what Ill find
Than see you try

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The Piper And The Prey

this is how friday ended
a little bit hard to believe
my perception slightly bending
as the piper came on the scene
it was something so hypnotic
the music even changed
the crowd got up and got chaotic
and they paid so they could play

the pied piper played
the pied piper pushed
songs to make them crave
songs that seemed so good
songs that made it easier
songs down in their blood
songs that take, steal the love
until the song has had enough

at first, the dance was hesitant
not long before everyone knew it
the music spun them 'round and 'round
then it pulled the dancers into it
i danced my dance at my own pace
he laughed, knowing i would change
it took all i had in so many ways
saw others dance until they fell on their face

and still the piper played...

the pied piper played
the pied piper pushed
songs to make them crave
songs that seemed so good
songs that made it easier
songs down in their blood
songs that take, steal the love
until the song has had enough

bodies on the floor
unconscious and awake
the piper gave them more;
they took all that he gave
he played a new illusion
while the world began to sway
the dance became delusion
our hearts became the prey

and i danced as he played
and i danced as he pushed
songs that made me crave

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Christina Georgina Rossetti

Amen

It is over. What is over?
Nay, now much is over truly!—
Harvest days we toiled to sow for;
Now the sheaves are gathered newly,
Now the wheat is garnered duly.

It is finished. What is finished?
Much is finished known or unknown:
Lives are finished; time diminished;
Was the fallow field left unsown?
Will these buds be always unblown?

It suffices. What suffices?
All suffices reckoned rightly:
Spring shall bloom where now the ice is,
Roses make the bramble sightly,
And the quickening sun shine brightly,
And the latter wind blow lightly,
And my garden teem with spices.

Maiden-Song
Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Meggan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.

When Meggan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.

Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Meggan said one day:
'Fair Margaret can bide at home,

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Christina Georgina Rossetti

Maiden-Song

Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Megan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.

When Megan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.

Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Megan said one day:
'Fair Margaret can bide at home,
But you come with me, May;
Up the hill and down the hill,
Along the winding way 30
You and I are used to go.'

So these two fair sisters
Went with innocent will
Up the hill and down again,
And round the homestead hill:
While the fairest sat at home,
Margaret like a queen,
Like a blush-rose, like the moon
In her heavenly sheen,
Fragrant-breathed as milky cow
Or field of blossoming bean,
Graceful as an ivy bough
Born to cling and lean;
Thus she sat to sing and sew.

When she raised her lustrous eyes
A beast peeped at the door;

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From A Distance

From a distance, the world looks blue and green,
And the snow capped mountains so white.
From a distance the ocean meets the stream,
And the eagle takes to flight.
From a distance, there is harmony
And it echoes through the land.
Its the voice of hope, its the voice of peace,
Its the voice of every man.
From a distance, we all have enough,
And no-one is in need.
There are no guns, no bombs and no disease
No hungry mouths to feed.
For a moment we must be instruments,
Martching in a common band,
Playing songs of hope, playing songs of peace,
Theyre is the songs of every one.
God is watching us, God is watching us,
God is watching us, from a distance.
From a distance, you look like my friend,
Even though we are at war.
From a distance, I cant comprehend,
What all this war is for.
What we need is love and harmony,
Let it echo through the land.
Its the hope of hopes, its the love of loves,
Its the heart of everyone.
Its the hope of hopes, its the love of loves,
Its the song of everyone.
Sing out, songs of hope,
Sing out, songs of freedom,
Sing out, songs of love,
Sing out, songs of peace,
Sing out, songs of justice,
Sing out, songs of harmony,
Sing out, songs of love,
Sing out, everyone,
Sing out, songs of hope,
Sing out, songs of freedom,
Sing out, songs of love,
Sing out, songs of peace,
Sing out, songs of justice,
Sing out, songs in harmony,
Sing out, sing about love,
Sing out, everyone.
Sing out.

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Songs About Me

Songs About Me
Trace Adkins
I met a guy on a Red Eye, he spotted my guitar and said Whada you do?
I said I sing for a livin.Country music mixed with a little rock and a little blues.
He said Im sorry but Ive never been crazy bout that twang and trains and hillbilly things.
Whatever made you want to sing stuff like that?
I just looked at him and laughed and said.
Cause its songs about me
And who I am
Songs about lovin and livin and good hearted women, family and God
Yeah theyre all just songs about me
Songs about me
So I offered him tickets.I said Youll see what I mean if you show up tonight.
He said I doubt youll change my opinion .Ill be kinda busy but hey man, Ill try.
Then later on when we finished our songs about scars and cars and broken hearts,
I saw him, he was standing there right next to the stage and he shouted
Man you were right it was like you sang those
Songs about me and who I am
Songs about lovin and livin and good hearted women, family and God
Yeah theyre all just songs about me
Songs about me, yeah
So Ill just keep on singing til I hear the whole world singing.
Those are songs about me and who I am.
Songs about lovin and livin and good hearted women, family and God.
Yeah theyre all just songs about me.
Songs about me.

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Songs About Me

Songs About Me
Trace Adkins
I met a guy on a Red Eye, he spotted my guitar and said Whada you do?
I said I sing for a livin.Country music mixed with a little rock and a little blues.
He said Im sorry but Ive never been crazy bout that twang and trains and hillbilly things.
Whatever made you want to sing stuff like that?
I just looked at him and laughed and said.
Cause its songs about me
And who I am
Songs about lovin and livin and good hearted women, family and God
Yeah theyre all just songs about me
Songs about me
So I offered him tickets.I said Youll see what I mean if you show up tonight.
He said I doubt youll change my opinion .Ill be kinda busy but hey man, Ill try.
Then later on when we finished our songs about scars and cars and broken hearts,
I saw him, he was standing there right next to the stage and he shouted
Man you were right it was like you sang those
Songs about me and who I am
Songs about lovin and livin and good hearted women, family and God
Yeah theyre all just songs about me
Songs about me, yeah
So Ill just keep on singing til I hear the whole world singing.
Those are songs about me and who I am.
Songs about lovin and livin and good hearted women, family and God.
Yeah theyre all just songs about me.
Songs about me.

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Eclogue 8: To Pollio Damon Alphesiboeus

Of Damon and Alphesiboeus now,
Those shepherd-singers at whose rival strains
The heifer wondering forgot to graze,
The lynx stood awe-struck, and the flowing streams,
Unwonted loiterers, stayed their course to hear-
How Damon and Alphesiboeus sang
Their pastoral ditties, will I tell the tale.

Thou, whether broad Timavus' rocky banks
Thou now art passing, or dost skirt the shore
Of the Illyrian main,- will ever dawn
That day when I thy deeds may celebrate,
Ever that day when through the whole wide world
I may renown thy verse- that verse alone
Of Sophoclean buskin worthy found?
With thee began, to thee shall end, the strain.
Take thou these songs that owe their birth to thee,
And deign around thy temples to let creep
This ivy-chaplet 'twixt the conquering bays.

Scarce had night's chilly shade forsook the sky
What time to nibbling sheep the dewy grass
Tastes sweetest, when, on his smooth shepherd-staff
Of olive leaning, Damon thus began.

DAMON
'Rise, Lucifer, and, heralding the light,
Bring in the genial day, while I make moan
Fooled by vain passion for a faithless bride,
For Nysa, and with this my dying breath
Call on the gods, though little it bestead-
The gods who heard her vows and heeded not.

'Begin, my flute, with me Maenalian lays.
Ever hath Maenalus his murmuring groves
And whispering pines, and ever hears the songs
Of love-lorn shepherds, and of Pan, who first
Brooked not the tuneful reed should idle lie.

'Begin, my flute, with me Maenalian lays.
Nysa to Mopsus given! what may not then
We lovers look for? soon shall we see mate
Griffins with mares, and in the coming age
Shy deer and hounds together come to drink.

'Begin, my flute, with me Maenalian lays.
Now, Mopsus, cut new torches, for they bring
Your bride along; now, bridegroom, scatter nuts:
Forsaking Oeta mounts the evening star!

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Eclogue VIII

TO POLLIO, DAMON, ALPHESIBOEUS

Of Damon and Alphesiboeus now,
Those shepherd-singers at whose rival strains
The heifer wondering forgot to graze,
The lynx stood awe-struck, and the flowing streams,
Unwonted loiterers, stayed their course to hear-
How Damon and Alphesiboeus sang
Their pastoral ditties, will I tell the tale.
Thou, whether broad Timavus' rocky banks
Thou now art passing, or dost skirt the shore
Of the Illyrian main,- will ever dawn
That day when I thy deeds may celebrate,
Ever that day when through the whole wide world
I may renown thy verse- that verse alone
Of Sophoclean buskin worthy found?
With thee began, to thee shall end, the strain.
Take thou these songs that owe their birth to thee,
And deign around thy temples to let creep
This ivy-chaplet 'twixt the conquering bays.
Scarce had night's chilly shade forsook the sky
What time to nibbling sheep the dewy grass
Tastes sweetest, when, on his smooth shepherd-staff
Of olive leaning, Damon thus began.

Damon.
'Rise, Lucifer, and, heralding the light,
Bring in the genial day, while I make moan
Fooled by vain passion for a faithless bride,
For Nysa, and with this my dying breath
Call on the gods, though little it bestead-
The gods who heard her vows and heeded not.
'Begin, my flute, with me Maenalian lays.
Ever hath Maenalus his murmuring groves
And whispering pines, and ever hears the songs
Of love-lorn shepherds, and of Pan, who first
Brooked not the tuneful reed should idle lie.
'Begin, my flute, with me Maenalian lays.
Nysa to Mopsus given! what may not then
We lovers look for? soon shall we see mate
Griffins with mares, and in the coming age
Shy deer and hounds together come to drink.
'Begin, my flute, with me Maenalian lays.
Now, Mopsus, cut new torches, for they bring
Your bride along; now, bridegroom, scatter nuts:
Forsaking Oeta mounts the evening star!
'Begin, my flute, with me Maenalian lays.
O worthy of thy mate, while all men else
Thou scornest, and with loathing dost behold
My shepherd's pipe, my goats, my shaggy brow,

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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

[...] Read more

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Packt Like Sardines In A Crushd Tin Box

there are bomb? doors and there are revolving doors doors on the rudders of big ships and there are revolving doors there are doors that open by themselves there are sliding doors and there are secret doors there are doors that lock and doors that don't there are doors that let you in and out but never open but there are trap doors that you can't come back from

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Two Doors Down

Chorus:
Two doors down
Theyre laughing and drinkin, and having a party
Two doors down
Theyre not aware that Im around
Cause here I am
Crying my heart out, feelin sorry while
Theyre having a party two doors down
I think Ill dry these useless tears
And get myself together
I think Ill wonder down the hall
And have a look around
cause I cant stay inside
This lonely room and cry forever
I think I really rather join em
Two door down, yeah
Repeat chorus
cause here I am
No longer cryin an feelin sorry
Were having a party just two doors down
I cant believe Im standin here
Dry-eyed, all smiles and talkin
Making conversation with the new love I have found
I ask him if hed like to be alone and we start walkin
Down the hall to my place waitin two doors down, yeah
Repeat chorus
cause here I am
Feelin everything but sorry
Were having our own party two doors down
Oh, oh, oh, oh
Two doors down
Oh, oh, oh, oh
Two doors down
Oh, oh, oh, oh
Two doors down
Oh, oh, oh, oh
Two doors down, oh
Repeat chorus
cause here we am
Feelin everything but sorry
Were havin our own party
Two doors down, yeah
Fade:
Repeat chorus

song performed by Dolly PartonReport problemRelated quotes
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Blessing In Disguise (ayhan?)

katingalahan sang kalibutan subong
diri sa lugar ko
sa lupang hinirang
ang mga tao
daw lain na gid
sang una ya
ang mga bata nga gagmay
ga piko pa kag ga chinese garter
pero subong
kabalo na mag pangulorete sang guya
kung kis-a
galakat ko sa dalan
kita ko mga bata nga mga lalaki
edad 12
gapanigarilyo na
ang bata nga babaye
edad 14
abaw sa jeep
gasakay may upod nga lalaki
kag naga kup'anay gid
hambal sang tao nga naistorya ko
blessing in disguise lang daw na
kay gina tilawan na sang mga bata
ang mga indi mayo nga butang
samtang bata pa sila
pero kung mag tigulang na sila
mag edad mga 18 asta 90
kung kalab'ot pa
natak'an na mag himo sang sala
kundi gina try naman
ang iban nga kaayuhan
kag naga paka tutum
kay gahambal sila
graduate nako da
matuod man kung kis'a
kay biskan ako
amo man ko na sa mga bata
ilintuon gid
makatilaw lang sang ginadumilian
sang mga ginikanan
pero sa subong
ga edad nako 24
daw natamad na ko mag lapas
sang house rules
daw may ara na ko
responsibilidad sa kaugalingon ko
wala nko gasabay
sa mga bata, kag mga ka edad ko
nga bag'o pa lang ka tinunto
subong nakita ko na

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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