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He that speaks the things he should not, hears the things he would not.

Scotch proverbs
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Desdemonas Building A Rocket Ship

[transcribed by bo b]
Desdemonas building a rocket ship
By: jimmy buffett
1996
Desdemonas building a rocket ship
Desdemonas going away
Desdemonas building a rocket ship
Blasting off today
Shes got a passion for cookies
A crew full of rookies
Its going to be a hell of a blow
Desdemonas building a rocket ship
And Ive got to go
A women on a mission
Quite familiar with quasars
Her heart is in a kitchen
But her soul is in the stars
Crystal clear on logic
But short on expertise
This is a very ancient puzzle
She feels herself a piece
Desdemonas building a rocket ship
Desdemonas going away
Desdemonas building a rocket ship
Blasting off today
She got a passion for cookies
A crew full of rookies
Its going to be a hell of a blow
Desdemonas building a rocket ship
Guess Ive got to go
She was down in puerto rico
Doing a scientist
True, he was no geek though
She was taken with his kiss
It was under the giant telescope
Were she heard the calling voice
It came screaming though the light years
She never had a choice
Pleiades calling her home
Seven sisters, she hears her distant sisters
Pleiades calling me home
Seven sisters, she hears her seven sisters
Pleiades calling her home
Seven sisters, she hears her distant sisters
Pleiades calling me home
Seven sisters, she hears her seven sisters
A woman on a mission
Quite familiar with quasars
Her hearts still in the kitchen
But her soul is in the stars

[...] Read more

song performed by Jimmy Buffett
Added by Lucian Velea
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Eight Years Old

SUN, whom the faltering snow-cloud fears,
Rise, let the time of year be May,
Speak now the word that April hears,
Let March have all his royal way;
Bid all spring raise in winter’s ears
All tunes her children hear or play,
Because the crown of eight glad years
On one bright head is set to-day.

II.

What matters cloud or sun to-day
To him who wears the wreath of years
So many, and all like flowers at play
With wind and sunshine, while his ears
Hear only song on every way?
More sweet than spring triumphant hears
Ring through the revel-rout of May
Are these, the notes that winter fears.

III.

Strong-hearted winter knows and fears
The music made of love at play,
Or haply loves the tune he hears
From hearts fulfilled with flowering May,
Whose molten music thaws his ears
Late frozen, deaf but yesterday
To sounds of dying and dawning years,
Now quickened on his deathward way.

IV.

For deathward now lies winter’s way
Down the green vestibule of years
That each year brightens day by day
With flower and shower till hope scarce fears
And fear grows wholly hope of May.
But we—the music in our ears
Made of love’s pulses as they play
The heart alone that makes it hears.

V.

The heart it is that plays and hears
High salutation of to-day.
Tongue falters, hand shrinks back, song fears
Its own unworthiness to play
Fit music for those eight sweet years,
Or sing their blithe accomplished way.

[...] Read more

poem by Algernon Charles Swinburne
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Venus and Adonis

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis tried him to the chase;
Hunting he lov'd, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac'd suitor 'gins to woo him.
'Thrice fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses;
And being set, I'll smother thee with kisses:
'And yet not cloy thy lips with loath'd satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety;
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enrag'd, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens;--O! how quick is love:--
The steed is stalled up, and even now
To tie the rider she begins to prove:
Backward she push'd him, as she would be thrust,
And govern'd him in strength, though not in lust.
So soon was she along, as he was down,
Each leaning on their elbows and their hips:
Now doth she stroke his cheek, now doth he frown,
And 'gins to chide, but soon she stops his lips;
And kissing speaks, with lustful language broken,
'If thou wilt chide, thy lips shall never open.'
He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;

[...] Read more

poem by William Shakespeare (1593)
Added by Dan Costinaş
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Venus and Adonis

'Vilia miretur vulgus; mihi flavus Apollo
Pocula Castalia plena ministret aqua.'

To the right honorable Henry Wriothesly, Earl of Southampton, and Baron of Tichfield.
Right honorable.

I know not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burden only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest. I leave it to your honourable survey, and your honour to your heart's content; which I wish may always answer your own wish and the world's hopeful expectation.

Your honour's in all duty.

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis hied him to the chase;
Hunting he loved, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor 'gins to woo him.
'Thrice-fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses,
And being set, I'll smother thee with kisses;
'And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety,
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein,
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens:--O, how quick is love!--
The steed is stalled up, and even now
To tie the rider she begins to prove:

[...] Read more

poem by William Shakespeare
Added by Veronica Serbanoiu
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To Know The Word of the Spirit Original 01 16 2011

TO KNOW THE WORD
OF THE SPIRIT:
Original 01 16 2011

To know the word as motive
Know that God speaks the nous
Between his will and knowledge
Prerogatives of vision and reason

To know the word as verbal
Know that God speaks transcendent
Nous -to know the word as noun
Know God speaks the tone of you
To know the word as poem read
To know the word as pronoun
Know that god does not speak
Of you god speaks to you

To know the word as adverb
Know that God does not speak
About you God speaks through you

To know the word as adjective
Know that God speaks by you
To know the word as preposition
Know God speaks from the heart
To know the word as poem write
To know the word is off the table
Know that God knows who sops
And all that was [was] forgiven
To know word as free verse

To know the word as parable
Know that God speaks nous
To know that God has spoken
Know pain and pleasure in spirit.

Lee Mack copyright 2009. ISBN # 0615318347. Do not reproduce without permissions.

poem by Lee B. Mack
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The Pillage Hangman - Parody LONGFELLOW - The Village Blacksmith

Under a spreading chestnut tree
The village smithy stands;
The Smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can
And looks the whole world in the face
For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming furge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.

He goes on Sunday to the church
and sits among his boys;
He hears the parson pray and preach.
He hears his daughter's voice
singing in the village choir,
And it makes his heart rejoice.

It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.

Toiling, -rejoicing, -sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.

Thanks, thanks to thee, my worthy friend

[...] Read more

poem by Jonathan Robin
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Winter Song

Turn to me with frozen lips
Your hands are icy cold
Your eyes burn bright
Against the frost lit sky
You never seemed more lovely than you do tonight
Pale on the horizon
Like leaves frozen in the snow
Two bodies merging seperately
Time stands still
If its pierced with cold
Chorus:
The moonlight hears
The moonlight knows
Whats simple is true
And I love you
Theres a warmth in my heart
It haunts me when youre gone
Mend me to your side
And never let go
Time knows nothing
Well never grow cold
The moonlight hears
The moonlight knows
Whats simple is true
And I love you
The twilight descends
On our sillouhettes
How soon spring comes
How soon spring forgets
I wanna stop time
Say itll never begin
Old man winter be our friend
Old man winter be our friend
The moonlight hears
The moonlight knows
Whats simple is true
Whats simple is true
And I love you
---------------
October 97 version
Turn to me with frozen lips
Your hands are icy cold
Your eyes so blue
Against the frost lit sky
You never looked more lovely than you do tonight
Pale on the horizon
Like leaves frozen in the snow
Two shadows merging seperately
Time stands still
Its pierced with cold

[...] Read more

song performed by Jewel
Added by Lucian Velea
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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

[...] Read more

poem by James Thomson
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David

My thought, on views of admiration hung,
Intently ravish'd and depriv'd of tongue,
Now darts a while on earth, a while in air,
Here mov'd with praise and mov'd with glory there;
The joys entrancing and the mute surprize
Half fix the blood, and dim the moist'ning eyes;
Pleasure and praise on one another break,
And Exclamation longs at heart to speak;
When thus my Genius, on the work design'd
Awaiting closely, guides the wand'ring mind.

If while thy thanks wou'd in thy lays be wrought,
A bright astonishment involve the thought,
If yet thy temper wou'd attempt to sing,
Another's quill shall imp thy feebler wing;
Behold the name of royal David near,
Behold his musick and his measures here,
Whose harp Devotion in a rapture strung,
And left no state of pious souls unsung.

Him to the wond'ring world but newly shewn,
Celestial poetry pronounc'd her own;
A thousand hopes, on clouds adorn'd with rays,
Bent down their little beauteous forms to gaze;
Fair-blooming Innocence with tender years,
And native Sweetness for the ravish'd ears,
Prepar'd to smile within his early song,
And brought their rivers, groves, and plains along;
Majestick Honour at the palace bred,
Enrob'd in white, embroider'd o'er with red,
Reach'd forth the scepter of her royal state,
His forehead touch'd, and bid his lays be great;
Undaunted Courage deck'd with manly charms,
With waving-azure plumes, and gilded arms,
Displaid the glories, and the toils of fight,
Demanded fame, and call'd him forth to write.
To perfect these the sacred spirit came,
By mild infusion of celestial flame,
And mov'd with dove-like candour in his breast,
And breath'd his graces over all the rest.
Ah! where the daring flights of men aspire
To match his numbers with an equal fire;
In vain they strive to make proud Babel rise,
And with an earth-born labour touch the skies.
While I the glitt'ring page resolve to view,
That will the subject of my lines renew;
The Laurel wreath, my fames imagin'd shade,
Around my beating temples fears to fade;
My fainting fancy trembles on the brink,
And David's God must help or else I sink.

[...] Read more

poem by Thomas Parnell
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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.

ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.

Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.

Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

[...] Read more

poem by Percy Bysshe Shelley
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Every Time She Walks

Listen in...
Listen...
Listen in...
Listen...
Listen in to the sound
All the day stops
Chords keep ringing
Can't believe what I've found
I'm shellshocked
Finding out
When I hear her coming 'round
I drop everything
When I hear her coming 'round
Yeah
Everytime she walks
Everytime she speaks
I can feel the ground
movin' underneath
And I don't remember how it ever was before
Daylight
It's alright
Even when she's gone
'cause it won't be long
I know everything is different
'Cause everytime she walks
Everytime she speaks
I can feel the ground
movin' underneath
And I don't remember how it ever was before
Everytime she walks
Everytime she speaks
I can feel the ground movin' underneath
And I don't remember how it ever was before
Everything is turned around
and nothing looks the same to me
She is music when she walks
She's playing me a melody
Everything is turned around
and nothing looks the same to me
Listen in...
Listen...
Listen in to the sound
All the day stops
Chords keep ringing
Got my feet on the ground
I'm not losing, losing
When I hear her coming 'round
I drop everything
When I hear her coming 'round
Yeah

[...] Read more

song performed by Fastball
Added by Lucian Velea
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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Dreaming As The Tears Fall.

Dreaming of happy days.
Dreaming of that longing gaze.
Dreaming of that perfect embrace.
I'm dreaming of love always.
The greatest gift one could give.

Loneliness speaks of my weakness.
Vulnerabilities open like a wound so sore.
A tear dropp falls forevermore.

Dreaming of happy days.
Dreaming of that longing gaze.
Dreaming of that perfect embrace.
I'm dreaming of love always.
The greatest gift one could give.

I feel so abandon by everyone.
I feel like no one cares.
I feel, I feel, I feel so much pain.
Please tell me why I am still here.
A purpose should never disappear.

Dreaming of happy days.
Dreaming of that longing gaze.
Dreaming of that perfect embrace.
I'm dreaming of love always.
The greatest gift one could give.

Loneliness speaks of my weakness.
Vulnerabilities open like a wound so sore.
A tear dropp falls forevermore.

Loneliness speaks of my weakness.
Vulnerabilities open like a wound so sore.
A tear dropp falls forevermore.

Dreaming of happy days.
Dreaming of that longing gaze.
Dreaming of that perfect embrace.
I'm dreaming of love always.
The greatest gift one could give.

I remember the past so vividly.
But still it isn't now.
A singled out cloud.
The sun is burning him out.
Oh how he wishes darkness would surround.

Dreaming of happy days.
Dreaming of that longing gaze.

[...] Read more

poem by Ace Of Black Hearts
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Counterpoint: Two Rooms

He, in the room above, grown old and tired;
She, in the room below, his floor her ceiling,
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter.
She, by the window, smiles at a starlight night.

His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock upon her mantelpiece strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. New stars come up to shine.

His youth—far off—he sees it brightly walking
In a golden cloud .... wings flashing about it....
Darkness
Walls it around with dripping enormous walls.
Old age, far off—or death—what do they matter?
Down the smooth purple night a streaked star falls.

She hears slow steps in the street; they chime like music,
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn.
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.

Far off, on a smooth dark road, he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him; or he to death.

What's death?—she smiles. The cool stone hurts her elbow,
The last few raindrops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance,
A sparrbw whirs to the eaves and shakes its wings.

What's death—what's death ? The spring returns like music ;
The trees are like dark lovers who dream in starlight;
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams.
And death seems far away—a thing of roses,
A golden portal where golden music closes,
Death seems far away;
And spring returns, the countless singing of lovers,
And spring returns to stay....

He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,

[...] Read more

poem by Conrad Potter Aiken
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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The House Of Dust: Part 04: 04: Counterpoint: Two Rooms

He, in the room above, grown old and tired,
She, in the room below—his floor her ceiling—
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter. . . .
She, by the window, smiles at a starlight night,

His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock, upon her mantelpiece, strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. . . .New stars come up to shine.

His youth—far off—he sees it brightly walking
In a golden cloud. . . .Wings flashing about it. . . . Darkness
Walls it around with dripping enormous walls.
Old age—far off—her death—what do they matter?
Down the smooth purple night a streaked star falls.

She hears slow steps in the street—they chime like music;
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn. . . .
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.

Far off—on a smooth dark road—he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him: or he to death.

What's death?—She smiles. The cool stone hurts her elbows.
The last of the rain-drops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance.
A sparrow whirs to the eaves, and shakes his wings.

What's death—what's death? The spring returns like music,
The trees are like dark lovers who dream in starlight,
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams. . . .
And death seems far away, a thing of roses,
A golden portal, where golden music closes,
Death seems far away:
And spring returns, the countless singing of lovers,
And spring returns to stay. . . .

He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,
And clenches his hands, and remembers, and desires to die.

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poem by Conrad Potter Aiken
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Orlando Furioso Canto 12

ARGUMENT
Orlando, full of rage, pursues a knight
Who bears by force his lady-love away,
And comes where old Atlantes, by his sleight
Had raised a dome, Rogero there to stay.
Here too Rogero comes; where getting sight
Of his lost love, the County strives in fray
With fierce Ferrau, and, after slaughter fell
Amid the paynim host, finds Isabel.

I
Ceres, when from the Idaean dame in haste
Returning to the lonely valley, where
Enceladus the Aetnaean mountain placed
On his bolt-smitten flanks, is doomed to bear,
Her girl she found not, on that pathless waste,
By her late quitted, having rent her hair,
And marked cheeks, eyes, and breast, with livid signs,
At the end of her lament tore up two pines,

II
And lit at Vulcan's fire the double brand,
And gave them virtue never to be spent;
And, afterwards, with one in either hand,
Drawn by two dragons, in her chariot went,
Searching the forest, hill, and level land,
Field, valley, running stream, or water pent,
The land and sea; and having searched the shell
Of earth above, descended into hell.

III
Had Roland of Eleusis' deity
The sovereign power possessed no less than will,
He for Angelica had land and sea
Ransacked, and wood and field, and pool and rill,
Heaven, and Oblivion's bottom: but since he
Had not, his pressing purpose to fulfil,
Her dragon and her car, the unwearied knight
Pursued the missing maid as best he might.

IV
Through France he sought her, and will seek her through
The realms of Italy and of Almayn,
And thence through the Castiles, both old and new,
So passing into Libya out of Spain.
While bold Orlando has this plan in view,
He hears, or thinks he hears, a voice complain:
He forward spurs, and sees on mighty steed
A warrior trot before him on the mead;

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poem by Ludovico Ariosto
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Orlando Furioso Canto 16

ARGUMENT
Gryphon finds traitorous Origilla nigh
Damascus city, with Martano vile.
Slaughtered the Saracens and Christians lie
By thousands and by thousands heaped this while;
And if the Moor outside of Paris die,
Within the Sarzan so destroys each pile,
Such slaughter deals, that greater ill than this
Never before has been exprest, I wiss.

I
Love's penalties are manifold and dread:
Of which I have endured the greater part,
And, to my cost, in these so well am read,
That I can speak of them as 'twere my art.
Hence if I say, or if I ever said,
(Did speech or living page my thoughts impart)
'One ill is grievous and another light.'
Yield me belief, and deem my judgment right.

II
I say, I said, and, while I live, will say,
'He, who is fettered by a worthy chain,
Though his desire his lady should gainsay,
And, every way averse, his suit disdain;
Though Love deprive him of all praised pay,
After long time and trouble spent in vain,
He, if his heart be placed well worthily,
Needs not lament though he should waste and die.'

III
Let him lament, who plays a slavish part,
Whom two bright eyes and lovely tresses please:
Beneath which beauties lurks a wanton heart
With little that is pure, and much of lees.
The wretch would fly; but bears in him a dart,
Like wounded stag, whichever way he flees;
Dares not confess, yet cannot quench, his flame,
And of himself and worthless love has shame.

IV
The youthful Gryphon finds him in this case,
Who sees the error which he cannot right;
He sees how vilely he his heart does place
On faithless Origille, his vain delight:
Yet evil use doth sovereign reason chase,
And free will is subdued by appetite.
Though a foul mind the lady's actions speak,
Her, wheresoe'er she is, must Gryphon seek.

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poem by Ludovico Ariosto
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The Gaberlunzie's Walk

The Laird is dead, the laird is dead,
An' dead is cousin John,
His henchmen ten, an' his sax merrie men,
Forbye the steward's son.

An' his ain guid gray that he strode sae gay
When hunt was up an' on,
An' the win' blew fair, an' the grews pu'd sair,
An' dawn was on Maol-don,
An' the skeigh steeds neigh'd, an' the slot-hounds bay'd,
An' up gaed the mornin' sun,
An' awa' gaed the deer wi' the merrie men's cheer,
Awa' owre the auld Maol-don,
An' awa' wi' a shout ran the rabble an' the rout,
An' awa' rode cousin John,
Wi' his horn, his horn, thro' the merry merry morn,
His hunter's horn sae shrill!
An' 't was 'Ho, heigho, hereawa',
Hereawa', hereawa'!
Ho, heigho, hereawa'!'
A' roun' the hill!

Walie! walie! they're a' gane dead,
A' owre the seas an' awa'
The laird an' his men, the sax an' the ten,
They gaed to fight and to fa'.
An' walie, an' wae, an' hech! the weary day!
The laird is dead an' a'!

A' in ae grave by the margent o' the wave
Thegither they lay doun,
Sax feet deep, where dead men sleep,
A' i' the faeman's grun'.

Foremost i' the van, wi' his bagpipes i' his han',
The steward's ae braw son,
An' next the young laird-gin the guid Lord had spared!-
A' as he led them on,
Wi' his bonnie brow bare an' his lang fair hair,
An' his bluidy braid-sword drawn;
An' hard by his chief, that in life was sae lief,
In death cam cousin John,
Wi' his horn, his horn, thro' the merry merry morn,
His hunter's horn sae shrill
When 't was 'Ho, heigho, hereawa',
Hereawa', hereawa'!'

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poem by Sydney Thompson Dobell
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Vaanii

Vaanii

You spoke of ‘vaanii’ as that speech
that follows true perception
with exact expression
in that glorious inner sound
that’s followed into action..

intrigued, I took the dictionary from the shelf..

and it speaks of music..
like - I hear from memory -
that roadside stream accompanying your walk,
whose music – ever changing,
ever a continuance of the same –
speaks of its source among the wooded hills;
speaks of the beauties that it passed;
and of its destiny, in merging with salt sea;

as Saraswati, goddess of wise speech,
protected now within the deepest stone;
that music that the head hears and obeys in reason;
that music which the heart hears in the voice;
that music dancing in the graceful action:

unmistakeable as truth, it has a name:
vaanii.

poem by Michael Shepherd
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