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The head of the rooster that crows out of time will be cut off.

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Happy Easter

Who wants to be a rooster,
Crowing before dawn everyday.
Who wants to be that rooster?
Who wants to be that rooster?

Who wants to be a rooster,
Crowing before dawn everyday.
Who wants to be that rooster?
Who wants to be that rooster?

To strut and cluck for someone sleeping,
To get up.
And do that if programmed before the dawn shows up.
And if that rooster gets into a rut...
Who will then do the clucking?

Or wake up,
To collect the eggs!

Who wants to be a rooster,
Crowing before dawn everyday.

Who wants to be that rooster?
Who wants to be that rooster?

Who wants to be a rooster,
Crowing before dawn everyday.

Who wants to be that rooster?
Who wants to be that rooster?

To strut and cluck for someone sleeping,
To get up.
And do that if programmed before the dawn shows up.
And if that rooster gets into a rut...
Who will then do,
The clucking?

Or wake up,
To collect the eggs!
'Happy Easter'
~Do you notice anything different about those eggs? ~

'Yeah!
They are colored.
Why? '
~They are for the Easter Egg Hunt.
Put them back.~
'Oh!
I must be dreaming.

[...] Read more

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Go Cut Creator Go

[LL Cool J]
1, 2, 3 'o' clock 4 'o' clock ROCK
5, 6, 7 'o' clock 8 'o' clock ROCK
9, 10, 11 'o' clock 12 'o' clock ROCK
Gonna ROCK (What?) ROCK, ROCK around the clock
Three years ago in St. Albans, Queens
I was rockin at a park called one eighteen
Little kids stood and watched as I rocked the spot
Didn't know that years later I'll be standin on top
Livin near Farmers Boulevard I was born and base-shaw
Stopped the rich and shaked hands with the poor
And this is a story about a brother I know
Cut Creator on the fader no watch him go
[Chorus]
Go, go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go, go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
[LL Cool J]
When back in the days before I clocked some dough
I used to go to the show and sit in the front row
Hopin and prayin one day I'll get on the road
So I had a feeler and a summer and I meet when I'm stoned
Not fearin a thought, got stung like a horse
Don't make fun of my posse, cause each man is a boss
When his only damn way to pull a jam out the crate
One time for your mind
Check out the guitar break
[Chorus]
Go, go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go, go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
[LL Cool J]
This jam just wasn't enough for Jimmy Hendrix to see
He could do lessons of mixin take you under his wing
Straight from the heart cause it ain't the money that we came here for
Ain't no thoughts in the room ain't breakin no roles
And in the Rock 'n' Roll land, a big strivin plan
Just my posse learn the vocals what little they had
It's all about us three: Eve, Phil & Jay
He heard Cut Creator cut now check it out to play

[...] Read more

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I Choose To Be A Rooster

I can strut it like a rooster,
Recently freed from being locked up inside of a coop.
I can strut it like a rooster,
Recently freed.
I can strut it like a rooster,
To cluck as I please.

I can strut it like a rooster,
Recently freed from being locked up inside of a coop.
I can strut it like a rooster,
Recently freed.
I can strut it like a rooster,
To cluck as I please.

And before the dawn,
I can disturb your sleep.
And as the Sun arises,
You wont hear from me a peep.
Because,
I choose to be a rooster.

I can strut it like a rooster,
Recently freed.
I can strut it like a rooster,
To cluck as I please.

And before the dawn,
I can disturb your sleep.
And as the Sun arises,
You wont hear from me a peep.
Because,
I choose to be a rooster.

I can strut it like a rooster,
Recently freed from being locked up inside of a coop.
I can strut it like a rooster,
Recently freed.
I can strut it like a rooster,
To cluck as I please.
Because,
I choose to be a rooster.

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Saltbush Bill's Gamecock

'Twas Saltbush Bill, with his travelling sheep, was making his way to town;
He crossed them over the Hard Times Run, and he came to the Take 'Em Down;
He counted through at the boundary gate, and camped at the drafting yard:
For Stingy Smith, of the Hard Times Run, had hunted him rather hard.
He bore no malice to Stingy Smith -- 'twas simply the hand of Fate
That caused his waggon to swerve aside and shatter old Stingy's gate;
And being only the hand of Fate, it follows, without a doubt,
It wasn't the fault of Saltbush Bill that Stingy's sheep got out.
So Saltbush Bill, with an easy heart, prepared for what might befall,
Commenced his stages on Take 'Em Down, the station of Roostr Hall.
'Tis strange how often the men out back will take to some curious craft,
Some ruling passion to keep their thoughts away from the overdraft:
And Rooster Hall, of the Take 'Em Down, was widely known to fame
As breeder of champion fighting cocks -- his forte was the British Game.

The passing stranger within his gates that camped with old Rooster Hall
Was forced to talk about fowls all noght, or else not talk at all.
Though droughts should come, and though sheep should die, his fowls were his sole delight;
He left his shed in the flood of work to watch two game-cocks fight.
He held in scorn the Australian Game, that long-legged child of sin;
In a desperate fight, with the steel-tipped spurs, the British Game must win!
The Australian bird was a mongrel bird, with a touch of the jungle cock;
The want of breeding must find him out, when facing the English stock;
For British breeding, and British pluck, must triumph it over all --
And that was the root of the simple creed that governed old Rooster Hall.

'Twas Saltbush Bill to the station rode ahead of his travelling sheep,
And sent a message to Rooster Hall that wakened him out of his sleep --
A crafty message that fetched him out, and hurried him as he came --
"A drover has an Australian bird to match with your British Game."
'Twas done, and done in half a trice; a five-pound note a side;
Old Rooster Hall, with his champion bird, and the drover's bird untried.

"Steel spurs, of course?" said old Rooster Hall; "you'll need 'em, without a doubt!"
"You stick the spurs on your bird!" said Bill, "but mine fights best without."
"Fights best without?" said old Rooster Hall; "he can't fight best unspurred!
You must be crazy!" But Saltbush Bill said, "Wait till you see my bird!"
So Rooster Hall to his fowl-yard went, and quickly back he came,
Bearing a clipt and a shaven cock, the pride of his English Game;
With an eye as fierce as an eaglehawk, and a crow like a trumbet call,
He strutted about on the garden walk, and cackled at Rooster Hall.
Then Rooster Hall sent off a boy with a word to his cronies two,
McCrae (the boss of the Black Police) and Father Donahoo.

Full many a cockfight old McCrae had held in his empty Court,
With Father D. as the picker-up -- a regular all-round Sport!
They got the message of Rooster Hall, and down to his run they came,
Prepared to scoff at the drover's bird, and to bet on the English Game;

[...] Read more

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Cut You Down To Size

Dont you know theyre gonna cut you down to size
(they cut you down yeah theyll cut you down)
Youre gonna find out when you see it right in their eyes
(they cut you down yeah theyll cut you down)
How does it feel when you see through your disguise
(they cut you down yeah theyll cut you down)
And they cut you down, yeah they cut you down
They cut you down to size
How does it feel
Whatd you do with this fire inside
Where do you turn now that you realize
Where you go when you run out of alibis
Tell me
Dont you know theyre gonna cut you down to size
(they cut you down yeah theyll cut you down)
Youre gonna find out when you see it right in their eyes
(they cut you down yeah theyll cut you down)
How does it feel when you see through your disguise
(they cut you down yeah theyll cut you down)
And they cut you down to, they cut you down to
They cut you down to size
How does it feel
How does it feel
Youve been living with your own suspicion
Now youve got to believe
I know youve heard it said that only the strong survive
Dont you know theyre gonna cut you down to size
(they cut you down yeah theyll cut you down)
Youre gonna find out when you see it right in their eyes
(they cut you down yeah theyll cut you down)
How does it feel when you see through your disguise
(they cut you down yeah theyll cut you down)
And they cut you down to size
Dont you know theyre gonna
How does it feel when you see through your disguise
And they cut you down to, cut you down to
Cut you down to size
Get up stand up, come back for another round
And they cut you down to size
Cut you down to size

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Little Red Rooster

All right, listen now. at this time I would like to introduce a friend of ours,
A very talented guy named john sebastian. come on man.
Man, thats what I call a new york joint, man!
You can pick your teeth with a new york joint!
Well, Im the little red rooster
Too lazy to crow the day.
Little red rooster
Too lazy to crow the day.
Keep everything in the barnyard
Upset in every way.
Dogs begin to bark
The hounds begin to howl.
Dogs begin to bark and
The hounds begin to howl.
Look out strange cat people
The roosters on the prowl.
Yeah, dogs begin to bark
The hounds begin to howl.
Dogs begin to bark
The hounds begin to howl.
Look out strange cat people
Yeah, the roosters on the prowl.
If you see my rooster
Come on man, drive him home.
See my rooster, babe
Come on man, drive him home.
Aint been no peace in the barnyard
Since my little red rooster been gone.
Well, Im the little red rooster, babe
Too lazy to crow the day.
Well, Im the little red rooster, babe
Too lazy to crow the day.
Keep everything in the barnyard
Upset in every way.

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Dont Think Twice Its All Right

(words & music by bob dylan)
There aint no use to sit and wonder why babe
If you dont know by now
There aint no use to sit and wonder why babe
If you dont know by now
When the rooster crows at the break of dawn
Well look out your window baby Ill be gone
Youre the reason Im movin on
Yeah, dont think twice its all right
Ive headed down that long lonesome road, girl
Where Im bound I cant tell
Goodbye is too good a word girl
So Ill say fare thee well
I aint sayin you treated me unkind
You could have done better but i, I dont mind
You just kinda wasted my precious time
Oo, dont think twice its all right
Take it on
When the rooster crows at the break of dawn
Well look out your window baby Ill be gone
Youre the reason Im movin on
Yeah dont think twice its all right
There aint no use to sit and wonder why babe
It dont matter anyhow
There aint no use to sit and wonder why babe
If you dont know by now
When the rooster crows at the break of dawn
Well look out your window baby Ill be gone
Youre the reason Im travelin on
Oh dont think twice its all right
Im headed down that long lonesome road, babe
Where Im bound I cant tell
Goodbye is too good a word girl
Ill just say fare thee well
I aint sayin you treated me unkind
You could have done better but i, I dont mind
You just sorta wasted my favorite time
Oo, dont think twice its all right
Wow
When the rooster crows at the break of dawn
Well look out your window baby Ill be gone
Youre the reason Im travellin on
Oh dont think twice its all right
Ive headed down that long lonesome road, girl
Where Im bound I cant tell
Goodbye is too good a word girl
Ill just say fare thee well
I aint sayin you treated me unkind
You could have done better but I dont mind
Yeah, youre the reason Im travellin on

[...] Read more

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Cut It Out

Sitting in darwins theory
And youre down in the 48
Im practicing politics
Your practicing guitar and staying out late
Howd we get so turned around
Why did we make it so hard
Why cant we cut it out tender
Give us something good to remember
Hey my my my my rock star
Saw your feet leave the ground
You said all I wanted to be is loud
I was ushering your friends in
I was I was
I was trying to clear the aisles
Howd you get so turned around
Why did you make it so hard
Why cant you cut it out Im tender
Give me something good to remember
I said
Cut it out
Cut it all out
So its alaska in the summertime
In the wintertime Im free
The days are short cold and wasted
Nowhere is warm enough for me
Baby you tell me what happened
Why did I make it so hard
Cant I cut it our youre tender
Give you something good to remember
Baby you tell me what happened
(why did we make it so hard)
How did I make it so hard
(can you tell me what happened)
I wonder
Oh cut it out Im tender
(why did we make it so hard)
Give me something
Give me something good to remember
(why did we make it so hard)
(why did we make it so hard)
(can you tell me what happened)
(why did we make it so hard)
(can you tell me what happened)
(why did you make it so hard)
(can you tell me what happened)
(why did we make it so hard)
(can you tell me what happened)
I said
Cut it out
Cut it all out

[...] Read more

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Collision

Collision, my mission,
When the dawn breaks
With a handshake
Relaxed and feelin great
Screeching head on, head on, head on
Im needing a head on, head on, head on
Screeching, head on, head on, head on
Im needing a head on, head on, head on
All the days plans
All the shaken hands
Beepers and suntans
Screeching, head on, head on, head on
Im needing a head on, head on, head on
Screeching, head on, head on, head on
Im needing a head on, head on, head on
Collision, my mission
Head on, head on, head on, head on
(sample of people talking)
When the dawn breaks
With a handshake
Relaxed and feelin great
Collision, my mission
Head on, head on, head on,
Head on, head on, head on,
Head on,
Head on,
Head on

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The Raven Crows

The Raven Crows
by Charles Robert Hice on Thursday, November 22,2012 at 9: 27pm ·
The Raven Crows
The Raven stretches its wings and flies into the gray winter skies while the raven flies it Crows its rawkish voice makes aweful noise
it blows the wind it howls and sounds like a mechanical noise inside the wind
the noise pretends to be the raven as it crows it flies it crows and flies it dives down into the wind and sounds like a noise falling fast and then it sort of dies and falls away not the sound it echoes and it blows
in the middle of the night no one can see the ravens flight but they hear the voice the noise the sound even the wings they flap they glide silent and they hide
The raven seldom crows when it is in its glide it falls and hides no one can see the feathers as it plummets from the sky it moves in a silent fashion
as the raven glides it hides from the eyes of the men it has a sense of reality and a purpose as it glides it looks neither to the left or to the right finally it is satisfied with its destination in its sight the raven crows one final time and plummets like a stone into the night and suddenly a poem is come to earth as Poe hears his famous bird not the crow the rook or the blackbird as it sings but the Raven as it speaks to only him
Nevermore
The Raven Crows

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Crows for Konstantin

Crows.


The noise of conflict dies away.
Those left alive will now depart.
Only the dead allowed to stay,
they have no further part to play.

The warring sides in full retreat
The crows tonight dine on fresh meat.
Though neither side claims victory.
The crows will feast quite happily.

Since man first slew another man.
It seems to be Dame Natures plan.
The crows will feast on the remains
The scavengers alone will gain.

While warring sides must count the cost
of fighting men that they have lost.
Perhaps one day we’ll realise
In war there are no victories.

Bar for the crows who do not fight
but satisfy their appetite.
On those who do who in their view
Choose to fight. they don’t need to.

Although in death they feed the crows.
I don’t suppose the crows oppose.
The idea that men come to blows.
Nor do they care I must suppose.

The only winners are the crows
who feast until they’re comatose.
On what is left of those who chose
to risk their lives exchanging blows.

Sunday,09 May 2010
http: // blog.myspace.com/poeticpiers

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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A Time To Feel Forlorn and Reconstruct What's Torn

There's a designated time in the universe for everything:

A time to limit, a time to expand.
A time to rise, time to lower and lend a hand.

A time to maintain, a time to abandon.
A time to develop, a time to rest at random.

A time to communicate, a time for silence.
A time to kiss your enemy, a time to concede wins.

A time to spite, a time to please.
A time for respite, a time to tease.

A time to process, a time to confess.
A time to do more. A time to do less.

A time to dominate. A time to captivate.
A time to plunge. A time to resurface straight.

A time to maximise. A time to minimise.
A time to diminish. A time to optimise.

A time to sacrifice. time to insist on rights.
A time to be selfish. A time to be concerned about plights.

A time to be big. A time to be small.
A time to care for a special one. A time to love all.

A time to add dimension. A time to simplify.
A time to advocate egalitarianism.
A time to exult.
A time to default.
A time to be accepting of imperfect humanism.

A time to enhance. A time to simplify.
A time to criticise. A time to dignify.

A time to produce. A time to use.
A time to relent. A time to refuse.

A time to demand. A time to give.
A time to die. a time to live.

A time to survive. A time to admit defeat.
A time to lie. A time to walk on your feet.

A time to compete. A time to not.
A time to remember. A time to concede you forgot.

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They Fuss It to Be Cut Up

Some just can't let it be!
With a letting go.
They want to beat it to then leave it.
Come back,
To again...
Service it with lip.
As if 'whatever' it is...
Exists in their minds,
Breathes...
As if it lives.

They cuss it to be cut up.
They fuss it to be cut up.

People aren't grateful to receive a gift.
Or appreciate it without examining the value of it.

They cuss it to be cut up.
They fuss it to be cut up.

Whining without restraint!

They cuss it to be cut up.
They fuss it to be cut up.

Complaining and showing no shame.

They cuss it to be cut up.
They fuss it to be cut up.

Some just can't let it be!
With a letting go.
They want to beat it to then leave it.
Come back,
To again...
Service it with lip.
As if 'whatever' it is...
Exists in their minds,
Breathes...
As if it lives.

They cuss it to be cut up.
People are bold.
They fuss it to be cut up.
People are cold.

Whining without restraint!

They cuss it to be cut up.
People are bold.

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The Great Hunger

I
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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As the Crows Gathered

As the Crows Gathered
By: Adam M. Snow

Surrounded by bodies of murder
the flocking and squawk arose.
Score of many rows on girder
feast of death drew the crows.
One to carry souls of many;
one onto life beyond life.
Yet was not the foe-of any-
to leave this world of strife.

The crows they flock,
they flock, they squawk;
flapping their wings tremendously.
They caw, they pecked,
they grew many in score
groups gathered more and more.

Blackened the sky with their endless flutter;
'But what of this? ' I utter.
'My days are long now being nighted.
The crows around have united.'

Feathers falling, covering the ground with black;
everywhere I look, it covers every crack.
The thought of death surrounds us all
before the crows, life will fall.
The ominous bank of crows like a cloud,
covers the world like an endless shroud.
Leaving I, overwhelm with fear
it is death lurking near.

The crows they gathered all in vast;
all is dark than a shadow cast.
They prey the lost and many more,
time has come for death to bore.

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Crows

THEN, suddenly, I was aware indeed
Of what he said, and was revolving it:
How, in the night, crows often take to wing,
Rising from off the tree-tops in Drumbarr,
And flying on: I pictured what he told.

The crows that shake the night-damp off their wings
Upon the stones out yonder in the fields,
The first live things that we see in the mornings;
The crows that march across the fields, that sit
Upon the ash-trees' branches, that fly home
And crowd the elm-tops over in Drumbarr;
The crows we look on at all hours of light,
Growing, and full, and going these black beings have
Another lifetime!

Crows flying in the dark
Blackness in darkness flying; beings unseen
Except by eyes that are like to their own
Trespassers' eyes!

And you, old man, with eyes so quick and sharp,
Who've told me of the crows, my fosterer;
And you, old woman, upon whose lap I've lain
When I was taken from my mother's lap;
And you, young girl, with looks that have come down
From forefathers, my kin ye have another life
I've glimpsed it, I becoming trespasser-
Blackness in darkness flying like the crows!

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