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Haste is from the Devil.

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Peter Bell The Third

BY MICHING MALLECHO, Esq.

Is it a party in a parlour,
Crammed just as they on earth were crammed,
Some sipping punch-some sipping tea;
But, as you by their faces see,
All silent, and all-damned!

Peter Bell, by W. Wordsworth.


Ophelia.-What means this, my lord?
Hamlet.-Marry, this is Miching Mallecho; it means mischief.
~Shakespeare.

PROLOGUE
Pet er Bells, one, two and three,
O'er the wide world wandering be.-
First, the antenatal Peter,
Wrapped in weeds of the same metre,
The so-long-predestined raiment
Clothed in which to walk his way meant
The second Peter; whose ambition
Is to link the proposition,
As the mean of two extremes-
(This was learned from Aldric's themes)
Shielding from the guilt of schism
The orthodoxal syllogism;
The First Peter-he who was
Like the shadow in the glass
Of the second, yet unripe,
His substantial antitype.-
Then came Peter Bell the Second,
Who henceforward must be reckoned
The body of a double soul,
And that portion of the whole
Without which the rest would seem
Ends of a disjointed dream.-
And the Third is he who has
O'er the grave been forced to pass
To the other side, which is,-
Go and try else,-just like this.
Peter Bell the First was Peter
Smugger, milder, softer, neater,
Like the soul before it is
Born from that world into this.
The next Peter Bell was he,
Predevote, like you and me,
To good or evil as may come;
His was the severer doom,-

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Truth and the Devil

The devil unstoppably took pride in salaciously writing; the book of
obnoxious caste-creed and venomously penalizing hatred,

The devil unstoppably took pride in acrimoniously writing; the book of
indiscriminate bloodshed and disastrously traumatizing ruthlessness,

The devil unstoppably took pride in vengefully writing; the book of
tyrannical devastation and lecherously bellicose orphaning,

The devil unstoppably took pride in fretfully writing; the book of
vindictive war and satanically criminal holocausts,

The devil unstoppably took pride in maliciously writing; the book of
coldblooded barbarism and manipulatively bizarre malice,

The devil unstoppably took pride in forlornly writing; the book of
worthless
ghosts and mortuaries brutally anointed with fresh blood,

T The devil unstoppably took pride in indigently writing; the book of
nonchalant spuriousness and fecklessly insipid meaninglessness,

The devil unstoppably took pride in torturously writing; the book of
ominous
animosity and hedonistically pugnacious illwill,

The devil unstoppably took pride in dictatorially writing; the book of
licentious bawdiness and insanely threadbare nothingness,

The devil unstoppably took pride in heinously writing; the book of
lascivious poverty and baselessly crippling uncertainty,

The devil unstoppably took pride in savagely writing; the book of
despicable
defeat and lethally ballistic atrociousness,

The devil unstoppably took pride in raunchily writing; the book of
dolorous
delinquency and insidiously slandering betrayal,

The devil unstoppably took pride in preposterously writing; the book of
scurrilous lunatism and barbarously incarcerating fiendishness,

The devil unstoppably took pride in frigidly writing; the book of
jejune
mockery and impudently castigating brazenness,

The devil unstoppably took pride in heartlessly writing; the book of
ghastly
bloodshed and indefatigably bombarding politics,

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Samuel Butler

Hudibras: Part 3 - Canto I

THE ARGUMENT

The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.

'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place

No sooner was the bloody fight,
Between the Wizard, and the Knight,

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Devil With The Black Dress On

Wash off those scabs dear
or fingernail pick them clean
Pray to all your long lost demons
and justify your means

Devil has a new shape
Devil has a new ride
Devil has a problem but he locks it up inside
Shit angel

Kids sure like the devil these days
and I'm the devil with the black dress on
Do you want to own me angel
cause I own you now you're gone

Kids sure like the devil these days
and I'm the devil with the black dress on
Do you want to hate me angel
cause I hate you now you're gone

Did you believe it cause I said so
Did you believe it was true
Did you believe it cause I said so angel
I sure lied to you

Did you believe it cause I said so
Did you believe it was true
I'm eternal and infernal and I sure lied to you
Shit angel

Kids sure like the devil these days
and I'm the devil with the black dress on
Do you want to own me angel
cause I own you now you're gone

Kids sure like the devil these days
and I'm the devil with the black dress on
Do you want to hate me angel
cause I hate you now you're gone

Good girl with the black eyes
Believe in future past
Everything that I want happens
See how long that lasts

Devil has a hot rod
Devil high on speed
Devil has a black dress
So her arms can bleed

[...] Read more

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I've Seen The Devil (And He Looks Like You)

I've watched people in this world,
do evil things to each other,
I've seen them do evil things to the ones,
that they love and cherish,
but I never understood why they did,
the things that they do,

war to me is so useless,
couldn't we just find other ways,
to settle our differences,
except for trying to talk it out,
we put guns in the arms of our young ones,

Chorus: I've Seen The Devil,
and He looks like you,
I've Seen The Devil,
and he looks like you,
I've Seen The Devil,
and He Looks like you,

but do we really know what its all about,
do we really know why we do the things we do,
like going to war with one another,
trying to beat the devil that lives inside all of us,

I see the devil every single day,
I see him on the late night news,
and I see him on the covers of our magazines,
he tells us it’s going to be alright,
and that the wars going to be over,
only if we follow him,
and his un-holy union,

Chorus: I've Seen The Devil,
and He looks like you,
I've Seen The Devil,
and he looks like you,
I've Seen The Devil,
and He Looks like you,

but I don't see why we should,
follow you and your ways,
follow your path of destruction,
follow you and your destruction of the world,
why should we follow you,

you whisper stuff in our ears,
you say it’s going to be alright,
the next war that we fight will be the war of wars,
and we'll all die a Nuclear Holocaust,

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

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What Child Is This?

What child is this, who laid to rest
on Mary's lap is sleeping?
whom angels greet with anthems sweet
while shepherds watch are keeping?
This, this is Christ the King
whom shepherds guard and angels sing
haste, haste to bring him laud
the babe, the son of Mary
Why lies He in such mean state
where ox and and ass are feeding?
good christian, fear for sinners here
the silent word is pleading
this, this is Christ the King
whom shepherds guard and angels sing
haste, haste to bring him laud
the babe, the son of Mary
Nails, spear, shall, pierce him through
the cross be bome, for me, for you
hail, hail, the world made flesh
the babe, the son of Mary
this, this is Christ the King
whom shepherds guard and angels sing
haste, haste to bring him laud
the babe, the son of Mary
So bring him incense, gold and myrrh
come peasant, King to own him
the King of Kings salvation brings
let loving hearts enthrone him
this, this is Christ the King
whom shepherds guard and angels sing
haste, haste to bring him laud
the babe, the son of Mary
Raise, raise, the song on high
the Virgin sings her llullaby
joy, joy for Christ is born
the babe, the son of Mary
this, this is Christ the King
whom shepherds guard and angels sing
haste, haste to bring him laud
the babe, the son of Mary

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The Aeneid of Virgil: Book 2

ALL were attentive to the godlike man,
When from his lofty couch he thus began:
“Great queen, what you command me to relate
Renews the sad remembrance of our fate:
An empire from its old foundations rent, 5
And ev’ry woe the Trojans underwent;
A peopled city made a desart place;
All that I saw, and part of which I was:
Not ev’n the hardest of our foes could hear,
Nor stern Ulysses tell without a tear. 10
And now the latter watch of wasting night,
And setting stars, to kindly rest invite;
But, since you take such int’rest in our woe,
And Troy’s disastrous end desire to know,
I will restrain my tears, and briefly tell 15
What in our last and fatal night befell.
“By destiny compell’d, and in despair,
The Greeks grew weary of the tedious war,
And by Minerva’s aid a fabric rear’d,
Which like a steed of monstrous height appear’d: 20
The sides were plank’d with pine; they feign’d it made
For their return, and this the vow they paid.
Thus they pretend, but in the hollow side
Selected numbers of their soldiers hide:
With inward arms the dire machine they load, 25
And iron bowels stuff the dark abode.
In sight of Troy lies Tenedos, an isle
(While Fortune did on Priam’s empire smile)
Renown’d for wealth; but, since, a faithless bay,
Where ships expos’d to wind and weather lay. 30
There was their fleet conceal’d. We thought, for Greece
Their sails were hoisted, and our fears release.
The Trojans, coop’d within their walls so long,
Unbar their gates, and issue in a throng,
Like swarming bees, and with delight survey 35
The camp deserted, where the Grecians lay:
The quarters of the sev’ral chiefs they show’d;
Here Phœnix, here Achilles, made abode;
Here join’d the battles; there the navy rode.
Part on the pile their wond’ring eyes employ: 40
The pile by Pallas rais’d to ruin Troy.
Thymoetes first (’t is doubtful whether hir’d,
Or so the Trojan destiny requir’d)
Mov’d that the ramparts might be broken down,
To lodge the monster fabric in the town. 45
But Capys, and the rest of sounder mind,
The fatal present to the flames designed,
Or to the wat’ry deep; at least to bore
The hollow sides, and hidden frauds explore.
The giddy vulgar, as their fancies guide, 50

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Detroit Medley

Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Fe, fe, fi, fi, fo, fo, fum
Look at Molly now, here she come
Wearin' a wig, hat, shades to match
High healed sneakers and an aligator hat
Wearin' her diamons, wearin' a big ring
She got rasors on her fingers and everything
Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Wearin' her perfume, Chanel number five
Got to be the finest looking woman alive
She looks so pretty every time she walks by
The boys are too nervous, even to say hi
Not too skinny, not too fat
She's a real humdinger and I like it like that
Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress
Devil with the blue dress on
Good golly Miss Molly, sure like to ball
Good golly Miss Molly, sure like to ball
When you're rockin' and rollin'
Don't you hear your mama call
From the early, early morning to the early, early night
See Miss Molly rockin' in the house of blue light
Good golly Miss Molly, sure like to ball
When you're rockin' and rollin'
Don't you hear your mama call
Well c., c.c. rider
Come on see just what you've done
Well I said c., c.c. rider
Come on see just what you've done
You made me loving you
And now, now, now your man has come
Well now I'm goin' c.c. rider
Goin' to see my baby c.c. rider
And I won't be back c.c. rider
B

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Devil Woman

Ive had nothing but bad luck
Since the day I saw the cat at my door
So I came into you sweet lady
Answering your mystical call
Crystal ball on the table
Showing the future,the past
Same cat with them evil eyes
And I knew itwas a spell she cast
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you from behind
Give me the ring on your finger
Let me see the lines on your hand
I can see me a tall dark stranger
Giving you what you hadnt planned
I drank the potion she offered me
I found myself on the floor
Then I looked into those big green eyes
And I wondered what Id come there for
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you from behind
If youre out on a moonlit night
Be careful of them neighbourhood strays
Of a lady with long black hair
Tryin to win you with her feminine ways
Crystal ball on the table
Showing the future,the past
Same cat with them evil eyes
Youd better get out of there fast
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you...

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The Time Of Day

All the ghosts in the schoolyard
Young rebels with no dreams
Dying of old age
At seventeen
Some blame their mothers
For this unforgiving world
Others point the finger
At the flag the wind unfurls
But I say
You are the lock you are the key
You are the master of your destiny
The devils the dude who sells poison for pay
Dont give the devil the time of day
Dont you give him the room or and inch to play
Dont give the devil the time of day
Dont give the devil the time of day
Theres a face in the mirror
You dont recognize
So you shatter the lights
cause they sting your bloodshot eyes
You walk on with a stranger
Who rolls your soul up in his wad
You place your trust in him
Like you once placed it in god
Well I say
You are the lock you are the key
You are the master of your destiny
The devils the dude who sells poison for pay
Dont give the devil the time of day
Dont you give him the room or and inch to play
Dont give the devil the time of day
Dont give the devil the time of day
Caught between the cyclone fence and a red brick wall
Yeah, you melt like chocolate in the sun
Then you see your angel walking with his high-tops on
And he hands you heaven hotter than a loaded gun
(the time of day)
Dont you give him
(the time of day)
Dont you give him
(the time of day)
You are the lock you are the key
You are the master of your destiny
The devils the dude who sells poison for pay
Dont give the devil the time of day
Dont you give him the room or and inch to play
Dont give the devil the time of day
Dont give the devil the time of day
All the ghosts in the schoolyard
Young rebels with no dreams

[...] Read more

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The Devil Went Down To Georgia

***************************************
Primus - The Devil Went Down To Georgia
***************************************
The devil went down to Georgia
He was lookin' for a soul to steal
He was in a bind 'cause he was way behind
And he was willing to make a deal
When he came across this young man
Sawing on a fiddle and playing it hot
And the devil jumped up on a hickory stump
And said, "Boy let me tell you what
"I guess you didn't know it
But I'm a fiddle player too
And if you'd care to take a dare
I'll make a bet with you"
"Now you play pretty good fiddle, son
But give the devil his due
I bet a fiddle of gold against your soul
'Cause I think I'm better than you"
The boy said "My name's Johnny
And it might be a sin
But I'll take your bet and you're gonna regret
'Cause I'm the best that's ever been"
Johhny you resin up your bow
And play your fiddle hard
'Cause Hell's broke loose in Georgia
And the devil deals the cards
And if you win
You get this shiny fiddle made of gold
But if you lose
The devil gets your soul
The devil openned up his case
And he said "I'll start this show"
And fire flew from his fingertips
As he resined up his bow
And he pulled the bow across the strings
And it made an evil hiss
Then a band of demons joined in
And it sounded something like this
When the devil finished Johnny said
"Well you're pretty good, old son
But sit down in that chair right there
And let me show you how its done"
{Refrain}
Fire on the mountain, run boys run
The devil's in the house of the rising sun
Chicken in the bread pan pickin' out dough
Granny does your dog bite, no child no
The devil bowed his head
Because he knew that he'd been beat

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Simon Legree

A Negro Sermon.
(To be read in your own variety of negro dialect.)


Legree’s big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits’ feet on long twine strings.
BUT HE WENT DOWN TO THE DEVIL.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.
Legree he had a beard like a goat,
And a thick hairy neck, and eyes like dirt.
His puffed-out cheeks were fish-belly white,
He had great long teeth, and an appetite.
He ate raw meat, ‘most every meal,
And rolled his eyes till the cat would squeal.
His fist was an enormous size
To mash poor niggers that told him lies:
He was surely a witch-man in disguise.
BUT HE WENT DOWN TO THE DEVIL.

He wore hip-boots, and would wade all day
To capture his slaves that had fled away.
BUT HE WENT DOWN TO THE DEVIL.

He beat poor Uncle Tom to death
Who prayed for Legree with his last breath.
Then Uncle Tom to Eva flew,
To the high sanctoriums bright and new;
And Simon Legree stared up beneath,
And cracked his heels, and ground his teeth:
AND WENT DOWN TO THE DEVIL.

He crossed the yard in the storm and gloom;
He went into his grand front room.
He said, “I killed him, and I don’t care.”
He kicked a hound, he gave a swear;
He tightened his belt, he took a lamp,
Went down cellar to the webs and damp.
There in the middle of the mouldy floor
He heaved up a slab, he found a door—
AND WENT DOWN TO THE DEVIL.

His lamp blew out, but his eyes burned bright.
Simon Legree stepped down all night—

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The Booker Washington Trilogy

I. A NEGRO SERMON:—SIMON LEGREE

(To be read in your own variety of negro dialect.)


Legree's big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits' feet on long twine strings.
But he went down to the Devil.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.
Legree he had a beard like a goat,
And a thick hairy neck, and eyes like dirt.
His puffed-out cheeks were fish-belly white,
He had great long teeth, and an appetite.
He ate raw meat, 'most every meal,
And rolled his eyes till the cat would squeal.

His fist was an enormous size
To mash poor niggers that told him lies:
He was surely a witch-man in disguise.
But he went down to the Devil.

He wore hip-boots, and would wade all day
To capture his slaves that had fled away.
But he went down to the Devil.

He beat poor Uncle Tom to death
Who prayed for Legree with his last breath.
Then Uncle Tom to Eva flew,
To the high sanctoriums bright and new;
And Simon Legree stared up beneath,
And cracked his heels, and ground his teeth:
And went down to the Devil.

He crossed the yard in the storm and gloom;
He went into his grand front room.
He said, "I killed him, and I don't care."
He kicked a hound, he gave a swear;
He tightened his belt, he took a lamp,
Went down cellar to the webs and damp.
There in the middle of the mouldy floor
He heaved up a slab, he found a door —
And went down to the Devil.

[...] Read more

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La Fontaine

The Devil Of Pope-Fig Island

BY master Francis clearly 'tis expressed:
The folks of Papimania are blessed;
True sleep for them alone it seems was made
With US the copy only has been laid;
And by Saint John, if Heav'n my life will spare,
I'll see this place where sleeping 's free from care.
E'en better still I find, for naught they do:
'Tis that employment always I pursue.
Just add thereto a little honest love,
And I shall be as easy as a glove.

ON t'other hand an island may be seen,
Where all are hated, cursed, and full of spleen.
We know them by the thinness of their face
Long sleep is quite excluded from their race.

SHOULD you, good reader, any person meet,
With rosy, smiling looks, and cheeks replete,
The form not clumsy, you may safely say,
A Papimanian doubtless I survey.
But if, on t'other side, you chance to view,
A meagre figure, void of blooming hue,
With stupid, heavy eye, and gloomy mien
Conclude at once a Pope-figer, you've seen.

POPE-FIG 'S the name upon an isle bestowed,
Where once a fig the silly people showed,
As like the pope, and due devotion paid:--
By folly, blocks have often gods been made!
These islanders were punished for their crime;
Naught prospers, Francis tells us, in their clime;
To Lucifer was giv'n the hateful spot,
And there his country house he now has got.
His underlings appear throughout the isle,
Rude, wretched, poor, mean, sordid, base, and vile;
With tales, and horns, and claws, if we believe,
What many say who ought not to deceive.

ONE day it happened that a cunning clown
Was by an imp observed, without the town,
To turn the earth, which seemed to be accurst,
Since ev'ry trench was painful as the first.
This youthful devil was a titled lord;
In manners simple:--naught to be abhorred;
He might, so ignorant, be duped at ease;
As yet he'd scarcely ventured to displease:
Said he, I'd have thee know, I was not born,
Like clods to labour, dig nor sow the corn;
A devil thou in me beholdest here,
Of noble race: to toil I ne'er appear.

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Dance Of The Seasons

I—Spring

Allegro
Wake ! wake !
Out of the snow and the mist,
In rain-wet wind-blown gauze
Of amber and amethyst,
Cometh Spring like a girl.
Trembling and timorous
She peers through the thin white thaws,
Afraid of the winds that whirl
Down paths all perilous
Where her so tender feet are softly going,
Where the rich earth is awaiting her lavish sowing
Of green and purple and white
In the gardens of day and night.

Hither she comes—
Oh lightly she wavers and lingers!
The chill gray storm benumbs
Her lifted rose-petal fingers,
And looses her hair from its fillet of pearl.
Her soft, dew-fringed eyes—
The virginal eyes of a girl—
Gaze at the foam-veiled skies,
Search for the sun who is hiding
His amorous glowing face,
For the spirit of life now gliding
Unseen through every place.

Blown! blown—
Hither and yon,
Dashed by the winds that groan,
Lashed by the frost-elves wan,
Whipped by the envious ghosts of old years long gone,
That chatter and sigh
Of the ruin nigh,
Of death and darkness and sorrow that come anon.
Yet bold and brave
She dares—the young Spring—to dance on that ancient grave,
To dance with delicate feet
On the world's despair and defeat,
On the Winter's ashen pall
That covers all.

Look! she lifts the cover—
A corner of that frost-film pall she lifts.
Now Earth, great-hearted lover,
Smiles upward through the dew-bespangled rifts.
And shining sunbeams, pages of the day,

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The Columbiad: Book III

The Argument


Actions of the Inca Capac. A general invasion of his dominions threatened by the mountain savages. Rocha, the Inca's son, sent with a few companions to offer terms of peace. His embassy. His adventure with the worshippers of the volcano. With those of the storm, on the Andes. Falls in with the savage armies. Character and speech of Zamor, their chief. Capture of Rocha and his companions. Sacrifice of the latter. Death song of Azonto. War dance. March of the savage armies down the mountains to Peru. Incan army meets them. Battle joins. Peruvians terrified by an eclipse of the sun, and routed. They fly to Cusco. Grief of Oella, supposing the darkness to be occasioned by the death of Rocha. Sun appears. Peruvians from the city wall discover Roch an altar in the savage camp. They march in haste out of the city and engage the savages. Exploits of Capac. Death of Zamor. Recovery of Rocha, and submission of the enemy.


Now twenty years these children of the skies
Beheld their gradual growing empire rise.
They ruled with rigid but with generous care,
Diffused their arts and sooth'd the rage of war,
Bade yon tall temple grace their favorite isle,
The mines unfold, the cultured valleys smile,
Those broad foundations bend their arches high,
And rear imperial Cusco to the sky;
Wealth, wisdom, force consolidate the reign
From the rude Andes to the western main.

But frequent inroads from the savage bands
Lead fire and slaughter o'er the labor'd lands;
They sack the temples, the gay fields deface,
And vow destruction to the Incan race.
The king, undaunted in defensive war,
Repels their hordes, and speeds their flight afar;
Stung with defeat, they range a wider wood,
And rouse fresh tribes for future fields of blood.

Where yon blue ridges hang their cliffs on high,
And suns infulminate the stormful sky,
The nations, temper'd to the turbid air,
Breathe deadly strife, and sigh for battle's blare;
Tis here they meditate, with one vast blow,
To crush the race that rules the plains below.
Capac with caution views the dark design,
Learns from all points what hostile myriads join.
And seeks in time by proffer'd leagues to gain
A bloodless victory, and enlarge his reign.

His eldest hope, young Rocha, at his call,
Resigns his charge within the temple wall;
In whom began, with reverend forms of awe,
The functions grave of priesthood and of law,

In early youth, ere yet the ripening sun
Had three short lustres o'er his childhood run,
The prince had learnt, beneath his father's hand,
The well-framed code that sway'd the sacred land;
With rites mysterious served the Power divine,
Prepared the altar and adorn'd the shrine,
Responsive hail'd, with still returning praise,
Each circling season that the God displays,

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Lord William

No eye beheld when William plunged
Young Edmund in the stream,
No human ear but William's heard
Young Edmund's drowning scream.

Submissive all the vassals own'd
The murderer for their Lord,
And he, the rightful heir, possessed
The house of Erlingford.

The ancient house of Erlingford
Stood midst a fair domain,
And Severn's ample waters near
Roll'd through the fertile plain.

And often the way-faring man
Would love to linger there,
Forgetful of his onward road
To gaze on scenes so fair.

But never could Lord William dare
To gaze on Severn's stream;
In every wind that swept its waves
He heard young Edmund scream.

In vain at midnight's silent hour
Sleep closed the murderer's eyes,
In every dream the murderer saw
Young Edmund's form arise.

In vain by restless conscience driven
Lord William left his home,
Far from the scenes that saw his guilt,
In pilgrimage to roam.

To other climes the pilgrim fled,
But could not fly despair,
He sought his home again, but peace
Was still a stranger there.

Each hour was tedious long, yet swift
The months appear'd to roll;
And now the day return'd that shook
With terror William's soul.

A day that William never felt
Return without dismay,
For well had conscience kalendered
Young Edmund's dying day.

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Loverman

(originally recorded by nick cave and the bad seeds)
Theres a devil waiting outside your door (how much longer? )
Theres a devil waiting outside your door (how much longer? )
And hes bucking and braying and pawing at the floor (how much longer? )
And hes howling with pain, crawling up the walls (how much longer? )
Theres a devil waiting outside your door (how much longer? )
And hes weak with evil and broken by the world (how much longer? )
And hes shouting your name and asking for more (how much longer? )
Theres a devil waiting outside your door (how much longer? )
Loverman! since the world began
Forever, amen, till the end of time, yeah
Take off that dress, oh
Im coming down, yeah
Im your loverman, yeah
cause I am what I am what I am what I am what I am
L is for love, baby
O is for only you that I do
V is for loving virtually everything that you are
E is for loving almost everything that you do
R is for rape me
M is for murder me
A is for answering all of my prayers
N is for knowing your lovermans going to be the answer to all of yours
Loverman! till the bitter end
While the empires burn down
Forever and ever and ever, ever, amen
Im your loverman
So help me, baby
So help me, baby
cause I am what I am what I am what I am what I am
Im your loverman
Theres a devil crawling along your floor (how much longer? )
Theres a devil crawling along your floor (how much longer? )
With a trembling heart, hes coming through your door (how much longer? )
With his straining sex in his jumping paw (how much longer? )
Ooh, theres a devil crawling along your floor (how much longer? )
And hes old and hes stupid and hes hungry and hes sore
And hes blind and hes lame and hes dirty and hes poor
Gimme more, gimme more, gimme more, gimme more, gimme more, gimme more (how much longer? )
Theres a devil crawling along your floor
Loverman! haha! and here I stand
Forever, amen
cause I am what I am what I am what I am, hey
Forgive me, baby
My hands are tied
And I got no choice, no, no, no, no
I got no choice, no choice at all
Ill say it again
L is for love, baby
O is for oh yes I do

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Metamorphoses: Book The Sixth

PALLAS, attending to the Muse's song,
Approv'd the just resentment of their wrong;
And thus reflects: While tamely I commend
Those who their injur'd deities defend,
My own divinity affronted stands,
And calls aloud for justice at my hands;
Then takes the hint, asham'd to lag behind,
And on Arachne' bends her vengeful mind;
One at the loom so excellently skill'd,
That to the Goddess she refus'd to yield.
The Low was her birth, and small her native town,
Transformation She from her art alone obtain'd renown.
of Arachne Idmon, her father, made it his employ,
into a Spider To give the spungy fleece a purple dye:
Of vulgar strain her mother, lately dead,
With her own rank had been content to wed;
Yet she their daughter, tho' her time was spent
In a small hamlet, and of mean descent,
Thro' the great towns of Lydia gain'd a name,
And fill'd the neighb'ring countries with her fame.
Oft, to admire the niceness of her skill,
The Nymphs would quit their fountain, shade, or
hill:
Thither, from green Tymolus, they repair,
And leave the vineyards, their peculiar care;
Thither, from fam'd Pactolus' golden stream,
Drawn by her art, the curious Naiads came.
Nor would the work, when finish'd, please so much,
As, while she wrought, to view each graceful touch;
Whether the shapeless wool in balls she wound,
Or with quick motion turn'd the spindle round,
Or with her pencil drew the neat design,
Pallas her mistress shone in every line.
This the proud maid with scornful air denies,
And ev'n the Goddess at her work defies;
Disowns her heav'nly mistress ev'ry hour,
Nor asks her aid, nor deprecates her pow'r.
Let us, she cries, but to a tryal come,
And, if she conquers, let her fix my doom.
The Goddess then a beldame's form put on,
With silver hairs her hoary temples shone;
Prop'd by a staff, she hobbles in her walk,
And tott'ring thus begins her old wives' talk.
Young maid attend, nor stubbornly despise
The admonitions of the old, and wise;
For age, tho' scorn'd, a ripe experience bears,
That golden fruit, unknown to blooming years:
Still may remotest fame your labours crown,
And mortals your superior genius own;
But to the Goddess yield, and humbly meek

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