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The Germans in the stable, the Czech in the kitchen and the French in bed.

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Handles Bermuda

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Luggage Canada

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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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Bed Bed Bed

The day is done
The sun is down
The curtains have been drawn
And darkness has descended over everything in town
The covers have been turned and I've got my pajamas on
I've had my fun
I've stretched and yawned and all is said and done
I'm going to bed
Bed bed bed bed bed
I've done so many things today
There's nothing left to do
I ate three meals, I rode my bike, I hung out with my friends
I did my chores, I watched TV, I practiced the guitar
I brushed my teeth, I read my book, and then I sat around
I'm going to bed
Bed bed bed bed bed
Moo
Moo
Moo
Moo
Oh it's pointless staying up for even twenty seconds more
When everything has happened and there's nothing else in store
The thing is now to lay my head down, close my eyes, and snore
And so to bed directly I go
The day is done
The sun is down
The curtains have been drawn
And darkness has descended over everything in town
The covers have been turned and I've got my pajamas on
I've had my fun
I've stretched and yawned and all is said and done
I'm going to bed
Bed bed bed bed bed
Bed
Bed bed bed bed bed
I'm going to bed
Bed bed bed bed bed bed bed bed bed

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Whipping Something In My Kitchen

When the Sun wakes me up.
And it is at the crack of dawn?
I feel it appropriate,
On some days...
To lay in bed and enjoy it my way.

Using the mind all the time,
Is a 'burning-out-of-mind' doer.
And I had been done...
To be 'done' to do that over again!
With a winning of 'anything' as a destination.

I longer deliver to myself those messages.

When the Sun wakes me up.
And it is at the crack of dawn?
I feel it appropriate,
On some days...
To lay in bed and enjoy it my way.

And do nothing but...
Whatever I wish.
And do nothing but...
Nibble a bit.
And do nothing but...
Chip and dip!
If I'm not whipping up,
Something in the kitchen.

Or do nothing but...
Whatever I wish.
And do nothing but...
Nibble a bit.
And do nothing but...
Chip and dip!
If I'm not whipping up,
Something in the kitchen.

Using the mind all the time,
Is a 'burning-out-of-mind' doer.
And I had been done...
To be 'done' to do that over again!
With a 'I Have To Win' attitude.

I longer deliver to myself those messages.

When the Sun wakes me up.
And it is at the crack of dawn?
I feel it appropriate,
On some days...

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The Battle of Waterloo

'Twas in the year 1815, and on the 18th day of June,
That British cannon, against the French army, loudly did boom,
Upon the ever memorable bloody field of Waterloo;
Which Napoleon remembered while in St. Helena, and bitterly did rue.
The morning of the 18th was gloomy and cheerless to behold,
But the British soon recovered from the severe cold
That they had endured the previous rainy night;
And each man prepared to burnish his arms for the coming fight.

Then the morning passed in mutual arrangements for battle,
And the French guns, at half-past eleven, loudly did rattle;
And immediately the order for attack was given,
Then the bullets flew like lightning till the Heaven's seemed riven.

The place from which Bonaparte viewed the bloody field
Was the farmhouse of La Belle Alliance, which some protection did yield;
And there he remained for the most part of the day,
Pacing to and fro with his hands behind him in doubtful dismay.

The Duke of Wellington stood upon a bridge behind La Haye,
And viewed the British army in all their grand array,
And where danger threatened most the noble Duke was found
In the midst of shot and shell on every side around.

Hougemont was the key of the Duke of Wellington's position,
A spot that was naturally very strong, and a great acqusition
To the Duke and his staff during the day,
Which the Coldstream Guards held to the last, without dismay.

The French 2nd Corps were principally directed during the day
To carry Hougemont farmhouse without delay;
So the farmhouse in quick succession they did attack,
But the British guns on the heights above soon drove them back.

But still the heavy shot and shells ploughed through the walls;
Yet the brave Guards resolved to hold the place no matter what befalls;
And they fought manfully to the last, with courage unshaken,
Until the tower of Hougemont was in a blaze but still it remained untaken.

By these desperate attacks Napoleon lost ten thousand men,
And left them weltering in their gore like sheep in a pen;
And the British lost one thousand men-- which wasn't very great,
Because the great Napoleon met with a crushing defeat.

The advance of Napoleon on the right was really very fine,
Which was followed by a general onset upon the British line,
In which three hundred pieces of artillery opened their cannonade;
But the British artillery played upon them, and great courage displayed.

For ten long hours it was a continued succession of attacks;

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Punks Rock

I want my french-fries, I need my french-fries
I want my french-fries, I need my french-fries
I want my french-fries, my french-fries, my french-fries
I want my french-fries, french-fries
I want my ketchup, I need my ketchup
I want my french-fries with the ketchup, and salt and salt and ketchup
I want my french-fries, french-fries

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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Not Ashamed Of Being Ashamed

Some Frenchmen are ashamed of being French,
while others are ashamed that those who are ashamed aren’t proud;
though nowadays it’s hard to be a mensch,
it’s harder to oppose opinions of the madding crowd,
as well as those espoused by the elite,
which turns a blind eye to the problems of identity,
opining that a nation should backbeat
traditions and become an obsolete nonentity.

Devorah Lauter writes an article about French identity politics in the LA Times, December 14,2009 (“As the French debate their identity, some recoil”) . The allusion to the Swiss minaret poll brings to mind my poem “Swiss Minarets, ” which Huffpo chose not to put on its blog. Lauter writes:
It was one of a series of government-run public debates aimed at defining the values that constitute French national identity. But in this middle-class suburb west of Paris, the discussion last week quickly turned into a cacophony of hot-tempered accusations. Rather than give his version of what it means to be French, an invited speaker, historian Jean-Yves Mollier, attacked his host (who sat stone-still a few feet in front of him) for supporting the national dialogue. Mollier said the ongoing debates represent none other than Vichy-style propaganda attempting to 'stigmatize' those who don't fall into France's ruling native caste, in this case mostly French Muslims of immigrant origin. Mollier and several other attendees proceeded to walk out. Meanwhile, two actors disguised as avid participants launched into a faux back-and-forth. 'Today, I'm ashamed of being French! ' said one of the men, standing up to be heard. The other, jumping to his feet, replied, 'Excuse me, but I'm proud of being French, and you, you should be ashamed of being proud of being ashamed of France! ' 'It's a shame for France! ' shouted back the first. 'I'm proud of the shame I feel for people like you who are ashamed of being French! ' cried the second. In the crowd, one middle-aged man's face turned the color of his pink shirt. He termed the scene 'disgraceful.' Host Anne Boquet, the local police chief, expressed her hope that the dialogue would 'remind people of their Republican values and to respect authority.'

'The debates can introduce that respect, ' she said, and help 'define the face of France we like today.' That, it seems, may be a long way off. The 3-month-long national debate series, spearheaded by conservative President Nicolas Sarkozy and his minister of immigration, has been the subject of heated controversy since a late November vote in Switzerland to ban the construction of minarets on mosques. Sympathy for the Swiss vote here, according to polls, has helped focus the debates, which began in November, on widely held demands that Muslims do more to blend into French society. Polls show that a small majority in France favor a ban on minarets like the one the Swiss approved with a 57.5% majority.


12/14/09

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Conroy's Gap

This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range
The roughest crowd that ever drew breath --
Thieves and rowdies, uncouth and strange,
Were mustered round at the "Shadow of Death".

The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
to him that did not matter a rap --
Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.

"I want you, Ryan," the trooper said,
"And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!"
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.

There was a girl in that shanty bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
"The Swagman's round in the stable, Jim."

Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near --
And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west;

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Kitchen Poem

An Elegy for Tristan Tzara

In the hungry kitchen
The dog sings for its dinner.
The housewife is writing her poem
On top of the frigidaire
Something like this:

    'Hear in the kitchen
    The crows fly home
    Into the red-robed trees
    That walk across the sky.

    Hear under the floor
    The three fountains rising and
    Trickling through the bridge
    Into the sea of poems.'

In the kitchen the housemother
Pours soup for her thousand children
As her man eats his silence
And the dog swallows its poem.

In all. the kitchens of Europe
The radio shouts good news:
'Millions have had no accident today
All wars have come to an end
An honest politician
In another country
Wants to become a plumber
All men will be equal, next year
Volcano vomits ice-cream
A silent poem has been invented.'

    In my holy kitchen
    I draw the blinds of night
    On the homes of sleep.
    I hold the world in my palms.
    Now that I am old
    I can measure life with words.
    There's a nightingale in my coffee.
    My bread is buttered with memories.
    Since the old woman died
    I have two souls.

When I was small we had a lucky black cat.
We had a magic horse-shoe on the wall,
It was rusty and brought no luck
But fetched the fields into the kitchen
And made us not forget horses.

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Tom Zart's 52 Best Of The Rest America At War Poems

SONS AND DAUGHTERS OF WORLD WAR III

The White House
Washington
Tom Zart's Poems


March 16,2007
Ms. Lillian Cauldwell
President and Chief Executive Officer
Passionate Internet Voices Radio
Ann Arbor Michigan

Dear Lillian:
Number 41 passed on the CDs from Tom Zart. Thank you for thinking of me. I am thankful for your efforts to honor our brave military personnel and their families. America owes these courageous men and women a debt of gratitude, and I am honored to be the commander in chief of the greatest force for freedom in the history of the world.
Best Wishes.

Sincerely,

George W. Bush


SONS AND DAUGHTERS OF WORLD WAR III


Our sons and daughters serve in harm's way
To defend our way of life.
Some are students, some grandparents
Many a husband or wife.

They face great odds without complaint
Gambling life and limb for little pay.
So far away from all they love
Fight our soldiers for whom we pray.

The plotters and planners of America's doom
Pledge to murder and maim all they can.
From early childhood they are taught
To kill is to become a man.

They exploit their young as weapons of choice
Teaching in heaven, virgins will await.
Destroying lives along with their own
To learn of their falsehoods too late.

The fearful cry we must submit
And find a way to soothe them.
Where defenders worry if we stand down
The future for America is grim.

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Fruitcakes

Fruitcakes
By: jimmy buffett, amy lee
1994
--spoken:
You know I was talking to my friend desdemona the other day she
Runs this space station and bake shop down near boomtown. she told
Me that human beings are flawed individuals. the cosmic bakers
Took us out of the oven a little too early. and thats the
Reason were as crazy as we are and I believe it.
Take for example when you go to the movies these days, you know.
They try to sell you this jumbo drink, 8 extra ounces of watered
Down cherry coke for an extra 25 cents. I dont want it.
I dont want that much organziation in my life.
I dont want other people thinking for me.
I want my junior mints. where did the junior mints go in the
Movies. I dont want a 12 lb. nestles crunch for 25 dollars. i
Want junior mints.
We need more fruitcakes in this world and less bakers!
We need people that care! Im mad as hell! and I dont want to
Take it anymore!
Chorus:
Fruitcakes in the kitchen (fruitcakes in the kitchen)
Fruitcakes on the street (fruitcakes on the street)
Struttin naked through the crosswalk
In the middle of the week
Half-baked cookies in the oven (cookies in the oven)
Half-baked people on the bus (people on the bus)
Theres a little bit of fruitcake left in everyone of us
Paradise, lost and found
Paradise, take a look around
I was out in california where I hear they have it all
They got riots, fires, mud slides
Theyve got sushi in the mall
Water bars, brontasaurs, chinese modern lust
Shake and bake life with the quake
The secrets in the crust
Chorus:
Fruitcakes in the kitchen (fruitcakes in the kitchen)
Fruitcakes on the street (fruitcakes on the street)
Struttin naked through the crosswalk
In the middle of the week
Half-baked cookies in the oven (cookies in the oven)
Half-baked people on the bus (people on the bus)
Theres a little bit of fruitcake left in everyone of us
--spoken:
Speakin of fruitcakes, how bout the government?
Your tax dollars at work.
We lost our martian rocket ship
The high paid spokesman said
Looks like that silly rocket ship

[...] Read more

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Something Interseting Sestina #1

as long as you live, there is love
but in the recceses rise hate
all these words I draw with passion
with nothig to support me, except my faith
but to others my philosophy seems fake
so I go eat in a kitchen

build me a broken kitchen
that can be worsen by love
a kitchen that make all truth fake
one that is made whole with hate.
There I can vehemently laugh at those with faith,
there I have no time for passion

I have no time for you because you have no time for me dear passion
that's why you can't be a recipe in my kitchen
an the essence in my food is not threw faith
don't love
lie, loath, be livid, and hate
understand such rules with sincerity, don't be fake

yes I say that because the mind of the world is fake
no true passion
much mocked hate
but all is genuine and true in my kitchen
no false love
and lots of thrawted faith

tried faith
and to others this isn't fake
the situation is as real as love
and love as real as unforgiven passion
and both passion and love will destory my uncanny kitchen
which is established by raw hate

that word hate
miss understood by those that don't know the meaning of its faith
but all my creations thrives on it in my kitchen
and yes I will assure you no thing is fake
plus all creations are made without passon
and all creations in my kitchen are mained by love

So come in with hate, and finally take in all creation that's not fake
renew and change your faith, and here make lame all passion
in my kitchen, the place that no one love.

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Czechmate!

'I won't be back 'til very late, '
The note from her had read,
He poured himself another drink
And headed off to bed,
She often spent the night away
Carousing with 'the girls',
The forty-something's group of them
Out on their monthly whirls.

They'd known each other all their lives
From kindergarten on,
Had played with beads and Barbi dolls,
With lipstick on the lawn,
They'd had the odd pyjama nights
Had ogled all the males,
And giggled through their early teens
At love, and lovers tales.

And now they'd all been married off
For twenty years or more,
Their nights were spent in darkened bars
Where some had hoped to score,
With jaded lives, they gossiped there,
At every fault, the blame
Was laid right at the husband's door,
At every husband's name.

And so it was with Mary Jean
Who said that she was bored,
She said her husband Jack was tired,
He lay in bed and snored,
The days of making love had gone
She lay awake at night,
Frustrated in the marriage bed
That once had brought delight.

At home, her husband Jack, asleep
Had dreamt of other things,
Of dancing nymphs who never spoke
To him of boring things,
Who never held their hands out every
Payday for his cheque,
But fed him loving tit-bits, kissed
His feet, and pecked his neck.

Then sometime in the early hours
He heard the bedroom door
Creak open, as his wife returned
Tip-toeing on the floor,
He tried to cling to sleep, to keep

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Two cows deconstruct Derrida

These two cows were ruminating
and one says, I was listening
to the milkmaid’s transistor

and this French philosopher
was explaining that there’s
no English translation of the French word
‘betise’ except ‘stupidity’ but

‘stupidity’ only refers to man
where the French ‘betise’ means
to behave like an animal…

and the other cow says
well what’s wrong with that

and the first cow says
well his point is, English cows
can’t be stupid; only man
can be stupid..

and the other cow says
well that’s a relief then
so does that mean that French cows
can be stupid

and the first cow says
no because they don’t have a word for it
in French

so the other cow says
so then is it better to be
an English cow
that can’t be stupid
or a French cow
that can’t be called stupid

and the first cow says
who cares, I’ve always said
the French ruminate too much
and then talk bullshit…

and the other cow says
I’m glad I’m a Jersey

what about that French milkmaid
I call sexyhands but
the farmer sometimes calls
a silly cow I wonder what
Derrida would say about that

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With French to Kimberley

The Boers were down on Kimberley with siege and Maxim gun;
The Boers were down on Kimberley, their numbers ten to one!
Faint were the hopes the British had to make the struggle good --
Defenceless in an open plain the Diamond City stood.
They built them forts with bags of sand, they fought from roof and wall,
They flashed a message to the south, "Help! or the town must fall!"
Then down our ranks the order ran to march at dawn of day,
And French was off to Kimberley to drive the Boers away.
He made no march along the line; he made no front attack
Upon those Magersfontein heights that held the Seaforths back;
But eastward over pathless plains, by open veldt and vley.
Across the front of Cronje's force his troopers held their way.
The springbuck, feeding on the flats where Modder River runs,
Were startled by his horses' hoofs, the rumble of his guns.
The Dutchman's spies that watched his march from every rocky wall
Rode back in haste: "He marches East! He threatens Jacobsdal!"
Then north he wheeled as wheels a hawk, and showed to their dismay
That French was off to Kimberley to drive the Boers away.

His column was five thousand strong -- all mounted men -- and guns:
There met, beneath the world-wide flag, the world-wide Empire's sons;
They came to prove to all the earth that kinship conquers space,
And those who fight the British Isles must fight the British race!
From far New Zealand's flax and fern, from cold Canadian snows,
From Queensland plains, where hot as fire the summer sunshine glows --
And in front the Lancers rode that New South Wales had sent:
With easy stride across the plain their long, lean Walers went.
Unknown, untried, those squadrons were, but proudly out they drew
Beside the English regiments that fought at Waterloo.
From every coast, from every clime, they met in proud array
To go with French to Kimberley to drive the Boers away.

He crossed the Reit and fought his way towards the Modder bank.
The foemen closed behind his march, and hung upon the flank.
The long, dry grass was all ablaze (and fierce the veldt fire runs);
He fought them through a wall of flame that blazed around the guns!
Then limbered up and drove at speed, though horses fell and died;
We might not halt for man nor beast on that wild, daring ride.
Black with the smoke and parched with thirst, we pressed the livelong day
Our headlong march to Kimberley to drive the Boers away.

We reached the drift at fall of night, and camped across the ford.
Next day from all the hills around the Dutchman's cannon roared.
A narrow pass ran through the hills, with guns on either side;
The boldest man might well turn pale before that pass he tried,
For, if the first attack should fail, then every hope was gone:
Bur French looked once, and only once, and then he siad, "Push on!"
The gunners plied their guns amain; the hail of shrapnel flew;
With rifle fire and lancer charge their squadrons back we threw;
And through the pass between the hills we swept in furious fray,

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With French to Kimberley

The Boers were down on Kimberley with siege and Maxim gun;
The Boers were down on Kimberley, their numbers ten to one!
Faint were the hopes the British had to make the struggle good,
Defenceless in an open plain the Diamond City stood.
They built them forts from bags of sand, they fought from roof and wall,
They flashed a message to the south 'Help! or the town must fall!'
And down our ranks the order ran to march at dawn of day,
For French was off to Kimberley to drive the Boers away.

He made no march along the line; he made no front attack
Upon those Magersfontein heights that drove the Scotchmen back;
But eastward over pathless plains by open veldt and vley,
Across the front of Cronje's force his troopers held their way.
The springbuck, feeding on the flats where Modder River runs,
Were startled by his horses' hoofs, the rumble of his guns.
The Dutchman's spies that watched his march from every rocky wall
Rode back in haste: 'He marches east! He threatens Jacobsdal!'
Then north he wheeled as wheels the hawk and showed to their dismay,
That French was off to Kimberley to drive the Boers away.

His column was five thousand strong - all mounted men - and guns:
There met, beneath the world-wide flag, the world-wide Empire's sons;
They came to prove to all the earth that kinship conquers space,
And those who fight the British Isles must fight the British race!
From far New Zealand's flax and fern, from cold Canadian snows,
From Queensland plains, where hot as fire the summer sunshine glows;
And in the front the Lancers rode that New South Wales had sent:
With easy stride across the plain their long, lean Walers went.
Unknown, untried, those squadrons were, but proudly out they drew
Beside the English regiments that fought at Waterloo.
From every coast, from every clime, they met in proud array,
To go with French to Kimberley to drive the Boers away.

He crossed the Reit and fought his way towards the Modder bank.
The foemen closed behind his march, and hung upon the flank.
The long, dry grass was all ablaze, and fierce the veldt fire runs;
He fought them through a wall of flame that blazed around the guns!
Then limbered up and drove at speed, though horses fell and died;
We might not halt for man nor beast on that wild, daring ride.
Black with the smoke and parched with thirst, we pressed the livelong day
Our headlong march to Kimberley to drive the Boers away.

We reached the drift at fall of night, and camped across the ford.
Next day from all the hills around the Dutchman's cannons roared.
A narrow pass between the hills, with guns on either side;
The boldest man might well turn pale before that pass he tried,
For if the first attack should fail then every hope was gone:
But French looked once, and only once, and then he said, 'Push on!'
The gunners plied their guns amain; the hail of shrapnel flew;
With rifle fire and lancer charge their squadrons back we threw;

[...] Read more

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