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When the eyes see nothing, the heart feels nothing.

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When the Heart Is Dead

When the heart is dead
The poet should be as well
If he allows verse
To wiggle out of
Bony intellectual crevices
Of the skull
Instead of dripping
From his veins
Like passionate blood
From deeply cut
Emotional wounds
Leaving psychic scars
Surviving for eternity
In the disconsolate universe.

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Emotions Of The Heart

There are times when the heart sings,
and times when it cries.
It sings when love comes to call
and cries when love dies.

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The Heart Decides

Why are you so sad when,
The heart speaks?
Two lovers should meet when,
The time is right.
Why are you so sad when,
The heart decides?
Holding it back can hurt you on this love;
It is better to voice it out.
Love is the message of life,
Holding it back can hurt you;
Imagine being loved and,
To be in love when the wind blows;
It is the heart which decides.
True love will take you beyond dreams,
It is not by a mere decision;
Two lovers should meet when,
The time is right.

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A wall
Gray and tall,
And a sky of gray,
And a twilight cold;
And that is all
That my eyes behold.
But I know that unseen,
Beyond the wall,
On a lawn of green
White blossoms fall
In the waning light;
And beyond the lawn
Curtains are drawn
From windows bright.
And within she moves with her gracious hands
And the heart that loves and that understands,
Waiting to succour poor souls in need,
And to bind with her blessing the hearts that bleed.

I know it all, though I cannot see;
But the tired-out tramp,
Dirty and ill,
In the evening's damp,
In the Spring's clean chill,
Knows not that there
Is the heart to care
For such as I and for such as he.
He slouches along, and sees alone
The gray of the sky and the gray of the stone.

Lord, when my eyes see nothing but grey
In all Thy world that is now so green,
I will bethink me of this spring day
And the house of welcome, known yet unseen;
The wall that conceals
And the faith that reveals.

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In the Eyes of a Broken Heart

August 9,2009
In the Eyes of a Broken Heart
Composed by Olive

I can feel the deep pain
Pain from loving someone
I can see the hurt of broken pieces
Bleeding and weak
In the eyes of a broken heart
You can see nothing but sorrow
Tears of loneliness
Cry for emptiness
Walking in the shadows of darkness
Feeling the cold breeze
In the eyes of broken heart
There is only one thing left
A broken world

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William Shakespeare

My mistress' eyes are nothing like the sun (Sonnet 130)

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

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William Shakespeare

Sonnet 130: My mistress' eyes are nothing like the sun

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks,
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know,
That music hath a far more pleasing sound.
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

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Matters Of The Heart

I lose my head
From time to time
I make a fool of myself
In matters of the heart
We should have been holding each other
Instead we talked
I make a fool of myself
In matters of the heart
But I asked before
Your reply was kind and polite
One wants more
When ones denied
I make a fool of myself
In matters of the heart
I wont call it love
But it feels good to have passion in my life
If theres a battle
I hope my head always defers to my heart
In matters of the heart
I guess Im crazy to think
I can give you what you dont want
I make a fool of myself
In matters of the heart
I wish that I had the power
To make these feelings stop
I lose all self control
In matters of the heart
I cant believe
Its so hard to find someone
To give affection to
And from whom you can receive
I guess its just the draw of the cards
In matters of the heart
You caught me off guard
Somehow you reached me
Where I thought I had nothing left inside
Ive learned my lesson Ive been edified
In matters of the heart
Ive spent my nights
Where the sleeping dogs lie
Not by your side
It feels so lonely
Once again Ive left to much to chance
In matters of the heart
Here I sit
Im feeling sorry for myself
Its quite a sight
But I have you to thank
For reminding me
Were all alone in this world
And in matters of the heart
Im already missing you
Although we wont say good byes
Until tomorrow afternoon
Maybe when and if I see you again
Well see eye to eye
In matters of the heart
I have no harsh words for you
I have no tears to cry
If the moon were full
Id be howling inside
It only hurts
In matters of the heart
If today were my birthday
Id be reborn
As brontes bird a bird that could fly
And all accounts would be settled
In matters of the heart
Matters of the heart

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The Centre Of The Heart

What am I gonna do when I get a little excited a little in vain? Tell me,
What am I gonna say when I find the center of the heart is the suburb to the brain?
You wear them so well, those innocent eyes
You're putting on a wonderful disguise.
I want you so bad, I'm pushing my luck
It feels like beeing hit by a truck.
This is no place special, don't know why I came
If someone has a minute, won't you explain?
What am I gonna do when I get a little excited a little in vain? Tell me,
What am I gonna say when I find the center of my heart is the suburb to the brain?
Singing: "Na na na na na na, Na na na na na na"
Beeing with you, dealing with fire
Oh, won't you come around (come out) come out (today) and play
I want you so bad, answer my calls
Let's spend the night within these walls
This is no place special, nothing for the same (nothing for the same)
If someone's got a minute, do please explain!
What am I gonna do when I get a little excited a little in vain? Tell me,
What am I gonna say when I find the center of my heart is the suburb to the brain?
Singing: "Na na na na na na, Na na na na na na"
What am I gonna do when I get a little excited a little in vain? Tell me...
(tell me, tell me, tell me, tell me)
What am I gonna do when I get a little excited a little in vain? Tell me,
What am I gonna say when I find the center of my heart is the suburb to the brain?
Singing: "Na na na na na na, Na na na na na na"
What am I gonna do now?
What am I gonna do when I get a little excited a little in vain?
The center of my heart... yeah, yeah, yeah!
What am I gonna say when I find the center of my heart is the suburb to the brain?
C'mon, c'mon, c'mon, c'mon, c'mon hoooooooo!
Na na na na na na
What am I gonna do now?
What am I gonna say when I find the center of my heart is the suburb to the brain?

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When The Night Comes Falling From The Sky

Look out across the fields, see me returning.
Smoke is in your eyes, you draw a smile.
From the fireplace where my letters to you are burning,
Youve had time to think about it for a while.
Well, Ive walked two hundred miles, look me over.
Its the end of the chase and the moon is high.
It wont matter who loves who.
Youll love me or Ill love you
When the night comes falling,
When the night comes falling,
When the night comes falling from the sky.
I can see through your walls and I know youre hurting.
Sorrow covers you up like a cape.
Only yesterday I know that youve been flirting
With disaster you somehow managed to escape.
Well, I cant provide for you no easy answers.
Who are you that I should have to lie?
Youll know all about it, love.
Itll fit you like a glove
When the night comes falling,
When the night comes falling,
When the night comes falling from the sky.
I can hear your trembling heart beat like a river.
You must have been protecting someone last time I called.
Ive never asked you for nothing that you couldnt deliver.
Ive never asked to set yourself up for a fall.
I saw thousands who could have overcome the darkness,
For the love of a lousy buck, Ive watched them die.
Stick around, baby, were not through,
Dont look for me, Ill see you.
When the night comes falling,
When the night comes falling,
When the night comes falling from the sky.
In your teardrops, I can see my own reflection.
It was on the northern border of texas where I crossed the line.
I dont want to be a fool starving for affection.
I dont want to drown in someone elses wine.
For all eternity I think I will remember
That icy wind thats howling in your eye.
You will seek me and youll find
Me in the wasteland of your mind.
When the night comes falling,
When the night comes falling,
When the night comes falling from the sky.
Well, I sent you my feelings in a letter
But you were gambling for support.
This time tomorrow Ill know you better.
Where my memory is not so short.
This time Im asking for freedom,
Freedom from a world which you deny.
And youll give it to me now,
Ill take it anyhow.
When the night comes falling,
When the night comes falling,
When the night comes falling from the sky.

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Patrick White

When The Blue Dove Turns Back

When the blue dove turns back,
exhausted by looking for things
she hoped to find,
blue blood to the dark side of the heart,
no land in sight, no blithe word,
no sprig of olive in her beak,
and the bruised sky turns black
and there’s nothing to seek
but the misdirections of the stars,
she looks for shelter
under the wing of the dragon
that takes her into his darkness
like the night takes in the moon.
Just for her he disarms
the claws on one wing and a prayer
like a dead branch to receive her blossom.
She thaws like snow in the heat
of his ancient serpent fire
and weeps like a window
for things that go on forever.
Like the homeless continuity
of her random flight plan.
He speaks to her tenderly
like silence out of the enormity
of his solitude within
as if she were standing
in the shadows of opening doors.
No lover, no assassin, no eclipse,
no starmap to anywhere,
not a sage of snake wisdom,
his yellow eyes slashed like full moons,
he says, you’ve got wings, just like me
and maybe it’s not landfall you’re looking for
not something continental
to rest upon like a mountaintop
but the wind, whichever way it blows,
wherever it goes
that is always vagrantly at home
and everywhere in touch with itself.
Just as the night sea never
severs itself from its own weather
whatever mirror it wears
with or without a facelift,
you might think you’re so far out of it
you’re flying a kite on string theory,
a high note on a stave of power lines.
But what are these if not
your own umbilical and spinal cords
attached like wavelengths and lifelines
to everything in the womb of the dark mother
who keeps on giving birth to you
from one bucket of a waterclock
to the next forever?
And when you’re lost in your own eyes,
is the night not compassionate,
does it not lay out a starmap before you
and say go whichever way you want,
follow whatever star you choose.
In an omnidirectional world of light
they’re all true north
even when you’re walking
in the shadows of your own shining.
Even when you’re trying to reach landfall
by cooking rocks in a tinfoil crack spoon
like the feminine gender of Columbus
in the Caribbean islands
when you break up
like Pangaea into continents
as if you were fracturing prophetic skulls
that didn’t take their own advice,
hoping someone might name one after you.
And I can think of a few
that could be immediately renamed after you
though you’re not the first
nor the last to discover them.
Mu and Atlantis.
But they’re not the kind of place
you want to pilot an ark to.
And if you think it’s hard now
try tugging a shipwreck up from the bottom
to see if even one of a kind survived.
There you can eat the carrion of corpses
like the white crow
Noah sent out first
to look for dry land
then cursed the bird
for feeding off the drowned
with a hoarse voice
and an eclipse of black feathers,
turning diamond back into coal
you can cook in a spoon
like forty nights of new moons
that never open their eyes
because they’re as stillborn
as the porcelain doorknob
of a cosmic egg
you can only break out of
on the inside
by letting the world
unfold your wingspan
like a loveletter to yourself
you finally decide to send back like word
of a blue dove at peace with herself
at the first sight of real land
even from the crow’s nest
you’re living in now
from hand to mouth.

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Patrick White

A Feeling In The Heart That Overwhelms Thought

A feeling in the heart that overwhelms thought.
Can the stars feel our pain like distant neurons?
Thorns blunted in moments like this, the hands of time
almost folded in prayer like the wings of a nightbird
whose lament has seized the air with something
so sad and true, everything that lives,
and everything lives, can sense it,
even though they can't think it or say it.
The vigil of sentience is arrested by the same
mysterious note of suffering that binds us to everything
in the courage that it takes to live it beautifully
by burning with insight to flower compassionately
in the midst of the heretical flames of our own damnation.

The presence, the friend, the blaze, an affable familiar,
enlightenment or an expedient delusion of an hour or two
when pain isn't the personal possession of anyone,
and a vision emerges that supersedes empathy
when even the demons cry alone for things they can't explain,
too deep for tears, though they're never far away,
when a kind of peace overtakes you from behind
and there's heart break in the clearing of the clouds
and you know you haven't lived humbly enough
to see it without fear, but you open your eyes
and look anyway and they're seared
by the dragon of awareness looking back at you
as if you could feel every mystic detail of hurt in the world,
time past, present, and to come, all at once,
a bolt of black lightning splitting your bones open
like an oak to expose your heartwood to the stars
as if the scars just fell off a chronic wound that never heals.

And there's no injunction behind this devastating insight
into the pervasive depths of the grief that must be endured
as one of the terrible conditions of life if for no other reason,
and reason's always a small guess, than to live to be aware of it
and try to love one another better than we're capable of.
To fail at what we're trying to attain from the unattainable
because there's no love in the acquisition of anything
we can get our hands on in a world of forms and dream figures
that are always passing away from us like roads
that leave us walking alone with the moon
for our only companion, wondering where the others went
who used to chatter in the trees like homing birds
about whether you were a threat or just another lost soul
going anywhere in the defeated hope that he might be found
even though what he seeks is doing the looking
and there's nothing retroactive about our eyes
that can creatively repeat the immediacy of our seeing.
Eternity wounds the children of time like wild flowers
at the end of autumn, and the harvest dance is ruined by death.
And whenever and whatever we celebrate, it's as much
of a protest singing through our tears like light
in the false dawns of our candles and chandeliers,
as it is a party. If we act happy, maybe that's half the proof
we were born to be, even alone at night in the woods,
saturated with decay, trying to convince ourselves
all passage is the prelude to the renewal of a recurrent dream.

And may it be so. May it be imaginal and necessary.
May delusion always be the cornerstone of enlightenment
and the impact of meteors always splash us in diamonds
like the tears of the fires of life that don't wash off.
May what's already been given to you always outweigh
the reward of what you think you laboured for
so your gifts perpetually exceed the limits of your just deserts,
and the praeternatural walk beside you like the dark sage
of everything that remains to be known but can't be
until you learn there's nothing to master in the stillness.
In the silence. In the essential grammar of the abyss
which is us trying to express ourselves like mediums
of our own minds with these nouns of sorrow, verbs of bliss
of the whippoorwill, the hermit thrush, the barred owl,
the starling and the mockingbird singing without meaning
anything to anyone but themselves like an artist or a child.

The heart of the petty is always a compass needle
Zen-duelling over the proper direction of prayer
as if it were swinging a sword over your head,
but among those born demonically blessed enough
to be self-defeatingly great in the name
of a few noble absurdities they'd prefer to live than explain,
this feeling that flows through you like electricity
through a glacier, that fills you like a silo of suffering
is the spear head that's embedded in the starmud of your heart
you can't pull out and you can't push through
given there's no exit, no entrance on the enclosures of life,
whether it be a secret garden, or a famous grave,
or you just want to be let off your leash like a playful dog
to chase the nurses like gulls on the terminal night ward,
or not cry out in pain to prove you're a Mongol of the soul,
this emotion that makes you feel so empty
in the light of the truth of the enormity of the pain
that's been overcome by life through the agony
of everything that's been endured for no one's sake
to vitally accommodate the unassessible transformations,

of sentience adapting to its cruellest mutations,
and so surfeited with it all in the shadow of a lie,
this is the birthmark of that counter intuition
that makes life worthy of being lived against the odds
of ever being able to justify it to yourself or God, the zeitgeist
or anyone else in need of a proxy or a paraclete
to moderate the human divinity that's been bestowed upon us,
at the very least, by virtue of our suffering
and the unknown voice in the void of its release.

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When The Rain Is On The Roof

Lord, I am poor, and know not how to speak,
But since Thou art so great,
Thou needest not that I should speak to Thee well.
All angels speak unto Thee well.

Lord, Thou hast all things: what Thou wilt is Thine.
More gold and silver than the sun and moon;
All flocks and herds, all fish in every sea;
Mountains and valleys, cities and all farms;
Cots and all men, harvests and years of fruit.
Is any king arrayed like Thee, who wearest
A new robe every morning? Who is crowned
As Thou, who settest heaven upon thy head?
But as for me-
For me, if he be dead, I have but Thee!
Therefore, because Thou art my sole possession,
I will not fear to speak to Thee who art mine,
For who doth dread his own?

Lord, I am very sorrowful. I know
That Thou delightest to do well; to wipe
Tears from all eyes; to bind the broken-hearted;
To comfort them that mourn; to give to them
Beauty for ashes, and to garb with joy
The naked soul of grief. And what so good
But Thou that wilt canst do it? Which of all
Thy works is less in wonder and in praise
Than this poor heart's desire? Give me, oh Lord,
My heart's desire! Wilt Thou refuse my prayer
Who givest when no man asketh? How great things,
How unbesought, how difficult, how strange,
Thou dost in daily pleasure! Who is like Thee,
Oh Lord of Life and Death? The year is dead;
It smouldered in its smoke to the white ash
Of winter: but Thou breathest and the fire
Is kindled, and Thy summer bounty burns.
This is a marvel to me. Day is buried;
And where they laid him in the west I see
The mounded mountains. Yet shall he come back;
Not like a ghost that rises from his grave.
But in the east the palace gates will ope,
And he comes forth out of the feast, and I
Behold him and the glory after him,
Like to a messaged angel with wide arms
Of rapture, all the honour in his eyes,
And blushing with the King. In the dark hours
Thou hast been busy with him: for he went
Down westward, and he cometh from the east,
Not as toil-stained from travel, tho' his course
And journey in the secrets of the night
Be far as earth and heaven. This is a sum
Too hard for me, oh Lord; I cannot do it.
But Thou hast set it, and I know with Thee
There is an answer. Man also, oh Lord,
Is clear and whole before Thee. Well I know
That the strong skein and tangle of our life
Thou holdest by the end. The mother dieth-
The mother dieth ere her time, and like
A jewel in the cinders of a fire,
The child endures. Also, the son is slain,
And she who bore him shrieks not while the steel
Doth hack her sometime vitals, and transfix
The heart she throbbed with. How shall these things be?
Likewise, oh Lord, man that is born of woman,
Who built him of her tenderness, and gave
Her sighs to breathe him, and for all his bones-
Poor trembler!-hath no wherewithal more stern
Than bowels of her pity, cometh forth
Like a young lion from his den. Ere yet
His teeth be fangled he hath greed of blood,
And gambols for the slaughter: and being grown,
Sudden, with terrible mane and mouthing thunder,
Like a thing native to the wilderness
He stretches toward the desert; while his dam,
As a poor dog that nursed the king of beasts,
Strains at her sordid chain, and, with set ear,
Hath yet a little longer, in the roar
And backward echo of his windy flight,
Him, seen no more. This also is too hard-
Too hard for me, oh Lord! I cannot judge it.
Also the armies of him are as dust.
A little while the storm and the great rain
Beat him, and he abideth in his place,
But the suns scorch on him, and all his sap
And strength, whereby he held against the ground,
Is spent; as in the unwatched pot on the fire,
When that which should have been the children's blood
Scarce paints the hollow iron. Then Thou callest
Thy wind. He passeth like the stowre and dust
Of roads in summer. A brief while it casts
A shadow, and beneath the passing cloud
Things not to pass do follow to the hedge,
Swift heaviness runs under with a show,
And draws a train, and what was white is dark;
But at the hedge it falleth on the fields-
It falleth on the greenness of the grass;
The grass between its verdure takes it in,
And no man heedeth. Surely, oh Lord God,
If he has gone down from me, if my child
Nowhere in any lands that see the sun
Maketh the sunshine pleasant, if the earth
Hath smoothed o'er him as waters o'er a stone,
Yet is he further from Thee than the day
After its setting? Shalt Thou not, oh Lord,
Be busy with him in the under dark,
And give him journey thro' the secret night,
As far as earth and heaven? Aye, tho' Thou slay me
Yet will I trust in Thee, and in his flesh
Shall he see God! But, Lord, tho' I am sure
That Thou canst raise the dead, oh what has he
To do with death? Our days of pilgrimage
Are three-score years and ten; why should he die?
Lord, this is grievous, that the heathen rage,
And because they imagined a vain thing,
That Thou shouldst send the just man that feared Thee,
To smite it from their hands. Lord, who are they,
That this my suckling lamb is their burnt-offering?
That with my staff, oh Lord, their fire is kindled,
My ploughshare Thou dost beat into Thy sword,
The blood Thou givest them to drink is mine?
Let it be far from Thee to do to mine
What if I did it to mine own, Thy curse
Avengeth. Do I take the children's bread
And give it to the dogs? Do I rebuke
So widely that the aimless lash comes down
On innocent and guilty? Do I lift
The hand of goodness by the elbowed arm
And break it on the evil? Not so. Not so.
Lord what advantageth it to be God
If Thou do less than I?

Have mercy on me!
Deal not with me according to mine anger!
Thou knowest if I lift my voice against Thee,
'Tis but as he who in his fierce despair
Dasheth his head against the dungeon-stone,
Sure that but one can suffer. Yet, oh Lord,
If Thou hast heard-if my loud passion reached
Thine awful ear-and yet, I think, oh Father,
I did not rage, but my most little anger
Borne in the strong arms of my mighty love
Seemed of the other's stature-oh, good Lord,
Bear witness now against me. Let me see
And taste that Thou art good. Thou who art slow
To wrath, oh pause upon my quick offence,
And show me mortal! Thou whose strength is made
Perfect in weakness, ah, be strong in me,
For I am weak indeed! How weak, oh Lord,
Thou knowest who hast seen the unlifted sin
Lie on the guilty tongue that strove in vain
To speak it. Call my madness from the tombs!
Let the dumb fiend confess Thee! If I sinned
In silence, if I looked the fool i' the face
And answered to his heart, 'There is no God,'
Now in mine hour stretch forth Thy hand, oh Lord,
And let me be ashamed. As when in sleep
I dream, and in the horror of my dream
Fall to the empty place below the world
Where no man is: no light, no life, no help,
No hope! And all the marrow in my bones
Leaps in me, and I rend the night with fear!
And he who lieth near me thro' the dark
Stretcheth an unseen hand, and all is well.
Tho' Thou shouldst give me all my heart's desire,
What is it in Thine eyes? Give me, oh God,
My heart's desire! my heart's desire, oh God!
As a young bird doth bend before its mother,
Bendeth and crieth to its feeding mother,
So bend I for that good thing before Thee.
It trembleth on the rock with many cries,
It bendeth with its breast upon the rock,
And worships in the hunger of its heart.
I tremble on the rock with many cries,
I bend my beating breast against the rock,
And worship in the hunger of my heart.
Give me that good thing ere I die, my God!
Give me that very good thing! Thou standest, Lord,
By all things, as one standeth after harvest
By the threshed corn, and, when the crowding fowl
Beseech him, being a man and seeing as men,
Hath pity on their cry, respecting not
The great and little barley, but at will
Dipping one hand into the golden store
Straweth alike; nevertheless to them
Whose eyes are near their meat and do esteem
By conscience of their bellies, grain and grain
Is stint or riches. Let it, oh my God,
Be far from Thee to measure out Thy gifts
Smaller and larger, or to say to me
Who am so poor and lean with the long fast
Of such a dreary dearth-to me whose joy
Is not as Thine-whose human heart is nearer
To its own good than Thou who art in heaven-
'Not this but this:' to me who if I took
All that these arms could compass, all pressed down
And running over that this heart could hold,
All that in dreams I covet when the soul
Sees not the further bound of what it craves,
Might filch my mortal infinite from Thine
And leave Thee nothing less. Give me, oh Lord,
My heart's desire! It profiteth Thee nought
Being withheld; being given, where is that aught
It doth not profit me? Wilt Thou deny
That which to Thee is nothing, but to me
All things? Not so. Not so. If I were God
And Thou--Have mercy on me! oh Lord! Lord!

Lord, I am weeping. As Thou wilt, oh Lord,
Do with him as Thou wilt; but oh, my God,
Let him come back to die! Let not the fowls
O' the air defile the body of my child,
My own fair child that when he was a babe
I lift up in my arms and gave to Thee!
Let not his garment, Lord, be vilely parted,
Nor the fine linen which these hands have spun
Fall to the stranger's lot! Shall the wild bird
-That would have pilfered of the ox-this year
Disdain the pens and stalls? Shall her blind young,
That on the fleck and moult of brutish beasts
Had been too happy, sleep in cloth of gold
Whereof each thread is to this beating heart
As a peculiar darling? Lo, the flies
Hum o'er him! Lo, a feather from the crow
Falls in his parted lips! Lo, his dead eyes
See not the raven! Lo, the worm, the worm
Creeps from his festering horse! My God! my God!

Oh Lord, Thou doest well. I am content.
If Thou have need of him he shall not stay.
But as one calleth to a servant, saying
'At such a time be with me,' so, oh Lord,
Call him to Thee! Oh bid him not in haste
Straight whence he standeth. Let him lay aside
The soilèd tools of labour. Let him wash
His hands of blood. Let him array himself
Meet for his Lord, pure from the sweat and fume
Of corporal travail! Lord, if he must die,
Let him die here. Oh take him where Thou gavest!

And even as once I held him in my womb
Till all things were fulfilled, and he came forth,
So, oh Lord, let me hold him in my grave
Till the time come, and Thou, who settest when
The hinds shall calve, ordain a better birth;
And as I looked and saw my son, and wept
For joy, I look again and see my son,
And weep again for joy of him and Thee!

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The Undying One' - Canto I

MOONLIGHT is o'er the dim and heaving sea,--
Moonlight is on the mountain's frowning brow,
And by their silvery fountains merrily
The maids of Castaly are dancing now.
Young hearts, bright eyes, and rosy lips are there,
And fairy steps, and light and laughing voices,
Ringing like welcome music through the air--
A sound at which the untroubled heart rejoices.
But there are hearts o'er which that dancing measure
Heavily falls!
And there are ears to which the voice of pleasure
Still vainly calls !
There's not a scene on earth so full of lightness
That withering care
Sleeps not beneath the flowers, and turns their brightness
To dark despair!

Oh! Earth, dim Earth, thou canst not be our home;
Or wherefore look we still for joys to come?
The fairy steps are flown--the scene is still--
Nought mingles with the murmuring of the rill.
Nay, hush! it is a sound--a sigh--again!
It is a human voice--the voice of pain.
And beautiful is she, who sighs alone
Now that her young and playful mates are gone:
The dim moon, shining on her statue face,
Gives it a mournful and unearthly grace;
And she hath bent her gentle knee to earth;
And she hath raised her meek sad eyes to heaven--
As if in such a breast sin could have birth,
She clasps her hands, and sues to be forgiven.
Her prayer is over; but her anxious glance
Into the blue transparency of night
Seems as it fain would read the book of chance,
And fix the future hours, dark or bright.
A slow and heavy footstep strikes her ear--
What ails the gentle maiden?--Is it fear?
Lo! she hath lightly raised her from the ground,
And turn'd her small and stag-like head around;
Her pale cheek paler, and her lips apart,
Her bosom heaving o'er her beating heart:
And see, those thin white hands she raises now
To press the throbbing fever from her brow--

In vain--in vain! for never more shall rest
Find place in that young, fair, but erring breast!
He stands before her now--and who is he
Into whose outspread arms confidingly
She flings her fairy self?--Unlike the forms
That woo and win a woman's love--the storms
Of deep contending passions are not seen
Darkening the features where they once have been,
Nor the bright workings of a generous soul,
Of feelings half conceal'd, explain the whole.
But there is something words cannot express--
A gloomy, deep, and quiet fixedness;
A recklessness of all the blows of fate--
A brow untouch'd by love, undimm'd by hate--
As if, in all its stores of crime and care,
Earth held no suffering now for him to bear.
Yes--all is passionless--the hollow cheek
Those pale thin lips shall never wreathe with smiles;
Ev'n now, 'mid joy, unmoved and sad they speak
In spite of all his Linda's winning wiles.
Yet can we read, what all the rest denies,
That he hath feelings of a mortal birth,
In the wild sorrow of those dark bright eyes,
Bent on that form--his one dear link to earth.
He loves--and he is loved! then what avail
The scornful words which seek to brand with shame?

Or bitterer still, the wild and fearful tale
Which couples guilt and horror with that name?
What boots it that the few who know him shun
To speak or eat with that unworthy one?
Were all their words of scorn and malice proved,
It matters not--he loves and he is loved!
* * * * * *
* * * * * *
'Linda! my Linda!' thus the silence broke,
And slow and mournfully the stranger spoke,
'Seat we ourselves upon this mossy bed,
Where the glad airs of heaven wave o'er thy head,
And thou shalt hear the awful tale which ne'er
Hath yet been breathed, save once, to mortal ear.
And if, my Linda--nay, love, tremble not--
Thou shudder'st to partake so dark a lot--
Go--and be happy in forgetfulness,
And take--I'd bless thee if my tongue could bless,'
There was that sudden sinking of the tone
That lingers in our memory when alone,
And thrills the heart to think how deep the grief
Which sues no pity--looks for no relief.
Oh! deep, beyond the feeble power of tears,
Such scene will dwell within our souls for years;
And it will seem but yesterday we heard
The faltering pause--the calm but broken word;

Saw the averted head, where each blue vein
Swell'd in its agony of mental pain;
And heard the grief confess'd:--no, not confess'd,
But struggling burst convulsive from the breast!
'Isbal,' that gentle voice half-murmuring said,
As from his shoulder she upraised her head;
'Thou knowest I love thee. When I came to-night
I had resolved thy future, dark or bright,
Should still be mine--Beloved--so must it be,
For I have broke a fearful vow for thee.
This morning he who calls himself my brother
(Oh! can he be the child of my sweet mother?)
Pleaded once more for him--that hated friend
Whose bride I was to be; I could but bend
To the cold earth my faint and trembling knee,
And supplicate, with woman's agony,
That he would spare me--but an hour--a day--
I clasp'd my brother's knees--that brother said me nay!
He held a poinard to my shrinking heart,
And bade me breathe the vow--
Never in life or death from him to part
Who is--my husband now.
Isbal, we were betrothed; my lips in fear
Pronounced those words--but oh! my heart was here-
Here--in the calm cold moonlight by thy side,
Here--where the dark blue waters gently glide,

Here--in my childhood's haunts, now ev'n more dear.
Than in those happy days, for thou art near.
Yes--while the unheeded vow my faint lip spoke,
Recall'd the echo which thy tones awoke--
Thy image rose between me and the shrine;
Surely the vow before it breathed was thine.
To-morrow's sun proud Carlos claims his wife;
To-morrow's sun shall see my span of life
Devoted unto thee--thy tale can make
No lot I would not share for thy sweet sake;
No--Ere I hear it, let love's fond vow be--
To have no earth--no heaven--no hope but thee!
Now tell me all.'--Again that gentle head
With dewy eyes and flushing cheek is laid
Upon his arm; and with a thrill of pain
The broken thread is thus renew'd again:
'From the first hour I saw thee, on that night
When dancing in the moonbeam's chequer'd light
With those young laughing ones who now are gone,
By this same fountain which is murmuring on;
When my deep groan burst through the music's sound,
And that soft eye went glancing, startled, round--
From that sweet hour, when pity seem'd to move,
I loved thee--as the wretched only love.
Oft since, when in the darkness of my day
I sit, and dream my wretched life away;

In the deep silence of my night of tears,
When Memory wakes to mourn for vanish'd years;
Shunn'd--scorn'd--detested--friendless and alone,
I've thought of thee--and stifled back my groan!
I've come in daylight, and have flung me down
By the bright fountain's side,
Chased with dear thoughts of thee each gloomy frown,
And bless'd my promised bride.
I've come when stormy winds have howl'd around
Over the yielding flowers,
Bending their gentle heads unto the ground,
And thought of thee for hours.
I've come--my Linda knows that I have come
When the soft starlight told
That she had left her haughty brother's home,
And hearts, as dead and cold
As the chill waters of a moonless sea,
For the light dance and music's revelry.
With gay and loving maids; and I have watch'd
Till one by one those soft steps have departed,
And my young mournful Linda hath been snatch'd
To the sear bosom of the broken-hearted!
Linda, there is a land--a far dark land,
Where on this head the red avenging hand
Fell with its heaviest bolts--When watching by
The bitter cross of Him of Calvary

They stood who loved and did believe in Him,
I said, while all around grew dark and dim--'
'Isbal, dear Isbal!' shriek'd the affrighted maid,
'For that dear Saviour's sake--for him who said
He died for sinners--mock me not, I pray--
Oh! yet, beloved, those words of Death unsay!'
She hung upon his bosom, and look'd up
Into those dark wild eyes with grief and fear.
Alas! poor maiden, 'twas a bitter cup
To drink from hands which love had made so dear.
As a knell o'er the river
Flings its lingering tone,
Telling of joys for ever
Lost and gone:
As the murmuring sound
Of a slow deep stream,
Where the sullen shadows round
Reject each sunny beam:
So o'er the maiden's spirit, like a moan,
Falls the deep sameness of that strange calm tone.
* * * * * *
* * * * * *
'I tell thee centuries have pass'd away,
And that dark scene is still like yesterday;
The lurid clouds roll'd o'er each failing head,
The Godlike dying, and the guilty dead:

And awful signs were seen, and I was there--
Woman, I was--or wherefore my despair?
I'll whisper thee--* * * *
* * * * * *
Linda, my Linda! start not thus away--
My brain is 'wilder'd--what, love, did I say?
Forget the words--forget! Eternal God!
Is not this earth the same which then I trod?
Do not the stars gleam coldly from above,
Mocking the lips that dare to talk of love?
I know--I feel it cannot be forgot;
Yet, oh! forsake me not--forsake me not!
Didst thou not bid me tell thee all? oh! rest
Still on this worn and sad and guilty breast;
Whatever sins the eye of Heaven may see,
Its last faint throb alone will end its love for thee!
* * * * * *
* * * * * *
I stood awhile, stifling my gasping breath,
Fearfully gazing on that scene of death:
Then with a shuddering groan of pain I shrouded
My straining eyes, and turn'd, a cowering worm,
To either side where grimly death had clouded
The image of his maker in man's form.
On one low cross a dark and fearful brow,
On which the dews of death are standing now,

Shows black despair:
And on the other, though the eye be dim,
And quivering anguish in each stiffening limb,
Mercy and hope are there!
Then rose the wailing sound of woman's woe
Appealing unto Heaven,
And sinners bow'd their heads, and bent them low,
And howl'd to be forgiven--
And I glanced madly round--One after one
They stole away, and I was left alone--
I--the Undying One, in that dim night!
Oh! words can never tell my soul's affright;
The sickening, thrilling, dark, and fainting fear
That rose within my breast:--I seem'd to hear
A thousand voices round; I could not pray,
But fled in solitary shame away.
* * * * * *
* * * * * *
Linda! thou wilt not think that after this
Dark hour of agony,
A day, a moment ev'n, of fever'd bliss
Could yet remain for me:
But so it was, a wild and sudden hope
Sprung in my heart--if that my life could cope
With sickness and with time, I yet might be
Happy through half an immortality.

I sat at festal boards, and quaff'd red wine,
And sang wild songs of merriment and mirth;
And bade young sparkling eyes around me shine,
And made a guilty paradise of earth.
I built me palaces, and loved to dwell
'Mongst all which most the eager heart rejoices;
Bright halls, where silvery fountains rose and fell,
And where were ringing light and cheerful voices;
Gay gardens where the bowery trees around
Their leafy branches spread,
And rosy flowers upon the mossy ground
Their honey'd perfume shed.
But yet the curse was on me; and it came
Tainting my life with pains like hell's dark flame.
The flowers withered:
One after one
Death's cold hand gathered,
Till all were gone:
And the eyes that were sparkling
With pleasure's ray,
Lay cold and darkling
Till judgment-day.
Lonely and weeping
A few were left,
Of those who were sleeping
Too soon bereft ;

But they soon were lying
Beneath the sod--
And I, the Undying,
Remained--with God!
And the silvery fountains went murmuring on,
But the voices of music and pleasure were gone.
And I could not bear the banquet-room,
Reminding me ever of my doom;
When the purple goblet I tried to quaff,
In my ear there rang some forgotten laugh;
And when the lay I sought to pour,
Voices came round me which sang no more.
Yea! when I saw some lovely form,
I thought how soon it must feed the worm--
And shrank from the touch it left behind,
As if I were not of human kind;
Or that the thing I could not save
Were withering, then, in the cold dark grave.
I wandered through my halls
Is it my voice which calls
On the departed,
With that stern, sad tone?
Where are, beloved in vain,
Your countless numbers?
May you not wake again

From your dark slumbers?
Am I to be alone?
Oh! let but one return--
One fond one only;
Raise up the heavy urn,
Life is so lonely--
I ask no more of Heaven.
The mocking echoes round,
My words repeating
With their dim dreary sound,
Forbid our meeting--
I may not be forgiven!
Linda! my Linda! those, and those alone
Who have lived on, when more than life was gone;
And being yet young, look to the heavy years
Which are to come--a future all of tears--
Those only who have stood in some bright spot
With those beloved ones who shared their lot,
And stand again in that sweet fairy scene,
When those young forms are as they had not been;
When gazing wildly round, some fancied word
Strikes on the listening spirit, and it seems
As if again those gentle tones were heard
Which never more can sound except in dreams--
Those only who have started and awoke
In anguish'd pain,

And yearn'd (the gladsome vision being broke)
To dream again--
Can feel for me. It seem'd a little day
In which that generation pass'd away;
And others rose up round me, and they trod
In those same streets--upon the selfsame sod
They loved and were beloved: they ate--they laugh'd--
And the rich grape from ancient goblets quaff'd:
But I remain'd alone--a blighted thing,
Like one sere leaf amid the flowers of spring!
My sick worn heart refused to cling again
To dreams that pass away, and yearnings vain.
Thou canst not think how strange:--how horribly strange
It was to see all round me fade and change,
And I remain the same!--I sat within
My halls of light, a thing of care and sin;
The echoes gave me back the wild sad tone
Of every deep and solitary moan;
Fearful I gazed on the bright walls around,
And dash'd the mocking mirrors to the ground.
And when I wander'd through the desert crowd
Of all my fellow-men, I could have bow'd
And grovell'd in the dust to him who would
Have struck my breast, to slay me where I stood.
They shrank from me as from some venomous snake
Watchfully coil'd to spring from the dark brake

On the unwary. Fearful--fearful tales
Pass'd on from sire to son, link'd with my name,
With all the awful mystery which veils
A tale of guilt, and deepens its dark shame
They shrank from me, I say, as, gaunt and wild
I wander'd on through the long summer's day
And every mother snatch'd her cowering child
With horror from my solitary way!
I fled from land to land, a hunted wretch;
From land to land those tales pursued me still:
Across the wide bright sea there seem'd to stretch
A long dark cloud my fairest hopes to kill.
I grew a wanderer: from Afric's coast,
Where gaily dwelt the yet unfetter'd black,
To Iran, of her eager sons the boast,
I went along my dim and cheerless track.
O'er the blue Mediterranean, with its isles
And dancing waves, and wildly pleasing song,
By Lusitania's land of sun and smiles,
My joyless bark in darkness sail'd along!
On many a soil my wandering feet have trod,
And heard the voice of nations worship God.
Where the dim-minded Heathen raised his prayer
To some bright spirit dwelling in mid-air,
I have stood by, and cursed the stiffen'd knee
Which would not bow like him to Deity.

Where the proud Ghebir, still at morning hour,
Confess'd a God of glory and of power
In the red sun that roll'd above his head,
There have I been, and burning tear-drops shed.
Where the Mahometan, through ages gone,
In his dark faith hath blindly wander'd on;
Where the incredulous Jew, yet unforgiven,
Still vainly waits the crucified of Heaven;
Where the meek Christian raises to the skies
His clasping hands, and his adoring eyes,
And prays that God--the All-seeing God--will bless
His heart with purity of holiness;
Where rosy infancy in smiles was kneeling,
With murmuring, half-imperfect word, appealing
Unto the giver of all good--where joy
Its tearful thanks return'd, and bless'd the day
When should be tasted bliss which cannot cloy,
And tears in heaven's own light be dried away;
And where the frantic voice of love's despair
Sends forth its thrilling sound, half wail, half prayer;
In every temple, and at every shrine
I've stood and wish'd the darkest worship mine--
So I might see, howe'er the beam mistaking,
Some smile from Heaven upon a heart that's breaking!

''Twas on God's glad and holy sabbath day,
When the wide world kneels down at once to pray,--
When every valley, every mountain sod,
Sends its faint tribute to the mighty God,
And the low murmurings of the voiceless airs
Waft on the echo of a thousand prayers--
I stood on England's fresh and fairy ground.
All lay in dewy stillness far around,
Save the soft chiming of the village bell,
Which seem'd a tale of love and peace to tell.
I stood among the tombs--and saw the crowd
Of Christians enter in;
Each meek and humble head they gently bow'd,
And chased the thoughts of sin.
I watch'd them-one by one they onward pass'd
And from my sight were gone,
The welcome opening door received the last
And left me there alone.
The blood rush'd thickly to my panting heart,
And as I turn'd me sorrowing to depart,
An inward voice seem'd whispering--'Sinner, go!
And with those meek adorers bend thee low.'
I trembled--hesitated--reach'd the door
Through which the pious crowd had ceased to pour:
A sudden faintness came upon me there,
And the relaxing limb refused to bear.

I sank upon a stone, and laid my head
Above the happy and unconscious dead;
And when I rose again, the doors were closed!
In vain I then my fearful thoughts opposed;
Some busy devil whisper'd at my heart
And tempted me to evil.--'Shall the dart
Of pain and anguish (thus I wildly said,)
Fall only on my persecuted head?
Shall they kneel peaceful down, and I stand here
Oppress'd with horror's sick and fainting fear?
Forbid it, Powers of Hell!'--A lowly cot
Stood near that calm and consecrated spot:
I enter'd it:--the morning sunshine threw
Its warm bright beams upon the flowers that grew
Around it and within it--'twas a place
So peaceful and so bright, that you might trace
The tranquil feelings of the dwellers there;
There was no taint of shame, or crime, or care.
On a low humble couch was softly laid
A little slumberer, whose rosy head
Was guarded by a watch-dog; while I stood
In hesitating, half-repentant mood,
My glance still met his large, bright, watchful eye,
Wandering from me to that sweet sleeper nigh.
Yes, even to that dumb animal I seem'd
A thing of crime: the murderous death-light gleam'd

Beneath my brow; the noiseless step was mine;
I moved with conscious guilt, and his low whine
Responded to my sigh, whose echo fell
Heavily--as 'twere loth within that cot to dwell.
My inmost heart grew sick--I turn'd me where
The smouldering embers of a fire still were;.
With shuddering hand I snatch'd a brand whose light
Appear'd to burn unnaturally bright;
And then with desperate step I bore that torch
Unto the chapel's consecrated porch!
A moment more that edifice had fired
And all within in agony expired;
But, dimly swelling through my feverish soul,
A chorus as from heaven's bright chancel came,
Dash'd from my madden'd lips Guilt's venom'd bowl,
And quench'd in bitter tears my heart's wild flame.
The pealing organ, with the solemn sound
Of countless voices, fill'd the air around;
And, as I leant my almost bursting brow
On the cold walls, the words came sad and slow
To me, the exiled one, who might not share
The joyfulness of their prayer.
Sadly I watch'd till through the open door
The crowd of worshippers began to pour;
The hour was over--they had pray'd to Heaven,
And now return'd to peaceful homes forgiven;

While I--one 'wildering glance I gave around
Upon that sunny, consecrated ground;
The warbling birds, whose little songs of joy
The future and the past can ne'er alloy;
The rosy flowers, the warm and welcome breeze
Murmuring gently through the summer trees,
All--all to me was cursed--I could not die!
I stretch'd my yearning arms unto the sky,
I press'd my straining fingers on my brow,
(Nothing could cool its maddening pulses now,)
And flung me groaning by a tombstone there
To weep in my despair!
* * * * * *
* * * * * *
Long had I wept: a gentle sound of woe
Struck on my ear--I turn'd the cause to know.
I saw a young fair creature silently
Kneeling beside a stone,
A form as bright as man would wish to see,
Or woman wish to own;
And eyes, whose true expression should be gladness,
Beam'd forth in momentary tears of sadness,
Showing like sun-shine through a summer rain
How soon 'twill all be bright and clear again.
I loved her!--
* * * * * *

In truth she was a light and lovely thing,
Fair as the opening flower of early spring.
The deep rose crimson'd in her laughing cheek,
And her eyes seem'd without the tongue to speak;
Those dark blue glorious orbs!--oh! summer skies
Were nothing to the heaven of her eyes.
And then she had a witching art
To wile all sadness from the heart;
Wild as the half-tamed gazelle,
She bounded over hill and dell,
Breaking on you when alone
With her sweet and silvery tone,
Dancing to her gentle lute
With her light and fairy foot;
To our lone meeting-place
Stealing slow with gentle pace,
To hide among the feathery fern;
And, while waiting her return,
I wander'd up and down for hours--
She started from amid the flowers,
Wild, and fresh, and bright as they,
To wing again her sportive way.

'And she was good as she was fair;
Every morn and every even

Kneeling down in meekness there
To the Holy One of Heaven;
While those bright and soul-fraught eyes
With an angel's love seem'd burning,
All the radiance of blue skies
With an equal light returning.
The dream of guilt and misery
In that young soul had never enter'd;
Her hopes of Heaven--her love of me,
Were all in which her heart had centred:
Her longest grief, her deepest woe,
When by her mother's tomb she knelt,
Whom she had lost too young to know
How deep such loss is sometimes felt.

'It was not grief, but soft regret,
Such as, when one bright sun hath set
After a happy day, will come
Stealing within our heart's gay home,
Yet leaves a hope (that heart's best prize)
That even brighter ones may rise.
A tear, for hours of childhood wept;
A garland, wove for her who slept;
A prayer, that the pure soul would bless
Her child, and save from all distress;

A sigh, as clasp'd within her own
She held my hand beside that stone,
And told of many a virtue rare
That shone in her who slumber'd there--
Were all that clouded for a while
The brightness of her sunny smile.
* * * * * *
* * * * * *
It was a mild sweet evening, such
As thou and I have sometimes felt
When the soul feels the scene so much
That even wither'd hearts must melt;
We sat beside that sacred place--
Her mother's tomb; her glorious head
Seem'd brightening with immortal grace,
As the impartial sun-light shed
Its beams alike on the cold grave,
Wandering o'er the unconscious clay,
And on the living eyes which gave
Back to those skies their borrow'd ray.
'Isbal, beloved!' 'twas thus my Edith spoke,
(And my worn heart almost to joy awoke
Beneath the thrill of that young silver tone
'Isbal, before thou call'st me all thine own,
I would that I might know the whole
Of what is gloomy in thy soul.

Nay, turn not on me those dark eyes
With such wild anguish and surprise.
In spite of every playful wile,
Thou know'st I never see thee smile;
And oft, when, laughing by thy side
Thou think'st that I am always gay,
Tears which are hanging scarcely dried
By thy fond kiss are wiped away.
And deem me not a child; for though
A gay and careless thing I be,
Since I have loved, I feel that, oh!
I could bear aught--do aught for thee!'

'What boots it to record each gentle tone
Of that young voice, when ev'n the tomb is gone
By which we sat and talk'd? that innocent voice,
So full of joy and hope, that to rejoice
Seem'd natural to those who caught the sound!
The rosy lips are moulder'd under ground:
And she is dead--the beautiful is dead!
The loving and the loved hath pass'd away,
And deep within her dark and narrow bed
All mutely lies what was but breathing clay.
* * * * * *
* * * * * *

Why did I tell the wildly horrible tale?--
Why did I trust the voice that told me she
Could bear to see beyond the lifted veil
A future life of hopeless misery?--
I told her all-- * * * *
There was a long deep pause.
I dared not raise my eyes to ask the cause,
But waited breathlessly to hear once more
The gentle tones which I had loved of yore.
Was that her voice?--oh God!--was that her cry?
Were hers those smother'd tones of agony?
Thus she spoke; while on my brow
The cold drops stood as they do now :--
'It is not that I could not bear
The worst of ills with thee to share:
It is not that thy future fate
Were all too dark and desolate:
Earth holds no pang--Hell shows no fear
I would not try at least to bear;
And if my heart too weak might be,
Oh! it would then have broke for thee!
No, not a pang one tear had cost
But this--to see thee, know thee, lost!'

'My parch'd lips strove for utterance--but no,
I could but listen still, with speechless woe:
I stretch'd my quivering arms--'Away! away!'
She cried, 'and let me humbly kneel, and pray
For pardon; if, indeed, such pardon be
For having dared to love--a thing like thee!'

'I wrung the drops from off my brow;
I sank before her, kneeling low
Where the departed slept.
I spoke to her of heaven's wrath
That clouded o'er my desert path,
I raised my voice and wept!
I told again my heart's dark dream,
The lighting of joy's fever'd beam,
The pain of living on;
When all of fair, and good, and bright;
Sank from my path like heaven's light
When the warm sun is gone.
But though 'twas pity shone within her eye,
'Twas mingled with such bitter agony,
My blood felt chill.
Her round arms cross'd upon her shrinking breast,
Her pale and quivering lip in fear compress'd
Of more than mortal ill,
She stood.--'My Edith!--mine!' I frantic cried;
'My Edith!--mine!' the sorrowing hills replied;

And the familiar sound so dear erewhile,
Brought to her lip a wild and ghastly smile.
Then gazing with one long, long look of love,
She lifted up her eyes to heaven above,
And turned them on me with a gush of tears:
Those drops renew'd my mingled hopes and fears.
'Edith!--oh! hear me!' With averted face
And outspread arms she shrank from my embrace.
'Away!--away!'--She bent her shuddering knee,
Bow'd her bright head--and Edith ceased to be!
She was so young, so full of life,
I linger'd o'er the mortal strife
That shook her frame, with hope--how vain!
Her spirit might return again.
Could she indeed be gone?--the love
Of my heart's inmost core!--I strove
Against the truth.--That thing of smiles,
With all her glad and artless wiles--
She, who one hour ago had been
The fairy of that magic scene!--
She, whose fond playful eye such brilliance shed,
That laughter-loving thing--could she be cold and dead?--
I buried her, and left her there;
And turn'd away in my despair.

'And Evening threw her shadows round
That beautiful and blessed ground,
And all the distant realms of light
Twinkled from out the dark blue night.
So calmly pure--so far away
From all Earth's sorrows and her crimes,
The gentle scene before me lay;
So like the world of olden times,
That those who gazed on it might swear
Nothing but peace could enter there.
And yet there lay ungrown, untrod,
The fresh and newly turned-up sod,
Which cover'd o'er as fair a form
As ever fed the noxious worm.
There, but an hour ago--yea, less,
The agony and bitterness
Of human feelings, wrought so high
We can but writhe awhile and die,
Troubled the peace around; and sent
Wild shrieks into the firmament.
How strange the earth, our earth, should share
So little in our crime or care!
The billows of the treacherous main
Gape for the wreck, and close again
With dancing smiles, as if the deep
Had whelm'd not with eternal sleep

Many and many a warm young heart
Which swell'd to meet, and bled to part.
The battle plain its verdant breast
Will show in bright and sunny rest,
Although its name is now a word
Through sobs, and moans, and wailing heard;
And many, mourn'd for from afar,
There died the writhing death of war.
Yea, ev'n the stream, by whose cool side
Lay those who thirsted for its tide,
Yearning for some young hand of yore,
Wont in bright hours with smiles to pour
The mantling wine for him whose blood
Is mixing with the glassy flood--
Ev'n that pure fountain gushes by
With all its former brilliancy;
Nor bears with it one tint to show
How crimson it began to flow.
And thus an echo takes the tone
Of agony: and when 'tis gone,
Air, earth, and sea forget the sound,
And all is still and silent round.
And thus upon each cherish'd grave
The sunbeams smile, the branches wave;
And all our tears for those who now are not,
Sink in the flowery turf--and are forgot!

* * * * * *
* * * * * *
And I return'd again, and yet again,
To that remember'd scene of joy and pain:
And ev'n while sitting by the early tomb
Of her who had deserved a better doom,
Her laughing voice rang in my ear,
Her fairy step seem'd coming near,
Until I raised my heavy eyes:
Then on the lone and desert spot I bow'd,
And hid my groaning head, and wept aloud.'

The stranger paused--and Linda gently wept
For him who lived in pain--for her who slept;
And clung to him, as if she fear'd that fate
Would strike him there and leave her desolate.
He spoke--and deaf her ear to all below,
Save the deep magic of that voice of woe!

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
Palmer! oh! Palmer tops the jaunty part.
Seated in pit, the dwarf with aching eyes,
Looks up, and vows that Barry's out of size;
Whilst to six feet the vigorous stripling grown,
Declares that Garrick is another Coan.
When place of judgment is by whim supplied,
And our opinions have their rise in pride;
When, in discoursing on each mimic elf,
We praise and censure with an eye to self;
All must meet friends, and Ackman bids as fair,
In such a court, as Garrick, for the chair.
At length agreed, all squabbles to decide,
By some one judge the cause was to be tried;
But this their squabbles did afresh renew,
Who should be judge in such a trial:--who?
For Johnson some; but Johnson, it was fear'd,
Would be too grave; and Sterne too gay appear'd;
Others for Franklin voted; but 'twas known,
He sicken'd at all triumphs but his own:
For Colman many, but the peevish tongue
Of prudent Age found out that he was young:
For Murphy some few pilfering wits declared,
Whilst Folly clapp'd her hands, and Wisdom stared.
To mischief train'd, e'en from his mother's womb,
Grown old in fraud, though yet in manhood's bloom,
Adopting arts by which gay villains rise,
And reach the heights which honest men despise;
Mute at the bar, and in the senate loud,
Dull 'mongst the dullest, proudest of the proud;
A pert, prim, prater of the northern race,
Guilt in his heart, and famine in his face,
Stood forth,--and thrice he waved his lily hand,
And thrice he twirled his tye, thrice stroked his band:--
At Friendship's call (thus oft, with traitorous aim,
Men void of faith usurp Faith's sacred name)
At Friendship's call I come, by Murphy sent,
Who thus by me develops his intent:
But lest, transfused, the spirit should be lost,
That spirit which, in storms of rhetoric toss'd,
Bounces about, and flies like bottled beer,
In his own words his own intentions hear.
Thanks to my friends; but to vile fortunes born,
No robes of fur these shoulders must adorn.
Vain your applause, no aid from thence I draw;
Vain all my wit, for what is wit in law?
Twice, (cursed remembrance!) twice I strove to gain
Admittance 'mongst the law-instructed train,
Who, in the Temple and Gray's Inn, prepare
For clients' wretched feet the legal snare;
Dead to those arts which polish and refine,
Deaf to all worth, because that worth was mine,
Twice did those blockheads startle at my name,
And foul rejection gave me up to shame.
To laws and lawyers then I bade adieu,
And plans of far more liberal note pursue.
Who will may be a judge--my kindling breast
Burns for that chair which Roscius once possess'd.
Here give your votes, your interest here exert,
And let success for once attend desert.
With sleek appearance, and with ambling pace,
And, type of vacant head, with vacant face,
The Proteus Hill put in his modest plea,--
Let Favour speak for others, Worth for me.--
For who, like him, his various powers could call
Into so many shapes, and shine in all?
Who could so nobly grace the motley list,
Actor, Inspector, Doctor, Botanist?
Knows any one so well--sure no one knows--
At once to play, prescribe, compound, compose?
Who can--but Woodward came,--Hill slipp'd away,
Melting, like ghosts, before the rising day.
With that low cunning, which in fools supplies,
And amply too, the place of being wise,
Which Nature, kind, indulgent parent, gave
To qualify the blockhead for a knave;
With that smooth falsehood, whose appearance charms,
And Reason of each wholesome doubt disarms,
Which to the lowest depths of guile descends,
By vilest means pursues the vilest ends;
Wears Friendship's mask for purposes of spite,
Pawns in the day, and butchers in the night;
With that malignant envy which turns pale,
And sickens, even if a friend prevail,
Which merit and success pursues with hate,
And damns the worth it cannot imitate;
With the cold caution of a coward's spleen,
Which fears not guilt, but always seeks a screen,
Which keeps this maxim ever in her view--
What's basely done, should be done safely too;
With that dull, rooted, callous impudence,
Which, dead to shame and every nicer sense,
Ne'er blush'd, unless, in spreading Vice's snares,
She blunder'd on some virtue unawares;
With all these blessings, which we seldom find
Lavish'd by Nature on one happy mind,
A motley figure, of the Fribble tribe,
Which heart can scarce conceive, or pen describe,
Came simpering on--to ascertain whose sex
Twelve sage impannell'd matrons would perplex.
Nor male, nor female; neither, and yet both;
Of neuter gender, though of Irish growth;
A six-foot suckling, mincing in Its gait;
Affected, peevish, prim, and delicate;
Fearful It seem'd, though of athletic make,
Lest brutal breezes should too roughly shake
Its tender form, and savage motion spread,
O'er Its pale cheeks, the horrid manly red.
Much did It talk, in Its own pretty phrase,
Of genius and of taste, of players and of plays;
Much too of writings, which Itself had wrote,
Of special merit, though of little note;
For Fate, in a strange humour, had decreed
That what It wrote, none but Itself should read;
Much, too, It chatter'd of dramatic laws,
Misjudging critics, and misplaced applause;
Then, with a self-complacent, jutting air,
It smiled, It smirk'd, It wriggled to the chair;
And, with an awkward briskness not Its own,
Looking around, and perking on the throne,
Triumphant seem'd; when that strange savage dame,
Known but to few, or only known by name,
Plain Common-Sense appear'd, by Nature there
Appointed, with plain Truth, to guard the chair,
The pageant saw, and, blasted with her frown,
To Its first state of nothing melted down.
Nor shall the Muse, (for even there the pride
Of this vain nothing shall be mortified)
Nor shall the Muse (should Fate ordain her rhymes,
Fond, pleasing thought! to live in after-times)
With such a trifler's name her pages blot;
Known be the character, the thing forgot:
Let It, to disappoint each future aim,
Live without sex, and die without a name!
Cold-blooded critics, by enervate sires
Scarce hammer'd out, when Nature's feeble fires
Glimmer'd their last; whose sluggish blood, half froze,
Creeps labouring through the veins; whose heart ne'er glows
With fancy-kindled heat;--a servile race,
Who, in mere want of fault, all merit place;
Who blind obedience pay to ancient schools,
Bigots to Greece, and slaves to musty rules;
With solemn consequence declared that none
Could judge that cause but Sophocles alone.
Dupes to their fancied excellence, the crowd,
Obsequious to the sacred dictate, bow'd.
When, from amidst the throng, a youth stood forth,
Unknown his person, not unknown his worth;
His look bespoke applause; alone he stood,
Alone he stemm'd the mighty critic flood.
He talk'd of ancients, as the man became
Who prized our own, but envied not their fame;
With noble reverence spoke of Greece and Rome,
And scorn'd to tear the laurel from the tomb.
But, more than just to other countries grown,
Must we turn base apostates to our own?
Where do these words of Greece and Rome excel,
That England may not please the ear as well?
What mighty magic's in the place or air,
That all perfection needs must centre there?
In states, let strangers blindly be preferr'd;
In state of letters, merit should be heard.
Genius is of no country; her pure ray
Spreads all abroad, as general as the day;
Foe to restraint, from place to place she flies,
And may hereafter e'en in Holland rise.
May not, (to give a pleasing fancy scope,
And cheer a patriot heart with patriot hope)
May not some great extensive genius raise
The name of Britain 'bove Athenian praise;
And, whilst brave thirst of fame his bosom warms,
Make England great in letters as in arms?
There may--there hath,--and Shakspeare's Muse aspires
Beyond the reach of Greece; with native fires
Mounting aloft, he wings his daring flight,
Whilst Sophocles below stands trembling at his height.
Why should we then abroad for judges roam,
When abler judges we may find at home?
Happy in tragic and in comic powers,
Have we not Shakspeare?--Is not Jonson ours?
For them, your natural judges, Britons, vote;
They'll judge like Britons, who like Britons wrote.
He said, and conquer'd--Sense resumed her sway,
And disappointed pedants stalk'd away.
Shakspeare and Jonson, with deserved applause,
Joint-judges were ordain'd to try the cause.
Meantime the stranger every voice employ'd,
To ask or tell his name. Who is it? Lloyd.
Thus, when the aged friends of Job stood mute,
And, tamely prudent, gave up the dispute,
Elihu, with the decent warmth of youth,
Boldly stood forth the advocate of Truth;
Confuted Falsehood, and disabled Pride,
Whilst baffled Age stood snarling at his side.
The day of trial's fix'd, nor any fear
Lest day of trial should be put off here.
Causes but seldom for delay can call
In courts where forms are few, fees none at all.
The morning came, nor find I that the Sun,
As he on other great events hath done,
Put on a brighter robe than what he wore
To go his journey in, the day before.
Full in the centre of a spacious plain,
On plan entirely new, where nothing vain,
Nothing magnificent appear'd, but Art
With decent modesty perform'd her part,
Rose a tribunal: from no other court
It borrow'd ornament, or sought support:
No juries here were pack'd to kill or clear,
No bribes were taken, nor oaths broken here;
No gownsmen, partial to a client's cause,
To their own purpose turn'd the pliant laws;
Each judge was true and steady to his trust,
As Mansfield wise, and as old Foster just.
In the first seat, in robe of various dyes,
A noble wildness flashing from his eyes,
Sat Shakspeare: in one hand a wand he bore,
For mighty wonders famed in days of yore;
The other held a globe, which to his will
Obedient turn'd, and own'd the master's skill:
Things of the noblest kind his genius drew,
And look'd through Nature at a single view:
A loose he gave to his unbounded soul,
And taught new lands to rise, new seas to roll;
Call'd into being scenes unknown before,
And passing Nature's bounds, was something more.
Next Jonson sat, in ancient learning train'd,
His rigid judgment Fancy's flights restrain'd;
Correctly pruned each wild luxuriant thought,
Mark'd out her course, nor spared a glorious fault.
The book of man he read with nicest art,
And ransack'd all the secrets of the heart;
Exerted penetration's utmost force,
And traced each passion to its proper source;
Then, strongly mark'd, in liveliest colours drew,
And brought each foible forth to public view:
The coxcomb felt a lash in every word,
And fools, hung out, their brother fools deterr'd.
His comic humour kept the world in awe,
And Laughter frighten'd Folly more than Law.
But, hark! the trumpet sounds, the crowd gives way,
And the procession comes in just array.
Now should I, in some sweet poetic line,
Offer up incense at Apollo's shrine,
Invoke the Muse to quit her calm abode,
And waken Memory with a sleeping Ode.
For how shall mortal man, in mortal verse,
Their titles, merits, or their names rehearse?
But give, kind Dulness! memory and rhyme,
We 'll put off Genius till another time.
First, Order came,--with solemn step, and slow,
In measured time his feet were taught to go.
Behind, from time to time, he cast his eye,
Lest this should quit his place, that step awry.
Appearances to save his only care;
So things seem right, no matter what they are.
In him his parents saw themselves renew'd,
Begotten by Sir Critic on Saint Prude.
Then came drum, trumpet, hautboy, fiddle, flute;
Next snuffer, sweeper, shifter, soldier, mute:
Legions of angels all in white advance;
Furies, all fire, come forward in a dance;
Pantomime figures then are brought to view,
Fools, hand in hand with fools, go two by two.
Next came the treasurer of either house;
One with full purse, t'other with not a sous.
Behind, a group of figures awe create,
Set off with all the impertinence of state;
By lace and feather consecrate to fame,
Expletive kings, and queens without a name.
Here Havard, all serene, in the same strains,
Loves, hates, and rages, triumphs and complains;
His easy vacant face proclaim'd a heart
Which could not feel emotions, nor impart.
With him came mighty Davies: on my life,
That Davies hath a very pretty wife!
Statesman all over, in plots famous grown,
He mouths a sentence, as curs mouth a bone.
Next Holland came: with truly tragic stalk,
He creeps, he flies,--a hero should not walk.
As if with Heaven he warr'd, his eager eyes
Planted their batteries against the skies;
Attitude, action, air, pause, start, sigh, groan,
He borrow'd, and made use of as his own.
By fortune thrown on any other stage,
He might, perhaps, have pleased an easy age;
But now appears a copy, and no more,
Of something better we have seen before.
The actor who would build a solid fame,
Must Imitation's servile arts disclaim;
Act from himself, on his own bottom stand;
I hate e'en Garrick thus at second-hand.
Behind came King.--Bred up in modest lore,
Bashful and young, he sought Hibernia's shore;
Hibernia, famed, 'bove every other grace,
For matchless intrepidity of face.
From her his features caught the generous flame,
And bid defiance to all sense of shame.
Tutor'd by her all rivals to surpass,
'Mongst Drury's sons he comes, and shines in Brass.
Lo, Yates! Without the least finesse of art
He gets applause--I wish he'd get his part.
When hot Impatience is in full career,
How vilely 'Hark ye! hark ye!' grates the ear;
When active fancy from the brain is sent,
And stands on tip-toe for some wish'd event,
I hate those careless blunders, which recall
Suspended sense, and prove it fiction all.
In characters of low and vulgar mould,
Where Nature's coarsest features we behold;
Where, destitute of every decent grace,
Unmanner'd jests are blurted in your face,
There Yates with justice strict attention draws,
Acts truly from himself, and gains applause.
But when, to please himself or charm his wife,
He aims at something in politer life,
When, blindly thwarting Nature's stubborn plan,
He treads the stage by way of gentleman,
The clown, who no one touch of breeding knows,
Looks like Tom Errand dress'd in Clincher's clothes.
Fond of his dress, fond of his person grown,
Laugh'd at by all, and to himself unknown,
Prom side to side he struts, he smiles, he prates,
And seems to wonder what's become of Yates.
Woodward, endow'd with various tricks of face,
Great master in the science of grimace,
From Ireland ventures, favourite of the town,
Lured by the pleasing prospect of renown;
A speaking harlequin, made up of whim,
He twists, he twines, he tortures every limb;
Plays to the eye with a mere monkey's art,
And leaves to sense the conquest of the heart.
We laugh indeed, but, on reflection's birth,
We wonder at ourselves, and curse our mirth.
His walk of parts he fatally misplaced,
And inclination fondly took for taste;
Hence hath the town so often seen display'd
Beau in burlesque, high life in masquerade.
But when bold wits,--not such as patch up plays,
Cold and correct, in these insipid days,--
Some comic character, strong featured, urge
To probability's extremest verge;
Where modest Judgment her decree suspends,
And, for a time, nor censures, nor commends;
Where critics can't determine on the spot
Whether it is in nature found or not,
There Woodward safely shall his powers exert,
Nor fail of favour where he shows desert;
Hence he in Bobadil such praises bore,
Such worthy praises, Kitely scarce had more.
By turns transform'd into all kind of shapes,
Constant to none, Foote laughs, cries, struts, and scrapes:
Now in the centre, now in van or rear,
The Proteus shifts, bawd, parson, auctioneer.
His strokes of humour, and his bursts of sport,
Are all contain'd in this one word--distort.
Doth a man stutter, look a-squint, or halt?
Mimics draw humour out of Nature's fault,
With personal defects their mirth adorn,
And bang misfortunes out to public scorn.
E'en I, whom Nature cast in hideous mould,
Whom, having made, she trembled to behold,
Beneath the load of mimicry may groan,
And find that Nature's errors are my own.
Shadows behind of Foote and Woodward came;
Wilkinson this, Obrien was that name.
Strange to relate, but wonderfully true,
That even shadows have their shadows too!
With not a single comic power endued,
The first a mere, mere mimic's mimic stood;
The last, by Nature form'd to please, who shows,
In Johnson's Stephen, which way genius grows,
Self quite put off, affects with too much art
To put on Woodward in each mangled part;
Adopts his shrug, his wink, his stare; nay, more,
His voice, and croaks; for Woodward croak'd before.
When a dull copier simple grace neglects,
And rests his imitation in defects,
We readily forgive; but such vile arts
Are double guilt in men of real parts.
By Nature form'd in her perversest mood,
With no one requisite of art endued,
Next Jackson came--Observe that settled glare,
Which better speaks a puppet than a player;
List to that voice--did ever Discord hear
Sounds so well fitted to her untuned ear?
When to enforce some very tender part,
The right hand slips by instinct on the heart,
His soul, of every other thought bereft,
Is anxious only where to place the left;
He sobs and pants to soothe his weeping spouse;
To soothe his weeping mother, turns and bows:
Awkward, embarrass'd, stiff, without the skill
Of moving gracefully, or standing still,
One leg, as if suspicious of his brother,
Desirous seems to run away from t'other.
Some errors, handed down from age to age,
Plead custom's force, and still possess the stage.
That's vile: should we a parent's faults adore,
And err, because our fathers err'd before?
If, inattentive to the author's mind,
Some actors made the jest they could not find;
If by low tricks they marr'd fair Nature's mien,
And blurr'd the graces of the simple scene,
Shall we, if reason rightly is employ'd,
Not see their faults, or seeing, not avoid?
When Falstaff stands detected in a lie,
Why, without meaning, rolls Love's glassy eye?
Why? There's no cause--at least no cause we know--
It was the fashion twenty years ago.
Fashion!--a word which knaves and fools may use,
Their knavery and folly to excuse.
To copy beauties, forfeits all pretence
To fame--to copy faults, is want of sense.
Yet (though in some particulars he fails,
Some few particulars, where mode prevails)
If in these hallow'd times, when, sober, sad,
All gentlemen are melancholy mad;
When 'tis not deem'd so great a crime by half
To violate a vestal as to laugh,
Rude mirth may hope, presumptuous, to engage
An act of toleration for the stage;
And courtiers will, like reasonable creatures,
Suspend vain fashion, and unscrew their features;
Old Falstaff, play'd by Love, shall please once more,
And humour set the audience in a roar.
Actors I've seen, and of no vulgar name,
Who, being from one part possess'd of fame,
Whether they are to laugh, cry, whine, or bawl,
Still introduce that favourite part in all.
Here, Love, be cautious--ne'er be thou betray'd
To call in that wag Falstaff's dangerous aid;
Like Goths of old, howe'er he seems a friend,
He'll seize that throne you wish him to defend.
In a peculiar mould by Humour cast,
For Falstaff framed--himself the first and last--
He stands aloof from all--maintains his state,
And scorns, like Scotsmen, to assimilate.
Vain all disguise--too plain we see the trick,
Though the knight wears the weeds of Dominic;
And Boniface disgraced, betrays the smack,
In _anno Domini_, of Falstaff sack.
Arms cross'd, brows bent, eyes fix'd, feet marching slow,
A band of malcontents with spleen o'erflow;
Wrapt in Conceit's impenetrable fog,
Which Pride, like Phoebus, draws from every bog,
They curse the managers, and curse the town
Whose partial favour keeps such merit down.
But if some man, more hardy than the rest,
Should dare attack these gnatlings in their nest,
At once they rise with impotence of rage,
Whet their small stings, and buzz about the stage:
'Tis breach of privilege! Shall any dare
To arm satiric truth against a player?
Prescriptive rights we plead, time out of mind;
Actors, unlash'd themselves, may lash mankind.
What! shall Opinion then, of nature free,
And liberal as the vagrant air, agree
To rust in chains like these, imposed by things,
Which, less than nothing, ape the pride of kings?
No--though half-poets with half-players join
To curse the freedom of each honest line;
Though rage and malice dim their faded cheek,
What the Muse freely thinks, she'll freely speak;
With just disdain of every paltry sneer,
Stranger alike to flattery and fear,
In purpose fix'd, and to herself a rule,
Public contempt shall wait the public fool.
Austin would always glisten in French silks;
Ackman would Norris be, and Packer, Wilkes:
For who, like Ackman, can with humour please;
Who can, like Packer, charm with sprightly ease?
Higher than all the rest, see Bransby strut:
A mighty Gulliver in Lilliput!
Ludicrous Nature! which at once could show
A man so very high, so very low!
If I forget thee, Blakes, or if I say
Aught hurtful, may I never see thee play.
Let critics, with a supercilious air,
Decry thy various merit, and declare
Frenchman is still at top; but scorn that rage
Which, in attacking thee, attacks the age.
French follies, universally embraced,
At once provoke our mirth, and form our taste.
Long, from a nation ever hardly used,
At random censured, wantonly abused,
Have Britons drawn their sport; with partial view
Form'd general notions from the rascal few;
Condemn'd a people, as for vices known,
Which from their country banish'd, seek our own.
At length, howe'er, the slavish chain is broke,
And Sense, awaken'd, scorns her ancient yoke:
Taught by thee, Moody, we now learn to raise
Mirth from their foibles; from their virtues, praise.
Next came the legion which our summer Bayes,
From alleys, here and there, contrived to raise,
Flush'd with vast hopes, and certain to succeed,
With wits who cannot write, and scarce can read.
Veterans no more support the rotten cause,
No more from Elliot's worth they reap applause;
Each on himself determines to rely;
Be Yates disbanded, and let Elliot fly.
Never did players so well an author fit,
To Nature dead, and foes declared to wit.
So loud each tongue, so empty was each head,
So much they talk'd, so very little said,
So wondrous dull, and yet so wondrous vain,
At once so willing, and unfit to reign,
That Reason swore, nor would the oath recall,
Their mighty master's soul inform'd them all.
As one with various disappointments sad,
Whom dulness only kept from being mad,
Apart from all the rest great Murphy came--
Common to fools and wits, the rage of fame.
What though the sons of Nonsense hail him Sire,
Auditor, Author, Manager, and Squire,
His restless soul's ambition stops not there;
To make his triumphs perfect, dub him Player.
In person tall, a figure form'd to please,
If symmetry could charm deprived of ease;
When motionless he stands, we all approve;
What pity 'tis the thing was made to move.
His voice, in one dull, deep, unvaried sound,
Seems to break forth from caverns under ground;
From hollow chest the low sepulchral note
Unwilling heaves, and struggles in his throat.
Could authors butcher'd give an actor grace,
All must to him resign the foremost place.
When he attempts, in some one favourite part,
To ape the feelings of a manly heart,
His honest features the disguise defy,
And his face loudly gives his tongue the lie.
Still in extremes, he knows no happy mean,
Or raving mad, or stupidly serene.
In cold-wrought scenes, the lifeless actor flags;
In passion, tears the passion into rags.
Can none remember? Yes--I know all must--
When in the Moor he ground his teeth to dust,
When o'er the stage he Folly's standard bore,
Whilst Common-Sense stood trembling at the door.
How few are found with real talents blest!
Fewer with Nature's gifts contented rest.
Man from his sphere eccentric starts astray:
All hunt for fame, but most mistake the way.
Bred at St Omer's to the shuffling trade,
The hopeful youth a Jesuit might have made;
With various readings stored his empty skull,
Learn'd without sense, and venerably dull;
Or, at some banker's desk, like many more,
Content to tell that two and two make four;
His name had stood in City annals fair,
And prudent Dulness mark'd him for a mayor.
What, then, could tempt thee, in a critic age,
Such blooming hopes to forfeit on a stage?
Could it be worth thy wondrous waste of pains
To publish to the world thy lack of brains?
Or might not Reason e'en to thee have shown,
Thy greatest praise had been to live unknown?
Yet let not vanity like thine despair:
Fortune makes Folly her peculiar care.
A vacant throne, high-placed in Smithfield, view.
To sacred Dulness and her first-born due,
Thither with haste in happy hour repair,
Thy birthright claim, nor fear a rival there.
Shuter himself shall own thy juster claim,
And venal Ledgers puff their Murphy's name;
Whilst Vaughan, or Dapper, call him which you will,
Shall blow the trumpet, and give out the bill.
There rule, secure from critics and from sense,
Nor once shall Genius rise to give offence;
Eternal peace shall bless the happy shore,
And little factions break thy rest no more.
From Covent Garden crowds promiscuous go,
Whom the Muse knows not, nor desires to know;
Veterans they seem'd, but knew of arms no more
Than if, till that time, arms they never bore:
Like Westminster militia train'd to fight,
They scarcely knew the left hand from the right.
Ashamed among such troops to show the head,
Their chiefs were scatter'd, and their heroes fled.
Sparks at his glass sat comfortably down
To separate frown from smile, and smile from frown.
Smith, the genteel, the airy, and the smart,
Smith was just gone to school to say his part.
Ross (a misfortune which we often meet)
Was fast asleep at dear Statira's feet;
Statira, with her hero to agree,
Stood on her feet as fast asleep as he.
Macklin, who largely deals in half-form'd sounds,
Who wantonly transgresses Nature's bounds,
Whose acting's hard, affected, and constrain'd,
Whose features, as each other they disdain'd,
At variance set, inflexible and coarse,
Ne'er know the workings of united force,
Ne'er kindly soften to each other's aid,
Nor show the mingled powers of light and shade;
No longer for a thankless stage concern'd,
To worthier thoughts his mighty genius turn'd,
Harangued, gave lectures, made each simple elf
Almost as good a speaker as himself;
Whilst the whole town, mad with mistaken zeal,
An awkward rage for elocution feel;
Dull cits and grave divines his praise proclaim,
And join with Sheridan's their Macklin's name.
Shuter, who never cared a single pin
Whether he left out nonsense, or put in,
Who aim'd at wit, though, levell'd in the dark,
The random arrow seldom hit the mark,
At Islington, all by the placid stream
Where city swains in lap of Dulness dream,
Where quiet as her strains their strains do flow,
That all the patron by the bards may know,
Secret as night, with Rolt's experienced aid,
The plan of future operations laid,
Projected schemes the summer months to cheer,
And spin out happy folly through the year.
But think not, though these dastard chiefs are fled,
That Covent Garden troops shall want a head:
Harlequin comes their chief! See from afar
The hero seated in fantastic car!
Wedded to Novelty, his only arms
Are wooden swords, wands, talismans, and charms;
On one side Folly sits, by some call'd Fun,
And on the other his arch-patron, Lun;
Behind, for liberty athirst in vain,
Sense, helpless captive, drags the galling chain:
Six rude misshapen beasts the chariot draw,
Whom Reason loathes, and Nature never saw,
Monsters with tails of ice, and heads of fire;
'Gorgons, and Hydras, and Chimeras dire.'
Each was bestrode by full as monstrous wight,
Giant, dwarf, genius, elf, hermaphrodite.
The Town, as usual, met him in full cry;
The Town, as usual, knew no reason why:
But Fashion so directs, and Moderns raise
On Fashion's mouldering base their transient praise.
Next, to the field a band of females draw
Their force, for Britain owns no Salique law:
Just to their worth, we female rights admit,
Nor bar their claim to empire or to wit.
First giggling, plotting chambermaids arrive,
Hoydens and romps, led on by General Clive.
In spite of outward blemishes, she shone,
For humour famed, and humour all her own:
Easy, as if at home, the stage she trod,
Nor sought the critic's praise, nor fear'd his rod:
Original in spirit and in ease,
She pleased by hiding all attempts to please:
No comic actress ever yet could raise,
On Humour's base, more merit or more praise.
With all the native vigour of sixteen,
Among the merry troop conspicuous seen,
See lively Pope advance, in jig, and trip
Corinna, Cherry, Honeycomb, and Snip:
Not without art, but yet to nature true,
She charms the town with humour just, yet new:
Cheer'd by her promise, we the less deplore
The fatal time when Olive shall be no more.
Lo! Vincent comes! With simple grace array'd,
She laughs at paltry arts, and scorns parade:
Nature through her is by reflection shown,
Whilst Gay once more knows Polly for his own.
Talk not to me of diffidence and fear--
I see it all, but must forgive it here;
Defects like these, which modest terrors cause,
From Impudence itself extort applause.
Candour and Reason still take Virtue's part;
We love e'en foibles in so good a heart.
Let Tommy Arne,--with usual pomp of style,
Whose chief, whose only merit's to compile;
Who, meanly pilfering here and there a bit,
Deals music out as Murphy deals out wit,--
Publish proposals, laws for taste prescribe,
And chaunt the praise of an Italian tribe;
Let him reverse kind Nature's first decrees,
And teach e'en Brent a method not to please;
But never shall a truly British age
Bear a vile race of eunuchs on the stage;
The boasted work's call'd national in vain,
If one Italian voice pollutes the strain.
Where tyrants rule, and slaves with joy obey,
Let slavish minstrels pour the enervate lay;
To Britons far more noble pleasures spring,
In native notes whilst Beard and Vincent sing.
Might figure give a title unto fame,
What rival should with Yates dispute her claim?
But justice may not partial trophies raise,
Nor sink the actress' in the woman's praise.
Still hand in hand her words and actions go,
And the heart feels more than the features show;
For, through the regions of that beauteous face
We no variety of passions trace;
Dead to the soft emotions of the heart,
No kindred softness can those eyes impart:
The brow, still fix'd in sorrow's sullen frame,
Void of distinction, marks all parts the same.
What's a fine person, or a beauteous face,
Unless deportment gives them decent grace?
Bless'd with all other requisites to please,
Some want the striking elegance of ease;
The curious eye their awkward movement tires;
They seem like puppets led about by wires.
Others, like statues, in one posture still,
Give great ideas of the workman's skill;
Wond'ring, his art we praise the more we view,
And only grieve he gave not motion too.
Weak of themselves are what we beauties call,
It is the manner which gives strength to all;
This teaches every beauty to unite,
And brings them forward in the noblest light;
Happy in this, behold, amidst the throng,
With transient gleam of grace, Hart sweeps along.
If all the wonders of external grace,
A person finely turn'd, a mould of face,
Where--union rare--expression's lively force
With beauty's softest magic holds discourse,
Attract the eye; if feelings, void of art,
Rouse the quick passions, and inflame the heart;
If music, sweetly breathing from the tongue,
Captives the ear, Bride must not pass unsung.
When fear, which rank ill-nature terms conceit,
By time and custom conquer'd, shall retreat;
When judgment, tutor'd by experience sage,
Shall shoot abroad, and gather strength from age;
When Heaven, in mercy, shall the stage release
From the dull slumbers of a still-life piece;
When some stale flower, disgraceful to the walk,
Which long hath hung, though wither'd, on the stalk,
Shall kindly drop, then Bride shall make her way,
And merit find a passage to the day;
Brought into action, she at once shall raise
Her own renown, and justify our praise.
Form'd for the tragic scene, to grace the stage
With rival excellence of love and rage;
Mistress of each soft art, with matchless skill
To turn and wind the passions as she will;
To melt the heart with sympathetic woe,
Awake the sigh, and teach the tear to flow;
To put on frenzy's wild, distracted glare,
And freeze the soul with horror and despair;
With just desert enroll'd in endless fame,
Conscious of worth superior, Cibber came.
When poor Alicia's madd'ning brains are rack'd,
And strongly imaged griefs her mind distract,
Struck with her grief, I catch the madness too,
My brain turns round, the headless trunk I view!
The roof cracks, shakes, and falls--new horrors rise,
And Reason buried in the ruin lies!
Nobly disdainful of each slavish art,
She makes her first attack upon the heart;
Pleased with the summons, it receives her laws,
And all is silence, sympathy, applause.
But when, by fond ambition drawn aside,
Giddy with praise, and puff'd with female pride,
She quits the tragic scene, and, in pretence
To comic merit, breaks down nature's fence,
I scarcely can believe my ears or eyes,
Or find out Cibber through the dark disguise.
Pritchard, by Nature for the stage design'd,
In person graceful, and in sense refined;
Her art as much as Nature's friend became,
Her voice as free from blemish as her fame,
Who knows so well in majesty to please,
Attemper'd with the graceful charms of ease?
When, Congreve's favoured pantomime to grace,
She comes a captive queen, of Moorish race;
When love, hate, jealousy, despair, and rage
With wildest tumults in her breast engage,
Still equal to herself is Zara seen;
Her passions are the passions of a queen.
When she to murder whets the timorous Thane,
I feel ambition rush through every vein;
Persuasion hangs upon her daring tongue,
My heart grows flint, and every nerve's new strung.
In comedy--Nay, there, cries Critic, hold;
Pritchard's for comedy too fat and old:
Who can, with patience, bear the gray coquette,
Or force a laugh with over-grown Julett?
Her speech, look, action, humour, all are just,
But then, her age and figure give disgust.
Are foibles, then, and graces of the mind,
In real life, to size or age confined?
Do spirits flow, and is good-breeding placed
In any set circumference of waist?
As we grow old, doth affectation cease,
Or gives not age new vigour to caprice?
If in originals these things appear,
Why should we bar them in the copy here?
The nice punctilio-mongers of this age,
The grand minute reformers of the stage,
Slaves to propriety of every kind,
Some standard measure for each part should find,
Which, when the best of actors shall exceed,
Let it devolve to one of smaller breed.
All actors, too, upon the back should bear
Certificate of birth; time, when; place, where;
For how can critics rightly fix their worth,
Unless they know the minute of their birth?
An audience, too, deceived, may find, too late,
That they have clapp'd an actor out of date.
Figure, I own, at first may give offence,
And harshly strike the eye's too curious sense;
But when perfections of the mind break forth,
Humour's chaste sallies, judgment's solid worth;
When the pure genuine flame by Nature taught,
Springs into sense and every action's thought;
Before such merit all objections fly--
Pritchard's genteel, and Garrick's six feet high.
Oft have I, Pritchard, seen thy wondrous skill,
Confess'd thee great, but find thee greater still;
That worth, which shone in scatter'd rays before,
Collected now, breaks forth with double power.
The 'Jealous Wife!' on that thy trophies raise,
Inferior only to the author's praise.
From Dublin, famed in legends of romance
For mighty magic of enchanted lance,
With which her heroes arm'd, victorious prove,
And, like a flood, rush o'er the land of Love,
Mossop and Barry came--names ne'er design'd
By Fate in the same sentence to be join'd.
Raised by the breath of popular acclaim,
They mounted to the pinnacle of fame;
There the weak brain, made giddy with the height,
Spurr'd on the rival chiefs to mortal fight.
Thus sportive boys, around some basin's brim,
Behold the pipe-drawn bladders circling swim;
But if, from lungs more potent, there arise
Two bubbles of a more than common size,
Eager for honour, they for fight prepare,
Bubble meets bubble, and both sink to air.
Mossop attach'd to military plan,
Still kept his eye fix'd on his right-hand man;
Whilst the mouth measures words with seeming skill,
The right hand labours, and the left lies still;
For he, resolved on Scripture grounds to go,
What the right doth, the left-hand shall not know,
With studied impropriety of speech,
He soars beyond the hackney critic's reach;
To epithets allots emphatic state,
Whilst principals, ungraced, like lackeys wait;
In ways first trodden by himself excels,
And stands alone in indeclinables;
Conjunction, preposition, adverb join
To stamp new vigour on the nervous line;
In monosyllables his thunders roll,
He, she, it, and we, ye, they, fright the soul.
In person taller than the common size,
Behold where Barry draws admiring eyes!
When labouring passions, in his bosom pent,
Convulsive rage, and struggling heave for vent;
Spectators, with imagined terrors warm,
Anxious expect the bursting of the storm:
But, all unfit in such a pile to dwell,
His voice comes forth, like Echo from her cell,
To swell the tempest needful aid denies,
And all adown the stage in feeble murmurs dies.
What man, like Barry, with such pains, can err
In elocution, action, character?
What man could give, if Barry was not here,
Such well applauded tenderness to Lear?
Who else can speak so very, very fine,
That sense may kindly end with every line?
Some dozen lines before the ghost is there,
Behold him for the solemn scene prepare:
See how he frames his eyes, poises each limb,
Puts the whole body into proper trim:--
From whence we learn, with no great stretch of art,
Five lines hence comes a ghost, and, ha! a start.
When he appears most perfect, still we find
Something which jars upon and hurts the mind:
Whatever lights upon a part are thrown,
We see too plainly they are not his own:
No flame from Nature ever yet he caught,
Nor knew a feeling which he was not taught:
He raised his trophies on the base of art,
And conn'd his passions, as he conn'd his part.
Quin, from afar, lured by the scent of fame,
A stage leviathan, put in his claim,
Pupil of Betterton and Booth. Alone,
Sullen he walk'd, and deem'd the chair his own:
For how should moderns, mushrooms of the day,
Who ne'er those masters knew, know how to play?
Gray-bearded veterans, who, with partial tongue,
Extol the times when they themselves were young,
Who, having lost all relish for the stage,
See not their own defects, but lash the age,
Received, with joyful murmurs of applause,
Their darling chief, and lined his favourite cause.
Far be it from the candid Muse to tread
Insulting o'er the ashes of the dead:
But, just to living merit, she maintains,
And dares the test, whilst Garrick's genius reigns,
Ancients in vain endeavour to excel,
Happily praised, if they could act as well.
But, though prescription's force we disallow,
Nor to antiquity submissive bow;
Though we deny imaginary grace,
Founded on accidents of time and place,
Yet real worth of every growth shall bear
Due praise; nor must we, Quin, forget thee there.
His words bore sterling weight; nervous and strong,
In manly tides of sense they roll'd along:
Happy in art, he chiefly had pretence
To keep up numbers, yet not forfeit sense;
No actor ever greater heights could reach
In all the labour'd artifice of speech.
Speech! is that all? And shall an actor found
An universal fame on partial ground?
Parrots themselves speak properly by rote,
And, in six months, my dog shall howl by note.
I laugh at those who, when the stage they tread,
Neglect the heart, to compliment the head;
With strict propriety their cares confined
To weigh out words, while passion halts behind:
To syllable-dissectors they appeal,
Allow them accent, cadence,--fools may feel;
But, spite of all the criticising elves,
Those who would make us feel, must feel themselves.
His eyes, in gloomy socket taught to roll,
Proclaim'd the sullen 'habit of his soul:'
Heavy and phlegmatic he trod the stage,
Too proud for tenderness, too dull for rage.
When Hector's lovely widow shines in tears,
Or Rowe's gay rake dependent virtue jeers,
With the same cast of features he is seen
To chide the libertine, and court the queen.
From the tame scene, which without passion flows,
With just desert his reputation rose;
Nor less he pleased, when, on some surly plan,
He was, at once, the actor and the man.
In Brute he shone unequall'd: all agree
Garrick's not half so great a Brute as he.
When Cato's labour'd scenes are brought to view,
With equal praise the actor labour'd too;
For still you'll find, trace passions to their root,
Small difference 'twixt the Stoic and the Brute.
In fancied scenes, as in life's real plan,
He could not, for a moment, sink the man.
In whate'er cast his character was laid,
Self still, like oil, upon the surface play'd.
Nature, in spite of all his skill, crept in:
Horatio, Dorax, Falstaff,--still 'twas Quin.
Next follows Sheridan. A doubtful name,
As yet unsettled in the rank of fame:
This, fondly lavish in his praises grown,
Gives him all merit; that allows him none;
Between them both, we'll steer the middle course,
Nor, loving praise, rob Judgment of her force.
Just his conceptions, natural and great,
His feelings strong, his words enforced with weight.
Was speech-famed Quin himself to hear him speak,
Envy would drive the colour from his cheek;
But step-dame Nature, niggard of her grace,
Denied the social powers of voice and face.
Fix'd in one frame of features, glare of eye,
Passions, like chaos, in confusion lie;
In vain the wonders of his skill are tried
To form distinctions Nature hath denied.
His voice no touch of harmony admits,
Irregularly deep, and shrill by fits.
The two extremes appear like man and wife,
Coupled together for the sake of strife.
His action's always strong, but sometimes such,
That candour must declare he acts too much.
Why must impatience fall three paces back?
Why paces three return to the attack?
Why is the right leg, too, forbid to stir,
Unless in motion semicircular?
Why must the hero with the Nailor vie,
And hurl the close-clench'd fist at nose or eye?
In Royal John, with Philip angry grown,
I thought he would have knock'd poor Davies down.
Inhuman tyrant! was it not a shame
To fright a king so harmless and so tame?
But, spite of all defects, his glories rise,
And art, by judgment form'd, with nature vies.
Behold him sound the depth of Hubert's soul,
Whilst in his own contending passions roll;
View the whole scene, with critic judgment scan,
And then deny him merit, if you can.
Where he falls short, 'tis Nature's fault alone;
Where he succeeds, the merit's all his own.
Last Garrick came. Behind him throng a train
Of snarling critics, ignorant as vain.
One finds out--He's of stature somewhat low--
Your hero always should be tall, you know;
True natural greatness all consists in height.
Produce your voucher, Critic.--Serjeant Kite.
Another can't forgive the paltry arts
By which he makes his way to shallow hearts;
Mere pieces of finesse, traps for applause--
'Avaunt! unnatural start, affected pause!'
For me, by Nature form'd to judge with phlegm,
I can't acquit by wholesale, nor condemn.
The best things carried to excess are wrong;
The start may be too frequent, pause too long:
But, only used in proper time and place,
Severest judgment must allow them grace.
If bunglers, form'd on Imitation's plan,
Just in the way that monkeys mimic man,
Their copied scene with mangled arts disgrace,
And pause and start with the same vacant face,
We join the critic laugh; those tricks we scorn
Which spoil the scenes they mean them to adorn.
But when, from Nature's pure and genuine source,
These strokes of acting flow with generous force,
When in the features all the soul's portray'd,
And passions, such as Garrick's, are display'd,
To me they seem from quickest feelings caught--
Each start is nature, and each pause is thought.
When reason yields to passion's wild alarms,
And the whole state of man is up in arms,
What but a critic could condemn the player
For pausing here, when cool sense pauses there?
Whilst, working from the heart, the fire I trace,
And mark it strongly flaming to the face;
Whilst in each sound I hear the very man,
I can't catch words, and pity those who can.
Let wits, like spiders, from the tortured brain
Fine-draw the critic-web with curious pain;
The gods,--a kindness I with thanks must pay,--
Have form'd me of a coarser kind of clay;
Not stung with envy, nor with spleen diseased,
A poor dull creature, still with Nature pleased:
Hence to thy praises, Garrick, I agree,
And, pleased with Nature, must be pleased with thee.
Now might I tell how silence reign'd throughout,
And deep attention hush'd the rabble rout;
How every claimant, tortured with desire,
Was pale as ashes, or as red as fire;
But loose to fame, the Muse more simply acts,
Rejects all flourish, and relates mere facts.
The judges, as the several parties came,
With temper heard, with judgment weigh'd each claim;
And, in their sentence happily agreed,
In name of both, great Shakspeare thus decreed:--
If manly sense, if Nature link'd with Art;
If thorough knowledge of the human heart;
If powers of acting vast and unconfined;
If fewest faults with greatest beauties join'd;
If strong expression, and strange powers which lie
Within the magic circle of the eye;
If feelings which few hearts like his can know,
And which no face so well as his can show,
Deserve the preference--Garrick! take the chair;
Nor quit it--till thou place an equal there.

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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,
For him those smiles of tenderness and joy,
For him,--who plods his sauntering way along,
Whistling the fragment of some village song!

Dear art thou to the lover, thou sweet light,
Fair fleeting sister of the mournful night!
As in impatient hope he stands apart,
Companion'd only by his beating heart,
And with an eager fancy oft beholds
The vision of a white robe's fluttering folds
Flit through the grove, and gain the open mead,
True to the hour by loving hearts agreed!

At length she comes. The evening's holy grace
Mellows the glory of her radiant face;
The curtain of that daylight faint and pale
Hangs round her like the shrouding of a veil;
As, turning with a bashful timid thought,
From the dear welcome she herself hath sought,
Her shadowy profile drawn against the sky
Cheats, while it charms, his fond adoring eye.

Oh! dear to him, to all, since first the flowers
Of happy Eden's consecrated bowers
Heard the low breeze along the branches play,
And God's voice bless the cool hour of the day.
For though that glorious Paradise be lost,
Though earth by blighting storms be roughly cross'd,
Though the long curse demands the tax of sin,
And the day's sorrows with the day begin,
That hour, once sacred to God's presence, still
Keeps itself calmer from the touch of ill,
The holiest hour of earth. Then toil doth cease--
Then from the yoke the oxen find release
Then man rests pausing from his many cares,
And the world teems with children's sunset prayers!

Then innocent things seek out their natural rest,
The babe sinks slumbering on its mother's breast;
The birds beneath their leafy covering creep,
Yea, even the flowers fold up their buds in sleep;
And angels, floating by, on radiant wings,
Hear the low sounds the breeze of evening brings,
Catch the sweet incense as it floats along,
The infant's prayer, the mother's cradle-song,
And bear the holy gifts to worlds afar,
As thigs too sacred for this fallen star.

At such an hour, on such a summer night,
Silent and calm in its transparent light,
A widow'd parent watch'd her slumbering child,
On whose young face the sixteenth summer smiled.
Fair was the face she watch'd! Nor less, because
Beauty's perfection seem'd to make a pause,
And wait, on that smooth brow, some further touch,
Some spell from Time,--the great magician,--such
As calls the closed bud out of hidden gloom,
And bids it wake to glory, light, and bloom.
Girlish as yet, but with the gentle grace
Of a young fawn in its low resting-place,

Her folded limbs were lying: from her hand
A group of wild-flowers,--Nature's brightest band,
Of all that laugh along the Summer fields,
Of all the sunny hedge-row freely yields,
Of all that in the wild-wood darkly hide,
Or on the thyme-bank wave in breezy pride,--
Show'd, that the weariness which closed in sleep
So tranquil, child-like, innocent, and deep,
Nor festal gaiety, nor toilsome hours,
Had brought; but, like a flower among the flowers,
She had been wandering 'neath the Summer sky,
Youth on her lip and gladness in her eye,
Twisting the wild rose from its native thorn,
And the blue scabious from the sunny corn;
Smiling and singing like a spirit fair
That walk'd the world, but had no dwelling there.
And still (as though their faintly-scented breath
Preserv'd a meek fidelity in death)
Each late imprison'd blossom fondly lingers
Within the touch of her unconscious fingers,
Though, languidly unclasp'd, that hand no more
Guards its possession of the rifled store.

So wearily she lay; so sweetly slept;
So by her side fond watch the mother kept;
And, as above her gentle child she bent,
So like they seem'd in form and lineament,
You might have deem'd her face its shadow gave
To the clear mirror of a fountain's wave;
Only in this they differ'd; that, while one
Was warm and radiant as the Summer sun,
The other's smile had more a moonlight play,
For many tears had wept its glow away;
Yet was she fair; of loveliness so true,
That time, which faded, never could subdue:
And though the sleeper, like a half-blown rose,
Show'd bright as angels in her soft repose,
Though bluer veins ran through each snowy lid,
Curtaining sweet eyes, by long dark lashes hid--
Eyes that as yet had never learnt to weep,
But woke up smiling, like a child's, from sleep;
Though fainter lines were pencill'd on the brow,
Which cast soft shadow on the orbs below;
Though deeper colour flush'd her youthful cheek,
In its smooth curve more joyous and less meek,
And fuller seem'd the small and crimson mouth,
With teeth like those that glitter in the South,--
She had but youth's superior brightness, such
As the skill'd painter gives with flattering touch
When he would picture every lingering grace
Which once shone brighter in some copied face;
And it was compliment, whene'er she smiled,
To say, 'Thou'rt like thy mother, my fair child!'

Sweet is the image of the brooding dove!--
Holy as Heaven a mother's tender love!
The love of many prayers and many tears,
Which changes not with dim declining years,--
The only love which on this teeming earth
Asks no return from Passion's wayward birth;
The only love that, with a touch divine,
Displaces from the heart's most secret shrine
The idol SELF. Oh! prized beneath thy due
When life's untried affections all are new,--
Love, from whose calmer hope and holier rest
(Like a fledged bird, impatient of the nest)
The human heart, rebellious, springs to seek
Delights more vehement, in ties more weak;
How strange to us appears, in after-life,
That term of mingled carelessness and strife,

When guardianship so gentle gall'd our pride,
When it was holiday to leave thy side,
When, with dull ignorance that would not learn,
We lost those hours that never can return--
Hours, whose most sweet communion Nature meant
Should be in confidence and kindness spent,
That we (hereafter mourning) might believe
In human faith, though all around deceive;
Might weigh against the sad and startling crowd
Of ills which wound the weak and chill the proud,
Of woes 'neath which (despite of stubborn will,
Philosophy's vain boast, and erring skill)
The strong heart downward like a willow bends,
Failure of love,--and treachery of friends,--
Our recollections of the undefiled,
The sainted tie, of parent and of child!

Oh! happy days! Oh years that glided by,
Scarce chronicled by one poor passing sigh!
When the dark storm sweeps past us, and the soul
Struggles with fainting strength to reach the goal;
When the false baits that lured us only cloy,
What would we give to grasp your vanish'd joy!
From the cold quicksands of Life's treacherous shore
The backward light our anxious eyes explore,
Measure the miles our wandering feet have come,
Sinking heart-weary, far away from home,
Recall the voice that whisper'd love and peace,
The smile that bid our early sorrows cease,
And long to bow our grieving heads, and weep
Low on the gentle breast that lull'd us first to sleep!

Ah! bless'd are they for whom 'mid all their pains
That faithful and unalter'd love remains;
Who, Life wreck'd round them,--hunted from their rest,--
And, by all else forsaken or distress'd,--
Claim, in one heart, their sanctuary and shrine--
As I, my Mother, claim'd my place in thine!

Oft, since that hour, in sadness I retrace
My childhood's vision of thy calm sweet face;
Oft see thy form, its mournful beauty shrouded
In thy black weeds, and coif of widow's woe;
Thy dark expressive eyes all dim and clouded
By that deep wretchedness the lonely know:
Stifling thy grief, to hear some weary task
Conn'd by unwilling lips, with listless air,
Hoarding thy means, lest future need might ask
More than the widow's pittance then could spare.
Hidden, forgotten by the great and gay,
Enduring sorrow, not by fits and starts,
But the long, self-denial, day by day,
Alone amidst thy brood of careless hearts!
Striving to guide, to teach, or to restrain
The young rebellious spirits crowding round,
Who saw not, kuew not, felt not for thy pain,
And could not comfort--yet had power to wound!
Ah! how my selfish heart, which since hath grown
Familiar with deep trials of its own,
With riper judgment looking to the past,
Regrets the careless days that flew so fast,
Stamps with remorse each wasted hour of time,
And darkens every folly into crime!

Warriors and statesmen have their meed of praise,
And what they do or suffer men record;
But the long sacrifice of woman's days
Passes without a thought--without a word;
And many a holy struggle for the sake
Of duties sttenily, faithfully fulfill'd,--
For which the anxious mind must watch and wake,
And the strong feelings of the heart be still'd--
Goes by unheeded as the summer wind,
And leaves no memory and no trace behind!
Yet, it may be, more lofty courage dwells
In one meek heart which braves an adverse fate,
Than his, whose ardent soul indignant swells
Warm'd by the fight, or cheer'd through high debate:
The Soldier dies surrounded;--could he live
Alone to suffer, and alone to strive?

Answer, ye graves, whose suicidal gloom
Shows deeper horror than a common tomb!
Who sleep within? The men who would evade
An unseen lot of which they felt afraid.
Embarrassment of means, which work'd annoy,--
A past remorse,--a future blank of joy,--
The sinful rashness of a blind despair,--
These were the strokes which sent your victims there.

In many a village churchyard's simple grave,
Where all unmark'd the cypress-branches wave;
In many a vault where Death could only claim
The brief inscription of a woman's name;
Of different ranks, and different degrees,
From daily labour to a life of ease,
(From the rich wife who through the weary day
Wept in her jewels, grief's unceasing prey,
To the poor soul who trudged o'er marsh and moor,
And with her baby begg'd from door to door,--)
Lie hearts, which, ere they found that last release,
Had lost all memory of the blessing 'Peace;'
Hearts, whose long struggle through unpitied years
None saw but Him who marks the mourner's tears;
The obscurely noble! who evaded not
The woe which He had will'd should be their lot,
But nerved themselves to bear!

Of such art thou,
My Mother! With thy calm and holy brow,
And high devoted heart, which suffer'd still
Unmurmuring, through each degree of ill.
And, because Fate hath will'd that mine should be
A Poet's soul (at least in my degree),--
And that my verse would faintly shadow forth
What I have seen of pure unselfish worth,--
Therefore I speak of Thee; that those who read
That trust in woman, which is still my creed,
Thy early-widow'd image may recall
And greet thy nature as the type of all!

Enough! With eyes of fond unwearied love
The Mother of my story watch'd above
Her sleeping child; and, as she views the grace
And blushing beauty of that girlish face,
Her thoughts roam back through change of time and tide,
Since first Heaven sent the blessing by her side.

In that sweet vision she again receives
The snow-white cradle, where that tiny head
Lay, like a small bud folded in its leaves,
Foster'd with dew by tears of fondness shed;
Each infantine event, each dangerous hour
Which pass'd with threatening o'er its fragile form,
Her hope, her anguish, as the tender flower
Bloom'd to the sun, or sicken'd in the storm,
In memory's magic mirror glide along,
And scarce she notes the different scene around,
And scarce her lips refrain the cradle-song
Which sooth'd that infant with its lulling sound!

But the dream changes; quiet years roll on;
That dawn of frail existence fleets away,
And she beholds beneath the summer sun
A blessed sight; a little child at play.
The soft light falls upon its golden hair,
And shows a brow intelligently mild;
No more a cipher in this world of care,
Love cheers and chides that happy conscious child.
No more unheeding of her watchful love,
Pride to excel, its docile spirit stirs;
Regret and hope its tiny bosom move,
And looks of fondness brightly answer hers;
O'er the green meadow, and the broomy hill,
In restless joy it bounds and darts along;
Or through the breath of evening, low and still,
Carols with mirthful voice its welcome song.

Again the vision changes; from her view
The CHILD'S dear love and antic mirth are gone;
But, in their stead, with cheek of rose-leaf hue,
And fair slight form, and low and silvery tone,
Rises the sweetest spirit Thought can call
From memory's distant worlds--the fairy GIRL;
Whose heart her childish pleasures still enthrall,
Whose unbound hair still floats in careless curl,
But in whose blue and meekly lifted eyes,
And in whose shy, though sweet and cordial smile,
And in whose changeful blushes, dimly rise
Shadows and lights that were not seen erewhile:
Shadows and lights that speak of woman's love,
Of all that makes or mars her fate below;
Mysterious prophecies, which Time must prove
More bright in glory, or more dark with woe!
And that soft vision also wanders by
Melting in fond and innocent smiles away,
Till the loved REAL meets the watchful eye
Of her who thus recall'd a former day;
The gentle daughter, for whose precious sake
Her widow'd heart had struggled with its pain.
And still through lonely grief refused to break,
Because that tie to Earth did yet remain.
Now, as she fondly gazed, a few meek tears
Stole down her cheek; for she that sliunber'd there,
The beautiful, the loved of many years.
A bride betroth'd must leave her fostering care;
Woo'd in another's home apart to dwell.--
Oh! might that other love but half as well!
As if the mournful wish had touch'd her heart,
The slumbering maiden woke, with sudden start;
Turn'd, with a dazzled and intense surprise,
On that fond face her bright, bewilder'd eyes;
Gazed round on each familiar object near,
As though she doubted yet if sense was clear;
Cover'd her brow and sigh'd, as though to wake
Had power some spell of happy thought to break;
Then murmur'd, in a low and earnest tone,
'Oh! is that blessed dream for ever gone?'

Strange is the power of dreams! Who hath not felt,
When in the morning light such visions melt,
How the veil'd soul, though struggling to be free,
Ruled by that deep, unfathom'd mystery,
Wakes, haunted by the thoughts of good or ill,
Whose shadowy influence pursues us still?

Sometimes remorse doth weigh our spirits down;
Some crime committed earns Heaven's angriest frown;
Some awful sin, in which the tempted heart
Hath scarce, perhaps, forborne its waking part,
Brings dreams of judgment; loud the thunders roll,
The heavens shrink blacken'd like a flaming scroll;
We faint, we die, beneath the avenging rod,
And vainly hide from our offended God.
For oh! though Fancy change our mortal lot,
And rule our slumbers, CONSCIENCE sleepeth not;
What strange sad dial, by its own true light,
Points to our thoughts, how dark soe'er the night,
Still by our pillow watchful guard it keeps,
And bids the sinner tremble while he sleeps.

Sometimes, with fearful dangers doom'd to cope,
'Reft of each wild and visionary hope,
Stabb'd with a thousand wounds, we struggle still,
The hand that tortures, powerless to kill.
Sometimes 'mid ocean storms, in fearful strife,
We stem the wave, and shrieking, gasp for life,
While crowding round us, faces rise and gleam,
Some known and loved, some, pictures of our dream;
High on the buoyant waters wildly toss'd--
Low in its foaming caverns darkly lost--
Those flitting forms the dangerous hour partake,
Cling to our aid, or suffer for our sake.
Conscious of present life, the slumbering soul
Still floats us onward, as the billows roll,
Till, snatch'd from death, we seem to touch the strand,
Rise on the shoreward wave, and dash to land!
Alone we come: the forms whose wild array
Gleam'd round us while we struggled, fade away,--
We know not, reck not, who the danger shared,
But, vaguely dreaming, feel that we are spared.

Sometimes a grief, of fond affection born,
Gnaws at our heart, and bids us weep till morn;
Some anguish, copied from our waking fears,
Wakes the eternal fount of human tears,
Sends us to watch some vision'd bed of death,
Hold the faint hand, and catch the parting breath,
Where those we prized the most, and loved the best,
Seem darkly sinking to the grave's long rest;
Lo! in our arms they fade, they faint, they die,
Before our eyes the funeral train sweeps by;
We hear the orphan's sob--the widow's wail--
O'er our dim senses woeful thoughts prevail,
Till, with a burst of grief, the spell we break,
And, weeping for th' imagined loss, awake.
Ah me! from dreams like these aroused at length,
How leaps the spirit to its former strength!
What memories crowd the newly conscious brain,
What gleams of rapture, and what starts of pain!
Till from the soul the heavy mists stand clear,
All wanes and fades that seem'd so darkly drear,
The sun's fair rays those shades of death destroy,
And passionate thankfuess and tears of joy
Swell at our hearts, as, gazing on his beam,
We start, and cry aloud, 'Thank Heaven, 'twas but a dream!'

But there are visions of a fairer kind,
Thoughts fondly cherish'd by the slumbering mind,
Which, when they vanish from the waking brain,
We close our eyes, and long to dream again.
Their dim voice calls to our forsaken side
Those who betray'd us, seeming true and tried;
Those whom the fast receding waves of time
Have floated from us; those who in the prime
And glory of our young life's eagle flight
Shone round like rays, encircling us with light,
And gave the bright similitude of truth
To fair illusions--vanish'd with our youth.
They bring again the tryst of early love,
(That passionate hope, all other hopes above!)
Bid the pale hair, long shrouded in the grave,
Round the young head in floating ringlets wave,
And fill the air with echoes. Gentle words,
Low laughter, and the sing of sweet birds,
Come round us then; and drooping of light boughs,
Whose shadow could not cool our burning brows,
And lilac-blossoms, scenting the warm air,
And long laburnums, fragile, bright, and fair;
And murmuring breezes through the green leaves straying,
And rippling waters in the sunshine playing,
All that around our slumbering sense can fling
The glory of some half-forgotten spring!
They bring again the fond approving gaze
Of old true friends, who mingled love with praise;
When Fame (that cold bright guiding-star below)
Took from affection's light a borrow'd glow,--
And, strong in all the might of earnest thought,
Through the long studious night untired we wrought,
That others might the morning hour beguile,
With the fond triumph of their wondering smile.
What though those dear approving smiles be gone,
What though we strive neglected and alone,
What though no voice now mourns our hope's alloy,
Nor in the hour of triumph gives us joy?
In dreams the days return when this was not,
When strong affection sooth'd our toilsome lot:
Cheer'd, loved, admonish'd, lauded, we aspire,
And the sick soul regains its former fire.

Beneath the influence of this fond spell,
Happy, contented, bless'd, we seem to dwell;
Sweet faces shine with love's own tender ray,
Which frown, or coldly turn from us, by day;
The lonely orphan hears a parent's voice;
Sad childless mothers once again rejoice;
The poor deserted seems a happy bride;
And the long parted wander side by side.

Ah, vain deceit! Awaking with a start,
Sick grow the beatings of the troubled heart;
Silence, like some dark mantle, drops around,
Quenching th' imagined voice's welcome sound;
Again the soul repeats its old farewells,
Again recalls sad hours and funeral knells;
Again, as daylight opens on their view,
The orplan shrieks, the mother mourns anew;
Till clear we feel, as fades the morning star,
How left, how lonely, how oppres'd we are!

And other dreams exist, more vague and bright
Than MEMORY ever brought to cheer the night;--
Most to the young and happy do they come,
To those who know no shelter but of home;
To those of whom the inspired writer spoke,
When from his lips the words prophetic broke,
Which (conscious of the strong and credulous spell
Experience only in the heart can quell)
Promised the nearer glimpse of perfect truth
Not to cold wisdom, but to fervent youth;
Each, in their measure, caught its fitful gleams,--
The young saw visions, and the old dream'd dreams.

The young! Oh! what should wandering fancy bring
In life's first spring-time but the thoughts of spring?
Worlds without winter, blooming amaranth bowers,
Garlands of brightness wreath'd from changeless flowers;
Where shapes like angels wander to and fro,
Unwing,'d, but glorious, in the noontide glow,
Which steeps the hills, the dales, the earth, the sea,
In one soft flood of golden majesty.
In this world,--so create,--no sighs nor tears,--
No sadness brought with lapse of varying years,

No cold betrayal of the trusting heart,--
No knitting up of love fore-doom'd to part,--
No pain, deformity, nor pale disease,--
No wars,--no tyranny,--no fears that freeze
The rapid current of the restless blood,--
Nor effort scorn'd,--nor act misunderstood,--
No dark remorse for ever-haunting sin,--
But all at peace without--at rest within;
And hopes which gild Thought's wildest waking hours,
Scatter'd around us carelessly as flowers.

Oh! Paradise, in vain dilist thou depart;
Thine image still is stamp'd on every heart!
Though mourning man in vain may seek to trace
The site of that which was his dwelling-place,
Though the four glittering rivers now divide
No realms of beauty with their rolling tide,

Each several life yet opens with the view
Of that unblighted world where Adam drew
The breath of being: in each several mind,
However cramp'd, and fetter'd, and confined,
The innate power of beauty folded lies,
And, like a bud beneath the summer skies,
Blooms out in youth through many a radiant day,
Though in life's winter frost it dies away.

From such a vision, bright with all the fame
Her youth, her innocence, her hope, could frame,
The maiden woke: and, when her shadowy gaze
Had lost the dazzled look of wild amaze
Turn'd on her mother when she first awoke,
Thus to her questioning glanee she answering spoke:--

'Methought, oh! gentle Mother, by thy side
I dwelt no more as now, but through a wide
And sweet world wander'd; nor even then alone;
For ever in that dream's soft light stood one,--
I know not who,--yet most familiar seem'd
The fond companionship of which I dream'd!

A Brother's love, is but a name to me;
A Father's, brighten'd not my infancy;
To me, in childhood's years, no stranger's face
Took, from long habit, friendship's holy grace;
My life hath still been lone, and needed not,
Heaven knows, more perfect love than was my lot
In thy dear heart: how dream'd I then, sweet Mother,
Of any love but thine, who knew no other?

'We seem'd, this shadow and myself, to be
Together by the blue and boundless sea:
No settled home was present to my thought--
No other form my clouded fancy brought;
This one Familiar Presence still beguiled
My every thought, and look'd on me and smiled.
Fair stretch'd in beauty lay the glittering strand,
With low green copses sloping from the land;
And tangled underwood, and sunny fern,
And flowers whose humble names none cared to learn,
Smail starry wild flowers, white and gold and blue,
With leaves turn'd crimson by th' autumnal hue,
Bask'd in the fervour of the noontide glow,
Whose hot rays pierced the thirsty roots below.

The floating nautilus rose clear and pale,
As though a spirit trimm'd its fairy sail,
White and transparent; and beyond it gleam'd
Such light as never yet on Ocean beam'd:
And pink-lipp'd shells, and many-colour'd weeds,
And long brown bulbous things likc jasper beads,
And glistening pearls in beauty faint and fair,
And all things strange, and wonderful, and rare,
Whose true existence travellers make known,
Seem'd scatter'd there, and easily my own.
And then we wove our ciphers in the sands,
All fondly intertwined by loving hands;
And laugh'd to see the rustling snow-white spray
Creep o'er the names, and wash their trace away.
And the storm came not, though the white foam curl'd
In lines of brightness far along the coast;
Though many a ship, with swelling sails unfurl'd,
From the mid-sea to sheltering haven cross'd;
Though the wild billows heaved, and rose, and broke,
One o'er the other with a restless sound,
And the deep spirit of the wind awoke,
Ruffling in wrath each glassy verdant mound;
While onward roll'd that army of huge waves,
Until the foremost, with exulting roar,

Rose, proudly crested, o'er his brother slaves,
And dash'd triumphant on the groaning shore!
For then the Moon rose up, Night's mournful Queen,
'Walking with white feet o'er the troubled Sea,'
And all grew still again, as she had been
Heaven's messenger to bring Tranquillity;
Till, pale and tender, on the glistening main
She sank and smiled like one who loves in vain.
And still we linger'd by that shadowy strand,
Happy, yet full of thought, hand link'd in hand;
The hush'd waves rippling softly at our feet,
The night-breeze freshening o'er the Summer's heat;
With our hearts beating, and our gazing eyes
Fix'd on the star-light of those deep blue skies,
Blessing 'the year, the hour, the place, the time;'
While sounded, faint and far, some turret's midnight chime.

'It pass'd, that vision of the Ocean's might!
I know not how, for in my slumbering mind
There was no movement, all was shifting light,
Through which we floated with the wandering wind;
And, still together, in a different scene,
We look'd on England's woodland, fresh and green.

'No perfume of the cultured rose was there,
Wooing the senses with its garden smell,--
Nor snow-white lily,--call'd so proudly fir,
Though by the poor man's cot she loves to dwell,
Nor finds his little garden scant of room
To bid her stately buds in beauty bloom;--
Nor jasmin, with her pale stars shining through
The myrtle darkness of her leaf's green hue,--
Nor heliotrope, whose grey and heavy wreath
Mimics the orchard blossoms' fruity breath,--
Nor clustering dahlia, with its scentless flowers
Cheating the heart through autumn's faded hours,--
Nor bright chrysanthimum, whose train'd array
Still makes the rich man's winter path look gay,
And bows its hardy head when wild winds blow,
To free its petals from the fallen snow;--
Nor yet carnation;'--
(Thou, beloved of all
The plants that thrive at Art or Nature's call,
By one who greets thee with a weary sigh
As the dear friend of happy days gone by;
By one who names thee last, but loves thee first,
Of all the flowers a garden ever nursed;

The mute remembrancer and gentle token
Of links which heavy hands have roughly broken,
Welcomed through many a Summer with the same
Unalter'd gladness as when first ye came,
And welcomed still, though--as in later years
We often welcome pleasant things--with tears!)

I wander! In the Dream these had no place,--
Nor Sorrow:--all was Nature's freshest grace.

'There, wild geranium, with its woolly stem
And aromatic breath, perfumed the glade;
And fairy speedwell, like some sapphire gem,
Lighted with purple sparks the hedge-row's shade;
And woodbine, with her tinted calyxes,
And dog-rose, glistening with the dews of morn,
And tangled wreaths of tufted clematis,
Whose blossoms pale the careless eye may scorn,
(As green and light her fairy mantles fiLll
To hide the rough hedge or the crumbling wall,)
But in whose breast the laden wild-bees dive
For the best riches of their teeming hive:

'There, sprang the sunny cricket; there, was spread
The fragile silver of the spider's thread,
Stretching from blade to blade of emerald grass,
Unbroken, till some human footstep pass;
There, by the rippling stream that murmur'd on,
Now seen, now hidden--half in light, half Sun--
The darting dragon-fly, with sudden gleam,
Shot, as it went, a gold and purple beam;
And the fish leap'd within the deeper pool,
And the green trees stretch'd out their branches cool,
Where many a bird hush'd in her peopled nest
The unfledged darlings of her feather'd breast,
Listening her mate's clear song, in that sweet grove
Where all around breathed happiness and love!

'And while we talk'd the summer hours flew fast,
As hours may fly, with those whose love is young;
Who fear no future, and who know no past,
Dating existence from the hope that sprung
Up in their hearts with such a sudden light,
That all beyond shows dark and blank as night.

'Until methought we trod a wide flat heath,
Where yew and cypress darkly seem'd to wave
O'er countless tombs, so beautiful, that death
Seem'd here to make a garden of the grave!
All that is holy, tender, full of grace,
Was sculptured on the monuments around,
And many a line the musing eye could trace,
Which spoke unto the heart without a sound.
There lay the warrior and the son of song,
And there--in silence till the judgment-day--
The orator, whose all-persuading tongue
Had moved the nations with resistless sway:
There slept pale men whom science taught to climb
Restlessly upward all their labouring youth;
Who left, half conquer'd, secrets which in time
Burst on mankind in ripe and glorious truth.
He that had gazed upon the steadfast stars,
And could foretel the dark eclipse's birth,
And when red comets in their blazing cars
Should sweep above the awed and troubled earth:--
He that had sped brave vessels o'er the seas,
Which swiftly bring the wanderer to his home,
Uncanvass'd ships, which move without a breeze,
Their bright wheels dashing through the ocean foam:--

All, who in this life's bounded brief career
Had shone amongst, or served their fellow-men,
And left a name embalm'd in glory here,
Lay calmly buried on that magic plain.
And he who wander'd with me in my dream,
Told me their histories as we onward went,
Till the grave shone with such a hallow'd beam,
Such pleasure with their memory seem'd blent,
That, when we look'd to heaven, our upward eyes
With no funereal sadness mock'd the skies!

'Then, change of scene, and time, and place once more;
And by a Gothic window, richly bright,
Whose stain'd armorial hoarings on the floor
Flung the quaint tracery of their colour'd light,
We sate together: his most noble head
Bent o'er the storied tome of other days,
And still he commented on all we read,
And taught me what to love, and what to praise.
Then Spenser made the summer-day seem brief,
Or Milton sounded with a loftier song,
Then Cowper charm'd, with lays of gentle grief,
Or rough old Dryden roll'd the hour along.

Or, in his varied beauty dearer still,
Sweet Shakspeare changed the world around at will;
And we forgot the sunshine of that room
To sit with Jacquez in the forest gloom;
To look abroad with Juliet's anxious eye
For her boy-lover 'neath the moonlight sky;
Stand with Macbeth upon the haunted heath,
Or weep for gentle Desdemona's death;
Watch, on bright Cydnus' wave, the glittering sheen
And silken sails of Egypt's wanton Queen;
Or roam with Ariel through that island strange
Where spirits, and not men, were wont to range,
Still struggling on through brake, and bush, and hollow,
Hearing that sweet voice calling--'Follow! follow!'

'Nor were there wanting lays of other lands,
For these were all familiar in his hands:
And Dante's dream of horror work'd its spell,--
And Petrarch's sadness on our bosoms fell,--
And prison'd Tasso's--he, the coldly-loved,
The madly-loving! he, so deeply proved
By many a year of darkness, like the grave,
For her who dared not plead, or would not save,

For her who thought the poet's suit brought shame,
Whose passion hath immortalized her name!
And Egmont, with his noble heart betray'd,--
And Carlos, haunted by a murder'd shade,--
And Faust's strange legend, sweet and wondrous wild,
Stole many a tear:--Creation's loveliest child!
Guileless, ensnared, and tempted Margaret,
Who could peruse thy fate with eyes unwet?

'Then, through the lands we read of, far away,
The vision led me all a summer's day:
And we look'd round on southern Italy,
Where her dark head the graceful cypress rears
In arrowy straightness and soft majesty,
And the sun's face a mellower glory wears;
Bringing, where'er his warm light richly shines,
Sweet odours from the gum-distilling pines;
And casting o'er white palaces a glow,
Like morning's hue on mountain-peaks of snow.

'Those palaces! how fair their columns rose!
Their courts, cool fountains, and wide porticos!
And ballustraded roofs, whose very form
Told what an unknown stranger was the storm!

In one of these we dwelt: its painted walls
A master's hand had been employ'd to trace;
Its long cool range of shadowy marble halls
Was fill'd with statues of most living grace;
While on its ceilings roll'd the fiery car
Of the bright day-god, chasing night afar,--
Or Jove's young favourite, toward Olympus' height
Soar'd with the Eagle's dark majestic flight,--
Or fair Apollo's harp seem'd freshly strung,
All heaven group'd round him, listening while he sung.

'So, in the garden's plann'd and planted bound
All wore the aspect of enchanted ground;
Thick orange-groves, close arching over head,
Shelter'd the paths our footsteps loved to tread;
Or ilex-trees shut out, with shadow sweet,
Th' oppressive splendour of the noontide heat.
Through the bright vista, at each varying turn,
Gleam'd the white statue, or the graceful urn;
And, paved with many a curved and twisted line
Of fair Mosaic's strange and quaint design,
Terrace on terrace rose, with steep so slight,
That scarce the pausing eye inquired the height,

Till stretch'd beneath in far perspective lay
The glittering city and the deep blue bay!
Then as we turn'd again to groves and bowers,
(Rich with the perfume of a thousand flowers,)
The sultry day was cheated of its force
By the sweet winding of some streamlet's course:
From sculptured arch, and ornamented walls,
Rippled a thousand tiny waterfalls,
While here and there an open basin gave
Rest to the eye and freshness to the wave;
Here, high above the imprison'd waters, stood
Some imaged Naïad, guardian of the flood;
There, in a cool and grotto-like repose,
The sea-born goddess from her shell arose;
Or river-god his fertile urn display'd,
Gushing at distance through the lone arcade,--
Or Triton, lifting his wild conch on high,
Spouted the silver tribute to the sky,--
Or, lovelier still, (because to Nature true,
Even in the thought creative genius drew,)
Some statue-nymph, her bath of beauty o'er,
Stood gently bending by the rocky shore,
And, like Bologna's sweet and graceful dream,
From her moist hair wrung out the living stream.

'Bright was the spot! and still we linger'd on
Unwearied, till the summer-day was done;
Till He, who, when the morning dew was wet,
In glory rose--in equal glory set.
Fair sank his light, unclouded to the last,
And o'er that land its glow of beauty cast;
And the sweet breath of evening air went forth
To cool the bosom of the fainting earth;
To bid the pale-leaved olives lightly wave
Upon their seaward slope (whose waters lave
With listless gentleness the golden strand,
And scarcely leave, and scarce return to land);
Or with its wings of freshness, wandering round,
Visit the heights with many a villa crown'd,
Where the still pine and cypress, side by side,
Look from their distant hills on Ocean's tide.

'The cypress and the pine! Ah, still I see
These thy green children, lovely Italy!
Nature's dear favourites, allow'd to wear
Their summer hue throughout the circling year!
And oft, when wandering out at even-time
To watch the sunsets of a colder clime,

As the dim landscape fades and grows more faint,
Fancy's sweet power a different scene shall paint;
Enrich with deeper tints the colours given
To the pale beauty of our English heaven,--
Bid purple mountains rise among the clouds,
Or deem their mass some marble palace shrouds,--
Trace on the red horizon's level line,
In outlines dark, the high majestic pine,--
And hear, amid the groups of English trees,
His sister cypress murmuring to the breeze!

'Never again shall evening, sweet and still,
Gleam upon river, mountain, rock, or hill,--
Never again shall fresh and budding spring,
Or brighter summer, hue of beauty bring,
In this, the clime where 'tis my lot to dwell,
But shall recall, as by a magic spell,
Thy scenes, dear land of poetry and song!
Bid thy fair statues on my memory throng;
Thy glorious pictures gleam upon my sight
Like fleeting shadows o'er the summer light;
And send my haunted heart to dwell once more,
Glad and entranced by thy delightful shore--
Thy shore, where rolls that blue and tideless sea,
Bright as thyself, thou radiant Italy!

'And there (where Beauty's spirit sure had birth,
Though she hath wander'd since upon the earth,
And scatter'd, as she pass'd, some sparks of thought,
Such as of old her sons of genius wrought,
To show what strength the immortal soul can wield
E'en here, in this its dark and narrow field,
And fill us with a fond inquiring thirst
To see that land which claim'd her triumphs first)
Music was brought--with soft impressive power--
To fill with varying joy the varying hour.
We welcomed it; for welcome still to all
It comes, in cottage, court, or lordly hall;
And in the long bright summer evenings, oft
We sate and listened to some measure soft
From many instruments; or, faint and lone,
(Touch'd by his gentle hand, or by my own,)
The little lute its chorded notes would send
Tender and clear; and with our voices blend
Cadence so true, that, when the breeze swept by,
One mingled echo floated on its sigh!

'And still as day by day we saw depart,
I was the living idol of his heart:
How to make joy a portion of the air
That breathed around me, seem'd his only care.
For me the harp was strung, the page was turn'd;
For me the morning rose, the sunset burn'd;
For me the Spring put on her verdant suit;
For me the Summer flower, the Autumn fruit;
The very world seem'd mine, so mighty strove
For my contentment, that enduring love.

'I see him still, dear mother! Still I hear
That voice so deeply soft, so strangely clear;
Still in the air wild wandering echoes float,
And bring my dream's sweet music note for note!
Oh! shall those sounds no more my fancy bless,
Which fill my heart, and on my memory press?
Shall I no more those sunset clouds behold,
Floating like bright transparent thrones of gold?
The skies, the seas, the hills of glorious blue;
The glades and groves, with glories shining through;
The bands of red and purple, richly seen
Athwart the sky of pale, faint, gem-like green;

When the breeze slept, the earth lay hush'd and still,
When the low sun sank slanting from the hill,
And slow and amber-tinged the moon uprose,
To watch his farewell hour in glory close?
Is all that radiance past--gone by for ever--
And must there in its stead for ever be
The grey, sad sky, the cold and clouded river,
And dismal dwellings by the wintry sea?
E'er half a summer, altering day by day,
In fickle brightness, here, hath pass'd away!
And was that form (whose love might still sustain)
Nought but a vapour of the dreaming brain?--
Would I had slept for ever!'

Sad she sigh'd;
To whom the mournful mother thus replied:--

'Upbraid not Heaven, whose wisdom thus would rule
A world whose changes are the soul's best school:
All dream like thee, and 'tis for Mercy's sake
That those who dream the wildest, soonest wake;
All deem Perfection's system would be found
In giving earthly sense no stint or bound;
All look for happiness beneath the sun,
And each expects what God hath given to none.

'In what an idle luxury of joy
Would thy spoil'd heart its useless hours employ!
In what a selfish loneliness of light
Wouldst thou exist, read we thy dream aright!
How hath thy sleeping spirit broke the chain
Which knits thy human lot to other's pain,
And made this world of peopled millions seem
For thee and for the lover of thy dream!

'Think not my heart with cold indifference heard
The various feelings which in thine have stirr'd,
Or that its sad and weary currents know
Faint sympathy, except for human woe:
Well have the dormant echoes of my breast
Answer'd the joys thy gentle voice express'd;
Conjured a vision of the stately mate
With whom the flattering vision link'd thy fate;
And follow'd thee through grove and woodland wild,
Where so much natural beauty round thee smiled.

'What man so worldly-wise, or chill'd by age,
Who, bending o'er the faint descriptive page,
Recals not such a scene in some falr nook--
(Whereon his eyes, perchance, no more shall look
Some hawthorn copse, some gnarl'd majestic tree,
The favourite play-place of his infancy?
Who has not felt for Cowper's sweet lament,
When twelve years' course their cruel change had sent;
When his fell'd poplars gave no further shade,
And low on earth the blackbird's nest was laid;
When in a desert sunshine, bare and blank,
Lay the green field and river's mossy bank;
And melody of bird or branch no more
Rose with the breeze that swept along the shore?

'Few are the hearts, (nor theirs of kindliest frame,)
On whom fair Nature holds not such a claim;
And oft, in after-life, some simple thing--
A bank of primroses in early Spring--
The tender scent which hidden violets yield--
The sight of cowslips in a meadow-field--
Or young laburnum's pendant yellow chain--
May bring the favourite play-place back again!
Our youthful mates are gone; some dead, some changed,
With whom that pleasant spot was gladly ranged;

Ourselves, perhaps, more alter'd e'en than they--
But there still blooms the blossom-showering May;
There still along the hedge-row's verdant line
The linnet sings, the thorny brambles twine;
Still in the copse a troop of merry elves
Shout--the gay image of our former selves;
And still, with sparkling eyes and eager hands,
Some rosy urchin high on tiptoe stands,
And plucks the ripest berries from the bough--
Which tempts a different generation now!

'What though no real beauty haunt that spot,
By graver minds beheld and noticed not?
Can we forget that once to our young eyes
It wore the aspect of a Paradise?
No; still around its hallow'd precinct lives
The fond mysterious charm that memory gives;
The man recals the feelings of the boy,
And clothes the meanest flower with freshness and with joy.

'Nor think by older hearts forgotten quite
Love's whisper'd words; youth's sweet and strange delight!
They live--though after-memories fade away;
They live--to cheer life's slow declining day;
Haunting the widow by her lonely hearth,
As, meekly smiling at her childrcn's mirth,
She spreads her fair thin hands towards the fire,
To seek the warmth their slacken'd veins require:
Or gladdening her to whom Heaven's mercy spares
Her old companion with his silver hairs;
And while he dozes--changed, and dull, and weak--
And his hush'd grandchild signs, but dares not speak,--
Bidding her watch, with many a tender smile,
The wither'd form which slumbers all the while.

'Yes! sweet the voice of those we loved! the tone
Which cheers our memory as we sit alone,
And will not leave us; the o'er-mastering force,
Whose under-current's strange and hidden course
Bids some chance word, by colder hearts forgot,
Return--and still return--yet weary not
The ear which wooes its sameness! How, when Death
Hath stopp'd with ruthless hand some precious breath,
The memory of the voice he hath destroy'd
Lives in our souls, as in an aching void!

How, through the varying fate of after-years,
When stifled sorrow weeps but casual tears,
If some stray tone seem like the voice we knew,
The heart leaps up with answer faint and true!
Greeting again that sweet, long-vanish'd sound,
As, in earth's nooks of ever-haunted ground,
Strange accident, or man's capricious will,
Wakes the lone echoes, and they answer still!

'Oh! what a shallow fable cheats the age,
When the lost lover, on the motley stage,
Wrapp'd from his mistress in some quaint disguise,
Deceives her ear, because he cheats her eyes!
Rather, if all could fade which charm'd us first,--
If, by some magic stroke, some plague-spot cursed,
All outward semblance left the form beloved
A wreck unrecognised, and half disproved,
At the dear sound of that familiar voice
Her waken'd heart should tremble and rejoice,
Leap to its faith at once,--and spurn the doubt
Which, on such showing, barr'd his welcome out!

'And if even words are sweet, what, what is song,
When lips we love, the melody prolong?
How thrills the soul, and vibrates to that lay,
Swells with the glorious sound, or dies away!
How, to the cadence of the simplest words
That ever hung upon the wild harp's chords,
The breathless heart lies listening; as it felt
All life within it on that music dwelt,
And hush'd the beating pulse's rapid power
By its own will, for that enchanted hour!

'Ay! then to those who love the science well,
Music becomes a passion and a spell!
Music, the tender child of rudest times,
The gentle native of all lands and climes;
Who hymns alike man's cradle and his grave,
Lulls the low cot, or peals along the nave;
Cheers the poor peasant, who his native hills
With wild Tyrolean echoes sweetly fills;
Inspires the Indian's low monotonous chant,
Weaves skilful melodies for Luxury's haunt;
And still, through all these changes, lives the same,
Spirit without a home, without a name,

Coming, where all is discord, strife, and sin,
To prove some innate harmony within
Our listening souls; and lull the heaving breast
With the dim vision of an unknown rest!

'But, dearest child, though many a joy be given
By the pure bounty of all-pitying Heaven,--
Though sweet emotions in our hearts have birth,
As flowers are spangled on the lap of earth,--
Though, with the flag of Hope and Triumph hung
High o'er our heads, we start when life is young,
And onward cheer'd, by sense, and sight, and sound,
Like a launch'd bark, we enter with a bound;
Yet must the dark cloud lour, the tempest fall,
And the same chance of shipwreck waits for all.
Happy are they who leave the harbouring land
Not for a summer voyage, hand in hand,
Pleasure's light slaves; but with an earnest eye
Exploring all the future of their sky;
That so, when Life's career at length is past,
To the right haven they may steer at last,
And safe from hidden rock, or open gale,
Lay by the oar, and furl the slacken'd sail,--
To anchor deeply on that tranquil shore
Where vexing storms can never reach them more!

'Wouldst thou be singled out by partial Heaven
The ONE to whom a cloudless lot is given?
Look round the world, and see what fate is there,
Which justice can pronounce exempt from care:
Though bright they bloom to empty outward show,
There lurks in each some canker-worm of woe;
Still by some thorn the onward step is cross'd,
Nor least repining those who're envied most:
The poor have struggling, toil, and wounded pride,
Which seeks, and seeks in vain, its rags to hide;
The rich, cold jealousies, intrigues, and strife,
And heart-sick discontent which poisons life;
The loved are parted by the hand of Death,
The hated live to curse each other's breath:
The wealthy noble mourns the want of heirs;
While, each the object of incessant prayers,
Gay, hardy sons, around the widow's board,
With careless smiles devour her scanty hoard;
And hear no sorrow in her stifled sigh,
And see no terror in her anxious eye,--

While she in fancy antedates the time
When, scatter'd far and wide in many a clime,
These heirs to nothing but their Father's name
Must earn their bread, and struggle hard for fame;
To sultry India sends her fair-hair'd boy--
Sees the dead desk another's youth employ--
And parts with one to sail the uncertain main,
Never perhaps on earth to meet again!

'Nor ev'n does Love, whose fresh and radiant beam
Gave added brightness to thy wandering dream,
Preserve from bitter touch of ills unknown,
But rather brings strange sorrows of its own.
Various the ways in which our souls are tried;
Love often fails where most our faith relied;
Some wayward heart may win, without a thought,
That which thine own by sacrifice had bought;
May carelessly aside the treasure cast,
And yet be madly worshipp'd to the last;
Whilst thou, forsaken, grieving, left to pine,
Vainly may'st claim his plighted faith as thine;
Vainly his idol's charms with thine compare,
And know thyself as young, as bright, as fair;

Vainly in jealous pangs consume thy day,
And waste the sleepless night in tears away;
Vainly with forced indulgence strive to smile
In the cold world, heart-broken all the while,
Or from its glittering and unquiet crowd,
Thy brain on fire, thy spirit crush'd and bow'd,
Creep home unnoticed, there to weep alone,
Mock'd by a claim which gives thee not thine own,
Which leaves thee bound through all thy blighted youth
To him whose perjured soul hath broke its truth;
While the just world, beholding thee bereft,
Scorns--not his sin--but thee, for being left!

'Ah! never to the Sensualist appeal,
Nor deem his frozen bosom aught can feel.
Affection, root of all fond memories,
Which bids what once hath charm'd for ever please
He knows not: all thy beauty could inspire
Was but a sentiment of low desire:
If from thy check the roses hue be gone,
How should love stay which loved for that alone?
Or, if thy youthful face be still as bright
As when it first entranced his eager sight,

Thou art the same; there is thy fault, thy crime,
Which fades the charms yet spared by rapid Time.
Talk to him of the happy days gone by,
Conceal'd aversion chills his shrinking eye:
While in thine agony thou still dost rave,
Impatient wishes doom thee to the grave;
And if his cold and selfish thought had power
T' accelerate the fatal final hour,
The silent murder were already done,
And thy white tomb would glitter in the sun.
What wouldst thou hold by? What is it to him
That for his sake thy weeping eyes are dim?
His pall'd and wearied senses rove apart,
And for his heart--thou never hadst his heart.

'True, there is better love, whose balance just
Mingles Soul's instinct with our grosser dust,
And leaves affection, strengthening day by day,
Firm to assault, impervious to decay.
To such, a star of hope thy love shall be
Whose stedfast light he still desires to see;
And age shall vainly mar thy beauty's grace,
Or wantons plot to steal into thy place,

Or wild Temptation, from her hidden bowers,
Fling o'er his path her bright but poisonous flowers,--
Dearer to him than all who thus beguile,
Thy faded face, and thy familiar smile;
Thy glance, which still hath welcomed him for years
Now bright with gladness, and now dim with tears!
And if (for we are weak) division come
On wings of discord to that happy home,
Soon is the painful hour of anger past,
Too sharp, too strange an agony to last;
And, like some river's bright abundant tide
Which art or accident hath forced aside,
The well-springs of affection, gushing o'er,
Back to their natural channels flow once more.

'Ah! sad it is when one thus link'd departs!
When Death, that mighty severer of true hearts,
Sweeps through the halls so lately loud in mirth,
And leaves pale Sorrow weeping by the hearth!
Bitter it is to wander there alone,
To fill the vacant place, the empty chair,
With a dear vision of the loved one gone,
And start to see it vaguely melt in air!

Bitter to find all joy that once hath been
Double its value when 'tis pass'd away,--
To feel the blow which Time should make less keen
Increase its burden each successive day,--
To need good counsel, and to miss the voice,
The ever trusted, and the ever true,
Whose tones were wont to cheer our faltering choice,
And show what holy Virtue bade us do,--
To bear deep wrong, and bow the widow'd head
In helpless anguish, no one to defend;
Or worse,--in lieu of him, the kindly dead,
Claim faint assistance from some lukewarm friend,--
Yet scarce perceive the extent of all our loss
Till the fresh tomb be green with gathering moss--
Till many a morn have met our sadden'd eyes
With none to say 'Good morrow;'--many an eve
Sent its red glory through the tranquil skies,
Each bringing with it deeper cause to grieve!

'This is a destiny which may be thine--
The common grief: God will'd it should be mine:
Short was the course our happy love had run,
And hard it was to say 'Thy will be done!'
'Yet those whom man, not God, hath parted, know
A heavier pang, a more enduring woe;
No softening memory mingles with their tears,
Still the wound rankles on through dreary years,
Still the heart feels, in bitterest hours of blame,
It dares not curse the long-familiar name;
Still, vainly free, through many a cheerless day,
From weaker ties turns helplessly away,
Sick for the smiles that bless'd its home of yore,
The natural joys of life that come no more;
And, all bewildered by the abyss, whose gloom
Dark and impassable as is the tomb,
Lies stretch'd between the future and the past,--
Sinks into deep and cold despair at last.

'Heaven give thee poverty, disease, or death,
Each varied ill that waits on human breath,
Rather than bid thee linger out thy life
In the long toil of such unnatural strife.
To wander through the world unreconciled,
Heart weary as a spirit-broken child,
And think it were an hour of bliss like heaven
If thou could'st die--forgiving and forgiven,--
Or with a feverish hope, of anguish born,
(Nerving thy mind to feel indigant scorn
Of all the cruel foes who 'twixt ye stand,
Holding thy heartstrngs with a reckless hand,)
Steal to his presence, now unseen so long,
And claim his mercy who hath dealt the wrong!
Into the aching depths of thy poor heart
Dive, as it were, even to the roots of pain,
And wrench up thoughts that tear thy soul apart,
And burn like fire through thy bewilder'd brain.
Clothe them in passionate words of wild appeal
To teach thy fellow-creature how to feel,--
Pray, weep, exhaust thyself in maddening tears,--
Recal the hopes, the influences of years,--
Kneel, dash thyself upon the senseless ground,
Writhe as the worm writhes with dividing wound,--
Invoke the heaven that knows thy sorrow's truth,
By all the softening memories of youth--
By every hope that cheer'd thine earlier day--
By every tear that washes wrath away--
By every old remembrance long gone by--
By every pang that makes thee yearn to die;
And learn at length how deep and stern a blow
Near hands can strike, and yet no pity show!

'Oh! weak to suffer, savage to inflict,
Is man's commingling nature; hear him now
Some transient trial of his life depict,
Hear him in holy rites a suppliant bow;
See him shrink back from sickness and from pain,
And in his sorrow to his God complain;
'Remit my trespass, spare my sin,' he cries,
'All-merciful, Almighty, and All-wise;
Quench this affliction's bitter whelming tide,
Draw out thy barbed arrow from my side:'--
--And rises from that mockery of prayer
To hale some brother-debtor to despair!

'May this be spared thee! Yet be sure, my child,
(Howe'er that dream thy fancy hath beguiled,)
Some sorrow lurks to cloud thy future fate;
Thy share of tears,--come early or come late,--
Must still be shed; and 'twere as vain a thing
To ask of Nature one perpetual spring
As to evade those sad autumnal hours,
Or deem thy path of life should bloom, all flowers.'

She ceased: and that fair maiden heard the truth
With the fond passionate despair of youth,
Which, new to suffering, gives its sorrow vent
In outward signs and bursts of wild lament:--

'If this be so, then, mother, let me die
Ere yet the glow hath faded from my sky!
Let me die young; before the holy trust
In human kindness crumbles into dust;
Before I suffer what I have not earn'd,
Or see by treachery my truth return'd;
Before the love I live for, fades away;
Before the hopes I cherish'd most, decay;

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Canto the Fourth


I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!


She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.


In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!


But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.


The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more beloved existence: that which Fate
Prohibits to dull life, in this our state
Of mortal bondage, by these spirits supplied,
First exiles, then replaces what we hate;
Watering the heart whose early flowers have died,
And with a fresher growth replenishing the void.


Such is the refuge of our youth and age,
The first from Hope, the last from Vacancy;
And this worn feeling peoples many a page,
And, may be, that which grows beneath mine eye:
Yet there are things whose strong reality
Outshines our fairy-land; in shape and hues
More beautiful than our fantastic sky,
And the strange constellations which the Muse
O’er her wild universe is skilful to diffuse:


I saw or dreamed of such, - but let them go -
They came like truth, and disappeared like dreams;
And whatsoe’er they were - are now but so;
I could replace them if I would: still teems
My mind with many a form which aptly seems
Such as I sought for, and at moments found;
Let these too go - for waking reason deems
Such overweening phantasies unsound,
And other voices speak, and other sights surround.


I’ve taught me other tongues, and in strange eyes
Have made me not a stranger; to the mind
Which is itself, no changes bring surprise;
Nor is it harsh to make, nor hard to find
A country with - ay, or without mankind;
Yet was I born where men are proud to be,
Not without cause; and should I leave behind
The inviolate island of the sage and free,
And seek me out a home by a remoter sea,


Perhaps I loved it well: and should I lay
My ashes in a soil which is not mine,
My spirit shall resume it - if we may
Unbodied choose a sanctuary. I twine
My hopes of being remembered in my line
With my land’s language: if too fond and far
These aspirations in their scope incline, -
If my fame should be, as my fortunes are,
Of hasty growth and blight, and dull Oblivion bar.


My name from out the temple where the dead
Are honoured by the nations - let it be -
And light the laurels on a loftier head!
And be the Spartan’s epitaph on me -
‘Sparta hath many a worthier son than he.’
Meantime I seek no sympathies, nor need;
The thorns which I have reaped are of the tree
I planted, - they have torn me, and I bleed:
I should have known what fruit would spring from such a seed.


The spouseless Adriatic mourns her lord;
And, annual marriage now no more renewed,
The Bucentaur lies rotting unrestored,
Neglected garment of her widowhood!
St. Mark yet sees his lion where he stood
Stand, but in mockery of his withered power,
Over the proud place where an Emperor sued,
And monarchs gazed and envied in the hour
When Venice was a queen with an unequalled dower.


The Suabian sued, and now the Austrian reigns -
An Emperor tramples where an Emperor knelt;
Kingdoms are shrunk to provinces, and chains
Clank over sceptred cities; nations melt
From power’s high pinnacle, when they have felt
The sunshine for a while, and downward go
Like lauwine loosened from the mountain’s belt:
Oh for one hour of blind old Dandolo!
The octogenarian chief, Byzantium’s conquering foe.


Before St. Mark still glow his steeds of brass,
Their gilded collars glittering in the sun;
But is not Doria’s menace come to pass?
Are they not bridled? - Venice, lost and won,
Her thirteen hundred years of freedom done,
Sinks, like a seaweed, into whence she rose!
Better be whelmed beneath the waves, and shun,
Even in Destruction’s depth, her foreign foes,
From whom submission wrings an infamous repose.


In youth she was all glory, - a new Tyre, -
Her very byword sprung from victory,
The ‘Planter of the Lion,’ which through fire
And blood she bore o’er subject earth and sea;
Though making many slaves, herself still free
And Europe’s bulwark ’gainst the Ottomite:
Witness Troy’s rival, Candia! Vouch it, ye
Immortal waves that saw Lepanto’s fight!
For ye are names no time nor tyranny can blight.


Statues of glass - all shivered - the long file
Of her dead doges are declined to dust;
But where they dwelt, the vast and sumptuous pile
Bespeaks the pageant of their splendid trust;
Their sceptre broken, and their sword in rust,
Have yielded to the stranger: empty halls,
Thin streets, and foreign aspects, such as must
Too oft remind her who and what enthrals,
Have flung a desolate cloud o’er Venice’ lovely walls.


When Athens’ armies fell at Syracuse,
And fettered thousands bore the yoke of war,
Redemption rose up in the Attic Muse,
Her voice their only ransom from afar:
See! as they chant the tragic hymn, the car
Of the o’ermastered victor stops, the reins
Fall from his hands - his idle scimitar
Starts from its belt - he rends his captive’s chains,
And bids him thank the bard for freedom and his strains.


Thus, Venice, if no stronger claim were thine,
Were all thy proud historic deeds forgot,
Thy choral memory of the bard divine,
Thy love of Tasso, should have cut the knot
Which ties thee to thy tyrants; and thy lot
Is shameful to the nations, - most of all,
Albion! to thee: the Ocean Queen should not
Abandon Ocean’s children; in the fall
Of Venice think of thine, despite thy watery wall.


I loved her from my boyhood: she to me
Was as a fairy city of the heart,
Rising like water-columns from the sea,
Of joy the sojourn, and of wealth the mart
And Otway, Radcliffe, Schiller, Shakspeare’s art,
Had stamped her image in me, and e’en so,
Although I found her thus, we did not part,
Perchance e’en dearer in her day of woe,
Than when she was a boast, a marvel, and a show.


I can repeople with the past - and of
The present there is still for eye and thought,
And meditation chastened down, enough;
And more, it may be, than I hoped or sought;
And of the happiest moments which were wrought
Within the web of my existence, some
From thee, fair Venice! have their colours caught:
There are some feelings Time cannot benumb,
Nor torture shake, or mine would now be cold and dumb.


But from their nature will the tannen grow
Loftiest on loftiest and least sheltered rocks,
Rooted in barrenness, where nought below
Of soil supports them ’gainst the Alpine shocks
Of eddying storms; yet springs the trunk, and mocks
The howling tempest, till its height and frame
Are worthy of the mountains from whose blocks
Of bleak, grey granite, into life it came,
And grew a giant tree; - the mind may grow the same.


Existence may be borne, and the deep root
Of life and sufferance make its firm abode
In bare and desolate bosoms: mute
The camel labours with the heaviest load,
And the wolf dies in silence. Not bestowed
In vain should such examples be; if they,
Things of ignoble or of savage mood,
Endure and shrink not, we of nobler clay
May temper it to bear, - it is but for a day.


All suffering doth destroy, or is destroyed,
Even by the sufferer; and, in each event,
Ends: - Some, with hope replenished and rebuoyed,
Return to whence they came - with like intent,
And weave their web again; some, bowed and bent,
Wax grey and ghastly, withering ere their time,
And perish with the reed on which they leant;
Some seek devotion, toil, war, good or crime,
According as their souls were formed to sink or climb.


But ever and anon of griefs subdued
There comes a token like a scorpion’s sting,
Scarce seen, but with fresh bitterness imbued;
And slight withal may be the things which bring
Back on the heart the weight which it would fling
Aside for ever: it may be a sound -
A tone of music - summer’s eve - or spring -
A flower - the wind - the ocean - which shall wound,
Striking the electric chain wherewith we are darkly bound.


And how and why we know not, nor can trace
Home to its cloud this lightning of the mind,
But feel the shock renewed, nor can efface
The blight and blackening which it leaves behind,
Which out of things familiar, undesigned,
When least we deem of such, calls up to view
The spectres whom no exorcism can bind, -
The cold - the changed - perchance the dead - anew,
The mourned, the loved, the lost - too many! - yet how few!


But my soul wanders; I demand it back
To meditate amongst decay, and stand
A ruin amidst ruins; there to track
Fall’n states and buried greatness, o’er a land
Which was the mightiest in its old command,
And is the loveliest, and must ever be
The master-mould of Nature’s heavenly hand,
Wherein were cast the heroic and the free,
The beautiful, the brave - the lords of earth and sea.


The commonwealth of kings, the men of Rome!
And even since, and now, fair Italy!
Thou art the garden of the world, the home
Of all Art yields, and Nature can decree;
Even in thy desert, what is like to thee?
Thy very weeds are beautiful, thy waste
More rich than other climes’ fertility;
Thy wreck a glory, and thy ruin graced
With an immaculate charm which cannot be defaced.


The moon is up, and yet it is not night -
Sunset divides the sky with her - a sea
Of glory streams along the Alpine height
Of blue Friuli’s mountains; Heaven is free
From clouds, but of all colours seems to be -
Melted to one vast Iris of the West,
Where the day joins the past eternity;
While, on the other hand, meek Dian’s crest
Floats through the azure air - an island of the blest!


A single star is at her side, and reigns
With her o’er half the lovely heaven; but still
Yon sunny sea heaves brightly, and remains
Rolled o’er the peak of the far Rhætian hill,
As Day and Night contending were, until
Nature reclaimed her order: - gently flows
The deep-dyed Brenta, where their hues instil
The odorous purple of a new-born rose,
Which streams upon her stream, and glassed within it glows,


Filled with the face of heaven, which, from afar,
Comes down upon the waters; all its hues,
From the rich sunset to the rising star,
Their magical variety diffuse:
And now they change; a paler shadow strews
Its mantle o’er the mountains; parting day
Dies like the dolphin, whom each pang imbues
With a new colour as it gasps away,
The last still loveliest, till - ’tis gone - and all is grey.


There is a tomb in Arqua; - reared in air,
Pillared in their sarcophagus, repose
The bones of Laura’s lover: here repair
Many familiar with his well-sung woes,
The pilgrims of his genius. He arose
To raise a language, and his land reclaim
From the dull yoke of her barbaric foes:
Watering the tree which bears his lady’s name
With his melodious tears, he gave himself to fame.


They keep his dust in Arqua, where he died;
The mountain-village where his latter days
Went down the vale of years; and ’tis their pride -
An honest pride - and let it be their praise,
To offer to the passing stranger’s gaze
His mansion and his sepulchre; both plain
And venerably simple, such as raise
A feeling more accordant with his strain,
Than if a pyramid formed his monumental fane.


And the soft quiet hamlet where he dwelt
Is one of that complexion which seems made
For those who their mortality have felt,
And sought a refuge from their hopes decayed
In the deep umbrage of a green hill’s shade,
Which shows a distant prospect far away
Of busy cities, now in vain displayed,
For they can lure no further; and the ray
Of a bright sun can make sufficient holiday.


Developing the mountains, leaves, and flowers
And shining in the brawling brook, where-by,
Clear as its current, glide the sauntering hours
With a calm languor, which, though to the eye
Idlesse it seem, hath its morality,
If from society we learn to live,
’Tis solitude should teach us how to die;
It hath no flatterers; vanity can give
No hollow aid; alone - man with his God must strive:


Or, it may be, with demons, who impair
The strength of better thoughts, and seek their prey
In melancholy bosoms, such as were
Of moody texture from their earliest day,
And loved to dwell in darkness and dismay,
Deeming themselves predestined to a doom
Which is not of the pangs that pass away;
Making the sun like blood, the earth a tomb,
The tomb a hell, and hell itself a murkier gloom.


Ferrara! in thy wide and grass-grown streets,
Whose symmetry was not for solitude,
There seems as ’twere a curse upon the seat’s
Of former sovereigns, and the antique brood
Of Este, which for many an age made good
Its strength within thy walls, and was of yore
Patron or tyrant, as the changing mood
Of petty power impelled, of those who wore
The wreath which Dante’s brow alone had worn before.


And Tasso is their glory and their shame.
Hark to his strain! and then survey his cell!
And see how dearly earned Torquato’s fame,
And where Alfonso bade his poet dwell.
The miserable despot could not quell
The insulted mind he sought to quench, and blend
With the surrounding maniacs, in the hell
Where he had plunged it. Glory without end
Scattered the clouds away - and on that name attend


The tears and praises of all time, while thine
Would rot in its oblivion - in the sink
Of worthless dust, which from thy boasted line
Is shaken into nothing; but the link
Thou formest in his fortunes bids us think
Of thy poor malice, naming thee with scorn -
Alfonso! how thy ducal pageants shrink
From thee! if in another station born,
Scarce fit to be the slave of him thou mad’st to mourn:


Thou! formed to eat, and be despised, and die,
Even as the beasts that perish, save that thou
Hadst a more splendid trough, and wider sty:
He! with a glory round his furrowed brow,
Which emanated then, and dazzles now
In face of all his foes, the Cruscan quire,
And Boileau, whose rash envy could allow
No strain which shamed his country’s creaking lyre,
That whetstone of the teeth - monotony in wire!


Peace to Torquato’s injured shade! ’twas his
In life and death to be the mark where Wrong
Aimed with their poisoned arrows - but to miss.
Oh, victor unsurpassed in modern song!
Each year brings forth its millions; but how long
The tide of generations shall roll on,
And not the whole combined and countless throng
Compose a mind like thine? Though all in one
Condensed their scattered rays, they would not form a sun.


Great as thou art, yet paralleled by those
Thy countrymen, before thee born to shine,
The bards of Hell and Chivalry: first rose
The Tuscan father’s comedy divine;
Then, not unequal to the Florentine,
The Southern Scott, the minstrel who called forth
A new creation with his magic line,
And, like the Ariosto of the North,
Sang ladye-love and war, romance and knightly worth.


The lightning rent from Ariosto’s bust
The iron crown of laurel’s mimicked leaves;
Nor was the ominous element unjust,
For the true laurel-wreath which Glory weaves
Is of the tree no bolt of thunder cleaves,
And the false semblance but disgraced his brow;
Yet still, if fondly Superstition grieves,
Know that the lightning sanctifies below
Whate’er it strikes; - yon head is doubly sacred now.


Italia! O Italia! thou who hast
The fatal gift of beauty, which became
A funeral dower of present woes and past,
On thy sweet brow is sorrow ploughed by shame,
And annals graved in characters of flame.
Oh God! that thou wert in thy nakedness
Less lovely or more powerful, and couldst claim
Thy right, and awe the robbers back, who press
To shed thy blood, and drink the tears of thy distress;


Then mightst thou more appal; or, less desired,
Be homely and be peaceful, undeplored
For thy destructive charms; then, still untired,
Would not be seen the armèd torrents poured
Down the deep Alps; nor would the hostile horde
Of many-nationed spoilers from the Po
Quaff blood and water; nor the stranger’s sword
Be thy sad weapon of defence, and so,
Victor or vanquished, thou the slave of friend or foe.


Wandering in youth, I traced the path of him,
The Roman friend of Rome’s least mortal mind,
The friend of Tully: as my bark did skim
The bright blue waters with a fanning wind,
Came Megara before me, and behind
Ægina lay, Piræus on the right,
And Corinth on the left; I lay reclined
Along the prow, and saw all these unite
In ruin, even as he had seen the desolate sight;


For time hath not rebuilt them, but upreared
Barbaric dwellings on their shattered site,
Which only make more mourned and more endeared
The few last rays of their far-scattered light,
And the crushed relics of their vanished might.
The Roman saw these tombs in his own age,
These sepulchres of cities, which excite
Sad wonder, and his yet surviving page
The moral lesson bears, drawn from such pilgrimage.


That page is now before me, and on mine
His country’s ruin added to the mass
Of perished states he mourned in their decline,
And I in desolation: all that was
Of then destruction is; and now, alas!
Rome - Rome imperial, bows her to the storm,
In the same dust and blackness, and we pass
The skeleton of her Titanic form,
Wrecks of another world, whose ashes still are warm.


Yet, Italy! through every other land
Thy wrongs should ring, and shall, from side to side;
Mother of Arts! as once of Arms; thy hand
Was then our Guardian, and is still our guide;
Parent of our religion! whom the wide
Nations have knelt to for the keys of heaven!
Europe, repentant of her parricide,
Shall yet redeem thee, and, all backward driven,
Roll the barbarian tide, and sue to be forgiven.


But Arno wins us to the fair white walls,
Where the Etrurian Athens claims and keeps
A softer feeling for her fairy halls.
Girt by her theatre of hills, she reaps
Her corn, and wine, and oil, and Plenty leaps
To laughing life, with her redundant horn.
Along the banks where smiling Arno sweeps,
Was modern Luxury of Commerce born,
And buried Learning rose, redeemed to a new morn.


There, too, the goddess loves in stone, and fills
The air around with beauty; we inhale
The ambrosial aspect, which, beheld, instils
Part of its immortality; the veil
Of heaven is half undrawn; within the pale
We stand, and in that form and face behold
What Mind can make, when Nature’s self would fail;
And to the fond idolaters of old
Envy the innate flash which such a soul could mould:


We gaze and turn away, and know not where,
Dazzled and drunk with beauty, till the heart
Reels with its fulness; there - for ever there -
Chained to the chariot of triumphal Art,
We stand as captives, and would not depart.
Away! - there need no words, nor terms precise,
The paltry jargon of the marble mart,
Where Pedantry gulls Folly - we have eyes:
Blood, pulse, and breast, confirm the Dardan Shepherd’s prize.


Appearedst thou not to Paris in this guise?
Or to more deeply blest Anchises? or,
In all thy perfect goddess-ship, when lies
Before thee thy own vanquished Lord of War?
And gazing in thy face as toward a star,
Laid on thy lap, his eyes to thee upturn,
Feeding on thy sweet cheek! while thy lips are
With lava kisses melting while they burn,
Showered on his eyelids, brow, and mouth, as from an urn!


Glowing, and circumfused in speechless love,
Their full divinity inadequate
That feeling to express, or to improve,
The gods become as mortals, and man’s fate
Has moments like their brightest! but the weight
Of earth recoils upon us; - let it go!
We can recall such visions, and create
From what has been, or might be, things which grow,
Into thy statue’s form, and look like gods below.


I leave to learnèd fingers, and wise hands,
The artist and his ape, to teach and tell
How well his connoisseurship understands
The graceful bend, and the voluptuous swell:
Let these describe the undescribable:
I would not their vile breath should crisp the stream
Wherein that image shall for ever dwell;
The unruffled mirror of the loveliest dream
That ever left the sky on the deep soul to beam.


In Santa Croce’s holy precincts lie
Ashes which make it holier, dust which is
E’en in itself an immortality,
Though there were nothing save the past, and this
The particle of those sublimities
Which have relapsed to chaos: - here repose
Angelo’s, Alfieri’s bones, and his,
The starry Galileo, with his woes;
Here Machiavelli’s earth returned to whence it rose.


These are four minds, which, like the elements,
Might furnish forth creation: - Italy!
Time, which hath wronged thee with ten thousand rents
Of thine imperial garment, shall deny,
And hath denied, to every other sky,
Spirits which soar from ruin: - thy decay
Is still impregnate with divinity,
Which gilds it with revivifying ray;
Such as the great of yore, Canova is to-day.


But where repose the all Etruscan three -
Dante, and Petrarch, and, scarce less than they,
The Bard of Prose, creative spirit! he
Of the Hundred Tales of love - where did they lay
Their bones, distinguished from our common clay
In death as life? Are they resolved to dust,
And have their country’s marbles nought to say?
Could not her quarries furnish forth one bust?
Did they not to her breast their filial earth entrust?


Ungrateful Florence! Dante sleeps afar,
Like Scipio, buried by the upbraiding shore;
Thy factions, in their worse than civil war,
Proscribed the bard whose name for evermore
Their children’s children would in vain adore
With the remorse of ages; and the crown
Which Petrarch’s laureate brow supremely wore,
Upon a far and foreign soil had grown,
His life, his fame, his grave, though rifled - not thine own.


Boccaccio to his parent earth bequeathed
His dust, - and lies it not her great among,
With many a sweet and solemn requiem breathed
O’er him who formed the Tuscan’s siren tongue?
That music in itself, whose sounds are song,
The poetry of speech? No; - even his tomb
Uptorn, must bear the hyæna bigots’ wrong,
No more amidst the meaner dead find room,
Nor claim a passing sigh, because it told for whom?


And Santa Croce wants their mighty dust;
Yet for this want more noted, as of yore
The Cæsar’s pageant, shorn of Brutus’ bust,
Did but of Rome’s best son remind her more:
Happier Ravenna! on thy hoary shore,
Fortress of falling empire! honoured sleeps
The immortal exile; - Arqua, too, her store
Of tuneful relics proudly claims and keeps,
While Florence vainly begs her banished dead, and weeps.


What is her pyramid of precious stones?
Of porphyry, jasper, agate, and all hues
Of gem and marble, to encrust the bones
Of merchant-dukes? the momentary dews
Which, sparkling to the twilight stars, infuse
Freshness in the green turf that wraps the dead,
Whose names are mausoleums of the Muse,
Are gently prest with far more reverent tread
Than ever paced the slab which paves the princely head.


There be more things to greet the heart and eyes
In Arno’s dome of Art’s most princely shrine,
Where Sculpture with her rainbow sister vies;
There be more marvels yet - but not for mine;
For I have been accustomed to entwine
My thoughts with Nature rather in the fields
Than Art in galleries: though a work divine
Calls for my spirit’s homage, yet it yields
Less than it feels, because the weapon which it wields


Is of another temper, and I roam
By Thrasimene’s lake, in the defiles
Fatal to Roman rashness, more at home;
For there the Carthaginian’s warlike wiles
Come back before me, as his skill beguiles
The host between the mountains and the shore,
Where Courage falls in her despairing files,
And torrents, swoll’n to rivers with their gore,
Reek through the sultry plain, with legions scattered o’er,


Like to a forest felled by mountain winds;
And such the storm of battle on this day,
And such the frenzy, whose convulsion blinds
To all save carnage, that, beneath the fray,
An earthquake reeled unheededly away!
None felt stern Nature rocking at his feet,
And yawning forth a grave for those who lay
Upon their bucklers for a winding-sheet;
Such is the absorbing hate when warring nations meet.


The Earth to them was as a rolling bark
Which bore them to Eternity; they saw
The Ocean round, but had no time to mark
The motions of their vessel: Nature’s law,
In them suspended, recked not of the awe
Which reigns when mountains tremble, and the birds
Plunge in the clouds for refuge, and withdraw
From their down-toppling nests; and bellowing herds
Stumble o’er heaving plains, and man’s dread hath no words.


Far other scene is Thrasimene now;
Her lake a sheet of silver, and her plain
Rent by no ravage save the gentle plough;
Her aged trees rise thick as once the slain
Lay where their roots are; but a brook hath ta’en -
A little rill of scanty stream and bed -
A name of blood from that day’s sanguine rain;
And Sanguinetto tells ye where the dead
Made the earth wet, and turned the unwilling waters red.


But thou, Clitumnus! in thy sweetest wave
Of the most living crystal that was e’er
The haunt of river nymph, to gaze and lave
Her limbs where nothing hid them, thou dost rear
Thy grassy banks whereon the milk-white steer
Grazes; the purest god of gentle waters!
And most serene of aspect, and most clear:
Surely that stream was unprofaned by slaughters,
A mirror and a bath for Beauty’s youngest daughters!


And on thy happy shore a temple still,
Of small and delicate proportion, keeps,
Upon a mild declivity of hill,
Its memory of thee; beneath it sweeps
Thy current’s calmness; oft from out it leaps
The finny darter with the glittering scales,
Who dwells and revels in thy glassy deeps;
While, chance, some scattered water-lily sails
Down where the shallower wave still tells its bubbling tales.


Pass not unblest the genius of the place!
If through the air a zephyr more serene
Win to the brow, ’tis his; and if ye trace
Along his margin a more eloquent green,
If on the heart the freshness of the scene
Sprinkle its coolness, and from the dry dust
Of weary life a moment lave it clean
With Nature’s baptism, - ’tis to him ye must
Pay orisons for this suspension of disgust.


The roar of waters! - from the headlong height
Velino cleaves the wave-worn precipice;
The fall of waters! rapid as the light
The flashing mass foams shaking the abyss;
The hell of waters! where they howl and hiss,
And boil in endless torture; while the sweat
Of their great agony, wrung out from this
Their Phlegethon, curls round the rocks of jet
That gird the gulf around, in pitiless horror set,


And mounts in spray the skies, and thence again
Returns in an unceasing shower, which round,
With its unemptied cloud of gentle rain,
Is an eternal April to the ground,
Making it all one emerald. How profound
The gulf! and how the giant element
From rock to rock leaps with delirious bound,
Crushing the cliffs, which, downward worn and rent
With his fierce footsteps, yield in chasms a fearful vent


To the broad column which rolls on, and shows
More like the fountain of an infant sea
Torn from the womb of mountains by the throes
Of a new world, than only thus to be
Parent of rivers, which flow gushingly,
With many windings through the vale: - Look back!
Lo! where it comes like an eternity,
As if to sweep down all things in its track,
Charming the eye with dread, - a matchless cataract,


Horribly beautiful! but on the verge,
From side to side, beneath the glittering morn,
An Iris sits, amidst the infernal surge,
Like Hope upon a deathbed, and, unworn
Its steady dyes, while all around is torn
By the distracted waters, bears serene
Its brilliant hues with all their beams unshorn:
Resembling, mid the torture of the scene,
Love watching Madness with unalterable mien.


Once more upon the woody Apennine,
The infant Alps, which - had I not before
Gazed on their mightier parents, where the pine
Sits on more shaggy summits, and where roar
The thundering lauwine - might be worshipped more;
But I have seen the soaring Jungfrau rear
Her never-trodden snow, and seen the hoar
Glaciers of bleak Mont Blanc both far and near,
And in Chimari heard the thunder-hills of fear,


The Acroceraunian mountains of old name;
And on Parnassus seen the eagles fly
Like spirits of the spot, as ’twere for fame,
For still they soared unutterably high:
I’ve looked on Ida with a Trojan’s eye;
Athos, Olympus, Ætna, Atlas, made
These hills seem things of lesser dignity,
All, save the lone Soracte’s height displayed,
Not now in snow, which asks the lyric Roman’s aid


For our remembrance, and from out the plain
Heaves like a long-swept wave about to break,
And on the curl hangs pausing: not in vain
May he who will his recollections rake,
And quote in classic raptures, and awake
The hills with Latian echoes; I abhorred
Too much, to conquer for the poet’s sake,
The drilled dull lesson, forced down word by word
In my repugnant youth, with pleasure to record


Aught that recalls the daily drug which turned
My sickening memory; and, though Time hath taught
My mind to meditate what then it learned,
Yet such the fixed inveteracy wrought
By the impatience of my early thought,
That, with the freshness wearing out before
My mind could relish what it might have sought,
If free to choose, I cannot now restore
Its health; but what it then detested, still abhor.


Then farewell, Horace; whom I hated so,
Not for thy faults, but mine; it is a curse
To understand, not feel, thy lyric flow,
To comprehend, but never love thy verse,
Although no deeper moralist rehearse
Our little life, nor bard prescribe his art,
Nor livelier satirist the conscience pierce,
Awakening without wounding the touched heart,
Yet fare thee well - upon Soracte’s ridge we part.


O Rome! my country! city of the soul!
The orphans of the heart must turn to thee,
Lone mother of dead empires! and control
In their shut breasts their petty misery.
What are our woes and sufferance? Come and see
The cypress, hear the owl, and plod your way
O’er steps of broken thrones and temples, Ye!
Whose agonies are evils of a day -
A world is at our feet as fragile as our clay.


The Niobe of nations! there she stands,
Childless and crownless, in her voiceless woe;
An empty urn within her withered hands,
Whose holy dust was scattered long ago;
The Scipios’ tomb contains no ashes now;
The very sepulchres lie tenantless
Of their heroic dwellers: dost thou flow,
Old Tiber! through a marble wilderness?
Rise, with thy yellow waves, and mantle her distress!


The Goth, the Christian, Time, War, Flood, and Fire,
Have dwelt upon the seven-hilled city’s pride:
She saw her glories star by star expire,
And up the steep barbarian monarchs ride,
Where the car climbed the Capitol; far and wide
Temple and tower went down, nor left a site; -
Chaos of ruins! who shall trace the void,
O’er the dim fragments cast a lunar light,
And say, ‘Here was, or is,’ where all is doubly night?


The double night of ages, and of her,
Night’s daughter, Ignorance, hath wrapt, and wrap
All round us; we but feel our way to err:
The ocean hath its chart, the stars their map;
And knowledge spreads them on her ample lap;
But Rome is as the desert, where we steer
Stumbling o’er recollections: now we clap
Our hands, and cry, ‘Eureka!’ it is clear -
When but some false mirage of ruin rises near.


Alas, the lofty city! and alas
The trebly hundred triumphs! and the day
When Brutus made the dagger’s edge surpass
The conqueror’s sword in bearing fame away!
Alas for Tully’s voice, and Virgil’s lay,
And Livy’s pictured page! But these shall be
Her resurrection; all beside - decay.
Alas for Earth, for never shall we see
That brightness in her eye she bore when Rome was free!


O thou, whose chariot rolled on Fortune’s wheel,
Triumphant Sylla! Thou, who didst subdue
Thy country’s foes ere thou wouldst pause to feel
The wrath of thy own wrongs, or reap the due
Of hoarded vengeance till thine eagles flew
O’er prostrate Asia; - thou, who with thy frown
Annihilated senates - Roman, too,
With all thy vices, for thou didst lay down
With an atoning smile a more than earthly crown -


The dictatorial wreath, - couldst thou divine
To what would one day dwindle that which made
Thee more than mortal? and that so supine
By aught than Romans Rome should thus be laid?
She who was named eternal, and arrayed
Her warriors but to conquer - she who veiled
Earth with her haughty shadow, and displayed
Until the o’er-canopied horizon failed,
Her rushing wings - Oh! she who was almighty hailed!


Sylla was first of victors; but our own,
The sagest of usurpers, Cromwell! - he
Too swept off senates while he hewed the throne
Down to a block - immortal rebel! See
What crimes it costs to be a moment free
And famous through all ages! But beneath
His fate the moral lurks of destiny;
His day of double victory and death
Beheld him win two realms, and, happier, yield his breath.


The third of the same moon whose former course
Had all but crowned him, on the self-same day
Deposed him gently from his throne of force,
And laid him with the earth’s preceding clay.
And showed not Fortune thus how fame and sway,
And all we deem delightful, and consume
Our souls to compass through each arduous way,
Are in her eyes less happy than the tomb?
Were they but so in man’s, how different were his doom!


And thou, dread statue! yet existent in
The austerest form of naked majesty,
Thou who beheldest, mid the assassins’ din,
At thy bathed base the bloody Cæsar lie,
Folding his robe in dying dignity,
An offering to thine altar from the queen
Of gods and men, great Nemesis! did he die,
And thou, too, perish, Pompey? have ye been
Victors of countless kings, or puppets of a scene?


And thou, the thunder-stricken nurse of Rome!
She-wolf! whose brazen-imaged dugs impart
The milk of conquest yet within the dome
Where, as a monument of antique art,
Thou standest: - Mother of the mighty heart,
Which the great founder sucked from thy wild teat,
Scorched by the Roman Jove’s ethereal dart,
And thy limbs blacked with lightning - dost thou yet
Guard thine immortal cubs, nor thy fond charge forget?


Thou dost; - but all thy foster-babes are dead -
The men of iron; and the world hath reared
Cities from out their sepulchres: men bled
In imitation of the things they feared,
And fought and conquered, and the same course steered,
At apish distance; but as yet none have,
Nor could, the same supremacy have neared,
Save one vain man, who is not in the grave,
But, vanquished by himself, to his own slaves a slave,


The fool of false dominion - and a kind
Of bastard Cæsar, following him of old
With steps unequal; for the Roman’s mind
Was modelled in a less terrestrial mould,
With passions fiercer, yet a judgment cold,
And an immortal instinct which redeemed
The frailties of a heart so soft, yet bold.
Alcides with the distaff now he seemed
At Cleopatra’s feet, and now himself he beamed.


And came, and saw, and conquered. But the man
Who would have tamed his eagles down to flee,
Like a trained falcon, in the Gallic van,
Which he, in sooth, long led to victory,
With a deaf heart which never seemed to be
A listener to itself, was strangely framed;
With but one weakest weakness - vanity:
Coquettish in ambition, still he aimed
At what? Can he avouch, or answer what he claimed?


And would be all or nothing - nor could wait
For the sure grave to level him; few years
Had fixed him with the Cæsars in his fate,
On whom we tread: For this the conqueror rears
The arch of triumph! and for this the tears
And blood of earth flow on as they have flowed,
An universal deluge, which appears
Without an ark for wretched man’s abode,
And ebbs but to reflow! - Renew thy rainbow, God!


What from this barren being do we reap?
Our senses narrow, and our reason frail,
Life short, and truth a gem which loves the deep,
And all things weighed in custom’s falsest scale;
Opinion an omnipotence, whose veil
Mantles the earth with darkness, until right
And wrong are accidents, and men grow pale
Lest their own judgments should become too bright,
And their free thoughts be crimes, and earth have too much light.


And thus they plod in sluggish misery,
Rotting from sire to son, and age to age,
Proud of their trampled nature, and so die,
Bequeathing their hereditary rage
To the new race of inborn slaves, who wage
War for their chains, and rather than be free,
Bleed gladiator-like, and still engage
Within the same arena where they see
Their fellows fall before, like leaves of the same tree.


I speak not of men’s creeds - they rest between
Man and his Maker - but of things allowed,
Averred, and known, - and daily, hourly seen -
The yoke that is upon us doubly bowed,
And the intent of tyranny avowed,
The edict of Earth’s rulers, who are grown
The apes of him who humbled once the proud,
And shook them from their slumbers on the throne;
Too glorious, were this all his mighty arm had done.


Can tyrants but by tyrants conquered be,
And Freedom find no champion and no child
Such as Columbia saw arise when she
Sprung forth a Pallas, armed and undefiled?
Or must such minds be nourished in the wild,
Deep in the unpruned forest, midst the roar
Of cataracts, where nursing nature smiled
On infant Washington? Has Earth no more
Such seeds within her breast, or Europe no such shore?


But France got drunk with blood to vomit crime,
And fatal have her Saturnalia been
To Freedom’s cause, in every age and clime;
Because the deadly days which we have seen,
And vile Ambition, that built up between
Man and his hopes an adamantine wall,
And the base pageant last upon the scene,
Are grown the pretext for the eternal thrall
Which nips Life’s tree, and dooms man’s worst - his second fall.


Yet, Freedom! yet thy banner, torn, but flying,
Streams like the thunder-storm against the wind;
Thy trumpet-voice, though broken now and dying,
The loudest still the tempest leaves behind;
Thy tree hath lost its blossoms, and the rind,
Chopped by the axe, looks rough and little worth,
But the sap lasts, - and still the seed we find
Sown deep, even in the bosom of the North;
So shall a better spring less bitter fruit bring forth.


There is a stern round tower of other days,
Firm as a fortress, with its fence of stone,
Such as an army’s baffled strength delays,
Standing with half its battlements alone,
And with two thousand years of ivy grown,
The garland of eternity, where wave
The green leaves over all by time o’erthrown:
What was this tower of strength? within its cave
What treasure lay so locked, so hid? - A woman’s grave.


But who was she, the lady of the dead,
Tombed in a palace? Was she chaste and fair?
Worthy a king’s - or more - a Roman’s bed?
What race of chiefs and heroes did she bear?
What daughter of her beauties was the heir?
How lived - how loved - how died she? Was she not
So honoured - and conspicuously there,
Where meaner relics must not dare to rot,
Placed to commemorate a more than mortal lot?


Was she as those who love their lords, or they
Who love the lords of others? such have been
Even in the olden time, Rome’s annals say.
Was she a matron of Cornelia’s mien,
Or the light air of Egypt’s graceful queen,
Profuse of joy; or ’gainst it did she war,
Inveterate in virtue? Did she lean
To the soft side of the heart, or wisely bar
Love from amongst her griefs? - for such the affections are.


Perchance she died in youth: it may be, bowed
With woes far heavier than the ponderous tomb
That weighed upon her gentle dust, a cloud
Might gather o’er her beauty, and a gloom
In her dark eye, prophetic of the doom
Heaven gives its favourites - early death; yet shed
A sunset charm around her, and illume
With hectic light, the Hesperus of the dead,
Of her consuming cheek the autumnal leaf-like red.


Perchance she died in age - surviving all,
Charms, kindred, children - with the silver grey
On her long tresses, which might yet recall,
It may be, still a something of the day
When they were braided, and her proud array
And lovely form were envied, praised, and eyed
By Rome - But whither would Conjecture stray?
Thus much alone we know - Metella died,
The wealthiest Roman’s wife: Behold his love or pride!


I know not why - but standing thus by thee
It seems as if I had thine inmate known,
Thou Tomb! and other days come back on me
With recollected music, though the tone
Is changed and solemn, like the cloudy groan
Of dying thunder on the distant wind;
Yet could I seat me by this ivied stone
Till I had bodied forth the heated mind,
Forms from the floating wreck which ruin leaves behind;


And from the planks, far shattered o’er the rocks,
Built me a little bark of hope, once more
To battle with the ocean and the shocks
Of the loud breakers, and the ceaseless roar
Which rushes on the solitary shore
Where all lies foundered that was ever dear:
But could I gather from the wave-worn store
Enough for my rude boat, where should I steer?
There woos no home, nor hope, nor life, save what is here.


Then let the winds howl on! their harmony
Shall henceforth be my music, and the night
The sound shall temper with the owlet’s cry,
As I now hear them, in the fading light
Dim o’er the bird of darkness’ native site,
Answer each other on the Palatine,
With their large eyes, all glistening grey and bright,
And sailing pinions. - Upon such a shrine
What are our petty griefs? - let me not number mine.


Cypress and ivy, weed and wallflower grown
Matted and massed together, hillocks heaped
On what were chambers, arch crushed, column strown
In fragments, choked-up vaults, and frescoes steeped
In subterranean damps, where the owl peeped,
Deeming it midnight: - Temples, baths, or halls?
Pronounce who can; for all that Learning reaped
From her research hath been, that these are walls -
Behold the Imperial Mount! ’tis thus the mighty falls.


There is the moral of all human tales:
’Tis but the same rehearsal of the past,
First Freedom, and then Glory - when that fails,
Wealth, vice, corruption - barbarism at last.
And History, with all her volumes vast,
Hath but one page, - ’tis better written here,
Where gorgeous Tyranny hath thus amassed
All treasures, all delights, that eye or ear,
Heart, soul could seek, tongue ask - Away with words! draw near,


Admire, exult - despise - laugh, weep - for here
There is such matter for all feeling: - Man!
Thou pendulum betwixt a smile and tear,
Ages and realms are crowded in this span,
This mountain, whose obliterated plan
The pyramid of empires pinnacled,
Of Glory’s gewgaws shining in the van
Till the sun’s rays with added flame were filled!
Where are its golden roofs? where those who dared to build?


Tully was not so eloquent as thou,
Thou nameless column with the buried base!
What are the laurels of the Cæsar’s brow?
Crown me with ivy from his dwelling-place.
Whose arch or pillar meets me in the face,
Titus or Trajan’s? No; ’tis that of Time:
Triumph, arch, pillar, all he doth displace,
Scoffing; and apostolic statues climb
To crush the imperial urn, whose ashes slept sublime,


Buried in air, the deep blue sky of Rome,
And looking to the stars; they had contained
A spirit which with these would find a home,
The last of those who o’er the whole earth reigned,
The Roman globe, for after none sustained
But yielded back his conquests: - he was more
Than a mere Alexander, and unstained
With household blood and wine, serenely wore
His sovereign virtues - still we Trajan’s name adore.


Where is the rock of Triumph, the high place
Where Rome embraced her heroes? where the steep
Tarpeian - fittest goal of Treason’s race,
The promontory whence the traitor’s leap
Cured all ambition? Did the Conquerors heap
Their spoils here? Yes; and in yon field below,
A thousand years of silenced factions sleep -
The Forum, where the immortal accents glow,
And still the eloquent air breathes - burns with Cicero!


The field of freedom, faction, fame, and blood:
Here a proud people’s passions were exhaled,
From the first hour of empire in the bud
To that when further worlds to conquer failed;
But long before had Freedom’s face been veiled,
And Anarchy assumed her attributes:
Till every lawless soldier who assailed
Trod on the trembling Senate’s slavish mutes,
Or raised the venal voice of baser prostitutes.


Then turn we to our latest tribune’s name,
From her ten thousand tyrants turn to thee,
Redeemer of dark centuries of shame -
The friend of Petrarch - hope of Italy -
Rienzi! last of Romans! While the tree
Of freedom’s withered trunk puts forth a leaf,
Even for thy tomb a garland let it be -
The forum’s champion, and the people’s chief -
Her new-born Numa thou, with reign, alas! too brief.


Egeria! sweet creation of some heart
Which found no mortal resting-place so fair
As thine ideal breast; whate’er thou art
Or wert, - a young Aurora of the air,
The nympholepsy of some fond despair;
Or, it might be, a beauty of the earth,
Who found a more than common votary there
Too much adoring; whatsoe’er thy birth,
Thou wert a beautiful thought, and softly bodied forth.


The mosses of thy fountain still are sprinkled
With thine Elysian water-drops; the face
Of thy cave-guarded spring, with years unwrinkled,
Reflects the meek-eyed genius of the place,
Whose green wild margin now no more erase
Art’s works; nor must the delicate waters sleep,
Prisoned in marble, bubbling from the base
Of the cleft statue, with a gentle leap
The rill runs o’er, and round, fern, flowers, and ivy creep,


Fantastically tangled; the green hills
Are clothed with early blossoms, through the grass
The quick-eyed lizard rustles, and the bills
Of summer birds sing welcome as ye pass;
Flowers fresh in hue, and many in their class,
Implore the pausing step, and with their dyes
Dance in the soft breeze in a fairy mass;
The sweetness of the violet’s deep blue eyes,
Kissed by the breath of heaven, seems coloured by its skies.


Here didst thou dwell, in this enchanted cover,
Egeria! thy all heavenly bosom beating
For the far footsteps of thy mortal lover;
The purple Midnight veiled that mystic meeting
With her most starry canopy, and seating
Thyself by thine adorer, what befell?
This cave was surely shaped out for the greeting
Of an enamoured Goddess, and the cell
Haunted by holy Love - the earliest oracle!


And didst thou not, thy breast to his replying,
Blend a celestial with a human heart;
And Love, which dies as it was born, in sighing,
Share with immortal transports? could thine art
Make them indeed immortal, and impart
The purity of heaven to earthly joys,
Expel the venom and not blunt the dart -
The dull satiety which all destroys -
And root from out the soul the deadly weed which cloys?


Alas! our young affections run to waste,
Or water but the desert: whence arise
But weeds of dark luxuriance, tares of haste,
Rank at the core, though tempting to the eyes,
Flowers whose wild odours breathe but agonies,
And trees whose gums are poison; such the plants
Which spring beneath her steps as Passion flies
O’er the world’s wilderness, and vainly pants
For some celestial fruit forbidden to our wants.


O Love! no habitant of earth thou art -
An unseen seraph, we believe in thee, -
A faith whose martyrs are the broken heart,
But never yet hath seen, nor e’er shall see,
The naked eye, thy form, as it should be;
The mind hath made thee, as it peopled heaven,
Even with its own desiring phantasy,
And to a thought such shape and image given,
As haunts the unquenched soul - parched - wearied - wrung - and riven.


Of its own beauty is the mind diseased,
And fevers into false creation; - where,
Where are the forms the sculptor’s soul hath seized?
In him alone. Can Nature show so fair?
Where are the charms and virtues which we dare
Conceive in boyhood and pursue as men,
The unreached Paradise of our despair,
Which o’er-informs the pencil and the pen,
And overpowers the page where it would bloom again.


Who loves, raves - ’tis youth’s frenzy - but the cure
Is bitterer still; as charm by charm unwinds
Which robed our idols, and we see too sure
Nor worth nor beauty dwells from out the mind’s
Ideal shape of such; yet still it binds
The fatal spell, and still it draws us on,
Reaping the whirlwind from the oft-sown winds;
The stubborn heart, its alchemy begun,
Seems ever near the prize - wealthiest when most undone.


We wither from our youth, we gasp away -
Sick - sick; unfound the boon, unslaked the thirst,
Though to the last, in verge of our decay,
Some phantom lures, such as we sought at first -
But all too late, - so are we doubly curst.
Love, fame, ambition, avarice - ’tis the same -
Each idle, and all ill, and none the worst -
For all are meteors with a different name,
And death the sable smoke where vanishes the flame.


Few - none - find what they love or could have loved:
Though accident, blind contact, and the strong
Necessity of loving, have removed
Antipathies - but to recur, ere long,
Envenomed with irrevocable wrong;
And Circumstance, that unspiritual god
And miscreator, makes and helps along
Our coming evils with a crutch-like rod,
Whose touch turns hope to dust - the dust we all have trod.


Our life is a false nature - ’tis not in
The harmony of things, - this hard decree,
This uneradicable taint of sin,
This boundless upas, this all-blasting tree,
Whose root is earth, whose leaves and branches be
The skies which rain their plagues on men like dew -
Disease, death, bondage, all the woes we see -
And worse, the woes we see not - which throb through
The immedicable soul, with heart-aches ever new.


Yet let us ponder boldly - ’tis a base
Abandonment of reason to resign
Our right of thought - our last and only place
Of refuge; this, at least, shall still be mine:
Though from our birth the faculty divine
Is chained and tortured - cabined, cribbed, confined,
And bred in darkness, lest the truth should shine
Too brightly on the unpreparèd mind,
The beam pours in, for time and skill will couch the blind.


Arches on arches! as it were that Rome,
Collecting the chief trophies of her line,
Would build up all her triumphs in one dome,
Her Coliseum stands; the moonbeams shine
As ’twere its natural torches, for divine
Should be the light which streams here, to illume
This long explored but still exhaustless mine
Of contemplation; and the azure gloom
Of an Italian night, where the deep skies assume


Hues which have words, and speak to ye of heaven,
Floats o’er this vast and wondrous monument,
And shadows forth its glory. There is given
Unto the things of earth, which Time hath bent,
A spirit’s feeling, and where he hath leant
His hand, but broke his scythe, there is a power
And magic in the ruined battlement,
For which the palace of the present hour
Must yield its pomp, and wait till ages are its dower.


O Time! the beautifier of the dead,
Adorner of the ruin, comforter
And only healer when the heart hath bled -
Time! the corrector where our judgments err,
The test of truth, love, - sole philosopher,
For all beside are sophists, from thy thrift,
Which never loses though it doth defer -
Time, the avenger! unto thee I lift
My hands, and eyes, and heart, and crave of thee a gift:


Amidst this wreck, where thou hast made a shrine
And temple more divinely desolate,
Among thy mightier offerings here are mine,
Ruins of years - though few, yet full of fate:
If thou hast ever seen me too elate,
Hear me not; but if calmly I have borne
Good, and reserved my pride against the hate
Which shall not whelm me, let me not have worn
This iron in my soul in vain - shall they not mourn?


And thou, who never yet of human wrong
Left the unbalanced scale, great Nemesis!
Here, where the ancients paid thee homage long -
Thou, who didst call the Furies from the abyss,
And round Orestes bade them howl and hiss
For that unnatural retribution - just,
Had it but been from hands less near - in this
Thy former realm, I call thee from the dust!
Dost thou not hear my heart? - Awake! thou shalt, and must.


It is not that I may not have incurred
For my ancestral faults or mine the wound
I bleed withal, and had it been conferred
With a just weapon, it had flowed unbound.
But now my blood shall not sink in the ground;
To thee I do devote it - thou shalt take
The vengeance, which shall yet be sought and found,
Which if I have not taken for the sake -
But let that pass - I sleep, but thou shalt yet awake.


And if my voice break forth, ’tis not that now
I shrink from what is suffered: let him speak
Who hath beheld decline upon my brow,
Or seen my mind’s convulsion leave it weak;
But in this page a record will I seek.
Not in the air shall these my words disperse,
Though I be ashes; a far hour shall wreak
The deep prophetic fulness of this verse,
And pile on human heads the mountain of my curse!


That curse shall be forgiveness. - Have I not -
Hear me, my mother Earth! behold it, Heaven! -
Have I not had to wrestle with my lot?
Have I not suffered things to be forgiven?
Have I not had my brain seared, my heart riven,
Hopes sapped, name blighted, Life’s life lied away?
And only not to desperation driven,
Because not altogether of such clay
As rots into the souls of those whom I survey.


From mighty wrongs to petty perfidy
Have I not seen what human things could do?
From the loud roar of foaming calumny
To the small whisper of the as paltry few
And subtler venom of the reptile crew,
The Janus glance of whose significant eye,
Learning to lie with silence, would seem true,
And without utterance, save the shrug or sigh,
Deal round to happy fools its speechless obloquy.


But I have lived, and have not lived in vain:
My mind may lose its force, my blood its fire,
And my frame perish even in conquering pain,
But there is that within me which shall tire
Torture and Time, and breathe when I expire:
Something unearthly, which they deem not of,
Like the remembered tone of a mute lyre,
Shall on their softened spirits sink, and move
In hearts all rocky now the late remorse of love.


The seal is set. - Now welcome, thou dread Power
Nameless, yet thus omnipotent, which here
Walk’st in the shadow of the midnight hour
With a deep awe, yet all distinct from fear:
Thy haunts are ever where the dead walls rear
Their ivy mantles, and the solemn scene
Derives from thee a sense so deep and clear
That we become a part of what has been,
And grow unto the spot, all-seeing but unseen.


And here the buzz of eager nations ran,
In murmured pity, or loud-roared applause,
As man was slaughtered by his fellow-man.
And wherefore slaughtered? wherefore, but because
Such were the bloody circus’ genial laws,
And the imperial pleasure. - Wherefore not?
What matters where we fall to fill the maws
Of worms - on battle-plains or listed spot?
Both are but theatres where the chief actors rot.


I see before me the Gladiator lie:
He leans upon his hand - his manly brow
Consents to death, but conquers agony,
And his drooped head sinks gradually low -
And through his side the last drops, ebbing slow
From the red gash, fall heavy, one by one,
Like the first of a thunder-shower; and now
The arena swims around him: he is gone,
Ere ceased the inhuman shout which hailed the wretch who won.


He heard it, but he heeded not - his eyes
Were with his heart, and that was far away;
He recked not of the life he lost nor prize,
But where his rude hut by the Danube lay,
There were his young barbarians all at play,
There was their Dacian mother - he, their sire,
Butchered to make a Roman holiday -
All this rushed with his blood - Shall he expire,
And unavenged? - Arise! ye Goths, and glut your ire!


But here, where murder breathed her bloody steam;
And here, where buzzing nations choked the ways,
And roared or murmured like a mountain-stream
Dashing or winding as its torrent strays;
Here, where the Roman million’s blame or praise
Was death or life, the playthings of a crowd,
My voice sounds much - and fall the stars’ faint rays
On the arena void - seats crushed, walls bowed,
And galleries, where my steps seem echoes strangely loud.


A ruin - yet what ruin! from its mass
Walls, palaces, half-cities, have been reared;
Yet oft the enormous skeleton ye pass,
And marvel where the spoil could have appeared.
Hath it indeed been plundered, or but cleared?
Alas! developed, opens the decay,
When the colossal fabric’s form is neared:
It will not bear the brightness of the day,
Which streams too much on all, years, man, have reft away.


But when the rising moon begins to climb
Its topmost arch, and gently pauses there;
When the stars twinkle through the loops of time,
And the low night-breeze waves along the air,
The garland-forest, which the grey walls wear,
Like laurels on the bald first Cæsar’s head;
When the light shines serene, but doth not glare,
Then in this magic circle raise the dead:
Heroes have trod this spot - ’tis on their dust ye tread.


‘While stands the Coliseum, Rome shall stand;
When falls the Coliseum, Rome shall fall;
And when Rome falls - the World.’ From our own land
Thus spake the pilgrims o’er this mighty wall
In Saxon times, which we are wont to call
Ancient; and these three mortal things are still
On their foundations, and unaltered all;
Rome and her Ruin past Redemption’s skill,
The World, the same wide den - of thieves, or what ye will.


Simple, erect, severe, austere, sublime -
Shrine of all saints and temple of all gods,
From Jove to Jesus - spared and blest by time;
Looking tranquillity, while falls or nods
Arch, empire, each thing round thee, and man plods
His way through thorns to ashes - glorious dome!
Shalt thou not last? - Time’s scythe and tyrants’ rods
Shiver upon thee - sanctuary and home
Of art and piety - Pantheon! - pride of Rome!


Relic of nobler days, and noblest arts!
Despoiled yet perfect, with thy circle spreads
A holiness appealing to all hearts -
To art a model; and to him who treads
Rome for the sake of ages, Glory sheds
Her light through thy sole aperture; to those
Who worship, here are altars for their beads;
And they who feel for genius may repose
Their eyes on honoured forms, whose busts around them close.


There is a dungeon, in whose dim drear light
What do I gaze on? Nothing: Look again!
Two forms are slowly shadowed on my sight -
Two insulated phantoms of the brain:
It is not so: I see them full and plain -
An old man, and a female young and fair,
Fresh as a nursing mother, in whose vein
The blood is nectar: - but what doth she there,
With her unmantled neck, and bosom white and bare?


Full swells the deep pure fountain of young life,
Where on the heart and from the heart we took
Our first and sweetest nurture, when the wife,
Blest into mother, in the innocent look,
Or even the piping cry of lips that brook
No pain and small suspense, a joy perceives
Man knows not, when from out its cradled nook
She sees her little bud put forth its leaves -
What may the fruit be yet? - I know not - Cain was Eve’s.


But here youth offers to old age the food,
The milk of his own gift: - it is her sire
To whom she renders back the debt of blood
Born with her birth. No; he shall not expire
While in those warm and lovely veins the fire
Of health and holy feeling can provide
Great Nature’s Nile, whose deep stream rises higher
Than Egypt’s river: - from that gentle side
Drink, drink and live, old man! heaven’s realm holds no such tide.


The starry fable of the milky way
Has not thy story’s purity; it is
A constellation of a sweeter ray,
And sacred Nature triumphs more in this
Reverse of her decree, than in the abyss
Where sparkle distant worlds: - Oh, holiest nurse!
No drop of that clear stream its way shall miss
To thy sire’s heart, replenishing its source
With life, as our freed souls rejoin the universe.


Turn to the mole which Hadrian reared on high,
Imperial mimic of old Egypt’s piles,
Colossal copyist of deformity,
Whose travelled phantasy from the far Nile’s
Enormous model, doomed the artist’s toils
To build for giants, and for his vain earth,
His shrunken ashes, raise this dome: How smiles
The gazer’s eye with philosophic mirth,
To view the huge design which sprung from such a birth!


But lo! the dome - the vast and wondrous dome,
To which Diana’s marvel was a cell -
Christ’s mighty shrine above his martyr’s tomb!
I have beheld the Ephesian’s miracle -
Its columns strew the wilderness, and dwell
The hyæna and the jackal in their shade;
I have beheld Sophia’s bright roofs swell
Their glittering mass i’ the sun, and have surveyed
Its sanctuary the while the usurping Moslem prayed;


But thou, of temples old, or altars new,
Standest alone - with nothing like to thee -
Worthiest of God, the holy and the true,
Since Zion’s desolation, when that he
Forsook his former city, what could be,
Of earthly structures, in his honour piled,
Of a sublimer aspect? Majesty,
Power, Glory, Strength, and Beauty, all are aisled
In this eternal ark of worship undefiled.


Enter: its grandeur overwhelms thee not;
And why? it is not lessened; but thy mind,
Expanded by the genius of the spot,
Has grown colossal, and can only find
A fit abode wherein appear enshrined
Thy hopes of immortality; and thou
Shalt one day, if found worthy, so defined,
See thy God face to face, as thou dost now
His Holy of Holies, nor be blasted by his brow.


Thou movest - but increasing with th’ advance,
Like climbing some great Alp, which still doth rise,
Deceived by its gigantic elegance;
Vastness which grows - but grows to harmonise -
All musical in its immensities;
Rich marbles - richer painting - shrines where flame
The lamps of gold - and haughty dome which vies
In air with Earth’s chief structures, though their frame
Sits on the firm-set ground - and this the clouds must claim.


Thou seest not all; but piecemeal thou must break
To separate contemplation, the great whole;
And as the ocean many bays will make,
That ask the eye - so here condense thy soul
To more immediate objects, and control
Thy thoughts until thy mind hath got by heart
Its eloquent proportions, and unroll
In mighty graduations, part by part,
The glory which at once upon thee did not dart.


Not by its fault - but thine: Our outward sense
Is but of gradual grasp - and as it is
That what we have of feeling most intense
Outstrips our faint expression; e’en so this
Outshining and o’erwhelming edifice
Fools our fond gaze, and greatest of the great
Defies at first our nature’s littleness,
Till, growing with its growth, we thus dilate
Our spirits to the size of that they contemplate.


Then pause and be enlightened; there is more
In such a survey than the sating gaze
Of wonder pleased, or awe which would adore
The worship of the place, or the mere praise
Of art and its great masters, who could raise
What former time, nor skill, nor thought could plan;
The fountain of sublimity displays
Its depth, and thence may draw the mind of man
Its golden sands, and learn what great conceptions can.


Or, turning to the Vatican, go see
Laocoön’s torture dignifying pain -
A father’s love and mortal’s agony
With an immortal’s patience blending: - Vain
The struggle; vain, against the coiling strain
And gripe, and deepening of the dragon’s grasp,
The old man’s clench; the long envenomed chain
Rivets the living links, - the enormous asp
Enforces pang on pang, and stifles gasp on gasp.


Or view the Lord of the unerring bow,
The God of life, and poesy, and light -
The Sun in human limbs arrayed, and brow
All radiant from his triumph in the fight;
The shaft hath just been shot - the arrow bright
With an immortal’s vengeance; in his eye
And nostril beautiful disdain, and might
And majesty, flash their full lightnings by,
Developing in that one glance the Deity.


But in his delicate form - a dream of Love,
Shaped by some solitary nymph, whose breast
Longed for a deathless lover from above,
And maddened in that vision - are expressed
All that ideal beauty ever blessed
The mind within its most unearthly mood,
When each conception was a heavenly guest -
A ray of immortality - and stood
Starlike, around, until they gathered to a god?


And if it be Prometheus stole from heaven
The fire which we endure, it was repaid
By him to whom the energy was given
Which this poetic marble hath arrayed
With an eternal glory - which, if made
By human hands, is not of human thought
And Time himself hath hallowed it, nor laid
One ringlet in the dust - nor hath it caught
A tinge of years, but breathes the flame with which ’twas wrought.


But where is he, the pilgrim of my song,
The being who upheld it through the past?
Methinks he cometh late and tarries long.
He is no more - these breathings are his last;
His wanderings done, his visions ebbing fast,
And he himself as nothing: - if he was
Aught but a phantasy, and could be classed
With forms which live and suffer - let that pass -
His shadow fades away into Destruction’s mass,


Which gathers shadow, substance, life, and all
That we inherit in its mortal shroud,
And spreads the dim and universal pall
Thro’ which all things grow phantoms; and the cloud
Between us sinks and all which ever glowed,
Till Glory’s self is twilight, and displays
A melancholy halo scarce allowed
To hover on the verge of darkness; rays
Sadder than saddest night, for they distract the gaze,


And send us prying into the abyss,
To gather what we shall be when the frame
Shall be resolved to something less than this
Its wretched essence; and to dream of fame,
And wipe the dust from off the idle name
We never more shall hear, - but never more,
Oh, happier thought! can we be made the same:
It is enough, in sooth, that once we bore
These fardels of the heart - the heart whose sweat was gore.


Hark! forth from the abyss a voice proceeds,
A long, low distant murmur of dread sound,
Such as arises when a nation bleeds
With some deep and immedicable wound;
Through storm and darkness yawns the rending ground.
The gulf is thick with phantoms, but the chief
Seems royal still, though with her head discrowned,
And pale, but lovely, with maternal grief
She clasps a babe, to whom her breast yields no relief.


Scion of chiefs and monarchs, where art thou?
Fond hope of many nations, art thou dead?
Could not the grave forget thee, and lay low
Some less majestic, less beloved head?
In the sad midnight, while thy heart still bled,
The mother of a moment, o’er thy boy,
Death hushed that pang for ever: with thee fled
The present happiness and promised joy
Which filled the imperial isles so full it seemed to cloy.


Peasants bring forth in safety. - Can it be,
O thou that wert so happy, so adored!
Those who weep not for kings shall weep for thee,
And Freedom’s heart, grown heavy, cease to hoard
Her many griefs for One; for she had poured
Her orisons for thee, and o’er thy head
Beheld her Iris. - Thou, too, lonely lord,
And desolate consort - vainly wert thou wed!
The husband of a year! the father of the dead!


Of sackcloth was thy wedding garment made:
Thy bridal’s fruit is ashes; in the dust
The fair-haired Daughter of the Isles is laid,
The love of millions! How we did entrust
Futurity to her! and, though it must
Darken above our bones, yet fondly deemed
Our children should obey her child, and blessed
Her and her hoped-for seed, whose promise seemed
Like star to shepherd’s eyes; ’twas but a meteor beamed.


Woe unto us, not her; for she sleeps well:
The fickle reek of popular breath, the tongue
Of hollow counsel, the false oracle,
Which from the birth of monarchy hath rung
Its knell in princely ears, till the o’erstrung
Nations have armed in madness, the strange fate
Which tumbles mightiest sovereigns, and hath flung
Against their blind omnipotence a weight
Within the opposing scale, which crushes soon or late, -


These might have been her destiny; but no,
Our hearts deny it: and so young, so fair,
Good without effort, great without a foe;
But now a bride and mother - and now there!
How many ties did that stern moment tear!
From thy Sire’s to his humblest subject’s breast
Is linked the electric chain of that despair,
Whose shock was as an earthquake’s, and oppressed
The land which loved thee so, that none could love thee best.


Lo, Nemi! navelled in the woody hills
So far, that the uprooting wind which tears
The oak from his foundation, and which spills
The ocean o’er its boundary, and bears
Its foam against the skies, reluctant spares
The oval mirror of thy glassy lake;
And, calm as cherished hate, its surface wears
A deep cold settled aspect nought can shake,
All coiled into itself and round, as sleeps the snake.


And near Albano’s scarce divided waves
Shine from a sister valley; - and afar
The Tiber winds, and the broad ocean laves
The Latian coast where sprung the Epic war,
‘Arms and the Man,’ whose reascending star
Rose o’er an empire, - but beneath thy right
Tully reposed from Rome; - and where yon bar
Of girdling mountains intercepts the sight,
The Sabine farm was tilled, the weary bard’s delight.


But I forget. - My pilgrim’s shrine is won,
And he and I must part, - so let it be, -
His task and mine alike are nearly done;
Yet once more let us look upon the sea:
The midland ocean breaks on him and me,
And from the Alban mount we now behold
Our friend of youth, that ocean, which when we
Beheld it last by Calpe’s rock unfold
Those waves, we followed on till the dark Euxine rolled


Upon the blue Symplegades: long years -
Long, though not very many - since have done
Their work on both; some suffering and some tears
Have left us nearly where we had begun:
Yet not in vain our mortal race hath run,
We have had our reward - and it is here;
That we can yet feel gladdened by the sun,
And reap from earth, sea, joy almost as dear
As if there were no man to trouble what is clear.


Oh! that the Desert were my dwelling-place,
With one fair Spirit for my minister,
That I might all forget the human race,
And, hating no one, love but only her!
Ye Elements! - in whose ennobling stir
I feel myself exalted - can ye not
Accord me such a being? Do I err
In deeming such inhabit many a spot?
Though with them to converse can rarely be our lot.


There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes,
By the deep Sea, and music in its roar:
I love not Man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can ne’er express, yet cannot all conceal.


Roll on, thou deep and dark blue Ocean - roll!
Ten thousand fleets sweep over thee in vain;
Man marks the earth with ruin - his control
Stops with the shore; - upon the watery plain
The wrecks are all thy deed, nor doth remain
A shadow of man’s ravage, save his own,
When for a moment, like a drop of rain,
He sinks into thy depths with bubbling groan,
Without a grave, unknelled, uncoffined, and unknown.


His steps are not upon thy paths, - thy fields
Are not a spoil for him, - thou dost arise
And shake him from thee; the vile strength he wields
For earth’s destruction thou dost all despise,
Spurning him from thy bosom to the skies,
And send’st him, shivering in thy playful spray
And howling, to his gods, where haply lies
His petty hope in some near port or bay,
And dashest him again to earth: - there let him lay.


The armaments which thunderstrike the walls
Of rock-built cities, bidding nations quake,
And monarchs tremble in their capitals.
The oak leviathans, whose huge ribs make
Their clay creator the vain title take
Of lord of thee, and arbiter of war;
These are thy toys, and, as the snowy flake,
They melt into thy yeast of waves, which mar
Alike the Armada’s pride, or spoils of Trafalgar.


Thy shores are empires, changed in all save thee -
Assyria, Greece, Rome, Carthage, what are they?
Thy waters washed them power while they were free
And many a tyrant since: their shores obey
The stranger, slave, or savage; their decay
Has dried up realms to deserts: not so thou,
Unchangeable save to thy wild waves’ play -
Time writes no wrinkle on thine azure brow -
Such as creation’s dawn beheld, thou rollest now.


Thou glorious mirror, where the Almighty’s form
Glasses itself in tempests; in all time,
Calm or convulsed - in breeze, or gale, or storm,
Icing the pole, or in the torrid clime
Dark-heaving; - boundless, endless, and sublime -
The image of Eternity - the throne
Of the Invisible; even from out thy slime
The monsters of the deep are made; each zone
Obeys thee: thou goest forth, dread, fathomless, alone.


And I have loved thee, Ocean! and my joy
Of youthful sports was on thy breast to be
Borne like thy bubbles, onward: from a boy
I wantoned with thy breakers - they to me
Were a delight; and if the freshening sea
Made them a terror - ’twas a pleasing fear,
For I was as it were a child of thee,
And trusted to thy billows far and near,
And laid my hand upon thy mane - as I do here.


My task is done - my song hath ceased - my theme
Has died into an echo; it is fit
The spell should break of this protracted dream.
The torch shall be extinguished which hath lit
My midnight lamp - and what is writ, is writ -
Would it were worthier! but I am not now
That which I have been - and my visions flit
Less palpably before me - and the glow
Which in my spirit dwelt is fluttering, faint, and low.


Farewell! a word that must be, and hath been -
A sound which makes us linger; yet, farewell!
Ye, who have traced the Pilgrim to the scene
Which is his last, if in your memories dwell
A thought which once was his, if on ye swell
A single recollection, not in vain
He wore his sandal-shoon and scallop shell;
Farewell! with him alone may rest the pain,
If such there were - with you, the moral of his strain.

poem by from Childe Harold's Pilgrimage (1818)Report problemRelated quotes
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Scars of the Heart

Scars of the Heart

At times it seems like no relief
We can suffer long with our grief

Will the heart ever mend
Will the pain ever end

The tears come from my eyes
But it’s my heart that cries

People ask how am I
They would know if they see me cry

From when my wife passed
I have scars of the heart that will last

My heart may heal after time goes by
The scars of my heart will be till I die

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When The Sacrifice Is Over

and then the time comes
for the end
of all our sacrifices
when we decide to go
to the river
remove our clothes
and dip our feet
on such coolness

when we finally
take the last breath
and then plunge
to its depth

when we
see nothing not even
as we close our eyes
and face
the murkiness
of darkness
trying to find
a little

shall we find
eternal peace in the drowning
under the
cold water?

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When The Moon Sighs

sometimes when we talk
i feel a unique love deep within
i'm comfortable in your arms
where you express passion

sometimes i ache
to be with you
i hear what my heart says
though it remains silent

sometimes i feel as if
i have stepped into you
as you devour me
with passionate kisses

sometimes i see you
through lustful eyes
possessing your body
peeking into your mind

sometimes i need more
like when the moon sighs
and i am lost somewhere
between reality and dreams

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