If we wonder often, the gift of knowledge will come.
The Gift Of Love For God
the gift of love for God
for our fellow human beings
in hopes of each new generation...
is a dream to cherish honour
though reality will test bless
all according to the fatal purity...
of true heart and merit
true teachers seek
to teach much more
than simple facts
all true teachers
wish for all
to gain not
a love and respect
a love for truth
- quotes about teachers
- quotes about students
- quotes about school
- quotes about abilities
- quotes about honor
- quotes about wisdom
- quotes about dreaming
- quotes about love
- quotes about divine
Let The Gift Flow
realized is one
of your exceptional
poems, subtle changes
are a development
in technique tone;
time rich patience
will come naturally
if not forced
years of writing...
cannot be learned,
is, no time limit,
old young, talent
no age barriers
poet greatest fan
be still patient,
let the gift flow;
write when you feel good,
is ok when on a roll,
but tired ill bored drained
when starting produces
flat convoluted writing
instead write rolling thunder
write universal wonder
Keep Ascending the Tower of Knowledge
Most of us are learned
We learnt a number of things
Some of us even added
To the knowledge base
Of the discipline we belong to
Why, a few of us
Made the learned others
Wonder at the discoveries of
And at the inventions
That enhanced the standard of living
Of the common man
The person who keeps
Moving up the tower of knowledge
Sees far beyond
And has a vision of
Those subjects still to be
Explored by him or her
While the less learned
Is at the lower strata of this tower
And is yet to know
That there is lot many
To be known and learnt
An expert is one,
Who knows exactly
What he does not know
And this expertise comes
By being on the path of learning
Always and every where
Looking for something to be learnt
From each event, subject and situation
To know how much
You do not know
Keep ascending the tower of knowledge
The Gift of Faith
It is said, “Faith is a gift from above,
God-given to those who believe”.
In fact, Faith is to all mankind given,
But for some it remains hidden
In the recesses of the mind
Until they seek it and find
That it is, indeed, God-given.
Faith is often discovered
After some anguish and doubt;
But whichever way is followed
That way is lit by its light.
No one has gone astray
Who sought to find a way
To uncover a gift so great.
But how does one make a start,
And seek a gift hidden from sight,
When there are no signs to mark
A way where all around is dark?
Here is a useful suggestion:
Take the highway of persuasion,
Never the by-way of refutation,
Don’t deride the Faith of another,
Nor dismiss Faith altogether,
Never cease from seeking,
Or ever despair of finding
The goal of your search,
The gift within your reach.
The Lambs on the Boulder
I hear that the Commune di Padova has an exhibition of master-
pieces from Giotto to Mantegna. Giotto is the master of angels, and
Mantegna is the master of the dead Christ, one of the few human
beings who seems to have understood that Christ did indeed come
down from the cross after all, in response to the famous jeering
invitation, and that the Christ who came down was a cadaver. Man-
tegna's dead Christ looks exactly like a skidroad bum fished by the
cops out of the Mississippi in autumn just before daylight and hurried
off in a tarpaulin-shrouded garbage truck and deposited in another
tangle of suicides and befuddled drunkards at the rear entrance to
the University of Minnesota medical school. Eternity is a vast space
of distances as well as a curving infinity of time.
No doubt the exhibition in noble Padova will be a glory to behold.
But there is a littler glory that I love best. It is a story, which so
intensely ought to be real that it is real.
One afternoon the mature medieval master Cimabue was taking
a walk in the countryside and paused in the shade to watch a shep-
herd boy. The child was trying to scratch sketches of his lambs on
a boulder at the edge of the field. He used nothing, for he could
find nothing, but a little sharp pebble.
Cimabue took the shepherd boy home with him and gave him
some parchment and a nail or a crayon or something or other, and
began to show him how to draw and form lines into the grandeur
of faces other than the sweet faces of sheep.
The shepherd boy was Giotto, and he learned how to draw and
form lines into the grandeur of faces other than the sweet faces of
sheep. I don't give a damn whether you believe this story or not. I
do. I have seen faces of angels drawn by Giotto. if angels do not
look like Giotto's angels, they have been neglecting their health
behind God's back.
One of my idle wishes is to find that field where Cimabue stood
in the shade and watched the boy Giotto scratching his stone with
I would not be so foolish as to prefer the faces of the boy's lambs
to the faces of his angels. one has to act his age sooner or later.
Still, this little planet of rocks and grass is all we have to start
with. How pretty it would be, the sweet faces of the boy Giotto's
lambs gouged, with infinite and still uncertain and painful care, on
the side of a boulder at the edge of a country field.
I wonder how long Cimabue stood watching before he said any-
thing. I'll bet he watched for a very long time. He was Cimabue.
I wonder how long Giotto worked before he noticed that he was
being watched. I'll bet he worked a very long time. He was Giotto.
He probably paused every so often to take a drink of water and
tend to the needs of his sheep, and then returned patiently to his
patient boulder, before he heard over his shoulder in the twilight
the courtesy of the Italian good evening from the countryside man
who stood, certainly out of the little daylight left to the shepherd
and his sheep alike.
I wonder where that boulder is. I wonder if the sweet faces of
the lambs are still scratched on its sunlit side.
By God I know this much. Worse men than Giotto have lived
longer than Giotto lived.
And uglier things than Giotto's wobbly scratches on a coarse
boulder at the edge of a grassy field are rotting and toppling into
decay at this very moment. By the time I reach Padova at fifteen
minutes past four this afternoon, I wouldn't be a bit surprised to
hear that Rockefeller's Mall in Albany, New York, had begun to sag
and ooze its grandiose slime all over the surrounding city of the
plain, and it will stink in the nostrils of God Almighty like the incense
burned and offered up as a putrid gift on the altars of the Lord,
while the King Jeroboam the Second imprisoned the righteous for
silver and sold the poor for the buckles on a pair of shoes.
Giotto's boyish hand scratched the sweet faces of lambs on a
I wonder where the stone is. I will never live to see it.
I lived to see the Mall in Albany, though.
In one of the mature Giotto's greatest glories, a huge choir of his
unutterably beautiful angels are lifting their faces and are becoming
the sons of the morning, singing out of pure happiness the praises
Far back in the angelic choir, a slightly smaller angel has folded
his wings. He has turned slightly away from the light and lifted his
hands. You cannot even see his face. I don't know why he is weeping.
But I love him best.
I think he must be wondering how long it will take Giotto to
remember him, give him a drink of water, and take him back home
to the fold before it gets dark and shepherd and sheep alike lose
their way in the darkness of the countryside.
Conference of the Birds
'Attar began The Conference of the Birds (Mantiq al-tair) with an invocation praising the holy Creator in which he suggested that one must live a hundred lives to know oneself; but you must know God by the deity, not by yourself, for God opens the way, not human wisdom. 'Attar believed that God is beyond all human knowledge. The soul will manifest itself when the body is laid aside. One cannot gain spiritual knowledge without dying to all things. When the birds assemble, they wonder why they have no king. The Hoopoe presents herself as a messenger from the invisible world with knowledge of God and the secrets of creation. She recommends Simurgh as their true king, saying that one of his feathers fell on China.
The Nightingale says that the love of the Rose satisfies him, and the journey is beyond his strength; but the Hoopoe warns against being a slave of passing love that interferes with seeking self-perfection. The Parrot longs for immortality, and the Hoopoe encourages the Peacock to choose the whole. The Duck is too content with water to seek the Simurgh. The Hoopoe advises the Partridge that gems are just colored stones and that love of them hardens the heart; she should seek the real jewel of sound quality. The Humay is distracted by ambition, and the Owl loves only the treasure he has found. The Hoopoe reprimands the Sparrow for taking pride in humility and recommends struggling bravely with oneself. She states that the different birds are just shadows of the Simurgh. If they succeed, they will not be God; but they will be immersed in God. If they look in their hearts, they will see the divine image. All appearances are just the shadow of the Simurgh. Those loving truly do not think about their own lives and sacrifice their desires. Those grounded in love renounce faith and religion as well as unbelief. One must hear with the ear of the mind and the heart.
A total of 22 birds speak to the Hoopoe or ask questions about the journey. Short anecdotes are told to illustrate the Hoopoe's points. The Hoopoe says that it is better to lose your life than to languish miserably. The Hoopoe says,
So long as we do not die to ourselves,
and so long as we identify with someone or something,
we shall never be free.
The spiritual way is not for those wrapped up in exterior life.5
You will enjoy happiness if you succeed in withdrawing from attachment to the world. Whoever is merciful even to the merciless is favored by the compassionate. It is better to agree to differ than to quarrel. The Hoopoe warns the sixth bird against the dog of desire that runs ahead. Each vain desire becomes a demon, and yielding to each one begets a hundred others. The world is a prison under the devil, and one should have no truck with its master. The Hoopoe also says that if you let no one benefit from your gold, you will not profit either; but by the smallest gift to the poor you both benefit. She says,
Good fortune will come to you only as you give.
If you cannot renounce life completely,
you can at least free yourself
from the love of riches and honors.6
A pupil becomes afraid in facing a choice between two roads, but a shaikh advises getting rid of fear so that either road will be good. The Hoopoe tells the eighth bird that only if death ceases to exercise power over creatures would it be wise to remain content in a golden palace. The ninth bird is told that sensual love is a game inspired by passing beauty that is fleeting. The Hoopoe asks what is uglier than a body made of flesh and bones. It is better to seek the hidden beauty of the invisible world. An anecdote about Jesus yields the following lesson:
Strive to discover the mystery before life is taken from you.
If while living you fail to find yourself, to know yourself,
how will you be able to understand
the secret of your existence when you die?7
The Hoopoe advises the eleventh bird that giving yourself over to pride or self-pity will disturb you. Since the world passes, pass it by, for whoever becomes identified with transient things has no part in the lasting things. The suffering endured is made glorious and is a treasure for the seer, for blessings will come if you make efforts on the path. The fifteenth bird is told that justice is salvation, and the just are saved from errors. Being just is better than a life of worship. Justice exercised in secret is even better than liberality; but justice professed openly may lead to hypocrisy. A story of two drunks teaches that we see faults because we do not love. When we understand real love, the faults of those near us appear as good qualities. When you see the ugliness of your own faults, you will not bother so much with the faults of others.
The journey of the birds takes them through the seven valleys of the quest, love, understanding, independence and detachment, unity, astonishment, and finally poverty and nothingness. In the valley of the quest one undergoes a hundred difficulties and trials. After one has been tested and become free, one learns in the valley of love that love has nothing to do with reason. The valley of understanding teaches that knowledge is temporary, but understanding endures. Overcoming faults and weaknesses brings the seeker closer to the goal. In the valley of independence and detachment one has no desire to possess nor any wish to discover. To cross this difficult valley one must be roused from apathy to renounce inner and outer attachments so that one can become self-sufficient. In the valley of unity the Hoopoe announces that although you may see many beings, in reality there is only one, which is complete in its unity. As long as you are separate, good and evil will arise; but when you lose yourself in the divine essence, they will be transcended by love. When unity is achieved, one forgets all and forgets oneself in the valley of astonishment and bewilderment.
The Hoopoe declares that the last valley of deprivation and death is almost impossible to describe. In the immensity of the divine ocean the pattern of the present world and the future world dissolves. As you realize that the individual self does not really exist, the drop becomes part of the great ocean forever in peace. The analogy of moths seeking the flame is used. Out of thousands of birds only thirty reach the end of the journey. When the light of lights is manifested and they are in peace, they become aware that the Simurgh is them. They begin a new life in the Simurgh and contemplate the inner world. Simurgh, it turns out, means thirty birds; but if forty or fifty had arrived, it would be the same. By annihilating themselves gloriously in the Simurgh they find themselves in joy, learn the secrets, and receive immortality. So long as you do not realize your nothingness and do not renounce your self-pride, vanity, and self-love, you will not reach the heights of immortality. 'Attar concluded the epilog with the admonition that if you wish to find the ocean of your soul, then die to all your old life and then keep silent.
The Great Hunger
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,
Gravel it and build a kerb on the bog-side. Is that Cassidy's ass
Out in my clover? Curse o' God
Where is that dog?.
Never where he's wanted' Maguire grunts and spits
Through a clay-wattled moustache and stares about him from the height.
His dream changes like the cloud-swung wind
And he is not so sure now if his mother was right
When she praised the man who made a field his bride.
Watch him, watch him, that man on a hill whose spirit
Is a wet sack flapping about the knees of time.
He lives that his little fields may stay fertile when his own body
Is spread in the bottom of a ditch under two coulters crossed in Christ's Name.
He was suspicious in his youth as a rat near strange bread,
When girls laughed; when they screamed he knew that meant
The cry of fillies in season. He could not walk
The easy road to destiny. He dreamt
The innocence of young brambles to hooked treachery.
O the grip, O the grip of irregular fields! No man escapes.
It could not be that back of the hills love was free
And ditches straight.
No monster hand lifted up children and put down apes
'O God if I had been wiser!'
That was his sigh like the brown breeze in the thistles.
He looks, towards his house and haggard. 'O God if I had been wiser!'
But now a crumpled leaf from the whitethorn bushes
Darts like a frightened robin, and the fence
Shows the green of after-grass through a little window,
And he knows that his own heart is calling his mother a liar
God's truth is life - even the grotesque shapes of his foulest fire.
The horse lifts its head and cranes
Through the whins and stones
To lip late passion in the crawling clover.
In the gap there's a bush weighted with boulders like morality,
The fools of life bleed if they climb over.
The wind leans from Brady's, and the coltsfoot leaves are holed with rust,
Rain fills the cart-tracks and the sole-plate grooves;
A yellow sun reflects in Donaghmoyne
The poignant light in puddles shaped by hooves.
Come with me, Imagination, into this iron house
And we will watch from the doorway the years run back,
And we will know what a peasant's left hand wrote on the page.
Be easy, October. No cackle hen, horse neigh, tree sough, duck quack.
Maguiire was faithful to death:
He stayed with his mother till she died
At the age of ninety-one.
She stayed too long,
Wife and mother in one.
When she died
The knuckle-bones were cutting the skin of her son's backside
And he was sixty-five.
O he loved his mother
Above all others.
O he loved his ploughs
And he loved his cows
And his happiest dream
Was to clean his arse
With perennial grass
On the bank of some summer stream;
To smoke his pipe
In a sheltered gripe
In the middle of July.
His face in a mist
And two stones in his fist
And an impotent worm on his thigh.
But his passion became a plague
For he grew feeble bringing the vague
Women of his mind to lust nearness,
Once a week at least flesh must make an appearance.
So Maguire got tired
Of the no-target gun fired
And returned to his headland of carrots and cabbage
To the fields once again
Where eunuchs can be men
And life is more lousy than savage.
Poor Paddy Maguire, a fourteen-hour day
He worked for years. It was he that lit the fire
And boiled the kettle and gave the cows their hay.
His mother tall hard as a Protestant spire
Came down the stairs barefoot at the kettle-call
And talked to her son sharply: 'Did you let
The hens out, you?' She had a venomous drawl
And a wizened face like moth-eaten leatherette.
Two black cats peeped between the banisters
And gloated over the bacon-fizzling pan.
Outside the window showed tin canisters.
The snipe of Dawn fell like a whirring stone
And Patrick on a headland stood alone.
The pull is on the traces, it is March
And a cold black wind is blowing from Dundalk.
The twisting sod rolls over on her back
The virgin screams before the irresistible sock.
No worry on Maguire's mind this day
Except that he forgot to bring his matches.
'Hop back there Polly, hoy back, woa, wae,
From every second hill a neighbour watches
With all the sharpened interest of rivalry.
Yet sometimes when the sun comes through a gap
These men know God the Father in a tree:
The Holy Spirit is the rising sap,
And Christ will be the green leaves that will come
At Easter from the sealed and guarded tomb.
Primroses and the unearthly start of ferns
Among the blackthorn shadows in the ditch,
A dead sparrow and an old waistcoat. Maguire learns
As the horses turn slowly round the which is which
Of love and fear and things half born to mind
He stands between the plough-handles and he sees
At the end of a long furrow his name signed
Among the poets, prostitutes. With all miseries
He is one. Here with the unfortunate
Who for half-moments of paradise
Pay out good days and wait and wait
For sunlight-woven cloaks. O to be wise
As Respectability that knows the price of all things
And marks God's truth in pounds and pence and farthings.
April, and no one able to calculate
How far it is to harvest. They put down
The seeds blindly with sensuous groping fingers
And sensual dreams sleep dreams subtly underground.
Tomorrow is Wednesday - who cares?
'Remember Eileen Farrelly? I was thinking
A man might do a damned sight worse …' That voice is blown
Through a hole in a garden wall -
And who was Eileen now cannot be known.
The cattle are out on grass
The corn is coming up evenly.
The farm folk are hurrying to catch Mass:
Christ will meet them at the end of the world, the slow and the speedier.
But the fields say: only Time can bless.
Maguire knelt beside a pillar where he could spit
Without being seen. He turned an old prayer round:
'Jesus, Mary, Joseph pray for us
Now and at the Hour.' Heaven dazzled death.
'Wonder should I cross-plough that turnip-ground.'
The tension broke. The congregation lifted it head
As one man and coughed in unison.
Five hundred hearts were hungry for life-
Who lives in Christ shall never die the death.
And the candle-lit Altar and the flowers
And the pregnant Tabernacle lifted a moment to Prophecy
Out of the clayey hours
Maguire sprinkled his face with holy water
As the congregation stood up for the Last Gospel.
He rubbed the dust off his knees with his palm, and then
Coughed the prayer phlegm up from his throat and sighed: Amen.
Once one day in June when he was walking
Among his cattle in the Yellow Meadow
He met a girl carrying a basket
And he was then a young and heated fellow.
Too earnest, too earnest! He rushed beyond the thing
To the unreal. And he saw Sin
Written in letters larger than John Bunyan dreamt of.
For the strangled impulse there is no redemption.
And that girl was gone and he was counting
The dangers in the fields where love ranted
He was helpless. He saw his cattle
And stroked their flanks in lieu of wife to handle.
He would have changed the circle if he could,
The circle that was the grass track where he ran.
Twenty times a day he ran round the field
And still there was no winning-post where the runner is cheered home.
Desperately he broke the tune,
But however he tried always the same melody lept up from the background,
The dragging step of a ploughman going home through the guttery
Headlands under an April-watery moon.
Religion, the fields and the fear of the Lord
And Ignorance giving him the coward's blow,
He dared not rise to pluck the fantasies
From the fruited Tree of Life. He bowed his head
And saw a wet weed twined about his toe.
Evening at the cross-roads -
Heavy heads nodding out words as wise
As the ruminations of cows after milking.
From the ragged road surface a boy picks up
A piece of gravel and stares at it-and then
Tosses it across the elm tree on to the railway.
He means nothing.
Not a damn thing
Somebody is coming over the metal railway bridge
And his hobnailed boots on the arches sound like a gong
Calling men awake. But the bridge is too narrow -
The men lift their heads a moment. That was only John,
So they dream on.
Night in the elms, night in the grass.
O we are too tired to go home yet. Two cyclists pass
Talking loudly of Kitty and Molly?
Horses or women? wisdom or folly?
A door closes on an evicted dog
Where prayers begin in Barney Meegan's kitchen :
Rosie curses the cat between her devotions;
The daughter prays that she may have three wishes -
Health and wealth and love -
From the fairy who is faith or hope or compounds of.
At the cross-roads the crowd had thinned out:
Last words were uttered. There is no to-morrow;
No future but only time stretched for the mowing of the hay
Or putting an axle in the turf-barrow.
Patrick Maguire went home and made cocoa
And broke a chunk off the loaf of wheaten bread;
His mother called down to him to look again
And make sure that the hen-house was locked. His sister grunted in bed
The sound of a sow taking up a new position.
Pat opened his trousers wide over the ashes
And dreamt himself to lewd sleepiness.
The clock ticked on. Time passes.
Health and wealth and love he too dreamed of in May
As he sat on the railway slope and watched the children of the place
Picking up a primrose here and a daisy there -
They were picking up life's truth singly.
But he dreamt of the Absolute envased bouquet -
AIl or nothing. And it was nothing. For God is not all
In one place, complete
Till Hope comes in and takes it on his shoulder -
O Christ, that is what you have done for us:
In a crumb of bread the whole mystery is.
He read the symbol too sharply and turned
From the five simple doors of sense
To the door whose combination lock has puzzled
Philosopher and priest and common dunce.
Men build their heavens as they build their circles
Of friends. God is in the bits and pieces of Everyday -
A kiss here and a laugh again, and sometimes tears,
A pearl necklace round the neck of poverty.
He sat on the railway slope and watched the evening,
Too beautifully perfect to use,
And his three wishes were three stones too sharp to sit on,
Too hard to carve. Three frozen idols of a speechless muse.
'Now go to Mass and pray and confess your sins
And you'll have all the luck,' his mother said.
He listened to the lie that is a woman's screen
Around a conscience when soft thighs are spread.
And all the while she was setting up the lie
She trusted in Nature that never deceives.
But her son took it as literal truth.
Religion's walls expand to the push of nature. Morality yields
To sense - but not in little tillage fields.
Life went on like that. One summer morning
Again through a hay-field on her way to the shop -
The grass was wet and over-leaned the path -
And Agnes held her skirts sensationally up,
And not because the grass was wet either.
A man was watching her, Patrick Maguire.
She was in love with passion and its weakness
And the wet grass could never cool the fire
That radiated from her unwanted womb in that metaphysical land
Where flesh was thought more spiritual than music
Among the stars - out of reach of the peasant's hand.
Ah, but the priest was one of the people too -
A farmers son - and surely he knew
The needs of a brother and sister.
Religion could not be a counter-irritant like a blister,
But the certain standard, measured and known
By which man might re-make his soul though all walls were down
And all earth's pedestalled gods thrown.
Sitting on a wooden gate,
Sitting on a wooden gate,
Sitting on a wooden gate
He didn't care a damn.
Said whatever came into his head,
Said whatever came into his head,
Said whatever came into his head
And inconsequently sang.
While his world withered away,
He had a cigarette to smoke and a pound to spend
On drink the next Saturday.
His cattle were fat
And his horses all that
Midsummer grass could make them.
The young women ran wild
And dreamed of a child
Joy dreams though the fathers might forsake them
But no one would take them;
No man could ever see
That their skirts had loosed buttons,
O the men were as blind as could be.
And Patrick Maguire
From his. purgatory fire
Called the gods of the Christian to prove
That this twisted skein
Was the necessary pain
And not the rope that was strangling true love.
But sitting on a wooden gate
Sometime in July
When he was thirty-four or five
He gloried in the lie:
He made it read the way it should,
He made life read the evil good
While he cursed the ascetic brotherhood
Without knowing why.
Sitting on a wooden gate
All, all alone
He sang and laughed
Like a man quite daft,
Or like a man on a channel raft
He fantasied forth his groan.
Sitting on a wooden gate,
Sitting on a wooden gate,
Sitting on a wooden gate
He rode in day-dream cars.
He locked his body with his knees
When the gate swung too much in the breeze.
But while he caught high ecstasies
Life slipped between the bars.
He gave himself another year,
Something was bound to happen before then -
The circle would break down
And he would carve the new one to his own will.
A new rhythm is a new life
And in it marriage is hung and money.
He would be a new man walking through unbroken meadows
Of dawn in the year of One.
The poor peasant talking to himself in a stable door
An ignorant peasant deep in dung.
What can the passers-by think otherwise?
Where is his silver bowl of knowledge hung?
Why should men be asked to believe in a soul
That is only the mark of a hoof in guttery gaps?
A man is what is written on the label.
And the passing world stares but no one stops
To look closer. So back to the growing crops
And the ridges he never loved.
Nobody will ever know how much tortured poetry the pulled weeds on the ridge wrote
Before they withered in the July sun,
Nobody will ever read the wild, sprawling, scrawling mad woman's signature,
The hysteria and the boredom of the enclosed nun of his thought.
Like the afterbirth of a cow stretched on a branch in the wind
Life dried in the veins of these women and men:
'The grey and grief and unloved,
The bones in the backs of their hands,
And the chapel pressing its low ceiling over them.
Sometimes they did laugh and see the sunlight,
A narrow slice of divine instruction.
Going along the river at the bend of Sunday
The trout played in the pools encouragement
To jump in love though death bait the hook.
And there would be girls sitting on the grass banks of lanes.
Stretch-legged and lingering staring -
A man might take one of them if he had the courage.
But 'No' was in every sentence of their story
Except when the public-house came in and shouted its piece.
The yellow buttercups and the bluebells among the whin bushes
On rocks in the middle of ploughing
Was a bright spoke in the wheel
Of the peasant's mill.
The goldfinches on the railway paling were worth looking at -
A man might imagine then
Himself in Brazil and these birds the birds of paradise
And the Amazon and the romance traced on the school map lived again.
Talk in evening corners and under trees
Was like an old book found in a king's tomb.
The children gathered round like students and listened
And some of the saga defied the draught in the open tomb
And was not blown.
Their intellectual life consisted in reading
Reynolds News or the Sunday Dispatch,
With sometimes an old almanac brought down from the ceiling
Or a school reader brown with the droppings of thatch.
The sporting results or the headlines of war
Was a humbug profound as the highbrow's Arcana.
Pat tried to be wise to the abstraction of all that
But its secret dribbled down his waistcoat like a drink from a strainer.
He wagered a bob each way on the Derby,
He got a straight tip from a man in a shop -
A double from the Guineas it was and thought himself
A master mathematician when one of them came up
And he could explain how much he'd have drawn
On the double if the second leg had followed the first.
He was betting on form and breeding, he claimed,
And the man that did that could never be burst.
After that they went on to the war, and the generals
On both sides were shown to be stupid as hell.
If he'd taken that road, they remarked of a Marshal,
He'd have … O they know their geography well
This was their university. Maguire was an undergraduate
Who dreamed from his lowly position of rising
To a professorship like Larry McKenna or Duffy
Or the pig-gelder Nallon whose knowledge was amazing.
'A treble, full multiple odds … That's flat porter …
Another one … No, you're wrong about that thing I was telling you. .
Did you part with your filly, Jack? I heard that you sold her.…'
The students were all savants by the time of pub-close.
A year passed and another hurried after it
And Patrick Maguire was still six months behind life -
His mother six months ahead of it;
His sister straddle-legged across it: -
One leg in hell and the other in heaven
And between the purgatory of middle-aged virginity -
She prayed for release to heaven or hell.
His mother's voice grew thinner like a rust-worn knife
But it cut venomously as it thinned,
It cut him up the middle till he became more woman than man,
And it cut through to his mind before the end.
Another field whitened in the April air
And the harrows rattled over the seed.
He gathered the loose stones off the ridges carefully
And grumbled to his men to hurry. He looked like a man who could give advice
To foolish young fellows. He was forty-seven,
And there was depth in his jaw and his voice was the voice of a great cattle-dealer,
A man with whom the fair-green gods break even.
'I think I ploughed that lea the proper depth,
She ought to give a crop if any land gives …
Drive slower with the foal-mare, Joe.'
Joe, a young man of imagined wives,
Smiles to himself and answered like a slave:
'You needn't fear or fret.
I'm taking her as easy, as easy as …
Easy there Fanny, easy, pet.'
They loaded the day-scoured implements on the cart
As the shadows of poplars crookened the furrows.
It was the evening, evening. Patrick was forgetting to be lonely
As he used to be in Aprils long ago.
It was the menopause, the misery-pause.
The schoolgirls passed his house laughing every morning
And sometimes they spoke to him familiarly -
He had an idea. Schoolgirls of thirteen
Would see no political intrigue in an old man's friendship.
The heifer waiting to be nosed by the old bull.
That notion passed too - there was the danger of talk
And jails are narrower than the five-sod ridge
And colder than the black hills facing Armagh in February.
He sinned over the warm ashes again and his crime
The law's long arm could not serve with time.
His face set like an old judge's pose:
Respectability and righteousness,
Stand for no nonsense.
The priest from the altar called Patrick Maguire's name
To hold the collecting-box in the chapel door
During all the Sundays of May.
His neighbours envied him his holy rise,
But he walked down from the church with affected indifference
And took the measure of heaven angle-wise.
He still could laugh and sing,
But not the wild laugh or the abandoned harmony now
That called the world to new silliness from the top of a wooden gate
When thirty-five could take the sparrow's bow.
Let us be kind, let us be kind and sympathetic:
Maybe life is not for joking or for finding happiness in -
This tiny light in Oriental Darkness
Looking out chance windows of poetry or prayer.
And the grief and defeat of men like these peasants
Is God's way - maybe - and we must not want too much
The twisted thread is stronger than the wind-swept fleece.
And in the end who shall rest in truth's high peace?
Or whose is the world now, even now?
O let us kneel where the blind ploughman kneels
And learn to live without despairing
In a mud-walled space -
Illiterate unknown and unknowing.
Let us kneel where he kneels
And feel what he feels.
One day he saw a daisy and he thought it
Reminded him of his childhood -
He stopped his cart to look at it.
Was there a fairy hiding behind it?
He helped a poor woman whose cow
Had died on her;
He dragged home a drunken man on a winter's night
And one rare moment he heard the young people playing on the railway stile
And he wished them happiness and whatever they most desired from life.
He saw the sunlight and begrudged no man
His share of what the miserly soil and soul
Gives in a season to a ploughman.
And he cried for his own loss one late night on the pillow
And yet thanked the God who had arranged these things.
Was he then a saint?
A Matt Talbot of Monaghan?
His sister Mary Anne spat poison at the children
Who sometimes came to the door selling raffle tickets
For holy funds.
'Get out, you little tramps!' she would scream
As she shook to the hens an armful of crumbs,
But Patrick often put his hand deep down
In his trouser-pocket and fingered out a penny
Or maybe a tobacco-stained caramel.
'You're soft,' said the sister; 'with other people's money
It's not a bit funny.'
The cards are shuffled and the deck
Laid flat for cutting - Tom Malone
Cut for trump. I think we'll make
This game, the last, a tanner one.
Hearts. Right. I see you're breaking
Your two-year-old. Play quick, Maguire,
The clock there says it's half-past ten -
Kate, throw another sod on that fire.
One of the card-players laughs and spits
Into the flame across a shoulder.
Outside, a noise like a rat
Among the hen-roosts.
The cock crows over
The frosted townland of the night.
Eleven o'clock and still the game
Goes on and the players seem to be
Drunk in an Orient opium den.
Midnight, one o'clock, two.
Somebody's leg has fallen asleep.
What about home? Maguire, are you
Using your double-tree this week?
Why? do you want it? Play the ace.
There's it, and that's the last card for me.
A wonderful night, we had. Duffy's place
Is very convenient. Is that a ghost or a tree?
And so they go home with dragging feet
And their voices rumble like laden carts.
And they are happy as the dead or sleeping …
I should have led that ace of hearts.
The fields were bleached white,
The wooden tubs full of water
Were white in the winds
That blew through Brannagan's Gap on their way from Siberia;
The cows on the grassless heights .
Followed the hay that had wings -
The February fodder that hung itself on the black branches
Of the hill-top hedge.
A man stood beside a potato-pit
And clapped his arms
And pranced on the crisp roots
And shouted to warm himself.
Then he buck-leaped about the potatoes
And scooped them into a basket.
He looked like a bucking suck-calf
Whose spine was being tickled.
Sometimes he stared across the bogs
And sometimes he straightened his back and vaguely whistled
A tune that weakened his spirit
And saddened his terrier dog's.
A neighbour passed with a spade on his shoulder
And Patrick Maguire bent like a bridge
Whistled-good morning under his oxter
And the man the other side of the hedge
Champed his spade on the road at his toes
And talked an old sentimentality
While the wind blew under his clothes.
The mother sickened and stayed in bed all day,
Her head hardly dented the pillow, so light and thin it had worn,
But she still enquired after the household affairs.
She held the strings of her children's Punch and Judy, and when a mouth opened
It was her truth that the dolls would have spoken
If they hadn't been made of wood and tin -
'Did you open the barn door, Pat, to let the young calves in?'
The priest called to see her every Saturday
And she told him her troubles and fears:
'If Mary Anne was settled I'd die in peace -
I'm getting on in years.'
'You were a good woman,' said the priest,
'And your children will miss you when you're gone.
The likes of you this parish never knew,
I'm sure they'll not forget the work you've done.'
She reached five bony crooks under the tick -
'Five pounds for Masses - won't you say them quick.'
She died one morning in the beginning of May
And a shower of sparrow-notes was the litany for her dying.
The holy water was sprinkled on the bed-clothes
And her children stood around the bed and cried because it was too late for crying.
A mother dead! The tired sentiment:
'Mother, Mother' was a shallow pool
Where sorrow hardly could wash its feet …
Mary Anne came away from the deathbed and boiled the calves their gruel.
'O what was I doing when the procession passed?
Where was I looking? Young women and men
And I might have joined them.
Who bent the coin of my destiny
That it stuck in the slot?
I remember a night we walked
Through the moon of Donaghmoyne,
Four of us seeking adventure,
It was midsummer forty years ago.
Now I know
The moment that gave the turn to my life.
O Christ! I am locked in a stable with pigs and cows for ever.
The world looks on
And talks of the peasant:
The peasant has no worries;
In his little lyrical fields He ploughs and sows;
He eats fresh food,
He loves fresh women, He is his own master
As it was in the Beginning
The simpleness of peasant life.
The birds that sing for him are eternal choirs ,
Everywhere he walks there are flowers.
His heart is pure, His mind is clear,
He can talk to God as Moses and Isaiah talked
The peasant who is only one remove from the beasts he drives. '
'The travellers stop their cars to gape over the green bank into his fields: -
There is the source from which all cultures rise,
And all religions,
There is the pool in which the poet dips
And the musician.
Without the peasant base civilisation must die,
Unless the clay is in the mouth the singer's singing is useless.
The travellers touch the roots of the grass and feel renewed
When they grasp the steering wheels again.
The peasant is the unspoiled child of Prophecy,
The peasant is all virtues - let us salute him without irony
The peasant ploughman who is half a vegetable -
Who can react to sun and rain and sometimes even
Regret that the Maker of Light had not touched him more intensely.
Brought him up from the sub-soil to an existence
Of conscious joy. He was not born blind.
He is not always blind: sometimes the cataract yields
To sudden stone-falling or the desire to breed.
The girls pass along the roads
And he can remember what man is,
But there is nothing he can do.
Is there nothing he can do?
Is there no escape?
No escape, no escape.
The cows and horses breed,
And the potato-seed
Gives a bud and a root and rots
In the good mother's way with her sons;
The fledged bird is thrown
From the nest - on its own.
But the peasant in his little acres is tied
To a mother's womb by the wind-toughened navel-cord
Like a goat tethered to the stump of a tree -
He circles around and around wondering why it should be.
No crash, No drama.
That was how his life happened.
No mad hooves galloping in the sky,
But the weak, washy way of true tragedy -
A sick horse nosing around the meadow for a clean place to die.
We may come out in the October reality, Imagination,
The sleety wind no longer slants to the black hill where Maguire
And his men are now collecting the scattered harness and baskets.
The dog sitting on a wisp of dry stalks
Watches them through the shadows.
'Back in, back in.' One talks to the horse as to a brother.
Maguire himself is patting a potato-pit against the weather -
An old man fondling a new-piled grave:
'Joe, I hope you didn't forget to hide the spade .
For there's rogues in the townland.
Hide it flat in a furrow.
I think we ought to be finished by to-morrow.
Their voices through the darkness sound like voices from a cave,
A dull thudding far away, futile, feeble, far away,
First cousins to the ghosts of the townland.
A light stands in a window. Mary Anne
Has the table set and the tea-pot waiting in the ashes.
She goes to the door and listens and then she calls
From the top of the haggard-wall :
'What's keeping you
And the cows to be milked and all the other work there's to do?'
'All right, all right
We'll not stay here all night '
The curtain falls.
From the homing carts and the trees
And the bawling cows at the gates.
From the screeching water-hens
And the mill-race heavy with the Lammas floods curving over the weir
A train at the station blowing off steam
And the hysterical laughter of the defeated everywhere.
Night, and the futile cards are shuffled again.
Maguire spreads his legs over the impotent cinders that wake no manhood now
And he hardly looks to see which card is trump.
His sister tightens her legs and her lips and frizzles up
Like the wick of an oil-less lamp.
The curtain falls -
Maguire is not afraid of death, the Church will light him a candle
To see his way through the vaults and he'll understand the
Quality of the clay that dribbles over his coffin.
He'll know the names of the roots that climb down to tickle his feet.
And he will feel no different than when he walked through Donaghmoyne.
If he stretches out a hand - a wet clod,
If he opens his nostrils - a dungy smell;
If he opens his eyes once in a million years -
Through a crack in the crust of the earth he may see a face nodding in
Or a woman's legs.
Shut them again for that sight is sin.
He will hardly remember that life happened to him -
Something was brighter a moment. Somebody sang in the distance
A procession passed down a mesmerized street.
He remembers names like Easter and Christmas
By colour his fields were.
Maybe he will be born again, a bird of an angel's conceit
To sing the gospel of life
To a music as flighty tangent
As a tune on an oboe.
And the serious look of his fields will have changed to the leer of a hobo.
Swaggering celestially home to his three wishes granted.
Will that be? will that be?
Or is the earth right that laughs haw-haw
And does not believe
In an unearthly law.
The earth that says:
Patrick Maguire, the old peasant, can neither be damned nor glorified:
The graveyard in which he will lie will be just a deep-drilled potato-field
Where the seed gets no chance to come through
To the fun of the sun.
The tongue in his mouth is the root of a yew.
Silence, silence. The story is done.
He stands in the doorway of his house
A ragged sculpture of the wind,
October creaks the rotted mattress,
The bedposts fall. No hope. No lust.
The hungry fiend
Screams the apocalypse of clay
In every corner of this land.
- quotes about plow
- quotes about cows
- quotes about screams
- quotes about grass
- quotes about tomb
- quotes about midsummer
- quotes about journalism
- quotes about harvest
I Wonder Where The Days Go
I wonder where the days go
because I never get to see the sun
Or spend some time outside enjoying the sun
Often The One Scoped
He who scopes upon another,
With wishes to take away, claim and fake...
Is often the one scoped,
With an acknowledgement of his true deeds.
And is one known to be a faker.
The gift and the feast
The cost of the gift must not be compared
With the cost of the feast thrown, by the host.
The feast stands for the host's potentials.
The gift stands for the guests' limitations.
Thank You For The Gift Of Life
Thank you for the Gift of life
That I had received from God
How I am happy to be alive every day
How I am happy to be alive every day
How I am happy to be alive every day
How I am happy to be alive every day
At Times I Wonder About The World Beyond The Blue
At times I wonder about the world beyond the blue,
while I see the sun growing dim beyond the heaven of stars,
then I wonder about a place where God is the light of everything
but I know that He holds His hand over the entire world.
The gift lay unwrapped,
you didn't want to open.
You knew the kind of thing
he'd give and want response.
The power lay with you now,
the power not to unwrap,
see, and give praise or care.
Your cupboard is chock full
of unwanted gifts, lying there.
Often The Scenerio
Those who start things,
Never to complete them...
Can irritate to no end.
Especially the ones,
Who strike up interest in others...
To use excuses to abandon their 'whims'.
And projects finished,
By those who do not receive the credit...
Is often the scenerio.
Those who start things,
Never to complete them...
Become upset when others let them go.
The Gift Of Life
Life is a night all dark and wild,
Yet still stars shine:
This moment is a star, my child -
Your star and mine.
Life is a desert dry and drear,
This hour is an oasis, dear;
Here let us rest.
Life is a sea of windy spray,
Cold, fierce and free:
An isle enchanted is to-day
For you and me.
Forget night, sea, and desert: take
The gift supreme,
And, of life's brief relenting, make
A deathless dream.
Valentine Is Not All About The Gift
Valentine day, 24 hrs of pure love No fighting no argument
Use this opportunity to express your love and your compliment
Time to forgive and time to renew your love to each other
Time to invite your wife or girlfriend to a nice dinner and spend some good times together
Valentine is not all about the gift that you buy for her
Is the day of expressing your love and to show how much you really care for her
The gift of Love
There is a present inside of me.
As you look in my eyes,
it is evident to see.
It's the light, the gift of Love,
the Creator of heaven and earth has given unto
This wonderful gift is wrapped with empathy,
and it's fragrance is as sweet, as can be.
It is my motivation, the most vital key.
It transcends time, unto all eternity.
It's the only true way, one can live totally free,
to treat others kindly,
reagardless of how they have once treated thee.
Love is a gift to all humanity
The Gift of Time
The Gift of Time
It is a mystery what we call Time:
A little space of day which turns to night;
A little span of sorrow and delight:
Of tearful dirges and of joy-bells’ chime.
And yet its calm, slow-moving, noiseless feet
Can lead to glory-even thru defeat,
Enclose the wicked within their self-made bars,
And lift God-fearing souls beyond the stars!
O but foolish, blind, ungrateful souls are they
That, heedless, see no gift in each new day.
(Based on “A Jubilee Ode” by Mary Elizabeth Blake)
Oh so fine
We were trying
Out of nowhere
Just in time
Let you take me
Deep down the river
Kiss the changes
That shape my life
All the tracks that
I could find
Do do do do do
All these scars are mine
I was thinking got the feeling
The gift you gave
Is gonna last forever
All the lies you find
All the truth you see
Rise and fall
But I know whats mine
Here we lie
Looking up to
And the promises we find
Im not the first one
To ask why
I was thinking
Got the feeling
The gift you gave
Is gonna last forever
The gift I deem most important is
the gift of trust; the most precious
crown adorned with priceless gems,
only bestowed when I know someone
well, see consistent behaviour and integrity
Their invariable kindness, courtesy and
consideration create faith in their ability
to be true to their word, worthy of absolute
confidence; thus I swear my allegiance and
loyalty, faithful affection and friendship
In exchange; although I offer love
unconditionally to the wonderful world;
my trust only goes to the special people
who take my hand and never let go…