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Joseph Rotblat

But the first the general public learned about the discovery was the news of the destruction of Hiroshima by the atom bomb. A splendid achievement of science and technology had turned malign. Science became identified with death and destruction.

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Hum Bom!

Whom bomb?
We bomb'd them!
Whom bomb?
We bomb'd them!
Whom bomb?
We bomb'd them!
Whom bomb?
We bomb'd them!

Whom bomb?
We bomb you!
Whom bomb?
We bomb you!
Whom bomb?
You bomb you!
Whom bomb?
You bomb you!

What do we do?
Who do we bomb?
What do we do?
Who do we bomb?
What do we do?
Who do we bomb?
What do we do?
Who do we bomb?

What do we do?
You bomb! You bomb them!
What do we do?
You bomb! You bomb them!
What do we do?
We bomb! We bomb you!
What do we do?
You bomb! You bomb you!

Whom bomb?
We bomb you!
Whom bomb?
We bomb you!
Whom bomb? You bomb you!
Whom bomb?
You bomb you!

Whydja bomb?
We didn't wanna bomb!
Whydja bomb?
We didn't wanna bomb!
Whydja bomb?
You didn't wanna bomb!

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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.


Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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Beldame of Death

A crunch: afoot a dead arachnid
Spanning once a serving plate –
Oh! that others be alive
With such as me for spider bait!

I slunk along the silent hall
Of ancient ore attired in grime –
Feculent beyond the nose;
No bearing here, nor feel for time.

I shuddered in appreciation –
The ambience would mortify
A feeble mind, aghast, opined
Of murky thought, and typify
The will of Belial err I brought
Upon myself to loathe and dread
Exquisite retribution: to linger
Oftentimes alive, then dead.

Compulsion saw me edging on
Toward a narrow door of oak.
Behind, I knew, a greater evil
Waiting in her fusty cloak.

A choice of nil upon the table;
Aught of leave, I had to face
Alone the shrew – her flaming aura
Angling me; my deep disgrace
From ugly deeds I dealt in life,
A heinous world I honed in glee…

'Now take a crooked path to death,
For I have come to torture thee! '

Out of eyes of orange flame,
A piercing glare, then here it came –
The cackling cry of chanting song:

'You thought you'd die alone in pain
The once – nay nay! you'll die with me,
And so a catch: you'll die again
Ad infinitum - ever be!

Your soul to curse, my heart we'll gore,
Your liver to draw and quarter;
A sadomasochistic pair,
We'll slither together in slaughter! '

I answered only with a scream, from
Sensing near her craving lust.

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Bomb

Budger of history Brake of time You Bomb
Toy of universe Grandest of all snatched sky I cannot hate you
Do I hate the mischievous thunderbolt the jawbone of an ass
The bumpy club of One Million B.C. the mace the flail the axe
Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone
Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart
And hath not St. Michael a burning sword St. George a lance David a sling
Bomb you are as cruel as man makes you and you're no crueller than cancer
All Man hates you they'd rather die by car-crash lightning drowning
Falling off a roof electric-chair heart-attack old age old age O Bomb
They'd rather die by anything but you Death's finger is free-lance
Not up to man whether you boom or not Death has long since distributed its
categorical blue I sing thee Bomb Death's extravagance Death's jubilee
Gem of Death's supremest blue The flyer will crash his death will differ
with the climbor who'll fall to die by cobra is not to die by bad pork
Some die by swamp some by sea and some by the bushy-haired man in the night
O there are deaths like witches of Arc Scarey deaths like Boris Karloff
No-feeling deaths like birth-death sadless deaths like old pain Bowery
Abandoned deaths like Capital Punishment stately deaths like senators
And unthinkable deaths like Harpo Marx girls on Vogue covers my own
I do not know just how horrible Bombdeath is I can only imagine
Yet no other death I know has so laughable a preview I scope
a city New York City streaming starkeyed subway shelter
Scores and scores A fumble of humanity High heels bend
Hats whelming away Youth forgetting their combs
Ladies not knowing what to do with their shopping bags
Unperturbed gum machines Yet dangerous 3rd rail
Ritz Brothers from the Bronx caught in the A train
The smiling Schenley poster will always smile
Impish death Satyr Bomb Bombdeath
Turtles exploding over Istanbul
The jaguar's flying foot
soon to sink in arctic snow
Penguins plunged against the Sphinx
The top of the Empire state
arrowed in a broccoli field in Sicily
Eiffel shaped like a C in Magnolia Gardens
St. Sophia peeling over Sudan
O athletic Death Sportive Bomb
the temples of ancient times
their grand ruin ceased
Electrons Protons Neutrons
gathering Hersperean hair
walking the dolorous gulf of Arcady
joining marble helmsmen
entering the final ampitheater
with a hymnody feeling of all Troys
heralding cypressean torches
racing plumes and banners
and yet knowing Homer with a step of grace

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Acid Bomb

Yeah
Move on up
Were going to the wild wild side
Ready
Hey you bomb bomb
Hey you bomb bomb
Hey you bomb bomb
Acid acid bomb (4 times)
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Move on up
Move on
Going to the
Yeah
Move on up
Move on up
Move on
Wild side
Yeah
Move on up
Move on up
Move on
Going to the
Yeah
Move on up
Move on
Going to the wild side
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Move on up
Move on
Going to the
Yeah
Move on up
Move on up
Move on
Wild side
Yeah

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Clockwork Creep

Im a clockwork creep
And I cant get to sleep
They wind me up and let me go
And I cant unwind
Going out of my mind
My time is coming soon you know
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Im a jumbo jet
With a brand new set
Of passengers and bags and crew
Ill spread my wings -
Do a thousand things
To prove how good I am to you
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Meanwhile in the cargo of escargot
The temperature is rising
Advertising that our time is running
Down, down, down, down, down
Oh with just one minute to live
Oh, no youll never get me up in one of these again
'cos what goes up must come
Down, down, down, down, down
Down, down, down, down, down
Oh, the gravity of the situation
Its only my willpower
That keeps this thing in operation
But were gonna crash thats for certain
The pilot is too busy flirtin
And he aint aware
That theres a bomb down there
And if he dont do something its curtains
Now just hold on,
Said the little bomb,
If you were just to hold my hands
Then time would stop
The plot would flop
And jumbo would be safe to land
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
My landings are the envy
Of sabena and pan am
From chattanooga to japan

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It's Death Again

It's Death again - He's always there -
Watching, waiting - e'er the stare!
Every time I look behind
Or reach to pull the window blind,
I catch a glimpse of grubby hood -
A little clue to where he stood;
The glint of light that caught the scythe.
Perhaps if I could pay a tithe…
But O! no use, he'll never go.
The adamant phantom; don't you know
He will but wait until it's time
For me to hear His fateful chime? -
The toll that claims my destiny,
To Hail: 'You're next, it has to be…'

Copyright © Mark R Slaughter 2009

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At Hiroshima's rock

I had to do a project on Hiroshima for school and I came across a poem about helping the victims at Hiroshima. That one poem inspired me to go and write this about a victim of Hiroshima.
P.S. For those of you who don't know the Enola gay was the plane that bombed Hiroshima

In solitude I walk
Down at Hiroshima’s rock
With the wind at my back
The sky itself was jet black
As I walk
At Hiroshima’s rock
I, the white soldier

Down at Hiroshima’s rock I watch
Waiting on the world
Something will occur
For if nothing were to happen
The world would just arrest
As I walk
At Hiroshima’s rock
I, the white soldier

I hope for the best
But hoping has done nothing
It has killed my friends
It has destroyed my country
As I walk
At Hiroshima’s rock
I, the white soldier

I knew the war was on
All our support had been withdrawn
Peace was on the way
This could well be the last day
We all just want this to be over
As I walk
At Hiroshima’s rock
I, the white soldier

I saw in the distance
The gray Enola gay
I knew right then
The war wasn’t over
As I was running to the ground
I saw little boy fall from the sky
I saw a huge flash of light
Then, I saw no more
As I walked
At Hiroshima’s rock
I, the dead soldier

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Peace Proposal

Said General Clay to General Gore really must we fight this silly war
To kill and die in such a bore I quite agree said General Gore
Said General Gore to General Clay we could go to the beach today
And have some icecream on the way a grand idea said General Clay
Said General Clay to General Gore we'll build sand castles on the shore
Said General Gore we'll splash and play let's leave right now said General Clay
Said General Gore to General Clay but what if the sea's closed today
And what if the sand's been blown away the dreadful thought said General Clay
Said General Gore to General Clay I've always feared the ocean's spray
And we may drown it's true we may it chills my blood said General Clay
Said General Clay to General Gore my bathin' suit is slightly tore
We better go on with our war I quite agree said General Gore
The General Clay chanrged General Gore as bullets flew and cannons roared
And now at last there is no more of General Clay or General Gore

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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Disingenuousness

Here lies another box for nature,
Carbon ready;
Black to eyes down here,
Where death is at its job.

Up there you’ll hear a rhythmic sob
Or two from living yet-to-dies –
A humming lacrimoso –
It all but cleans the eyes:

Forget it –
The dismal show of grief –
Life is only chemistry –
Our stay is only brief.
It’s we who hype it up!

Diaphragms jerk again;
The jet monotone of hearses
Feeds the disingenuousness
Of undertakers –
They seem to stare at something up ahead –
For them, it’s in the blood,
To taxi off the dead.

Copyright © Mark R Slaughter 2011


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Athena

Athena, I had no idea how much Id need her
Athena, I had no idea how much Id need her
In peaceful times I hold her close and I feed her
In peaceful times I hold her close and I feed her
My heart starts palpitating when I think my guess was wrong
My heart starts palpitating when I think my guess was wrong
But I think Ill get along
But I think Ill get along
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Athena, all I ever want to do is please her
Athena, all I ever want to do is please her
My life has been so settled and shes the reason
My life has been so settled and shes the reason
Just one word from her and my troubles are long gone
Just one word from her and my troubles are long gone
But I think Ill get along
But I think Ill get along
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Shes just a girl
Shes just a girl
Athena, my heart felt like a shattered glass in an acid bath
Athena, my heart felt like a shattered glass in an acid bath
I felt like one of those flattened ants you find on a crazy path
I felt like one of those flattened ants you find on a crazy path
Id of topped myself to give her time she didnt need to ask
Id of topped myself to give her time she didnt need to ask
Was I a suicidal psychopath?
Was I a suicidal psychopath?
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Consumed, there was a beautiful white horse I saw on a dream stage
Consumed, there was a beautiful white horse I saw on a dream stage
He had a snake the size of a sewer pipe living in his rib cage
He had a snake the size of a sewer pipe living in his rib cage
I felt like a pickled priest who was being flambed
I felt like a pickled priest who was being flambed
You were requisitioned blondie
You were requisitioned blondie
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Im happy, Im ecstatic
Im happy, Im ecstatic

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Good News

Something to begin with
That's easy said than done
You'll see me rolling home
But I don't understand why
Still there's nothing at all
Time is on my side
But we mustn't let our disappointment show
But I will, and you will go on
All I need is some good news (some good news)
All I need is some good news (just some good news)
To put me on my feet (to put me on my feet)
To put me at my ease (at my ease)
All I need is some good news (all I need is some good news)
All I need is some good news (some good news)
To put me at my ease (to put me at my ease)
All I need is some good news
All I need is some good news (just gimme me some good news)
All I need is some good news (some good news)
To put me at my ease (to put me at my ease)
To put me on my feet (on my feet, on my feet)
All I need is some good news (all I need is some good news)
All I need is some good news (all I need is some good news)
All I need is some good news
All I need is some good news (all I need is good news)
To put me on my ease (to put me at my ease)
To put me on my feet (on my feet, on my feet)
All I need is some good news (good news)
All I need is some good news (some good news)
All I need is some good news (good news)
All I need is some good news
[Repeat to fade

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Ask

This is our new single ...
Ask !
Shyness is nice, and
Shyness can stop you
From doing all the things in life
That you'd like to
Shyness is nice, and
Shyness can stop you
From doing all the things in life
That you'd like to
So, if there's something you'd like to try
If there's something you'd like to try
Ask me - i won't say "no" - how could i ?
Coyness is nice, and
Coyness can stop you
From doing all the things in
Life that you want to
So, if there's something you'd like to try
If there's something you'd like to try
Ask me - i won't say "no" - how could i ?
Spending warm summer days indoors
Writing frightening verse
To a buck-toothed girl in luxembourg
Ask me, ask me, ask me
Ask me, ask me, ask me
Because if it's not love
Then it's the bomb, the bomb, the bomb, the bomb, the bomb, the bomb, the bomb
That will bring us together
Nature is a language - can't you read ?
Nature is a language - can anybody read ?
So ... ask me, ask me, ask me
Ask me, ask me, ask me
Because if it's not love
Then it's the bomb, the bomb, the bomb, the bomb, the bomb, the bomb, the bomb
That will bring us together
If it's not love
Then it's the bomb
Then it's the bomb
That will bring us together
So ... ask me, ask me, ask me
Ask me, ask me, ask me
Oh, la ...

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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

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Byron

Canto the Eighth

I
Oh blood and thunder! and oh blood and wounds!
These are but vulgar oaths, as you may deem,
Too gentle reader! and most shocking sounds:
And so they are; yet thus is Glory's dream
Unriddled, and as my true Muse expounds
At present such things, since they are her theme,
So be they her inspirers! Call them Mars,
Bellona, what you will -- they mean but wars.

II
All was prepared -- the fire, the sword, the men
To wield them in their terrible array.
The army, like a lion from his den,
March'd forth with nerve and sinews bent to slay, --
A human Hydra, issuing from its fen
To breathe destruction on its winding way,
Whose heads were heroes, which cut off in vain
Immediately in others grew again.

III
History can only take things in the gross;
But could we know them in detail, perchance
In balancing the profit and the loss,
War's merit it by no means might enhance,
To waste so much gold for a little dross,
As hath been done, mere conquest to advance.
The drying up a single tear has more
Of honest fame, than shedding seas of gore.

IV
And why? -- because it brings self-approbation;
Whereas the other, after all its glare,
Shouts, bridges, arches, pensions from a nation,
Which (it may be) has not much left to spare,
A higher title, or a loftier station,
Though they may make Corruption gape or stare,
Yet, in the end, except in Freedom's battles,
Are nothing but a child of Murder's rattles.

V
And such they are -- and such they will be found:
Not so Leonidas and Washington,
Whose every battle-field is holy ground,
Which breathes of nations saved, not worlds undone.
How sweetly on the ear such echoes sound!
While the mere victor's may appal or stun
The servile and the vain, such names will be
A watchword till the future shall be free.

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Death and I

When death comes
I’ll need not love –
Consumed,
No wreath or dove
Could offer me salvation,
Not when I’m no more.

A weathered stone will bear my name –
Identity of once a being
Living out existence in
A world of risk, and never seeing
Sense of why we’re here.

My genes will die away thro’ child –
Hue of eyes and hair, the way of thought,
Will quickly dim with generation –
Bow to future dominance –
Memories of provenance
Resigned to curious few.

When death comes
I’ll need not grace
Below; no grieving face
Will call my resurrection,
Not when I’m at ground –

Death and I so bound.

Copyright © Mark R Slaughter 2011


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