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An elephant's head is no load for a child.

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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….


☼ The Song of Wink Star
a happy story for children of all ages


☼ 1


Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

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Song Of Being A Child

When the child was a child
It walked with arms hanging
Wanted the stream to be a river and the river a torrent
And this puddle, the sea
When the child was a child, it didnt know
It was a child
Everything for it was filled with life and all life was one
Saw the horizon without trying to reach it
Couldnt rush itself and think on command
Was often terribly bored
And couldnt wait
Passed up greeting the moments
And prayed only with its lips
When the child was a child
It didnt have an opinion about a thing
Had no habits
Often sat crossed-legged, took off running
Had a cow lick in its hair
And didnt put on a face when photographed
When the child was a child
It was the time of the following questions
Why am I me and why not you
Why am I here and why not there
Why did time begin and where does space end
Isnt what I see and hear and smell
Just the appearance of the world in front of the world
Isnt life under the sun just a dream
Does evil actually exist in people
Who really are evil
Why cant it be that I who am
Wasnt before I was
And that sometime i, the i, I am
No longer will be the i, I am
When the child was a child
It gagged on spinach, on peas, on rice pudding
And on steamed cauliflower
And now eats all of it and not just because it has to
When the child was a child
It woke up once in a strange bed
And now time and time again
Many people seem beautiful to it
And now not so many and now only if its lucky
It had a precise picture of paradise
And now can only vaguely conceive of it at best
It couldnt imagine nothingness
And today shudders in the face of it
Go for the ball
Which today rolls between its legs
With its Im here it came
Into the house which now is empty

[...] Read more

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An Extraordinary Friendship

There happened to be an Elephant with purple skin
Which caused many a little child, to laugh and to grin?
They considered it so strange, and so ‘out of place’
That, a cheeky smirk ne’er left each mischievous face.
They laughed so much that they even shed tears:

A Purple Elephant, with purple ears!
Who ever heard such a ridiculous thing,
Next we’ll be hearing the Elephant sing.”

On this did continue, for many a day,
Each time he felt more hurt and full of dismay.
He thought about travelling, far, far away –
“Perhaps then, my skin will be the normal grey? ”
Thus he did reason inside his mind,
This way he would be leaving his shame behind.
But, as he thought on, he began to realise
That his shame wasn’t what they saw with their eyes
But, how they made him feel, deep inside,
All this is what continued to wound his pride.

Suddenly, one bright and cheerful day
A small Blue Mouse just happened by his way.
The Purple Elephant instinctively let out a scream
From the fear and shock, at what he had just seen!
He was just about to turn, quickly away,
When, his attention was caught, as the Blue Mouse did say:
“Please, there’s no need for you to fear me
I’m only a little, quiet Blue Mouse, as you can see.
Why is it that you’re afraid and nervous too?
Please, tell me how I can help – I would really like to.”

And so, the Purple Elephant related his troubles and woes;
How he seemed to have few friends, but much more foes.
The little Blue Mouse gave him such caring advice,
Of which he thought was ever so nice:

“Don’t you worry about how others see you,
Because, when it comes to real beauty, they haven’t a clue.
Your strength of character is something I admire.
You battle on, where others weaken and tire;
You’re tall in stature, big hearted as well.
How do I know? I’ve observed you and can tell.”

The Purple Elephant smiled, and a tear glistened in his eye,
He found her words very touching, and did thus reply:

“O thank you so much, for your kind words so true,
Now, I wonder, is there any favour I can do for you? ”

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The Weight (feat. The Staple Singers)

(The Band)
I pulled in to Nazareth, was feeling 'bout half past dead
I just need some place where I can lay my head
''Hey mister, can you tell me where a man might find a bed?''
He just grinned and shook my hand, ''No'' was all he said
Take a load off, Fanny
Take a load for free
Take a load off, Fanny
And you put the load right on me
I picked up my bag, I went looking for a place to hide
When I saw Carmen and the Devil walking side by side
I said ''Hey Carmen, come on, let's go downtown''
She said ''I gotta go but my friend can stick around''
Take a load off, Fanny
Take a load for free
Take a load off, Fanny
And you put the load right on me
Go down Miss Moses, there's nothing you can say
It's just old Luke, and Luke's waiting on the judgement day
''Well, Luke my friend, what about young Anna-Lee?''
He said ''Do me a favour son, won't you stay and keep Anna-Lee
company?''
Take a load off, Fanny
Take a load for free
Take a load off, Fanny
And you put the load right on me
Crazy Chester followed me and he caught me in the fog
He said ''I will fix your rat if you'll take Jack my dog''
I said ''Wait a minute Chester, you know I'm a peaceful man''
He said ''That's okay boy, won't you feed him when you can?''
Take a load off, Fanny
Take a load for free
Take a load off, Fanny
And you put the load right on me
Catch a cannonball now to take me down the line
My bag is sinking low and I do believe it's time
To get back to Miss Fanny, you know she's the only one
Who sent me here with her regards for everyone
Take a load off, Fanny
Take a load for free
Take a load off, Fanny
And you put the load right on me

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The Weight

I pulled into Nazareth, was feelin' 'bout half past dead
I just need some place where I can lay my head
"Hey, mister, can you tell me where a man might find a bed?"
He just grinned and shook my hand, and "No" was all he said
Take a load off Fanny
Take a load for free
Take a load off Fanny
And (and) (and) you can put the load right on me
Picked up my bag, went lookin' for a place to hide
When I saw Carmen and the Devil walkin' side by side
I said, "Hey, Carmen, come on, let's go downtown"
She said, "I gotta go, but m'friend can stick around"
Take a load off Fanny
Take a load for free
Take a load off Fanny
And (and) (and) you can put the load right on me
Go down, Miss Moses, there's nothin' you can say
It's just old Luke, and Luke's waitin' on the Judgement Day
"Well Luke, my friend, what about young Anna Lee?"
He said, "Do me a favour, son, won't you stay an' keep Anna Lee company?"
Take a load off Fanny
Take a load for free
Take a load off Fanny
And (and) (and) you can put the load right on me
Crazy Chester followed me, and he caught me in the fog
He said, "I will fix your rack, if you'll take Jack, my dog"
I said, "Wait a minute, Chester, I'm a peaceful man"
He said, "That's OK, just feed him when you can"
Take a load off Fanny
Take a load for free
Take a load off Fanny
And (and) (and) you can put the load right on me
Catch a cannon ball now, to take me down the line
My bag is sinking low and I do believe it's time
To get back to Miss Fanny, you know she's the only one
Who sent me here with her regards for everyone
Take a load off Fanny
Take a load for free
Take a load off Fanny
And (and) (and) you can put the load right on me

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Child Molester

Note- I wanted to write something something darker and deeper then what I currently have been.

This is what came out.

Dark Rewrite of Britney Spear's Womanizer

Storyline-One woman takes the stand that no one else will to save her street from the unthinkable

Perverted neighbor
I know where you're from
I think it's best you get your twisted... going
Got more then just a clue what you're up to
You can play squeaky clean tp all the others gathered here
But I know what you really are, what you really are sickie

Look at you
Tryin' to act so on the up and up
Sickie, you
Got everyone else here fooled
But not me, oh no, not me
Fakin' like deep down you're a good one
Let's just lay our cards out on the table
Get it all out now
Call 'em like we both know 'em

Child molester, child-child molester
You're a child molester
Oh, child molester, oh you're a child molester, sickie
You-you know-you know you are
You-you know-you know you are
Child molester, child molester, child molester

Sicko, don't try stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
Sicko, don't try to stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
(Spoken) You got some kind of twisted game goin'
You got them all believin' you're so charmin'
But I won't let you keep on doin' it
You child molester

Sicko, don't try stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
Sicko, don't try to stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
(Spoken) You say I'm crazy

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GOD's Elephant - Beating Back The Lion...

GOD Pulled The Lion’s Teeth
GOD Crushed The Lion’s Claws
GOD Took The Lion’s Roar
… and made it very small

GOD Tore Off The Lion’s Tail
GOD Cut The Lion’s Mane
‘Til The Lion’s Voracious Voice
Became Lame and Tamed … and Shamed

Because That Lion Was A Coward
That Crazed Lion Was A Bully
Looking Only For The Weak
To Feast On Them Fully

Not Because It Was Hungry
Not Because It Was In Need
Terror Became Its Creed
Because Its Favorite Taste … Was Greed

It Was The Nature Of That Beast
To Be The Enemy Of My Peace
But GOD Changed Me Into An Elephant
When GOD Saw Me On My Knees

That Lion Chose Me As Victim
It Thought I’d Be Irrelevant
Because It Had No Idea …
I’d Become GOD’ Elephant

… I Am One Of GOD’s Messengers
Hear Me Trumpet HIS Sound
See How Christian Courage Charge
and Shake Lions Underground

See My Ivory Tusks Of Hope
Raised High In Silhouette Moonlight
Gleaming As I Spoke
My Prayers Thru Every Night

See My Ears So Huge To Cool
Fiery Heat That Must Come
Caressing My Full Faith Form
As Heart Beats A Thunder-Drum

GOD Gave Me Wings Of The Wind
GOD Gave Me Echoes Of The Sea
Gave Me A Stand Like A Snowcapped Mountain
And A Trunk Like A Baobab Tree

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Elizabeth Barrett Browning

Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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The Story Of Nevermore

now I cast a hypnotic spell
to free a child from her hell
surrender now child fall deep in my spell
just come to me child and all will be well

rise now child in sleep you now come
walk now child thought your scenes stay numb
fall now child in to a peaceful dream
but nothing there is as it seems

even thought child in you dream all is right
really your body walks still throw the night
relax now child let that dream ease your mind
follow now child let my voice be your guild

don’t worry child my intentions are pure
you’ll be happy with me of that I am sure
I’m just so tired of being alone
I want a child all of my own

so sleepwalk now child to the pull of my charm
sleepwalk to me child you’ll be safe in my arms
nevermore child shall you cry out in pain
your old life will be lost but a new one will be gained

sleepwalk to me child you’ll be my daughter soon
find your way to me child by the light of the moon
sleepwalk to me child and I’ll show you my ways
all the things I can show you; you’ll be amazed

sleepwalk to me child your almost here
come to me child soon all will be clear
sleepwalk to me child come meet your new mom
soon the whole world will rest in your palm

I see you now child I have you in sight
I run to you child now all is right
your eyes are dazed child unseeing and blank
I can see you now child what a great daughter you’ll make

come to me child collapse in my arms
come to me child you’re safe now from harm
I hold you now child and cradle you close to my heart
I hum to you child as I carry you throw the dark

were home now dear child far from all you ones knew
were home now dear child only one thing left to do
I made this child a special potion just for you
and with it your life begins anew

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Surfs Up

A diamond necklace played the pawn
Hand in hand some drummed along, oh
To a handsome man and baton
A blind class aristocracy
Back through the opera glass you see
The pit and the pendulum drawn
Columnated ruins domino
Canvass the town and brush the backdrop
Are you sleeping?
Hung velvet overtaken me
Dim chandelier awaken me
To a song dissolved in the dawn
The music hall a costly bow
The music all is lost for now
To a muted trumperter swan
Columnated ruins domino
Canvass the town and brush the backdrop
Are you sleeping, brother john?
Dove nested towers the hour was
Strike the street quicksilver moon
Carriage across the fog
Two-step to lamp lights cellar tune
The laughs come hard in auld lang syne
The glass was raised, the fired rose
The fullness of the wine, the dim last toasting
While at port adieu or die
A choke of grief hard hardened i
Beyond belief a broken man too tough to cry
Surfs up
Aboard a tidal wave
Come about hard and join
The young and often spring you gave
I heard the word
Wonderful thing
A childrens song
Child, child, child, child, child
A child is the father of the man
Child, child, child, child, child
A child is the father of the man
A childrens song
Have you listened as they played
Their song is love
And the children know the way
Thats why the child is the father to the man
Child, child, child, child, child
Child, child, child, child, child
Na na na na na na na na
Child, child, child, child, child
Thats why the child is the father to the man
Child, child, child, child, child

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Metamorphoses: Book The Fifth

WHILE Perseus entertain'd with this report
His father Cepheus, and the list'ning court,
Within the palace walls was heard aloud
The roaring noise of some unruly crowd;
Not like the songs which chearful friends prepare
For nuptial days, but sounds that threaten'd war;
And all the pleasures of this happy feast,
To tumult turn'd, in wild disorder ceas'd:
So, when the sea is calm, we often find
A storm rais'd sudden by some furious wind.
The Story of Chief in the riot Phineus first appear'd,
Perseus The rash ringleader of this boist'rous herd,
continu'd And brandishing his brazen-pointed lance,
Behold, he said, an injur'd man advance,
Stung with resentment for his ravish'd wife,
Nor shall thy wings, o Perseus, save thy life;
Nor Jove himself; tho' we've been often told
Who got thee in the form of tempting gold.
His lance was aim'd, when Cepheus ran, and said,
Hold, brother, hold; what brutal rage has made
Your frantick mind so black a crime conceive?
Are these the thanks that you to Perseus give?
This the reward that to his worth you pay,
Whose timely valour sav'd Andromeda?
Nor was it he, if you would reason right,
That forc'd her from you, but the jealous spight
Of envious Nereids, and Jove's high decree;
And that devouring monster of the sea,
That ready with his jaws wide gaping stood
To eat my child, the fairest of my blood.
You lost her then, when she seem'd past relief,
And wish'd perhaps her death, to ease your grief
With my afflictions: not content to view
Andromeda in chains, unhelp'd by you,
Her spouse, and uncle; will you grieve that he
Expos'd his life the dying maid to free?
And shall you claim his merit? Had you thought
Her charms so great, you shou'd have bravely sought
That blessing on the rocks, where fix'd she lay:
But now let Perseus bear his prize away,
By service gain'd, by promis'd faith possess'd;
To him I owe it, that my age is bless'd
Still with a child: Nor think that I prefer
Perseus to thee, but to the loss of her.
Phineus on him, and Perseus, roul'd about
His eyes in silent rage, and seem'd to doubt
Which to destroy; 'till, resolute at length,
He threw his spear with the redoubled strength
His fury gave him, and at Perseus struck;
But missing Perseus, in his seat it stuck.

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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Elefans' Fans - Elefans' Fans - Gray Eulogy written in a Country Backyard

Enormous fan ears,
Like trees legs large, small rope tail,
Ends pointed, tusk spears.
Flanks walls, pack I derm trunk snake
ANSwer: blind faith tale's trumps wake.

21 March 2009 robi3_1871_saxe1_0003 PAH_NXX
Acrostic Tanka Elefans

The Blind Men and the Elephant

It was six men of Hindostan
To learning much inclined
Who went to see the Elephant
[Though all of them were blind];
That each by observation
Might satisfy his mind.

The first approached the Elephant,
And happening to fall
Against his broad and sturdy side,
At once began to bawl:
"Bless me, it seems the Elephant
Is very like a wall."

The second, feeling of his tusk,
Cried, "Ho! what have we here
So very round and smooth and sharp.
To me ‘tis mighty clear
This wonder of an Elephant
Is very like a spear."

The third approached the animal,
And happening to take
The squirming trunk within his hands,
Then boldly up and spake:
"I see, " quoth he, "the Elephant
Is very like a snake."

The fouth stretched out his eager hand
And felt about the knee,
"What most this mighty beast is like
Is mighty plain, " quoth he:
"'Tis clear enough, the Elephant
Is very like a tree."

The fifth who chanced to touch the ear
Said, "Even the blindest man
Can tell what this resembles most;
Deny the fact who can,

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Elefans' Fans' Grey Tanka Eulogy written on a Grass Green Country Backyard after John Godfrey Saxe The Blind Men and the Elephant

The King was ill. A travelling monk told him to look upon the healing colour of green. The king spent lakhs and lakhs of money hiring artists to paint the entire country green. The monk once again travelled in the vicinity and came to court. He said to the king: 'Would it not have been better to put on green glasses? ' Paraphrased from a story told by Sathya Sai Baba

Guard us from advice
Responses aping logic
As King in a trice
Should have rejected both monk,
Story artists' green leafed trunk.

Green dreams in dark night
Reveal lies theologic
Emerald eyes quite
Express blood red as black junk -
Simplistic suggestions sunk.

Enormous fan ears,
Like trees legs large, small rope tail,
Ends pointed, tusk spears.
Flanks walls, pack I derm trunk snake
ANSwer: blind faith tale's trumps wake.

Guard from blind minds blind
Leads up undermined mined path
As grass green scene signed
Shows more than meets eye. debunk
Surface virid, vivid drunk.

The Blind Men and the Elephant
It was six men of Hindostan
To learning much inclined
Who went to see the Elephant
[Though all of them were blind];
That each by observation
Might satisfy his mind.

The first approached the Elephant,
And happening to fall
Against his broad and sturdy side,
At once began to bawl:
"Bless me, it seems the Elephant
Is very like a wall."

The second, feeling of his tusk,
Cried, "Ho! what have we here
So very round and smooth and sharp.
To me ‘tis mighty clear
This wonder of an Elephant
Is very like a spear."

The third approached the animal,
And happening to take

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Medley: Rubber Bullets/silly Love Songs/life Is A Hinestrone

I went to a party at the local county jail
All the cons were dancing and the band began to wail
But the guys were indiscreet
They were brawling in the street
At the local dance at the local county jail
Well the band were playing
And the booze began to flow
But the sound came over on the police car radio
Down at precinct 49
Having a tear-gas of a time
Sergeant baker got a call from the governor of the county jail
Load up, load up, load up with rubber bullets
Load up, load up, load up with rubber bullets
I love to hear those convicts squeal
Its a shame these slugs aint real
But we cant have dancin at the local county jail
Sergeant baker and his men made a bee-line for the jail
And for miles around
You could hear the sirens wail
Theres a rumor goin round death row
That a fuse is gonna blow
At the local hop at the local county jail
Whatcha gonna do about it, whatcha gonna do
Whatcha gonna do about it, whatcha gonna do
Sergeant baker started talkin
With a bullhorn in his hand
He was cool, he was clear
He was always in command
He said blood will flow;
Here padre
Padre you talk to your boys...
Trust in me -
God will come to set you free
Well we dont understand
Why you called in the national guard
When uncle sam is the one
Who belongs in the exercise yard
We all got balls and brains
But somes got balls and chains
At the local dance at the local county jail
Load up, load up, load up with rubber bullets
Load up, load up, load up with rubber bullets
Is it really such a crime
For a guy to spend his time
At the local dance at the local county jail
At the local dance at the local county jail
Whatcha gonna do about it, whatcha gonna do
Whatcha gonna do about it, whatcha gonna do
===================
10cc - silly love

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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