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You cannot roast corn with two eyes.

Nigerian proverbs
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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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poem by Virgil
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The Pan Of Sorrows

I will give you the grain of tears,
Roast my sorrows in your pan,
O, tender of the fire.

Tender of the fire, branch of magnolia,
Roast my sorrows in your pan.

I am late already,
The shadows are fading,
The cattle have returned,
From the forest.
The birds have raised their clamor.
Roast my sorrows in your pan,
Tender of the fire.

Hurry, be quick,
I have far to go,
To the place
Where my companions have gone.
I have heard the road to that town is difficult
Roast my sorrows in your pan.
Tender of the fire.

When my turn comes,
Your bale of kindling is damp.
Why has your earthen pan
Become flaccid?
What has gone wrong with your fire?
Roast my sorrows in your pan.
Tender of the fire.

Mine is just a handful of grains,
Roast them, and let me go on my way,
Don't leave them raw,
Roast them well.
I beg you, bring an end to this wrangling,
Roast my sorrows in your pan.
Tender of the fire.

The wind has dropped,
Its mournful weeping ended.
A sweet heat
Is rising in the stars.
My breaths are like a marriage procession
Whose bridegroom is displeased.
Roast my sorrows in your pan.
O tender of the fire.

Tender of the fire, branch of magnolia,
Roast my sorrows in your pan.

poem by Shiv Kumar Batalvi
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Corn Circles

Corn circles
Appearing all over the land
Corn circles
Appearing all over the land
Nobody knows where they come from
Nobody understands
Corn circles
Mysterious symbols in the fields
Corn circles
Mysterious symbols in the fields
No one knows - are they phony
Or maybe are they real?
Corn circles!
Corn circles!
Corn circles
Is somebody playing a trick?
Corn circles
Pixies, witches, hoaxers
Take your pick
Throw a few theories out there
See what sticks!
Corn circles!
Corn circles!
Corn circles
Patterns in the gold
Corn circles
Pretty patterns in the gold
Like something out of the future
Or something very old
Corn circles!
Corn circles!

song performed by Waterboys
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Georgic 1

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,
Nor may so dire a lust of sovereignty
E'er light upon thee, howso Greece admire

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poem by Publius Vergilius Maro
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The Hasty Pudding

A POEM IN THREE CANTOS

Canto I

Ye Alps audacious, through the heavens that rise,
To cramp the day and hide me from the skies;
Ye Gallic flags, that o'er their heights unfurled,
Bear death to kings, and freedom to the world,
I sing not to you. A softer theme I choose,
A virgin theme, unconscious of the muse,
But fruitful, rich, well suited to inspire
The purest frenzy of poetic fire.
Despise it not, ye bards to terror steeled,
Who hurl your thunders round the epic field;
Nor ye who strain your midnight throats to sing
Joys that the vineyard and the stillhouse bring;
Or on some distant fair your notes employ,
And speak of raptures that you ne'er enjoy.
I sing the sweets I know, the charms I feel,
My morning incense, and my evening meal,
The sweets of Hasty Pudding. Come, dear bowl,
Glide o'er my palate, and inspire my soul.
The milk beside thee, smoking from the kine,
It's substance mingled, married in with thine,
Shall cool and temper thy superior heat,
And save the pains of blowing while I eat.
Oh! could the smooth, the emblematic song
Flow like thy genial juices o'er my tongue,
Could those mild morsels in my numbers chime,
And, as they roll in substance, roll in rime,
No more thy awkward unpoetic name
Should shun the muse, or prejudice thy fame;
But rising grateful to the accustomed ear,
All bards should catch it, and all realms revere!
Assist me first with pious toil to trace
Through wrecks of time thy lineage and they race;
Declare what lovely squaw, in days of yore,
(Ere great Columbus sought thy native shore)
First gave thee to the world; her works of fame
Have lived indeed, but lived without a name.
Some tawny Ceres, goddess of her days,
First learned with stones to crack the well-dried maize,
Through the rough sieve to shake the golden shower,
In boiling water stir the yellow flour:
The yellow flour, bestrewed and stirred with haste,
Swell in the flood and thickens to a paste,
Then puffs and wallops, rises to the brim,
Drinks the dry knobs that on the surface swim;

[...] Read more

poem by Joel Barlow
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Women's song of the corn

How beautiful are the corn rows,
Stretching to the morning sun,
Stretching to the evening sun.
Very beautiful, the long rows of corn.

How beautiful is the white corn,
I husk it,
I grind it.
Very beautiful, my white corn.

How beautiful is the red corn,
I gather it and make fine meal,
I am glad doing this.
Very beautiful, my red corn.

How beautiful is the black corn,
I give it to my father,
To my mother,
I give it to my child.
Very beautiful, the black corn.

How beautiful is the mottled corn,
Like the sky with little clouds,
I eat it looking at the sky.
Very beautiful, my mottled corn.

poem by Amy Lowell
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Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

[...] Read more

poem by Byron from Don Juan (1824)
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Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

[...] Read more

poem by Byron
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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The Corn-Stalk Fiddle

WHEN the corn's all cut and the bright stalks shine
Like the burnished spears of a field of gold;
When the field-mice rich on the nubbins dine,
And the frost comes white and the wind blows cold;
Then it's heigh-ho! fellows and hi-diddle-diddle,
For the time is ripe for the corn-stalk fiddle.
And when you take a stalk that is straight and long,
With an expert eye to its worthy points,
And you think of the bubbling strains of song
That are bound between its pithy joints —
Then you cut out strings, with a bridge in the middle,
With a corn-stalk bow for a corn-stalk fiddle.
Then the strains that grow as you draw the bow
O'er the yielding strings with a practiced hand!
And the music's flow never loud but low
Is the concert note of a fairy band.
Oh, your dainty songs are a misty riddle
To the simple sweets of a corn-stalk fiddle.
When the eve comes on, and our work is done,
And the sun drops down with a tender glance,
With their hearts all prime for the harmless fun,
Come the neighbor girls for the evening's dance,
And they wait for the well-known twist and twiddle —
More time than tune — from the corn-stalk fiddle.
Then brother Jabez takes the bow,
While Ned stands off with Susan Bland,
Then Henry stops by Milly Snow,
And John takes Nellie Jones's hand,
While I pair off with Mandy Biddle,
And scrape, scrape, scrape goes the corn-stalk fiddle.
'Salute your partners,' comes the call,
'All join hands and circle round,'
'Grand train back,' and 'Balance all,'
Footsteps lightly spurn the ground.
'Take your lady and balance down the middle'
To the merry strains of the corn-stalk fiddle.
So the night goes on and the dance is o'er,
And the merry girls are homeward gone,
But I see it all in my sleep once more,
And I dream till the very break of dawn
Of an impish dance on a red-hot griddle
To the screech and scrape of a corn-stalk fiddle.

poem by Paul Laurence Dunbar
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The Path Through The Corn

WAVY and bright in the summer air,
Like a pleasant sea when the wind blows fair,
And its roughest breath has scarcely curled
The green highway to a distant world,--
Soft whispers passing from shore to shore,
As from hearts content, yet desiring more--
Who feels forlorn,
Wandering thus down the path through the corn?

A short space since, and the dead leaves lay
Mouldering under the hedgerow gray,
Nor hum of insect, nor voice of bird,
O'er the desolate field was ever heard;
Only at eve the pallid snow
Blushed rose-red in the red sun-glow;
Till, one blest morn,
Shot up into life the young green corn.

Small and feeble, slender and pale,
It bent its head to the winter gale,
Hearkened the wren's soft note of cheer,
Hardly believing spring was near:
Saw chestnuts bud out and campions blow,
And daisies mimic the vanished snow
Where it was born,
On either side of the path through the corn.

The corn, the corn, the beautiful corn,
Rising wonderful, morn by morn:
First, scarce as high as a fairy's wand,
Then, just in reach of a child's wee hand;
Then growing, growing, tall, brave, and strong:
With the voice of new harvests in its song;
While in fond scorn
The lark out-carols the whispering corn.

A strange, sweet path, formed day by day,
How, when, and wherefore, we cannot say,
No more than of our life-paths we know,
Whither they lead us, why we go;
Or whether our eyes shall ever see
The wheat in the ear or the fruit on the tree;
Yet, who's forlorn?--
He who watered the furrows can ripen the corn.

poem by Dinah Maria Mulock Craik
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The Cyclops

SILENUS:
O Bacchus, what a world of toil, both now
And ere these limbs were overworn with age,
Have I endured for thee! First, when thou fled’st
The mountain-nymphs who nursed thee, driven afar
By the strange madness Juno sent upon thee;
Then in the battle of the Sons of Earth,
When I stood foot by foot close to thy side,
No unpropitious fellow-combatant,
And, driving through his shield my winged spear,
Slew vast Enceladus. Consider now,
Is it a dream of which I speak to thee?
By Jove it is not, for you have the trophies!
And now I suffer more than all before.
For when I heard that Juno had devised
A tedious voyage for you, I put to sea
With all my children quaint in search of you,
And I myself stood on the beaked prow
And fixed the naked mast; and all my boys
Leaning upon their oars, with splash and strain
Made white with foam the green and purple sea,--
And so we sought you, king. We were sailing
Near Malea, when an eastern wind arose,
And drove us to this waste Aetnean rock;
The one-eyed children of the Ocean God,
The man-destroying Cyclopses, inhabit,
On this wild shore, their solitary caves,
And one of these, named Polypheme. has caught us
To be his slaves; and so, for all delight
Of Bacchic sports, sweet dance and melody,
We keep this lawless giant’s wandering flocks.
My sons indeed on far declivities,
Young things themselves, tend on the youngling sheep,
But I remain to fill the water-casks,
Or sweeping the hard floor, or ministering
Some impious and abominable meal
To the fell Cyclops. I am wearied of it!
And now I must scrape up the littered floor
With this great iron rake, so to receive
My absent master and his evening sheep
In a cave neat and clean. Even now I see
My children tending the flocks hitherward.
Ha! what is this? are your Sicinnian measures
Even now the same, as when with dance and song
You brought young Bacchus to Althaea’s halls?

CHORUS OF SATYRS:

STROPHE:
Where has he of race divine

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poem by Percy Bysshe Shelley
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John Barley-Corn, My Foe

John Barley-corn, my foe, John,
The song I have to sing
Is not in praise of you, John,
E'en though you are a king.
Your subjects they are legion, John,
I find where'er I go:
They wear your yoke upon their necks,
John Barley-Corn, my foe.
John Barley-Corn, my foe, John,
By your despotic sway
The people of our country, John,
Are suffering to-day.
You lay the lash upon their backs;
Yet willingly they go
And pay allegiance at the polls,
John Barley-Corn, my foe.
John Barley-Corn, my foe, John,
You've broken many a heart,
And caused the bitter tear, John,
From many an eye to start,
The widow and the fatherless
From pleasant homes to go,
And lead a life of sin and shame,
John Barley-Corn, my foe.
John Barley-Corn, my foe, John,
May Heaven speed the hour,
When Temperance shall wear the crown
And Rum shall lose its power;
When from the East unto the West
The people all shall know
Their greatest curse has been removed,
John Barley-Corn, my foe!

poem by Charles Follen Adams from Yawcob Strauss and Other Poems
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Women's harvest song

I am waving a ripe sunflower,
I am scattering sunflower pollen to the four world-quarters.
I am joyful because of my melons,
I am joyful because of my beans,
I am joyful because of my squashes.

The sunflower waves.
So did the corn wave
When the wind blew against it,
So did my white corn bend
When the red lightning descended upon it,
It trembled as the sunflower
When the rain beat down its leaves.

Great is a ripe sunflower,
And great was the sun above my corn-fields.
His fingers lifted up the corn-ears,
His hands fashioned my melons,
And set my beans full in the pods.
Therefore my heart is happy
And I will lay many blue prayer-sticks at the shrine of Ta-wa.
I will give corn to Ta-wa,
Yellow corn, blue corn, black corn.
I wave the sunflower,
The sunflower heavy with pollen.
I wave it, I turn it, I sing,
Because I am happy.

poem by Amy Lowell
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In Your Eyes

accepting all i've done and said
I want to stand and stare again
Til there's nothing left out, oh
It remains there in your eyes
Whatever comes and goes
I will hear your silent call
I will touch this tender wall
Til i know i'm home again
Ooh
In your eyes (in your eyes)
In your eyes (in your eyes)
In your eyes (in your eyes)
In your eyes
Love i get so lost, sometimes
Days pass and this emptiness fills my heart
When i want to run away
I drive off in my car
But whichever way i go
I come back to the place you are
And all my instincts, they return
And the grand facade, so soon will burn
Without a noise, without my pride
I reach out from the inside
In your eyes
The light the heat
In your eyes
I am complete
In your eyes
I see the doorway (in your eyes) to a thousand churches
In your eyes
The resolution (in your eyes) of all the fruitless searches
In your eyes
I see the light and the heat
In your eyes
Oh, i want to be that complete
I want to touch the light
The heat i see in your eyes
In your eyes
In your eyes
Love, i don't like to see so much pain
So much wasted and this moment keeps slipping away
I get so tired of working so hard for our survival
I look to the time with you to keep me awake and alive
And all my instincts, they return
And the grand facade, so soon will burn
Without a noise, without my pride
I reach out from the inside
In your eyes
The light the heat
In your eyes

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song performed by Peter Gabriel
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Sohrab and Rustum

And the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.
But all the Tartar camp along the stream
Was hush'd, and still the men were plunged in sleep;
Sohrab alone, he slept not; all night long
He had lain wakeful, tossing on his bed;
But when the grey dawn stole into his tent,
He rose, and clad himself, and girt his sword,
And took his horseman's cloak, and left his tent,
And went abroad into the cold wet fog,
Through the dim camp to Peran-Wisa's tent.

Through the black Tartar tents he pass'd, which stood
Clustering like bee-hives on the low flat strand
Of Oxus, where the summer-floods o'erflow
When the sun melts the snows in high Pamere
Through the black tents he pass'd, o'er that low strand,
And to a hillock came, a little back
From the stream's brink--the spot where first a boat,
Crossing the stream in summer, scrapes the land.
The men of former times had crown'd the top
With a clay fort; but that was fall'n, and now
The Tartars built there Peran-Wisa's tent,
A dome of laths, and o'er it felts were spread.
And Sohrab came there, and went in, and stood
Upon the thick piled carpets in the tent,
And found the old man sleeping on his bed
Of rugs and felts, and near him lay his arms.
And Peran-Wisa heard him, though the step
Was dull'd; for he slept light, an old man's sleep;
And he rose quickly on one arm, and said:--

"Who art thou? for it is not yet clear dawn.
Speak! is there news, or any night alarm?"

But Sohrab came to the bedside, and said:--
"Thou know'st me, Peran-Wisa! it is I.
The sun is not yet risen, and the foe
Sleep; but I sleep not; all night long I lie
Tossing and wakeful, and I come to thee.
For so did King Afrasiab bid me seek
Thy counsel, and to heed thee as thy son,
In Samarcand, before the army march'd;
And I will tell thee what my heart desires.
Thou know'st if, since from Ader-baijan first
I came among the Tartars and bore arms,
I have still served Afrasiab well, and shown,
At my boy's years, the courage of a man.
This too thou know'st, that while I still bear on
The conquering Tartar ensigns through the world,

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poem by Matthew Arnold (1853)
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Corn and Catholics

"What! still those two infernal questions,
That with our meals our slumbers mix --
That spoil our tempers and digestions --
Eternal Corn and Catholics!

Gods! were there ever two such bores?
Nothing else talk'd of night or morn --
Nothing in doors, or out of doors,
But endless Catholics and Corn!

Never was such a brace of pests --
While Ministers, still worse than either,
Skill'd but in feathering their nests,
Plague us with both, and settle neither.

So addled in my cranium meet
Popery and Corn, that oft I doubt,
Whether this year, 'twas bonded Wheat
Or bonded Papists, they let out.

Here, landlords, here, polemics nail you,
Arm'd with all rubbish they can rake up;
Prices and Texts at once assail you --
From Daniel these, and those from Jacob.

And when you sleep, with head still torn
Between the two, their shapes you mix,
Till sometimes Catholics seem Corn --
Then Corn again seems Catholics.

Now, Dantzic wheat before you floats --
Now, Jesuits from California --
Now, Ceres, link'd with Titus Oats,
Comes dancing through the "Porta Cornea."

Oft, too, the Corn grows animate,
And a whole crop of heads appears,
Like Papists, bearding Church and State --
Themselves, together by the ears!

In short, these torments never cease;
And oft I wish myself transferr'd off
To some far, lonely land of peace,
Where Corn or Papists ne'er were heard of.

Yes, waft me, Parry, to the Pole,
For -- if my fate is to be chosen
'Twixt bores and icebergs -- on my soul,
I'd rather, of the two, be frozen!

poem by Thomas Moore
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Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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poem by Ella Wheeler Wilcox
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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