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There is a moment when nothing can be wiped out and left behind any more, when there is only reality and reality is horrifying.

quote by Friedrich Durrenmatt
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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poem by Mahendra Bhatnagar
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

[...] Read more

poem by Robert Browning from The Ring and the Book
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Moment To Moment

Written by gerry beckley and phil galdston, 1998
Found on human nature.
There was a time I knew
All that there was to know
No one could tell me then
I was wrong
I wasnt strong enough
To see where my weakness lay
The world that you hold so tight
Could slip away
And from moment to moment
Your life can change
Theres a storm over the horizon
A sea no one can see
Somewhere around the bend
Right when you least expect
Someone can walk away
With no regret
Leaving an empty space
Breaking a sacred trust
All of your shiny dreams
Begin to rust
Yes from moment to moment your life can change
Theres a storm over the horizon
The sea you cannot see
Yes from moment to moment
Promise me youll never change
Promise me youll stay the same
Promise me youll never change
Yes from moment to moment your life can change
Theres a storm over the horizon
A sea youll never see
Yes from moment to moment your life can change
Theres a light when the sun is rising
A day after today
Promise me youll never change (promise me youll never change)
Promise me youll stay the same (the same)
Promise me youll never change
Every moment is a shining light
Every moment is the darkest night
Every moment gotta get it right
Every single moment
Every moment is a shining light
Every moment is the darkest night
Every moment gotta get it right
Every moment is a shining light
Every moment is the darkest night
Every moment gotta get it right
Every single moment
Every moment is a shining light

[...] Read more

song performed by America
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Moment To Moment

Too many nights of isolation
Too many echoes in my head
Too many fires left burning
In this bed
Too many thoughts of desperation
So much pain deep down below
So mych a slave to my senses
I cant let go
From moment to moment
I live and I die
This cant go on anymore
Another day, another lie
From moment to moment
I stand and I fall
This cant go on anymore
Unless we both give it all
I ask you how can a man keep his distance
How can he reason with his heart
How can you hold me so near
Yet keep me so far
From moment to moment
I live and I die
This cant go on anymore
Another day, another lie
From moment to moment
I stand and I fall
This cant go on anymore
Unless we both give it all
Sometimes Id like to break you down
To see if theres a trace of woman in you that could be found
But I just keep prayin youll come around
And live from moment to moment
I live from moment to moment
I live from moment to moment
So much a slave to my senses
I cant let go
From moment to moment
I live and I die
This cant go on anymore
Another day, another lie
From moment to moment
I stand and I fall
This cant go on anymore
Unless we both give it all
You know I want to give it all
I live from moment to moment
Everyday of my life
I live from moment to moment

song performed by Gino Vanelli
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

[...] Read more

poem by Byron from Don Juan (1824)
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Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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poem by Byron
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Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

[...] Read more

poem by Byron
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Moments

Of all the Graces praised
least in the West
but better understood in the East

is that of the ability
to Endure.

Not passivity,
but deep understanding given.

The Western view is that all is chard
and moments are all that matter.

But incidents and moment-pieces
are not lives or even a day given.

But enduring each moment
is better done
from understanding the whole
from which the moment comes.

Moments, the Easterners say
are not aggregated
to be taken together to make a day.

Rather a day is given as a whole
but in the West we pluck moments stray
and munch them according to our appetites.

But the East says each day the sun does not rise to greet a new moment;
the Sun inaugurates a New Day.

So if this moment is now overwhelming
it means you missed the Sun-Rise Last
and will miss the Sun-Rise Next
because you latched onto a stray moment
which is but a chard of the whole day.

So, the wisdom here,
at least I think,
says
Live not for the moment
for but the whole day
there is where salvation,
hope, love, and peace lay.

So if my life-goal is moment placed
there can be no peace
only schizophrenia.

[...] Read more

poem by Lonnie Hicks
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Testimony

I've had some good days
And I've had some bad days
I know about heartbreak
Didn't think that I can make it
I know how it feels to have money
I know how it feels to be broke
And I can tell ya 'bout lonely
Cause I've been there before
Lord, when I raise my head up to the sky
All of the emptiness was gone
If you believe, you'll see in time
That everything will be all right
Chorus:
It's gonna be all right
Everything will be ok
This is her testimony -- Mary's story
Trouble don't last always
Through my trials and tribulations
I still believe
That god had a greater plan for me
Exceeded all my expectations
But when he gave me what I need
And now I'm set free
Lord, when I raise my head up to the sky
All of the emptiness was gone
If you believe, you'll see in time
That everything will be all right
Chorus
This is my story
This is my song
(This is my song)
This is the day I celebrate
My trouble's are gone
Chorus
It's all right
It's ok
He wiped all my tears away
(He wiped them away)
It's all right
It's ok
Trouble don't last always
(Trouble don't last)
It's all right
It's ok
(Said it don't last)
He wiped all my tears away
(He wiped all my)
It's all right
It's ok
Trouble don't last always

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song performed by Mary J Blige
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March of Memories

Left, right - left, right . . .
We march today for memories (the grizzled Digger said)
Memories of lost dreams and comrades gone ahead
Comrades bloody war took, dreams that men have slain
(Left, right - left, right . . .) Not ours to dream again.
There was Shorty Hall and Len Pratt, Long Joe and Blue,
Skeet and Brolga Houlihan, and Fat and me and you:
Bright lads, the old bunch; eager lads and keen
That first day we marched down thro' this familiar scene.
Dreams were ours, and high hopes went with us overseas.
(Left, right - left, right . . . ) And now 'tis memories.

We march again for memories (the grizzled Digger sighed)
Memories of lost mates, of foolish hopes that died.
First, Shorty got his issue on the beach at Sari Bair.
(Left, right - left, right . . .) The vision of him there
Brought the dawn of disillusion. I needed little more
To blood me to the butchery, the filthiness called war.
Shorty, like a limp rag, slung there anyhow,
Sprawling on the warm sand like I can see him now.
Always was a merry mate, a rare lad for fun.
(Left, right - left, right . . .) And Shorty, that was one.

We march today for memories; and they come crowding fast
As each year adds another page to the story of the past.
Pratt went west at Mena Base; raved of home and peace.
(Left, right - left, right . . . ) His was a kind release.
For a Lone Pine shell-burst got him; and he was less than man.
'Twas a sniper's bullet bore the name of Brolga Houlihan.
We called him Happy Houlihan, the man who took a chance.
Then the Reaper paused and plotted for the rest of them in France -
Except Long Joe, the luckless, a youth ill-shaped for war.
(Left, right - left, right . . .) And Long Joe was four.

We march today for memories. Little else had we
When we marched home as veterans. Blue and you and me.
For Skeet went with a night raid, and none came back alive.
(Left, right - left, right . . .) So Skeet, he tallied five.
Five gone and four to fight; us and Blue and Fat,
Who vowed he was too big to hit; but a whizz-bang settled that.
Yet Fat was lucky to the end - an end that held no pain.
All hell erupted where he stood; and none saw him again.
And Blue marched, and you marched, and I, a war-torn three.
(Left. right - left, right . . . ) Marched with memory.

We march again with memories (the grizzled Digger spake)
One year? Ten years? How soon shall we awake
To glorious reality? For lately it would seem -
(Left, right - left, right . . .) - we march within a dream.
Where Shorty is, and Blue is, and Happy Houlihan,

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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A City of The Old

A mature old man from the myth raised a question, 'Who is the oldest poet on earth? . '
when you are old, you will understand more about hope.The city of the Old without hope is the city with lots of hope in the myth.
kitchen, bathroom, market, forest, stock-market, shares prices, bank accounts, logistics plus and minus; the archeology of the old men's skills on carrying travelling bags.
what is the difference between old-aged homes and theatres?
the tide is rising up.
what is your last words?
A sandwithed present moment between the past and the future
congested aesthetics
Buddha said, 'Human beings exist only for a moment'
for a moment for a moment for a moment for a moment for a moment for a moment for a moment for a moment for a moment for a moment vfor a moment for a moment for a moment for a moment for a moment for a moment
where is your hope escaping?
Is this bank account important for you?
Is the kitchen important for you?
Is the bathroom important important for you?
The bathroom said, 'I clean it again and again and who is making dirty again and again?
Let's listen to the birthrooms' voices.
A mature old man from the myth raised a big question, 'Who is the oldest poet on earth?
waling to the east and looking backwards,
this is the oldest myth on earth.
In ther city of the old, nothingness, autobiography, biography, courage, nurseries, paddy fields,
internet, goggle-earth and butterflies
old man in the myth, the myth in old man; old man in the city, the city in the old man
a matur, old man raised a infant question, 'who is the oldest poet on earth now? '
I saw the youngest poet on earth in Phenom Penh in 2004.

poem by Nyein Way
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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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poem by Caroline Elizabeth Sarah Norton
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

[...] Read more

poem by Robert Browning from The Ring and the Book
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Moment In Paradise

Oh, yeah
She never cried, she only tried
To fly beyond her dreams
No walls around her mind
Deep inside shed try to hide
That she was way beyond her means
No borders and no lines
She said that its your duty to save your soul
To save it for someone
Moment in paradise
Just a moment in paradise
Oh, yeah
Moment in paradise
Just a moment in paradise
Oh, yeah
She floated out upon the wind
That blew my thoughts into the night
She knew the things she had to know
She drifted high above my mind
Blew my brains out, did alright
I think she knew it all along
She said that its your duty to save your soul
To save it for someone
Moment in paradise
Just a moment in paradise
Oh, yeah
Moment in paradise
Just a moment in paradise
Oh, yeah
Oh, yeah, oh, yeah, oh, yeah
She said that its your duty to save your soul
To save it for someone
Moment in paradise
Just a moment in paradise
Oh, yeah
Moment in paradise
Moment in paradise
Moment in paradise
Moment in paradise
Oh, yeah
Moment in paradise
Moment in paradise
Just a moment in paradise

song performed by Electric Light Orchestra
Added by Lucian Velea
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Ninth Book

EVEN thus. I pause to write it out at length,
The letter of the Lady Waldemar.–

'I prayed your cousin Leigh to take you this,
He says he'll do it. After years of love,
Or what is called so,–when a woman frets
And fools upon one string of a man's name,
And fingers it for ever till it breaks,–
He may perhaps do for her such thing,
And she accept it without detriment
Although she should not love him any more
And I, who do not love him, nor love you,
Nor you, Aurora,–choose you shall repent
Your most ungracious letter, and confess,
Constrained by his convictions, (he's convinced)
You've wronged me foully. Are you made so ill,
You woman–to impute such ill to me?
We both had mothers,–lay in their bosom once.
Why, after all, I thank you, Aurora Leigh,
For proving to myself that there are things
I would not do, . . not for my life . . nor him . .
Though something I have somewhat overdone,–
For instance, when I went to see the gods
One morning, on Olympus, with a step
That shook the thunder in a certain cloud,
Committing myself vilely. Could I think,
The Muse I pulled my heart out from my breast
To soften, had herself a sort of heart,
And loved my mortal? He, at least, loved her;
I heard him say so; 'twas my recompence,
When, watching at his bedside fourteen days,
He broke out ever like a flame at whiles
Between the heats of fever . . . 'Is it thou?
'Breathe closer, sweetest mouth!' and when at last
The fever gone, the wasted face extinct
As if it irked him much to know me there,
He said, Twas kind, 'twas good, 'twas womanly,'
(And fifty praises to excuse one love)
'But was the picture safe he had ventured for?'
And then, half wandering . . 'I have loved her well,
Although she could not love me.'–'Say instead,'
I answered, 'that she loves you.'–'Twas my turn
To rave: (I would have married him so changed,
Although the world had jeered me properly
For taking up with Cupid at his worst,
The silver quiver worn off on his hair.)
'No, no,' he murmured, 'no, she loves me not;
'Aurora Leigh does better: bring her book
'And read it softly, Lady Waldemar,
'Until I thank your friendship more for that,

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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The Troubadour. Canto 2

THE first, the very first; oh! none
Can feel again as they have done;
In love, in war, in pride, in all
The planets of life's coronal,
However beautiful or bright,--
What can be like their first sweet light?

When will the youth feel as he felt,
When first at beauty's feet he knelt?

As if her least smile could confer
A kingdom on its worshipper;
Or ever care, or ever fear
Had cross'd love's morning hemisphere.
And the young bard, the first time praise
Sheds its spring sunlight o'er his lays,
Though loftier laurel, higher name,
May crown the minstrel's noontide fame,
They will not bring the deep content
Of his lure's first encouragement.
And where the glory that will yield
The flush and glow of his first field
To the young chief? Will RAYMOND ever
Feel as he now is feeling?--Never.

The sun wept down or ere they gain'd
The glen where the chief band remain'd.

It was a lone and secret shade,
As nature form'd an ambuscade
For the bird's nest and the deer's lair,
Though now less quiet guests were there.
On one side like a fortress stood
A mingled pine and chesnut wood;
Autumn was falling, but the pine
Seem'd as it mock'd all change; no sign
Of season on its leaf was seen,
The same dark gloom of changeless green.
But like the gorgeous Persian bands
'Mid the stern race of northern lands,
The chesnut boughs were bright with all
That gilds and mocks the autumn's fall.

Like stragglers from an army's rear
Gradual they grew, near and less near,
Till ample space was left to raise,
Amid the trees, the watch-fire's blaze;
And there, wrapt in their cloaks around,
The soldiers scatter'd o'er the ground.

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poem by Letitia Elizabeth Landon
Added by Poetry Lover
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My Slate Is Clean of Miseries

There is a joy in me I know is seen.
'Cause I'm not uptight.
Looking for a fight,
No!

And if I do have any enemies...
May they live an afterlife,
In a realm that's more acceptible.

I've wiped my slate clean of those miseries.
None I wish to carry,
Or marry to be download.

I've sliced and diced all that away from me.
And I wont slit my wrists...
To bleed in dripping pity!

There is a happiness in me increased.
With a peace of mind I own,
Straight from sorrows I'd adopted.

I've had to learn to be away from disease.
To figure my life out.
And weed away all nonsense,
From my reach.

There is so much joy seen in me that's deep.
'Cause my jaws are not uptight,
Looking for a fight.
No!

And if I do have any enemies,
May they live an afterlife...
In a realm that's more acceptible.

And if I do have any enemies,
May they live an afterlife...
In a realm that's more acceptible.

And if I do have any enemies,
May they live an afterlife...
In a realm that's more acceptible.

And if I do have any enemies,
May they live an afterlife...
In a realm that's more acceptible.

I've wiped my slate clean of their miseries.
None I wish to carry,
Or marry to be download.

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poem by Lawrence S. Pertillar
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Edge Of Reality

(words & music by giant - baum - kaye)
I walk along a thin line darling
Dark shadows follow me
Heres where lifes dream lies disillusioned
The edge of reality
Oh I can hear strange voices echo
Laughing with mockery
The border line of doom Im facing
The edge of reality
On the edge of reality she sits there tormenting me
The girl with the nameless face
On the edge of reality where she overpowers me
With fears that I cant explain
She drove me to the point of madness
The brink of misery
If shes not real then Im condemned to
The edge of reality
On the edge of reality she sits there tormenting me
The girl with the nameless face
On the edge of reality where she overpowers me
With fears that I cant explain
She drove me to the point of madness
The brink of misery
If shes not real then Im condemned to
The edge of reality
Reality, reality, reality, reality,
Reality, reality, reality, reality

song performed by Elvis Presley
Added by Lucian Velea
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Troubadour. Canto 3

LAND of the olive and the vine,
The saint and soldier, sword and shrine!
How glorious to young RAYMOND'S eye
Swell'd thy bold heights, spread thy clear sky,
When first he paused upon the height
Where, gather'd, lay the Christian might.
Amid a chesnut wood were raised
Their white tents, and the red cross blazed
Meteor-like, with its crimson shine,
O'er many a standard's scutcheon'd line.

On the hill opposite there stood
The warriors of the Moorish blood,--
With their silver crescents gleaming,
And their horse-tail pennons streaming;
With cymbals and the clanging gong,
The muezzin's unchanging song,
The turbans that like rainbows shone,
The coursers' gay caparison,
As if another world had been
Where that small rivulet ran between.

And there was desperate strife next day:
The little vale below that lay
Was like a slaughter-pit, of green
Could not one single trace be seen;
The Moslem warrior stretch'd beside
The Christian chief by whom he died;
And by the broken falchion blade
The crooked scymeter was laid.

And gallantly had RAYMOND borne
The red cross through the field that morn,
When suddenly he saw a knight
Oppress'd by numbers in the fight:
Instant his ready spear was flung,
Instant amid the band he sprung;--
They fight, fly, fall,--and from the fray
He leads the wounded knight away!
Gently he gain'd his tent, and there
He left him to the leech's care;
Then sought the field of death anew,--
Little was there for knight to do.

That field was strewn with dead and dying;
And mark'd he there DE VALENCE lying
Upon the turbann'd heap, which told
How dearly had his life been sold.
And yet on his curl'd lip was worn
The impress of a soldier's scorn;

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poem by Letitia Elizabeth Landon
Added by Poetry Lover
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