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Arthur Rimbaud

But, truly, I have wept too much! The Dawns are heartbreaking. Every moon is atrocious and every sun bitter.

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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Moon, Moon, Crazy Moon

moon, moon, crazy moon
natural moon
torn apart and snoozing moon;
lovely moon, romantic moon
poor poor moon
the romance
plucked out of its drab surface;
moon moon going wild
moon moon running away
from the earth -
O moon, why do you run away from the earth?
does earth touch you in the wrong places
and you've got no Body
to which one could lodge
a complaint about sexual harassment? ?
ah, moon moon, temperamental moon
dark moon
glowing moon;
sexy moon
and old-woman hag of a moon;
moon moon with the best views of the earth
moon moon moon
puts me to sleep and wakes me up
in the middle of nights;
and one day we'll sleep in the moon
and produce babies there
and we'll have the first moon-ish boys and girls
and moon-ly families;
but meanwhile
moon moon driving fanatics
and inspiring love and romance and myths
moon moon eerie moon
moon moon that presides over love and horrors
and evil and good
and naked witches dancing in moonlit groves;
pooor moon moon the earth moon
not as interesting and dramatic as other moons;
don't get too friendly and dropp in -
oh, never dropp in, no one invited you
silly mooonn, no no, you're not invited home to earth
moon moon cheese moon eaten by mice;
but still our dear moon darling moon
moon mooon
our very own earth's moon
as we moo moo like cows
moo moo moo mooo
at our own moon moon moon

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Patrick White

Bitter

Bitter, bitter, bitter, the taste of men and the curdled perfumes
of their women putting on weight like the moon
and the gaudy hopelessness of their ejaculant children
living in the extinct carapace of a condemned volcano; bitter the lies
they whisper in sleep in dreams to the gods they keep
like spare rooms with skeleton keys
to their public coffins and closets. And bitter the nightwind
that vipers over the schooled sands of their cities
looming a harp of astringent acids into the whole cloth
of a funeral shroud, a body bag to contain the miscreance of their music.
Face after face after face, among orchards, planets, waves,
how many come to fruition, how many fall from ripeness
in unknown places, elicit arms, looking up into the sun that wined them
and sent them away without tears, mysterious sugars
in the fleets of their heart, and seeds, and green
superstitious stars tangled in the lifelines of their unmooring,
to unknown exorcisms on barbarous shores that fear them?
Their blood unspooled like a ribbon for a gift
they never gave, their blood, a scarlet noose of spectral chromosomes
slumped across a bough on the tree of their bitter knowledge
to lynch the lean thief and the ardent stranger
to the rigorous sorrows of their vaporous lustrations; bitter the fate
of the poor as they wait in a traffic jam of genes for the lights to change,
and bitter the restless, blood-drenched soil that receives them
like an embassy overwhelmed by the emergency of their arrival.
Are the paupers of dawn brighter in the root than in the flower,
is there no gentleness left in the flaring poppy to console them,
no milk that isn’t soured, no crumb of light in the pantry
to redeem the crushed heartscapes of a disinfected dream?
Bitter the monstrous sterilities of affluence
that dance on their graves like shovels full of deranged stars
elated by a fate unworthy of their shining, and bitter the church
they pearl around the lie of their filth
to convince the maggot of wings. That song is dead in the mouths of men,
that song is rock that once transformed the desert into roses
and gathered eyes like bees, like poets to their unfolding,
and bitter the aftermath of forgeries that heed the call
but will not answer the singer in the well
hoarse with mysteries in supple tongues
that confound the fallen towers with echoes, thieves, and voiceless birds.
And bitter to know this, bitter to say this, bitter
to discover this truth on the wrecked shores of the heart
the corpse of a beached dolphin suffocating under its own dead weight,
betrayed by the Judas-needle of too many messianic norths.
And there shall be no respite from the pettiness
of the enflamed parasite grown fanatical with the consumption of power,
no grace in the waltz of the tide that wears its gown of oil
like bitter weeds and formic nettles to a funeral ball
celebrating the providential death of excellence, no refuge
from the scorching wind that burns the eyes like glass

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Mr. Moon: A Song of the Little People

O MOON, Mr. Moon,
When you comin' down?
Down on the hilltop,
Down in the glen,
Out in the clearin',
To play with little men?
Moon, Mr. Moon,
When you comin' down?

O Mr. Moon,
Hurry up your stumps!
Don't you hear Bullfrog
Callin' to his wife,
And old black Cricket
A-wheezin' at his fife?
Hurry up your stumps,
And get on your pumps!
Moon, Mr. Moon,
When you comin' down?

O Mr. Moon,
Hurry up along!
The reeds in the current
Are whisperin' slow;
The river's a-wimplin'
To and fro.
Hurry up along,
Or you'll miss the song!
Moon, Mr. Moon,
When you comin' down?

O Mr. Moon,
We're all here!
Honey-bug, Thistledrift,
White-imp, Weird,
Wryface, Billiken,
Quidnunc, Queered;
We're all here,
And the coast is clear!
Moon, Mr. Moon,
When you comin' down?

O Mr. Moon,
We're the little men!
Dewlap, Pussymouse,
Ferntip, Freak,
Drink-again, Shambler,
Talkytalk, Squeak;
Three times ten
Of us little men!

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C Moon

C moon c moon c moon is she.
C moon c moon c moon to me.
How come no one older than me
Ever seems to understand the things I wanna to do?
It will be l7 and Id never get to heaven
If I filled my head with glue
Whats it all to you?
C moon, c moon, c moon is she
C moon, c moon, c moon to me
Bobby lived with patty
But they never told her daddy
What their love was all about
She could tell her lover that he thought but
She never was the type to let it out
Whats it all about?
C moon, c moon, oh c moon are we
C moon, c moon, c moon are we
How come no one older than me
Ever seems to understand the things I wanna to do?
It will be l7 and Id never get to heaven
If I filled my head with glue
Whats it all to you?
C moon, c moon, c moon is she
C moon, c moon, c moon to me
Bobby lived with patty
But they never told her daddy
What their love was all about
She could tell her lover that he thought but
She never wanted to let it out
Whats it all about?
C moon, c moon, c moon are we
C moon, c moon, c moon are we
Well whats it all about?
C moon, c moon, c moon are we
C moon are we

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Tale of Two Stars

The mind of Sun smiles from the centre
The mind of Moon beams from the corner: they seek
Body to put on the Beam Bang to ensure a universality…
Moon says to Sun “you are hot” And Sun says
To Moon “you are cool”. Sun without quenching glow
Asks: What bores you MoonMoon replies “a Sun that
Is dull” Sun asks “can a Sun be dull” Moon retorted
Oh, so you don’t have this coverage”

Sun opens instantaneous hotline “sorry, I thought a
Sun radiates on halos like you”. Moon twirls, the toss of
Blondeness touching Sun’s brunette! Then asks Sun “what
Drink would you like” Sun replies, I am a ‘totaller, Orange
Thanks! Thru flagrant osmosis Moon presses keys that
Titillate like “the IQ of zebras will be great on a Mensa…
And Sun lifts his voice and sings an Akan drum
I call gold—gold is mute—I call cloth—
Cloth is mute—It is humankind that matters”

Sun buys Moon glass of her choice boasting warmth
Still they throw topics along osmotic understandings
Then Moon brings out a house of wrapped tobacco
And asks Sun “do you want to stick with one? ”—
Sun replies, “I am a Non-smoker Thanks”. Sun
Watches Moon cover the mirror with…then Moon
Turns suddenly to Sun and asks in an unshakable
Diminuendo—Are you a boring Sun? ”

The DJ releases Marley—the legend wasted no
Time to charge the floor with positive vibrations…
Sun vibrates warm with the One Love Consciousness…
And bubbles of sweats of Sun’s Afro reflect the lights
Extra curvy stars speed grace the shaking floor
The galaxy of curvy stars form an orbit around Sun
Their rotations tantalizingly passionate with Sun

Hastily Moon gather steps and reggae thru the orbits
Her feet dactylology like Adowa dancer catches Sun’s eyes
Then Moon explodes genially on eardrums of Sun
Thought we could see through our multicultural
Osmotic discourses somewhere quiet we two? ”
Sun cogitates on zebra, the Akan drum then glows green
Moon soliloquises with palpable royal splendour: Eureka!

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You Keep Pushing That Bash Back

You can push that bitter bash back.
You can push that bitter bash back.
You can push that bitter bash back.
Don't put any pity in a bitter bashed bag.
To weigh you down like a wet rag had.

You can push that bitter bash back.
You can push that bitter bash back.
You can push that bitter bash back.
Don't put any pity in a bitter bashed bag.
To weigh you down like a wet rag had.

You keep pushing that bash back.
You keep pushing that bash back.
You keep pushing that bash back.
Don't drag that bashing or be tagged.

You can push that bitter bash back.
You can push that bitter bash back.
Push it push it,
That bash back!
You keep pushing,
That bash back!
Push it push it,
That bash back!
You keep pushing,
That bash back!
You can push that bitter bash back.

You can push that bitter bash back.
You can push that bitter bash back.
You can push that bitter bash back.
Don't put any pity in a bitter bashed bag.
To weigh you down like a wet rag had.

Don't put any pity in a bitter bashed bag.
To weigh you down like a wet rag had.

Push it push it,
That bash back!
You keep pushing,
That bash back!
Push it push it,
That bash back!
You keep pushing,
That bash back!
You can push that bitter bash back.

You keep pushing,
That bash back!

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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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Moon, We Look to You.

Moon, you have a shade of blue tonight –
Is it something that you saw or heard?
Only yesterday, your tone was proud and bright,
Yellow silver, full, and so assured.

Moon, despite the clarity of sky,
Metaphors of cloud that fluff with grey
Drift across your rounded face to spy;
Feeding back, there's awfully much to say.

Moon, you have a role to play up there –
We below must bear the earthly pain.
Duty bound, we shoulder sorrows fair –
You are free from our grotesque disdain.

Moon, we depend on you to shine
When the sun retires down below.
Add to that your grandest role divine:
Tidal Lord, to keep the seas in tow!

Moon, I hope you take to heart our plea –
Needless is the reason for your blue.
Beaming, you should give the night its glee:
We're despairing – so we look to you.

Copyright © Mark R Slaughter 2009

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William Butler Yeats

Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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The Undying One' - Canto I

MOONLIGHT is o'er the dim and heaving sea,--
Moonlight is on the mountain's frowning brow,
And by their silvery fountains merrily
The maids of Castaly are dancing now.
Young hearts, bright eyes, and rosy lips are there,
And fairy steps, and light and laughing voices,
Ringing like welcome music through the air--
A sound at which the untroubled heart rejoices.
But there are hearts o'er which that dancing measure
Heavily falls!
And there are ears to which the voice of pleasure
Still vainly calls !
There's not a scene on earth so full of lightness
That withering care
Sleeps not beneath the flowers, and turns their brightness
To dark despair!

Oh! Earth, dim Earth, thou canst not be our home;
Or wherefore look we still for joys to come?
The fairy steps are flown--the scene is still--
Nought mingles with the murmuring of the rill.
Nay, hush! it is a sound--a sigh--again!
It is a human voice--the voice of pain.
And beautiful is she, who sighs alone
Now that her young and playful mates are gone:
The dim moon, shining on her statue face,
Gives it a mournful and unearthly grace;
And she hath bent her gentle knee to earth;
And she hath raised her meek sad eyes to heaven--
As if in such a breast sin could have birth,
She clasps her hands, and sues to be forgiven.
Her prayer is over; but her anxious glance
Into the blue transparency of night
Seems as it fain would read the book of chance,
And fix the future hours, dark or bright.
A slow and heavy footstep strikes her ear--
What ails the gentle maiden?--Is it fear?
Lo! she hath lightly raised her from the ground,
And turn'd her small and stag-like head around;
Her pale cheek paler, and her lips apart,
Her bosom heaving o'er her beating heart:
And see, those thin white hands she raises now
To press the throbbing fever from her brow--

In vain--in vain! for never more shall rest
Find place in that young, fair, but erring breast!
He stands before her now--and who is he
Into whose outspread arms confidingly
She flings her fairy self?--Unlike the forms
That woo and win a woman's love--the storms

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A painful passage

I wept and wept, endlessly wept,
Like of which I have never wept
Save at the time of my mother’s death,
While some sequences I read
Off the book ‘The Blind Assassin’
Of Ms Margaret Atwild, wherein
A little girl, by name, Griffen
Watches speechless the gaze of the mother,
Who is in sick bed, the little sister
Being away at play, quite unaware,
And the mother in her feeble voice
Beseeching her to take care of her sister,
To which she assuredly nods and weeps
At the impending end of her mother,
Without thinking who is there to take
Her own care or that what is in store.

I wept and wept, endlessly wept
As the two little sisters resembled
My two granddaughters, me their mother,
As though their mother is in death bed,
With fear of death looming over my head.

I wept and wept, recurrently wept
When I read, wrote and rewrote
The above passage many a time.
27.03.2001, Pmdi

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Modern Love XXXIV (sun and moon in love)

enamored moon rides a saddle of tears
wearing a belt of silver pistols
on a black star drenched stallion
tender sun wears four bodices of dawn
stretches arms of strawberry orange
above a horizon of sleeping lionesses

moon has only one color, love

moon has adored sun for eternity
letting crickets sing his lament
of dew kisses on flowers
sun rides a gondola of virginal fears
on a periwinkle ocean, peeking beneath
Icebergs pretending to be clouds
fate tempts the moon to invite sun
for a walk by green river, out beyond burr,
thistle, with fireflies orange light
on the hawthorn and reeds
maiden sun, blushing crimson red, accepts
smiling half-moon, half-mystery, extends a starless hand
tender sun holds hands of light with the waxing moon
at the far end of the universe
where there are no street lamps
where trees of silver grow bigger
and mountains of wolves
howl in hunger

sun’s petticoats rustle like wet silk
to moon’s ear, like shoots of hyacinth
the dark nipples on sun’s breasts awake
creating mother of pearl points on lace
under her dawn of auburn hair
under her blush of gold
lost in love moon makes a hollow
In the clay on the wet riverbank
placing a blanket of shimmering stars
on night’s tears
moon takes off his silver necktie
sun unbuttons her morning gown
revealing ankles of fine nard
making the eyes of the moon burn
moon removes his belt of pistols
sun her four bodices of silk
showing a sleeping seagull
on thighs spawning salmons
half swimming towards Greenland’s ices
half swimming towards Africa’s heat
startled moon desires to gallop
without bridle or stirrup,

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William Cowper

Adam: A Sacred Drama. Act 1.

CHORUS OF ANGELS, Singing the Glory of God.

To Heaven's bright lyre let Iris be the bow,
Adapt the spheres for chords, for notes the stars;
Let new-born gales discriminate the bars,
Nor let old Time to measure times be slow.
Hence to new Music of the eternal Lyre
Add richer harmony and praise to praise;
For him who now his wondrous might displays,
And shows the Universe its awful Sire.
O Thou who ere the World or Heaven was made,
Didst in thyself, that World, that Heaven enjoy,
How does thy bounty all its powers employ;
What inexpressive good hast thou displayed!
O Thou of sovereign love almighty source,
Who knowest to make thy works thy love express,
Let pure devotion's fire the soul possess,
And give the heart and hand a kindred force.
Then shalt thou hear how, when the world began,
Thy life-producing voice gave myriads birth,
Called forth from nothing all in Heaven and Earth
Blessed in thy light Eagles in the Sun.

ACT I.
Scene I. -- God The Father. -- Chorus of Angels.

Raise from this dark abyss thy horrid visage,
O Lucifer! aggrieved by light so potent,
Shrink from the blaze of these refulgent planets
And pant beneath the rays of no fierce sun;
Read in the sacred volumes of the sky,
The mighty wonders of a hand divine.
Behold, thou frantic rebel,
How easy is the task,
To the great Sire of Worlds,
To raise his his empyrean seat sublime:
Lifting humility
Thither whence pride hath fallen.
From thence with bitter grief,
Inhabitant of fire, and mole of darkness,
Let the perverse behold,
Despairing his escape and my compassion,
His own perdition in another's good,
And Heaven now closed to him, to others opened;
And sighing from the bottom of his heart,
Let him in homage to my power exclaim,
Ah, this creative Sire,
(Wretch as I am) I see,
Hath need of nothing but himself alone
To re-establish all.

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I Got The Sun In The Morning

Taking stock of what I have and what I haven't
What do I find?
The things I got will keep me satisfied
Checking up on what I have and what I haven't
What do I find?
A healthy balance on the credit side
Got no diamond
Got no pearl
Still I think I'm a lucky girl
I got the sun in the morning and the moon at night
I got the sun in the morning and the moon at night
Got no mansion
Got no yacht
Still I'm happy with what I got
I got the sun in the morning and the moon at night
I got the sun in the morning and the moon at night
Sunshine
Gives me a lovely day
Moonlight
Gives me the Milky Way
Got no checkbooks
Got no banks
Still I'd like to express my thanks
I got the sun in the morning and the moon at night
I got the sun in the morning and the moon at night
And with the sun in the morning
And the moon in the evening
I'm all right
[2]
Got no mansion
Got no yacht
Still I'm happy with what I got
I got the sun in the morning and the moon at night
I got the sun in the morning and the moon at night
Got no silver
Got no gold
What I got can't be bought or sold
I got the sun in the morning and the moon at night
I got the sun in the morning and the moon at night
Sunshine
Gives me a lovely day
Moonlight
Gives me the Milky Way
Got no checkbooks
Got no banks
Still I'd like to express my thanks
I got the sun in the morning and the moon at night
And with the sun in the morning
And the moon in the evening
I'm all right

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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The Unknown Eros. Book I.

I
Saint Valentine’s Day

Well dost thou, Love, thy solemn Feast to hold
In vestal February;
Not rather choosing out some rosy day
From the rich coronet of the coming May,
When all things meet to marry!

O, quick, prævernal Power
That signall'st punctual through the sleepy mould
The Snowdrop's time to flower,
Fair as the rash oath of virginity
Which is first-love's first cry;
O, Baby Spring,
That flutter'st sudden 'neath the breast of Earth
A month before the birth;
Whence is the peaceful poignancy,
The joy contrite,
Sadder than sorrow, sweeter than delight,
That burthens now the breath of everything,
Though each one sighs as if to each alone
The cherish'd pang were known?
At dusk of dawn, on his dark spray apart,
With it the Blackbird breaks the young Day's heart;
In evening's hush
About it talks the heavenly-minded Thrush;
The hill with like remorse
Smiles to the Sun's smile in his westering course;
The fisher's drooping skiff
In yonder sheltering bay;
The choughs that call about the shining cliff;
The children, noisy in the setting ray;
Own the sweet season, each thing as it may;
Thoughts of strange kindness and forgotten peace
In me increase;
And tears arise
Within my happy, happy Mistress' eyes,
And, lo, her lips, averted from my kiss,
Ask from Love's bounty, ah, much more than bliss!

Is't the sequester'd and exceeding sweet
Of dear Desire electing his defeat?
Is't the waked Earth now to yon purpling cope
Uttering first-love's first cry,
Vainly renouncing, with a Seraph's sigh,
Love's natural hope?
Fair-meaning Earth, foredoom'd to perjury!
Behold, all amorous May,
With roses heap'd upon her laughing brows,

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