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Ridley Scott

People say I pay too much attention to the look of a movie but for God's sake, I'm not producing a Radio 4 Play for Today, I'm making a movie that people are going to look at.

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Giving Too Much Time In The Wasting Of It

What are my intentions?
Not to sit idle,
Listening to you mention...
What it is I am not.

When I know that I am,
Giving too much time in the wasting of it...
Proving your depiction of me,
Has validity.

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Racist people are going to vote for Obama

I've seen some racist people who are going to vote for Obama this November.
That is very unusual and it's something that I'll always remember.
You know that Obama is a great man when you see racist people who are going to vote for him.
Even though they're bigots, Obama means a lot to them.
You are most likely shocked and amazed by this.
I'm glad they're going to vote for him but I wish they weren't prejudice.

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I Didn't Pay That Much Attention

You came to rip me up to bits...
Then you were gone.
And I stood there just taking it...
Because I was wrong!

I didn't know...
How much you loved me.
No, no.
I didn't know.

I didn't pay that much attention to the caring there.
No, no.
I didn't know.

You came to rip me up to bits...
Then you were gone.
And I stood there just taking it...
Because I was wrong!

I didn't pay that much attention to the caring there.
No, no.
I didn't know.

I didn't know...
How much you loved me.
No, no.
I didn't know.

I didn't know...
How much you loved me.
No, no.
I didn't know.

I didn't pay that much attention to the caring there.
No, no.
I didn't know.
I didn't pay that much attention to the caring there.
No, no.
I didn't know.
I didn't pay that much attention to the caring there.
No, no.
I didn't know.

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The Enthusiast

there once was a man whose early life was drastic,
they even say his heart was made of plastic,
yet through it all the man was enthusiastic,
the bad times he forgot; the good times he would list,
to all of those who knew him, he was an enthusiast.

It didn't matter if it was raining or volcanoes erupted in his yard,
it didn't matter if people starved to death, because life is so hard,
he didn't pay too much attention, after all ignorance is bliss,
the bad times he forgot; the good times he would list,
he was smiling all the time, the enthusiast.

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It's All Too Much

It's all too much, it's all too much
When i look into your eyes, your love is there for me
And the more i go inside, the more there is to see
It's all too much for me to take
The love that's shining all around you
Everywhere, it's what you make
For us to take, it's all too much
Floating down the stream of time, of life to life with me
Makes no difference where you are or where you'd like to be
It's all too much for me to take
The love that's shining all around here
All the world's a birthday cake,
So take a piece but not too much
Set me on a silver sun, for i know that i'm free
Show me that i'm everywhere, and get me home for tea
It's all to much for me to see
A love that's shining all around here
The more i am, the less i know
And what i do is all too much
It's all too much for me to take
The love that's shining all around you
Everywhere, it's what you make
For us to take, it's all too much
It's too much.....it's too much
Too much too much too much (fade to end)

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Essay on Psychiatrists

I. Invocation

It‘s crazy to think one could describe them—
Calling on reason, fantasy, memory, eves and ears—
As though they were all alike any more

Than sweeps, opticians, poets or masseurs.
Moreover, they are for more than one reason
Difficult to speak of seriously and freely,

And I have never (even this is difficult to say
Plainly, without foolishness or irony)
Consulted one for professional help, though it happens

Many or most of my friends have—and that,
Perhaps, is why it seems urgent to try to speak
Sensibly about them, about the psychiatrists.


II. Some Terms

“Shrink” is a misnomer. The religious
Analogy is all wrong, too, and the old,
Half-forgotten jokes about Viennese accents

And beards hardly apply to the good-looking woman
In boots and a knit dress, or the man
Seen buying the Sunday Times in mutton-chop

Whiskers and expensive running shoes.
In a way I suspect that even the terms “doctor”
And “therapist” are misnomers; the patient

Is not necessarily “sick.” And one assumes
That no small part of the psychiatrist’s
Role is just that: to point out misnomers.


III. Proposition

These are the first citizens of contingency.
Far from the doctrinaire past of the old ones,
They think in their prudent meditations

Not about ecstasy (the soul leaving the body)
Nor enthusiasm (the god entering one’s person)
Nor even about sanity (which means

Health, an impossible perfection)
But ponder instead relative truth and the warm
Dusk of amelioration. The cautious

Young augurs with their family-life, good books
And records and foreign cars believe
In amelioration—in that, and in suffering.


IV. A Lakeside Identification

Yes, crazy to suppose one could describe them—
And yet, there was this incident: at the local beach
Clouds of professors and the husbands of professors

Swam, dabbled, or stood to talk with arms folded
Gazing at the lake ... and one of the few townsfolk there,
With no faculty status—a matter-of-fact, competent,

Catholic woman of twenty-seven with five children
And a first-rate body—pointed her finger
At the back of one certain man and asked me,

“Is that guy a psychiatrist?” and by god he was! “Yes,”
She said, “He looks like a psychiatrist.”
Grown quiet, I looked at his pink back, and thought.


V. Physical Comparison With Professors And Others

Pink and a bit soft-bodied, with a somewhat jazzy
Middle-class bathing suit and sandy sideburns, to me
He looked from the back like one more professor.

And from the front, toothe boyish, unformed carriage
Which foreigners always note in American men, combined
As in a professor with that liberal, quizzical,

Articulate gaze so unlike the more focused, more
Tolerant expression worn by a man of action (surgeon,
Salesman, athlete). On closer inspection was there,

Perhaps, a self-satisfied benign air, a too studied
Gentleness toward the child whose hand he held loosely?
Absurd to speculate; but then—the woman saw something.


VI. Their Seriousness, With Further Comparisons

In a certain sense, they are not serious.
That is, they are serious—useful, deeply helpful,
Concerned—only in the way that the pilots of huge

Planes, radiologists, and master mechanics can,
At their best, be serious. But however profound
The psychiatrists may be, they are not serious the way

A painter may be serious beyond pictures, or a businessman
May be serious beyond property and cash—or even
The way scholars and surgeons are serious, each rapt

In his work’s final cause, contingent upon nothing:
Beyond work; persons; recoveries. And this is fitting:
Who would want to fly with a pilot who was serious

About getting to the destination safely? Terrifying idea—
That a pilot could over-extend, perhaps try to fly
Too well, or suffer from Pilot’s Block; of course,

It may be that (just as they must not drink liquor
Before a flight) they undergo regular, required check-ups
With a psychiatrist, to prevent such things from happening.


VII. Historical (The Bacchae)

Madness itself, as an idea, leaves us confused—
Incredulous that it exists, or cruelly facetious,
Or stricken with a superstitious awe as if bound

By the lost cults of Trebizond and Pergamum ...
The most profound study of madness is found
In the Bacchae of Euripides, so deeply disturbing

That in Cambridge, Massachusetts the players
Evaded some of the strongest unsettling material
By portraying poor sincere, fuddled, decent Pentheus

As a sort of fascistic bureaucrat—but it is Dionysus
Who holds rallies, instills exaltations of violence,
With his leopards and atavistic troops above law,

Reason and the good sense and reflective dignity
Of Pentheus—Pentheus, humiliated, addled, made to suffer
Atrocity as a minor jest of the smirking God.

When Bacchus’s Chorus (who call him “most gentle”!) observe:
“Ten thousand men have ten thousand hopes; some fail,
Some come to fruit, but the happiest man is he

Who gathers the good of life day by day”—as though
Life itself were enough—does that mean, to leave ambition?
And is it a kind of therapy, or truth? Or both?


VIII. A Question

On the subject of madness the Bacchae seems,
On the whole, more pro than contra. The Chorus
Says of wine, “There is no other medicine for misery”;

When the Queen in her ecstasy—or her enthusiasm?—
Tears her terrified son’s arm from his body, or bears
His head on her spear, she remains happy so long

As she remains crazy; the God himself (who bound fawnskin
To the women’s flesh, armed them with ivy arrows
And his orgies’ livery) debases poor Pentheus first,

Then leads him to mince capering towards female Death
And dismemberment: flushed, grinning, the grave young
King of Thebes pulls at a slipping bra-strap, simpers

Down at his turned ankle. Pentheus: “Should I lift up
Mount Cithæron—Bacchae, mother and all?”
Dionysus: “Do what you want to do. Your mind

Was unstable once, but now you sound more sane,
You are on your way to great things.”
The question is, Which is the psychiatrist: Pentheus, or Dionysus?


IX. Pentheus As Psychiatrist

With his reasonable questions Pentheus tries
To throw light on the old customs of savagery.
Like a brave doctor, he asks about it all,

He hears everything, “Weird, fantastic things”
The Messenger calls them: with their breasts
Swollen, their new babies abandoned, mothers

Among the Bacchantes nestled gazelles
And young wolves in their arms, and suckled them;
You might see a single one of them tear a fat calf

In two, still bellowing with fright, while others
Clawed heifers to pieces; ribs and hooves
Were strewn everywhere; blood-smeared scraps

Hung from the fir trees; furious bulls
Charged and then fell stumbling, pulled down
To be stripped of skin and flesh by screaming women ...

And Pentheus listened. Flames burned in their hair,
Unnoticed; thick honey spurted from their wands;
And the snakes they wore like ribbons licked

Hot blood from their flushed necks: Pentheus
Was the man the people told ... “weird things,” like
A middle-class fantasy of release; and when even

The old men—bent Cadmus and Tiresias—dress up
In fawnskin and ivy, beating their wands on the ground,
Trying to carouse, it is Pentheus—down-to-earth,

Sober—who raises his voice in the name of dignity.
Being a psychiatrist, how could he attend to the Chorus’s warning
Against “those who aspire” and “a tongue without reins”?


X. Dionysus As Psychiatrist

In a more hostile view, the psychiatrists
Are like Bacchus—the knowing smirk of his mask,
His patients, his confident guidance of passion,

And even his little jokes, as when the great palace
Is hit by lightning which blazes and stays,
Bouncing among the crumpled stone walls ...

And through the burning rubble he comes,
With his soft ways picking along lightly
With a calm smile for the trembling Chorus

Who have fallen to the ground, bowing
In the un-Greek, Eastern way—What, Asian women,
He asks, Were you disturbed just now when Bacchus

Jostled the palace? He warns Pentheus to adjust,
To learn the ordinary man’s humble sense of limits,
Violent limits, to the rational world. He cures

Pentheus of the grand delusion that the dark
Urgencies can be governed simply by the mind,
And the mind’s will. He teaches Queen Agave to look

Up from her loom, up at the light, at her tall
Son’s head impaled on the stiff spear clutched
In her own hand soiled with dirt and blood.


XI. Their Philistinism Considered

“Greek Tragedy” of course is the sort of thing
They like and like the idea of ... though not “tragedy”
In the sense of newspapers. When a patient shot one of them,

People phoned in, many upset as though a deep,
Special rule had been abrogated, someone had gone too far.
The poor doctor, as described by the evening Globe,

Turned out to be a decent, conventional man (Doctors
For Peace, B’Nai Brith, numerous articles), almost
Carefully so, like Paul Valéry—or like Rex Morgan, M.D., who,

In the same Globe, attends a concert with a longjawed woman.
First Panel: “We’re a little early for the concert!
There’s an art museum we can stroll through!” “I’d like

That, Dr. Morgan!” Second Panel: “Outside the hospital,
There’s no need for such formality, Karen! Call me
By my first name!” “I’ll feel a little awkward!”

Final Panel: “Meanwhile ...” a black car pulls up
To City Hospital .... By the next day’s Globe, the real
Doctor has died of gunshot wounds, while for smiling, wooden,

Masklike Rex and his companion the concert has passed,
Painlessly, offstage: “This was a beautiful experience, Rex!”
Im glad you enjoyed it! I have season tickets

And you’re welcome to use them! I don’t have
The opportunity to go to many of the concerts!”
Second Panel: “You must be famished!” And so Rex

And Karen go off to smile over a meal which will pass
Like music offstage, off to the mysterious pathos
Of their exclamation marks, while in the final panel

“Meanwhile, In The Lobby At City Hospital”
A longjawed man paces furiously among
The lamps, magazines, tables and tubular chairs.


XII. Their Philistinism Dismissed

But after all—what “cultural life” and what
Furniture, what set of the face, would seem adequate
For those who supply medicine for misery?

After all, what they do is in a way a kind of art,
And what writers have to say about music, or painters’
Views about poetry, musicians’ taste in pictures, all

Often are similarly hoked-up, dutiful, vulgar. After all,
They are not gods or heroes, nor even priests chosen
Apart from their own powers, but like artists are mere

Experts dependent on their own wisdom, their own arts:
Pilgrims in the world, journeymen, bourgeois savants,
Gallant seekers and persistent sons, doomed

To their cruel furniture and their season tickets
As to skimped meditations and waxen odes.
At first, Rex Morgan seems a perfect Pentheus—

But he smirks, he is imperturbable, he understates;
Understatement is the privilege of a god, we must
Choose, we must find out which way to see them:

Either the bland arrogance of the abrupt mountain god
Or the man of the town doing his best, we must not
Complain both that they are inhuman and too human.


XIII. Their Despair

I am quite sure that I have read somewhere
That the rate of suicide among psychiatrists
Is far higher than for any other profession.

There are many myths to explain such things, things
Which one reads and believes without believing
Any one significance for them—as in this case,

Which again reminds me of writers, who, I have read,
Drink and become alcoholics and die of alcoholism
In far greater numbers than other people.

Symmetry suggests one myth, or significance: the drinking
Of writers coming from too much concentration,
In solitude, upon feelings expressed

For or even about possibly indifferent people, people
Who are absent or perhaps dead, or unborn; the suicide
Of psychiatrists coming from too much attention,

In most intimate contact, concentrated upon the feelings
Of people toward whom one may feel indifferent,
People who are certain, sooner or later, to die ...

Or people about whom they care too much, after all?
The significance of any life, of its misery and its end,
Is not absolute—that is the despair which

Underlies their good sense, recycling their garbage,
Voting, attending town-meetings, synagogues, churches,
Weddings, contingent gatherings of all kinds.


XIV. Their Speech, Compared With Wisdom And Poetry

Terms of all kinds mellow with time, growing
Arbitrary and rich as we call this man “neurotic”
Or that man “a peacock.” The lore of psychiatrists—

“Paranoid,” “Anal” and so on, if they still use
Such terms—also passes into the status of old sayings:
Water thinner than blood or under bridges; bridges

Crossed in the future or burnt in the past. Or the terms
Of myth, the phrases that well up in my mind:
Two blind women and a blind little boy, running—

Easier to cut thin air into planks with a saw
And then drive nails into those planks of air,
Than to evade those three, the blind harriers,

The tireless blind women and the blind boy, pursuing
For long years of my life, for long centuries of time.
Concerning Justice, Fortune and Love I believe

That there may be wisdom, but no science and few terms:
Blind, and blinding, too. Hot in pursuit and flight,
Justice, Fortune and Love demand the arts

Of knowing and naming: and, yes, the psychiatrists, too,
Patiently naming them. But all in pursuit and flight, two
Blind women, tireless, and the blind little boy.


XV. A Footnote Concerning Psychiatry Itself

Having mentioned it, though it is not
My subject here, I will say only that one
Hopes it is good, and hopes that practicing it

The psychiatrists who are my subject here
Will respect the means, however pathetic,
That precede them; that they respect the patient’s

Own previous efforts, strategies, civilizations—
Not only whatever it is that lets a man consciously
Desire girls of sixteen (or less) on the street,

And not embrace them, et cetera, but everything that was
There already: the restraints, and the other lawful
Old culture of wine, women, et cetera.


XVI. Generalizing, Just And Unjust

As far as one can generalize, only a few
Are not Jewish. Many, I have heard, grew up
As an only child. Among many general charges

Brought against them (smugness, obfuscation)
Is a hard, venal quality. In truth, they do differ
From most people in the special, tax-deductible status

Of their services, an enviable privilege which brings
Venality to the eye of the beholder, who feels
With some justice that if to soothe misery

Is a tax-deductible medical cost, then the lute-player,
Waitress, and actor also deserve to offer
Their services as tax-deductible; movies and TV

Should be tax-deductible ... or nothing should;
Such cash matters perhaps lead psychiatrists
And others to buy what ought not to be sold: Seder

Services at hotels; skill at games from paid lessons;
Fast divorce; the winning side in a war seen
On TV like cowboys or football—that is how much

One can generalize: psychiatrists are as alike (and unlike)
As cowboys. In fact, they are stock characters like cowboys:
“Bette Davis, Claude Rains in Now, Voyager (1942),

A sheltered spinster is brought out of her shell
By her psychiatrist” and “Steven Boyd, Jack Hawkins
In The Third Secret (1964), a psychoanalyst’s

Daughter asks a patient to help her find her father’s
Murderer.” Like a cowboy, the only child roams
The lonely ranges and secret mesas of his genre.


XVII. Their Patients

As a rule, the patients I know do not pace
Furiously, nor scream, nor shoot doctors. For them,
To be a patient seems not altogether different

From one’s interest in Ann Landers and her clients:
Her virtue of taking it all on, answering
Any question (artificial insemination by grandpa;

The barracuda of a girl who says that your glasses
Make you look square) and her virtue of saying,
Buster (or Dearie) stop complaining and do

What you want ... and often that seems to be the point:
After the glassware from Design Research, after
A place on the Cape with Marimekko drapes,

The superlative radio and shoes, comes
The contingency tax—serious people, their capacity
For mere hedonism fills up, one seems to need

To perfect more complex ideas of desire,
To overcome altruism in the technical sense,
To learn to say no when you mean no and yes

When you mean yes, a standard of cui bono, a standard
Which, though it seems to be the inverse
Of more Spartan or Christian codes, is no less

Demanding in its call, inward in this case, to duty.
It suggests a kind of league of men and women dedicated
To their separate, inward duties, holding in common

Only the most general standard, or no standard
Other than valuing a sense of the conflict
Among standards, a league recalling in its mutual

Conflict and comfort the well-known fact that psychiatrists,
Too, are the patients of other psychiatrists,
Working dutifully—cui bono—at the inward standards.


XVIII. The Mad

Other patients are ill otherwise, and do
Scream and pace and kill or worse; and that
Should be recalled. Kit Smart, Hitler,

The contemporary poets of lunacy—none of them
Helps me to think of the mad otherwise
Than in clichés too broad, the maenads

And wild-eyed killers of the movies ...
But perhaps lunacy feels something like a cliché,
A desperate or sweet yielding to some broad,

Mechanical simplification, a dispersal
Of the unbearable into its crude fragments,
The distraction of a repeated gesture

Or a compulsively hummed tune. Maybe
It is not utterly different from chewing
At one’s fingernails. For the psychiatrists

It must come to seem ordinary, its causes
And the causes of its relief, after all,
No matter how remote and intricate, are no

Stranger than life itself, which was born or caused
Itself, once, as a kind of odor, a faint wreath
Brewing where the radiant light from billions

Of miles off strikes a faint broth from water
Standing in rock; life born from the egg
Of rock, and the egglike rock of death

Are no more strange than this other life
Which we name after the moon, lunatic
Other-life ... housed, for the lucky ones,

In McLean Hospital with its elegant,
Prep-school atmosphere. When my friend
Went in, we both tried to joke: “Karen,” I said,

“You must be crazy to spend money and time
In this place”—she gained weight,
Made a chess-board, had a roommate

Who introduced herself as the Virgin Mary,
Referred to another patient: “Well, she must
Be an interesting person, if she’s in here.”


XIX. Peroration, Defining Happiness

I know not how it is, but certainly I
Have never been more tired with any reading
Than with dissertations upon happiness,

Which seems not only to elude inquiry,
But to cast unmerciful loads of clay
And sand and husks and stubble

Along the high-road of the inquirer.
Even sound writers talk mostly in a drawling
And dreaming way about it. He,

Who hath given the best definition
Of most things, hath given but an imperfect one,
Here, informing us that a happy life

Is one without impediment to virtue ....
In fact, hardly anything which we receive
For truth is really and entirely so,

Let it appear plain as it may, and let
Its appeal be not only to the understanding,
But to the senses; for our words do not follow

The senses exactly; and it is by words
We receive truth and express it.”
So says Walter Savage Landor in his Imaginary

Conversation between Sir Philip Sidney
And Fulke Greville, Lord Brooke, all three,
In a sense, my own psychiatrists, shrinking

The sense of contingency and confusion
Itself to a few terms I can quote, ponder
Or type: the idea of wisdom, itself, shrinks.


XX. Peroration, Concerning Genius

As to my own concerns, it seems odd, given
The ideas many of us have about art,
That so many writers, makers of films,

Artists, all suitors of excellence and their own
Genius, should consult psychiatrists, willing
To risk that the doctor in curing

The sickness should smooth away the cicatrice
Of genius, too. But it is all bosh, the false
Link between genius and sickness,

Except perhaps as they were linked
By the Old Man, addressing his class
On the first day: “I know why you are here.

You are here to laugh. You have heard of a crazy
Old man who believes that Robert Bridges
Was a good poet; who believes that Fulke

Greville was a great poet, greater than Philip
Sidney; who believes that Shakespeare’s Sonnets
Are not all that they are cracked up to be .... Well,

I will tell you something: I will tell you
What this course is about. Sometime in the middle
Of the Eighteenth Century, along with the rise

Of capitalism and scientific method, the logical
Foundations of Western thought decayed and fell apart.
When they fell apart, poets were left

With emotions and experiences, and with no way
To examine them. At this time, poets and men
Of genius began to go mad. Gray went mad. Collins

Went mad. Kit Smart was mad. William Blake surely
Was a madman. Coleridge was a drug addict, with severe
Depression. My friend Hart Crane died mad. My friend

Ezra Pound is mad. But you will not go mad; you will grow up
To become happy, sentimental old college professors,
Because they were men of genius, and you

Are not; and the ideas which were vital
To them are mere amusement to you. I will not
Go mad, because I have understood those ideas ....”

He drank wine and smoked his pipe more than he should;
In the end his doctors in order to prolong life
Were forced to cut away most of his tongue.

That was their business. As far as he was concerned
Suffering was life’s penalty; wisdom armed one
Against madness; speech was temporary; poetry was truth.


XXI. Conclusion

Essaying to distinguish these men and women,
Who try to give medicine for misery,
From the rest of us, I find I have failed

To discover what essential statement could be made
About psychiatrists that would not apply
To all human beings, or what statement

About all human beings would not apply
Equally to psychiatrists. They, too,
Consult psychiatrists. They try tentatively

To understand, to find healing speech. They work
For truth and for money. They are contingent ...
They talk and talk ... they are, in the words

Of a lute-player I met once who despised them,
“Into machines” ... all true of all, so that it seems
That “psychiatrist” is a synonym for “human being,”

Even in their prosperity which is perhaps
Like their contingency merely more vivid than that
Of lutanists, opticians, poets—all into

Truth, into music, into yearning, suffering,
Into elegant machines and luxuries, with caroling
And kisses, with soft rich cloth and polished

Substances, with cash, tennis and fine electronics,
Liberty of lush and reverend places—goods
And money in their contingency and spiritual

Grace evoke the way we are all psychiatrists,
All fumbling at so many millions of miles
Per minute and so many dollars per hour

Through the exploding or collapsing spaces
Between stars, saying what we can.

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Too Much Pride

Say good morning this is your lucky day
Most of your problems theyre gonna slip away
Oh Im gonna help you, I can show you the way
So give me so time my friend and hear what I say
You got too much pride, too much pride
Drive yourself crazy, you got too much pride
Take a look at the downside anyway that you choose
Out here on the upside you aint got nothing to lose
Oh Im gonna help you, I can show you the way
So give me some time my friend and hear what I say
You got too much pride, too much pride
Drive yourself crazy, you got too much pride
Too much pride it will drive you wild
It will burn your soul, cut you deep inside
Drag you down, get in your way
So take a look my friend listen what I say
You got too much pride, too much pride
Drive yourself crazy, you got too much pride

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People Submerged In Their Insecurities

People submerged in their own insecurities,
Have a constant need to speak of one's race.
Constantly!
And...
The color of one's skin.
And who is responsible for today's racism.
With deceitful confessions,
That these are not part of their 'sins'.

They are!
And that's why they wish to keep it identified.
They are,
Themselves...
On the dark side.
And doing it absent of color.
Or the lack of it shown!

They are...
People submerged in their own insecurities.
And people like these,
Make their presence known!
Even if their actions annoy themselves...
In a collective ignorance that is overblown!

They are...
People who dislike,
People like me.
And others who strip disguises away,
From people submerged...
In a willingness to inflict their own insecurities,
With misdeeds and a hate for self reflection.

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Too much familiarity breeds contempt

Too much familiarity, all the questions answered not just by yes or no
The explanations as demanded all enumerated, and there are no extrapolations needed,

At the last notice, I think I have spoiled you like my first lover,
In giving everything, everything is totally lost, and parting has become inevitable

With you now, I have given trust, but now with limitations however,
It is not selfishness, it is something else, it is to keep you because there is something in you

That makes me alive somehow, you make me breathe, and you have given me a space
Somehow, I must withhold a little bit about myself, to make this love work,

Now when you ask, I will either make some white lies, and later some big lies or be silent
So not everything in me is taken away, and you will think that I am not at all consumed

I am sweet, I will be sweeter still in some measurable unknowns, and you will taste these,
With a note, that not all that is sweet shall be given, some will be bland and even bitter,

I want to keep you for a while; we will be talking some more, like sweet lovers
Whispering nothings, I will confuse you a little bit about some beginnings, I will swerve

Away a little bit, away from your closeness, this too much familiarity that is slowly
Breeding contempt, this familiarity that destroys and has no power to recreate.

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Holly Valance

Well the press and things like that are pretty hard core, but I don't pay too much attention to that.

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That's very nice if they want to publish you, but don't pay too much attention to it. It will toss you away. Just continue to write.

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Too Much

(ian hunter)
(transcribed by adrian perkins; minor corrections by colin ford and jim kettner)
All I ever wanted was to lose myself in you
All I ever needed was you to need me too
Youre all I ever think about
I hunger for your touch
n all I ever wanted
Was you - is that too much?
I hate the pain of loving you
It happens all the time
I never needed anything or anybody
Until your eyes met mine
Im waiting for your answer babe
Whats gonna become of us?
cos all I ever wanted
Was you - is that too much?
It is too much to ask
That this man with a past
Could be happy at last
With a future like you
It is too much to ask
Is it too much of a task
Am I going to fast - for you?
Maybe you dont want me
Im so scared of losing you
I never miss an opportunity to miss an opportunity
Watch me screw up this one too
Its so hard to talk about love
Im leaving now, oh its just
n all I ever wanted
Was you - is that too much?

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Touch Too Much

It was one of those nights
When you turned out the lights
And everything comes into view
She was taking her time
I was losing my mind
There was nothing that she wouldnt do
It wasnt the first
It wasnt the last
She knew we was making love
I was so satisfied
Deep down inside
Like a hand in a velvet glove
Chorus:
Seems like a touch, a touch too much
Seems like a touch, a touch too much
Too much for my body, too much for my brain
This kind of womans gonna drive me insane
Shes got a touch, a touch too much
She had the face of an angel
Smiling with sin
A body of venus with arms
Dealing with danger
Stroking my skin
Let the thunder and lightening start
It wasnt the first
It wasnt the last
It wasnt that she didnt care
She wanted it hard
And wanted it fast
She liked it done medium rare
Chorus
Seems like a touch, touch too much
You know its much too much, much too much
I really want to feel your touch too much
Girl you know youre getting me much too much
Seems like a touch
Just a dirty little touch
I really need your touch
Cause youre much too much too much
Chorus

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Too Much Water

Too much, its too much, too much
Got too much water under the bridge
Got too much, too much, got too much
Got too much water under the bridge
I got to think of something, think of something
I got to think of something
We got to hang together, we got to hang together
We got to hang together, or hang separately
Maybe we got time to burn
I got a yen to hear myself talk
But I dont want to make that kind of history
Put your hand on the rock
And maybe youve got nothing left to learn
You put me in a state of shock
But do you want to make that kind of history
Put your hand on the rock
And let it all run out
You know why we got to hang together
Number one aint always number one
Instant karmas always coming back
And I dont want to make that kind of history
Put your hand on the rock
Tell ya mamma natures on the run
Bad karmas running in the back
But do we want to make that kind of history
Put your hand on the rock
And let it all run out
You know why we got to get together
We got no more time to burn
We got to crawl before we can walk
So if you wanna make a new kind of history
Put your hand on the rock
And I got a few things Id like to learn
I get tired of hearing myself squawk
And I wanna make a new kind of history
Put your hand on the rock
And let it all run out
You know why we got to hang together

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Too Much

i guess i did everything too much...
i ate too much, i drank too much
i fought too much, and too much sex!

i worked too much, i dreamed too much,
played music too much...
walked in the rain too much.

listened to the wind too much,
fell on my face too much,
ran wild too much, too much madness...

left her alone too much,
demanded too much,
wanted too much, talked too much.

loved her too much......
well let me think....if it's
too much or too little?

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It Is Easy To Buy Death Here

It’s very easy to buy death here
And in more ways than one
No prejudice to your origin
Or your virtue, for that matter
In fact, it was two half brothers
That sought for the contract
Now the market is flooded
And the rates cheaper than usual
Death is bought by a mere slander

It’s very easy to buy death here
Cheap as the freedom they seek
If people around you mumble
As you go for the final deal
It is, but for a fleeting moment
They will forget once you are gone
Is it their bliss, the price declines?
And for those seekers, that inclines
No matter, death is a freedom away

imti Longchar

* to all the innocents killed by the two warring factions in the name of freedom in this state.

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Too Much

Don't wanna see you again
You're takin' a little too much
Maybe it's my fault-ok
You've taken away too much
Swimmin' in sorrow all day
Well fakin' it doesn't do much
Maybe you've fallen from grace
It's takin' a little too much
I couldn't be you, my friend
You're makin' a lie of your love
My love
I-I swear-you had it all
Diamonds and pearls
In time
You've taken all mine
I couldn't be you my friend
You've taken a little too much
Don't wanna hold you again
And fall for the tricks in your touch
No one can charm like you can
You're makin' a lie of our love-my love
You'll be there without a care
And I'll go alone-I'll fall into life all over-r-r-r again
In time I will find a girl who knows just how to be kind
Some days the power's so bright-my love
I can't find no easy way out
I-I swear-a lot
A voice tells me to stop
Something inside screamed out
To get my life back again
Don't wanna see you my friend
You've taken a little too much
Maybe it's my fault-ok
You've taken away too much
I couldn't be you my friend
Nne of your riches mean much
I couldn't stand to pretend
You're makin' a lie of our love
My love come on come on
You're takin' a little too much-too much
La la la la la la la la la

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You Cost Me Too Much

I could fall asleep for you my girl but it's not enough
And the scenes of your last visit lie buried in the dust
If i don't fall in love with you my girl, please understand
I'll go find another county and leave it in the end
I've seen forty-seven pictures all with you upon the face
From the noise i'm making running is a secondary pace
From the scenes of your last visit i still feel it where we touched
Where you cost me too much
Oh the time i spent with you my girl was all in vain
Waiting out the rapids we can't escape the pain
If i fall in love with you my girl it'll never end
And the sky will likely open raining holocaust and zen
On the west side of the forest on a highway in the sun
Stands a pointless individual who knows his time has come
Though i know it's nothing funny
I'm still howling like a lush
'cause you cost me too much
It's the same in here
Nothing's changed yet my dear
Oh if i had known to know you well
Lock us up in a sinners hell for days
If i don't fall in love with you my girl, please understand
I'll go find another city and leave it in the end
If i run away with you my girl please try to see
I'll do all i can to please you
But i don't expect you'll be
On the highest roof around me where i'm feeling pretty dumb
I scan on the horizon for the other dumbshits as they come
I'm' growing older faster
Still howling like a lush
'cause you cost me too much

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Rode to a Knight Impale - after John Keats - Ode to a Nightingale

. :) kindly refer to notes. :)

My part aches and a rousing stiffness pains
my whole as though viagra I had drank,
or loosened up some pheronomic chains
split seconds past, endorphined, anticipating prank.
'Tis not through envy that I ask a lot,
but seeking through your image happiness,
love-lipped epitome of all that please
amused muse stays aware that what you've got
conjurs wet dreams, streams’ ready eddies numberless,
straw hollow swallows spring in full-throated ease.

O, for a draught of vintage! that hath been
fat vat prime time cocked, erect in deep pelvic berth,
tasting of horny fauna’s jelly beans,
dancing tandem to tambourine song since sunny birth!
O for a beaker full of the warm south,
filled to whet winking brink noways obscene,
with beaded bubbles oozing at the brim,
of purple-hooded mouth;

That I might drink, and leave the world unseen,
and with thee knock on doors quite in the swim:
ride far away, knot solve, and quite forget
what you senses leaves had never known,
no weariness, no fever, and no fret.
Here, men lose wit to hear each other groan
as palsy shakes a few, sad, beardless chins,
where youth grows pale, and spectre-thin, and sighs;
where but to think of size baits rod with sorrow
and leaden-eyed despairs,
No, Beauty, none may mime your lustrous eyes,
where new Love pines, fears un-orgasmic morrow.

Away! away! for I will fly to thee,
not roped in by vile censors, critics’ pards,
but on untrammelled wings of intimacy,
though most dull brains perplex, their sloth retards.
Already with thee! tender is the night,
and tenderness my motto ‘tis well known
to massage tissues starry nights, sun days,
without the which love’s light
moons absence of reflection, breezes blown
through tortuous gameplays, inexperienced ways.

You should not care what flowers are at your feet,
for all is incense garland, and endows
each lip, limb, breast, - the rest remains as sweet -
with honey suckling even as wand ploughs
though grassy thicket, wondrous fruit-tree wild
sure cherry’s torn, implants thorn eglantine
shunning fast cover-ups fading leaves
sham office as protector of some child defiled.
Sense coming musk-rose, full of dewy wine,
murmurous echoes ecstacy believes.

Darling now moisten, come for many a time,
relive this moment French call little-death,
worshipping at life’s shrine in many a musèd rhyme,
forgetting even air to take in breath.
Now more than ever seems it rich to lie,
to wheeze on meet mate midnight with no pain,
while greeting pouring forth thy soul abroad
in such an ecstasy!

Still would you sing, I'll not change gears in vain -
to thy high requiem propose a sod.
Thou wast not born for death, immortal Bird!
what hungry generations tread thee down?
Choice made this pass_sings maid's knight is revered
in future days, who dare gainsays is clown.
Perhaps the self-same song that found sound track path
through Penelope heart, sick Ulysees home,
when swathed in tears amid the online porn;
sound swound that oft-times hath
charm'd magic casements, opening on dome's foam
from perilous seize, in faery lands forlorn.

For porn! the very word is like a bell
to toll me back to thee from my sole self!
fancy can't cheat, nor canvas so well
your avatar as ‘tis now, deceiving elf.
Encore! Encore! thy anthem floats through glades
and meadows, towns and cities fills, fast streams
down from hilly chest till buried deep
in secret valley’s shades:
This is no vision, more a wa[n]king dream,
bed is that music: - Do I shake, you weep?


3 March 2009
Parody Ode to a Nightingale John Keats

n.b. in 19th Century France an orgasm was referred to as la petite morte - the little death


Ode to a Nightingale

My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness, -
That thou, light-winged Dryad of the trees
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.

O, for a draught of vintage! that hath been
Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provencal song, and sunburnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stainèd mouth;

That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs,
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.

Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!

Still wouldst thou sing, and I have ears in vain -
To thy high requiem become a sod.
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music: - Do I wake or sleep?

John KEATS 1795_1821


Keats in Babbit Land

“Oh boy! Some head! I have a right smart pain
as though of neutral spirits I had drunk,
or mixed the eats with hashish and cocaine
and turned the old gray tissue into punk.
‘Tis not because I rubber at thy lot,
But, being too happy in thy happiness,
That thou, light-winged spieler of the trees
In some commodious plot
Of high-toned beeches, far as I can guess,
Boostest the summer with no extra fees.

“Gosh for a dry Martini that hath been
Cooled for a long while on a chunk of ice
Tasting of ante-Prohibition gin,
Dances and mirth, what’er the doggone price!
Gee for a whisky or a brandy sour,
Full of the right, the undiluted hooch,
With bubbles winking at the shaker’s whim
And full of pep and power;
That I might drink, and, having drunk it, mooch
Away with thee into the forest dim!

“Mooch, beat it, out from under, and forget
What thou, in the out-doors hast never known.
The weary blow-hards and the tight-wad set
That spend their days in adding bone to bone,
Where he-men with red-blooded thoughts are not,
But simps and pikers, rousabouts and guys;
Where too much thinking makes the bean grow woolly
And pine for heck know what;
Where maidens cannot keep their goo-goo eyes
Nor new love feel next morning braced and bully.

“Away! Away! For I will stunt with thee,
Not toted by a highball nor a Bronx,
But on the wings of ould scout Poesy,
Though the dull brain keeps missing it and plonks.
Away with thee! Nifty is the night
And haply on her throne is H.M. Moon,
Clustered about by all her one-spot dubs;
But here there is no light
Save what across the verdurous paths is strewn
Amongst the dandy shade-trees and the shrubs.


I cannot see what flowers are at my feet,
But I can sense near all of them are nice;
This is the place that puts the s in sweet,
The o’s in odor, and the I in spice.
The hawthorn hustles and the fruit-tree wild
Has passed the word for pushfulness and gone
To violetsunderneath their leafy rughs
And mid-May’s hairiest child,
The coming muskèrose, brimmed with H²O,
Is boomed about by merchandising bugs.

“Darkling I listen; and I’ll tell the town
I’ve often ripped a swear, and said, ‘This bard
Would thank Professor Death to tootle down
And put the kybosh on him good and hard.’
And now I have a hunch that more than ever
To pass with no fool-fuss nor friends-along
At midnight for the New Jerusalem
Would be right clever –
Midnight, with thee still pumping out thy son,
The sole sky pilot of my requiem …”


KNOX Edmund Valpy 1881_1971
Parody John KEATS 1795_1821 - Ode to a Nightingale

_________________________________________ ____

The Nighting Cat

My head aches, and a clamerous wailing fils
My ears, as though on lobster I had dined,
And dreamt of heavy unreceipted bills
And scowling Hebrew owners, unrefined
And leach-like. Why then should my happy lot
Be made unhappy by thy happiness
That thou, soft-footed Tabby in the trees
Or some tall chimney-pot,
With caterwauls and squawlings numberless
Goadest to madness with full-throttled ease?

O, for a jug of water that hath been
Boiled a long time in Rotorum’s spring,
Or cool’d to nimagined cold on Green –
Land’s icy mountains – or on anything!
O for a saucer full of milk new-drawn,
With just a taste of luscious margarine,
O joy to dropp the prussic acid in
And leave it there till dawn.
That thou might’st drink and fly the world unseen,
Leaving thy carcass in the dusty bin.

I cannot fling the missiles from my feet –
I took my boots off ‘ere I went to bed –
But searching in te darkness I may meet
Some handy object that will do insead,
Boot-trees or brushes backed with ivory
That float into the midnight with no sounds,
Where thou, sweet Attic warbler, pour’st thy throat
In such an ecstasy,
Unconscious of the Fate that gathers round
To crush to silence at thy topmost note.

Thou wast not born for death, ungainly cat!
No mortal generations saw thee die.
Im wearied out with constant throwing at
Thy graceless figure, black against the sky.
At last adieu! Thy plaintive squawling fades
Along the stone ledge of my window-sill,
Over the wall, and now ‘tis buried deep
Among the neighbouring glades.
Thank Heaven! I hear it on the distant hill;
Fled is that music. Now to get some sleep.


R. SWINHOE Parody John KEATS 1795_1821 - Ode to a Nightingale
_________________________________

Ode to a Chanticleer

My head aches, and a dusky color stains
My gown, as though of coffee I had durnk,
Or emptied some dull teacup to the drains
One minute past, and slumberwards had sunk,
Though not through liking of my happy lot
But being too nappy in my napiness.
While thou, harsh crowing father of the brood,
In some malodorous plot
Of cast out scraps, and chickens numberless,
Crowest of morning in full bloated mood.

O for a tub of water! that hath been
Warmed for a long time by the deep kitchen range,
Brought in by Flora with a towel clean,
Sponge and Verbena salt, and morning change.
O for a packet full of the soap Pears,
Full of the true, the unctuous Lanoline,
With Millais’ “Bubbles’ linking it with him,
And brush with many hairs,
That I might bathe within my room unseen
And hurry far away from politicians slim!

Go far away, dissolve, and quite forget
What you amongst the hens could never stick,
The Cabintets, the questions and the fret
There, where men sit and hear each other speak;
Where anger shakes a few and thins Grey’s hairs,
Where wit grows pale, and spectre thin, and dies;
Where but to vote is to be full of sorrow
And suffragette despairs,
Where David cannot keep his lustrous eyes,
And M.P.s make a plan beyond to-morrow.

Away! Away! for I am nigh well spent
And pestered much by Bonar and his pards,
I seek the upper house of Parliament,
Though the dull place perplexes and retards.
Already with them! comfy in the next
And haply the Haldane is on the throne
Clustered around by all the Tory peers;
But here there is no rest,
Save what, thank heaven, is with my office thrown;
The private room, where oft my footstep steers.

I cannot see what men are on their feet;
Nor what freak questions hang upon the tongue,
But in my private chamber guess the heat
Which questions from my ministers have wrung.
John Seely and the pastoral Runciman;
Fast fading statesmen covered up with fears;
And fortune’s latest child,
The coming Simon, primed with latest plan,
The murmurous talk of whips about his ears.

Darkling I listen; and for many a day
I have been half in love with easeful B..,
Called him soft names in many a graceful way,
Taking the air upon the golfing ee;
Now more than ever seems it fit to go,
To sleep long after morning with no fear,
While thou art pouring forth thy voice abroad
In such an ecstasy!
Then would’st thou crow and I’d refuse to stir –
To thy harsh revelry become a nod.

Thou wast not made for work, immortal Bird;
No angry secretaries send thee chits;
The crow I hear this chilly morn was heard
In ancient days by Palmerston and Pitts:
Perhaps the self-same crow had found a path
Through the strange heart of Ben, when sick with praise,
He stood, with sneers, amid the alien scorn,
The same that oft-time hath
Stirred Russell’s casement, opening on the days
Of perilous hours in Gladstone’s time forlorn.

Forlorn! the very word is like a knell
To call me now to sit upon the shelf!
Adieu! a party cannot cheat as well
As it is famed to do, deceiving elf.
Adieu! Adieu! Go cock-a-doodle, do,
Past the next window, round by Downing Street,
Up through Whitehall, past the Minster old,
And St. Stephen’s too:
Breakfast is ready, I must dress full fleet,
Done is your crowing, and my bath is cold.

Archibald STODART-WALKER Parody John KEATS Ode to a Nightingale
STODART-WALKER A 1869_1934
____________________________________

Ode to Discord


Hence loathèd Melody, whose name recalls
The mellow fluting of the nightingale
In some sequester’d vale,
The Murmur of the stream
Heard in a dream,
Or drowsy plash of distant waterfalls.
But thou, divine Cacophony, assume
The rightful overlordship in her room,
And with Percussion’s stimulating aid
Expel the heavenly but no longer youthful maid.


Charles Larcom GRAVES 1856_1944
Parody John KEATS 1795_1821 - Ode to a Nightingale

________________________________
Ode to a Jar of Pickles

I

A sweet, acidulous, down-reaching thrill
Pervades my sense: I seem to see or hear
The lushy garden-grounds of Greenwich Hill
In autumn, when the crispy leaves are sere:
And odours haunt me of remotest spice
From the Levant or musky-aired Cathay,
Or from the saffron-fields of Jericho,
Where everything is nice:
The more I sniff, the more I swoon away,
And what else mortal palate craves, forgo.

II

Odours unsmelled are keen, but those I smell
Are keener; wherefore let me sniff again!
Enticing walnuts, I have known ye well
In youth, when pickles were a passing pain;
Unwitting youth, that craves the candy stem,
And sugar-plums to olives doth prefer,
And even licks the pots of marmalade
When sweetness clings to them:
But now I dream of ambergris and myrrh,
Tasting these walnuts in the poplar shade.


III

Lo! hoarded coolness in the heart of noon,
Plucked with its dew, the cucumber is here,
As to the Dryad’s parching lips a boon,
And crescent bean-pods, unto Bacchus dear;
And, last of all, the pepper’s pungent globe,
The scarlet dwelling of the sylph of fire,
Provoking purple draughts; and, surfeited,
I cast my trailing robe
O’er my pale feet, touch up my tuneless lyre,
And twist the Delphic wreath to suit my head.


IV

Here shall my tongue in other wise be soured
Than fretful men’s in parched and palsied days;
And, by the mid-May’s dusky leaves embowered,
Forget the fruitful blame, the scanty praise.
No sweets to them who sweet themselves were born,
Whose natures ooze with lucent saccharine;
Who, with sad repetition soothly cloyed,
The lemon-tinted morn
Enjoy, and find acetic twilight fine:
Wake I, or sleep? The pickle-jar is void.

Bayard TAYLOR 1825_1878
Parody John KEATS 1795_1821 - Ode to a Nightingale

_____________________________________

Ode to a Liberal Mocking-Bird

[On the return of a Tory Government to power for the second consecutive time. With respectful compliments to F.C.G. of the Westminster Gazette]


Our brain aches and a torpor numbs our nerve
As though with opiates we were deep imbrued,
Being apparently condemned to serve
A second shift of penal servitude;
And we must envy thee thy happier lot,
Gay-earted Dryad of the trenchant plume,
Who till upon the post-meridian breeze
In thy green-tinted plot
Amid the Opposition’s ambient gloom
Chaffest the Tory with thy usual ease.

O for a drink of water such as cools
The Liberal larynx torrid on the stump,
Smacking of Cockermouth’s perennial pools,
Of Wilfrid Lawson and the village pump!
O for a tankard full of H²O,
The true, the proletarian Hippocrene,
With Local Veto winking at the brim
And filtered mirth below;
That haply we might hop about the scene
With thy sublime agility of limb:

Hop as our heart dictates, and quite ignore
What thou hast missed this many a summer-tide,
The weariness, amounting to a bore,
Of being always on the stronger side;
Where fat and callous-eyed indifference rusts
Even the Tory Blood’s incisive blade:
Where humour’s bolt is evermore discharged
At unresisting busts;
And wit that works by opposition’s aid
Dies of a liver horribly enlarged.

Frankly, immortal Bird, for five long years
We had a presage we should die that way,
And now the country’s voice confirms our fears
Almost allowing us to fix the day;
Now more than ever longingly we dream
Of times when Victory flushed the Liberal camp,
And there was ploughing in the sandy ruts;
Of Rosebery, grateful theme,
Of Harcourt on the vulnerable ramp
And all the vista lined with obvious butts.

For thee, a like regret would seem absurd;
No vast majorities depress thy brain;
Thou hast (if one might say it of a bird)
Thy faithful subjects in the Powers that reign.
Perhaps the self-same art in days by-gone
Tickled the ribs of Joseph’s brother-band,
When, o’er a coat of many patterns blent
His pictured optic shone
Through cosmic casements opening on the land
Of Goshen, when he ran the Government.

The Government! The word is as a knell
Tolling us back to dulness of the Pit,
While thou art happy in another spell
Of the old hope forlorn that whets the wit.
There is thy Joseph, hewn a hundred times,
And, lke Valhalla’s warriors, frseh as paint!
Ah! in thy gallant fight against the gods,
Pity our bloodless rhymes,
That fall on hollow squadrons, pale and faint,
With never a chance to front the frowning odds!

Sir Owen Seaman
Parody John Keats – Ode to a Nightingale

______________________________ ________

Ode To A Scotch Whiskey

My head aches, my hangover remains,
my sense as though a quart of gas I drunk
or chugged some kitchen cleanser to the drains.
An hours passed, I know that I am sunk,
I'm not in envious or happy lot.
But since I'm up and breathing, I should guess
that you oh Cutty Sark my favorite of scotch,
in some felonious plot
of bottled green, half emptied and label-less;
singest cirrhotic to me - of liver blotch.

Parody John Keats – Ode to a Nightingale
Author Unknown... Shy Lady Laurie 2001
http: //www.tenderbytes.net/forum/poemsplace/archive1/f poemsplacefrm18441a.html? topicID=30.topic

_____________ _____________________

La Beldam Sans Directoire

On the Recension of the Telephone Directory,1953


Picture me, my dear, alone and
Palely doing whatever one does alone,
Receiving, perhaps, an imaginary message,
Silent – like Cortez – on a telephone.

Emperorwise or clownlike listening
In my dark glasses – to the nightingale
Threading, no doubt, its song through the sad heart
Of Truth reduced to tears amid the ail. …

Preferring sorrow to a harvest home:
For now, to save a little L.s.d.,
Truth they compress and distance they compel
Who have retrenched the old Directory.

R. TOLSON

Parody John KEATS – Ode to a Nightingale

Parody John KEATS Various including Chapman's Homer and John KEATS - La Belle Dame Sans Merci, and The Nightingale


__________________________ _____

Ode to the Nightingale


O you that from some southern land
Return with each new spring
To this reviving island and,
When in the humour, fling
A song so gallant, so divine,
Out on the night, if fairly fine,
As utterly to take the shine
Out of all birds that sing:

The thrush, grown conscious of your voice,
Retires behind his leaves,
The blackbird, not at all from choice,
Sits mopily and grieves;
That wealth of song can e’en transfix
Both dawning owls and farmyard chicks,
And the rude sparrow as he picks
Things off the couchant beeves.

You are the theme, all themes above,
The bards have held most dear:
Bar Wordsworth, who preferred the dove,
Even the most austere
On you have cast their loveliest gems
From Wight to Hamstead or the Thames,
Yet it is one that Fate condemns
Me ever not to hear.

I have stol’n forth in many a glade
Where, at their best in June,
Rich nightingales their serenade
Lift to the solemn moon
So madly that it sometimes stirs
Young wanderers mid the briars and burrs
To sit incautiously on furze,
Enravished by the tune.

The spinney and the wooded hill,
The unfrequented lane,
Gardens that throb with song until
The residents complain,
Thou strangers, eager fro the sound,
Come trespassing from miles around –
These I have visited, and found
I always went in vain.

O budded quicks, melodious plots,
O song so full and free
That livens up those favoured spots
Often till after three,
O groves so thrilled with high romance
That, though the whole world gaped askance,
I could have sung with half a chance,
Why are you mute for me?

We cannot all see Grecian urns;
Not everywhere one meets
His Lycidas, howe’er he burns
To emulate those feats;
But you, immortal bird, art there,
A general theme, with charm to spare,
On which, for all that Im aware,
I might have rivalled Keats.

But as you please. Unless it’s wet,
When the deep shadows fall
To-night I’ll give you one chance yet;
If lost, there’s no recall.
Sing me your best, and I’ll sing you
Something in praise thats really new;
If you can do without it, do;
It’s one ode less, thats all.


John KENDALL 1893_1936 Dum-Dum
Parody John KEATS – Ode to a Nightingale


__________________________ ____

Ode to a Turkey

My head aches, and a gnawing hunger stings
My gut, as though I hadn't eaten lunch,
But been compelled to witness feasting kings
Who gorged themselves on turkey legs and punch.
'Tis not because of nature-given bliss,
But only due to joy to wander free -
That thou, a turkey, tender, fat and young,
Do widen my abyss,
Make emptier my stomach cavity,
Mocking me with disdain in gobble-tongue.

O, for a turkey dinner! piping hot,
Fresh from the oven, tempting to the sight,
Tasting of yams (with others in the pot) ,
Peas, and cranberry sauce, a glass of Sprite!
O for a baker to bake me chocolate chips.
To bake me cakes - like Grandma's chocolate cakes,
With filling frosting, moist and fresh outside;
To hold it to my lips,
That I might make the noise a person makes
Who on the wings of pure Elysian bliss does ride:
Ride out of here, to never know again
What thou upon a farm has never known,
The cruelty, the hunger, and the sin
Here, where the famished fight for every bone;
Where I must shake a few last beaded drops
Of orange Koolaid from my empty glass;
Where but to think is to desire dinner,
Or cherry soda pops,
Where not a solitary day does pass
But that I drool like some unhappy sinner.

Ride out of here! for I will leave this place,
Unaided by caffeine or cyclamate,
But now by fasting...drifting into space
(Though I could eat if Mama fixed a plate) :
I'm going - I'm going! tender is the ham,
And simmers golden dressing in the pan,
Crispy and hot - delicious to the taste;
However, where I am
There isn't even a solitary can
Of pork and beans or Hunt's Tomato Paste.

I cannot smell what odors are wafting by,
Or what roast duck is stewing in its juice,
But, near starvation, guess each apple pie,
Each crepe suzette, each dish of chocolate mousse
That fairly cries, 'I yearn to be consumed!
I long to be devoured with a will,
To have my substance seen, selected, chewed,
My inner meat exhumed,
My captor coddled till he's had his fill,
Emits a happy belch, his strength renewed.'

Gardening, I loosen husk from corn. Some eves
I've known such joy to labor at this job.
Extracting from the earth these greenish leaves.
To have for supper sweet corn on the cob!
Now more than ever do I ache to fast,
To force those golden kernels to remain,
While thou art strutting haughtily about,
And shameless, moving past!
Still wouldst thou strut, and I have ears in vain...
From such a satisfying feast left out.

O thou wast born for death, infernal Bird!
I long to take an axe to thy red neck!
To sever off they head without a word,
Before thy beak can sound another peck!
Perchance the very peck that tempted men
Who slaved in days gone by for scraps of meat,
That made their vacant, growling stomachs ache,
That made them yearn within
For something tasty, something good to eat...

Perhaps a thick prime rib or sirloin steak.
Sirloin! the very word is like a bull
To force me back into my famished state!
Fondue! I would that I were fed and full,
Had emptied happily my o'er stuffed plate.
Fondue! a stew! thy flesh and feathers pale
Out of this era, to another place,
Well out of reach, and so is ruined my wish...
A deep sigh I exhale.
Was this a dream..? 'Twas here, before my face!
Oh, heck, forget it! Where's the tuna fish?

Parody KEATS Ode to a Nightingale Duane DODSON 1956_20

__________________________________ ___

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