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Literal meaning: Give the dough to baker even if he eats half of it.

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Give The Po Man A Break

Give po man a break
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[...] Read more

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Emotional Food Chain

Anger eats Balanced
Balanced eats Confusion
Confusion eats Delight
Delight eats Exasperation
Exasperation eats Forgiveness
Forgiveness eats Grief
Grief eats Humor
Humor eats Isolation
Isolation eats Joy
Joy eats Knottiness
Knottiness eats Love
Love eats Moodiness
Moodiness eats Nicety
Nicety eats Outrage
Outrage eats Peace
Peace eats Quick-temperament
Quick-temperament eats Righteousness
Righteousness eats Stupidity
Stupidity eats Trust
Trust eats Unhappiness
Unhappiness eats Vitality
Vitality eats Weariness
Weariness eats X-citement
X-citement eats Yawn
Yawn eats Zest
Zest eats Anger

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The Baker Man

Well here comes a dance that will never be banned now
(Patty cake patty cake baker's man)
Yeah, stolen from a story called "The Baker's Man" now
(Patty cake patty cake baker's man)
(Choo choo choo choo-do choo choo)
It's impossible too sweet to cross the land????
(Patty cake patty cake)
Put your favorite records on and start the show now
(Patty cake patty cake baker's man)
Abra-cadabra look at everyone go now
(Patty cake patty cake baker's man)
(Choo choo choo choo-do choo choo)
Alakazam this dance has got to grow now
(Patty cake patty cake)
Well they tell me that it's optional to use your feet
But now you really don't need them if you keep your beat
Well Arthur Murray's gettin' blurry tryin' to learn that jive
When all the kids from coast to coast are really comin' alive
Well go tell the gang what a time you've had now
(Patty cake patty cake baker's man)
This Friday night we'll start a regular fad now
(Patty cake patty cake baker's man)
(Choo choo choo choo-do choo choo)
We'll do the Baker 'til it drives us mad now
(Patty cake patty cake)
(Patty cake patty cake baker's man)
(Patty cake patty cake baker's man)
(Patty cake patty cake baker's man)
(Patty cake patty cake baker's man)
(Choo choo choo choo-do choo choo)
(Patty cake patty cake baker's man)
Come on and take a lesson now
(Patty cake patty cake baker's man)
Clap your partner's hands
(Patty cake patty cake baker's man)
Not too hard
(Patty cake patty cake baker's man)
Now slap her in the face
(Patty cake patty cake baker's man)
What a disgrace
(Choo choo choo choo-do choo choo)
(Patty cake patty cake)
(Patty cake patty cake baker's man

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Ma Baker

She was the meanest cat
In old chicago town
She was the meanest cat
She really moved them down
She had no heart at all
No no no heart at all
She was the meanest cat
Oh she was really tough
She left her husband flat
He wasnt tough enough
She took her boys along
cos they were mean and strong
Ma ma ma ma - ma baker - she taught her four sons
Ma ma ma ma - ma baker - to handle their guns
Ma ma ma ma - ma baker - she never could cry
Ma ma ma ma - ma baker - but she knew how to die
They left a trail of crime
Across the u.s.a.
And when one boy was killed
She really made them pay
She had no heart at all
No no no heart at all
Ma ma ma ma - ma baker - she taught her four sons
Ma ma ma ma - ma baker - to handle their guns
Ma ma ma ma - ma baker - she never could cry
Ma ma ma ma - ma baker - but she knew how to die
She met a man she liked
She thought shed stay with him
One day he formed with them
They did away with him
She didnt care at all
Just didnt care at all
- here is a special bulletin.
Ma baker is the fbis most wanted woman.
Her photo is hanging on every post office wall.
If you have any information about this woman,
Please contact the nearest police station...
- dont anybody move! the money or your lives!
One day they robbed a bank
It was their last foray
The cops appeared too soon
They couldnt get away
And all the loot they had
It made them mighty mad
And so they shot it out
Ma baker and her sons
They didnt want to hang
They died with blazing guns
And so the story ends
Of one who left no friends

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Lewis Carroll

The Hunting of the Snark: An Agony in Eight Fits

Fit the First.
THE LANDING

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide

By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:

What I tell you three times is true."
The crew was complete: it included a Boots—
A maker of Bonnets and Hoods—
A Barrister, brought to arrange their disputes—

And a Broker, to value their goods.
A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share—
But a Banker, engaged at enormous expense,

Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,

Though none of the sailors knew how.
There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,

And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.

The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pairs of boots—but the worst of it was,
He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
He had different names from these:

[...] Read more

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Lewis Carroll

The Hunting of the Snark

Fit the First
THE LANDING

'Just the place for a Snark!' the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

'Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What i tell you three times is true.'

The crew was complete: it included a Boots--
A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
And a Broker, to value their goods.

A Billiard-maker, whose skill was immense,
Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.

There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
Though none of the sailors knew how.

There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.

The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pairs of boots--but the worst of it was,
He had wholly forgotten his name.

He would answer to 'Hi!' or to any loud cry,
Such as 'Fry me!' or 'Fritter my wig!'
To 'What-you-may-call-um!' or 'What-was-his-name!'
But especially 'Thing-um-a-jig!'

While, for those who preferred a more forcible word,
He had different names from these:

[...] Read more

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Give Up

(bernard edwards/nile rodgers)
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
You better listen well
When I tell you
To be on the look out
You cant call for help
cause I know you inside out
Despite all your hideouts
Im no great pretender
Ill make you surrender
So come along quietly
Heres a thought to remember
I have not met a man yet
To escape from my drag-net
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Ill give you just the facts man
And you can draw all your own conclusions
Ill keep your mind surrounded
With chains of love so strong
You cant break through them
My arsenal is stocked
With all kinds of seductive weapons
Although your hearts locked up
My love will assist me
So that you cant resist me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
No, no, no
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me

[...] Read more

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My Friend Jack

My friend jack eats sugar loaves
My friend jack eats sugar loaves
Sugarman hasnt got a care
Hes been traveling everywhere
Been on a voyage across an ocean
Heard the sweet sounds of wheels in motion
Hes seen hawks fly high to hail the setting sun
My friend jack eats sugar loaves
My friend jack eats sugar loaves
Sugarman hasnt got a care
Hes been traveling everywhere
Hes seen the people in the city
And the bright lights looks awful pretty
Hes followed dusty tracks into eternity
Eating sugar cain in cuba
Try to grow it in japan
On the west coast, hes real famous
Kids they call him sugar man
My friend jack
My friend jack
My friend jack
My friend jack
My friend jack eats sugar loaves
My friend jack eats sugar loaves
Sugarman hasnt got a care
Hes been traveling everywhere
Been on a voyage across an ocean
Heard the sweet sounds of wheels in motion
Hes seen hawk fly high to hail the setting sun
Eating sugar cain in cuba
Try to grow it in japan
On the west coast, hes real famous
Kids they call him sugar man
Been on a voyage across an ocean
Heard the sweet sounds of wheels in motion
Hes seen the hawk fly high to hail the setting sun
My friend jack eats sugar loaves
My friend jack eats sugar loaves
Sugarman hasnt got a care
Hes been traveling everywhere
My friend jack eats sugar loaves
My friend jack eats

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When There's A Meaning To A Pain

When there's a meaning to a pain,
It can make a better life.
It will enrich with understanding coming,
To pay attention to a need.

When there's a meaning to a pain,
Bitter lips shut tight.
And if it is mental and not physical...
Correct and get it right.

When there's a meaning to a pain,
There is something to be learned.
Either cross that bridge and forgive,
Or let the 'thing' burn.

When there's a meaning to a pain,
You can not let it ride.
Or let it burn you deep inside.
Correct,
And get it right.

When there's a meaning to a pain,
Bitter lips shut tight.
And if it is mental and not physical...
Correct,
And get it right.

When there's a meaning to a pain,
It can make a better life.
It will enrich with understanding coming,
To pay attention to a need.

When there's a meaning to a pain,
Someone is giving it a need.
And...
Allowing it to offer,
More attention to feed.
And,
More of attention than it needs!

When there's a meaning to a pain...
Refrain from giving it a name.
When there's a meaning to a pain...
Correct,
And get it right.
Don't let it burn inside.

When there's a meaning to a pain...
Refrain from giving it a name.
When there's a meaning to a pain...

[...] Read more

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Telephone Conversation

Wednesday, January 23,2008
Week 10: Telephone Conversation by Wole Soyinka

Week 10 Dividing lines: Differences in Class, race, Gender and Ideology

Telephone Conversation
by Wole Soyinka

The price seemed reasonable, location
Indifferent. The landlady swore she lived
Off premises. Nothing remained
But self-confession. 'Madam, ' I warned,
'I hate a wasted journey—I am African.'
Silence. Silenced transmission of
Pressurized good-breeding. Voice, when it came,
Lipstick coated, long gold rolled
Cigarette-holder pipped. Caught I was foully.
'HOW DARK? '... I had not misheard... 'ARE YOU LIGHT
OR VERY DARK? ' Button B, Button A.* Stench
Of rancid breath of public hide-and-speak.
Red booth. Red pillar box. Red double-tiered
Omnibus squelching tar. It was real! Shamed
By ill-mannered silence, surrender
Pushed dumbfounded to beg simplification.
Considerate she was, varying the emphasis-
'ARE YOU DARK? OR VERY LIGHT? ' Revelation came.
'You mean-like plain or milk chocolate? '
Her assent was clinical, crushing in its light
Impersonality. Rapidly, wave-length adjusted,
I chose. 'West African sepia'-and as afterthought,
'Down in my passport.' Silence for spectroscopic
Flight of fancy, till truthfulness clanged her accent
Hard on the mouthpiece. 'WHAT'S THAT? ' conceding
'DON'T KNOW WHAT THAT IS.' 'Like brunette.'
'THAT'S DARK, ISN'T IT? ' 'Not altogether.
Facially, I am brunette, but, madam, you should see
The rest of me. Palm of my hand, soles of my feet
Are a peroxide blond. Friction, caused-

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Give It Up

He wants her, she wants him too
Broken message coming through
Same story for different fools
Give it up
Give it up
Thats what they all say say
Pressure from the boys to give it away
Suck it up
Suck it up
Don't treat me that way way
My hearts gonna tell me when its time to play
Give it up
Give it up
Thats what they all say say
Pressure from the boys to give it away
Suck it up
Suck it up
Don't treat me that way way
My hearts gonna tell me when its time to play
Give it up
Give it up
Give it up
It's time to play
Give it up
Give it up
Give it up
It's time to play
She sees him
He stares right through
Nasty rumors so untrue
There's nothing that she can do
Give it up
Give it up
Thats what they all say say
Pressure from the boys to give it away
Suck it up
Suck it up
Don't treat me that way way
My hearts gonna tell me when its time to play
Give it up
Give it up
Thats what they all say say
Pressure from the boys to give it away
Suck it up
Suck it up
Don't treat me that way way
My hearts gonna tell me when its time to play
Give it up
Give it up
Give it up

[...] Read more

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Ough''A Phonetic Fantasy

The baker-man was kneading dough
And whistling softly, sweet and lough.

Yet ever and anon he'd cough
As though his head were coming ough!

"My word!" said he," but this is rough:
This flour is simply awful stough!"

He punched and thumped it through and through,
As all good bakers dough!

" I'd sooner drive," said he " a plough
Than be a baker anyhough!"

Thus spake the baker kneading dough;
But don't let on I told you sough!

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Kahlo-Christ Conjunctions - Sacrificed Flesh, Broken Bread, Emmaus Vision

[The curious or, better, interested reader may view the images alluded to in this essay at this website: http: //falconwarren.blogspot.com/2011/01/kahlo-christ- conjunctions-sacrificed.html]


Kahlo Strophes


As with love, also the bellows.

Calavera*, the Future stands
hand to mouth, fingers to forehead
unfolding before still instatic shapes.
Hold desperately to frames before
these quaking perceptions.


She could not stop there,
had to flare out, dry paint,
and the dryer flesh peel down
to bone, a sexless esqueleto**,
skull no longer mustached,
a calavera, nothing more,
curved calcium reliant forever
upon canvas, what is congealed
there to fan and burn,
a 'cauda pavonis'***.

- the author, from the text below

*Skull
**Skeleton
***Peacock's Tail (an image in alchemy) .


'Poetry such as this attempts not just a new syntax of the word. Its revolution is aimed at the syntax of the mind itself. Its structuring of experience is purposive, not dreamlike. We are dealing with a self-induced, or naturally or mysteriously come by, creative state from which two of the most fundamental human activities diverge, the aesthetic and the mystic act. The creative matrix is the same in both, and it is that state of being that is most peculiarly and characteristically human, as the resulting aesthetic and mystic experience is the purist form of human act. There is a great deal of overlapping, today especially, when art is all the religion most people have and when they demand of it experiences that few people of the past demanded of religion....A visionary poem is not a vision. The religious experience is necessitated and ultimate.' - Kenneth Rexroth, World Outside the Window, the Selected Essays of Kenneth Rexroth, pg.255-256

Rexroth's words are pertinent to the images used in this essay, Kahlo's painting above is visionary, Grunewald's are religious, and several photos are both, and all are 'aimed at the syntax of the mind itself.. Its restructuring of experience is purposive, not dreamlike.' The images included in this essay, which is more a prose poem than regular prose, are meant to convey equally or more, at least as as much as, the words in their incantatory formations which may induce entrance into 'imaginal' spaces where word and image meet in a practical magic, inspire a felt understanding and perhaps gain a view or actual entrance into what ecstatic poet, Rainer Maria Rilke, calls 'the Greater Relation.'

I've decided to publish this piece-in-progress as it unwinds in spirals 'aimed at the syntax of the mind itself...its restructuring of experience' with the understanding that it may later appear in greatly altered form. In a real sense this writing writes itself; I try to heed, copy, then hone to the bone what might be wanting to be sung, for what is below, and often what I write, is more akin to music, a vocal/verbal lilt beyond a particular solid tilt of view of a world absolute, static logos.

Heraclitus noted thousands of years ago, 'All is flux.'

To this I would only add, and perhaps this is what all of my writing amounts to,

'All is reflux.'

Selah. WF

NYC,1/31/11

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Into The Fire

The sky was falling and streaked with blood
I heard you calling me, then you disappeared into the dust
Up the stairs, into the fire
Up the stairs, into the fire
I need your kiss, but love and duty called you someplace higher
Somewhere up the stairs, into the fire
May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love
May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love
You gave your love to see, in fields of red and autumn brown
You gave your love to me and lay your young body down
Up the stairs, into the fire
Up the stairs, into the fire
I need you near, but love and duty called you someplace higher
Somewhere up the stairs, into the fire
May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love
May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love
May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love
It was dark, too dark to see, you held me in the light you gave
You lay your hand on me
Then walked into the darkness of your smoky grave
Up the stairs, into the fire
Up the stairs, into the fire
I need your kiss, but love and duty called you someplace higher
Somewhere up the stairs, into the fire
May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love
May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love
May your strength give us strength
May your faith give us faith
May your hope give us hope

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Give Me You

Give me a front porch with a summer breeze
Give me "Yes Ma'am", "No Sir" and "Thank you",
"Please"
Give me a hero who don't lie, steal or cheat
And a little good news
Give me Christmas through children's eyes
One vacation good as advertised
Most of all, as if it's any surprise
Baby, give me you
At the top of my list of life's good things
Is the pleasure and purpose your love brings
And of all that I hold near to me
That's real and right and true
Give me you , Give me you
Give me a day not so prearranged
In fact, give me the phone my plans have changed
Give me a break from chasin' dollars today
Baby, give me you
At the top of my list of life's good things
Is the pleasure and purpose your love brings
And of all that I hold near to me
That's real and right and true
Give me you , Give me you
At the top of my list of life's good things
Is the pleasure and purpose your love brings
And of all that I hold near to me
That's real and right and true
Give me you , Give me you
Baby, give me you, Give me, give me you
Give me a front porch with a summer breeze
Give me "Yes Ma'am", "No Sir" and "Thank you",
"Please"
Give me a hero who don't lie, steal or cheat
And a little good news
Give me Christmas through children's eyes
One vacation good as advertised
Most of all, as if it's any surprise
Baby, give me you
At the top of my list of life's good things
Is the pleasure and purpose your love brings
And of all that I hold near to me
That's real and right and true
Give me you , Give me you
Give me a day not so prearranged
In fact, give me the phone my plans have changed
Give me a break from chasin' dollars today
Baby, give me you
At the top of my list of life's good things
Is the pleasure and purpose your love brings
And of all that I hold near to me

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Please Give It

Please give it,
What ever it is.
Please give it,
What ever it is.
Please give it,
What ever it is...
You've got for me!

Please give it,
What ever it is.
Please give it,
What ever it is.
Please give it,
What ever it is...
You've got for me!

I won't turn back,
Whateva' ya got.
To give me.
No!

I won't turn back,
Whateva' ya got.
To give me.

I won't turn back,
Whateva' you got.
To give me.
No!

I won't turn back,
Whateva' ya got.
To give me.
No!

I won't turn back,
Whateva' ya got.
To give me.

I won't turn back,
Whateva' you got.
To give me.
No!

Please give it,
What ever it is.
Please give it,
What ever it is.
Please give it,
What ever it is...

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Standing Beside Fay One Saturday.

It was Saturday morning
and Fay stood beside you

on the balcony of the flats
looking over the Square

she pointed at the baker
and his horse drawn cart

down by the wall below
my daddy says he's Jewish

she said
those who asked

for the death of Christ
you followed the baker

as he made his way to the stairs
carrying his bread basket

I don't think he was involved
you said watching the baker

until he disappeared up the stairs
she looked right over the balcony

gripping the brick wall
with her hands

I don't think he's Jewish at all
she said letting her feet

dropp back on the floor
and it doesn't matter if he is

I think he's a nice man
she added

looking at you
with her bright blue eyes

and you gazed at her
standing there

her flowered dress
colourful and coming

just below her knees
her battered sandals

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Give the Love

Give the love before it’s gone
Give all the love before it’s gone, it’s gone
Before it’s gone by fate

Give the love before it’s faded
Give a whole love before it’s faded, it’s faded
Before it’s faded by time

Give the love before it’s turned
Give the best of love before it’s turned, it’s turned
Before it’s turned to hate

Give the love before it’s erased
Give the sincere love before it’s erased, it’s erased
Before it’s erased by doubt

Give the love before it’s broken
Give the sweet love before it’s broken, it’s broken
Before it’s broken by hurt

Give the love before it’s lost
Give the faithful love before it’s lost, it’s lost
Before it’s lost to temptation

Give the love before it’s changed
Give your dreaming love before it’s changed, it’s changed
Before it’s changed by realization

Give the love before it flies
Give an unbinding love before it flies, it flies
Before it flies by love

Give the love before it’s tired
Give the passionate love before it’s tired, it’s tired
Before it’s tired by coldness

Give the love before it is hidden
Give the touch of love before it is hidden, it’s hidden
Before it is hidden by fear

Give the love before it’s forbidden
Give an innocent love before it’s forbidden, it’s forbidden
Before it’s forbidden by rule

Give the love before it’s indifferent
Give the undying love before it’s indifferent, it’s indifferent
Before it’s indifferent by unrequited

Give the love before it’s shattered
Give a strong love before it’s shattered, it’s shattered

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Do Re Mi

(earl king)
Do re me fa so la ti
This little creature was a-passing me
He got a whole lot of rhythm when he walks
And I can hear music, baby, when he talks
Do re mi fa so la ti
Forget about the dough and think about me, oh yeah
Do re mi fa so la ti
I wonder who can this creature be?
He aint no picture as I can see
But I dont care he looks so good to me
Do re mi fa so la ti
Forget about the dough and think about me
Do re mi fa so la ti
Id like to love you, yeah, yes sirree
It may sound crazy but its a fact
Hey tell me, baby, baby
How you gonna act?
Do re mi fa so la ti
Forget about the dough and think about me
Oh yeah
Do re mi fa so la ti
Lets get together and make whoopee
A b c d e f g
Cupids shootin arrows straight by me
Do re mi fa so la ti
Forget about the dough and think about me
A b c d e f g
The cats in the cupboard and you cant catch me
A b c d e f g
Forget about the dough and think about me
A b c d e f g
Cupids shootin arrows straight by me
Oh, yes

song performed by Dusty SpringfieldReport problemRelated quotes
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1 In The Morning

[LL Cool J]
It's one in the mornin - you know what time it is!
It's one in the mornin
It's one in the mornin - you gonna have come out your clothes on this one
It's one in the mornin
Yeah I'm still at it, the microphone addict
You get your dome splattered, cause homey will not have it
Your ashes get scattered across the Atlantic
For actin like you a teenage chick with her bra padded
You might laugh at it, but if you do the knowledge
It's really a tad tragic how they runnin through they cabbage
You know my track record, L battle like a savage
I think and grow rich, that gives me the advantage
Uncle LL, I got product for sale
So I can bail Al Sharpton out of jail
Somebody gotta do it, somebody in the black community
gotta get this money while y'all march for unity
So march on, I'ma get my Bentley park on
Then get my dogs a platform to bark on
The realest brother, you Nicole Kidman, one of 'The Others'
Children shiverin under the covers
The man in black, the tilted Fedora hat
I'm bringin it raw, you never want your money back
I'm focused baby, livin like a quarterback
Playin in the wishbone, L keep options black
Systematically, burn you like calories
Watch your mouth, go earn your lil' salary
I'm a classic like Nike Airs and Wallabees
You could catch it like the flu, homey follow me
[Chorus]
It's one in the mornin - flash the dough
It's one in the mornin - crack the Mo'
It's one in the mornin - get on the flo'
It's one in the mornin - who wanna go?
[LL Cool J]
That's right Sleeping Beauty, wake up see the light
That Tylenol PM got you caught for your BM
Everybody can see I'm the king of rippin coliseums
C'mon, youse a male groupie beggin for per diem
A fruitcake laid out in the masoleum
I'm the richest man in Babylon, nobody could see him
Money's my slave, it do what I say
It cry for me, like Denzel in "Glory"
But I broke the cycle, no more poverty
I wonder if you hatin on the low - probably!
But cats know I'm real, I keep 'em on they heels
Damn! Look at my body, coulda been a Navy Seal
But you lack the discipline to do what I do
Reinvention, I'm in the 11th dimension
I'm a value stock pop, get it while it's hot

[...] Read more

song performed by LL Cool JReport problemRelated quotes
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