A wretched year has twenty-four months.
Lebanese proverbs
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[...] Read more
poem by Rwetewrt Erwtwer
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The mother and the artist
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of wonderfully emollient freshness; every
unfurling instant of impregnably magnificent existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of spellbindingly undefeated innocence; every
unfurling instant of symbiotically pristine existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of timelessly unconquerable truth; every unfurling
instant of bounteously magnanimous existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unfathomably unfettered creativity; every
unfurling instant of timelessly burgeoning existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of royally triumphant resplendence; every
unfurling instant of unconquerably majestic existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of eternally exhilarating vivaciousness; every
unfurling instant of redolently insuperable existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unbelievably ameliorating optimism; every
unfurling instant of marvelously benign existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of brilliantly liberated camaraderie; every
unfurling instant of iridescently inscrutable existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unshakably virgin righteousness; every
unfurling instant of beautifully untainted existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of uninhibitedly heavenly frolic; every unfurling
instant of tantalizingly sensuous existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of compassionately humanitarian friendship; every
unfurling instant of magically mitigating existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of miraculously everlasting freshness; every
unfurling instant of invincibly coalescing existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of pricelessly ubiquitous oneness; every unfurling
[...] Read more
poem by Nikhil Parekh
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My Twenty-Four Plus One More
How I love twenty-five
From her hips to her lips
How I worship twenty-five
From her nose to her dainty toes
I love twenty-five
From her eyes to her thighs
I really love twenty-five
From her hair to everywhere
I admire twenty-five
From her footwear to her underwear
I live for twenty-five
Seven days twenty-four she I adore
I love and desire my twenty-five
From her hands to her fingers she’s a winner
Twenty-five is the answer to all my payers
She’s as refreshing as pure spring waters
Twenty-five has a beautiful face
The curves of her behind right down to her waistline
She is slim and neat and likes to keep things discrete
She has a great body dressed her best never gaudy
Twenty-five is so dam sexy
She’s so sweet and foxy
Twenty-five is one of the world’s most natural beauties
Can’t wait to see her booty in her panties
I love her purple, white, and black sweater
I some how know how to make her feel better
I truly love gregarious twenty-five
She is the reason I stay alive
Sweetness I find in twenty-five
In her love I can thrive
She is every beat of my heart
By the hands Michael Angelo, she’s truly a work of art
I’d give her the world if I could
In my arms to stay she should
She is like symphony from Mozart
She is love and my sweetheart
I was in love at first sight
She makes me feel that everything will be alright
Twenty-five loves her some penguins
If only down she would lay all her burdens
[...] Read more
poem by Wilfred Mellers
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Twenty Years
I burned the bridge. There's no going back.
Would never be ten or fifteen again.
Opening my eyes to a blood red sky
Designed with black and all shades of darkness
Inscribed in it was 'Welcome To Life'
I cried and cried, everyone smiled and grinned
I really don't wanna be here but ssshh
You can't say that, life is for living
The dead hath no friendship with the living
Holding the back of hope's hand
On the other hand holding tightly
The photograph of the days of my life.
I run for my dear...not so dear life
Here comes the seasons changing on me again
When it rains, it pours, I drown, and become rain
When it shines, it burns, I ignite, and become passion
There's been no rain, I prayed
Took an umbrella, with faith in my chest
I chilled under the sky for an answer
It didn't rain, so I went for a gin
Twenty years. Twenty failures. One cynic.
Pure Russian water wash through my bleeding soul.
Twenty years looking for something
Not sure what, the whole world is moving
I'm standing, chilling, and stilling
A confused fish, stuck in life, a tough shore
Death and nothingness, the peaceful ocean
How do you fill up an empty heart?
Twenty years with an empty side
The best way to give your life a meaning
Is to give someone's life a meaning
Twenty years, I've sounded an alarm
To the higher heavens, to the Only one
But how do you give what you don't have?
Twenty years. Twenty heartbreaks. Twenty failures. Twenty prayers.
Twenty kisses. Twenty goodbyes.
Twenty attempts. Still breathing.
Twenty caresses by Him who wooed me young
He who loves and chases me old
Yet His absence is chilling and silence, killing.
Twenty years. Of clueless motions.
And the crowds' mental insanity.
Twenty years. History has told her story.
Time is penning my story.
I repeat again; I wish I knew
At any point knew how life should be lived.
Twenty years. Prince Charming. Remained a frog, or perhaps had disdain for sleeping beauty.
Twenty years. The rain is pouring, my heart is needing
But the umbrella's missing.
Disney made me dream...weak...love
[...] Read more
poem by Jenim Dibie
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Free, Male, & Twenty-one
Were free
Were male
Were twenty-one
Free, male, and twenty-one
Free, male, and twenty-one
Its not enough to be twenty-one and free
Its not the same as male and twenty-one
Free, male, and twenty-one
This is such a fine distinction
The career that weve begun
I just made twenty-one
Im old enough to run
For congressman or clerk of the public works
Or dogcatcher or something just as dumb
If I should choose to run
I make no exaggeration
Just a statement of the facts
Now Im second generation
And I am manly to the max
And no one can decree
Just who I have to be
The choice is up to me
And if I could be anything, Id be
Male and twenty-one
Its nice to be a man
I use it all I can
I never had a choice for a higher voice
But I have to say Im glad to be a man
Since this is what I am
Sigmund freud may have a crisis
With his own identity
But theres nothing wrong with me
Because I enjoy being a boy
And all that it will say upon my resume
Free, male, and twenty-one
Free, male, and twenty-one
Free, male, and twenty-one
Free, male, and twenty-one
If I could change
Change anything, everything
Everything in the world
Then I would make
Half of the world
Free, male, and twenty-one
Free, male, and twenty-one
Free, male, and twenty-one
And I dont believe in heaven
What a let down it would be
And I hope theres not a hell
But there must be a God cause he made me
[...] Read more
song performed by Todd Rundgren
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Twenty Four
Twenty four oceans
Twenty four skies
Twenty four failures
Twenty four tries
Twenty four finds me
In twenty-fourth place
Twenty four drop outs
At the end of the day
Life is not what I thought it was
Twenty four hours ago
Still I'm singing Spirit take me up in arms with You
And I'm not who I thought I was twenty four hours ago
Still I'm singing Spirit take me up in arms with You
Twenty four reasons to admit that Im wrong
With all my excuses still twenty four strong
See I'm not copping out not copping out not copping out
When You're raising the dead in me
Oh, oh I am the second man
Oh, oh I am the second man now
Oh, oh I am the second man now
And You're raising these twenty four voices
With twenty four hearts
With all of my symphonies
In twenty four parts
But I wan to be one today
Centered and true
I'm singing Spirit take me up in arms with You
You're raising the dead in me
Oh, oh I am the second man
Oh, oh I am the second man now
Oh, oh I am the second man now
And You're raising the dead in me
I want to see miracles, see the world change
Wrestled the angel, for more than a name
For more than a feeling
For more than a cause
I'm singing Spirit take me up in arms with You
And You're raising the dead in me
Twenty four voices
With twenty four hearts
With all of my symphonies
In twenty four parts.
I'm not copping out. Not copping out. Not copping out.
song performed by Switchfoot
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Thespis: Act II
DRAMATIS PERSONAE
GODS
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
THESPIANS
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT II - The same Scene, with the Ruins Restored
SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.
CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.
SILL. To work and think, my dear,
Up here would be,
[...] Read more
poem by William Schwenck Gilbert
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Funky New Year
Went to a party just last night
Wanted to bring the year in right
Woke up this morning I don't know how
Last night I was a happy man, but the way I feel right now
It's gonna be a FUNKY NEW YEAR
FUNKY NEW YEAR
Ooo, Ahh, got to be a FUNKY NEW YEAR
FUNKY NEW YEAR
Can't remember when I ever felt worse
Nothing matters and everything hurts
They were passin' round the bottle, made me feel brand new
Trouble with the new man he wants a hit too, hit me
FUNKY NEW YEAR
FUNKY NEW YEAR
oooooo, it's a FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
Lord, mmm, FUNKY NEW YEAR
Nurse I'm worse FUNKY NEW YEAR
I got to perk up a little FUNKY NEW YEAR
My hair hurts FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
A party baby
Never again FUNKY NEW YEAR
FUNKY NEW YEAR
Who's shoes are these FUNKY NEW YEAR
FUNKY NEW YEAR
Party hardy baby FUNKY NEW YEAR
FUNKY NEW YEAR
What year is this anyway?
song performed by Eagles
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Canto the First
I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.
II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.
III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.
IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.
V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.
[...] Read more
poem by Byron from Don Juan (1824)
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Ode to the Modern Work-Man
O, wretched modern work-man
The years, they pass you by
Everything you believe
Is nothing but a lie.
O, wretched modern work-man
From your neckties to your socks
You’re nothing but a slave
To pictures in a box.
O, wretched modern work-man
You live for the Public Eye
Your life is but a parody
Whose foundation is a lie.
O, wretched modern work-man
You strive, and save, and yearn
To keep up with the Kamaus
Spending more than you earn.
O, wretched modern work-man
You’re nothing but a slave
Your dreams are dead and buried
Lying in a shallow grave.
O, wretched modern work-man
You strangled your own dreams
You smothered your own happiness
Your hand stifled its screams.
O, wretched modern work-man
For the camera so aesthetic
Beneath the plastic smile
You’re pitiful and pathetic.
O, wretched modern work-man
You work yourself half to death
Chasing pounds and shillings
To swell another’s wealth.
O, wretched modern work-man
You lived your whole life as a show
Yet the only Watcher who mattered
Didn’t like what He saw.
O, wretched modern work-man
When you finally died
Your surname, and hospital bill
Were all you left behind…
The Aeneid of Virgil: Book 2
ALL were attentive to the godlike man,
When from his lofty couch he thus began:
“Great queen, what you command me to relate
Renews the sad remembrance of our fate:
An empire from its old foundations rent, 5
And ev’ry woe the Trojans underwent;
A peopled city made a desart place;
All that I saw, and part of which I was:
Not ev’n the hardest of our foes could hear,
Nor stern Ulysses tell without a tear. 10
And now the latter watch of wasting night,
And setting stars, to kindly rest invite;
But, since you take such int’rest in our woe,
And Troy’s disastrous end desire to know,
I will restrain my tears, and briefly tell 15
What in our last and fatal night befell.
“By destiny compell’d, and in despair,
The Greeks grew weary of the tedious war,
And by Minerva’s aid a fabric rear’d,
Which like a steed of monstrous height appear’d: 20
The sides were plank’d with pine; they feign’d it made
For their return, and this the vow they paid.
Thus they pretend, but in the hollow side
Selected numbers of their soldiers hide:
With inward arms the dire machine they load, 25
And iron bowels stuff the dark abode.
In sight of Troy lies Tenedos, an isle
(While Fortune did on Priam’s empire smile)
Renown’d for wealth; but, since, a faithless bay,
Where ships expos’d to wind and weather lay. 30
There was their fleet conceal’d. We thought, for Greece
Their sails were hoisted, and our fears release.
The Trojans, coop’d within their walls so long,
Unbar their gates, and issue in a throng,
Like swarming bees, and with delight survey 35
The camp deserted, where the Grecians lay:
The quarters of the sev’ral chiefs they show’d;
Here Phœnix, here Achilles, made abode;
Here join’d the battles; there the navy rode.
Part on the pile their wond’ring eyes employ: 40
The pile by Pallas rais’d to ruin Troy.
Thymoetes first (’t is doubtful whether hir’d,
Or so the Trojan destiny requir’d)
Mov’d that the ramparts might be broken down,
To lodge the monster fabric in the town. 45
But Capys, and the rest of sounder mind,
The fatal present to the flames designed,
Or to the wat’ry deep; at least to bore
The hollow sides, and hidden frauds explore.
The giddy vulgar, as their fancies guide, 50
[...] Read more
poem by Publius Vergilius Maro
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The Lawyer’s First Tale: Primitiæ or Third Cousins
I
‘Dearest of boys, please come to-day,
Papa and mama have bid me say,
They hope you’ll dine with us at three;
They will be out till then, you see,
But you will start at once, you know,
And come as fast as you can go.
Next week they hope you’ll come and stay
Some time before you go away.
Dear boy, how pleasant it will be,
Ever your dearest Emily!’
Twelve years of age was I, and she
Fourteen, when thus she wrote to me,
A schoolboy, with an uncle spending
My holidays, then nearly ending.
My uncle lived the mountain o’er,
A rector, and a bachelor;
The vicarage was by the sea,
That was the home of Emily:
The windows to the front looked down
Across a single-streeted town,
Far as to where Worms-head was seen,
Dim with ten watery miles between;
The Carnedd mountains on the right
With stony masses filled the sight;
To left the open sea; the bay
In a blue plain before you lay.
A garden, full of fruit, extends,
Stone-walled, above the house, and ends
With a locked door, that by a porch
Admits to churchyard and to church;
Farm-buildings nearer on one side,
And glebe, and then the countrywide.
I and my cousin Emily
Were cousins in the third degree;
My mother near of kin was reckoned
To hers, who was my mother’s second:
My cousinship I held from her.
Such an amount of girls there were,
At first one really was perplexed:
’Twas Patty first, and Lydia next,
And Emily the third, and then,
Philippa, Phoebe, Mary Gwen.
Six were they, you perceive, in all;
And portraits fading on the wall,
Grandmothers, heroines of old,
And aunts of aunts, with scrolls that told
Their names and dates, were there to show
Why these had all been christened so.
[...] Read more
poem by Arthur Hugh Clough from Mari Magno or Tales on Board
Added by Veronica Serbanoiu
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Twenty-four Seven
(j.b. rudd/vip vipperman)
Ive got this craving around the clock
And its got a hold on me
Ive had it bad since the moment we met
I cant get no relief
Youre the only train of thought on my one track mind
Going ninety miles an hour baby all the time
Twenty-four, seven
Youre the only thing that matters to me
Twenty-four hours girl, every day
Seven long days a week
Im in heaven, heaven
Twenty-four, seven
Every night when I go to sleep
In my dreams there you are
Youre the first thing I think about
And thats how the morning starts
It seems like everything I say and do
Is all about me being in love with you
Twenty-four, seven
Youre the only thing that matters to me
Twenty-four hours girl, every day
Seven long days a week
Im in heaven, heaven
Twenty-four, seven
Youre the only train of thought on my one track mind
Going ninety miles an hour baby all the time
Twenty-four, seven
Youre the only thing that matters to me
Twenty-four hours girl, every day
Seven long days a week
Im in heaven, heaven
Twenty-four, seven
Im in heaven
Twenty-four, seven
Twenty-four hours girl, every day
Seven long days a week
Im in heaven, heaven
Twenty-four seven
Twenty-four seven girl
song performed by Trace Adkins
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Four Seasons : Autumn
Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind
[...] Read more
poem by James Thomson
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Gebir
FIRST BOOK.
I sing the fates of Gebir. He had dwelt
Among those mountain-caverns which retain
His labours yet, vast halls and flowing wells,
Nor have forgotten their old master's name
Though severed from his people here, incensed
By meditating on primeval wrongs,
He blew his battle-horn, at which uprose
Whole nations; here, ten thousand of most might
He called aloud, and soon Charoba saw
His dark helm hover o'er the land of Nile,
What should the virgin do? should royal knees
Bend suppliant, or defenceless hands engage
Men of gigantic force, gigantic arms?
For 'twas reported that nor sword sufficed,
Nor shield immense nor coat of massive mail,
But that upon their towering heads they bore
Each a huge stone, refulgent as the stars.
This told she Dalica, then cried aloud:
'If on your bosom laying down my head
I sobbed away the sorrows of a child,
If I have always, and Heaven knows I have,
Next to a mother's held a nurse's name,
Succour this one distress, recall those days,
Love me, though 'twere because you loved me then.'
But whether confident in magic rites
Or touched with sexual pride to stand implored,
Dalica smiled, then spake: 'Away those fears.
Though stronger than the strongest of his kind,
He falls-on me devolve that charge; he falls.
Rather than fly him, stoop thou to allure;
Nay, journey to his tents: a city stood
Upon that coast, they say, by Sidad built,
Whose father Gad built Gadir; on this ground
Perhaps he sees an ample room for war.
Persuade him to restore the walls himself
In honour of his ancestors, persuade -
But wherefore this advice? young, unespoused,
Charoba want persuasions! and a queen!'
'O Dalica!' the shuddering maid exclaimed,
'Could I encounter that fierce, frightful man?
Could I speak? no, nor sigh!'
'And canst thou reign?'
Cried Dalica; 'yield empire or comply.'
Unfixed though seeming fixed, her eyes downcast,
The wonted buzz and bustle of the court
From far through sculptured galleries met her ear;
Then lifting up her head, the evening sun
Poured a fresh splendour on her burnished throne-
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poem by Walter Savage Landor
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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A Faithful Witness
To the firstborn of Yahseph,
Of all that is created;
To the secondborn of Yahseph,
Do set set your mind on Mount Zion;
For His name is His glory and,
Of the economic well-being.
Of the year of the rat,
Of the year of the dog,
Of the year of the cow,
Of the year of the bull,
Of the year of the sheep,
Of the year of the dragon,
Of the year of the snake,
Of the year of the pig,
Of the year of the goat,
Of the year of the lizard,
Of the year of the crocodile,
Of the year of the elephant,
Of the year of the scorpion,
Of the year of the turtle,
Of the year of the fish,
Of the year of the earth,
Of the year of the wind,
Of the year of the fire,
Of the year of the water,
And of the year of the bush!
Like the firstborns of slaves.
The hips of romance,
The faithful witness will not lie;
The same day,
The same night,
Of the love shared at where no oxen are;
And the crib was very clean.
poem by Edward Kofi Louis
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
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poem by Robert Browning from The Ring and the Book
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The Teares of the Muses
Rehearse to me ye sacred Sisters nine:
The golden brood of great Apolloes wit,
Those piteous plaints and sorrowful sad tine,
Which late ye powred forth as ye did sit
Beside the siluer Springs of Helicone,
Making your musick of hart-breaking mone.
For since the time that Phoebus foolish sonne
Ythundered through Ioues auengefull wrath,
For trauersing the charret of the Sunne
Beyond the compasse of his pointed path,
Of you his mournfull Sisters was lamented,
Such mournfull tunes were neuer since inuented.
Nor since that faire Calliope did lose
Her loued Twinnes, the dearlings of her ioy,
Her Palici, whom her vnkindly foes
The fatall Sisters, did for spight destroy,
Whom all the Muses did bewaile long space;
Was euer heard such wayling in this place.
For all their groues, which with the heauenly noyses,
Of their sweete instruments were wont to sound,
And th' hollow hills, from which their siluer voyces
Were wont redoubled Echoes to rebound,
Did now rebound with nought but rufull cries,
And yelling shrieks throwne vp into the skies.
The trembling streames, which wont in chanels cleare
To romble gently downe with murmur soft,
And were by them right tunefull taught to beare
A Bases part amongst their consorts oft;
Now forst to ouerflowe with brackish teares,
With troublous noyse did dull their daintie eares.
The ioyous Nymphes and lightfoote Faeries
Which thether came to heare their musick sweet,
And to the measure of their melodies
Did learne to moue their nimble shifting feete;
Now hearing them so heauily lament,
Like heauily lamenting from them went.
And all that els was wont to worke delight
Through the diuine infusion of their skill,
And all that els seemd faire and fresh in sight,
So made by nature for to serue their will,
Was turned now to dismall heauinesse,
Was turned now to dreadfull vglinesse.
Ay me, what thing on earth that all thing breeds,
Might be the cause of so impatient plight?
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poem by Edmund Spenser
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