When Beauty Dies Young
WHEN BEAUTY DIES YOUNG
When Beauty dies young,
The Pains of Grief
Bittered by Regrets.
When love dies
When love dies
and its hunger
and what remains
is second best
to what it was before
and love is only kindliness,
what shall we do?
Will we try to rekindle
that old flame
and give more fuel to it,
or will we let it lie:
and search for other horizons
past the known sky?
When Love Dies
Where does love go
When it dies.
To a lakeside
Or bluest of blue skies.
Does the moon call it home.
Or the stars watch it roam,
Guided by their own torchlight.
Does it fly like a kite.
Or plummit to the ocean.
Will that poetry in motion
Fill a page
In some poet's unwritten book.
Will it come back with a look
In a strangers eyes.
Where does love go
When it dies.
When Someone Dies
When someone dies
A piece of you goes missing, as if it has also died
When somethings lost
Something that belonged to that loved one now gone
You are left
Alone in a room full of unnamed things that have no meaning
It is as if the light has gone out
From the room
Where you stand waiting
All day and all night
For the heart of your loved one to return
As if reborn
The thing that was lost
The heart that beats inside of you
Returning as suddenly
As the day that it left
How Blest the Righteous When He Dies!
How blest the righteous when he dies!
When sinks a weary soul to rest
How mildly beam the closing eyes!
How gently heaves the expiring breast!
So fades a summer cloud away;
So sinks the gale when storms are o'er;
So gently shuts the eye of day;
So dies a wave along the shore.
A holy quiet reigns around,
A calm which life nor death destroys;
Nothing disturbs that peace profound,
Which his unfettered soul enjoys.
Farewell, conflicting hopes and fears,
Where lights and shades alternate dwell!
How bright the unchanging morn appears!
Farewell, inconstant world, farewell!
Life's labour done, as sinks the clay,
Light from its load the spirit flies;
While heaven and earth combine to say,
How blest the righteous when he dies!
When Poor In All But Hope And Love
WHEN, poor in all but hope and love,
I clasped thee to my faithful heart;
For wealth and fame I vowed to rove,
That we might meet no more to part!
Years have gone by-long weary years
Of toil, to win thee comfort now-
Of ardent hopes-of sickening fears-
And wealth is mine-but where art thou?
Fame's dazzling dreams, for thy dear sake,
Rose brighter than before to me;
I clung to all I deemed could make
My burning heart more worthy thee.
Years have gone by-the laurel droops
In mockery o'er my joyless brow :
A conquered world before me stoops,
And Fame is mine-but where art thou?
In life's first hours, despised and lone,
I wandered through the busy crowd;
But now that life's best hopes are gone,
They greet with pride and murmurs loud.
Oh! for thy voice! thy happy voice,
To breathe its laughing welcome now;
Wealth, fame, and all that should rejoice,
To me are vain-for where art thou?
What Do You Do When Love Dies
(mary unobsky / donna weiss)
I wake up in the morning crying
I reach out for you, yeah
I make coffee for one now
Instead of for two
My days are so empty baby
Theres nothing for me to do
And the night lost its meaning
The night I lost you
Help me baby
What do you when love dies?
Somebody help me, Im losing my mind
What do you when love dies?
Somebody help me, Im losing my mind
I run for the 1:10 uptown
The show starts at two
Im surrounded by strangers
But Im haunted by you
My life is without direction
Lost without you my love
The past is my shadow
My shadow is you
I aint got nowhere to go
What do you do when love dies?
Somebody help me, Im losing my mind
What do you do when love dies on you?
Somebody help me, Im losing my mind, yes I am, yeah
Yeah, what do you do when love dies on you?
Somebody help me, Im losing my mind, yeah, yeah
Somebody help me, Im losing my mind
The past is my shadow
My shadow is you
What do you do when love dies on you?
Where Does Love Go When It Dies
Could you ever steal a prayer to deny your God
Could you ever buy your love and not count the cost
Could you ever take a life when all was lost
And would it ever be enough
Could you bite the hand that feeds you and then ask for more
Could you kiss the wound that bleeds spit it on the floor
Could you open up your heart then close the door
And would it ever be enough
Every word you whisper
All the tears you hide
You die for love when it's alive
But where does love go when it dies
If you came across your dream would you walk on by
Hold a candle to the wind and just let it die
And is there room inside your mind for one more try
And would it ever be enough
I watch the time go rushing by it's like an ocean wave
Showing you no mercy throwing dirt upon your grave
You're drowning in the darkness and you're blinded by the light
And there ain't no prayer that's gonna save you now
If you woke up from your sleep blood on your hands
Would you wash the pain away no one understands
There must be someone out there who can help you breathe again
And would it ever be enough
When True Love Dies
When True Love Dies
By: Adam M. Snow
True love cries when lovers dies;
When the stars twinkle upon despair.
Lovers dies when true love cries;
When the scent of death taints the air.
Saint Jeanne Jugan (Foundress of ‘Little Sisters of the Poor’)
When four, she lost her father while at sea!
Her mother worked hard, raising family!
She grew in France amidst Revolution;
Her love of God was her life’s solution.
She cared for sick and poor elderly souls,
By assuming the humblest of earth’s roles!
Young Jeanne Jugan grew up a shepherdess;
Her love for Jesus made her a Foundress!
With heart aflame with fire of love for God,
She sacrificed her life for Jesus Lord!
Through exemplary life, she showed the world
That love of God was worth more than all gold.
The elderly poor needed love and care;
So, young Jeanne chose the road traveled quite rare.
Her charity became a noble cause;
She worked for poor without making a pause.
It was a time when violence was rife,
And begging was common by those in strife;
She followed Christ, carrying her cross of life,
And served the poor and downtrodden all life.
Her name was ‘Sister Mary of the cross! ’
All life, Christ Jesus Lord was her one boss!
‘Come to my aid, O God, ’ she prayed and cried
all life in humility, till she died!
A Saint for elderly and every age,
She wrote her life upon a golden page;
She saw the Lord in every poor man’s face,
And served God through her love of human race!
‘God wanted her all for Himself, ’ she said,
‘And kept her for a work yet unfounded! ’
On October eleven, two thousand nine,
The Blessed Jeanne Jugan became a Saint!
Dedicated fondly in memory of the Sister Saint.
Copyright by Dr John Celes 10-25-2009
English Eclogues V - The Witch
Father! here father! I have found a horse-shoe!
Faith it was just in time, for t'other night
I laid two straws across at Margery's door,
And afterwards I fear'd that she might do me
A mischief for't. There was the Miller's boy
Who set his dog at that black cat of hers,
I met him upon crutches, and he told me
'Twas all her evil eye.
'Tis rare good luck;
I would have gladly given a crown for one
If t'would have done as well. But where did'st find it?
Down on the Common; I was going a-field
And neighbour Saunders pass'd me on his mare;
He had hardly said 'good day,' before I saw
The shoe drop off; 'twas just upon my tongue
To call him back,--it makes no difference, does it.
Because I know whose 'twas?
Why no, it can't.
The shoe's the same you know, and you 'did find' it.
That mare of his has got a plaguey road
To travel, father, and if he should lame her,
For she is but tender-footed,--
I should not like to see her limping back
Poor beast! but charity begins at home,
And Nat, there's our own horse in such a way
Why he ha'nt been rid again!
Last night I hung a pebble by the manger
With a hole thro', and every body says
That 'tis a special charm against the hags.
It could not be a proper natural hole then,
Or 'twas not a right pebble,--for I found him
Smoking with sweat, quaking in every limb,
And panting so! God knows where he had been
When we were all asleep, thro' bush and brake
Up-hill and down-hill all alike, full stretch
At such a deadly rate!--
By land and water,
Over the sea perhaps!--I have heard tell
That 'tis some thousand miles, almost at the end
Of the world, where witches go to meet the Devil.
They used to ride on broomsticks, and to smear
Some ointment over them and then away
Out of the window! but 'tis worse than all
To worry the poor beasts so. Shame upon it
That in a Christian country they should let
Such creatures live!
And when there's such plain proof!
I did but threaten her because she robb'd
Our hedge, and the next night there came a wind
That made me shake to hear it in my bed!
How came it that that storm unroofed my barn,
And only mine in the parish? look at her
And that's enough; she has it in her face--
A pair of large dead eyes, rank in her head,
Just like a corpse, and purs'd with wrinkles round,
A nose and chin that scarce leave room between
For her lean fingers to squeeze in the snuff,
And when she speaks! I'd sooner hear a raven
Croak at my door! she sits there, nose and knees
Smoak-dried and shrivell'd over a starved fire,
With that black cat beside her, whose great eyes
Shine like old Beelzebub's, and to be sure
It must be one of his imps!--aye, nail it hard.
I wish old Margery heard the hammer go!
She'd curse the music.
Here's the Curate coming,
He ought to rid the parish of such vermin;
In the old times they used to hunt them out
And hang them without mercy, but Lord bless us!
The world is grown so wicked!
Good day Farmer!
Nathaniel what art nailing to the threshold?
A horse-shoe Sir, 'tis good to keep off witchcraft,
And we're afraid of Margery.
Poor old woman!
What can you fear from her?
What can we fear?
Who lamed the Miller's boy? who rais'd the wind
That blew my old barn's roof down? who d'ye think
Rides my poor horse a'nights? who mocks the hounds?
But let me catch her at that trick again,
And I've a silver bullet ready for her,
One that shall lame her, double how she will.
What makes her sit there moping by herself,
With no soul near her but that great black cat?
And do but look at her!
Poor wretch! half blind
And crooked with her years, without a child
Or friend in her old age, 'tis hard indeed
To have her very miseries made her crimes!
I met her but last week in that hard frost
That made my young limbs ache, and when I ask'd
What brought her out in the snow, the poor old woman
Told me that she was forced to crawl abroad
And pick the hedges, just to keep herself
From perishing with cold, because no neighbour
Had pity on her age; and then she cried,
And said the children pelted her with snow-balls,
And wish'd that she were dead.
I wish she was!
She has plagued the parish long enough!
Is that the charity your bible teaches?
My bible does not teach me to love witches.
I know what's charity; who pays his tithes
And poor-rates readier?
Who can better do it?
You've been a prudent and industrious man,
And God has blest your labour.
Why, thank God Sir,
I've had no reason to complain of fortune.
Complain! why you are wealthy. All the parish
Look up to you.
Perhaps Sir, I could tell
Guinea for guinea with the warmest of them.
You can afford a little to the poor,
And then what's better still, you have the heart
To give from your abundance.
I should want charity!
Oh! 'tis a comfort
To think at last of riches well employ'd!
I have been by a death-bed, and know the worth
Of a good deed at that most awful hour
When riches profit not.
Farmer, I'm going
To visit Margery. She is sick I hear--
Old, poor, and sick! a miserable lot,
And death will be a blessing. You might send her
Some little matter, something comfortable,
That she may go down easier to the grave
And bless you when she dies.
What! is she going!
Well God forgive her then! if she has dealt
In the black art. I'll tell my dame of it,
And she shall send her something.
So I'll say;
And take my thanks for her's. ['goes']
That's a good man
That Curate, Nat, of ours, to go and visit
The poor in sickness; but he don't believe
In witchcraft, and that is not like a christian.
And so old Margery's dying!
But you know
She may recover; so drive t'other nail in!
The Grave Of Howard
Spirit of Death! whose outstretched pennons dread
Wave o'er the world beneath their shadow spread;
Who darkly speedest on thy destined way,
Midst shrieks and cries, and sounds of dire dismay;
Spirit! behold thy victory! Assume
A form more terrible, an ampler plume;
For he, who wandered o'er the world alone,
Listening to Misery's universal moan;
He who, sustained by Virtue's arm sublime,
Tended the sick and poor from clime to clime,
Low in the dust is laid, thy noblest spoil!
And Mercy ceases from her awful toil!
'Twas where the pestilence at thy command
Arose to desolate the sickening land,
When many a mingled cry and dying prayer
Resounded to the listening midnight air,
When deep dismay heard not the frequent knell,
And the wan carcase festered as it fell:
'Twas there, with holy Virtue's awful mien,
Amid the sad sights of that fearful scene,
Calm he was found: the dews of death he dried;
He spoke of comfort to the poor that cried;
He watched the fading eye, the flagging breath,
Ere yet the languid sense was lost in death;
And with that look protecting angels wear,
Hung o'er the dismal couch of pale Despair!
Friend of mankind! thy righteous task is o'er;
The heart that throbbed with pity beats no more.
Around the limits of this rolling sphere,
Where'er the just and good thy tale shall hear,
A tear shall fall: alone, amidst the gloom
Of the still dungeon, his long sorrow's tomb,
The captive, mourning, o'er his chain shall bend,
To think the cold earth holds his only friend!
He who with labour draws his wasting breath
On the forsaken silent bed of death,
Remembering thy last look and anxious eye,
Shall gaze around, unvisited, and die.
Friend of mankind, farewell! These tears we shed--
So nature dictates--o'er thy earthly bed;
Yet we forget not, it was His high will,
Who saw thee Virtue's arduous task fulfil,
Thy spirit from its toil at last should rest:--
So wills thy GOD, and what He wills is best!
Thou hast encountered dark Disease's train,
Thou hast conversed with Poverty and Pain,
Thou hast beheld the dreariest forms of woe,
That through this mournful vale unfriended go;
And, pale with sympathy, hast paused to hear
The saddest plaints e'er told to human ear.
Go then, the task fulfilled, the trial o'er,
Where sickness, want, and pain are known no more!
How awful did thy lonely track appear,
Enlightening Misery's benighted sphere!
As when an angel all-serene goes forth
To still the raging tempest of the north,
The embattled clouds that hid the struggling day,
Slow from his face retire in dark array;
On the black waves, like promontories hung,
A light, as of the orient morn, is flung,
Till blue and level heaves the silent brine,
And the new-lighted rocks at distance shine;
Ev'n so didst thou go forth with cheering eye--
Before thy glance the shades of misery fly;
So didst thou hush the tempest, stilling wide
Of human woe the loud-lamenting tide.
Nor shall the spirit of those deeds expire,
As fades the feeble spark of vital fire,
But beam abroad, and cheer with lustre mild
Humanity's remotest prospects wild,
Till this frail orb shall from its sphere be hurled,
Till final ruin hush the murmuring world,
And all its sorrows, at the awful blast
Of the archangel's trump, be but as shadows past!
Relentless Time, that steals with silent tread,
Shall tear away the trophies of the dead.
Fame, on the pyramid's aspiring top,
With sighs shall her recording trumpet drop;
The feeble characters of Glory's hand
Shall perish, like the tracks upon the sand;
But not with these expire the sacred flame
Of Virtue, or the good man's honoured name.
HOWARD! it matters not, that far away
From Albion's peaceful shore thy bones decay:
Him it might please, by whose sustaining hand
Thy steps were led through many a distant land.
Thy long and last abode should there be found,
Where many a savage nation prowls around:
That Virtue from the hallowed spot might rise,
And, pointing to the finished sacrifice,
Teach to the roving Tartar's savage clan
Lessons of love, and higher aims of man.
The hoary chieftain, who thy tale shall hear,
Pale on thy grave shall drop his faltering spear;
The cold, unpitying Cossack thirst no more
To bathe his burning falchion deep in gore;
Relentless to the cry of carnage speed,
Or urge o'er gasping heaps his panting steed!
Nor vain the thought that fairer hence may rise
New views of life, and wider charities.
Far from the bleak Riphean mountains hoar,
From the cold Don, and Wolga's wandering shore,
From many a shady forest's lengthening tract,
From many a dark-descending cataract,
Succeeding tribes shall come, and o'er the place,
Where sleeps the general friend of human race,
Instruct their children what a debt they owe;
Speak of the man who trode the paths of woe;
Then bid them to their native woods depart,
With new-born virtue stirring in their heart.
When o'er the sounding Euxine's stormy tides
In hostile pomp the Turk's proud navy rides,
Bent on the frontiers of the Imperial Czar,
To pour the tempest of vindictive war;
If onward to those shores they haply steer,
Where, HOWARD, thy cold dust reposes near,
Whilst o'er the wave the silken pennants stream,
And seen far off the golden crescents gleam,
Amid the pomp of war, the swelling breast
Shall feel a still unwonted awe impressed,
And the relenting Pagan turn aside
To think--on yonder shore the _Christian_ died!
But thou, O Briton! doomed perhaps to roam
An exile many a year and far from home,
If ever fortune thy lone footsteps leads
To the wild Nieper's banks, and whispering reeds,
O'er HOWARD's grave thou shalt impassioned bend,
As if to hold sad converse with a friend.
Whate'er thy fate upon this various scene,
Where'er thy weary pilgrimage hath been,
There shalt thou pause; and shutting from thy heart
Some vain regrets that oft unbidden start,
Think upon him to every lot resigned,
Who wept, who toiled, and perished for mankind.
For me, who musing, HOWARD, on thy fate,
These pensive strains at evening meditate,
I thank thee for the lessons thou hast taught
To mend my heart, or animate my thought.
I thank thee, HOWARD, for that awful view
Of life which thou hast drawn, most sad, most true.
Thou art no more! and the frail fading bloom
Of this poor offering dies upon thy tomb.
Beyond the transient sound of earthly praise
Thy virtues live, perhaps, in seraph's lays!
I, borne in thought, to the wild Nieper's wave,
Sigh to the reeds that whisper o'er thy grave.
What Chris'mas Fetched The Wigginses
Wintertime, er Summertime,
Of late years I notice I'm,
Kindo'-like, more subjec' to
What the _weather_ is. Now, you
Folks 'at lives in town, I s'pose,
Thinks its bully when it snows;
But the chap 'at chops and hauls
Yer wood fer ye, and then stalls,
And snapps tuggs and swingletrees,
And then has to walk er freeze,
Haint so much 'stuck on' the snow
As stuck _in_ it--Bless ye, no!--
When its packed, and sleighin's good,
And _church_ in the neighborhood,
Them 'at's _got_ their girls, I guess,
Takes 'em, likely, more er less,
Tell the plain facts o' the case,
No men-folks about our place
On'y me and Pap--and he
'Lows 'at young folks' company
Allus made him sick! So I
Jes don't want, and jes don't try!
Chinkypin, the dad-burn town,
'S too fur off to loaf aroun'
Either day er night--and no
Law compellin' me to go!--
'Less 'n some Old-Settlers' Day,
Er big-doin's thataway--
_Then_, to tell the p'inted fac',
I've went more so's to come back
By old Guthrie's 'still-house, where
Minors _has_ got licker there--
That's pervidin' we could show 'em
Old folks sent fer it from home!
Visit roun' the neighbors some,
When the boys wants me to come.--
Coon-hunt with 'em; er set traps
Fer mussrats; er jes, perhaps,
Lay in roun' the stove, you know,
And parch corn, and let her snow!
Mostly, nights like these, you'll be
(Ef you' got a writ fer _me_)
Ap' to skeer me up, I guess,
In about the Wigginses.
Nothin' roun' _our_ place to keep
Me at home--with Pap asleep
'Fore it's dark; and Mother in
Mango pickles to her chin;
And the girls, all still as death,
Piecin' quilts.--Sence I drawed breath
Twenty year' ago, and heerd
Some girls whispern' so's it 'peared
Like they had a row o' pins
In their mouth--right there begins
My first rickollections, built
On that-air blame old piece-quilt!
Summertime, it's jes the same--
'Cause I've noticed,--and I claim,
As I said afore, I'm more
Subjec' to the weather, _shore_,
'Proachin' my majority,
Than I ever ust to be!
Callin' back _last_ Summer, say,--
Don't seem hardly past away--
With night closin' in, and all
S' lonesome-like in the dew-fail:
Bats--ad-drat their ugly muggs!--
Flickern' by; and lightnin'-bugs
Huckstern' roun' the airly night
Little sickly gasps o' light;--
Whip-poor-wills, like all possessed,
Moanin' out their mournfullest;--
Frogs and katydids and things
Jes clubs in and sings and sings
Their _ding-dangdest_!--Stock's all fed,
And Pap's washed his feet fer bed;--
Mother and the girls all down
At the milk-shed, foolin' roun'--
No wunder 'at I git blue,
And lite out--and so would you!
I caint stay aroun' no place
Whur they haint no livin' face:--
'Crost the fields and thue the gaps
Of the hills they's friends, perhaps,
Waitin' somers, 'at kin be
Kindo' comfertin' to me!
Neighbors all 'is plenty good,
Scattered thue this neighberhood;
Yit, of all, I like to jes
Drap in on the Wigginses.--
Old man, and old lady too,
'Pear-like, makes so much o' you--,
Least, they've allus pampered me
Like one of the fambily.--
The boys, too, 's all thataway--
Want you jes to come and stay;--
Price, and Chape, and Mandaville,
Poke, Chasteen, and 'Catfish Bill'--
Poke's the runt of all the rest,
But he's jes the beatinest
Little schemer, fer fourteen,
Anybody ever seen!--
'Like his namesake,' old man claims,
'Jeems K. Poke, the first o' names!
Full o' tricks and jokes--and you
Never know what _Poke's_ go' do!'
Genius, too, that-air boy is,
With them awk'ard hands o' his:
Gits this blame pokeberry-juice,
Er some stuff, fer ink--and goose-
Quill pen-p'ints: And then he'll draw
Dogdest pictures yevver saw!
Er make deers and eagles good
As a writin'-teacher could!
Then they's two twin boys they've riz
Of old Coonrod Wigginses
'At's deceast--and glad of it,
'Cause his widder's livin' yit!
Course _the boys_ is mostly jes'
Why I go to Wigginses.---
Though _Melviney_, sometimes, _she_
Gits her slate and algebry
And jes' sets there ciphern' thue
Sums old Ray hisse'f caint do!--
Jes' sets there, and tilts her chair
Forreds tel, 'pear-like, her hair
Jes' _spills_ in her lap--and then
She jes' dips it up again
With her hands, as white, I swan,
As the apern she's got on!
Talk o' hospitality!--
Go to Wigginses with me--
Overhet, or froze plum thue,
You'll find welcome waitin' you:--
Th'ow out yer tobacker 'fore
You set foot acrost that floor,--
'Got to eat whatever's set--
Got to drink whatever's wet!'
Old man's sentimuns--them's his---
And means jes the best they is!
Then he lights his pipe; and she,
The old lady, presen'ly
She lights her'n; and Chape and Poke.
I haint got none, ner don't smoke,--
(In the crick afore their door--
Sorto so's 'at I'd be shore--
Drownded mine one night and says
'I won't smoke at _Wigginses_!')
Price he's mostly talkin' 'bout
Politics, and 'thieves turned out'--
What he's go' to be, ef he
Ever 'gits there'--and 'we'll see!'--
Poke he 'lows they's blame few men
Go' to hold their breath tel then!
Then Melviney smiles, as she
Goes on with her algebry,
And the clouds clear, and the room's
Sweeter 'n crabapple-blooms!
(That Melviney, she' got some
Most surprisin' ways, I gum!--
Don't 'pear like she ever _says_
Nothin', yit you'll _listen_ jes
Like she was a-talkin', and
Half-way seem to understand,
But not quite,--_Poke_ does, I know,
'Cause he good as told me so,--
Poke's her favo-rite; and he--
That is, confidentially--
He's _my_ favo-rite--and I
Got my whurfore and my why!)
I haint never ben no hand
Much at talkin', understand,
But they's _thoughts_ o' mine 'at's jes
Jealous o' them Wigginses!--
Gift o' talkin 's what they got,
Whether they want to er not--
F'r instunce, start the old man on
Huntin'-scrapes, 'fore game was gone,
'Way back in the Forties, when
Bears stold pigs right out the pen,
Er went waltzin' 'crost the farm
With a bee-hive on their arm!--
And--sir, _ping_! the old man's gun
Has plumped-over many a one,
Firin' at him from afore
That-air very cabin-door!
Yes--and _painters_, prowlin' 'bout,
Allus darkest nights.--Lay out
Clost yer cattle.--Great, big red
Eyes a-blazin' in their head,
Glittern' 'long the timber-line--
Shine out some, and then _un_-shine,
And shine back--Then, stiddy! whizz!
'N there yer Mr. Painter is
With a hole bored spang between
Them-air eyes! Er start Chasteen,
Say, on blooded racin'-stock,
Ef you want to hear him talk;
Er tobacker--how to raise,
Store, and k-yore it, so's she pays:
The old lady--and she'll cote
Scriptur' tel she'll git yer vote!
Prove to you 'at wrong is right,
Jes as plain as black is white:
Prove when you're asleep in bed
You're a-standin' on yer head,
And yer train 'at's goin' West,
'S goin' East its level best;
And when bees dies, it's their wings
Wears out--and a thousand things!
And the boys is 'chips,' you know;
'Off the old block'--So I go
To the Wigginses, 'cause--jes
'Cause I _like_ the Wigginses--
Even ef Melviney _she_
Hardly 'pears to notice me!
Rid to Chinkypin this week--
Yisterd'y.--No snow to speak
Of, and didn't have no sleigh
Anyhow; so, as I say,
I rid in--and froze one ear
And both heels--and I don't keer!--
'Mother and the girls kin jes
Bother 'bout their Chris'mases
_Next_ time fer _theirse'vs_, I jack!'
Thinks-says-I, a-startin' back,--
Whole durn meal-bag full of things
Wrapped in paper-sacks, and strings
Liable to snap their holt
Jes at any little jolt!
That in front o' me, and _wind_
With _nicks_ in it, 'at jes skinned
Me alive!--I'm here to say
Nine mile' hossback thataway
Would a-walked my log! But, as
Somepin' allus comes to pass,
As I topped old Guthrie's hill.
Saw a buggy, front the 'Still,
P'inted home'ards, and a thin
Little chap jes climbin' in.
Six more minutes I were there
On the groun's'--And course it were--
It were little Poke--and he
Nearly fainted to see me!--
'You ben in to Chinky, too?'
'Yes; and go' ride back with you,'
I-says-I. He he'pped me find
Room fer my things in behind--
Stript my hoss's reins down, and
Put his mitt' on the right hand
So's to lead--'Pile in!' says he,
'But you 've struck pore company!'
Noticed he was pale--looked sick,
Kindo-like, and had a quick
Way o' flickin' them-air eyes
0' his roun' 'at didn't size
Up right with his usual style--
s' I, 'You well?' He tried to smile,
But his chin shuck and tears come.--
'_I've run 'Viney 'way from home_!'
Don't know jes what all occurred
Next ten seconds--Nary word,
But my heart jes drapt, stobbed thue,
And whirlt over and come to.--
Wrenched a big quart bottle from
That fool-boy!--and cut my thumb
On his little fiste-teeth--helt
Him snug in one arm, and felt
That-air little heart o' his
Churn the blood o' Wigginses
Into that old bead 'at spun
Roun' her, spilt at Lexington!
His k'niptions, like enough,
He'pped us both,--though it was rough--
Rough on him, and rougher on
Me when last his nerve was gone,
And he laid there still, his face
Fishin' fer some hidin'-place
Jes a leetle lower down
In my breast than he 'd yit foun'!
Last I kindo' soothed him, so's
He could talk.--And what you s'pose
Them-air revelations of
Poke's was? . . . He'd ben writin' love-
Letters to Melviney, and
Givin her to understand
They was from 'a young man who
Loved her,' and--'the violet's blue
'N sugar's sweet'--and Lord knows what!
Tel, 'peared-like, Melviney got
S' interested in 'the young
Man,' Poke _he_ says, 'at she brung
A' answer onc't fer him to take,
Statin' 'she'd die fer his sake,'
And writ fifty xs 'fer
Love-kisses fer him from her!'
I was standin' in the road
By the buggy, all I knowed
When Poke got that fer.--'That's why,'
Poke says, 'I 'fessed up the lie--
_Had_ to--'cause I see,' says he,
''Viney was in airnest--she
Cried, too, when I told her.--Then
She swore me, and smiled again,
And got Pap and Mother to
Let me hitch and drive her thue
Into Chinkypin, to be
At Aunt 'Rindy's Chris'mas-tree--
That's to-night.' Says I, 'Poke--durn
Your lyin' soul!--'s that beau o' hern--
That--_she_--loves--Does _he_ live in
That hellhole o' Chinkypin?'
'No,' says Poke, 'er 'Viney would
Went some _other_ neighborhood.'
'Who _is_ the blame whelp?' says I.
'Promised 'Viney, hope I'd die
Ef I ever told!' says Poke,
Pittiful and jes heart-broke--
''Sides that's why she left the place,--
'She caint look him in the face
Now no more on earth!' she says.--'
And the child broke down and jes
Sobbed! Says I, 'Poke, I p'tend
T' be _your_ friend, and your _Pap's_ friend,
And your _Mother's_ friend, and all
The _boys_' friend, little, large and small--
The _whole fambily's_ friend--and you
Know that means _Melviney_, too.--
Now--you hush yer troublin!'--I'm
Go' to he'p friends ever' time--
On'y in _this_ case, _you_ got
To he'p _me_--and, like as not
I kin he'p Melviney then,
And we'll have her home again.
And now, Poke, with your consent,
I'm go' go to that-air gent
She's in love with, and confer
With _him_ on his views o' _her_.--
Blast him! give the man _some_ show.--
Who is he?--_I'm go' to know_!'
Somepin' struck the little chap
Funny, 'peared-like.--Give a slap
On his leg--laughed thue the dew
In his eyes, and says: 'It's you!'
Yes, and--'cordin' to the last
Love-letters of ours 'at passed
Thue his hands--we was to be
Poke,' says I, 'it's _suddent_--yit
We _kin_ make it! You're to git
Up tomorry, say, 'bout _three_--
Tell your folks you're go' with me:--
We'll hitch up, and jes drive in
'N take the town o' Chinkypin!'
YE powers fantastic ! goblin, sylph and fay,
Whose subtle forms no laws material sway ;
Ethereal essences, that dart and glide
Wherever pleasure or caprice may guide ;
Who leap with equal ease, if ye are bid,
A lady's thimble and a pyramid,
And scale, alike regardless of a fall,
The parlour fender and the Chinese wall,
Slip through a key-hole, 'neath the listed door,
Or from the smallest crevice in the floor ;
Or steer your way (and man's devices mock)
Through the dark mazes of a patent lock ;--
Of you I sing not--but my theme shall be
Of things as quick and volatile as ye,
--Those busy, subtle pronouns, I and Me.
Unsought, and unexpected they appear ;
No barriers heed they, and no laws revere;
But wind and penetrate, with dextrous force,
Through all the cracks and crannies of discourse.
Of those with whom self proves the darling theme,
Not all indulge it in a like extreme ;
Some have the sense to cover it no doubt ;
Would they had sense enough to root it out !
We therefore bring, as first upon the list,
The loud, loquacious, vulgar egotist ;
Whose I's and Me's are scattered in his talk,
Thick as the pebbles on a gravel walk.
Whate'er the topic be, through thick and thin
Himself is thrust, or squeezed, or sidled in.
Conceiving thus his own importance swells,
He makes himself a part of all he tells ;
And still to this he winds the subject round :
Suppose his friend is married, sick, or drowned,
He brought about the match, he lets you know ;
Told him about Miss B. a year ago ;
Or never shall forget, whate'er ensues,
How much he felt when first he heard the news.
A horseman thrown, lay weltering in the mud;
He thought of something that would stop the blood.
A neighhour had a quarrel with his wife ;
He never saw such doings in his life !
A fire broke out at midnight in the town ;
He started up, threw on his flannel gown,
Seized an old hat full twice as large as his,
And said, says he , 'I wonder where it is !'
Was doubtful if 'twere best to stay or go,
And trembled like a leaf, from top to toe.
In vain at times, some modest stander-by,
Catching a pause to make his brief reply,
Cries, 'dear!' or 'only think!' or, 'so did I ;'
For he, by no such obstacles deterred,
Runs on, must tell his tale, and will be heard.
Woe to themselves, and woe to small and great,
When two good egotists are tête-à-tête !
A battle this, though not of swords, but tongues,
And he the victor who has strongest lungs.
Too eager each in what himself recites,
To see how little interest it invites,
Each takes the attention his companion shows,
For pleasure in the story as it goes ;
Though judging by himself, he might have known,
He is but waiting to begin his own,
Watching some gap in the opponent's speech
To force it in--like soldiers at a breach.
Few talkers can detain themselves to weigh
The true impression made by what they say ;
And of all talkers, egotists are last
E'en to suspect that they may talk too fast,
But often, while pursuing their career,
Rejoiced that while they speak the rest must hear,
Some dry observer, whom they scarce perceive,
Sits smiling in his philosophic sleeve,
Impelled (while others carelessly condemn)
To blush for human nature and for them.
But 'tis not only with the loud and rude
That self betrays its nature unsubdued ;
Polite attention and refined address
But ill conceal it, and can ne'er suppress :
One truth, despite of manner, stands confest--
They love themselves unspeakably the best.
Many monopolists of words have been
Unconscious quite of their besetting sin ;
Of strong susceptibility possessed,
Enraptured oft, and oft as much distrest,
They deem themselves, nor others deem them less,
Affectionate and feeling to excess :
The charge of selfishness, or unconcern
In other's weal, with indignation spurn,
And think their failing and their weakest part,
Is having, as the phrase is--too much heart.
But tender hearts as well were hearts of stone,
If what they feel is for themselves alone.
Have you no knowledge of this species ? then
Take fair Matilda for a specimen ;
Compare the sketch with faces you have known,
And ere you quite discard it--with your own.
What ! has Matilda , then, no heart to feel
Generous emotion for another's weal ?
Oh yes, she has--the doubt she would declare
Hard and unjust to her , beyond compare ;
Her friends' and neighbours' interests to forget
She were the last to bear the blame--but yet
Engrossed by cares and interests of her own,
In fact , she gladly lets her friends alone ;
Too eager, and too busy to reflect,
What others may, and what they do expect.
Calm observation, and acute survey
Of others and ourselves, are swept away
By that strong, rude velocity of thought,
Which meets no proper barrier where it ought,
But rushes on, impetuous and unstemmed :--
Astonished, and abashed, and self-condemned,
Would stand Matilda , could she once be shown
Not other people's failings, but her own ;
And see, how borne on that perpetual tide,
She thinks and talks of self, and none beside :
Then might she learn to check its rapid force,
Abate its swiftness, and divert its course,
Make it through other fields meandering go,
And drain, in time, the selfish channel low.
Matilda's friend, as few besides had done,
(A patient, quiet, unpretending one)
Sits cheerful and unwearied day by day,
To hear, as usual, what she has to say.
By long experience, now at length, she learns
To drop all reference to her own concerns ;
The insipid 'dear !' or 'sure !' too well declares
Impatience in discussing those affairs ;
And then, the eager tone and altered brow,
How much her own are dearer--so that now,
--Whether her heart be aching, or it swell
With some sweet hope, 'twould be a joy to tell--
She cheeks the inclination, to attend
To some new project of her eager friend :
--How she intends, as soon as winter's o'er,
To make a passage to the nursery door,
Enlarge the parlour where she loves to sit,
And have the Turkey carpet made to fit ;
Or, how she means next spring to go to town,
And then to have her aunt and uncle down.
Or if more intellectual in her mood,
How she employs her hours of solitude ;
--Her plans, how much they fail, or how succeed ;
What last she read, and what she means to read ;
What time she rises, and what time retires,
And how her deeds fall short of her desires.
All this is very well, perhaps you cry ;
True, if her friend might whisper, 'so do I.'
Whene'er from home Matilda has to go,
With the same theme her letters overflow ;
Sheet after sheet in rapid course she sends,
Brimful and crossed, and written at both ends,
About her journey, visits, feelings, friends :
Still, still the same !--or if her friend had cast
Down in a modest postscript in her last,
Some line, which to transactions may refer,
Of vital consequence, perhaps, to her--
Matilda , in reply, just scrawls, you know
Along that slip on which the seal must go,
'I'm glad, or grieved, to hear of so and so.'
How can she pardon such unkind neglects ?
Why 'tis poor human nature, she reflects ;
Judging with kindness, candour, and good sense,
Takes it from whence it comes, without offence :
And she, with meekness gifted to endure
The evil she laments, but cannot cure,
Too wise to censure or resent the ill,
Sees it, and smiles, as even friendship will ;
Resolves to watch herself with double toil,
And root the selfish weeds from nature's soil.
--And so should we, for we are selfish all,
Without one real exception since the fall
Good nature and good sense in some, 'tis true,
Do much the vicious temper to subdue ;
While some unwittingly allow its growth,
Who yet might fair pretensions make to both.
Of all impostors he least wisdom shows
Who can and does upon himself impose.
Self-knowledge of all knowledge is the best ;
By most pretended, but by few possessed.
That true philosophy not understood,
The aim to do ourselves or others good
Proves weak ;--for they who to themselves are blind,
Rarely attain the knowledge of mankind.
But self-acquaintance is a certain guide ;
That key unlocks ten thousand hearts beside ;
There, in a glass, the common cast is shown ;
--He knows the world who truly knows his own.
The tattered wretch, who scrapes his idle tunes
Through our dull streets on rainy afternoons,
The lawless nuisance of the king's highway,
Houseless and friendless, wander where he may :
Suspected, spurned, unbound by social ties,
With none to mourn or miss him when he dies ;
Still, to himself, that vagrant man appears
The central object of revolving spheres,
Not less than he, who sweeps with regal robe
Half the circumference of the peopled globe.
All seem for him, that eye or thought can view,
The ground he treads, and heaven's ethereal blue,
The sheltering hovel he has gained from far,
And the hint glimmer of the utmost star.
Nought he regards by art or nature made,
But as it serves his pleasure or his trade ;
Mankind, should he define them, this the sense,
--Things bearing purses--purses yielding pence :
The ranging doors that meet his practised eye,
But places seem where he may knock and try ;
Where'er he stands, creation's dearest spot ;--
For what were all to him if he were not ?
'Twas thus I mused as he was passing by,
Roused by the tones of his harsh minstrelsy ;
And smiled and marvelled that such low estate
Wrought not indifference in him to his fate :
Till, unperceived, my roving thoughts had flown,
Far from his fate and feelings, to my own ;
And deep engraven in my heart I saw
The same strong influence and imperious law.
Self, self, with all the weight of woe it bears,
All its infirmities, and wants, and cares,
Its untold bitterness, its shame and ill--
Why is it magnified and worshipped still ?
When shall we break that bondage and be free--
See our own interests but as others see ?
And feel, as down the ceaseless stream we pass,
But viewless atoms in the mighty mass !
To view ourselves with stern and stoic eye,
Calm and unbiassed, like a stander-by,
Keeping aloof, and looking from above,
Detached from interest, prejudice, self-love,--
This, while it humbles, yet exalts the mind
Above the common level of mankind.
The soul that knows its mean and bounded length
Makes some approach to grandeur and to strength :
Conscious of littleness it learns to tower,
Knowing its feebleness, attains to power :
This makes the grand distinction that befalls,
Between the mind that soars and that which crawls.
That is a vulgar mind, which never learns
The just dimensions of its own concerns ;
But sunk in petty interests, private cares,
Fancies vast import in its small affairs.
True, the philosopher himself is caught
Absorbed, at times, in low and selfish thought ;
But here the difference lies, that he can smile
At that contracted temper all the while ;
And thence his soul, with glad transition, springs
Tired and disgusted up to nobler things.
Poor human nature ! whither should it flee,
Undone, infirm, and weak beyond degree,
But to the well of life ? that healthful tide,
Whose waters, when by humble faith applied,
Raise up the impotent, restore the blind,
And cure the inveterate maladies of mind.
He knows, who fashioneth our hearts the same,
Every minutia of their inmost frame ;
To which in that blest volume he has writ,
The line and precept admirably fit :
They reach, not actions only, but the thought
That tends to folly--not alone are brought
Against the act that does our neighbour wrong,
--They teach the egotist to hold his tongue.
How vainly may we follow and digest
What human wits and moralists attest ;
E'en those who studied human nature most,
Shakespeare and Johnson, Locke and all the host ;
And even pore in vain on that bright page
Which teaches and consoles from age to age ;
Unless we come imploring help and cure,
Guilty and impotent, and blind and poor,
Asking for 'all things new,' by faith and prayer ;
--Not with some little failing here and there,
Which, proving inconvenient where it stands,
We wish completely taken off our hands ;--
But seek (accounting all beside it loss)
A thorough renovation at the cross.
Then would the healing streams of mercy wind
Throughout the sickly mazes of the mind ;
The weed of selfishness would droop and die,
And plants of charity their place supply ;
That fruitful stream, refreshing as it flows,
Would make the desert blossom as the rose.
EPISTLE II: TO A LADY (Of the Characters of Women )
NOTHING so true as what you once let fall,
"Most Women have no Characters at all."
Matter too soft a lasting mark to bear,
And best distinguish'd by black, brown, or fair.
How many pictures of one Nymph we view,
All how unlike each other, all how true!
Arcadia's Countess, here, in ermin'd pride,
Is, there, Pastora by a fountain side.
Here Fannia, leering on her own good man,
And there, a naked Leda with a Swan.
Let then the Fair one beautifully cry,
In Magdalen's loose hair and lifted eye,
Or drest in smiles of sweet Cecilia shine,
With simpering Angels, Palms, and Harps divine;
Whether the Charmer sinner it, or saint it,
If Folly grow romantic, I must paint it.
Come then, the colours and the ground prepare!
Dip in the Rainbow, trick her off in Air;
Choose a firm Cloud, before it fall, and in it
Catch, ere she change, the Cynthia of this minute.
Rufa, whose eye quick-glancing o'er the Park,
Attracts each light gay meteor of a Spark,
Agrees as ill with Rufa studying Locke,
As Sappho's diamonds with her dirty smock;
Or Sappho at her toilet's greasy task,
With Sappho fragrant at an evening Masque:
So morning Insects that in muck begun,
Shine, buzz, and flyblow in the setting sun.
How soft is Silia! fearful to offend;
The Frail one's advocate, the Weak one's friend:
To her, Calista prov'd her conduct nice;
And good Simplicius asks of her advice.
Sudden, she storms! she raves! You tip the wink,
But spare your censure; Silia does not drink.
All eyes may see from what the change arose,
All eyes may see--a Pimple on her nose.
Papillia, wedded to her amorous spark,
Sighs for the shades--"How charming is a Park!"
A Park is purchas'd, but the Fair he sees
All bath'd in tears--"Oh odious, odious Trees!"
Ladies, like variegated Tulips, show;
'Tis to their Changes half their charms we owe;
Fine by defect, and delicately weak,
Their happy Spots the nice admirer take,
'Twas thus Calypso once each heart alarm'd,
Aw'd without Virtue, without Beauty charmed;
Her tongue bewitch'd as oddly as her Eyes,
Less Wit than Mimic, more a Wit than wise;
Strange graces still, and stranger flights she had,
Was just not ugly, and was just not mad;
Yet ne'er so sure our passion to create,
As when she touch'd the brink of all we hate.
Narcissa's nature, tolerably mild,
To make a wash, would hardly stew a child;
Has ev'n been prov'd to grant a Lover's pray'r,
And paid a Tradesman once to make him stare;
Gave alms at Easter, in a Christian trim,
And made a Widow happy, for a whim.
Why then declare Good-nature is her scorn,
When 'tis by that alone she can be borne?
Why pique all mortals, yet affect a name?
A fool to Pleasure, yet a slave to Fame:
Now deep in Taylor and the Book of Martyrs,
Now drinking citron with his Grace and Chartres:
Now Conscience chills her, and now Passion burns;
And Atheism and Religion take their turns;
A very Heathen in the carnal part,
Yet still a sad, good Christian at her heart.
See Sin in State, majestically drunk;
Proud as a Peeress, prouder as a Punk;
Chaste to her Husband, frank to all beside,
A teeming Mistress, but a barren Bride.
What then? let Blood and Body bear the fault,
Her Head's untouch'd, that noble Seat of Thought:
Such this day's doctrine--in another fit
She sins with Poets thro' pure Love of Wit.
What has not fir'd her bosom or her brain?
Caesar and Tallboy, Charles and Charlemagne.
As Helluo, late Dictator of the Feast,
The Nose of Hautgout, and the Tip of Taste,
Critick'd your wine, and analyz'd your meat,
Yet on plain Pudding deign'd at home to eat;
So Philomede, lecturing all mankind
On the soft Passion, and the Taste refin'd,
Th' Address, the Delicacy--stoops at once,
And makes her hearty meal upon a Dunce.
Flavia's a Wit, has too much sense to Pray;
To Toast our wants and wishes, is her way;
Nor asks of God, but of her Stars, to give
The mighty blessing, "while we live, to live."
Then all for Death, that Opiate of the soul!
Lucretia's dagger, Rosamonda's bowl.
Say, what can cause such impotence of mind?
A spark too fickle, or a Spouse too kind.
Wise Wretch! with Pleasures too refin'd to please;
With too much Spirit to be e'er at ease;
With too much Quickness ever to be taught;
With too much Thinking to have common Thought:
You purchase Pain with all that Joy can give,
And die of nothing but a Rage to live.
Turn then from Wits; and look on Simo's Mate,
No Ass so meek, no Ass so obstinate.
Or her, that owns her Faults, but never mends,
Because she's honest, and the best of Friends.
Or her, whose life the Church and Scandal share,
For ever in a Passion, or a Pray'r.
Or her, who laughs at Hell, but (like her Grace)
Cries, "Ah! how charming, if there's no such place!"
Or who in sweet vicissitude appears
Of Mirth and Opium, Ratafie and Tears,
The daily Anodyne, and nightly Draught,
To kill those foes to Fair ones, Time and Thought.
Woman and Fool are two hard things to hit;
For true No-meaning puzzles more than Wit.
But what are these to great Atossa's mind?
Scarce once herself, by turns all Womankind!
Who, with herself, or others, from her birth
Finds all her life one warfare upon earth:
Shines, in exposing Knaves, and painting Fools,
Yet is, whate'er she hates and ridicules.
No Thought advances, but her Eddy Brain
Whisks it about, and down it goes again.
Full sixty years the World has been her Trade,
The wisest Fool much Time has ever made.
From loveless youth to unrespected age,
No passion gratify'd except her Rage.
So much the Fury still outran the Wit,
The Pleasure miss'd her, and the Scandal hit.
Who breaks with her, provokes Revenge from Hell,
But he's a bolder man who dares be well.
Her ev'ry turn with Violence pursu'd,
Nor more a storm her Hate than Gratitude:
To that each Passion turns, or soon or late;
Love, if it makes her yield, must make her hate:
Superiors? death! and Equals? what a curse!
But an Inferior not dependant? worse.
Offend her, and she knows not to forgive;
Oblige her, and she'll hate you while you live:
But die, and she'll adore you--Then the Bust
And Temple rise--then fall again to dust.
Last night, her Lord was all that's good and great;
A Knave this morning, and his Will a Cheat.
Strange! by the Means defeated of the Ends,
By Spirit robb'd of Pow'r, by Warmth of Friends,
By Wealth of Followers! without one distress
Sick of herself thro' very selfishness!
Atossa, curs'd with ev'ry granted pray'r,
Childless with all her Children, wants an Heir.
To Heirs unknown descends th' unguarded store,
Or wanders, Heav'n-directed, to the Poor.
Pictures like these, dear Madam, to design,
Asks no firm hand, and no unerring line;
Some wandering touches, some reflected light,
Some flying stroke alone can hit 'em right:
For how should equal Colours do the knack?
Chameleons who can paint in white and black?
"Yet Chloe sure was form'd without a spot--"
Nature in her then err'd not, but forgot.
"With ev'ry pleasing, ev'ry prudent part,
Say, what can Chloe want?"--She wants a Heart.
She speaks, behaves, and acts just as she ought;
But never, never, reach'd one gen'rous Thought.
Virtue she finds too painful an endeavour,
Content to dwell in Decencies for ever.
So very reasonable, so unmov'd,
As never yet to love, or to be lov'd.
She, while her Lover pants upon her breast,
Can mark the figures on an Indian chest;
And when she sees her Friend in deep despair,
Observes how much a Chintz exceeds Mohair.
Forbid it Heav'n, a Favour or a Debt
She e'er should cancel--but she may forget.
Safe is your Secret still in Chloe's ear;
But none of Chloe's shall you ever hear.
Of all her Dears she never slander'd one,
But cares not if a thousand are undone.
Would Chloe know if you're alive or dead?
She bids her Footman put it in her head.
Chloe is prudent--Would you too be wise?
Then never break your heart when Chloe dies.
One certain Portrait may (I grant) be seen,
Which Heav'n has varnish'd out, and made a Queen:
The same for ever! and describ'd by all
With Truth and Goodness, as with Crown and Ball.
Poets heap Virtues, Painters Gems at will,
And show their zeal, and hide their want of skill.
'Tis well--but, Artists! who can paint or write,
To draw the Naked is your true delight.
That robe of Quality so struts and swells,
None see what Parts of Nature it conceals:
Th' exactest traits of Body or of Mind,
We owe to models of an humble kind.
If QUEENSBURY to strip there's no compelling,
'Tis from a Handmaid we must take a Helen.
From Peer or Bishop 'tis no easy thing
To draw the man who loves his God, or King:
Alas! I copy (or my draught would fail)
From honest Mah'met, or plain Parson Hale.
But grant, in Public Men sometimes are shown,
A Woman's seen in Private life alone:
Our bolder Talents in full light displayed;
Your Virtues open fairest in the shade.
Bred to disguise, in Public 'tis you hide;
There, none distinguish twixt your Shame or Pride,
Weakness or Delicacy; all so nice,
That each may seem a Virtue, or a Vice.
In Men, we various Ruling Passions find;
In Women, two almost divide the kind;
Those, only fix'd, they first or last obey,
The Love of Pleasure, and the Love of Sway.
That, Nature gives; and where the lesson taught
Is but to please, can Pleasure seem a fault?
Experience, this; by Man's oppression curst,
They seek the second not to lose the first.
Men, some to Business, some to pleasure take;
But ev'ry Woman is at heart a Rake:
Men, some to Quiet, some to public Strife;
But ev'ry Lady would be Queen for life.
Yet mark the fate of a whole Sex of Queens!
Pow'r all their end, but Beauty all the means:
In Youth they conquer, with so wild a rage,
As leaves them scarce a subject in their Age:
For foreign glory, foreign joy, they roam;
No thought of peace or happiness at home.
But Wisdom's triumph is a well-tim'd Retreat,
As hard a science to the Fair as Great!
Beauties, like Tyrants, old and friendless grown,
Yet hate repose, and dread to be alone,
Worn out in public, weary ev'ry eye,
Nor leave one sigh behind them when they die.
Pleasures the sex, as children Birds, pursue,
Still out of reach, yet never out of view;
Sure, if they catch, to spoil the Toy at most,
To covet flying, and regret when lost:
At last, to follies Youth could scarce defend,
It grows their Age's prudence to pretend;
Asham'd to own they gave delight before,
Reduc'd to feign it, when they give no more:
As Hags hold Sabbaths, less for joy than spite,
So these their merry, miserable Night;
Still round and round the Ghosts of Beauty glide,
And haunt the places where their Honour died.
See how the World its Veterans rewards!
A Youth of Frolics, an old Age of Cards;
Fair to no purpose, artful to no end,
Young without Lovers, old without a Friend;
A Fop their Passion, but their Prize a Sot;
Alive, ridiculous, and dead, forgot!
Ah Friend! to dazzle let the Vain design;
To raise the Thought, and touch the Heart be thine!
That Charm shall grow, while what fatigues the Ring,
Flaunts and goes down, an unregarded thing:
So when the Sun's broad beam has tir'd the sight,
All mild ascends the Moon's more sober light,
Serene in Virgin Modesty she shines,
And unobserv'd the glaring Orb declines.
Oh! blest with Temper, whose unclouded ray
Can make tomorrow cheerful as today;
She, who can love a Sister's charms, or hear
Sighs for a Daughter with unwounded ear;
She, who ne'er answers till a Husband cools,
Or, if she rules him, never shows she rules;
Charms by accepting, by submitting sways,
Yet has her humour most, when she obeys;
Let Fops or Fortune fly which way they will;
Disdains all loss of Tickets, or Codille;
Spleen, Vapours, or Smallpox, above them all,
And Mistress of herself, though China fall.
And yet, believe me, good as well as ill,
Woman's at best a Contradiction still.
Heav'n, when it strives to polish all it can
Its last best work, but forms a softer Man;
Picks from each sex, to make the Favorite blest,
Your love of Pleasure, our desire of Rest:
Blends, in exception to all general rules,
Your Taste of Follies, with our Scorn of Fools:
Reserve with Frankness, Art with Truth ally'd,
Courage with Softness, Modesty with Pride;
Fix'd Principles, with Fancy ever new;
Shakes all together, and produces--You.
Be this a Woman's Fame: with this unblest,
Toasts live a scorn, and Queens may die a jest.
This Phoebus promis'd (I forget the year)
When those blue eyes first open'd on the sphere;
Ascendant Phoebus watch'd that hour with care,
Averted half your Parents' simple Pray'r;
And gave you Beauty, but deny'd the Pelf
That buys your sex a Tyrant o'er itself.
The generous God, who Wit and Gold refines,
And ripens Spirits as he ripens Mines,
Kept Dross for Duchesses, the world shall know it,
To you gave Sense, Good Humour, and a Poet.
I Saw It Myself (Short Verse Drama)
Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.
Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.
Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!
Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…
Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!
Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.
Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.
Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.
[Adrian, Rebecca and Johanna is stunned
by her words.
Rebecca. You have seen him crucified?
You haven’t said a thing about this,
but after returning this afternoon
you were strangely pale, somewhat distant.
Johanna. Sister Ester, are you alright?
Your face looks full of pain.
It must have been terrible,
even if he was guilty of what they say.
Adrian. (Stops his sisters) Hush sisters!
Ester, what were you doing there?
I am not angry, am only worried about you.
Tell us what happened. It seems that you
were an eyewitness? There is some truth
to a first hand account, much more than what is told
by the gossip of men, by some scared women.
Ester. I went to pick mushrooms
and some wild spinach up on the hill.
Mary had spotted some
and had picked baskets full.
The flowers are beautiful this time of year
and I picked some and found lilies
right on the edge of the cliff.
The front door opens. Enter Elisabeth.
Elizabeth. My children it’s becoming holy hours
and you are not eating, are not finishing your meals.
From the bottom of the street I have heard you talk,
talk about an unrighteous man who harvested wheat
on the very Sabbath, who claimed to be God,
or His very Son? Who died for his own sins?
It is almost time to light the menorah.
[Adrian rises to his feet and smiles as he speaks.
Adrian. Welcome dear mother. Join us at the table.
The bread is fresh and still hot. Rebecca baked it
this very afternoon. We could not help to talk
about this Jesus, the Nazarene, he was a strange man.
[Adrian hugs Elizabeth and takes his place
at the head of the table
Ester. Dearest mother, what if He was truly the Messiah?
What if He was the very son of God and innocently put to death?
[Elizabeth is perplexed and speechless.
Adrian. Wife do you truly believe this?
That this Jesus, was more than just a mere man?
Rebecca. Some say that he was a prophet,
but nevertheless he had wonderful powers.
I saw him cure a man that was blind from youth,
right there at the magical pool, on the Sabbath.
Elisabeth. Rebecca, on the very Sabbath!
Demons work on the Sabbath, not godly men!
Daughters, what are happening to you?
Ester, you believe he was the very son of God!
This is ridiculous. There would have been signs
and the priests, the Pharisees would have proclaimed it.
Rebecca. Demons do not do selfless good deeds.
He was teaching us about Godly love,
that God is the Lord of the Sabbath,
that the Sabbath should be a joy for mankind.
Adrian. Sister, this is some strange kind of philosophy.
If he is truly God why did he not use his powers,
to stop the crucifixion, to smite those very Romans?
Ester. Husband I am sure
that he is the very Son of God!
He asked His father to forgive them
while they were mocking Him, nailing Him
to a rough cross. His kingdom
is not of this world.
Elizabeth. You have seen him being crucified?
Why do you think that he was the very Son of God?
Ester. Mother, there was only love on His face,
a kind of amazing grace that is hard to explain.
They say that even Pontius Pilate could find no fault in him
and had washed his own hands while the priests
and people, maybe even demons urged for his killing.
His mother and some women followers cried,
while he died and there was such sorrow to it
as He was totally innocent, had the face
of a very good and righteous man.
Adrian. Wife, looks can be deceiving!
Even great and good words
can come from the mouth of a rebel.
There must be more than you are telling,
to make you believe that He is
the very Son of the almighty God?
Ester. Husband, there were people
screaming to the soldiers to kill him,
spitting in his face. Maybe demons,
as I have never seen people acting so crudely,
begging for his blood to flow
and He asked His Father to forgive them.
That is truly love, a selfless act!
Elizabeth. Man is a strange kind of animal.
We play our roles as if we are on a stage
and God and His holy angels are witnesses.
Maybe, it was only a kind of act for sympathy?
Joanna. If he was the Son of God,
then His love would be unconditional.
He would have the power to destroy
and might hold it in check by His very love.
Adrian. Let us eat, the food is almost cold.
It is already becoming Sabbath
and this discussion is about murder,
if he was innocent and mayhem.
Those things are surely not holy,
not fit to be discussed at this time.
A divine being would have preformed a miracle?
[Ester looks seriously at Adrian.
Ester. Husband, your word is law
and as you say it is now a holy time.
You are asking about a miracle,
want signs and wonders, some kind of proof?
[Ester looks around the table, at the other people
with some sincerity.
Ester. Let me tell you just this and then I will be silent.
I believe He is the Messiah.
Think seriously about what I am saying.
When he died in the middle of the afternoon
it turned to night, while a terrible earthquake
rocked the city, with graves opening.
Surely you must have felt it?
Some of the dead had risen, was again living,
gigantic thunderbolts flashed down
from the darkest sky that I have ever seen.
As if the very earth was protesting
at its creator being killed,
even the Roman soldiers who had pinned Him
to that cruel cross, there and then
had forsaken their own gods, called Him the Son of God,
called Him God and everybody knew that there was truth to it. [Exeunt.
Scene II.-The main bedroom in Adrian’s house in Jerusalem.
Ester sits on the bed crying. Enter Adrian worried.
Ester. (whispering while crying) . Mortal men have killed the Son of God today.
I am scared. I am afraid for all of us.
What will become of this world? They killed God today.
You should have seen those men, they were demonic and evil.
No normal man beg for the blood of a really great man
and laughs with that kind of madness and glee when he dies.
[Adrian walks up to Ester. Pulls her up from the bed
into his arms and tries to comfort her.
Adrian. (In a calm pleasant voice) Hush. Hush my darling.
It must have been terrible. To see an innocent man die.
Men do strange things. What is becoming of this world?
They must have been only men. Wicked unruly somewhat
Ester. (Calm and collected) If you had been there, you would have felt
the presence of great evil. It was simply terrible and horrific,
but the scriptures speak of the Lamb of God
who has to die for the sins of the world.
Even great father Adam had told us of the promise,
of a man coming to smite the snake, the devil,
and that the serpent will strike Him in His heel.
(Ester starts sobbing again.)
Adrian. My poor darling, it is strange things
that you have witnessed. These are strange times.
You are right; no good can come from such a deed.
If men act above the law, against what is right and good,
to set a killer free at the whim of a unruly crowd
and kill a man, who lived selflessly,
what will become of us of this world?
Ester. Perhaps He will set us free from sin,
will keep the Godly promise. There was
a strange kind of kindness, gentleness to him,
while love had radiated from every look,
had mingled with the pain,
but it was not the pain that had killed him.
Adrian. All men die at a time, it is our worldly lot.
We experience joy and happiness, sometimes worries
and eventually old age and pain and are not up
to help ourselves anymore…
Ester. (Shakes her head.) Enoch did not die,
God took him up to Him and the prophet Elijah
was fetched with a flaming cart.
Adrian. (Shakes his head perplexed.) But the very Son of God
dies on a cruel, dirty cross? When he could have called
angelic soldiers for help, when he could have only spoken
and mighty miracles could happen at the sound of His voice?
Ester. The life of Jesus was without sin.
He acted out Gods will, saved wretched lonely people,
cured many of them, it is even said
that he had raised Lazarus from death.
Some priests insulted Him on the cross and said
that He was going to destroy the temple
and build it up in three days, while it took the builders
years to build it, but then shouted at Him to save himself.
Adrian. But he could not save himself,
what kind of God is that? He could only act for other people?
How could he save others, but not save himself?
Ester. One of the robbers insulted Him and shouted
that if He is the Christ, He should save Himself and them.
Then a strange thing happened. The other robber asked
to the sneering one if he does not fear God?
He said that their punishment was according to the law,
was just for their deeds, but that Jesus
had done nothing wrong and then he said to Jesus
to remember him when Jesus comes
into His kingdom. Jesus answered: I say to you today,
that you will be with me in paradise.
Adrian. (Frowning.) He still claimed to be the Son of God
while being crucified?
Ester. The soldiers mocked Him and said
if you are the king of the Jews save yourself.
They even nailed a written sign above His head
that said: “this is the King of the Jews.”
Adrian. But if he was the Messiah, the king
of the Jews he would have smitten his enemies,
he would have smitten the Roman soldiers.
He would not just have died like a normal man?
Ester. Beloved husband, I have told you
that He did not die from pain,
it was not the whip lashes,
not the pain from the nails hanging him
against the sky, not the scorching sun,
not even the blood
that he was loosing that did it.
Adrian. (Looks perplexed.) Maybe it’s just something
that women understand,
I cannot make out head and tail of what you are saying.
What killed him then?
If not that cross on which he hanged?
What killed him if not the nails,
his open wounds and that very pain?
If he was truly God, why did he die then?
Ester. It was the separation from His Father,
His separation from God. He stepped into Adam’s place,
came to die for him, for us and took on our sins upon Himself.
The sins of this world were too much for Him.
The sins killed Him. He called out:
“My God, my God, why have you forsaken me? ”
Still the chief priests mocked him
shouting “come down from the cross,
if you are the son of God.”
Some said that He was calling Elijah
and Jesus cried out in a loud voice again and died.
Adrian. Then those strange miracles took place
that you had told us about, about which everybody
Ester. Then the darkness came and the earthquake,
and the things that I have told you about,
but I saw your friend Simon Peter near to the cross,
he was a follower of Jesus.
Adrian. (Is astonished.) Brave Simon Peter who pulled a sword
when we were attacked by robbers?
Are you sure that it was him?
I know that he had left everything to follow a holy man,
but could he be a disciple of this Jesus?
Ester. There was awful pain on his face
when they whipped Jesus, when they nailed Him
to the cross. Simon Peter was crying
and they must have been very close friends.
Simon Peter tried to comfort Mary Magdalene
and probably they all are now in severe danger?
Adrian. They may want to persecute
the followers of Jesus, maybe they will even
treat them in the same way. If Simon Peter was at the cross
he will be here, somewhere in Jerusalem.
Ester. We have some sheep, fried mushrooms,
some spinach and bread and its enough food for a feast,
that is already prepared. Why don’t you invite
Simon Peter and some of his friends to join us
tomorrow for lunch? They are probably scared
and hiding behind locked doors, nobody will
search here for them.
[Adrian pulls her in his arms again.
Adrian. Tomorrow very early we will go to the temple
to make our offerings before the thousands
of other people go there for the Passover.
It’s a very holy Sabbath day,
but I will go and see if I can find Peter and his friends,
they will be able to tell us much more
about this Jesus and his teachings. [Exeunt.
Scene I.- In the temple in Jerusalem, early on the Sabbath (Saturday) morning.
Enter Adrian, Ester, Rebecca, Johanna and Elizabeth.
[Adrian, Ester, Rebecca, Johanna and Elizabeth
puts offering into the temple treasury
Adrian. (Prays.) Oh great God of our fathers,
we are here to ask for forgiveness
for all our iniquities, that we have done
to You, to each other and our neighbours,
for we are but humans and Your laws
are just and You are our only light in this world. Amen.
[Elizabeth draws in her breath sharply,
looks up at the torn temple curtain
and notices the ark of the covenant.
Elizabeth. The curtain is torn right through,
from top to bottom and I can see into the most holy place.
I am looking as a sinful human being
at the very presence of God and I am living,
there is the ark, the ark of the covenant!
Adrian. The curtain has been ripped from top to bottom
and it three times as thick as my hand. How is this possible?
No earthquake could have done this, everything else
are still standing, are still in their places. No man has the power
to do such a thing.
Rebecca. The precious dwelling place of God
is beautiful, so peaceful. Look at the gleaming angels
on top of the ark.
Johanna. We can even walk right through. No person
with any sin can face the presence of God,
even the high priest has bells on his cloak
to tell that he is still alive on the day of atonement.
Adrian. Where are all the priests? The temple looks deserted
and this is the Sabbath day of the feast of Passover.
Elizabeth. Maybe we are too early.
Rebecca. No mother the smoke offering altar is burning,
the candles are burning. This is all very strange.
Smell the sweet odour of it.
Ester. Jesus was the final sacrifice, on the cross.
Only God could have ripped that thick curtain apart,
no man is up to it and all of us can look to where
the presence of God had been. It is clear that God is not here.
No sinful person can stay alive in facing him.
Moses wasn’t able to directly face him
and when he came down from the mountain
his face was gleaming, was shining
from the very presence of God.
Enter Chiapas and two priests.
Chiapas. (Angry.) What kind of blasphemy is this,
in the holy house of God? No man
can take the place of God, not that heretic
that was crucified and now is dead!
Ester. Great high priest, why is the curtain ripped?
We can see into the most holy place,
can look at the very ark of God,
can look at where His presence should be
and we see nothing but the ark?
Elizabeth. (calm and collected) It’s so strange. We are sinful people
and are still living? Where is God?
Chiapas. (Angrier.) Where is God indeed? He is everywhere,
He is omnipresent! Do you not believe that He exists,
are saying this in this very holy temple?
Adrian. Exalted priest, we are simple people. We mean no harm,
but if God is not divinely present in His temple,
like he was on mountain with Moses,
why has He left His temple?
Chiapas. You are spreading blasphemy upon blasphemy.
Surely God has other duties to attend to, but for this Godly house!
Elizabeth. Other duties indeed, but He is omnipresent!
I ask humbly, what has driven Him out of here
on the holy Sabbath, of the very day of Passover?
Chiapas. I am not up to hear some more blasphemy
on a most holy Sabbath day!
[Exit Chiapas and the two priests in a hurry.
Adrian. How strange the things that we said to them,
but stranger still that they did not do us any harm,
for saying these things in this holy place?
Ester. Stranger still that not one word was said,
by the two other priests, that we are living
and God is not here in His divine presence
on this very holy day.
Adrian. (Perplexed.) What if Jesus was the very Son of God
and now is resting in the grave?
[All the women including Ester looks stunned at Adrian.
Elizabeth. Dear son, if there is truth in what you say,
then God the Father might be mourning
the death of His Son. [Exeunt.
Scene II.- In the forecourt of temple in Jerusalem early on the Sabbath morning.
Enter Adrian, Ester, Rebecca, Johanna and Elizabeth, a crowd of worshipers,
Chiapas and a group of priests.
Chiapas. [To a priest secretively whispering
Chiapas. Go and pull the curtain together. Go, hurry
or we are going to have a riot on this very Sabbath.
Priest. (Afraid.) What if I am killed by touching it?
Worshiper. What is he whispering? What is wrong?
Why are we being stopped from entering God’s holy temple?
Adrian. (In a loud voice) The curtain between the holy
and most holy places has been ripped open
from the top to the bottom!
Chiapas. [To the Priest.
Chiapas. Hurry, nothing will happen to you. Anybody can now look
into the most holy place, I suspect even touch the ark.
Ester. My husband speaks the truth, I have witnessed it.
[Chiapas who did not hear the conversations looks up startled
Chiapas. What did you say there?
Rebecca. I have seen the golden arc of the covenant
with the two lovely gleaming angels.
Johanna. We could have entered the most holy place,
we looked straight into it and are still living.
Elizabeth. They have got blood on their hands,
they killed an innocent, good man yesterday!
Ester. They killed the very Son of God
and God is not in the most holy place in the temple.
[The crowd of worshipers gets somewhat unruly.
Another worshiper. Jesus healed my only child.
He was a very good man!
Another worshiper. He caused me to see,
when I was blind from birth,
he was the very Son of God.
Another worshiper. He changed the water into wine
at my wedding when we ran out of wine.
[Adrian to the women of his family.
Adrian. Hasten home, the people are getting angry
with the priests and things are going to become unruly.
I have spotted Simon Peter, there he is slipping away.
I am going to follow him.
[Exit Adrian, Ester, Rebecca, Johanna and Elizabeth
Another worshiper. You have ordered an innocent man killed,
a prophet who did only do good
and his blood is on your hands,
you have brought his blood on everyone’s hands
and now God has left his temple.
[The crowd of worshipers rush forward to
Chiapas and a group of priests.
Another worshiper. He taught us to love
and you have killed him in hatred!
[Chiapas to a priest
Chiapas. Quickly, go and call the soldiers of the Roman legion!
Another worshiper. Is the curtain really torn right through?
[The crowd of worshipers gets silent to hear the reply
Chiapas. What did you say there?
Another worshiper. He asked if the curtain between the holy
and the most holy place has been torn from top to the bottom?
Chiapas. (Looks worried at the crowd) There is some truth to it,
but God is still there, God is omnipresent!
Another worshiper. Can mortal sinful men look
into the most holy place?
[Chiapas turns to the priests secretively whispering
Chiapas. We will have to hurry into the temple
and close the doors for our own safety,
until the soldiers of the Roman legion arrives.
A priest. But this is a most holy Sabbath
and all of these people just want to pray,
want to be in the presence of God
and you are calling upon heathens
to interfere on the Sabbath?
[Chiapas to the priests.
Chiapas. These people are dangerous,
they are holding us responsible
for the death of that heretic Jesus.
Anything can happen. Let us leave right now. [Exeunt.
Scene III.- Adrian’s house in Jerusalem. At midday. Adrian sits at the table with Ester, Rebecca, Johanna, Elizabeth and their guests Simon Peter and Mary Magdalene, where they are eating lunch and are in conversation.
Mary Magdalene. Jesus was such a wise man, so full of love,
so full of live and integrity, a man with real sincerity
and selfless, He changed all of our lives.
Elizabeth. Did you have a relationship with him,
as between a husband and wife?
[Adrian, Ester, Rebecca and Johanna looks shocked at their mother Elizabeth,
Simon Peter looks encouraging at Mary Magdalene.
Mary Magdalene. (Blushes. Calm and collected) I had slept with men,
before I met Him. He was like no other man,
His love was selfless and for any man and woman.
I am astounded by His strange love,
by the way He wrote in the sand,
forcing the men who wanted to kill me to leave
and forgiving my iniquity and said sin no more.
[Adrian, Ester, Rebecca Johanna and Elizabeth
are stunned by Mary’s words.
Simon Peter. He changed all of our lives.
No one could have truly known him
without becoming a better person,
without learning to love selflessly.
Mary Magdalene. To answer you Elizabeth,
at times I wonder where my love
for Him started, if I was made with it.
His eyes did know the dark depths of my heart
and had touched me like no other,
had healed me and make me completely free
from all sin. Even my lovely face,
my body, my pomegranate red lips
and round full breasts
made no impression on Him.
His holiness and unconditional love
touched me so deeply that I washed His feet
with ointment of nard
and in humility used my hair to dry them.
[Ester pours some more wine
while they enjoy the meal.
Rebecca. He sounds like a wonderful man,
but his death is so unexpected,
it is unexpected for a holy man that only did well.
Mary Magdalene. (Cries silently.) With every stroke that the hammer made
against that cross of wood
and every nail that had pierced
right through His body,
I knew pain like I never did before
and in my soul the dark depths died with Him.
[Simon Peter rises from the table to comfort Mary,
drawing her into his arms like a bother.
Simon Peter. Hush dear Mary. It’s painful,
extremely painful for all of us.
Ester. I saw them crucifying him,
and although I knew that he was innocent,
as it was quite obvious,
there was nothing that I could do,
nothing that anyone could do,
without risking his or her own life
and strangely there was only love on His face,
a kind of amazing grace that is hard to explain.
Simon Peter. I was ready to defend Him
with a drawn sword
but wasn’t brave enough
to admit being his disciple.
[Adrian stares at Simon Peter unconvinced of his words
Adrian. I am sure that you did everything
that you could?
Simon Peter. Let me tell you how it was.
It was dark in the garden
when Judas and a crowd of soldiers
and officials with clubs and swords
came to us and I heard Judas saying:
“Greetings Master, ” kissing Him
and the Lord asked:
“Friend, why have you come? ”
But to me it was clear that Judas
was betraying Him
and when Malchus with some soldiers
stepped up to Jesus and seized Him
I draw my sharp sword
and chopped off his ear
trying to drive them back,
trying to defend the Lord.
Adrian. You were always brave,
quick with a sword.
Simon Peter. The Lord Jesus said to me:
“Peter, put away your sword
or you will die by it. Don’t you know
that my Father will send
twelve legions of angels
if I ask Him? And shall I
not do as my Father commands me? ”
Elizabeth. I still cannot understand why
he did not use his power,
why he did not take the Roman legion by force,
why he did not establish his kingdom here?
Simon Peter. (Smiles understanding.) Those things did bother me at a time,
even Judas thought that he was doing a good thing,
when he betrayed the Lord.
He thought that he will force the Lord to act,
to act to establish His kingdom
but the kingdom of God,
of the Lord Jesus is not of this world.
Elizabeth. How can you be so sure,
that this Jesus is the Messiah,
that he truly is the very Son of God,
not just another prophet or holy man?
If he is the Messiah, the Christ then the scriptures
and the priests and Pharisees would have proclaimed it?
Simon Peter. Dear Elizabeth, the scriptures does proclaim him,
does even proclaim his coming,
Isaiah says that He was lead like a lamb to slaughter,
that for our transgressions He was stricken
while he did not open his mouth,
that he was assigned to death with the wicked,
to be with the rich in his death.
[Mary Magdalene suddenly comprehends starts crying.
Mary Magdalene. He was buried in the grave of a rich man,
Joseph form Arimathea.
[Ester comforts Mary Magdalene.
Elizabeth. To me this is still somewhat vague.
Peter, did you say that the scriptures proclaimed
the time of his coming?
Simon Peter. The prophet Daniel talks about
seventy ‘sevens’ (four hundred and ninety years)
to put a end to sin, to atone for wickedness,
to bring everlasting righteousness,
of the Anointed One the ruler
after the decree to rebuild Jerusalem.
Elizabeth. You are talking here about
four hundred and ninety years,
from the time that Artasasta decree
went out to rebuild Jerusalem,
but there must be more to this Jesus, than just this?
Simon Peter. You must have known Him personally,
must learn his teachings to love your fellow man,
must have know more than his miracles
to understand how he portrayed a God of love.
Let me tell you about my last contact with Him,
about the night in the garden in Gethsemane
and how I failed him.
Elizabeth. Simon Peter, I have know you
from the time that you were small
and you have never failed anybody,
you have always been a pillar of righteousness.
Simon Peter. The Lord took the ear from the ground
attaching it to Malchus’s head and then asked the crowd:
“Am I a rebel leader for you to come to me armed
with clubs and swords? While I taught at the temple
almost every day you didn’t arrest me.”
They bound Him and only John and I
followed Him to the residence of Annas
and John went in since he was know
to the old high priest
and I waited outside that door,
but it was cold and then John brought me in.
Johanna. The past few nights had been rather cold,
but what happened then? They must have seen
that they had arrested an innocent man?
Simon Peter. The girl on duty at the door asked
me if I am not one of the disciples of the criminal
and then I denied it, being afraid
that they would arrest me too.
It was very cold and I shivered
and I stood closer to the fire
with some servants and officials
to warm myself and saw an official
striking Jesus in the face.
At the fire one of the officials asked
if I am not one of the disciples of Jesus
and again I denied it,
as these were very dangerous men.
Adrian. I would have fled,
never mind just denying to knowing him.
Simon Peter. (Crying softly.) But it was terribly wrong of me,
I loved him. If he isn’t God,
then no other is worthy to be God.
A relative of Malchus then challenged me:
“Didn’t I see you in the garden? Aren’t you
a Galilean? ” Again I denied it
and then a cock crowed
while the Lord turned and looked at me
and I remembered Him saying:
“Before the cock crows today
you will renounce me three times, ”
and I saw nothing but love
and understanding in His eyes.
My heart was filled with sudden anguish
and I went outside, into that cold night
wept bitterly, hearing those men
mocking and beating Him. [Exeunt
Scene I- The garden of Gethsemane. Early on the Sunday morning with Mary Magdalene, Ester, Rebecca, Johanna and Elizabeth near to the tomb of Jesus Christ in conversation.
Johanna. It’s such a lovely sunny day
and we have brought the spices for the anointing.
Why is the earth shaking so violently?
Let us wait a moment. Look how that tree is swaying.
Look! The tomb is open.
Ester. Who has rolled the large stone away
from the entrance of the tomb?
Rebecca: The tomb is empty! It’s strange
the bandages, the clothes are neatly folded.
Mary Magdalene. (Crying.) “They have taken the Lord out of the tomb,
and we don’t know where they had put him.”
We have got to go and tell Peter.
[The other women start crying, Exit Mary
Enter John, Simon Peter and Mary Magdalene running
John. Peter, the strips of linen, the burial cloth
are all neatly folded.
Simon Peter. Look, the tomb is empty.
I wonder who has taken His body?
Can it be the Pharisees? Can it be some of the priests?
They dare not touch anything dead,
as they will be unclean.
To where would they have taken Him?
Mary Magdalene. (Crying.) “They have taken the Lord out of the tomb,
and we don’t know where they had put him.”
Simon Peter. (Trying to console Mary.) Mary, it’s very strange.
Who could have rolled the rock away?
Mary Magdalene. (Sobbing.) I do not know, just that my Lord is gone.
Simon Peter. There is not much more that we can do here.
Let us go home.
[Exit Simon Peter and John.
Enter two angels appearing like lightning
[In fright the women bow down
with their faces to the ground.
Angels. (To Mary Magdalene.) “Woman, why are you crying?
Who is it you are looking for? ”
Mary Magdalene. (Crying.) “They have taken my Lord away,
and I don’t know where they had put him.”
[Mary turns around see Jesus, but do not realise that it is Him.
Angels. (to the women) “Don’t be alarmed.
You are looking for Jesus the Nazarene,
who was crucified?
Why do you look for the living
among the dead?
He is not here; he has risen!
Remember how he told you,
while he was still with you in Galilee:
“The son of man must be delivered
into the hands of sinful men,
be crucified and on the third day
be raised again.” See the place
where they laid him.
But go, tell his disciples and Peter.”
[Mary Magdalene walks up to Jesus
thinking that He is the gardener.
Jesus Christ. “Woman, why are you crying?
Who is it you are looking for? ”
Mary Magdalene. “Sir, if you have carried him away,
tell me where you have put him, and I will get him.”
Jesus Christ. Mary.
Mary Magdalene. “Rabboni! ” Teacher!
[Overwhelmed, totally astonished Mary Magdalene reaches for Jesus.
Jesus Christ. “Do not hold on to me,
for I have not yet returned to the Father;
go instead to my brothers and tell them:
“I am returning to my Father
and your Father,
to my God and your God.”
Mary Magdalene. My Lord I see love radiating out of your face
I wanted to come to you
with arms wide open,
come to you with my pain and fear,
wanted to wrap my arms adoring around you,
wanted to make you my only my own.
You know how much I love you,
but you are God; the Son of the Father,
your selfless love goes to everyone…
Elizabeth. He truly is the Son of God. He really is God. [Exeunt
[Poet’s note: The bible does not contradict itself. For consistency I have written “Jesus answered I say to you today, that you will be with me in paradise.” Many translations get it wrong stating: ”I tell you the truth, today you will be with me in paradise.” These words were said on the Friday of the crucifixion. Luke 23: 43. After being risen on the following Sunday Jesus Christ says to Mary Magdalene in John 20: 17 “Do not hold on to me, for I have not yet returned to the Father.”]
Sir Peter Harpdon's End
In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.
Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.
What are their names?
Why, Jacques Aquadent,
And Peter Plombiere, but-
What colour'd hair
Has Peter now? has Jacques got bow legs?
Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?
O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.
Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.
Muttering as he goes.
What have I done that he should jape at me?
And why not build? the walls are weak enough,
And we've two masons and a heap of tools.
Goes, still muttering.
To think a man should have a lump like that
For his lieutenant! I must call him back,
Or else, as surely as St. George is dead,
He'll hang our friends the masonsâ€”here, John! John!
At your good service, sir.
Come now, and talk
This weighty matter out; there, we've no stone
To mend our walls with,â€”neither brick nor stone.
There is a quarry, sir, some ten miles off.
We are not strong enough to send ten men
Ten miles to fetch us stone enough to build.
In three hours' time they would be taken or slain,
The cursed Frenchmen ride abroad so thick.
But we can send some villaynes to get stone.
Alas! John, that we cannot bring them back;
They would go off to Clisson or Sanxere,
And tell them we were weak in walls and men,
Then down go we; for, look you, times are changed,
And now no longer does the country shake
At sound of English names; our captains fade
From off our muster-rolls. At Lusac Bridge
I daresay you may even yet see the hole
That Chandos beat in dying; far in Spain
Pembroke is prisoner; Phelton prisoner here;
Manny lies buried in the Charterhouse;
Oliver Clisson turn'd these years agone;
The Captal died in prison; and, over all,
Edward the prince lies underneath the ground;
Edward the king is dead; at Westminster
The carvers smooth the curls of his long beard.
Everything goes to rack - eh! and we too.
Now, Curzon, listen; if they come, these French,
Whom have I got to lean on here, but you?
A man can die but once; will you die then,
Your brave sword in your hand, thoughts in your heart
Of all the deeds we have done here in France-
And yet may do? So God will have your soul,
Whoever has your body.
Why, sir, I
Will fight till the last moment, until then
Will do whate'er you tell me. Now I see
We must e'en leave the walls; well, well, perhaps
They're stronger than I think for; pity though,
For some few tons of stone, if Guesclin comes!
Farewell, John, pray you watch the Gascons well,
I doubt them.
Truly, sir, I will watch well.
Farewell, good lump! and yet, when all is said,
'Tis a good lump. Why then, if Guesclin comes;
Some dozen stones from his petrariae,
And, under shelter of his crossbows, just
An hour's steady work with pickaxes,
Then a great noiseâ€”some dozen swords and glaives
A-playing on my basnet all at once,
And little more cross purposes on earth
Now this is hard: a month ago,
And a few minutes' talk had set things right
'Twixt me and Alice - if she had a doubt,
As (may Heaven bless her!) I scarce think she had,
'Twas but their hammer, hammer in her ears,
Of 'how Sir Peter fail'd at Lusac Bridge:'
And 'how he was grown moody of late days;'
And 'how Sir Lambert,â€ (think now!) 'his dear friend,
His sweet dear cousin, could not but confess
That Peter's talk tended towards the French,
Which he' (for instance Lambert) 'was glad of,
Being' (Lambert, you see) â€œon the French side.'
If I could but have seen her on that day,
Then, when they sent me off!
I like to think,
Although it hurts me, makes my head twist, what,
If I had seen her, what I should have said,
What she, my darling, would have said and done.
As thus perchance:
To find her sitting there,
In the window-seat, not looking well at all,
Crying perhaps, and I say quietly:
'Alice!' she looks up, chokes a sob, looks grave,
Changes from pale to red; but ere she speaks,
Straightway I kneel down there on both my knees,
And say: â€œO lady, have I sinn'd, your knight?
That still you ever let me walk alone
In the rose garden, that you sing no songs
When I am by, that ever in the dance
You quietly walk away when I come near?
Now that I have you, will you go, think you?â€
Ere she could answer I would speak again,
Still kneeling there:
'What! they have frighted you,
By hanging burs, and clumsily carven puppets,
Round my good name; but afterwards, my love,
I will say what this means; this moment, see!
Do I kneel here, and can you doubt me? Yea,'
(For she would put her hands upon my face),
'Yea, that is best, yea feel, love, am I changed?'
And she would say: â€œGood knight, come, kiss my lips!'
And afterwards as I sat there would say:
'Please a poor silly girl by telling me
What all those things they talk of really were,
For it is true you did not help Chandos,
And true, poor love! you could not come to me
When I was in such peril.'
I should say:
'I am like Balen, all things turn to blame.
I did not come to you? At Bergerath
The Constable had held us close shut up;
If from the barriers I had made three steps,
I should have been but slain; at Lusac, too,
We struggled in a marish half the day,
And came too late at last: you know, my love
How heavy men and horses are all arm'd.
All that Sir Lambert said was pure, unmix'd,
Quite groundless lies; as you can think, sweet love'.
She, holding tight my hand as we sat there,
Started a little at Sir Lambert's name,
But otherwise she listen'd scarce at all
To what I said. Then with moist, weeping eyes,
And quivering lips, that scarcely let her speak,
She said: 'I love you.'
Other words were few,
The remnant of that hour; her hand smooth'd down
My foolish head; she kiss'd me all about
My face, and through the tangles of my beard
Her little fingers crept
O God, my Alice,
Not this good way: my lord but sent and said
That Lambert's sayings were taken at their worth,
Therefore that day I was to start, and keep
This hold against the French; and I am here,-
Looks out of the window.
A sprawling lonely gard with rotten walls,
And no one to bring aid if Guesclin comes,
Or any other.
There's a pennon now!
But not the Constable's: whose arms,
I wonder, does it bear? Three golden rings
On a red ground; my cousin's by the rood!
Well, I should like to kill him, certainly,
But to be kill'd by him-
A trumpet sounds.
That's for a herald;
I doubt this does not mean assaulting yet.
Enter John Curzon.
What says the herald of our cousin, sir?
So please you, sir, concerning your estate,
He has good will to talk with you.
I'll talk with him, close by the gate St. Ives.
Is he unarm'd?
Yea, sir, in a long gown.
Then bid them bring me hither my furr'd gown
With the long sleeves, and under it I'll wear,
By Lambert's leave, a secret coat of mail;
And will you lend me, John, your little axe?
I mean the one with Paul wrought on the blade,
And I will carry it inside my sleeve,
Good to be ready alwaysâ€”you, John, go
And bid them set up many suits of arms,
Bows, archgays, lances, in the base-court, and
Yourself, from the south postern setting out,
With twenty men, be ready to break through
Their unguarded rear when I cry out â€œSt. George!â€
How, sir! will you attack him unawares,
And slay him unarm'd?
Trust me, John, I know
The reason why he comes here with sleeved gown,
Fit to hide axes up. So, let us go.
They go. Outside the castle by the great gate; Sir Lambert and Sir Peter seated; guards attending each, the rest of Sir Lambert's men drawn up about a furlong off.
And if I choose to take the losing side
Still, does it hurt you?
O! no hurt to me;
I see you sneering, â€œWhy take trouble then,
Seeing you love me not?â€ Look you, our house
(Which, taken altogether, I love much)
Had better be upon the right side now,
If, once for all, it wishes to bear rule
As such a house should: cousin, you're too wise
To feed your hope up fat, that this fair France
Will ever draw two ways again; this side
The French, wrong-headed, all a-jar
With envious longings; and the other side
The order'd English, orderly led on
By those two Edwards through all wrong and right,
And muddling right and wrong to a thick broth
With that long stick, their strength. This is all changed,
The true French win, on either side you have
Cool-headed men, good at a tilting match,
And good at setting battles in array,
And good at squeezing taxes at due time;
Therefore by nature we French being here
Upon our own big land-
Sir Peter laughs aloud.
Well, Peter! well!
What makes you laugh?
Hearing you sweat to prove
All this I know so well; but you have read
The siege of Troy?
O! yea, I know it well.
There! they were wrong, as wrong as men could be;
For, as I think, they found it such delight
To see fair Helen going through their town:
Yea, any little common thing she did
(As stooping to pick a flower) seem'd so strange,
So new in its great beauty, that they said:
'Here we will keep her living in this town,
Till all burns up together.' And so, fought,
In a mad whirl of knowing they were wrong;
Yea, they fought well, and ever, like a man
That hangs legs off the ground by both his hands,
Over some great height, did they struggle sore,
Quite sure to slip at last; wherefore, take note
How almost all men, reading that sad siege,
Hold for the Trojans; as I did at least,
Thought Hector the best knight a long way.
Why should I not do this thing that I think,
For even when I come to count the gains,
I have them my side: men will talk, you know,
(We talk of Hector, dead so long agone,)
When I am dead, of how this Peter clung
To what he thought the right; of how he died,
Perchance, at last, doing some desperate deed
Few men would care do now, and this is gain
To me, as ease and money is to you.
Moreover, too, I like the straining game
Of striving well to hold up things that fall;
So one becomes great. See you! in good times
All men live well together, and you, too,
Live dull and happyâ€”happy? not so quick,
Suppose sharp thoughts begin to burn you up.
Why then, but just to fight as I do now,
A halter round my neck, would be great bliss.
O! I am well off.
Talk, and talk, and talk,
I know this man has come to murder me,
And yet I talk still.
If your side were right,
You might be, though you lost; but if I said:
'You are a traitor, being, as you are,
Born Frenchman.' What are Edwards unto you,
Nay, hold there, my Lambert, hold!
For fear your zeal should bring you to some harm,
Don't call me traitor.
Furthermore, my knight,
Men call you slippery on your losing side;
When at Bordeaux I was ambassador,
I heard them say so, and could scarce say â€œNay.â€
He takes hold of something in his sleeve, and rises.
They liedâ€”and you lie, not for the first time.
What have you got there, fumbling up your sleeve,
A stolen purse?
Nay, liar in your teeth!
Dead liar too; St. Denis and St. Lambert!
Strikes at Sir Peter with a dagger.
striking him flatlings with his axe.
How thief! thief! thief! so there, fair thief, so there,
St. George Guienne! glaives for the castellan!
You French, you are but dead, unless you lay
Your spears upon the earth. St. George Guienne!
Well done, John Curzon, how he has them now.
In the Castle.
What shall we do with all these prisoners, sir?
Why, put them all to ransom, those that can
Pay anything, but not too light though, John,
Seeing we have them on the hip: for those
That have no money, that being certified,
Why, turn them out of doors before they spy;
But bring Sir Lambert guarded unto me.
I will, fair sir. He goes.
I do not wish to kill him,
Although I think I ought; he shall go mark'd,
By all the saints, though! Enter Lambert guarded.
Now, Sir Lambert, now!
What sort of death do you expect to get,
Being taken this way?
Cousin! cousin! think!
I am your own blood; may God pardon me!
I am not fit to die; if you knew all,
All I have done since I was young and good,
O! you would give me yet another chance,
As God would, that I might wash all clear out,
By serving you and Him. Let me go now!
And I will pay you down more golden crowns
Of ransom than the king would!
Well, stand back,
And do not touch me! No, you shall not die,
Nor yet pay ransom. You, John Curzon, cause
Some carpenters to build a scaffold, high,
Outside the gate; when it is built, sound out
To all good folks, 'Come, see a traitor punish'd!'
Take me my knight, and set him up thereon,
And let the hangman shave his head quite clean,
And cut his ears off close up to the head;
And cause the minstrels all the while to play
Soft music and good singing; for this day
Is my high day of triumph; is it not,
Ah! on your own blood,
Own name, you heap this foul disgrace? you dare,
With hands and fame thus sullied, to go back
And take the lady Alice-
Say her name
Again, and you are dead, slain here by me.
Why should I talk with you? I'm master here,
And do not want your schooling; is it not
My mercy that you are not dangling dead
There in the gateway with a broken neck?
Such mercy! why not kill me then outright?
To die is nothing; but to live that all
May point their fingers! yea, I'd rather die.
Why, will it make you any uglier man
To lose your ears? they're much too big for you,
You ugly Judas!
That's your choice,
To die, mind! then you shall dieâ€”Lambert mine,
I thank you now for choosing this so well,
It saves me much perplexity and doubt;
Perchance an ill deed too, for half I count
This sparing traitors is an ill deed.
Lambert, die bravely, and we're almost friends.
O God! this is a fiend and not a man;
Will some one save me from him? help, help, help!
I will not die.
Why, what is this I see?
A man who is a knight, and bandied words
So well just now with me, is lying down,
Gone mad for fear like this! So, so, you thought
You knew the worst, and might say what you pleased.
I should have guess'd this from a man like you.
Eh! righteous Job would give up skin for skin,
Yea, all a man can have for simple life,
And we talk fine, yea, even a hound like this,
Who needs must know that when he dies, deep hell
Will hold him fast for everâ€”so fine we talk,
'Would rather die' - all that. Now sir, get up!
And choose again: shall it be head sans ears,
Or trunk sans head?
John Curzon, pull him up!
What, life then? go and build the scaffold, John.
Lambert, I hope that never on this earth
We meet again; that you'll turn out a monk,
And mend the life I give you, so, farewell,
I'm sorry you're a rascal. John, despatch.
In the French camp before the Castle. Sir Peter prisoner, Guesclin, Clisson, Sir Lambert.
So now is come the ending of my life;
If I could clear this sickening lump away
That sticks in my dry throat, and say a word,
Guesclin might listen.
Tell me, fair sir knight,
If you have been clean liver before God,
And then you need not fear much; as for me,
I cannot say I hate you, yet my oath,
And cousin Lambert's ears here clench the thing.
I knew you could not hate me, therefore I
Am bold to pray for life; 'twill harm your cause
To hang knights of good name, harm here in France
I have small doubt, at any rate hereafter
Men will remember you another way
Than I should care to be remember'd. Ah!
Although hot lead runs through me for my blood,
All this falls cold as though I said: 'Sweet lords,
Give back my falcon!'
See how young I am;
Do you care altogether more for France,
Say rather one French faction, than for all
The state of Christendom? a gallant knight,
As (yea, by God!) I have been, is more worth
Than many castles; will you bring this death,
For a mere act of justice, on my head?
Think how it ends all, death! all other things
Can somehow be retrieved; yea, send me forth
Naked and maimed, rather than slay me here;
Then somehow will I get me other clothes,
And somehow will I get me some poor horse,
And, somehow clad in poor old rusty arms,
Will ride and smite among the serried glaives,
Fear not death so; for I can tilt right well,
Let me not say â€œI could;â€ I know all tricks,
That sway the sharp sword cunningly; ah you,
You, my Lord Clisson, in the other days
Have seen me learning these, yea, call to mind,
How in the trodden corn by ChartrÃ¨s town,
When you were nearly swooning from the back
Of your black horse, those three blades slid at once
From off my sword's edge; pray for me, my lord!
Nay, this is pitiful, to see him die.
My Lord the Constable, I pray you note
That you are losing some few thousand crowns
By slaying this man; also think: his lands
Along the Garonne river lie for leagues,
And are right rich, a many mills he has,
Three abbeys of grey monks do hold of him,
Though wishing well for Clement, as we do;
I know the next heir, his old uncle, well,
Who does not care two deniers for the knight
As things go now, but slay him, and then see
How he will bristle up like any perch,
With curves of spears. What! do not doubt, my lord,
You'll get the money; this man saved my life,
And I will buy him for two thousand crowns;
Well, five thenâ€”eh! what! â€œNoâ€ again? well then,
Ten thousand crowns?
My sweet lord, much I grieve
I cannot please you; yea, good sooth, I grieve
This knight must die, as verily he must;
For I have sworn it, so, men, take him out,
Use him not roughly.
Music, do you know,
Music will suit you well, I think, because
You look so mild, like Laurence being grill'd;
Or perhaps music soft and slow, because
This is high day of triumph unto me,
Is it not, Peter?
You are frighten'd, though,
Eh! you are pale, because this hurts you much,
Whose life was pleasant to you, not like mine,
You ruin'd wretch! Men mock me in the streets,
Only in whispers loud, because I am
Friend of the Constable; will this please you,
Unhappy Peter? once a-going home,
Without my servants, and a little drunk,
At midnight through the lone dim lamp-lit streets,
A whore came up and spat into my eyes,
(Rather to blind me than to make me see,)
But she was very drunk, and tottering back,
Even in the middle of her laughter, fell
And cut her head against the pointed stones,
While I lean'd on my staff, and look'd at her,
And cried, being drunk.
Girls would not spit at you.
You are so handsome, I think verily
Most ladies would be glad to kiss your eyes,
And yet you will be hung like a cur dog
Five minutes hence, and grow black in the face,
And curl your toes up. Therefore I am glad.
Guess why I stand and talk this nonsense now,
With Guesclin getting ready to play chess,
And Clisson doing something with his sword,
I can't see what, talking to Guesclin though,
I don't know what about, perhaps of you.
But, cousin Peter, while I stroke your beard,
Let me say this, I'd like to tell you now
That your life hung upon a game of chess,
That if, say, my squire Robert here should beat,
Why, you should live, but hang if I beat him;
Then guess, clever Peter, what I should do then:
Well, give it up? why, Peter, I should let
My squire Robert beat me, then you would think
That you were safe, you know; Eh? not at all,
But I should keep you three days in some hold,
Giving you salt to eat, which would be kind,
Considering the tax there is on salt;
And afterwards should let you go, perhaps?
No, I should not, but I should hang you, sir,
With a red rope in lieu of mere grey rope.
But I forgot, you have not told me yet
If you can guess why I talk nonsense thus,
Instead of drinking wine while you are hang'd?
You are not quick at guessing, give it up.
This is the reason; here I hold your hand,
And watch you growing paler, see you writhe
And this, my Peter, is a joy so dear,
I cannot by all striving tell you how
I love it, nor I think, good man, would you
Quite understand my great delight therein;
You, when you had me underneath you once,
Spat as it were, and said: 'Go take him out,'
(That they might do that thing to me whereat
E'en now this long time off I could well shriek,)
And then you tried forget I ever lived,
And sunk your hating into other things;
While I - St. Denis! though, I think you'll faint,
Your lips are grey so; yes, you will, unless
You let it out and weep like a hurt child;
Hurrah! you do now. Do not go just yet,
For I am Alice, am right like her now,
Will you not kiss me on the lips, my love?-
You filthy beast, stand back and let him go,
Or by God's eyes I'll choke you. Kneeling to Sir Peter.
Fair sir knight,
I kneel upon my knees and pray to you
That you would pardon me for this your death;
God knows how much I wish you still alive,
Also how heartily I strove to save
Your life at this time; yea, He knows quite well,
(I swear it, so forgive me!) how I would,
If it were possible, give up my life
Upon this grass for yours; fair knight, although,
He knowing all things knows this thing too, well,
Yet when you see His face some short time hence,
Tell Him I tried to save you.
O! my lord,
I cannot say this is as good as life,
But yet it makes me feel far happier now,
And if at all, after a thousand years,
I see God's face, I will speak loud and bold,
And tell Him you were kind, and like Himself;
Sir, may God bless you!
Did you note how I
Fell weeping just now? pray you, do not think
That Lambert's taunts did this, I hardly heard
The base things that he said, being deep in thought
Of all things that have happen'd since I was
A little child; and so at last I thought
Of my true lady: truly, sir, it seem'd
No longer gone than yesterday, that this
Was the sole reason God let me be born
Twenty-five years ago, that I might love
Her, my sweet lady, and be loved by her;
This seem'd so yesterday, to-day death comes,
And is so bitter strong, I cannot see
Why I was born.
But as a last request,
I pray you, O kind Clisson, send some man,
Some good man, mind you, to say how I died,
And take my last love to her: fare-you-well,
And may God keep you; I must go now, lest
I grow too sick with thinking on these things;
Likewise my feet are wearied of the earth,
From whence I shall be lifted up right soon.
As he goes.
Ah me! shamed too, I wept at fear of death;
And yet not so, I only wept because
There was no beautiful lady to kiss me
Before I died, and sweetly wish good speed
From her dear lips. O for some lady, though
I saw her ne'er before; Alice, my love,
I do not ask for; Clisson was right kind,
If he had been a woman, I should die
Without this sickness: but I am all wrong,
So wrong, and hopelessly afraid to die.
There, I will go.
My God! how sick I am,
If only she could come and kiss me now.
The Hotel de la Barde, Bordeaux. The Lady Alice de la Barde looking out of a window into the street.
No news yet! surely, still he holds his own:
That garde stands well; I mind me passing it
Some months ago; God grant the walls are strong!
I heard some knights say something yestereve,
I tried hard to forget: words far apart
Struck on my heart something like this; one said:
'What eh! a Gascon with an English name,
Harpdon?' then nought, but afterwards: 'Poictou.'
As one who answers to a question ask'd;
Then carelessly regretful came: 'No, no.'
Whereto in answer loud and eagerly,
One said: â€œImpossible! Christ, what foul play!â€
And went off angrily; and while thenceforth
I hurried gaspingly afraid, I heard:
'Guesclin;' 'Five thousand men-at-arms;' 'Clisson.'
My heart misgives me it is all in vain
I send these succours; and in good time there!
Their trumpet sounds, ah! here they are; good knights,
God up in Heaven keep you.
If they come
And find him prisonerâ€”for I can't believe
Guesclin will slay him, even though they stormâ€”
(The last horse turns the corner.)
God in Heaven!
What have I got to thinking of at last!
That thief I will not name is with Guesclin,
Who loves him for his lands. My love! my love!
O, if I lose you after all the past,
What shall I do?
I cannot bear the noise
And light street out there, with this thought alive,
Like any curling snake within my brain;
Let me just hide my head within these soft
Deep cushions, there to try and think it out.
Lying in the window-seat.
I cannot hear much noise now, and I think
That I shall go to sleep: it all sounds dim
And faint, and I shall soon forget most things;
Yea, almost that I am alive and here;
It goes slow, comes slow, like a big mill-wheel
On some broad stream, with long green weeds a-sway,
And soft and slow it rises and it falls,
Still going onward.
Lying so, one kiss,
And I should be in Avalon asleep,
Among the poppies and the yellow flowers;
And they should brush my cheek, my hair being spread
Far out among the stems; soft mice and small
Eating and creeping all about my feet,
Red shod and tired; and the flies should come
Creeping o'er my broad eyelids unafraid;
And there should be a noise of water going,
Clear blue, fresh water breaking on the slates,
Likewise the flies should creepâ€”God's eyes! God help!
A trumpet? I will run fast, leap adown
The slippery sea-stairs, where the crabs fight.
I was half dreaming, but the trumpet's true;
He stops here at our house. The Clisson arms?
Ah, now for news. But I must hold my heart,
And be quite gentle till he is gone out;
And afterwardsâ€”but he is still alive,
He must be still alive.
Enter a Squire of Clisson's.
Good day, fair sir,
I give you welcome, knowing whence you come.
My Lady Alice de la Barde, I come
From Oliver Clisson, knight and mighty lord,
Bringing you tidings: I make bold to hope
You will not count me villain, even if
They wring your heart, nor hold me still in hate.
For I am but a mouthpiece after all,
A mouthpiece, too, of one who wishes well
To you and your's.
Can you talk faster, sir,
Get over all this quicker? fix your eyes
On mine, I pray you, and whate'er you see,
Still go on talking fast, unless I fall,
Or bid you stop.
I pray your pardon then,
And, looking in your eyes, fair lady, say
I am unhappy that your knight is dead.
Take heart, and listen! let me tell you all.
We were five thousand goodly men-at-arms,
And scant five hundred had he in that hold:
His rotten sand-stone walls were wet with rain,
And fell in lumps wherever a stone hit;
Yet for three days about the barrier there
The deadly glaives were gather'd, laid across,
And push'd and pull'd; the fourth our engines came;
But still amid the crash of falling walls,
And roar of lombards, rattle of hard bolts,
The steady bow-strings flash'd, and still stream'd out
St. George's banner, and the seven swords,
And still they cried: â€œSt.George Guienne!â€ until
Their walls were flat as Jericho's of old,
And our rush came, and cut them from the keep.
Stop, sir, and tell me if you slew him then,
And where he died, if you can really mean
That Peter Harpdon, the good knight, is dead?
Fair lady, in the base-court -
What do you talk of? Nay, go on, go on;
'Twas only something gone within my head:
Do you not know, one turns one's head round quick,
And something cracks there with sore pain? go on,
And still look at my eyes.
There in the base-court fought he with his sword,
Using his left hand much, more than the wont
Of most knights now-a-days; our men gave back,
For wheresoever he hit a downright blow,
Some one fell bleeding, for no plate could hold
Against the sway of body and great arm;
Till he grew tired, and some man (no! not I,
I swear not I, fair lady, as I live!)
Thrust at him with a glaive between the knees,
And threw him; down he fell, sword undermost;
Many fell on him, crying out their cries,
Tore his sword from him, tore his helm off, andâ€”
Yea, slew him: I am much too young to live,
Fair God, so let me die!
You have done well,
Done all your message gently; pray you go,
Our knights will make you cheer; moreover, take
This bag of franks for your expenses.
The Squire kneels.
But you do not go; still looking at my face,
You kneel! what, squire, do you mock me then?
You need not tell me who has set you on,
But tell me only, 'tis a made-up tale.
You are some lover may-be, or his friend;
Sir, if you loved me once, or your friend loved,
Think, is it not enough that I kneel down
And kiss your feet? your jest will be right good
If you give in now; carry it too far,
And 'twill be cruel: not yet? but you weep
Almost, as though you loved me; love me then,
And go to Heaven by telling all your sport,
And I will kiss you then with all my heart,
Upon the mouth; O! what can I do then
To move you?
Lady fair, forgive me still!
You know I am so sorry, but my tale
Is not yet finish'd:
So they bound his hands,
And brought him tall and pale to Guesclin's tent,
Who, seeing him, leant his head upon his hand,
And ponder'd somewhile, afterwards, looking upâ€”
Fair dame, what shall I say?
Yea, I know now,
Good squire, you may go now with my thanks.
Yet, lady, for your own sake I say this,
Yea, for my own sake, too, and Clisson's sake:
When Guesclin told him he must be hanged soon,
Within a while he lifted up his head
And spoke for his own life; not crouching, though,
As abjectly afraid to die, nor yet
Sullenly brave as many a thief will die;
Nor yet as one that plays at japes with God:
Few words he spoke; not so much what he said
Moved us, I think, as, saying it, there played
Strange tenderness from that big soldier there
About his pleading; eagerness to live
Because folk loved him, and he loved them back,
And many gallant plans unfinish'd now
For ever. Clisson's heart, which may God bless!
Was moved to pray for him, but all in vain;
Wherefore I bring this message:
That he waits,
Still loving you, within the little church
Whose windows, with the one eye of the light
Over the altar, every night behold
The great dim broken walls he strove to keep!
There my Lord Clisson did his burial well.
Now, lady, I will go; God give you rest!
Thank Clisson from me, squire, and farewell!
And now to keep myself from going mad.
Christ! I have been a many times to church,
And, ever since my mother taught me prayers,
Have used them daily, but to-day I wish
To pray another way; come face to face,
O Christ, that I may clasp your knees and pray
I know not what; at any rate come now
From one of many places where you are,
Either in Heaven amid thick angel wings,
Or sitting on the altar strange with gems,
Or high up in the dustiness of the apse;
Let us go, You and I, a long way off,
To the little damp, dark, Poitevin church;
While you sit on the coffin in the dark,
Will I lie down, my face on the bare stone
Between your feet, and chatter anything
I have heard long ago, what matters it
So I may keep you there, your solemn face
And long hair even-flowing on each side,
Until you love me well enough to speak,
And give me comfort; yea, till o'er your chin,
And cloven red beard the great tears roll down
In pity for my misery, and I die,
Kissed over by you.
Eh Guesclin! if I were
Like Countess Mountfort now, that kiss'd the knight,
Across the salt sea come to fight for her;
Ah! just to go about with many knights,
Wherever you went, and somehow on one day,
In a thick wood to catch you off your guard,
Let you find, you and your some fifty friends,
Nothing but arrows wheresoe'er you turn'd,
Yea, and red crosses, great spears over them;
And so, between a lane of my true men,
To walk up pale and stern and tall, and with
My arms on my surcoat, and his therewith,
And then to make you kneel, O knight Guesclin;
And thenâ€”alas! alas! when all is said,
What could I do but let you go again,
Being pitiful woman? I get no revenge,
Whatever happens; and I get no comfort,
I am but weak, and cannot move my feet,
But as men bid me.
Strange I do not die.
Suppose this has not happen'd after all?
I will lean out again and watch for news.
I wonder how long I can still feel thus,
As though I watch'd for news, feel as I did
Just half-an-hour ago, before this news.
How all the street is humming, some men sing,
And some men talk; some look up at the house,
Then lay their heads together and look grave:
Their laughter pains me sorely in the heart,
Their thoughtful talking makes my head turn round;
Yea, some men sing, what is it then they sing?
Eh? Launcelot, and love and fate and death;
They ought to sing of him who was as wight
As Launcelot or Wade, and yet avail'd
Just nothing, but to fail and fail and fail,
And so at last to die and leave me here,
Alone and wretched; yea, perhaps they will,
When many years are past, make songs of us;
God help me, though, truly I never thought
That I should make a story in this way,
A story that his eyes can never see.
One sings from outside.
Therefore be it believed
Whatsoever he grieved,
Whan his horse was relieved,
Beat down on his knee,
Right valiant was he
God's body to see,
Though he saw it not.
Right valiant to move,
But for his sad love
The high God above
Stinted his praise.
Yet so he was glad
That his son, Lord Galahad,
That high joyaunce had
All his life-days.
Sing we therefore then
Launcelot's praise again,
For he wan crownÃ¨s ten,
If he wan not twelve.
To his death from his birth
He was muckle of worth,
Lay him in the cold earth,
A long grave ye may delve.
Omnes homines benedicite!
This last fitte ye may see,
All men pray for me
Who made this history
Cunning and fairly.
- quotes about France
- quotes about seasons
- quotes about walls
- quotes about injury
- quotes about army
- quotes about forgiveness
- quotes about beard
- quotes about news
Endymion: Book IV
Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den;
Before our forests heard the talk of men;
Before the first of Druids was a child;--
Long didst thou sit amid our regions wild
Rapt in a deep prophetic solitude.
There came an eastern voice of solemn mood:--
Yet wast thou patient. Then sang forth the Nine,
Apollo's garland:--yet didst thou divine
Such home-bred glory, that they cry'd in vain,
"Come hither, Sister of the Island!" Plain
Spake fair Ausonia; and once more she spake
A higher summons:--still didst thou betake
Thee to thy native hopes. O thou hast won
A full accomplishment! The thing is done,
Which undone, these our latter days had risen
On barren souls. Great Muse, thou know'st what prison
Of flesh and bone, curbs, and confines, and frets
Our spirit's wings: despondency besets
Our pillows; and the fresh to-morrow morn
Seems to give forth its light in very scorn
Of our dull, uninspired, snail-paced lives.
Long have I said, how happy he who shrives
To thee! But then I thought on poets gone,
And could not pray:--nor can I now--so on
I move to the end in lowliness of heart.----
"Ah, woe is me! that I should fondly part
From my dear native land! Ah, foolish maid!
Glad was the hour, when, with thee, myriads bade
Adieu to Ganges and their pleasant fields!
To one so friendless the clear freshet yields
A bitter coolness, the ripe grape is sour:
Yet I would have, great gods! but one short hour
Of native air--let me but die at home."
Endymion to heaven's airy dome
Was offering up a hecatomb of vows,
When these words reach'd him. Whereupon he bows
His head through thorny-green entanglement
Of underwood, and to the sound is bent,
Anxious as hind towards her hidden fawn.
"Is no one near to help me? No fair dawn
Of life from charitable voice? No sweet saying
To set my dull and sadden'd spirit playing?
No hand to toy with mine? No lips so sweet
That I may worship them? No eyelids meet
To twinkle on my bosom? No one dies
Before me, till from these enslaving eyes
Redemption sparkles!--I am sad and lost."
Thou, Carian lord, hadst better have been tost
Into a whirlpool. Vanish into air,
Warm mountaineer! for canst thou only bear
A woman's sigh alone and in distress?
See not her charms! Is Phoebe passionless?
Phoebe is fairer far--O gaze no more:--
Yet if thou wilt behold all beauty's store,
Behold her panting in the forest grass!
Do not those curls of glossy jet surpass
For tenderness the arms so idly lain
Amongst them? Feelest not a kindred pain,
To see such lovely eyes in swimming search
After some warm delight, that seems to perch
Dovelike in the dim cell lying beyond
Their upper lids?--Hist! "O for Hermes' wand
To touch this flower into human shape!
That woodland Hyacinthus could escape
From his green prison, and here kneeling down
Call me his queen, his second life's fair crown!
Ah me, how I could love!--My soul doth melt
For the unhappy youth--Love! I have felt
So faint a kindness, such a meek surrender
To what my own full thoughts had made too tender,
That but for tears my life had fled away!--
Ye deaf and senseless minutes of the day,
And thou, old forest, hold ye this for true,
There is no lightning, no authentic dew
But in the eye of love: there's not a sound,
Melodious howsoever, can confound
The heavens and earth in one to such a death
As doth the voice of love: there's not a breath
Will mingle kindly with the meadow air,
Till it has panted round, and stolen a share
Of passion from the heart!"--
Upon a bough
He leant, wretched. He surely cannot now
Thirst for another love: O impious,
That he can even dream upon it thus!--
Thought he, "Why am I not as are the dead,
Since to a woe like this I have been led
Through the dark earth, and through the wondrous sea?
Goddess! I love thee not the less: from thee
By Juno's smile I turn not--no, no, no--
While the great waters are at ebb and flow.--
I have a triple soul! O fond pretence--
For both, for both my love is so immense,
I feel my heart is cut in twain for them."
And so he groan'd, as one by beauty slain.
The lady's heart beat quick, and he could see
Her gentle bosom heave tumultuously.
He sprang from his green covert: there she lay,
Sweet as a muskrose upon new-made hay;
With all her limbs on tremble, and her eyes
Shut softly up alive. To speak he tries.
"Fair damsel, pity me! forgive that I
Thus violate thy bower's sanctity!
O pardon me, for I am full of grief--
Grief born of thee, young angel! fairest thief!
Who stolen hast away the wings wherewith
I was to top the heavens. Dear maid, sith
Thou art my executioner, and I feel
Loving and hatred, misery and weal,
Will in a few short hours be nothing to me,
And all my story that much passion slew me;
Do smile upon the evening of my days:
And, for my tortur'd brain begins to craze,
Be thou my nurse; and let me understand
How dying I shall kiss that lily hand.--
Dost weep for me? Then should I be content.
Scowl on, ye fates! until the firmament
Outblackens Erebus, and the full-cavern'd earth
Crumbles into itself. By the cloud girth
Of Jove, those tears have given me a thirst
To meet oblivion."--As her heart would burst
The maiden sobb'd awhile, and then replied:
"Why must such desolation betide
As that thou speakest of? Are not these green nooks
Empty of all misfortune? Do the brooks
Utter a gorgon voice? Does yonder thrush,
Schooling its half-fledg'd little ones to brush
About the dewy forest, whisper tales?--
Speak not of grief, young stranger, or cold snails
Will slime the rose to night. Though if thou wilt,
Methinks 'twould be a guilt--a very guilt--
Not to companion thee, and sigh away
The light--the dusk--the dark--till break of day!"
"Dear lady," said Endymion, "'tis past:
I love thee! and my days can never last.
That I may pass in patience still speak:
Let me have music dying, and I seek
No more delight--I bid adieu to all.
Didst thou not after other climates call,
And murmur about Indian streams?"--Then she,
Sitting beneath the midmost forest tree,
For pity sang this roundelay------
Why dost borrow
The natural hue of health, from vermeil lips?--
To give maiden blushes
To the white rose bushes?
Or is it thy dewy hand the daisy tips?
Why dost borrow
The lustrous passion from a falcon-eye?--
To give the glow-worm light?
Or, on a moonless night,
To tinge, on syren shores, the salt sea-spry?
Why dost borrow
The mellow ditties from a mourning tongue?--
To give at evening pale
Unto the nightingale,
That thou mayst listen the cold dews among?
Why dost borrow
Heart's lightness from the merriment of May?--
A lover would not tread
A cowslip on the head,
Though he should dance from eve till peep of day--
Nor any drooping flower
Held sacred for thy bower,
Wherever he may sport himself and play.
I bade good-morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind:
I would deceive her
And so leave her,
But ah! she is so constant and so kind.
"Beneath my palm trees, by the river side,
I sat a weeping: in the whole world wide
There was no one to ask me why I wept,--
And so I kept
Brimming the water-lily cups with tears
Cold as my fears.
"Beneath my palm trees, by the river side,
I sat a weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
But hides and shrouds
Beneath dark palm trees by a river side?
"And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when, in June,
Tall chesnuts keep away the sun and moon:--
I rush'd into the folly!
"Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms, and shoulders, enough white
For Venus' pearly bite;
And near him rode Silenus on his ass,
Pelted with flowers as he on did pass
"Whence came ye, merry Damsels! whence came ye!
So many, and so many, and such glee?
Why have ye left your bowers desolate,
Your lutes, and gentler fate?--
‘We follow Bacchus! Bacchus on the wing?
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
To our wild minstrelsy!'
"Whence came ye, jolly Satyrs! whence came ye!
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
Your nuts in oak-tree cleft?--
‘For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
And cold mushrooms;
For wine we follow Bacchus through the earth;
Great God of breathless cups and chirping mirth!--
Come hither, lady fair, and joined be
To our mad minstrelsy!'
"Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of seamen, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
Nor care for wind and tide.
"Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done:
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
On spleenful unicorn.
"I saw Osirian Egypt kneel adown
Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
Old Tartary the fierce!
The kings of Inde their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
And all his priesthood moans;
Before young Bacchus' eye-wink turning pale.--
Into these regions came I following him,
Sick hearted, weary--so I took a whim
To stray away into these forests drear
Alone, without a peer:
And I have told thee all thou mayest hear.
I've been a ranger
In search of pleasure throughout every clime:
Alas! 'tis not for me!
Bewitch'd I sure must be,
To lose in grieving all my maiden prime.
"Come then, Sorrow!
Like an own babe I nurse thee on my breast:
I thought to leave thee
And deceive thee,
But now of all the world I love thee best.
"There is not one,
No, no, not one
But thee to comfort a poor lonely maid;
Thou art her mother,
And her brother,
Her playmate, and her wooer in the shade."
O what a sigh she gave in finishing,
And look, quite dead to every worldly thing!
Endymion could not speak, but gazed on her;
And listened to the wind that now did stir
About the crisped oaks full drearily,
Yet with as sweet a softness as might be
Remember'd from its velvet summer song.
At last he said: "Poor lady, how thus long
Have I been able to endure that voice?
Fair Melody! kind Syren! I've no choice;
I must be thy sad servant evermore:
I cannot choose but kneel here and adore.
Alas, I must not think--by Phoebe, no!
Let me not think, soft Angel! shall it be so?
Say, beautifullest, shall I never think?
O thou could'st foster me beyond the brink
Of recollection! make my watchful care
Close up its bloodshot eyes, nor see despair!
Do gently murder half my soul, and I
Shall feel the other half so utterly!--
I'm giddy at that cheek so fair and smooth;
O let it blush so ever! let it soothe
My madness! let it mantle rosy-warm
With the tinge of love, panting in safe alarm.--
This cannot be thy hand, and yet it is;
And this is sure thine other softling--this
Thine own fair bosom, and I am so near!
Wilt fall asleep? O let me sip that tear!
And whisper one sweet word that I may know
This is this world--sweet dewy blossom!"--Woe!
Woe! Woe to that Endymion! Where is he?--
Even these words went echoing dismally
Through the wide forest--a most fearful tone,
Like one repenting in his latest moan;
And while it died away a shade pass'd by,
As of a thunder cloud. When arrows fly
Through the thick branches, poor ring-doves sleek forth
Their timid necks and tremble; so these both
Leant to each other trembling, and sat so
Waiting for some destruction--when lo,
Foot-feather'd Mercury appear'd sublime
Beyond the tall tree tops; and in less time
Than shoots the slanted hail-storm, down he dropt
Towards the ground; but rested not, nor stopt
One moment from his home: only the sward
He with his wand light touch'd, and heavenward
Swifter than sight was gone--even before
The teeming earth a sudden witness bore
Of his swift magic. Diving swans appear
Above the crystal circlings white and clear;
And catch the cheated eye in wild surprise,
How they can dive in sight and unseen rise--
So from the turf outsprang two steeds jet-black,
Each with large dark blue wings upon his back.
The youth of Caria plac'd the lovely dame
On one, and felt himself in spleen to tame
The other's fierceness. Through the air they flew,
High as the eagles. Like two drops of dew
Exhal'd to Phoebus' lips, away they are gone,
Far from the earth away--unseen, alone,
Among cool clouds and winds, but that the free,
The buoyant life of song can floating be
Above their heads, and follow them untir'd.--
Muse of my native land, am I inspir'd?
This is the giddy air, and I must spread
Wide pinions to keep here; nor do I dread
Or height, or depth, or width, or any chance
Precipitous: I have beneath my glance
Those towering horses and their mournful freight.
Could I thus sail, and see, and thus await
Fearless for power of thought, without thine aid?--
There is a sleepy dusk, an odorous shade
From some approaching wonder, and behold
Those winged steeds, with snorting nostrils bold
Snuff at its faint extreme, and seem to tire,
Dying to embers from their native fire!
There curl'd a purple mist around them; soon,
It seem'd as when around the pale new moon
Sad Zephyr droops the clouds like weeping willow:
'Twas Sleep slow journeying with head on pillow.
For the first time, since he came nigh dead born
From the old womb of night, his cave forlorn
Had he left more forlorn; for the first time,
He felt aloof the day and morning's prime--
Because into his depth Cimmerian
There came a dream, shewing how a young man,
Ere a lean bat could plump its wintery skin,
Would at high Jove's empyreal footstool win
An immortality, and how espouse
Jove's daughter, and be reckon'd of his house.
Now was he slumbering towards heaven's gate,
That he might at the threshold one hour wait
To hear the marriage melodies, and then
Sink downward to his dusky cave again.
His litter of smooth semilucent mist,
Diversely ting'd with rose and amethyst,
Puzzled those eyes that for the centre sought;
And scarcely for one moment could be caught
His sluggish form reposing motionless.
Those two on winged steeds, with all the stress
Of vision search'd for him, as one would look
Athwart the sallows of a river nook
To catch a glance at silver throated eels,--
Or from old Skiddaw's top, when fog conceals
His rugged forehead in a mantle pale,
With an eye-guess towards some pleasant vale
Descry a favourite hamlet faint and far.
These raven horses, though they foster'd are
Of earth's splenetic fire, dully drop
Their full-veined ears, nostrils blood wide, and stop;
Upon the spiritless mist have they outspread
Their ample feathers, are in slumber dead,--
And on those pinions, level in mid air,
Endymion sleepeth and the lady fair.
Slowly they sail, slowly as icy isle
Upon a calm sea drifting: and meanwhile
The mournful wanderer dreams. Behold! he walks
On heaven's pavement; brotherly he talks
To divine powers: from his hand full fain
Juno's proud birds are pecking pearly grain:
He tries the nerve of Phoebus' golden bow,
And asketh where the golden apples grow:
Upon his arm he braces Pallas' shield,
And strives in vain to unsettle and wield
A Jovian thunderbolt: arch Hebe brings
A full-brimm'd goblet, dances lightly, sings
And tantalizes long; at last he drinks,
And lost in pleasure at her feet he sinks,
Touching with dazzled lips her starlight hand.
He blows a bugle,--an ethereal band
Are visible above: the Seasons four,--
Green-kyrtled Spring, flush Summer, golden store
In Autumn's sickle, Winter frosty hoar,
Join dance with shadowy Hours; while still the blast,
In swells unmitigated, still doth last
To sway their floating morris. "Whose is this?
Whose bugle?" he inquires: they smile--"O Dis!
Why is this mortal here? Dost thou not know
Its mistress' lips? Not thou?--'Tis Dian's: lo!
She rises crescented!" He looks, 'tis she,
His very goddess: good-bye earth, and sea,
And air, and pains, and care, and suffering;
Good-bye to all but love! Then doth he spring
Towards her, and awakes--and, strange, o'erhead,
Of those same fragrant exhalations bred,
Beheld awake his very dream: the gods
Stood smiling; merry Hebe laughs and nods;
And Phoebe bends towards him crescented.
O state perplexing! On the pinion bed,
Too well awake, he feels the panting side
Of his delicious lady. He who died
For soaring too audacious in the sun,
Where that same treacherous wax began to run,
Felt not more tongue-tied than Endymion.
His heart leapt up as to its rightful throne,
To that fair shadow'd passion puls'd its way--
Ah, what perplexity! Ah, well a day!
So fond, so beauteous was his bed-fellow,
He could not help but kiss her: then he grew
Awhile forgetful of all beauty save
Young Phoebe's, golden hair'd; and so 'gan crave
Forgiveness: yet he turn'd once more to look
At the sweet sleeper,--all his soul was shook,--
She press'd his hand in slumber; so once more
He could not help but kiss her and adore.
At this the shadow wept, melting away.
The Latmian started up: "Bright goddess, stay!
Search my most hidden breast! By truth's own tongue,
I have no dædale heart: why is it wrung
To desperation? Is there nought for me,
Upon the bourne of bliss, but misery?"
These words awoke the stranger of dark tresses:
Her dawning love-look rapt Endymion blesses
With 'haviour soft. Sleep yawned from underneath.
"Thou swan of Ganges, let us no more breathe
This murky phantasm! thou contented seem'st
Pillow'd in lovely idleness, nor dream'st
What horrors may discomfort thee and me.
Ah, shouldst thou die from my heart-treachery!--
Yet did she merely weep--her gentle soul
Hath no revenge in it: as it is whole
In tenderness, would I were whole in love!
Can I prize thee, fair maid, all price above,
Even when I feel as true as innocence?
I do, I do.--What is this soul then? Whence
Came it? It does not seem my own, and I
Have no self-passion or identity.
Some fearful end must be: where, where is it?
By Nemesis, I see my spirit flit
Alone about the dark--Forgive me, sweet:
Shall we away?" He rous'd the steeds: they beat
Their wings chivalrous into the clear air,
Leaving old Sleep within his vapoury lair.
The good-night blush of eve was waning slow,
And Vesper, risen star, began to throe
In the dusk heavens silvery, when they
Thus sprang direct towards the Galaxy.
Nor did speed hinder converse soft and strange--
Eternal oaths and vows they interchange,
In such wise, in such temper, so aloof
Up in the winds, beneath a starry roof,
So witless of their doom, that verily
'Tis well nigh past man's search their hearts to see;
Whether they wept, or laugh'd, or griev'd, or toy'd--
Most like with joy gone mad, with sorrow cloy'd.
Full facing their swift flight, from ebon streak,
The moon put forth a little diamond peak,
No bigger than an unobserved star,
Or tiny point of fairy scymetar;
Bright signal that she only stoop'd to tie
Her silver sandals, ere deliciously
She bow'd into the heavens her timid head.
Slowly she rose, as though she would have fled,
While to his lady meek the Carian turn'd,
To mark if her dark eyes had yet discern'd
This beauty in its birth--Despair! despair!
He saw her body fading gaunt and spare
In the cold moonshine. Straight he seiz'd her wrist;
It melted from his grasp: her hand he kiss'd,
And, horror! kiss'd his own--he was alone.
Her steed a little higher soar'd, and then
Dropt hawkwise to the earth. There lies a den,
Beyond the seeming confines of the space
Made for the soul to wander in and trace
Its own existence, of remotest glooms.
Dark regions are around it, where the tombs
Of buried griefs the spirit sees, but scarce
One hour doth linger weeping, for the pierce
Of new-born woe it feels more inly smart:
And in these regions many a venom'd dart
At random flies; they are the proper home
Of every ill: the man is yet to come
Who hath not journeyed in this native hell.
But few have ever felt how calm and well
Sleep may be had in that deep den of all.
There anguish does not sting; nor pleasure pall:
Woe-hurricanes beat ever at the gate,
Yet all is still within and desolate.
Beset with painful gusts, within ye hear
No sound so loud as when on curtain'd bier
The death-watch tick is stifled. Enter none
Who strive therefore: on the sudden it is won.
Just when the sufferer begins to burn,
Then it is free to him; and from an urn,
Still fed by melting ice, he takes a draught--
Young Semele such richness never quaft
In her maternal longing. Happy gloom!
Dark Paradise! where pale becomes the bloom
Of health by due; where silence dreariest
Is most articulate; where hopes infest;
Where those eyes are the brightest far that keep
Their lids shut longest in a dreamless sleep.
O happy spirit-home! O wondrous soul!
Pregnant with such a den to save the whole
In thine own depth. Hail, gentle Carian!
For, never since thy griefs and woes began,
Hast thou felt so content: a grievous feud
Hath let thee to this Cave of Quietude.
Aye, his lull'd soul was there, although upborne
With dangerous speed: and so he did not mourn
Because he knew not whither he was going.
So happy was he, not the aerial blowing
Of trumpets at clear parley from the east
Could rouse from that fine relish, that high feast.
They stung the feather'd horse: with fierce alarm
He flapp'd towards the sound. Alas, no charm
Could lift Endymion's head, or he had view'd
A skyey mask, a pinion'd multitude,--
And silvery was its passing: voices sweet
Warbling the while as if to lull and greet
The wanderer in his path. Thus warbled they,
While past the vision went in bright array.
"Who, who from Dian's feast would be away?
For all the golden bowers of the day
Are empty left? Who, who away would be
From Cynthia's wedding and festivity?
Not Hesperus: lo! upon his silver wings
He leans away for highest heaven and sings,
Snapping his lucid fingers merrily!--
Ah, Zephyrus! art here, and Flora too!
Ye tender bibbers of the rain and dew,
Young playmates of the rose and daffodil,
Be careful, ere ye enter in, to fill
Your baskets high
With fennel green, and balm, and golden pines,
Savory, latter-mint, and columbines,
Cool parsley, basil sweet, and sunny thyme;
Yea, every flower and leaf of every clime,
All gather'd in the dewy morning: hie
Away! fly, fly!--
Crystalline brother of the belt of heaven,
Aquarius! to whom king Jove has given
Two liquid pulse streams 'stead of feather'd wings,
Two fan-like fountains,--thine illuminings
For Dian play:
Dissolve the frozen purity of air;
Let thy white shoulders silvery and bare
Shew cold through watery pinions; make more bright
The Star-Queen's crescent on her marriage night:
Haste, haste away!--
Castor has tamed the planet Lion, see!
And of the Bear has Pollux mastery:
A third is in the race! who is the third,
Speeding away swift as the eagle bird?
The ramping Centaur!
The Lion's mane's on end: the Bear how fierce!
The Centaur's arrow ready seems to pierce
Some enemy: far forth his bow is bent
Into the blue of heaven. He'll be shent,
When he shall hear the wedding lutes a playing.--
Andromeda! sweet woman! why delaying
So timidly among the stars: come hither!
Join this bright throng, and nimbly follow whither
They all are going.
Danae's Son, before Jove newly bow'd,
Has wept for thee, calling to Jove aloud.
Thee, gentle lady, did he disenthral:
Ye shall for ever live and love, for all
Thy tears are flowing.--
By Daphne's fright, behold Apollo!--"
Endymion heard not: down his steed him bore,
Prone to the green head of a misty hill.
His first touch of the earth went nigh to kill.
"Alas!" said he, "were I but always borne
Through dangerous winds, had but my footsteps worn
A path in hell, for ever would I bless
Horrors which nourish an uneasiness
For my own sullen conquering: to him
Who lives beyond earth's boundary, grief is dim,
Sorrow is but a shadow: now I see
The grass; I feel the solid ground--Ah, me!
It is thy voice--divinest! Where?--who? who
Left thee so quiet on this bed of dew?
Behold upon this happy earth we are;
Let us ay love each other; let us fare
On forest-fruits, and never, never go
Among the abodes of mortals here below,
Or be by phantoms duped. O destiny!
Into a labyrinth now my soul would fly,
But with thy beauty will I deaden it.
Where didst thou melt too? By thee will I sit
For ever: let our fate stop here--a kid
I on this spot will offer: Pan will bid
Us live in peace, in love and peace among
His forest wildernesses. I have clung
To nothing, lov'd a nothing, nothing seen
Or felt but a great dream! O I have been
Presumptuous against love, against the sky,
Against all elements, against the tie
Of mortals each to each, against the blooms
Of flowers, rush of rivers, and the tombs
Of heroes gone! Against his proper glory
Has my own soul conspired: so my story
Will I to children utter, and repent.
There never liv'd a mortal man, who bent
His appetite beyond his natural sphere,
But starv'd and died. My sweetest Indian, here,
Here will I kneel, for thou redeemed hast
My life from too thin breathing: gone and past
Are cloudy phantasms. Caverns lone, farewel!
And air of visions, and the monstrous swell
Of visionary seas! No, never more
Shall airy voices cheat me to the shore
Of tangled wonder, breathless and aghast.
Adieu, my daintiest Dream! although so vast
My love is still for thee. The hour may come
When we shall meet in pure elysium.
On earth I may not love thee; and therefore
Doves will I offer up, and sweetest store
All through the teeming year: so thou wilt shine
On me, and on this damsel fair of mine,
And bless our simple lives. My Indian bliss!
My river-lily bud! one human kiss!
One sigh of real breath--one gentle squeeze,
Warm as a dove's nest among summer trees,
And warm with dew at ooze from living blood!
Whither didst melt? Ah, what of that!--all good
We'll talk about--no more of dreaming.--Now,
Where shall our dwelling be? Under the brow
Of some steep mossy hill, where ivy dun
Would hide us up, although spring leaves were none;
And where dark yew trees, as we rustle through,
Will drop their scarlet berry cups of dew?
O thou wouldst joy to live in such a place;
Dusk for our loves, yet light enough to grace
Those gentle limbs on mossy bed reclin'd:
For by one step the blue sky shouldst thou find,
And by another, in deep dell below,
See, through the trees, a little river go
All in its mid-day gold and glimmering.
Honey from out the gnarled hive I'll bring,
And apples, wan with sweetness, gather thee,--
Cresses that grow where no man may them see,
And sorrel untorn by the dew-claw'd stag:
Pipes will I fashion of the syrinx flag,
That thou mayst always know whither I roam,
When it shall please thee in our quiet home
To listen and think of love. Still let me speak;
Still let me dive into the joy I seek,--
For yet the past doth prison me. The rill,
Thou haply mayst delight in, will I fill
With fairy fishes from the mountain tarn,
And thou shalt feed them from the squirrel's barn.
Its bottom will I strew with amber shells,
And pebbles blue from deep enchanted wells.
Its sides I'll plant with dew-sweet eglantine,
And honeysuckles full of clear bee-wine.
I will entice this crystal rill to trace
Love's silver name upon the meadow's face.
I'll kneel to Vesta, for a flame of fire;
And to god Phoebus, for a golden lyre;
To Empress Dian, for a hunting spear;
To Vesper, for a taper silver-clear,
That I may see thy beauty through the night;
To Flora, and a nightingale shall light
Tame on thy finger; to the River-gods,
And they shall bring thee taper fishing-rods
Of gold, and lines of Naiads' long bright tress.
Heaven shield thee for thine utter loveliness!
Thy mossy footstool shall the altar be
'Fore which I'll bend, bending, dear love, to thee:
Those lips shall be my Delphos, and shall speak
Laws to my footsteps, colour to my cheek,
Trembling or stedfastness to this same voice,
And of three sweetest pleasurings the choice:
And that affectionate light, those diamond things,
Those eyes, those passions, those supreme pearl springs,
Shall be my grief, or twinkle me to pleasure.
Say, is not bliss within our perfect seisure?
O that I could not doubt?"
Thus strove by fancies vain and crude to clear
His briar'd path to some tranquillity.
It gave bright gladness to his lady's eye,
And yet the tears she wept were tears of sorrow;
Answering thus, just as the golden morrow
Beam'd upward from the vallies of the east:
"O that the flutter of this heart had ceas'd,
Or the sweet name of love had pass'd away.
Young feather'd tyrant! by a swift decay
Wilt thou devote this body to the earth:
And I do think that at my very birth
I lisp'd thy blooming titles inwardly;
For at the first, first dawn and thought of thee,
With uplift hands I blest the stars of heaven.
Art thou not cruel? Ever have I striven
To think thee kind, but ah, it will not do!
When yet a child, I heard that kisses drew
Favour from thee, and so I kisses gave
To the void air, bidding them find out love:
But when I came to feel how far above
All fancy, pride, and fickle maidenhood,
All earthly pleasure, all imagin'd good,
Was the warm tremble of a devout kiss,--
Even then, that moment, at the thought of this,
Fainting I fell into a bed of flowers,
And languish'd there three days. Ye milder powers,
Am I not cruelly wrong'd? Believe, believe
Me, dear Endymion, were I to weave
With my own fancies garlands of sweet life,
Thou shouldst be one of all. Ah, bitter strife!
I may not be thy love: I am forbidden--
Indeed I am--thwarted, affrighted, chidden,
By things I trembled at, and gorgon wrath.
Twice hast thou ask'd whither I went: henceforth
Ask me no more! I may not utter it,
Nor may I be thy love. We might commit
Ourselves at once to vengeance; we might die;
We might embrace and die: voluptuous thought!
Enlarge not to my hunger, or I'm caught
In trammels of perverse deliciousness.
No, no, that shall not be: thee will I bless,
And bid a long adieu."
No word return'd: both lovelorn, silent, wan,
Into the vallies green together went.
Far wandering, they were perforce content
To sit beneath a fair lone beechen tree;
Nor at each other gaz'd, but heavily
Por'd on its hazle cirque of shedded leaves.
Endymion! unhappy! it nigh grieves
Me to behold thee thus in last extreme:
Ensky'd ere this, but truly that I deem
Truth the best music in a first-born song.
Thy lute-voic'd brother will I sing ere long,
And thou shalt aid--hast thou not aided me?
Yes, moonlight Emperor! felicity
Has been thy meed for many thousand years;
Yet often have I, on the brink of tears,
Mourn'd as if yet thou wert a forester,--
Forgetting the old tale.
He did not stir
His eyes from the dead leaves, or one small pulse
Of joy he might have felt. The spirit culls
Unfaded amaranth, when wild it strays
Through the old garden-ground of boyish days.
A little onward ran the very stream
By which he took his first soft poppy dream;
And on the very bark 'gainst which he leant
A crescent he had carv'd, and round it spent
His skill in little stars. The teeming tree
Had swollen and green'd the pious charactery,
But not ta'en out. Why, there was not a slope
Up which he had not fear'd the antelope;
And not a tree, beneath whose rooty shade
He had not with his tamed leopards play'd.
Nor could an arrow light, or javelin,
Fly in the air where his had never been--
And yet he knew it not.
Why does his lady smile, pleasing her eye
With all his sorrowing? He sees her not.
But who so stares on him? His sister sure!
Peona of the woods!--Can she endure--
Impossible--how dearly they embrace!
His lady smiles; delight is in her face;
It is no treachery.
"Dear brother mine!
Endymion, weep not so! Why shouldst thou pine
When all great Latmos so exalt wilt be?
Thank the great gods, and look not bitterly;
And speak not one pale word, and sigh no more.
Sure I will not believe thou hast such store
Of grief, to last thee to my kiss again.
Thou surely canst not bear a mind in pain,
Come hand in hand with one so beautiful.
Be happy both of you! for I will pull
The flowers of autumn for your coronals.
Pan's holy priest for young Endymion calls;
And when he is restor'd, thou, fairest dame,
Shalt be our queen. Now, is it not a shame
To see ye thus,--not very, very sad?
Perhaps ye are too happy to be glad:
O feel as if it were a common day;
Free-voic'd as one who never was away.
No tongue shall ask, whence come ye? but ye shall
Be gods of your own rest imperial.
Not even I, for one whole month, will pry
Into the hours that have pass'd us by,
Since in my arbour I did sing to thee.
O Hermes! on this very night will be
A hymning up to Cynthia, queen of light;
For the soothsayers old saw yesternight
Good visions in the air,--whence will befal,
As say these sages, health perpetual
To shepherds and their flocks; and furthermore,
In Dian's face they read the gentle lore:
Therefore for her these vesper-carols are.
Our friends will all be there from nigh and far.
Many upon thy death have ditties made;
And many, even now, their foreheads shade
With cypress, on a day of sacrifice.
New singing for our maids shalt thou devise,
And pluck the sorrow from our huntsmen's brows.
Tell me, my lady-queen, how to espouse
This wayward brother to his rightful joys!
His eyes are on thee bent, as thou didst poise
His fate most goddess-like. Help me, I pray,
To lure--Endymion, dear brother, say
What ails thee?" He could bear no more, and so
Bent his soul fiercely like a spiritual bow,
And twang'd it inwardly, and calmly said:
"I would have thee my only friend, sweet maid!
My only visitor! not ignorant though,
That those deceptions which for pleasure go
'Mong men, are pleasures real as real may be:
But there are higher ones I may not see,
If impiously an earthly realm I take.
Since I saw thee, I have been wide awake
Night after night, and day by day, until
Of the empyrean I have drunk my fill.
Let it content thee, Sister, seeing me
More happy than betides mortality.
A hermit young, I'll live in mossy cave,
Where thou alone shalt come to me, and lave
Thy spirit in the wonders I shall tell.
Through me the shepherd realm shall prosper well;
For to thy tongue will I all health confide.
And, for my sake, let this young maid abide
With thee as a dear sister. Thou alone,
Peona, mayst return to me. I own
This may sound strangely: but when, dearest girl,
Thou seest it for my happiness, no pearl
Will trespass down those cheeks. Companion fair!
Wilt be content to dwell with her, to share
This sister's love with me?" Like one resign'd
And bent by circumstance, and thereby blind
In self-commitment, thus that meek unknown:
"Aye, but a buzzing by my ears has flown,
Of jubilee to Dian:--truth I heard!
Well then, I see there is no little bird,
Tender soever, but is Jove's own care.
Long have I sought for rest, and, unaware,
Behold I find it! so exalted too!
So after my own heart! I knew, I knew
There was a place untenanted in it:
In that same void white Chastity shall sit,
And monitor me nightly to lone slumber.
With sanest lips I vow me to the number
Of Dian's sisterhood; and, kind lady,
With thy good help, this very night shall see
My future days to her fane consecrate."
As feels a dreamer what doth most create
His own particular fright, so these three felt:
Or like one who, in after ages, knelt
To Lucifer or Baal, when he'd pine
After a little sleep: or when in mine
Far under-ground, a sleeper meets his friends
Who know him not. Each diligently bends
Towards common thoughts and things for very fear;
Striving their ghastly malady to cheer,
By thinking it a thing of yes and no,
That housewives talk of. But the spirit-blow
Was struck, and all were dreamers. At the last
Endymion said: "Are not our fates all cast?
Why stand we here? Adieu, ye tender pair!
Adieu!" Whereat those maidens, with wild stare,
Walk'd dizzily away. Pained and hot
His eyes went after them, until they got
Near to a cypress grove, whose deadly maw,
In one swift moment, would what then he saw
Engulph for ever. "Stay!" he cried, "ah, stay!
Turn, damsels! hist! one word I have to say.
Sweet Indian, I would see thee once again.
It is a thing I dote on: so I'd fain,
Peona, ye should hand in hand repair
Into those holy groves, that silent are
Behind great Dian's temple. I'll be yon,
At vesper's earliest twinkle--they are gone--
But once, once, once again--" At this he press'd
His hands against his face, and then did rest
His head upon a mossy hillock green,
And so remain'd as he a corpse had been
All the long day; save when he scantly lifted
His eyes abroad, to see how shadows shifted
With the slow move of time,--sluggish and weary
Until the poplar tops, in journey dreary,
Had reach'd the river's brim. Then up he rose,
And, slowly as that very river flows,
Walk'd towards the temple grove with this lament:
"Why such a golden eve? The breeze is sent
Careful and soft, that not a leaf may fall
Before the serene father of them all
Bows down his summer head below the west.
Now am I of breath, speech, and speed possest,
But at the setting I must bid adieu
To her for the last time. Night will strew
On the damp grass myriads of lingering leaves,
And with them shall I die; nor much it grieves
To die, when summer dies on the cold sward.
Why, I have been a butterfly, a lord
Of flowers, garlands, love-knots, silly posies,
Groves, meadows, melodies, and arbour roses;
My kingdom's at its death, and just it is
That I should die with it: so in all this
We miscal grief, bale, sorrow, heartbreak, woe,
What is there to plain of? By Titan's foe
I am but rightly serv'd." So saying, he
Tripp'd lightly on, in sort of deathful glee;
Laughing at the clear stream and setting sun,
As though they jests had been: nor had he done
His laugh at nature's holy countenance,
Until that grove appear'd, as if perchance,
And then his tongue with sober seemlihed
Gave utterance as he entered: "Ha!" I said,
"King of the butterflies; but by this gloom,
And by old Rhadamanthus' tongue of doom,
This dusk religion, pomp of solitude,
And the Promethean clay by thief endued,
By old Saturnus' forelock, by his head
Shook with eternal palsy, I did wed
Myself to things of light from infancy;
And thus to be cast out, thus lorn to die,
Is sure enough to make a mortal man
Grow impious." So he inwardly began
On things for which no wording can be found;
Deeper and deeper sinking, until drown'd
Beyond the reach of music: for the choir
Of Cynthia he heard not, though rough briar
Nor muffling thicket interpos'd to dull
The vesper hymn, far swollen, soft and full,
Through the dark pillars of those sylvan aisles.
He saw not the two maidens, nor their smiles,
Wan as primroses gather'd at midnight
By chilly finger'd spring. "Unhappy wight!
Endymion!" said Peona, "we are here!
What wouldst thou ere we all are laid on bier?"
Then he embrac'd her, and his lady's hand
Press'd, saying:" Sister, I would have command,
If it were heaven's will, on our sad fate."
At which that dark-eyed stranger stood elate
And said, in a new voice, but sweet as love,
To Endymion's amaze: "By Cupid's dove,
And so thou shalt! and by the lily truth
Of my own breast thou shalt, beloved youth!"
And as she spake, into her face there came
Light, as reflected from a silver flame:
Her long black hair swell'd ampler, in display
Full golden; in her eyes a brighter day
Dawn'd blue and full of love. Aye, he beheld
Phoebe, his passion! joyous she upheld
Her lucid bow, continuing thus; "Drear, drear
Has our delaying been; but foolish fear
Withheld me first; and then decrees of fate;
And then 'twas fit that from this mortal state
Thou shouldst, my love, by some unlook'd for change
Be spiritualiz'd. Peona, we shall range
These forests, and to thee they safe shall be
As was thy cradle; hither shalt thou flee
To meet us many a time." Next Cynthia bright
Peona kiss'd, and bless'd with fair good night:
Her brother kiss'd her too, and knelt adown
Before his goddess, in a blissful swoon.
She gave her fair hands to him, and behold,
Before three swiftest kisses he had told,
They vanish'd far away!--Peona went
Home through the gloomy wood in wonderment.
TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow
But thinking of a wreath. Large leaves, smooth leaves,
Serrated like my vines, and half as green.
I like such ivy; bold to leap a height
'Twas strong to climb! as good to grow on graves
As twist about a thyrsus; pretty too,
(And that's not ill) when twisted round a comb.'
Thus speaking to myself, half singing it,
Because some thoughts are fashioned like a bell
To ring with once being touched, I drew a wreath
Drenched, blinding me with dew, across my brow,
And fastening it behind so, . . turning faced
. . My public!–Cousin Romney–with a mouth
Twice graver than his eyes.
I stood there fixed–
My arms up, like the caryatid, sole
Of some abolished temple, helplessly
Persistent in a gesture which derides
A former purpose. Yet my blush was flame,
As if from flax, not stone.
The earliest of Aurora's!'
Hand stretched out
I clasped, as shipwrecked men will clasp a hand,
Indifferent to the sort of palm. The tide
Had caught me at my pastime, writing down
My foolish name too near upon the sea
Which drowned me with a blush as foolish. 'You,
The smile died out in his eyes
And dropped upon his lips, a cold dead weight,
For just a moment . . 'Here's a book, I found!
No name writ on it–poems, by the form;
Some Greek upon the margin,–lady's Greek,
Without the accents. Read it? Not a word.
I saw at once the thing had witchcraft in't,
Whereof the reading calls up dangerous spirits;
I rather bring it to the witch.'
You found it.' . .
'In the hollow by the stream,
That beach leans down into–of which you said,
The Oread in it has a Naiad's heart
And pines for waters.'
My cousin! that I have seen you not too much
A witch, a poet, scholar, and the rest,
To be a woman also.'
With a glance
The smile rose in his eyes again, and touched
The ivy on my forehead, light as air.
I answered gravely, 'Poets needs must be
Or men or women–more's the pity.'
But men, and still less women, happily,
Scarce need be poets. Keep to the green wreath,
Since even dreaming of the stone and bronze
Brings headaches, pretty cousin, and defiles
The clean white morning dresses.'
'So you judge!
Because I love the beautiful, I must
Love pleasure chiefly, and be overcharged
For ease and whiteness! Well–you know the world.
And only miss your cousin; 'tis not much!–
But learn this: I would rather take my part
With God's Dead, who afford to walk in white
Yet spread His glory, than keep quiet here,
And gather up my feet from even a step,
For fear to soil my gown in so much dust.
I choose to walk at all risks.–Here, if heads
That hold a rhythmic thought, must ache perforce,
For my part, I choose headaches,–and to-day's
'Dear Aurora, choose instead
To cure such. You have balsams.'
The headache is too noble for my sex.
You think the heartache would sound decenter,
Since that's the woman's special, proper ache,
And altogether tolerable, except
To a woman.'
Saying which, I loosed my wreath.
And, swinging it beside me as I walked,
Half petulant, half playful, as we walked,
I sent a sidelong look to find his thought,–
As falcon set on falconer's finger may,
With sidelong head, and startled, braving eye,
Which means, 'You'll see–you'll see! I'll soon take flight–
You shall not hinder.' He, as shaking out
His hand and answering 'Fly then,' did not speak,
Except by such a gesture. Silently
We paced, until, just coming into sight
Of the house-windows, he abruptly caught
At one end of the swinging wreath, and said
'Aurora!' There I stopped short, breath and all.
'Aurora, let's be serious, and throw by
This game of head and heart. Life means, be sure,
Both heart and head,–both active, both complete,
And both in earnest. Men and women make
The world, as head and heart make human life.
Work man, work woman, since there's work to do
In this beleaguered earth, for head and heart,
And thought can never do the work of love!
But work for ends, I mean for uses; not
For such sleek fringes (do you call them ends?
Still less God's glory) as we sew ourselves
Upon the velvet of those baldaquins
Held 'twixt us and the sun. That book of yours,
I have not read a page of; but I toss
A rose up–it falls calyx down, you see! . .
The chances are that, being a woman, young,
And pure, with such a pair of large, calm eyes, . .
You write as well . . and ill . . upon the whole,
As other women. If as well, what then?
If even a little better, . . still what then?
We want the Best in art now, or no art.
The time is done for facile settings up
Of minnow gods, nymphs here, and tritons there;
The polytheists have gone out in God,
That unity of Bests. No best, no God!–
And so with art, we say. Give art's divine,
Direct, indubitable, real as grief,–
Or leave us to the grief we grow ourselves
Divine by overcoming with mere hope
And most prosaic patience. You, you are young
As Eve with nature's daybreak on her face;
But this same world you are come to, dearest coz,
Has done with keeping birthdays, saves her wreaths
To hang upon her ruins,–and forgets
To rhyme the cry with which she still beats back
Those savage, hungry dogs that hunt her down
To the empty grave of Christ. The world's hard pressed;
The sweat of labour in the early curse
Has (turning acrid in six thousand years)
Become the sweat of torture. Who has time,
An hour's time . . think! . . to sit upon a bank
And hear the cymbal tinkle in white hands!
When Egypt's slain, I say, let Miriam sing!–
Before . . where's Moses?'
Where's Moses?–is a Moses to be found?–
You'll sink him vainly in the bulrushes,
While I in vain touch cymbals. Yet, concede,
Such sounding brass has done some actual good,
(The application in a woman's hand,
If that were credible, being scarcely spoilt,)
In colonising beehives.'
'There it is!–
You play beside a death-bed like a child,
Yet measure to yourself a prophet's place
To teach the living. None of all these things,
Can women understand. You generalise,
Oh, nothing!–not even grief! Your quick-breathed hearts,
So sympathetic to the personal pang,
Close on each separate knife-stroke, yielding up
A whole life at each wound; incapable
Of deepening, widening a large lap of life
To hold the world-full woe. The human race
To you means, such a child, or such a man,
You saw one morning waiting in the cold,
Beside that gate, perhaps. You gather up
A few such cases, and, when strong, sometimes
Will write of factories and of slaves, as if
Your father were a negro, and your son
A spinner in the mills. All's yours and you,–
All, coloured with your blood, or otherwise
Just nothing to you. Why, I call you hard
To general suffering. Here's the world half blind
With intellectual light, half brutalised
With civilization, having caught the plague
In silks from Tarsus, shrieking east and west
Along a thousand railroads, mad with pain
And sin too! . . does one woman of you all,
(You who weep easily) grow pale to see
This tiger shake his cage?–does one of you
Stand still from dancing, stop from stringing pearls
And pine and die, because of the great sum
Of universal anguish?–Show me a tear
Wet as Cordelia's, in eyes bright as yours,
Because the world is mad? You cannot count,
That you should weep for this account, not you!
You weep for what you know. A red-haired child
Sick in a fever, if you touch him once,
Though but so little as with a finger-tip,
Will set you weeping! but a million sick . .
You could as soon weep for the rule of three,
Or compound fractions. Therefore, this same world
Uncomprehended by you must remain
Uninfluenced by you. Women as you are,
Mere women, personal and passionate,
You give us doating mothers, and chaste wives.
Sublime Madonnas, and enduring saints!
We get no Christ from you,–and verily
We shall not get a poet, in my mind.'
'With which conclusion you conclude' . .
That you, Aurora, with the large live brow
And steady eyelids, cannot condescend
To play at art, as children play at swords,
To show a pretty spirit, chiefly admired
Because true action is impossible.
You never can be satisfied with praise
Which men give women when they judge a book
Not as mere work, but as mere woman's work,
Expressing the comparative respect
Which means the absolute scorn. 'Oh, excellent!
'What grace! what facile turns! what fluent sweeps!
'What delicate discernment . . almost thought!
'The book does honour to the sex, we hold.
'Among our female authors we make room
'For this fair writer, and congratulate
'The country that produces in these times
'Such women, competent to . . spell.
I answered–burning through his thread of talk
With a quick flame of emotion,–'You have read
My soul, if not my book, and argue well
I would not condescend . . we will not say
To such a kind of praise, (a worthless end
Is praise of all kinds) but to such a use
Of holy art and golden life. I am young,
And peradventure weak–you tell me so–
Through being a woman. And, for all the rest,
Take thanks for justice. I would rather dance
At fairs on tight-rope, till the babies dropped
Their gingerbread for joy,–than shift the types
For tolerable verse, intolerable
To men who act and suffer. Better far,
Pursue a frivolous trade by serious means,
Than a sublime art frivolously.'
Choose nobler work than either, O moist eyes,
And hurrying lips, and heaving heart! We are young
Aurora, you and I. The world . . look round . .
The world, we're come to late, is swollen hard
With perished generations and their sins:
The civiliser's spade grinds horribly
On dead men's bones, and cannot turn up soil
That's otherwise than fetid. All success
Proves partial failure; all advance implies
What's left behind; all triumph, something crushed
At the chariot-wheels; all government, some wrong:
And rich men make the poor, who curse the rich,
Who agonise together, rich and poor,
Under and over, in the social spasm
And crisis of the ages. Here's an age,
That makes its own vocation! here, we have stepped
Across the bounds of time! here's nought to see,
But just the rich man and just Lazarus,
And both in torments; with a mediate gulph,
Though not a hint of Abraham's bosom. Who,
Being man and human, can stand calmly by
And view these things, and never tease his soul
For some great cure? No physic for this grief,
In all the earth and heavens too?'
In God, for your part?–ay? That He who makes,
Can make good things from ill things, best from worst,
As men plant tulips upon dunghills when
They wish them finest?'
'True. A death-heat is
The same as life-heat, to be accurate;
And in all nature is no death at all,
As men account of death, as long as God
Stands witnessing for life perpetually,'
By being just God. That's abstract truth, I know,
Philosophy, or sympathy with God:
But I, I sympathise with man, not God,
I think I was a man for chiefly this;
And when I stand beside a dying bed,
It's death to me. Observe,–it had not much
Consoled the race of mastodons to know
Before they went to fossil, that anon
Their place should quicken with the elephant
They were not elephants but mastodons:
And I, a man, as men are now, and not
As men may be hereafter, feel with men
In the agonising present.'
'Is it so,'
I said, 'my cousin? is the world so bad,
While I hear nothing of it through the trees?
The world was always evil,–but so bad?'
'So bad, Aurora. Dear, my soul is grey
With poring over the long sum of ill;
So much for vice, so much for discontent,
So much for the necessities of power,
So much for the connivances of fear,–
Coherent in statistical despairs
With such a total of distracted life, . .
To see it down in figures on a page,
Plain, silent, clear . . as God sees through the earth
The sense of all the graves! . . . that's terrible
For one who is not God, and cannot right
The wrong he looks on. May I choose indeed
But vow away my years, my means, my aims,
Among the helpers, if there's any help
In such a social strait? The common blood
That swings along my veins, is strong enough
To draw me to this duty.'
Then I spoke.
'I have not stood long on the strand of life,
And these salt waters have had scarcely time
To creep so high up as to wet my feet.
I cannot judge these tides–I shall, perhaps.
A woman's always younger than a man
At equal years, because she is disallowed
Maturing by the outdoor sun and air,
And kept in long-clothes past the age to walk.
Ah well, I know you men judge otherwise!
You think a woman ripens as a peach,–
In the cheeks, chiefly. Pass it to me now;
I'm young in age, and younger still, I think,
As a woman. But a child may say amen
To a bishop's prayer and see the way it goes;
And I, incapable to loose the knot
Of social questions, can approve, applaud
August compassion, christian thoughts that shoot
Beyond the vulgar white of personal aims.
Accept my reverence.'
There he glowed on me
With all his face and eyes. 'No other help?'
Said he–'no more than so?'
'What help?' I asked.
'You'd scorn my help,–as Nature's self, you say,
Has scorned to put her music in my mouth,
Because a woman's. Do you now turn round
And ask for what a woman cannot give?'
'For what she only can, I turn and ask,'
He answered, catching up my hands in his,
And dropping on me from his high-eaved brow
The full weight of his soul,–'I ask for love,
And that, she can; for life in fellowship
Through bitter duties–that, I know she can;
For wifehood . . will she?'
'Now,' I said, 'may God
Be witness 'twixt us two!' and with the word,
Meseemed I floated into a sudden light
Above his stature,–'am I proved too weak
To stand alone, yet strong enough to bear
Such leaners on my shoulder? poor to think,
Yet rich enough to sympathise with thought?
Incompetent to sing, as blackbirds can,
Yet competent to love, like HIM?'
Perhaps I darkened, as the lighthouse will
That turns upon the sea. 'It's always so!
Anything does for a wife.'
And dearly honoured' . . he pressed in at once
With eager utterance,–'you translate me ill.
I do not contradict my thought of you
Which is most reverent, with another thought
Found less so. If your sex is weak for art,
(And I who said so, did but honour you
By using truth in courtship) it is strong
For life and duty. Place your fecund heart
In mine, and let us blossom for the world
That wants love's colour in the grey of time.
With all my talk I can but set you where
You look down coldly on the arena-heaps
Of headless bodies, shapeless, indistinct!
The Judgment-Angel scarce would find his way
Through such a heap of generalised distress,
To the individual man with lips and eyes–
Much less Aurora. Ah, my sweet, come down,
And, hand in hand, we'll go where yours shall touch
These victims, one by one! till one by one,
The formless, nameless trunk of every man
Shall seem to wear a head, with hair you know,
And every woman catch your mother's face
To melt you into passion.'
'I am a girl,'
I answered slowly; 'you do well to name
My mother's face. Though far too early, alas,
God's hand did interpose 'twixt it and me,
I know so much of love, as used to shine
In that face and another. Just so much;
No more indeed at all. I have not seen
So much love since, I pray you pardon me,
As answers even to make a marriage with,
In this cold land of England. What you love,
Is not a woman, Romney, but a cause:
You want a helpmate, not a mistress, sir,–
A wife to help your ends . . in her no end!
Your cause is noble, your ends excellent,
But I, being most unworthy of these and that,
Do otherwise conceive of love. Farewell.'
'Farewell, Aurora, you reject me thus?'
'Why, sir, you are married long ago.
You have a wife already whom you love,
Your social theory. Bless you both, I say.
For my part, I am scarcely meek enough
To be the handmaid of a lawful spouse.
Do I look a Hagar, think you?'
'So, you jest!'
'Nay so, I speak in earnest,' I replied.
'You treat of marriage too much like, at least,
A chief apostle; you would bear with you
A wife . . a sister . . shall we speak it out?
A sister of charity.'
'Then, must it be
Indeed farewell? And was I so far wrong
In hope and in illusion, when I took
The woman to be nobler than the man,
Yourself the noblest woman,–in the use
And comprehension of what love is,–love,
That generates the likeness of itself
Through all heroic duties? so far wrong
In saying bluntly, venturing truth on love,
'Come, human creature, love and work with me,'–
Instead of, 'Lady, thou art wondrous fair,
'And, where the Graces walk before, the Muse
'Will follow at the lighting of the eyes,
'And where the Muse walks, lovers need to creep
'Turn round and love me, or I die of love.
With quiet indignation I broke in.
'You misconceive the question like a man,
Who sees a woman as the complement
Of his sex merely. You forget too much
That every creature, female as the male,
Stands single in responsible act and thought
As also in birth and death. Whoever says
To a loyal woman, 'Love and work with me,'
Will get fair answers, if the work and love
Being good themselves, are good for her–the best
She was born for. Women of a softer mood,
Surprised by men when scarcely awake to life,
Will sometimes only hear the first word, love,
And catch up with it any kind of work,
Indifferent, so that dear love go with it:
I do not blame such women, though, for love,
They pick much oakum; earth's fanatics make
Too frequently heaven's saints. But me, your work
Is not the best for,–nor your love the best,
Nor able to commend the kind of work
For love's sake merely. Ah, you force me, sir,
To be over-bold in speaking of myself,–
I, too, have my vocation,–work to do,
The heavens and earth have set me, since I changed
My father's face for theirs,–and though your world
Were twice as wretched as you represent
Most serious work, most necessary work,
As any of the economists'. Reform,
Make trade a Christian possibility,
And individual right no general wrong;
Wipe out earth's furrows of the Thine and Mine,
And leave one green, for men to play at bowls;
With innings for them all! . . what then, indeed,
If mortals were not greater by the head
Than any of their prosperities? what then,
Unless the artist keep up open roads
Betwixt the seen and unseen,–bursting through
The best of your conventions with his best
The unspeakable, imaginable best
God bids him speak, to prove what lies beyond
Both speech and imagination? A starved man
Exceeds a fat beast: we'll not barter, sir,
The beautiful for barley.–And, even so,
I hold you will not compass your poor ends
Of barley-feeding and material ease,
Without a poet's individualism
To work your universal. It takes a soul,
To move a body: it takes a high-souled man,
To move the masses . . even to a cleaner stye:
It takes the ideal, to blow a hair's breadth off
The dust of the actual.–ah, your Fouriers failed,
Because not poets enough to understand
That life develops from within.–For me,
Perhaps I am not worthy, as you say,
Of work like this! . . perhaps a woman's soul
Aspires, and not creates! yet we aspire,
And yet I'll try out your perhapses, sir;
And if I fail . . why, burn me up my straw
Like other false works–I'll not ask for grace,
Your scorn is better, cousin Romney. I
Who love my art, would never wish it lower
To suit my stature. I may love my art,
You'll grant that even a woman may love art,
Seeing that to waste true love on anything,
Is womanly, past question.'
The very last word which I said, that day,
As you the creaking of the door, years past,
Which let upon you such disabling news
You ever after have been graver. He,
His eyes, the motions in his silent mouth,
Were fiery points on which my words were caught,
Transfixed for ever in my memory
For his sake, not their own. And yet I know
I did not love him . . nor he me . . that's sure . .
And what I said, is unrepented of,
As truth is always. Yet . . a princely man!–
If hard to me, heroic for himself!
He bears down on me through the slanting years,
The stronger for the distance. If he had loved,
Ay, loved me, with that retributive face, . .
I might have been a common woman now,
And happier, less known and less left alone;
Perhaps a better woman after all,–
With chubby children hanging on my neck
To keep me low and wise. Ah me, the vines
That bear such fruit are proud to stoop with it.
The palm stands upright in a realm of sand.
And I, who spoke the truth then, stand upright,
Still worthy of having spoken out the truth,
By being content I spoke it, though it set
Him there, me here.–O woman's vile remorse,
To hanker after a mere name, a show,
A supposition, a potential love!
Does every man who names love in our lives,
Become a power for that? is love's true thing
So much best to us, that what personates love
Is next best? A potential love, forsooth!
We are not so vile. No, no–he cleaves, I think,
This man, this image, . . chiefly for the wrong
And shock he gave my life, in finding me
Precisely where the devil of my youth
Had set me, on those mountain-peaks of hope
All glittering with the dawn-dew, all erect
And famished for the morning,–saying, while
I looked for empire and much tribute, 'Come,
I have some worthy work for thee below.
Come, sweep my barns, and keep my hospitals,–
And I will pay thee with a current coin
Which men give women.'
As we spoke, the grass
Was trod in haste beside us, and my aunt,
With smile distorted by the sun,–face, voice,
As much at issue with the summer-day
As if you brought a candle out of doors,–
Broke in with, 'Romney, here!–My child, entreat
Your cousin to the house, and have your talk,
If girls must talk upon their birthdays. Come.'
He answered for me calmly, with pale lips
That seemed to motion for a smile in vain.
'The talk is ended, madam, where we stand.
Your brother's daughter has dismissed me here;
And all my answer can be better said
Beneath the trees, than wrong by such a word
Your house's hospitalities. Farewell.'
With that he vanished. I could hear his heel
Ring bluntly in the lane, as down he leapt
The short way, from us.–Then, a measured speech
Withdrew me. 'What means this, Aurora Leigh?
My brother's daughter has dismissed my guests?'
The lion in me felt the keeper's voice,
Through all its quivering dewlaps: I was quelled
Before her,–meekened to the child she knew:
I prayed her pardon, said, 'I had little thought
To give dismissal to a guest of hers,
In letting go a friend of mine, who came
To take me into service as a wife,–
No more than that, indeed.'
'No more, no more?
Pray heaven,' she answered, 'that I was not mad.
I could not mean to tell her to her face
That Romney Leigh had asked me for a wife,
And I refused him?'
'Did he ask?' I said;
'I think he rather stooped to take me up
For certain uses which he found to do
For something called a wife. He never asked.'
'What stuff!' she answered; 'are they queens, these girls?
They must have mantles, stitched with twenty silks,
Spread out upon the ground, before they'll step
One footstep for the noblest lover born.'
'But I am born,' I said with firmness, 'I,
To walk another way than his, dear aunt.'
'You walk, you walk! A babe at thirteen months
Will walk as well as you,' she cried in haste,
'Without a steadying finger. Why, you child,
God help you, you are groping in the dark,
For all this sunlight. You suppose, perhaps,
That you, sole offspring of an opulent man,
Are rich and free to choose a way to walk?
You think, and it's a reasonable thought,
That I besides, being well to do in life,
Will leave my handful in my niece's hand
When death shall paralyse these fingers? Pray,
Pray, child,–albeit I know you love me not,–
As if you loved me, that I may not die!
For when I die and leave you, out you go,
(Unless I make room for you in my grave)
Unhoused, unfed, my dear, poor brother's lamb,
(Ah heaven,–that pains!)–without a right to crop
A single blade of grass beneath these trees,
Or cast a lamb's small shadow on the lawn,
Unfed, unfolded! Ah, my brother, here's
The fruit you planted in your foreign loves!–
Ay, there's the fruit he planted! never look
Astonished at me with your mother's eyes,
For it was they, who set you where you are,
An undowered orphan. Child, your father's choice
Of that said mother, disinherited
His daughter, his and hers. Men do not think
Of sons and daughters, when they fall in love,
So much more than of sisters; otherwise,
He would have paused to ponder what he did,
And shrunk before that clause in the entail
Excluding offspring by a foreign wife
(The clause set up a hundred years ago
By a Leigh who wedded a French dancing-girl
And had his heart danced over in return)
But this man shrunk at nothing, never thought
Of you, Aurora, any more than me–
Your mother must have been a pretty thing,
For all the coarse Italian blacks and browns,
To make a good man, which my brother was,
Unchary of the duties to his house;
But so it fell indeed. Our cousin Vane,
Vane Leigh, the father of this Romney, wrote
Directly on your birth, to Italy,
'I ask your baby daughter for my son
In whom the entail now merges by the law.
Betroth her to us out of love, instead
Of colder reasons, and she shall not lose
By love or law from henceforth'–so he wrote;
A generous cousin, was my cousin Vane.
Remember how he drew you to his knee
The year you came here, just before he died,
And hollowed out his hands to hold your cheeks,
And wished them redder,–you remember Vane?
And now his son who represents our house
And holds the fiefs and manors in his place,
To whom reverts my pittance when I die,
(Except a few books and a pair of shawls)
The boy is generous like him, and prepared
To carry out his kindest word and thought
To you, Aurora. Yes, a fine young man
Is Romney Leigh; although the sun of youth
Has shone too straight upon his brain, I know,
And fevered him with dreams of doing good
To good-for-nothing people. But a wife
Will put all right, and stroke his temples cool
With healthy touches' . .
I broke in at that.
I could not lift my heavy heart to breathe
Till then, but then I raised it, and it fell
In broken words like these–'No need to wait.
The dream of doing good to . . me, at least,
Is ended, without waiting for a wife
To cool the fever for him. We've escaped
That danger . . thank Heaven for it.'
You,' she cried,
'Have got a fever. What, I talk and talk
An hour long to you,–I instruct you how
You cannot eat or drink or stand or sit
Or even die, like any decent wretch
In all this unroofed and unfurnished world,
Without your cousin,–and you still maintain
There's room 'twixt him and you, for flirting fans
And running knots in eyebrows! You must have
A pattern lover sighing on his knee:
You do not count enough a noble heart,
Above book-patterns, which this very morn
Unclosed itself, in two dear fathers' names,
To embrace your orphaned life! fie, fie! But stay
I write a word, and counteract this sin.'
She would have turned to leave me, but I clung.
'O sweet my father's sister, hear my word
Before you write yours. Cousin Vane did well,
And Romney well,–and I well too,
In casting back with all my strength and will
The good they meant me. O my God, my God!
God meant me good, too, when he hindered me
From saying 'yes' this morning. If you write
A word, it shall be 'no.' I say no, no!
I tie up 'no' upon His altar-horns
Quite out of reach of perjury! At least
My soul is not a pauper; I can live
At least my soul's life, without alms from men,
And if it must be in heaven instead of earth,
Let heaven look to it,–I am not afraid.'
She seized my hands with both hers, strained them fast
And drew her probing and unscrupulous eyes
Right through me, body and heart. 'Yet, foolish Sweet,
You love this man. I have watched you when he came
And when he went, and when we've talked of him:
I am not old for nothing; I can tell
The weather-signs of love–you love this man.'
Girls blush, sometimes, because they are alive,
Half wishing they were dead to save the shame.
The sudden blush devours them, neck and brow;
They have drawn too near the fire of life, like gnats,
And flare up bodily, wings and all. What then?
Who's sorry for a gnat . . or girl?
I feel the brand upon my forehead now
Strike hot, sear deep, as guiltless men may feel
The felon's iron, say, and scorn the mark
Of what they are not. Most illogical
Irrational nature of our womanhood,
That blushes one way, feels another way,
And prays, perhaps, another! After all,
We cannot be the equal of the male,
Who rules his blood a little.
I blushed indeed, as if I loved the man,
And her incisive smile, accrediting
That treason of false witness in my blush,
Did bow me downward like a swathe of grass
Below its level that struck me,–I attest
The conscious skies and all their daily suns,
I think I loved him not . . nor then, nor since . .
Nor ever. Do we love the schoolmaster,
Being busy in the woods? much less, being poor,
The overseer of the parish? Do we keep
Our love, to pay our debts with?
White and cold
I grew next moment. As my blood recoiled
From that imputed ignominy, I made
My heart great with it. Then, at last I spoke,–
Spoke veritable words, but passionate,
Too passionate perhaps . . ground up with sobs
To shapeless endings. She let fall my hands,
And took her smile off, in sedate disgust,
As peradventure she had touched a snake,–
A dead snake, mind!–and, turning round, replied
'We'll leave Italian manners, if you please.
I think you had an English father, child,
And ought to find it possible to speak
A quiet 'yes' or 'no,' like English girls,
Without convulsions. In another month
We'll take another answer . . no, or yes.'
With that she left me in the garden-walk.
I had a father! yes, but long ago–
How long it seemed that moment!–Oh, how far,
How far and safe, God, dost thou keep thy saints
When once gone from us! We may call against
The lighted windows of thy fair June-heaven
Where all the souls are happy,–and not one,
Not even my father, look from work or play
To ask, 'Who is it that cries after us,
Below there, in the dusk?' Yet formerly
He turned his face upon me quick enough,
If I said 'father.' Now I might cry loud;
The little lark reached higher with his song
Than I with crying. Oh, alone, alone,–
Not troubling any in heaven, nor any on earth,
I stood there in the garden, and looked up
The deaf blue sky that brings the roses out
On such June mornings.
You who keep account
Of crisis and transition in this life,
Set down the first time Nature says plain 'no'
To some 'yes' in you, and walks over you
In gorgeous sweeps of scorn. We all begin
By singing with the birds, and running fast
With June-days, hand in hand: but once, for all,
The birds must sing against us, and the sun
Strike down upon us like a friend's sword caught
By an enemy to slay us, while we read
The dear name on the blade which bites at us!–
That's bitter and convincing: after that
We seldom doubt that something in the large
Smooth order of creation, though no more
Than haply a man's footstep, has gone wrong.
Some tears fell down my cheeks, and then I smiled,
As those smile who have no face in the world
To smile back to them. I had lost a friend
In Romney Leigh; the thing was sure–a friend,
Who had looked at me most gently now and then,
And spoken of my favourite books . . 'our books' . .
With such a voice! Well, voice and look were now
More utterly shut out from me, I felt,
Than even my father's. Romney now was turned
To a benefactor, to a generous man,
Who had tied himself to marry . . me, instead
Of such a woman, with low timorous lids
He lifted with a sudden word one day,
And left, perhaps, for my sake.–Ah, self-tied
By a contract,–male Iphigenia, bound
At a fatal Aulis, for the winds to change,
(But loose him–they'll not change;) he well might seem
A little cold and dominant in love!
He had a right to be dogmatical,
This poor, good Romney. Love, to him, was made
A simple law-clause. If I married him,
I would not dare to call my soul my own,
Which so he had bought and paid for: every thought
And every heart-beat down there in the bill,–
Not one found honestly deductible
From any use that pleased him! He might cut
My body into coins to give away
Among his other paupers; change my sons,
While I stood dumb as Griseld, for black babes
Or piteous foundlings; might unquestioned set
My right hand teaching in the Ragged Schools,
My left hand washing in the Public Baths,
What time my angel of the Ideal stretched
Both his to me in vain! I could not claim
The poor right of a mouse in a trap, to squeal.
And take so much as pity, from myself.
Farewell, good Romney! if I loved you even,
I could but ill afford to let you be
So generous to me. Farewell, friend, since friend
Betwixt us two, forsooth, must be a word
So heavily overladen. And, since help
Must come to me from those who love me not,
Farewell, all helpers–I must help myself,
And am alone from henceforth.–Then I stooped,
And lifted the soiled garland from the ground,
And set it on my head as bitterly
As when the Spanish king did crown the bones
Of his dead love. So be it. I preserve
That crown still,–in the drawer there! 'twas the first;
The rest are like it;–those Olympian crowns,
We run for, till we lose sight of the sun
In the dust of the racing chariots!
Before the evening fell, I had a note
Which ran,–'Aurora, sweet Chaldean, you read
My meaning backward like your eastern books,
While I am from the west, dear. Read me now
A little plainer. Did you hate me quite
But yesterday? I loved you for my part;
I love you. If I spoke untenderly
This morning, my beloved, pardon it;
And comprehend me that I loved you so,
I set you on the level of my soul,
And overwashed you with the bitter brine
Of some habitual thoughts. Henceforth, my flower,
Be planted out of reach of any such,
And lean the side you please, with all your leaves!
Write woman's verses and dream woman's dreams;
But let me feel your perfume in my home,
To make my sabbath after working-days;
Bloom out your youth beside me,–be my wife.'
I wrote in answer–'We, Chaldeans, discern
Still farther than we read. I know your heart
And shut it like the holy book it is,
Reserved for mild-eyed saints to pore upon
Betwixt their prayers at vespers. Well, you're right,
I did not surely hate you yesterday;
And yet I do not love you enough to-day
To wed you, cousin Romney. Take this word,
And let it stop you as a generous man
From speaking farther. You may tease, indeed,
And blow about my feelings, or my leaves,–
And here's my aunt will help you with east winds,
And break a stalk, perhaps, tormenting me;
But certain flowers grow near as deep as trees,
And, cousin, you'll not move my root, not you,
With all your confluent storms. Then let me grow
Within my wayside hedge, and pass your way!
This flower has never as much to say to you
As the antique tomb which said to travellers, 'Pause,
'Siste, viator. Ending thus, I signed.
The next week passed in silence, so the next,
And several after: Romney did not come,
Nor my aunt chide me. I lived on and on,
As if my heart were kept beneath a glass,
And everybody stood, all eyes and ears,
To see and hear it tick. I could not sit,
Nor walk, nor take a book, nor lay it down,
Nor sew on steadily, nor drop a stitch
And a sigh with it, but I felt her looks
Still cleaving to me, like the sucking asp
To Cleopatra's breast, persistently
Through the intermittent pantings. Being observed,
When observation is not sympathy,
Is just being tortured. If she said a word,
A 'thank you,' or an 'if it please you, dear.'
She meant a commination, or, at best,
An exorcism against the devildom
Which plainly held me. So with all the house.
Susannah could not stand and twist my hair,
Without such glancing at the looking-glass
To see my face there, that she missed the plait:
And John,–I never sent my plate for soup,
Or did not send it, but the foolish John
Resolved the problem, 'twixt his napkined thumbs,
Of what was signified by taking soup
Or choosing mackerel. Neighbours, who dropped in
On morning visits, feeling a joint wrong,
Smiled admonition, sate uneasily,
And talked with measured, emphasised reserve,
Of parish news, like doctors to the sick,
When not called in,–as if, with leave to speak,
They might say something. Nay, the very dog
Would watch me from his sun-patch on the floor,
In alternation with the large black fly
Not yet in reach of snapping. So I lived.
A Roman died so: smeared with honey, teased
By insects, stared to torture by the noon:
And many patient souls 'neath English roofs
Have died like Romans. I, in looking back,
Wish only, now, I had borne the plague of all
With meeker spirits than were rife in Rome.
For, on the sixth week, the dead sea broke up,
Dashed suddenly through beneath the heel of Him
Who stands upon the sea and earth, and swears
Time shall be nevermore. The clock struck nine
That morning, too,–no lark was out of tune;
The hidden farms among the hills, breathed straight
Their smoke toward heaven; the lime-trees scarcely stirred
Beneath the blue weight of the cloudless sky,
Though still the July air came floating through
The woodbine at my window, in and out,
With touches of the out-door country-news
For a bending forehead. There I sate, and wished
That morning-truce of God would last till eve,
Or longer. 'Sleep,' I thought, 'late sleepers,–sleep,
And spare me yet the burden of your eyes.'
Then, suddenly, a single ghastly shriek
Tore upwards from the bottom of the house.
Like one who wakens in a grave and shrieks,
The still house seemed to shriek itself alive,
And shudder through its passages and stairs
With slam of doors and clash of bells.–I sprang,
I stood up in the middle of the room,
And there confronted at my chamber-door,
A white face,–shivering, ineffectual lips.
'Come, come,' they tried to utter, and I went;
As if a ghost had drawn me at the point
Of a fiery finger through the uneven dark,
I went with reeling footsteps down the stair.
Nor asked a question.
There she sate, my aunt,–
Bolt upright in the chair beside her bed,
Whose pillow had no dint! she had used no bed
For that night's sleeping . . yet slept well. My God
The dumb derision of that grey, peaked face
Concluded something grave against the sun,
Which filled the chamber with its July burst
When Susan drew the curtains, ignorant
Of who sate open-eyed behind her. There,
She sate . . it sate . . we said 'she' yesterday . .
And held a letter with unbroken seal,
As Susan gave it to her hand last night:
All night she had held it. If its news referred
To duchies or to dunghills, not an inch
She'd budge, 'twas obvious, for such worthless odds:
Nor, though the stars were suns, and overburned
Their spheric limitations, swallowing up
Like wax the azure spaces, could they force
Those open eyes to wink once. What last sight
Had left them blank and flat so,–drawing out
The faculty of vision from the roots,
As nothing more, worth seeing, remained behind?
Were those the eyes that watched me, worried me?
That dogged me up and down the hours and days,
A beaten, breathless, miserable soul?
And did I pray, a half hour back, but so,
To escape the burden of those eyes . . those eyes?
'Sleep late' I said.–
Why now, indeed, they sleep.
God answers sharp and sudden on some prayers,
And thrusts the thing we have prayed for in our face,
A gauntlet with a gift in't. Every wish
Is like a prayer . . With God.
I had my wish,–
To read and meditate the thing I would,
To fashion all my life upon my thought,
And marry, or not marry. Henceforth, none
Could disapprove me, vex me, hamper me.
Full ground-room, in this desert newly made,
For Babylon or Balbec,–when the breath,
Just choked with sand, returns, for building towns!
The heir came over on the funeral day,
And we two cousins met before the dead,
With two pale faces. Was it death or life
That moved us? When the will was read and done,
The official guest and witnesses withdrawn,
We rose up in a silence almost hard,
And looked at one another. Then I said,
'Farewell, my cousin.'
But he touched, just touched
My hatstrings tied for going, (at the door
The carriage stood to take me) and said low,
His voice a little unsteady through his smile,
'Is there time,' I asked,
'In these last days of railroads, to stop short
Like Cæsar's chariot (weighing half a ton)
On the Appian road for morals?'
'There is time,'
He answered grave, 'for necessary words,
Inclusive, trust me, of no epitaph
On man or act, my cousin. We have read
A will, which gives you all the personal goods
And funded monies of your aunt.'
Her memory for it. With three hundred pounds
We buy in England even, clear standing-room
To stand and work in. Only two hours since,
I fancied I was poor.'
'And cousin, still
You're richer than you fancy. The will says,
Three hundred pounds, and any other sum
Of which the said testatrix dies possessed.
I say she died possessed of other sums.'
'Dear Romney, need we chronicle the pence?
I'm richer than I thought–that's evident.
'Listen rather. You've to do
With business and a cousin,' he resumed,
'And both, I fear, need patience. Here's the fact.
The other sum (there is another sum,
Unspecified in any will which dates
After possession, yet bequeathed as much
And clearly as those said three hundred pounds)
Is thirty thousand. You will have it paid
When? . . where? My duty troubles you with words.'
He struck the iron when the bar was hot;
No wonder if my eyes sent out some sparks.
'Pause there! I thank you. You are delicate
In glosing gifts;–but I, who share your blood,
Am rather made for giving, like yourself,
Than taking, like your pensioners. Farewell.'
He stopped me with a gesture of calm pride.
'A Leigh,' he said, 'gives largesse and gives love,
But gloses neither: if a Leigh could glose,
He would not do it, moreover, to a Leigh,
With blood trained up along nine centuries
To hound and hate a lie, from eyes like yours.
And now we'll make the rest as clear; your aunt
Possessed these monies.'
'You'll make it clear,
My cousin, as the honour of us both,
Or one of us speaks vainly–that's not I.
My aunt possessed this sum,–inherited
From whom, and when? bring documents, prove dates.'
'Why now indeed you throw your bonnet off.
As if you had time left for a logarithm!
The faith's the want. Dear cousin, give me faith,
And you shall walk this road with silken shoes,
As clean as any lady of our house
Supposed the proudest. Oh, I comprehend
The whole position from your point of sight.
I oust you from your father's halls and lands,
And make you poor by getting rich–that's law;
Considering which, in common circumstance,
You would not scruple to accept from me
Some compensation, some sufficiency
Of income–that were justice; but, alas,
I love you . . that's mere nature!–you reject
My love . . that's nature also;–and at once,
You cannot, from a suitor disallowed,
A hand thrown back as mine is, into yours
Receive a doit, a farthing, . . not for the world!
That's etiquette with women, obviously
Exceeding claim of nature, law, and right,
Unanswerable to all. I grant, you see,
The case as you conceive it,–leave you room
To sweep your ample skirts of womanhood;
While, standing humbly squeezed against the wall,
I own myself excluded from being just,
Restrained from paying indubitable debts,
Because denied from giving you my soul–
That's my fortune!–I submit to it
As if, in some more reasonable age,
'Twould not be less inevitable. Enough.
You'll trust me, cousin, as a gentleman,
To keep your honour, as you count it, pure,–
Your scruples (just as if I thought them wise)
Safe and inviolate from gifts of mine.'
I answered mild but earnest. 'I believe
In no one's honour which another keeps,
Nor man's nor woman's. As I keep, myself,
My truth and my religion, I depute
No father, though I had one this side death,
Nor brother, though I had twenty, much less you,
Though twice my cousin, and once Romney Leigh,
To keep my honour pure. You face, today,
A man who wants instruction, mark me, not
A woman who wants protection. As to a man,
Show manhood, speak out plainly, be precise
With facts and dates. My aunt inherited
This sum, you say–'
'I said she died possessed
Of this, dear cousin.'
'Not by heritage.
Thank you: we're getting to the facts at last.
Perhaps she played at commerce with a ship
Which came in heavy with Australian gold?
Or touched a lottery with her finger-end,
Which tumbled on a sudden into her lap
Some old Rhine tower or principality?
Perhaps she had to do with a marine
Sub-transatlantic railroad, which pre-pays
As well as pre-supposes? or perhaps
Some stale ancestral debt was after-paid
By a hundred years, and took her by surprise?–
You shake your head my cousin; I guess ill.'
'You need not guess, Aurora, nor deride,
The truth is not afraid of hurting you.
You'll find no cause, in all your scruples, why
Your aunt should cavil at a deed of gift
'Twixt her and me.'
'I thought so–ah! a gift.'
'You naturally thought so,' he resumed.
'A very natural gift.'
'A gift, a gift!
Her individual life being stranded high
Above all want, approaching opulence,
Too haughty was she to accept a gift
Without some ultimate aim: ah, ah, I see,–
A gift intended plainly for her heirs,
And so accepted . . if accepted . . ah,
Indeed that might be; I am snared perhaps,
Just so. But, cousin, shall I pardon you,
If thus you have caught me with a cruel springe?'
He answered gently, 'Need you tremble and pant
Like a netted lioness? is't my fault, mine,
That you're a grand wild creature of the woods,
And hate the stall built for you? Any way,
Though triply netted, need you glare at me?
I do not hold the cords of such a net,
You're free from me, Aurora!'
'Now may God
Deliver me from this strait! This gift of yours
Was tendered . . when? accepted . . when?' I asked.
'A month . . a fortnight since? Six weeks ago
It was not tendered. By a word she dropped,
I know it was not tendered nor received.
When was it? bring your dates.'
'What matters when?
A half-hour ere she died, or a half-year,
Secured the gift, maintains the heritage
Inviolable with law. As easy pluck
The golden stars from heaven's embroidered stole,
To pin them on the grey side of this earth,
As make you poor again, thank God.'
Nor clean again from henceforth, you thank God?
Well, sir–I ask you . . I insist at need . .
Vouchsafe the special date, the special date.'
'The day before her death-day,' he replied,
'The gift was in her hands. We'll find that deed,
And certify that date to you.'
Who has climbed a mountain-height and carried up
His own heart climbing, panting in his throat
With the toil of the ascent, takes breath at last,
Looks back in triumph–so I stood and looked:
'Dear cousin Romney, we have reached the top
Of this steep question, and may rest, I think.
But first, I pray you pardon, that the shock
And surge of natural feeling and event
Had made me oblivious of acquainting you
That this, this letter . . unread, mark,–still sealed,
Was found enfolded in the poor dead hand:
That spirit of hers had gone beyond the address,
Which could not find her though you wrote it clear.–
I know your writing, Romney,–recognise
The open-hearted A, the liberal sweep
Of the G. Now listen,–let us understand;
You will not find that famous deed of gift,
Unless you find it in the letter here,
Which, not being mine, I give you back.–Refuse
To take the letter? well then–you and I,
As writer and as heiress, open it
Together, by your leave.–Exactly so:
The words in which the noble offering's made,
Are nobler still, my cousin; and, I own,
The proudest and most delicate heart alive,
Distracted from the measure of the gift
By such a grace in giving, might accept
Your largesse without thinking any more
Of the burthen of it, than King Solomon
Considered, when he wore his holy ring
Charactered over with the ineffable spell,
How many carats of fine gold made up
Its money-value. So, Leigh gives to Leigh–
Or rather, might have given, observe!–for that's
The point we come to. Here's a proof of gift,
But here's no proof, sir, of acceptancy,
But rather, disproof. Death's black dust, being blown,
Infiltrated through every secret fold
Of this sealed letter by a puff of fate,
Dried up for ever the fresh-written ink,
Annulled the gift, disutilised the grace,
And left these fragments.'
As I spoke, I tore
The paper up and down, and down and up
And crosswise, till it fluttered from my hands,
As forest-leaves, stripped suddenly and rapt
By a whirlwind on Valdarno, drop again,
Drop slow, and strew the melancholy ground
Before the amazed hills . . why, so, indeed,
I'm writing like a poet, somewhat large
In the type of the image,–and exaggerate
A small thing with a great thing, topping it!–
But then I'm thinking how his eyes looked . . his
With what despondent and surprised reproach!
I think the tears were in them as he looked–
I think the manly mouth just trembled. Then
He broke the silence.
'I may ask, perhaps,
Although no stranger . . only Romney Leigh,
Which means still less . . than Vincent Carrington . .
Your plans in going hence, and where you go.
This cannot be a secret.'
'All my life
Is open to you, cousin. I go hence
To London, to the gathering-place of souls,
To live mine straight out, vocally, in books;
Harmoniously for others, if indeed
A woman's soul, like man's, be wide enough
To carry the whole octave (that's to prove)
Or, if I fail, still, purely for myself.
Pray God be with me, Romney.'
'Ah, poor child,
Who fight against the mother's 'tiring hand,
And choose the headsman's! May God change his world
For your sake, sweet, and make it mild as heaven,
And juster than I have found you!'
But I paused.
'And you, my cousin?'–
'I,' he said,–'you ask?
You care to ask? Well, girls have curious minds,
And fain would know the end of everything,
Of cousins, therefore, with the rest.
For me, Aurora, I've my work; you know my work;
And having missed this year some personal hope,
I must beware the rather that I miss
No reasonable duty. While you sing
Your happy pastorals of the meads and trees,
Bethink you that I go to impress and prove
On stifled brains and deafened ears, stunned deaf,
Crushed dull with grief, that nature sings itself,
And needs no mediate poet, lute or voice,
To make it vocal. While you ask of men
Your audience, I may get their leave perhaps
For hungry orphans to say audibly
'We're hungry, see,'–for beaten and bullied wives
To hold their unweaned babies up in sight,
Whom orphanage would better; and for all
To speak and claim their portion . . by no means
Of the soil, . . but of the sweat in tilling it,–
Since this is now-a-days turned privilege,
To have only God's curse on us, and not man's
Such work I have for doing, elbow-deep
In social problems,–as you tie your rhymes,
To draw my uses to cohere with needs,
And bring the uneven world back to its round;
Or, failing so much, fill up, bridge at least
To smoother issues, some abysmal cracks
And feuds of earth, intestine heats have made
To keep men separate,–using sorry shifts
Of hospitals, almshouses, infant schools,
And other practical stuff of partial good,
You lovers of the beautiful and whole,
Despise by system.'
'I despise? The scorn
Is yours, my cousin. Poets become such,
Through scorning nothing. You decry them for
The good of beauty, sung and taught by them,
While they respect your practical partial good
As being a part of beauty's self. Adieu!
When God helps all the workers for his world,
The singers shall have help of Him, not last.'
He smiled as men smile when they will not speak
Because of something bitter in the thought;
And still I feel his melancholy eyes
Look judgment on me. It is seven years since:
I know not if 'twas pity or 'twas scorn
Has made them so far-reaching: judge it ye
Who have had to do with pity more than love,
And scorn than hatred. I am used, since then,
To other ways, from equal men. But so,
Even so, we let go hands, my cousin and I,
And, in between us, rushed the torrent-world
To blanch our faces like divided rocks,
And bar for ever mutual sight and touch
Except through swirl of spray and all that roar.
What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)
Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,
Pay back thus the succession of affronts
Whereto this church had served as theatre?
For see: at that same altar where he lies,
To that same inch of step, was brought the babe
For blessing after baptism, and there styled
Pompilia, and a string of names beside,
By his bad wife, some seventeen years ago,
Who purchased her simply to palm on him,
Flatter his dotage and defraud the heirs.
Wait awhile! Also to this very step
Did this Violante, twelve years afterward,
Bring, the mock-mother, that child-cheat full-grown,
Pompilia, in pursuance of her plot,
And there brave God and man a second time
By linking a new victim to the lie.
There, having made a match unknown to him,
She, still unknown to Pietro, tied the knot
Which nothing cuts except this kind of knife;
Yes, made her daughter, as the girl was held,
Marry a man, and honest man beside,
And man of birth to boot,—clandestinely
Because of this, because of that, because
O' the devil's will to work his worst for once,—
Confident she could top her part at need
And, when her husband must be told in turn,
Ply the wife's trade, play off the sex's trick
And, alternating worry with quiet qualms,
Bravado with submissiveness, prettily fool
Her Pietro into patience: so it proved.
Ay, 't is four years since man and wife they grew,
This Guido Franceschini and this same
Pompilia, foolishly thought, falsely declared
A Comparini and the couple's child:
Just at this altar where, beneath the piece
Of Master Guido Reni, Christ on cross,
Second to nought observable in Rome,
That couple lie now, murdered yestereve.
Even the blind can see a providence here.
From dawn till now that it is growing dusk,
A multitude has flocked and filled the church,
Coming and going, coming back again,
Till to count crazed one. Rome was at the show.
People climbed up the columns, fought for spikes
O' the chapel-rail to perch themselves upon,
Jumped over and so broke the wooden work
Painted like porphyry to deceive the eye;
Serve the priests right! The organ-loft was crammed,
Women were fainting, no few fights ensued,
In short, it was a show repaid your pains:
For, though their room was scant undoubtedly,
Yet they did manage matters, to be just,
A little at this Lorenzo. Body o' me!
I saw a body exposed once … never mind!
Enough that here the bodies had their due.
No stinginess in wax, a row all round,
And one big taper at each head and foot.
So, people pushed their way, and took their turn,
Saw, threw their eyes up, crossed themselves, gave place
To pressure from behind, since all the world
Knew the old pair, could talk the tragedy
Over from first to last: Pompilia too,
Those who had known her—what 't was worth to them!
Guido's acquaintance was in less request;
The Count had lounged somewhat too long in Rome,
Made himself cheap; with him were hand and glove
Barbers and blear-eyed, as the ancient sings.
Also he is alive and like to be:
Had he considerately died,—aha!
I jostled Luca Cini on his staff,
Mute in the midst, the whole man one amaze,
Staring amain and crossing brow and breast.
"How now?" asked I. "'T is seventy years," quoth he,
"Since I first saw, holding my father's hand,
"Bodies set forth: a many have I seen,
"Yet all was poor to this I live and see.
"Here the world's wickedness seals up the sum:
"What with Molinos' doctrine and this deed,
"Antichrist surely comes and doomsday's near.
"May I depart in peace, I have seen my see."
"Depart then," I advised, "nor block the road
"For youngsters still behindhand with such sights!"
"Why no," rejoins the venerable sire,
"I know it's horrid, hideous past belief,
"Burdensome far beyond what eye can bear;
"But they do promise, when Pompilia dies
"I' the course o' the day,—and she can't outlive night,—
"They'll bring her body also to expose
"Beside the parents, one, two, three a-breast;
"That were indeed a sight, which might I see,
"I trust I should not last to see the like!"
Whereat I bade the senior spare his shanks,
Since doctors give her till to-night to live,
And tell us how the butchery happened. "Ah,
"But you can't know!" sighs he, "I'll not despair:
"Beside I'm useful at explaining things—
"As, how the dagger laid there at the feet,
"Caused the peculiar cuts; I mind its make,
"Triangular i' the blade, a Genoese,
"Armed with those little hook-teeth on the edge
"To open in the flesh nor shut again:
"I like to teach a novice: I shall stay!"
And stay he did, and stay be sure he will.
A personage came by the private door
At noon to have his look: I name no names:
Well then, His Eminence the Cardinal,
Whose servitor in honourable sort
Guido was once, the same who made the match,
(Will you have the truth?) whereof we see effect.
No sooner whisper ran he was arrived
Than up pops Curate Carlo, a brisk lad,
Who never lets a good occasion slip,
And volunteers improving the event.
We looked he'd give the history's self some help,
Treat us to how the wife's confession went
(This morning she confessed her crime, we know)
And, may-be, throw in something of the Priest—
If he's not ordered back, punished anew,
The gallant, Caponsacchi, Lucifer
I' the garden where Pompilia, Eve-like, lured
Her Adam Guido to his fault and fall.
Think you we got a sprig of speech akin
To this from Carlo, with the Cardinal there?
Too wary he was, too widely awake, I trow.
He did the murder in a dozen words;
Then said that all such outrages crop forth
I' the course of nature when Molinos' tares
Are sown for wheat, flourish and choke the Church:
So slid on to the abominable sect
And the philosophic sin—we've heard all that,
And the Cardinal too, (who book-made on the same)
But, for the murder, left it where he found.
Oh but he's quick, the Curate, minds his game!
And, after all, we have the main o' the fact:
Case could not well be simpler,—mapped, as it were,
We follow the murder's maze from source to sea,
By the red line, past mistake: one sees indeed
Not only how all was and must have been,
But cannot other than be to the end of time.
Turn out here by the Ruspoli! Do you hold
Guido was so prodigiously to blame?
A certain cousin of yours has told you so?
Exactly! Here's a friend shall set you right,
Let him but have the handsel of your ear.
These wretched Comparini were once gay
And galliard, of the modest middle class:
Born in this quarter seventy years ago
And married young, they lived the accustomed life,
Citizens as they were of good repute:
And, childless, naturally took their ease
With only their two selves to care about
And use the wealth for: wealthy is the word,
Since Pietro was possessed of house and land—
And specially one house, when good days smiled,
In Via Vittoria, the aspectable street
Where he lived mainly; but another house
Of less pretension did he buy betimes,
The villa, meant for jaunts and jollity,
I' the Pauline district, to be private there—
Just what puts murder in an enemy's head.
Moreover,—here's the worm i' the core, the germ
O' the rottenness and ruin which arrived,—
He owned some usufruct, had moneys' use
Lifelong, but to determine with his life
In heirs' default: so, Pietro craved an heir,
(The story always old and always new)
Shut his fool's-eyes fast on the visible good
And wealth for certain, opened them owl-wide
On fortune's sole piece of forgetfulness,
The child that should have been and would not be.
Hence, seventeen years ago, conceive his glee
When first Violante, 'twixt a smile and blush,
With touch of agitation proper too,
Announced that, spite of her unpromising age,
The miracle would in time be manifest,
An heir's birth was to happen: and it did.
Somehow or other,—how, all in good time!
By a trick, a sleight of hand you are to hear,—
A child was born, Pompilia, for his joy,
Plaything at once and prop, a fairy-gift,
A saints' grace or, say, grant of the good God,—
A fiddle-pin's end! What imbeciles are we!
Look now: if some one could have prophesied,
"For love of you, for liking to your wife,
"I undertake to crush a snake I spy
"Settling itself i' the soft of both your breasts.
"Give me yon babe to strangle painlessly!
"She'll soar to the safe: you'll have your crying out,
"Then sleep, then wake, then sleep, then end your days
"In peace and plenty, mixed with mild regret,
"Thirty years hence when Christmas takes old folk"—
How had old Pietro sprung up, crossed himself,
And kicked the conjuror! Whereas you and I,
Being wise with after-wit, had clapped our hands;
Nay, added, in the old fool's interest,
"Strangle the black-eyed babe, so far so good,
"But on condition you relieve the man
"O' the wife and throttle him Violante too—
"She is the mischief!"
We had hit the mark.
She, whose trick brought the babe into the world,
She it was, when the babe was grown a girl,
Judged a new trick should reinforce the old,
Send vigour to the lie now somewhat spent
By twelve years' service; lest Eve's rule decline
Over this Adam of hers, whose cabbage-plot
Throve dubiously since turned fools' paradise,
Spite of a nightingale on every stump.
Pietro's estate was dwindling day by day,
While he, rapt far above such mundane care,
Crawled all-fours with his baby pick-a-back,
Sat at serene cats'-cradle with his child,
Or took the measured tallness, top to toe,
Of what was grown a great girl twelve years old:
Till sudden at the door a tap discreet,
A visitor's premonitory cough,
And poverty had reached him in her rounds.
This came when he was past the working-time,
Had learned to dandle and forgot to dig,
And who must but Violante cast about,
Contrive and task that head of hers again?
She who had caught one fish, could make that catch
A bigger still, in angler's policy:
So, with an angler's mercy for the bait,
Her minnow was set wriggling on its barb
And tossed to mid-stream; which means, this grown girl
With the great eyes and bounty of black hair
And first crisp youth that tempts a jaded taste,
Was whisked i' the way of a certain man, who snapped.
Count Guido Franceschini the Aretine
Was head of an old noble house enough,
Not over-rich, you can't have everything,
But such a man as riches rub against,
Readily stick to,—one with a right to them
Born in the blood: 't was in his very brow
Always to knit itself against the world,
Beforehand so, when that world stinted due
Service and suit: the world ducks and defers.
As such folks do, he had come up to Rome
To better his fortune, and, since many years,
Was friend and follower of a cardinal;
Waiting the rather thus on providence
That a shrewd younger poorer brother yet,
The Abate Paolo, a regular priest,
Had long since tried his powers and found he swam
With the deftest on the Galilean pool:
But then he was a web-foot, free o' the wave,
And no ambiguous dab-chick hatched to strut,
Humbled by any fond attempt to swim
When fiercer fowl usurped his dunghill top—
A whole priest, Paolo, no mere piece of one
Like Guido tacked thus to the Church's tail!
Guido moreover, as the head o' the house,
Claiming the main prize, not the lesser luck,
The centre lily, no mere chickweed fringe.
He waited and learned waiting, thirty years;
Got promise, missed performance—what would you have?
No petty post rewards a nobleman
For spending youth in splendid lackey-work,
And there's concurrence for each rarer prize;
When that falls, rougher hand and readier foot
Push aside Guido spite of his black looks.
The end was, Guido, when the warning showed,
The first white hair i' the glass, gave up the game,
Determined on returning to his town,
Making the best of bad incurable,
Patching the old palace up and lingering there
The customary life out with his kin,
Where honour helps to spice the scanty bread.
Just as he trimmed his lamp and girt his loins
To go his journey and be wise at home,
In the right mood of disappointed worth,
Who but Violante sudden spied her prey
(Where was I with that angler-simile?)
And threw her bait, Pompilia, where he sulked—
A gleam i' the gloom!
What if he gained thus much,
Wrung out this sweet drop from the bitter Past,
Bore off this rose-bud from the prickly brake
To justify such torn clothes and scratched hands,
And, after all, brought something back from Rome?
Would not a wife serve at Arezzo well
To light the dark house, lend a look of youth
To the mother's face grown meagre, left alone
And famished with the emptiness of hope,
Old Donna Beatrice? Wife you want
Would you play family-representative,
Carry you elder-brotherly, high and right
O'er what may prove the natural petulance
Of the third brother, younger, greedier still,
Girolamo, also a fledgeling priest,
Beginning life in turn with callow beak
Agape for luck, no luck had stopped and stilled.
Such were the pinks and greys about the bait
Persuaded Guido gulp down hook and all.
What constituted him so choice a catch,
You question? Past his prime and poor beside!
Ask that of any she who knows the trade.
Why first, here was a nobleman with friends,
A palace one might run to and be safe
When presently the threatened fate should fall,
A big-browed master to block door-way up,
Parley with people bent on pushing by
And praying the mild Pietro quick clear scores:
Is birth a privilege and power or no?
Also,—but judge of the result desired,
By the price paid and manner of the sale.
The Count was made woo, win and wed at once:
Asked, and was haled for answer, lest the heat
Should cool, to San Lorenzo, one blind eve,
And had Pompilia put into his arms
O' the sly there, by a hasty candle-blink,
With sanction of some priest-confederate
Properly paid to make short work and sure.
So did old Pietro's daughter change her style
For Guido Franceschini's lady-wife
Ere Guido knew it well; and why this haste
And scramble and indecent secrecy?
"Lest Pietro, all the while in ignorance,
"Should get to learn, gainsay and break the match:
"His peevishness had promptly put aside
"Such honour and refused the proffered boon,
"Pleased to become authoritative once.
"She remedied the wilful man's mistake—"
Did our discreet Violante. Rather say,
Thus did she, lest the object of her game,
Guido the gulled one, give him but a chance,
A moment's respite, time for thinking twice,
Might count the cost before he sold himself,
And try the clink of coin they paid him with.
But coin paid, bargain struck and business done,
Once the clandestine marriage over thus,
All parties made perforce the best o' the fact;
Pietro could play vast indignation off,
Be ignorant and astounded, dupe, poor soul,
Please you, of daughter, wife and son-in-law,
While Guido found himself in flagrant fault,
Must e'en do suit and service, soothe, subdue
A father not unreasonably chafed,
Bring him to terms by paying son's devoir.
The end, this:
Guido's broad back was saddled to bear all—
Pietro, Violante, and Pompilia too,—
Three lots cast confidently in one lap,
Three dead-weights with one arm to lift the three
Out of their limbo up to life again.
The Roman household was to strike fresh root
In a new soil, graced with a novel name,
Gilt with an alien glory, Aretine
Henceforth and never Roman any more,
By treaty and engagement; thus it ran:
Pompilia's dowry for Pompilia's self
As a thing of course,—she paid her own expense;
No loss nor gain there: but the couple, you see,
They, for their part, turned over first of all
Their fortune in its rags and rottenness
To Guido, fusion and confusion, he
And his with them and theirs,—whatever rag
With coin residuary fell on floor
When Brother Paolo's energetic shake
Should do the relics justice: since 't was thought,
Once vulnerable Pietro out of reach,
That, left at Rome as representative,
The Abate, backed by a potent patron here,
And otherwise with purple flushing him,
Might play a good game with the creditor,
Make up a moiety which, great or small,
Should go to the common stock—if anything,
Guido's, so far repayment of the cost
About to be,—and if, as looked more like,
Nothing,—why, all the nobler cost were his
Who guaranteed, for better or for worse,
To Pietro and Violante, house and home,
Kith and kin, with the pick of company
And life o' the fat o' the land while life should last.
How say you to the bargain at first blush?
Why did a middle-aged not-silly man
Show himself thus besotted all at once?
Quoth Solomon, one black eye does it all.
They went to Arezzo,—Pietro and his spouse,
With just the dusk o' the day of life to spend,
Eager to use the twilight, taste a treat,
Enjoy for once with neither stay nor stint
The luxury of lord-and-lady-ship,
And realize the stuff and nonsense long
A-simmer in their noddles; vent the fume
Born there and bred, the citizen's conceit
How fares nobility while crossing earth,
What rampart or invisible body-guard
Keeps off the taint of common life from such.
They had not fed for nothing on the tales
Of grandees who give banquets worthy Jove,
Spending gold as if Plutus paid a whim,
Served with obeisances as when … what God?
I'm at the end of my tether; 't is enough
You understand what they came primed to see:
While Guido who should minister the sight,
Stay all this qualmish greediness of soul
With apples and with flagons—for his part,
Was set on life diverse as pole from pole:
Lust of the flesh, lust of the eye,—what else
Was he just now awake from, sick and sage,
After the very debauch they would begin?—
Suppose such stuff and nonsense really were.
That bubble, they were bent on blowing big,
He had blown already till he burst his cheeks,
And hence found soapsuds bitter to the tongue.
He hoped now to walk softly all his days
In soberness of spirit, if haply so,
Pinching and paring he might furnish forth
A frugal board, bare sustenance, no more,
Till times, that could not well grow worse, should mend.
Thus minded then, two parties mean to meet
And make each other happy. The first week,
And fancy strikes fact and explodes in full.
"This," shrieked the Comparini, "this the Count,
"The palace, the signorial privilege,
"The pomp and pageantry were promised us?
"For this have we exchanged our liberty,
"Our competence, our darling of a child?
"To house as spectres in a sepulchre
"Under this black stone-heap, the street's disgrace,
"Grimmest as that is of the gruesome town,
"And here pick garbage on a pewter plate
"Or cough at verjuice dripped from earthenware?
"Oh Via Vittoria, oh the other place
"I' the Pauline, did we give you up for this?
"Where's the foregone housekeeping good and gay,
"The neighbourliness, the companionship,
"The treat and feast when holidays came round,
"The daily feast that seemed no treat at all,
"Called common by the uncommon fools we were!
"Even the sun that used to shine at Rome,
"Where is it? Robbed and starved and frozen too,
"We will have justice, justice if there be!"
Did not they shout, did not the town resound!
Guido's old lady-mother Beatrice,
Who since her husband, Count Tommaso's death,
Had held sole sway i' the house,—the doited crone
Slow to acknowledge, curtsey and abdicate,—
Was recognized of true novercal type,
Dragon and devil. His brother Girolamo
Came next in order: priest was he? The worse!
No way of winning him to leave his mumps
And help the laugh against old ancestry
And formal habits long since out of date,
Letting his youth be patterned on the mode
Approved of where Violante laid down law.
Or did he brighten up by way of change,
Dispose himself for affability?
The malapert, too complaisant by half
To the alarmed young novice of a bride!
Let him go buzz, betake himself elsewhere
Nor singe his fly-wings in the candle-flame!
Four months' probation of this purgatory,
Dog-snap and cat-claw, curse and counterblast,
The devil's self were sick of his own din;
And Pietro, after trumpeting huge wrongs
At church and market-place, pillar and post,
Square's corner, street's end, now the palace-step
And now the wine-house bench—while, on her side,
Violante up and down was voluble
In whatsoever pair of ears would perk
From goody, gossip, cater-cousin and sib,
Curious to peep at the inside of things
And catch in the act pretentious poverty
At its wits' end to keep appearance up,
Make both ends meet,—nothing the vulgar loves
Like what this couple pitched them right and left.
Then, their worst done that way, both struck tent, marched:
—Renounced their share o' the bargain, flung what dues
Guido was bound to pay, in Guido's face,
Left their hearts'-darling, treasure of the twain
And so forth, the poor inexperienced bride,
To her own devices, bade Arezzo rot,
Cursed life signorial, and sought Rome once more.
I see the comment ready on your lip,
"The better fortune, Guido's—free at least
"By this defection of the foolish pair,
"He could begin make profit in some sort
"Of the young bride and the new quietness,
"Lead his own life now, henceforth breathe unplagued."
Could he? You know the sex like Guido's self.
Learn the Violante-nature!
Once in Rome,
By way of helping Guido lead such life,
Her first act to inaugurate return
Was, she got pricked in conscience: Jubilee
Gave her the hint. Our Pope, as kind as just,
Attained his eighty years, announced a boon
Should make us bless the fact, held Jubilee—
Short shrift, prompt pardon for the light offence
And no rough dealing with the regular crime
So this occasion were not suffered slip—
Otherwise, sins commuted as before,
Without the least abatement in the price.
Now, who had thought it? All this while, it seems,
Our sage Violante had a sin of a sort
She must compound for now or not at all.
Now be the ready riddance! She confessed
Pompilia was a fable not a fact:
She never bore a child in her whole life.
Had this child been a changeling, that were grace
In some degree, exchange is hardly theft,
You take your stand on truth ere leap your lie:
Here was all lie, no touch of truth at all,
All the lie hers—not even Pietro guessed
He was as childless still as twelve years since.
The babe had been a find i' the filth-heap, Sir,
Catch from the kennel! There was found at Rome,
Down in the deepest of our social dregs,
A woman who professed the wanton's trade
Under the requisite thin coverture,
Communis meretrix and washer-wife:
The creature thus conditioned found by chance
Motherhood like a jewel in the muck,
And straightway either trafficked with her prize
Or listened to the tempter and let be,—
Made pact abolishing her place and part
In womankind, beast-fellowship indeed.
She sold this babe eight months before its birth
To our Violante, Pietro's honest spouse,
Well-famed and widely-instanced as that crown
To the husband, virtue in a woman's shape.
She it was, bought, paid for, passed off the thing
As very flesh and blood and child of her
Despite the flagrant fifty years,—and why?
Partly to please old Pietro, fill his cup
With wine at the late hour when lees are left,
And send him from life's feast rejoicingly,—
Partly to cheat the rightful heirs, agape,
Each uncle's cousin's brother's son of him,
For that same principal of the usufruct
It vext him he must die and leave behind.
Such was the sin had come to be confessed.
Which of the tales, the first or last, was true?
Did she so sin once, or, confessing now,
Sin for the first time? Either way you will.
One sees a reason for the cheat: one sees
A reason for a cheat in owning cheat
Where no cheat had been. What of the revenge?
What prompted the contrition all at once,
Made the avowal easy, the shame slight?
Why, prove they but Pompilia not their child,
No child, no dowry! this, supposed their child,
Had claimed what this, shown alien to their blood,
Claimed nowise: Guido's claim was through his wife,
Null then and void with hers. The biter bit,
Do you see! For such repayment of the past,
One might conceive the penitential pair
Ready to bring their case before the courts,
Publish their infamy to all the world
And, arm in arm, go chuckling thence content.
Is this your view? 'T was Guido's anyhow
And colourable: he came forward then,
Protested in his very bride's behalf
Against this lie and all it led to, least
Of all the loss o' the dowry; no! From her
And him alike he would expunge the blot,
Erase the brand of such a bestial birth,
Participate in no hideous heritage
Gathered from the gutter to be garnered up
And glorified in a palace. Peter and Paul!
But that who likes may look upon the pair
Exposed in yonder church, and show his skill
By saying which is eye and which is mouth
Thro' those stabs thick and threefold,—but for that—
A strong word on the liars and their lie
Might crave expression and obtain it, Sir!
—Though prematurely, since there's more to come,
More that will shake your confidence in things
Your cousin tells you,—may I be so bold?
This makes the first act of the farce,—anon
The sombre element comes stealing in
Till all is black or blood-red in the piece.
Guido, thus made a laughing-stock abroad,
A proverb for the market-place at home,
Left alone with Pompilia now, this graft
So reputable on his ancient stock,
This plague-seed set to fester his sound flesh,
What does the Count? Revenge him on his wife?
Unfasten at all risks to rid himself
The noisome lazar-badge, fall foul of fate,
And, careless whether the poor rag was ware
O' the part it played, or helped unwittingly,
Bid it go burn and leave his frayed flesh free?
Plainly, did Guido open both doors wide,
Spurn thence the cur-cast creature and clear scores
As man might, tempted in extreme like this?
No, birth and breeding, and compassion too
Saved her such scandal. She was young, he thought,
Not privy to the treason, punished most
I' the proclamation of it; why make her
A party to the crime she suffered by?
Then the black eyes were now her very own,
Not any more Violante's: let her live,
Lose in a new air, under a new sun,
The taint of the imputed parentage
Truly or falsely, take no more the touch
Of Pietro and his partner anyhow!
All might go well yet.
So she thought, herself,
It seems, since what was her first act and deed
When news came how these kindly ones at Rome
Had stripped her naked to amuse the world
With spots here, spots there and spots everywhere?
—For I should tell you that they noised abroad
Not merely the main scandal of her birth,
But slanders written, printed, published wide,
Pamphlets which set forth all the pleasantry
Of how the promised glory was a dream,
The power a bubble, and the wealth—why, dust.
There was a picture, painted to the life,
Of those rare doings, that superlative
Initiation in magnificence
Conferred on a poor Roman family
By favour of Arezzo and her first
And famousest, the Franceschini there.
You had the Countship holding head aloft
Bravely although bespattered, shifts and straits
In keeping out o' the way o' the wheels o' the world,
The comic of those home-contrivances
When the old lady-mother's with was taxed
To find six clamorous mouths in food more real
Than fruit plucked off the cobwebbed family-tree,
Or acorns shed from its gilt mouldered frame—
Cold glories served up with stale fame for sauce.
What, I ask,—when the drunkenness of hate
Hiccuped return for hospitality,
Befouled the table they had feasted on,
Or say,—God knows I'll not prejudge the case,—
Grievances thus distorted, magnified,
Coloured by quarrel into calumny,—
What side did our Pompilia first espouse?
Her first deliberate measure was—she wrote,
Pricked by some loyal impulse, straight to Rome
And her husband's brother the Abate there,
Who, having managed to effect the match,
Might take men's censure for its ill success.
She made a clean breast also in her turn,
And qualified the couple properly,
Since whose departure, hell, she said, was heaven,
And the house, late distracted by their peals,
Quiet as Carmel where the lilies live.
Herself had oftentimes complained: but why?
All her complaints had been their prompting, tales
Trumped up, devices to this very end.
Their game had been to thwart her husband's love
And cross his will, malign his words and ways,
To reach this issue, furnish this pretence
For impudent withdrawal from their bond,—
Theft, indeed murder, since they meant no less
Whose last injunction to her simple self
Had been—what parents'-precept do you think?
That she should follow after with all speed,
Fly from her husband's house clandestinely,
Join them at Rome again, but first of all
Pick up a fresh companion in her flight,
So putting youth and beauty to fit use,—
Some gay dare-devil cloak-and-rapier spark
Capable of adventure,—helped by whom
She, some fine eve when lutes were in the air,
Having put poison in the posset-cup,
Laid hands on money, jewels and the like,
And, to conceal the thing with more effect,
By way of parting benediction too,
Fired the house,—one would finish famously
I' the tumult, slip out, scurry off and away
And turn up merrily at home once more.
Fact this, and not a dream o' the devil, Sir!
And more than this, a fact none dare dispute,
Word for word, such a letter did she write,
And such the Abate read, nor simply read
But gave all Rome to ruminate upon,
In answer to such charges as, I say,
The couple sought to be beforehand with.
The cause thus carried to the courts at Rome,
Guido away, the Abate had no choice
But stand forth, take his absent brother's part,
Defend the honour of himself beside.
He made what head he might against the pair,
Maintained Pompilia's birth legitimate
And all her rights intact—hers, Guido's now:
And so far by his policy turned their flank,
(The enemy being beforehand in the place)
That,—though the courts allowed the cheat for fact,
Suffered Violante to parade her shame,
Publish her infamy to heart's content,
And let the tale o' the feigned birth pass for proved,—
Yet they stopped there, refused to intervene
And dispossess the innocents, befooled
By gifts o' the guilty, at guilt's new caprice.
They would not take away the dowry now
Wrongfully given at first, nor bar at all
Succession to the aforesaid usufruct,
Established on a fraud, nor play the game
Of Pietro's child and now not Pietro's child
As it might suit the gamester's purpose. Thus
Was justice ever ridiculed in Rome:
Such be the double verdicts favoured here
Which send away both parties to a suit
Nor puffed up nor cast down,—for each a crumb
Of right, for neither of them the whole loaf.
Whence, on the Comparini's part, appeal—
Counter-appeal on Guido's,—that's the game:
And so the matter stands, even to this hour,
Bandied as balls are in a tennis-court,
And so might stand, unless some heart broke first,
Leave it thus, and now revert
To the old Arezzo whence we moved to Rome.
We've had enough o' the parents, false or true,
Now for a touch o' the daughter's quality.
The start's fair henceforth, every obstacle
Out of the young wife's footpath, she's alone,
Left to walk warily now: how does she walk?
Why, once a dwelling's threshold marked and crossed
In rubric by the enemy on his rounds
As eligible, as fit place of prey,
Baffle him henceforth, keep him out who can!
Stop up the door at the first hint of hoof,
Presently at the window taps a horn,
And Satan's by your fireside, never fear!
Pompilia, left alone now, found herself;
Found herself young too, sprightly, fair enough,
Matched with a husband old beyond his age
(Though that was something like four times her own)
Because of cares past, present and to come:
Found too the house dull and its inmates dead,
So, looked outside for light and life.
Did in a trice turn up with life and light,—
The man with the aureole, sympathy made flesh,
The all-consoling Caponsacchi, Sir!
A priest—what else should the consoler be?
With goodly shoulderblade and proper leg,
A portly make and a symmetric shape,
And curls that clustered to the tonsure quite.
This was a bishop in the bud, and now
A canon full-blown so far: priest, and priest
Nowise exorbitantly overworked,
The courtly Christian, not so much Saint Paul
As a saint of Cæsar's household: there posed he
Sending his god-glance after his shot shaft,
Apollos turned Apollo, while the snake
Pompilia writhed transfixed through all her spires.
He, not a visitor at Guido's house,
Scarce an acquaintance, but in prime request
With the magnates of Arezzo, was seen here,
Heard there, felt everywhere in Guido's path
If Guido's wife's path be her husband's too.
Now he threw comfits at the theatre
Into her lap,—what harm in Carnival?
Now he pressed close till his foot touched her gown,
His hand brushed hers,—how help on promenade?
And, ever on weighty business, found his steps
Incline to a certain haunt of doubtful fame
Which fronted Guido's palace by mere chance;
While—how do accidents sometimes combine!—
Pompilia chose to cloister up her charms
Just in a chamber that o'erlooked the street,
Sat there to pray, or peep thence at mankind.
This passage of arms and wits amused the town.
At last the husband lifted eyebrow,—bent
On day-book and the study how to wring
Half the due vintage from the worn-out vines
At the villa, tease a quarter the old rent
From the farmstead, tenants swore would tumble soon,—
Pricked up his ear a-singing day and night
With "ruin, ruin;"—and so surprised at last—
Why, what else but a titter? Up he jumps.
Back to mind come those scratchings at the grange,
Prints of the paw about the outhouse; rife
In his head at once again are word and wink,
Mum here and budget there, the smell o' the fox,
The must o' the gallant. "Friends, there's falseness here!"
The proper help of friends in such a strait
Is waggery, the world over. Laugh him free
O' the regular jealous-fit that's incident
To all old husbands that wed brisk young wives,
And he'll go duly docile all his days.
"Somebody courts your wife, Count? Where and when?
"How and why? Mere horn-madness: have a care!
"Your lady loves her own room, sticks to it,
"Locks herself in for hours, you say yourself.
"And—what, it's Caponsacchi means you harm?
"The Canon? We caress him, he's the world's,
"A man of such acceptance—never dream,
"Though he were fifty times the fox you fear,
"He'd risk his brush for your particular chick,
"When the wide town's his hen-roost! Fie o' the fool!"
So they dispensed their comfort of a kind.
Guido at last cried "Something is in the air,
"Under the earth, some plot against my peace.
"The trouble of eclipse hangs overheard;
"How it should come of that officious orb
"Your Canon in my system, you must say:
"I say—that from the pressure of this spring
"Began the chime and interchange of bells,
"Ever one whisper, and one whisper more,
"And just one whisper for the silvery last,
"Till all at once a-row the bronze-throats burst
"Into a larum both significant
"And sinister: stop it I must and will.
"Let Caponsacchi take his hand away
"From the wire!—disport himself in other paths
"Than lead precisely to my palace-gate,—
"Look where he likes except one window's way
"Where, cheek on hand, and elbow set on sill,
"Happens to lean and say her litanies
"Every day and all day long, just my wife—
"Or wife and Caponsacchi may fare the worse!"
Admire the man's simplicity, "I'll do this,
"I'll not have that, I'll punish and prevent!"—
'T is easy saying. But to a fray, you see,
Two parties go. The badger shows his teeth:
The fox nor lies down sheep-like nor dares fight.
Oh, the wife knew the appropriate warfare well,
The way to put suspicion to the blush!
At first hint of remonstrance, up and out
I' the face of the world, you found her: she could speak,
State her case,—Franceschini was a name,
Guido had his full share of foes and friends—
Why should not she call these to arbitrate?
She bade the Governor do governance,
Cried out on the Archbishop,—why, there now,
Take him for sample! Three successive times,
Had he to reconduct her by main-force
From where she took her station opposite
His shut door,—on the public steps thereto,
Wringing her hands, when he came out to see,
And shrieking all her wrongs forth at his foot,—
Back to the husband and the house she fled:
Judge if that husband warmed him in the face
Of friends or frowned on foes as heretofore!
Judge if he missed the natural grin of folk,
Or lacked the customary compliment
Of cap and bells, the luckless husband's fit!
So it went on and on till—who was right?
One merry April morning, Guido woke
After the cuckoo, so late, near noonday,
With an inordinate yawning of the jaws,
Ears plugged, eyes gummed together, palate, tongue
And teeth one mud-paste made of poppy-milk;
And found his wife flown, his scritoire the worse
For a rummage,—jewelry that was, was not,
Some money there had made itself wings too,—
The door lay wide and yet the servants slept
Sound as the dead, or dosed which does as well.
In short, Pompilia, she who, candid soul,
Had not so much as spoken all her life
To the Canon, nay, so much as peeped at him
Between her fingers while she prayed in church,—
This lamb-like innocent of fifteen years
(Such she was grown to by this time of day)
Had simply put an opiate in the drink
Of the whole household overnight, and then
Got up and gone about her work secure,
Laid hand on this waif and the other stray,
Spoiled the Philistine and marched out of doors
In company of the Canon who, Lord's love,
What with his daily duty at the church,
Nightly devoir where ladies congregate,
Had something else to mind, assure yourself,
Beside Pompilia, paragon though she be,
Or notice if her nose were sharp or blunt!
Well, anyhow, albeit impossible,
Both of them were together jollily
Jaunting it Rome-ward, half-way there by this,
While Guido was left go and get undrugged,
Gather his wits up, groaningly give thanks
When neighbours crowded round him to condole.
"Ah," quoth a gossip, "well I mind me now,
"The Count did always say he thought he felt
"He feared as if this very chance might fall!
"And when a man of fifty finds his corns
"Ache and his joints throb, and foresees a storm,
"Though neighbours laugh and say the sky is clear,
"Let us henceforth believe him weatherwise!"
Then was the story told, I'll cut you short:
All neighbours knew: no mystery in the world.
The lovers left at nightfall—over night
Had Caponsacchi come to carry off
Pompilia,—not alone, a friend of his,
One Guillichini, the more conversant
With Guido's housekeeping that he was just
A cousin of Guido's and might play a prank—
(Have not you too a cousin that's a wag?)
—Lord and a Canon also,—what would you have?
Such are the red-clothed milk-swollen poppy-heads
That stand and stiffen 'mid the wheat o' the Church!—
This worthy came to aid, abet his best.
And so the house was ransacked, booty bagged,
The lady led downstairs and out of doors
Guided and guarded till, the city passed,
A carriage lay convenient at the gate.
Good-bye to the friendly Canon; the loving one
Could peradventure do the rest himself.
In jumps Pompilia, after her the priest,
"Whip, driver! Money makes the mare to go,
"And we've a bagful. Take the Roman road!"
So said the neighbours. This was eight hours since.
Guido heard all, swore the befitting oaths,
Shook off the relics of his poison-drench,
Got horse, was fairly started in pursuit
With never a friend to follow, found the track
Fast enough, 't was the straight Perugia way,
Trod soon upon their very heels, too late
By a minute only at Camoscia, reached
Chiusi, Foligno, ever the fugitives
Just ahead, just out as he galloped in,
Getting the good news ever fresh and fresh,
Till, lo, at the last stage of all, last post
Before Rome,—as we say, in sight of Rome
And safety (there's impunity at Rome
For priests, you know) at—what's the little place?—
What some call Castelnuovo, some just call
The Osteria, because o' the post-house inn,
There, at the journey's all but end, it seems,
Triumph deceived them and undid them both,
Secure they might foretaste felicity
Nor fear surprisal: so, they were surprised.
There did they halt at early evening, there
Did Guido overtake them: 't was day-break;
He came in time enough, not time too much,
Since in the courtyard stood the Canon's self
Urging the drowsy stable-grooms to haste
Harness the horses, have the journey end,
The trifling four-hours'-running, so reach Rome.
And the other runaway, the wife? Upstairs,
Still on the couch where she had spent the night,
One couch in one room, and one room for both.
So gained they six hours, so were lost thereby.
Sir, what's the sequel? Lover and beloved
Fall on their knees? No impudence serves here?
They beat their breasts and beg for easy death,
Confess this, that and the other?—anyhow
Confess there wanted not some likelihood
To the supposition so preposterous,
That, O Pompilia, thy sequestered eyes
Had noticed, straying o'er the prayerbook's edge,
More of the Canon than that black his coat,
Buckled his shoes were, broad his hat of brim:
And that, O Canon, thy religious care
Had breathed too soft a benedicite
To banish trouble from a lady's breast
So lonely and so lovely, nor so lean!
This you expect? Indeed, then, much you err.
Not to such ordinary end as this
Had Caponsacchi flung the cassock far,
Doffed the priest, donned the perfect cavalier.
The die was cast: over shoes over boots:
And just as she, I presently shall show,
Pompilia, soon looked Helen to the life,
Recumbent upstairs in her pink and white,
So, in the inn-yard, bold as 't were Troy-town,
There strutted Paris in correct costume,
Cloak, cap and feather, no appointment missed,
Even to a wicked-looking sword at side,
He seemed to find and feel familiar at.
Nor wanted words as ready and as big
As the part he played, the bold abashless one.
"I interposed to save your wife from death,
"Yourself from shame, the true and only shame:
"Ask your own conscience else!—or, failing that,
"What I have done I answer, anywhere,
"Here, if you will; you see I have a sword:
"Or, since I have a tonsure as you taunt,
"At Rome, by all means,—priests to try a priest.
"Only, speak where your wife's voice can reply!"
And then he fingered at the sword again.
So, Guido called, in aid and witness both,
The Public Force. The Commissary came,
Officers also; they secured the priest;
Then, for his more confusion, mounted up
With him, a guard on either side, the stair
To the bed-room where still slept or feigned a sleep
His paramour and Guido's wife: in burst
The company and bade her wake and rise.
Her defence? This. She woke, saw, sprang upright
I' the midst and stood as terrible as truth,
Sprang to her husband's side, caught at the sword
That hung there useless,—since they held each hand
O' the lover, had disarmed him properly,—
And in a moment out flew the bright thing
Full in the face of Guido: but for help
O' the guards who held her back and pinioned her
With pains enough, she had finished you my tale
With a flourish of red all round it, pinked her man
Prettily; but she fought them one to six.
They stopped that,—but her tongue continued free:
She spat forth such invective at her spouse,
O'erfrothed him with such foam of murderer,
Thief, pandar—that the popular tide soon turned,
The favour of the very sbirri, straight
Ebbed from the husband, set toward his wife,
People cried "Hands off, pay a priest respect!"
And "persecuting fiend" and "martyred saint"
Began to lead a measure from lip to lip.
But facts are facts and flinch not; stubborn things,
And the question "Prithee, friend, how comes my purse
"I' the poke of you?"—admits of no reply.
Here was a priest found out in masquerade,
A wife caught playing truant if no more;
While the Count, mortified in mien enough,
And, nose to face, an added palm in length,
Was plain writ "husband" every piece of him:
Capture once made, release could hardly be.
Beside, the prisoners both made appeal,
"Take us to Rome!"
Taken to Rome they were;
The husband trooping after, piteously,
Tail between legs, no talk of triumph now—
No honour set firm on its feet once more
On two dead bodies of the guilty,—nay,
No dubious salve to honour's broken pate
From chance that, after all, the hurt might seem
A skin-deep matter, scratch that leaves no scar:
For Guido's first search,—ferreting, poor soul,
Here, there and everywhere in the vile place
Abandoned to him when their backs were turned,
Found,—furnishing a last and best regale,—
All the love-letters bandied 'twixt the pair
Since the first timid trembling into life
O' the love-star till its stand at fiery full.
Mad prose, mad verse, fears, hopes, triumph, despair,
Avowal, disclaimer, plans, dates, names,—was nought
Wanting to prove, if proof consoles at all,
That this had been but the fifth act o' the piece
Whereof the due proemium, months ago
These playwrights had put forth, and ever since
Matured the middle, added 'neath his nose.
He might go cross himself: the case was clear.
Therefore to Rome with the clear case; there plead
Each party its best, and leave law do each right,
Let law shine forth and show, as God in heaven,
Vice prostrate, virtue pedestalled at last,
The triumph of truth! What else shall glad our gaze
When once authority has knit the brow
And set the brain behind it to decide
Between the wolf and sheep turned litigants?
"This is indeed a business!" law shook head:
"A husband charges hard things on a wife,
"The wife as hard o' the husband: whose fault here?
"A wife that flies her husband's house, does wrong:
"The male friend's interference looks amiss,
"Lends a suspicion: but suppose the wife,
"On the other hand, be jeopardized at home—
"Nay, that she simply hold, ill-groundedly,
"An apprehension she is jeopardized,—
"And further, if the friend partake the fear,
"And, in a commendable charity
"Which trusteth all, trust her that she mistrusts,—
"What do they but obey law—natural law?
"Pretence may this be and a cloak for sin,
"And circumstances that concur i' the close
"Hint as much, loudly—yet scarce loud enough
"To drown the answer 'strange may yet be true:'
"Innocence often looks like guiltiness.
"The accused declare that in thought, word and deed,
"Innocent were they both from first to last
"As male-babe haply laid by female-babe
"At church on edge of the baptismal font
"Together for a minute, perfect-pure.
"Difficult to believe, yet possible,
"As witness Joseph, the friend's patron-saint.
"The night at the inn—there charity nigh chokes
"Ere swallow what they both asseverate;
"Though down the gullet faith may feel it go,
"When mindful of what flight fatigued the flesh
"Out of its faculty and fleshliness,
"Subdued it to the soul, as saints assure:
"So long a flight necessitates a fall
"On the first bed, though in a lion's den,
"And the first pillow, though the lion's back:
"Difficult to believe, yet possible.
"Last come the letters' bundled beastliness—
"Authority repugns give glance to—nay,
"Turns head, and almost lets her whip-lash fall;
"Yet here a voice cries 'Respite!' from the clouds—
"the accused, both in a tale, protest, disclaim,
"Abominate the horror: 'Not my hand'
"Asserts the friend—'Nor mine' chimes in the wife,
"'Seeing I have no hand, nor write at all.'
"Illiterate—for she goes on to ask,
"What if the friend did pen now verse now prose,
"Commend it to her notice now and then?
"'T was pearls to swine: she read no more than wrote,
"And kept no more than read, for as they fell
"She ever brushed the burr-like things away,
"Or, better, burned them, quenched the fire in smoke.
"As for this fardel, filth and foolishness,
"She sees it now the first time: burn it too!
"While for his part the friend vows ignorance
"Alike of what bears his name and bears here:
"'T is forgery, a felon's masterpiece,
"And, as 't is said the fox still finds the stench,
"Home-manufacture and the husband's work.
"Though he confesses, the ingenuous friend,
"That certain missives, letters of a sort,
"Flighty and feeble, which assigned themselves
"To the wife, no less have fallen, far too oft,
"In his path: wherefrom he understood just this—
"That were they verily the lady's own.
"Why, she who penned them, since he never saw
"Save for one minute the mere face of her,
"Since never had there been the interchange
"Of word with word between them all their life,
"Why, she must be the fondest of the frail,
"And fit, she for the 'apage' he flung,
"Her letters for the flame they went to feed!
"But, now he sees her face and hears her speech,
"Much he repents him if, in fancy-freak
"For a moment the minutest measurable,
"He coupled her with the first flimsy word
"O' the self-spun fabric some mean spider-soul
"Furnished forth: stop his films and stamp on him!
"Never was such a tangled knottiness,
"But thus authority cuts the Gordian through,
"And mark how her decision suits the need!
"Here's troublesomeness, scandal on both sides,
"Plenty of fault to find, no absolute crime:
"Let each side own its fault and make amends!
"What does a priest in cavalier's attire
"Consorting publicly with vagrant wives
"In quarters close as the confessional,
"Though innocent of harm? 'T is harm enough:
"Let him pay it,—say, be relegate a good
"Three years, to spend in some place not too far
"Nor yet too near, midway 'twixt near and far,
"Rome and Arezzo,—Civita we choose,
"Where he may lounge away time, live at large,
"Find out the proper function of a priest,
"Nowise an exile,—that were punishment,—
"But one our love thus keeps out of harm's way
"Not more from the husband's anger than, mayhap
"His own … say, indiscretion, waywardness,
"And wanderings when Easter eves grow warm.
"For the wife,—well, our best step to take with her,
"On her own showing, were to shift her root
"From the old cold shade and unhappy soil
"Into a generous ground that fronts the south
"Where, since her callow soul, a-shiver late,
"Craved simply warmth and called mere passers-by
"To the rescue, she should have her fill of shine.
"Do house and husband hinder and not help?
"Why then, forget both and stay here at peace,
"Come into our community, enroll
"Herself along with those good Convertites,
"Those sinners saved, those Magdalens re-made,
"Accept their ministration, well bestow
"Her body and patiently possess her soul,
"Until we see what better can be done.
"Last for the husband: if his tale prove true,
"Well is he rid of two domestic plagues—
"Both wife that ailed, do whatsoever he would,
"And friend of hers that undertook the cure.
"See, what a double load we lift from breast!
"Off he may go, return, resume old life,
"Laugh at the priest here and Pompilia there
"In limbo each and punished for their pains,
"And grateful tell the inquiring neighbourhood—
"In Rome, no wrong but has its remedy."
The case was closed. Now, am I fair or no
In what I utter? Do I state the facts,
Having forechosen a side? I promised you!
The Canon Caponsacchi, then, was sent
To change his garb, re-trim his tonsure, tie
The clerkly silk round, every plait correct,
Make the impressive entry on his place
Of relegation, thrill his Civita,
As Ovid, a like sufferer in the cause,
Planted a primrose-patch by Pontus: where,—
What with much culture of the sonnet-stave
And converse with the aborigines,
Soft savagery of eyes unused to roll
And hearts that all awry went pit-a-pat
And wanted setting right in charity,—
What were a couple of years to while away?
Pompilia, as enjoined, betook herself
To the aforesaid Convertites, soft sisterhood
In Via Lungara, where the light ones live,
Spin, pray, then sing like linnets o'er the flax.
"Anywhere, anyhow, out of my husband's house
"Is heaven," cried she,—was therefore suited so.
But for Count Guido Franceschini, he-
The injured man thus righted—found no heaven
I' the house when he returned there, I engage,
Was welcomed by the city turned upside down
In a chorus of inquiry. "What, back—you?
"And no wife? Left her with the Penitents?
"Ah, being young and pretty, 't were a shame
"To have her whipped in public: leave the job
"To the priests who understand! Such priests as yours—
"(Pontifex Maximus whipped Vestals once)
"Our madcap Caponsacchi: think of him!
"So, he fired up, showed fight and skill of fence?
"Ay, you drew also, but you did not fight!
"The wiser, 't is a word and a blow with him,
"True Caponsacchi, of old Head-i'-the-Sack
"That fought at Fiesole ere Florence was:
"He had done enough, to firk you were too much.
"And did the little lady menace you,
"Make at your breast with your own harmless sword?
"The spitfire! Well, thank God you're safe and sound,
"Have kept the sixth commandment whether or no
"The lady broke the seventh: I only wish
"I were as saint-like, could contain me so.
"I, the poor sinner, fear I should have left
"Sir Priest no nose-tip to turn up at me!"
You, Sir, who listen but interpose no word,
Ask yourself, had you borne a baiting thus?
Was it enough to make a wise man mad?
Oh, but I'll have your verdict at the end!
Well, not enough, it seems: such mere hurt falls,
Frets awhile, aches long, then grows less and less,
And so gets done with. Such was not the scheme
O' the pleasant Comparini: on Guido's wound
Ever in due succession, drop by drop,
Came slow distilment from the alembic here
Set on to simmer by Canidian hate,
Corrosives keeping the man's misery raw.
First fire-drop,—when he thought to make the best
O' the bad, to wring from out the sentence passed,
Poor, pitiful, absurd although it were,
Yet what might eke him out result enough
And make it worth while to have had the right
And not the wrong i' the matter judged at Rome.
Inadequate her punishment, no less
Punished in some slight sort his wife had been;
Then, punished for adultery, what else?
On such admitted crime he thought to seize,
And institute procedure in the courts
Which cut corruption of this kind from man,
Cast loose a wife proved loose and castaway:
He claimed in due form a divorce at least.
This claim was met now by a counterclaim:
Pompilia sought divorce from bed and board
Of Guido, whose outrageous cruelty,
Whose mother's malice and whose brother's hate
Were just the white o' the charge, such dreadful depths
Blackened its centre,—hints of worse than hate,
Love from that brother, by that Guido's guile,
That mother's prompting. Such reply was made,
So was the engine loaded, wound up, sprung
On Guido, who received bolt full in breast;
But no less bore up, giddily perhaps.
He had the Abate Paolo still in Rome,
Brother and friend and fighter on his side:
They rallied in a measure, met the foe
Manlike, joined battle in the public courts,
As if to shame supine law from her sloth:
And waiting her award, let beat the while
Arezzo's banter, Rome's buffoonery,
On this ear and on that ear, deaf alike,
Safe from worse outrage. Let a scorpion nip,
And never mind till he contorts his tail!
But there was sting i' the creature; thus it struck.
Guido had thought in his simplicity—
That lying declaration of remorse,
That story of the child which was no child
And motherhood no motherhood at all,
—That even this sin might have its sort of good
Inasmuch as no question more could be,—
Call it false, call the story true,—no claim
Of further parentage pretended now:
The parents had abjured all right, at least,
I' the woman owned his wife: to plead right still
Were to declare the abjuration false:
He was relieved from any fear henceforth
Their hands might touch, their breath defile again
Pompilia with his name upon her yet.
Well, no: the next news was, Pompilia's health
Demanded change after full three long weeks
Spent in devotion with the Sisterhood,—
Which rendered sojourn,—so the court opined,—
Too irksome, since the convent's walls were high
And windows narrow, now was air enough
Nor light enough, but all looked prison-like,
The last thing which had come in the court's head.
Propose a new expedient therefore,—this!
She had demanded—had obtained indeed,
By intervention of her pitying friends
Or perhaps lovers—(beauty in distress,
Beauty whose tale is the town-talk beside,
Never lacks friendship's arm about her neck)—
Obtained remission of the penalty,
Permitted transfer to some private place
Where better air, more light, new food might soothe—
Incarcerated (call it, all the same)
At some sure friend's house she must keep inside,
Be found in at requirement fast enough,—
Domus pro carcere, in Roman style.
You keep the house i' the main, as most men do
And all good women: but free otherwise,
Should friends arrive, to lodge them and what not?
And such a domum, such a dwelling-place,
Having all Rome to choose from, where chose she?
What house obtained Pompilia's preference?
Why, just the Comparini's—just, do you mark,
Theirs who renounced all part and lot in her
So long as Guido could be robbed thereby,
And only fell back on relationship
And found their daughter safe and sound again
When that might surelier stab him: yes, the pair
Who, as I told you, first had baited hook
With this poor gilded fly Pompilia-thing,
Then caught the fish, pulled Guido to the shore
And gutted him,—not found a further use
For the bait, would trail the gauze wings yet again
I' the way of what new swimmer passed their stand.
They took Pompilia to their hiding-place—
Not in the heart of Rome as formerly,
Under observance, subject to control—
But out o' the way,—or in the way, who knows?
That blind mute villa lurking by the gate
At Via Paulina, not so hard to miss
By the honest eye, easy enough to find
In twilight by marauders: where perchance
Some muffled Caponsacchi might repair,
Employ odd moments when he too tried change,
Found that a friend's abode was pleasanter
Than relegation, penance and the rest.
Come, here's the last drop does its worst to wound
Here's Guido poisoned to the bone, you say
Your boasted still's full strain and strength: not so!
One master-squeeze from screw shall bring to birth
The hoard i' the heart o' the toad, hell's quintessence.
He learned the true convenience of the change,
And why a convent lacks the cheerful hearts
And helpful hands which female straits require,
When, in the blind mute villa by the gate,
Pompilia—what? sang, danced, saw company?
—Gave birth, Sir, to a child, his son and heir,
Or Guido's heir and Caponsacchi's son.
I want your word now: what do you say to this?
What would say little Arezzo and great Rome,
And what did God say and the devil say
One at each ear o' the man, the husband, now
The father? Why, the overburdened mind
Broke down, what was a brain became a blaze.
In fury of the moment—(that first news
Fell on the Count among his vines, it seems,
Doing his farm-work,)—why, he summoned steward,
Called in the first four hard hands and stout hearts
From field and furrow, poured forth his appeal,
Not to Rome's law and gospel any more,
But this clown with a mother or a wife,
That clodpole with a sister or a son:
And, whereas law and gospel held their peace,
What wonder if the sticks and stones cried out?
All five soon somehow found themselves at Rome,
At the villa door: there was the warmth and light—
The sense of life so just an inch inside—
Some angel must have whispered "One more chance!"
Knocked at the door,—"Who is it knocks?" cried one.
"I will make," surely Guido's angel urged,
"One final essay, last experiment,
"Speak the word, name the name from out all names
"Which, if,—as doubtless strong illusions are,
"And strange disguisings whereby truth seems false,
"And, since I am but man, I dare not do
"God's work until assured I see with God,—
"If I should bring my lips to breathe that name
"And they be innocent,—nay, by one mere touch
"Of innocence redeemed from utter guilt,-
"That name will bar the door and bid fate pass.
"I will not say 'It is a messenger,
"'A neighbour, even a belated man,
"'Much less your husband's friend, your husband's self:'
"At such appeal the door is bound to ope.
"But I will say"—here's rhetoric and to spare!
Why, Sir, the stumbling-block is cursed and kicked,
Block though it be; the name that brought offence
Will bring offence: the burnt child dreads the fire
Although that fire feed on some taper-wick
Which never left the altar nor singed a fly:
And had a harmless man tripped you by chance,
How would you wait him, stand or step aside,
When next you heard he rolled your way? Enough.
"Giuseppe Caponsacchi!" Guido cried;
And open flew the door: enough again.
Vengeance, you know, burst, like a mountain-wave
That holds a monster in it, over the house,
And wiped its filthy four walls free at last
With a wash of hell-fire,—father, mother, wife,
Killed them all, bathed his name clean in their blood,
And, reeking so, was caught, his friends and he,
Haled hither and imprisoned yesternight
O' the day all this was.
Now, Sir, tale is told,
Of how the old couple come to lie in state
Though hacked to pieces,—never, the expert say,
So thorough a study of stabbing—while the wife
(Viper-like, very difficult to slay)
Writhes still through every ring of her, poor wretch,
At the Hospital hard by—survives, we'll hope,
To somewhat purify her putrid soul
By full confession, make so much amends
While time lasts; since at day's end die she must.
For Caponsacchi,—why, they'll have him here,
As hero of the adventure, who so fit
To figure in the coming Carnival?
'T will make the fortune of whate'er saloon
Hears him recount, with helpful cheek, and eye
Hotly indignant now, now dewy-dimmed,
The incidents of flight, pursuit, surprise,
Capture, with hints of kisses all between—
While Guido, wholly unromantic spouse,
No longer fit to laugh at since the blood
Gave the broad farce an all too brutal air,
Why, he and those four luckless friends of his
May tumble in the straw this bitter day—
Laid by the heels i' the New Prison, I hear,
To bide their trial, since trial, and for the life,
Follows if but for form's sake: yes, indeed!
But with a certain issue: no dispute,
"Try him," bids law: formalities oblige:
But as to the issue,—look me in the face!—
If the law thinks to find them guilty, Sir,
Master or men—touch one hair of the five,
Then I say in the name of all that's left
Of honour in Rome, civility i' the world
Whereof Rome boasts herself the central source,—
There's an end to all hope of justice more.
Astræa's gone indeed, let hope go too!
Who is it dares impugn the natural law,
Deny God's word "the faithless wife shall die"?
What, are we blind? How can we fail to learn
This crowd of miseries make the man a mark,
Accumulate on one devoted head
For our example?—yours and mine who read
Its lesson thus—"Henceforward let none dare
"Stand, like a natural in the public way,
"Letting the very urchins twitch his beard
"And tweak his nose, to earn a nickname so,
"Be styled male-Grissel or else modern Job!"
Had Guido, in the twinkling of an eye,
Summed up the reckoning, promptly paid himself,
That morning when he came up with the pair
At the wayside inn,—exacted his just debt
By aid of what first mattock, pitchfork, axe
Came to hand in the helpful stable-yard,
And with that axe, if providence so pleased,
Cloven each head, by some Rolando-stroke,
In one clean cut from crown to clavicle,
—Slain the priest-gallant, the wife-paramour,
Sticking, for all defence, in each skull's cleft
The rhyme and reason of the stroke thus dealt,
To-wit, those letters and last evidence
Of shame, each package in its proper place,—
Bidding, who pitied, undistend the skulls,—
I say, the world had praised the man. But no!
That were too plain, too straight; too simply just!
He hesitates, calls law forsooth to help.
And law, distasteful to who calls in law
When honour is beforehand and would serve,
What wonder if law hesitate in turn,
Plead her disuse to calls o' the kind, reply
(Smiling a little) "'T is yourself assess
"The worth of what's lost, sum of damage done.
"What you touched with so light a finger-tip,
"You whose concern it was to grasp the thing,
"Why must law gird herself and grapple with?
"Law, alien to the actor whose warm blood
"Asks heat from law whose veins run lukewarm milk,—
"What you dealt lightly with, shall law make out
Sir, what's the good of law
In a case o'the kind? None, as she all but says.
Call in law when a neighbour breaks your fence,
Cribs from your field, tampers with rent or lease,
Touches the purse or pocket,—but wooes your wife?
No: take the old way trod when men were men!
Guido preferred the new path,—for his pains,
Stuck in a quagmire, floundered worse and worse
Until he managed somehow scramble back
Into the safe sure rutted road once more,
Revenged his own wrong like a gentleman.
Once back 'mid the familiar prints, no doubt
He made too rash amends for his first fault,
Vaulted too loftily over what barred him late,
And lit i' the mire again,—the common chance,
The natural over-energy: the deed
Maladroit yields three deaths instead of one,
And one life left: for where's the Canon's corpse?
All which is the worse for Guido, but, be frank—
The better for you and me and all the world,
Husbands of wives, especially in Rome.
The thing is put right, in the old place,—ay,
The rod hangs on its nail behind the door,
Fresh from the brine: a matter I commend
To the notice, during Carnival that's near,
Of a certain what's-his-name and jackanapes
Somewhat too civil of eves with lute and song
About a house here, where I keep a wife.
(You, being his cousin, may go tell him so.)