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Earth to Echo [trailer 2]

Cast: Teo Halm, Astro, Reese Hartwig, Ella Wahlestedt, Jason Gray-Stanford, Cassius Willis, Drake Kemper, Tiffany Espensen, Mary Pat Gleason

trailer for Earth to Echo, directed by Dave Green, screenplay by (2014)Report problemRelated quotes
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Mary had a Little Vamp and Other Parodies after Sarah Josepha HALE

Mary had a little vamp,
whose teeth glowed white as snow,
each night from sightly vent – no cramp -
the crimson droplets flow.

Some followed her from school one day;
though stalking's 'gainst the rules;
it made goose pimples grow and stay
to see them play at ghouls.

But they were caught, their tale remains
from history well hid,
though we discovered their remains
beneath oak coffin lid.

And so blood flowed from inside out,
none dared to lingered near
when shadows shiver, hang about
until Vamps disappear.

'Why does the Vamp love Mary so? '
the eager children cry;
'Why, Mary loves the Vamp, you know, '
the teacher did reply.

Sleep-overs followed, - little Vamp
A, B, AB, O, drew
by light of Mary’s lurid lamp
new haemoglobulu.

Thus vampire Vlad made Mary glad
hark! men well-read may read,
from kid school lad to college grad, -
mark then welt's red fey bead.

He wore a scarlet cape to match
sweet Mary’s ruddy lips,
attached thereto a cup to catch
the rhesus drips he sips.

No fly-by-night awed Mary’s Vamp,
he could fear blend at need,
though sky high flight soared scary champ -
we here end batty screed.

© Jonathan Robin parody written 3 May 2007 revised 3 September 2008 - for previous version see below


Mary had a little vamp,
whose teeth were white as snow,

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Jimmy The Explorer

JIMMY THE EXPLORER
Now Jimmy
Well, do you want an explosion now?
Yeah Jimmy
Do you want to explode now?
Yeah monkey
Now you seeing red now
Yeah monkey
Jumping on the bed now
Hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo
Green apples
On the tree and growing now
Green apples
Are gonna be exploding now
Yeah monkey
Are you seeing red now?
Yeah monkey
Jumping on the bed now
Woo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo hoo
STOP BREAKING DOWN
Everytime Im walkin, down the streets,
some pretty mama she starts breakin down
Stop breakin down, yes stop breakin down
The stuff I gotll bust your brains out, baby, hoo hoo,
itll make you lose your mind.
Now, you Saturday night womens, you love to ape and clown,
you wont do nothin but tear good man (i.e Jack White) reputation down
Stop breakin down, please stop breakin down
The stuff I gotll bust your brains out, baby, hoo hoo,
itll make you lose your mind
Now, I give my baby, now, the ninety-nine degree,
she jumped up and throwed a pistol down on me
Stop breakin down, please stop breakin down
Stuff I gotll bust your brains out, if you think you lose your mind
THE BIG THREE KILLED MY BABY
The big three killed my baby
no money in my hand again
the big three killed my baby
nobody's coming home again
Their ideas made me want to spit
a hundred dollars goes down the pit
30,000 wheels are rollin
and my stick shift hands are swollen
everything involved is shady
the big three killed my baby
The big three killed my baby
no money in my hand again
the big three killed my baby
nobody's coming home again
Why dont you take the day off and try to repair

[...] Read more

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Astro

Maybe Jasper does the astro
Maybe Jasper does the astro
Maybe Jasper does the astro, astro
(Yeah)
Maybe Lily does the astro
Maybe Lily does the astro
Maybe Lily does the astro, astro
(woah .... eh...)
Maybe Jackson does the astro
Maybe Jackson does the astro
Maybe Jackson does the astro, astro
Maybe Momma does the astro
Maybe Momma does the astro
Maybe Momma does the astro, astro
Maybe Tesla does the astro
Maybe Tesla does the astro
Maybe Edison is ACDC

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Earth to Echo

Cast: Teo Halm, Astro, Reese Hartwig, Ella Wahlestedt, Jason Gray-Stanford, Cassius Willis, Drake Kemper, Tiffany Espensen, Mary Pat Gleason

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To Mary in Heaven

I.
I met thee first in May, Mary!
The flower-crowned month of May;
But now thou art away, Mary!
Away from me—away!
Thou wert that all to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

II.
Ah! then thine eyes were mild, Mary!
Thy deep blue eyes were mild;
For thou wert then a child, Mary!
And I another child.
Thou wert that all to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

III.
Thy face was then so meek, Mary!
So saintly mild, so meek,
Thy lily-form seemed weak, Mary!
And mine for thine grew weak
For thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

IV.
You led me through the meads, Mary!
The flower-enameled meads,
By brooks of rustling reeds, Mary!
By brooks of rustling reeds—
Where thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.


V.
Wherever you then went, Mary!
No matter where you went—
I followed with content, Mary!
Because you were content.
For thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

[...] Read more

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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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Mary Mary Magdalene

Mary Mary Magdalene,
what do all those stories mean?
Mary, Mary, is it true,
Jesus had a thing for you?

Mary, Mary – He lay with you?
Mary, Mary, tell me true
Mary, Mary, red hair wild,
did He leave you great with child?

Mary, was your love so steady,
that you had had His kids already?
Mary, Mary, at the Cross,
did it feel a gain or loss?

Mary, Mary – on that third day,
what was it like with the stone rolled away?
Mary, Mary, running there with love,
what did you think when He rose above?

Mary, Mary – what was it like, after?
Were there tears or joyful laughter?
Mary, Mary – the kids you had –
did they turn out like their Dad?

Mary, Mary, whore redeemed,
did it work out like you dreamed?
Mary, Mary – your afterlife –
was it mostly love, or mostly strife?

Mary, Mary, were you worshipped or despised
As Mary’s daughter-in-law, Mrs. Christ?
Mary, Mary, did you stay,
or feel you had to take the kids away?

Mary, Mary, with so much love,
did you, too, rise to heaven above?
Mary, Mary, in the sky,
all we ask are the reasons why…

Mary, Mary Magdalene,
What is really true? What does it really mean?

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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

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Nadie Como Ella

Ella sabe darse toda
en un instante
derretir con la mirada
un corazon
ella es fuego que se siente
en mis labios cuando
hacemos el amor

Es una aventura
andar bajo su blusa
poco a poco acariciar
toda su piel
Es un sueno darle un beso
ella sabe que me tiene
a su merced

[Coro]
Mi corazon es suyo
me siento suyo
daria la vida
por volverle a ver
quien iba imaginarlo
yo convertido
en un capricho
de su desnudez

No hay nadie como ella
tan dulce tan bella
me juego la vida por ella
no hay nadie como ella
es fuego que quema
estoy que me muero por ella

Ella no es como las otras
que dejaron
cicatrizes de amargura
y de dolor
vino ella y con ternura
otra vez me hizo creer
en el amor

[Repite Coro]

No hay nadie como ella
tan dulce tan bella
No hay nadie como ella
tan dulce tan bella

Es fuego que quema
y se mete en mis venas

[...] Read more

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Lazarus

“No, Mary, there was nothing—not a word.
Nothing, and always nothing. Go again
Yourself, and he may listen—or at least
Look up at you, and let you see his eyes.
I might as well have been the sound of rain,
A wind among the cedars, or a bird;
Or nothing. Mary, make him look at you;
And even if he should say that we are nothing,
To know that you have heard him will be something.
And yet he loved us, and it was for love
The Master gave him back. Why did he wait
So long before he came? Why did he weep?
I thought he would be glad—and Lazarus—
To see us all again as he had left us—
All as it was, all as it was before.”

Mary, who felt her sister’s frightened arms
Like those of someone drowning who had seized her,
Fearing at last they were to fail and sink
Together in this fog-stricken sea of strangeness,
Fought sadly, with bereaved indignant eyes,
To find again the fading shores of home
That she had seen but now could see no longer
Now she could only gaze into the twilight,
And in the dimness know that he was there,
Like someone that was not. He who had been
Their brother, and was dead, now seemed alive
Only in death again—or worse than death;
For tombs at least, always until today,
Though sad were certain. There was nothing certain
For man or God in such a day as this;
For there they were alone, and there was he—
Alone; and somewhere out of Bethany,
The Master—who had come to them so late,
Only for love of them and then so slowly,
And was for their sake hunted now by men
Who feared Him as they feared no other prey—
For the world’s sake was hidden. “Better the tomb
For Lazarus than life, if this be life,”
She thought; and then to Martha, “No, my dear,”
She said aloud; “not as it was before.
Nothing is ever as it was before,
Where Time has been. Here there is more than Time;
And we that are so lonely and so far
From home, since he is with us here again,
Are farther now from him and from ourselves
Than we are from the stars. He will not speak
Until the spirit that is in him speaks;
And we must wait for all we are to know,
Or even to learn that we are not to know.

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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Metamorphoses: Book The Seventh

THE Argonauts now stemm'd the foaming tide,
And to Arcadia's shore their course apply'd;
Where sightless Phineus spent his age in grief,
But Boreas' sons engage in his relief;
And those unwelcome guests, the odious race
Of Harpyes, from the monarch's table chase.
With Jason then they greater toils sustain,
And Phasis' slimy banks at last they gain,
Here boldly they demand the golden prize
Of Scythia's king, who sternly thus replies:
That mighty labours they must first o'ercome,
Or sail their Argo thence unfreighted home.
The Story of Meanwhile Medea, seiz'd with fierce desire,
Medea and By reason strives to quench the raging fire;
Jason But strives in vain!- Some God (she said)
withstands,
And reason's baffl'd council countermands.
What unseen Pow'r does this disorder move?
'Tis love,- at least 'tis like, what men call love.
Else wherefore shou'd the king's commands appear
To me too hard?- But so indeed they are.
Why shou'd I for a stranger fear, lest he
Shou'd perish, whom I did but lately see?
His death, or safety, what are they to me?
Wretch, from thy virgin-breast this flame expel,
And soon- Oh cou'd I, all wou'd then be well!
But love, resistless love, my soul invades;
Discretion this, affection that perswades.
I see the right, and I approve it too,
Condemn the wrong- and yet the wrong pursue.
Why, royal maid, shou'dst thou desire to wed
A wanderer, and court a foreign bed?
Thy native land, tho' barb'rous, can present
A bridegroom worth a royal bride's content:
And whether this advent'rer lives, or dies,
In Fate, and Fortune's fickle pleasure lies.
Yet may be live! for to the Pow'rs above,
A virgin, led by no impulse of love,
So just a suit may, for the guiltless, move.
Whom wou'd not Jason's valour, youth and blood
Invite? or cou'd these merits be withstood,
At least his charming person must encline
The hardest heart- I'm sure 'tis so with mine!
Yet, if I help him not, the flaming breath
Of bulls, and earth-born foes, must be his death.
Or, should he through these dangers force his way,
At last he must be made the dragon's prey.
If no remorse for such distress I feel,
I am a tigress, and my breast is steel.
Why do I scruple then to see him slain,

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Timida

Es as, la veo sonreir
Con ojos distraidos,
Quieta en una esquina corno si
Yo no estuviera alli.
Creo yo que el juego es para dos,
Los dos el mismo juego.
Pero no se da,
De pronto ya no est
Y no me deja ni un adis.
Ella es timida, se esfuma si la ves.
Ella es timida, por eso es come es,
Yo no soy capaz
De lastimar su corazn.
Ella es timida,
Ms qua timida.
Fjate, la quiero pero s
Que es dulce y vulnerabili
Tan frgil como hilos da crist-..
No quiero hacerle mal.
Conozco sua secretos pero no
La voy a hacer sufrir,
Porque es tan dbil
Como un ptalo de flor
Y su doler me duele a mi.
Ella es timida, se esfuma si la ves.
Ella es timida, por eso es corno es.
Yo no soy capaz
Da lastimar su corazn.
Ella es timida, ms qua timida yeah!
Ella es as.
Ella es timida, se esfuma si la ves.
Ella es timida, por eso es corno es.
Yo no soy capaz
De lastimar su corazn.
Ella es timida,
Se esfuma si la ves.
Ella es timida,
Por eso es corno es.
Yo no soy capaz
De lastimar su corazn.
Ella es timida, ms que timida

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Tmida (Vulnerable)

Es asi, la veo sonreir
con ojos distraidos,
quieta en una esquina corno si
yo no estuviera alli.
Creo yo que el juego es para dos,
los dos el mismo juego.
Pero no se da,
de pronto ya no esta
y no me deja ni un adios.
Ella es timida, se esfuma si la ves.
Ella es timida, por eso es come es,
Yo no soy capaz
de lastimar su corazon.
Ella es timida,
mas qua timida.
Fijate, la quiero pero se
que es dulce y vulnerabili
tan fragil como hilos da crist-..
No quiero hacerle mal.
Conozco sua secretos pero no
la voy a hacer sufrir,
porque es tan debil
como un petalo de flor
y su doler me duele a mi.
Ella es timida, se esfuma si la ves.
Ella es timida, por eso es corno es.
Yo no soy capaz
da lastimar su corazon.
Ella es timida, mas qua timida Yeah!
Ella es asi.
Ella es timida, se esfuma si la ves.
Ella es timida, por eso es corno es.
Yo no soy capaz
de lastimar su corazon.
Ella es timida,
se esfuma si la ves.
Ella es timida,
por eso es corno es.
Yo no soy capaz
de lastimar su corazon.
Ella es timida, mas que timida

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Mary, Mary

Words and music by michael nesmith
Mary, mary, where you goin to?
Mary, mary, can I go too.
This one thing I will vow ya,
Id rather die than to live without ya.
Mary, mary, where you goin to?
Mary, mary, tell me truly
What did I do to make you leave me.
Whatever it was I didnt mean to,
You know I never would try and hurt ya.
Mary, mary, where you goin to?
What more, mary, can I do
To prove my love is truly yours?
Ive done more now than a clear-thinkin man would do.
Mary, mary, its not over.
Where you go, I will follow.
til I win your love again
And walk beside you,
But until then.
Mary, mary, where you goin to?
Mary, mary, where you goin to?
Mary, where you goin to?
Mary, mary, mary, mary, mary, where you goin to?
[repeat adlib]

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Nell Flaherty’s Drake

MY NAME it is Nell, right candid I tell,
And I live near a dell I ne’er will deny,
I had a large drake, the truth for to spake,
My grandfather left me when going to die;
He was merry and sound, and would weigh twenty pound,
The universe round would I rove for his sake.
Bad luck to the robber, be he drunken or sober,
That murdered Nell Flaherty’s beautiful drake.

His neck it was green, and rare to be seen,
He was fit for a queen of the highest degree.
His body so white, it would you delight,
He was fat, plump, and heavy, and brisk as a bee.
This dear little fellow, his legs they were yellow,
He could fly like a swallow, or swim like a hake,
But some wicked habbage, to grease his white cabbage,
Has murdered Nell Flaherty’s beautiful drake!

May his pig never grunt, may his cat never hunt,
That a ghost may him haunt in the dark of the night.
May his hens never lay, may his horse never neigh,
May his goat fly away like an old paper kite;
May his duck never quack, may his goose be turned black
And pull down his stack with her long yellow beak.
May the scurvy and itch never part from the britch
Of the wretch that murdered Nell Flaherty’s drake!

May his rooster ne’er crow, may his bellows not blow,
Nor potatoes to grow—may he never have none—
May his cradle not rock, may his chest have no lock,
May his wife have no frock for to shade her backbone.
That the bugs and the fleas may this wicked wretch tease,
And a piercing north breeze make him tremble and shake.
May a four-years’-old bug build a nest in the lug
Of the monster that murdered Nell Flaherty’s drake.

May his pipe never smoke, may his tea-pot be broke,
And to add to the joke may his kettle not boil;
May he be poorly fed till the hour he is dead.
May he always be fed on lobscouse and fish oil.
May he swell with the gout till his grinders fall out,
May he roar, howl, and shout with a horrid toothache,
May his temple wear horns and his toes carry corns,
The wretch that murdered Nell Flaherty’s drake.

May his dog yelp and howl with both hunger and cold,
May his wife always scold till his brains go astray.
May the curse of each hag, that ever carried a bag,
Light down on the wag till his head it turns gray.
May monkeys still bite him, and mad dogs affright him,

[...] Read more

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Mary Ambree

When captaines couragious, whom death cold not daunte,
Did march to the siege of the citty of Gaunt,
They mustred their souldiers by two and by three,
And the formost in battle was Mary Ambree.

When [the] brave sergeant-major was slaine in her sight,
Who was her true lover, her joy, and delight,
Because he was slaine most treacherouslie
Then vowd to revenge him Mary Ambree.

She clothed herselfe from the top to the toe
In buffe of the bravest, most seemelye to showe;
A faire shirt of male then slipped on shee:
Was not this a brave bonny lasse, Mary Ambree?

A helmett of proofe shee strait did provide,
A stronge arminge-sword shee girt by her side,
On her hand a goodly faire gauntlett put shee:
Was not this a brave bonny lasse, Mary Ambree?

Then tooke shee her sworde and her targett in hand,
Bidding all such, as wold, [to] bee of her band;
To wayte on her person came thousand and three:
Was not this a brave bonny lasse, Mary Ambree?

'My soldiers,' she saith, 'soe valliant and bold,
Nowe followe your captaine, whom you doe beholde;
Still formost in battell myselfe will I bee:'
Was not this a brave bonny lasse, Mary Ambree?

Then cryed out her souldiers, and loude they did say,
'Soe well thou becomest this gallant array,
Thy harte and thy weapons so well do agree,
No mayden was ever like Mary Ambree.'

She cheared her souldiers, that foughten for life,
With ancyent and standard, with drum and with fife,
With brave clanging trumpetts, that sounded so free;
Was not this a brave bonny lasse, Mary Ambree?

'Before I will see the worst of you all
To come into danger of death or of thrall,
This hand and this life I will venture so free:'
Was not this a brave bonny lasse, Mary Ambree?

Shee ledd upp her souldiers in battaile array,
Gainst three times theyr number by breake of the daye;
Seven howers in skirmish continued shee:
Was not this a brave bonny lasse, Mary Ambree?

[...] Read more

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Mary Ambree

When captaines couragious, whom death cold not daunte,
Did march to the siege of the citty of Gaunt,
They mustred their souldiers by two and by three,
And the formost in battle was Mary Ambree.

When brave Sir John Major was slaine in her sight,
Who was her true lover, her joy, and delight,
Because he was slaine most treacherouslie,
Then vowd to revenge him Mary Ambree.

She clothed herselfe from the top to the toe,
In buffe of the bravest, most seemelye to showe;
A faire shirt of male then slipped on shee:
Was not this a brave bonny lasse, Mary Ambree?

A helmett of proofe shee strait did provide,
A strong arminge-sword shee girt by her side,
On her hand a goodly faire gauntlett put shee:
Was not this a brave bonny lasse, Mary Ambree?

Then tooke shee her sworde and her targett in hand,
Bidding all such, as wold, bee of her band;
To wayte on her person came thousand and three:
Was not this a brave bonny lasse, Mary Ambree?

'My soldiers,' she saith, 'soe valiant and bold,
Nowe followe your captaine, whom you doe beholde;
Still formost in battel myselfe will I bee:'
Was not this a brave bonny lasse, Mary Ambree?

Then cryed out her souldiers, and loude they did say,
'Soe well thou becomest this gallant array,
Thy harte and thy weapons soe well do agree,
Noe mayden was ever like Mary Ambree.'

Shee cheared her souldiers, that foughten for life,
With ancyent and standard, with drum and with fife,
With brave clanging trumpets, that sounded so free;
Was not this a brave bonny lasse, Mary Ambree?

'Before I will see the worst of you all
To come into danger of death or of thrall,
This hand and this life I will venture so free:'
Was not this a brave bonny lasse, Mary Ambree?

Shee led upp her souldiers in battaile array,
Gainst three times theyr number by breake of the daye;
Seven howers in skirmish continued shee:
Was not this a brave bonny lasse, Mary Ambree?

[...] Read more

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Ella Es

Ella es sedosa
Divertida y enga? osa
Le tiene alergia a la verdad
Cuando le hablo seriamente
Me dice cosas intrascendentes
Pasa de todo
Es feliz de cualquier modo
Mas libre que la libertad
Es una cometa sin destino
Un desatino
Un juego prohibido...
Ella es
La chispa que enciende a mi,
La que miente por huir de lo real.
No se disculpa porque es natural
A la que quiero
Sin ningun pero
Es asi
Es ella y ella me va a mi
Porque nunca me quiso conquistar
Por la que pierdo hasta mi identidad
Y es que es sincera
A su manera
Es mariposa
Es la espina y es la rosa
Es un diamante sin tallar
Incluso adoro sus defectos
Y sin su cuerpo
Soy un hombre muerto
Ella es la chispa que me enciende a mi
La que miente por huir de lo real
No se disculpa porque es natural
A la que quiero
Sin ningun pero
Es asi
Es ella y ella me va a mi
Porque nunca me quiso conquistar
Por la que pierdo hasta mi identidad
Y es que es sincera
A su manera
Ella es...(solo saxo)
No se disculpa porque es natural
A la que quiero
Sin ningun pero
Es asi
Es ella y ella me va a mi
Porque nunca me quiso conquistar
Por la que pierdo hasta mi identidad
Y es que es sincera

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