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Winter's Tale [Be Brief]

Cast: Colin Farrell, William Hurt

clip from Winter's Tale, directed by Akiva Goldsman, screenplay by Akiva Goldsman, inspired by Mark Helprin (2014)
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Colin Clouts Come Home Againe

Colin Clouts Come Home Againe
THe shepheards boy (best knowen by that name)
That after Tityrus first sung his lay,
Laies of sweet loue, without rebuke or blame,
Sate (as his custome was) vpon a day,
Charming his oaten pipe vnto his peres,
The shepheard swaines, that did about him play:
Who all the while with greedie listfull eares,
Did stand astonisht at his curious skill,
Like hartlesse deare, dismayed with thunders sound.
At last when as he piped had his fill,
He rested him: and sitting then around,
One of those groomes (a iolly groome was he,
As euer piped on an oaten reed,
And lou'd this shepheard dearest in degree,
Hight Hobbinol) gan thus to him areed.
Colin my liefe, my life, how great a losse
Had all the shepheards nation by thy lacke?
And I poore swaine of many greatest crosse:
That sith thy Muse first since thy turning backe
Was heard to sound as she was wont on hye,
Hast made vs all so blessed and so blythe.
Whilest thou wast hence, all dead in dole did lye:
The woods were heard to waile full many a sythe,
And all their birds with silence to complaine:
The fields with faded flowers did seem to mourne,
And all their flocks from feeding to refraine:
The running waters wept for thy returne,
And all their fish with langour did lament:
But now both woods and fields, and floods reuiue,
Sith thou art come, their cause of meriment,
That vs late dead, hast made againe aliue:
But were it not too painfull to repeat
The passed fortunes, which to thee befell
In thy late voyage, we thee would entreat,
Now at thy leisure them to vs to tell.
To whom the shepheard gently answered thus,
Hobbin thou temptest me to that I couet:
For of good passed newly to discus,
By dubble vsurie doth twise renew it.
And since I saw that Angels blessed eie,
Her worlds bright sun, her heauens fairest light,
My mind full of my thoughts satietie,
Doth feed on sweet contentment of that sight:
Since that same day in nought I take delight,
Ne feeling haue in any earthly pleasure,
But in remembrance of that glorious bright,
My lifes sole blisse, my hearts eternall threasure.
Wake then my pipe, my sleepie Muse awake,
Till I haue told her praises lasting long:

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poem by Edmund Spenser
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Tale XIII

JESSE AND COLIN.

A Vicar died and left his Daughter poor -
It hurt her not, she was not rich before:
Her humble share of worldly goods she sold,
Paid every debt, and then her fortune told;
And found, with youth and beauty, hope and health,
Two hundred guineas was her worldly wealth;
It then remain'd to choose her path in life,
And first, said Jesse, 'Shall I be a wife? -
Colin is mild and civil, kind and just,
I know his love, his temper I can trust;
But small his farm, it asks perpetual care,
And we must toil as well as trouble share:
True, he was taught in all the gentle arts
That raise the soul and soften human hearts;
And boasts a parent, who deserves to shine
In higher class, and I could wish her mine;
Nor wants he will his station to improve,
A just ambition waked by faithful love;
Still is he poor--and here my Father's Friend
Deigns for his Daughter, as her own, to send:
A worthy lady, who it seems has known
A world of griefs and troubles of her own:
I was an infant when she came a guest
Beneath my father's humble roof to rest;
Her kindred all unfeeling, vast her woes,
Such her complaint, and there she found repose;
Enrich'd by fortune, now she nobly lives,
And nobly, from the bless'd abundance, gives;
The grief, the want, of human life she knows,
And comfort there and here relief bestows:
But are they not dependants?--Foolish pride!
Am I not honour'd by such friend and guide?
Have I a home' (here Jesse dropp'd a tear),
'Or friend beside?'--A faithful friend was near.
Now Colin came, at length resolved to lay
His heart before her, and to urge her stay:
True, his own plough the gentle Colin drove,
An humble farmer with aspiring love;
Who, urged by passion, never dared till now,
Thus urged by fears, his trembling hopes avow:
Her father's glebe he managed; every year
The grateful Vicar held the youth more dear;
He saw indeed the prize in Colin's view,
And wish'd his Jesse with a man so true:
Timid as true, he urged with anxious air
His tender hope, and made the trembling prayer,
When Jesse saw, nor could with coldness see,
Such fond respect, such tried sincerity;

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poem by George Crabbe
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Carmen Seculare. For the Year 1700. To The King

Thy elder Look, Great Janus, cast
Into the long Records of Ages past:
Review the Years in fairest Action drest
With noted White, Superior to the rest;
Aera's deriv'd, and Chronicles begun
From Empires founded, and from Battels won:
Show all the Spoils by valiant Kings achiev'd,
And groaning Nations by Their Arms reliev'd;
The Wounds of Patriots in their Country's Cause,
And happy Pow'r sustain'd by wholesom Laws:
In comely Rank call ev'ry Merit forth:
Imprint on ev'ry Act it's Standard Worth:
The glorious Parallels then downward bring
To Modern Wonders, and to Britain's King:
With equal Justice and Historic Care
Their Laws, Their Toils, Their Arms with His compare:
Confess the various Attributes of Fame
Collected and compleat in William's Name:
To all the list'ning World relate
(As Thou dost His Story read)
That nothing went before so Great,
And nothing Greater can succeed.
Thy Native Latium was Thy darling Care,
Prudent in Peace, and terrible in War:
The boldest Virtues that have govern'd Earth
From Latium's fruitful Womb derive their Birth.
Then turn to Her fair-written Page:
From dawning Childhood to establish'd Age,
The Glories of Her Empire trace:
Confront the Heroes of Thy Roman Race:
And let the justest Palm the Victor's Temples grace.
The Son of Mars reduc'd the trembling Swains,
And spread His Empire o'er the distant Plains:
But yet the Sabins violated Charms
Obscur'd the Glory of His rising Arms.
Numa the Rights of strict Religion knew;
On ev'ry Altar laid the Incense due;
Unskill'd to dart the pointed Spear,
Or lead the forward Youth to noble War.
Stern Brutus was with too much Horror good,
Holding his Fasces stain'd with Filial Blood.
Fabius was Wise, but with Excess of Care;
He sav'd his Country; but prolonged the War:
While Decius, Paulus, Curius greatly fought;
And by Their strict Examples taught,
How wild Desires should be controll'd;
And how much brighter Virtue was, than Gold;
They scarce Their swelling Thirst of Fame could hide;
And boasted Poverty with too much Pride.
Excess in Youth made Scipio less rever'd:

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poem by Matthew Prior
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Lord William

No eye beheld when William plunged
Young Edmund in the stream,
No human ear but William's heard
Young Edmund's drowning scream.

Submissive all the vassals own'd
The murderer for their Lord,
And he, the rightful heir, possessed
The house of Erlingford.

The ancient house of Erlingford
Stood midst a fair domain,
And Severn's ample waters near
Roll'd through the fertile plain.

And often the way-faring man
Would love to linger there,
Forgetful of his onward road
To gaze on scenes so fair.

But never could Lord William dare
To gaze on Severn's stream;
In every wind that swept its waves
He heard young Edmund scream.

In vain at midnight's silent hour
Sleep closed the murderer's eyes,
In every dream the murderer saw
Young Edmund's form arise.

In vain by restless conscience driven
Lord William left his home,
Far from the scenes that saw his guilt,
In pilgrimage to roam.

To other climes the pilgrim fled,
But could not fly despair,
He sought his home again, but peace
Was still a stranger there.

Each hour was tedious long, yet swift
The months appear'd to roll;
And now the day return'd that shook
With terror William's soul.

A day that William never felt
Return without dismay,
For well had conscience kalendered
Young Edmund's dying day.

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poem by Robert Southey
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An Ode - In Imitation of Horace, Book III. Ode II.

How long, deluded Albion, wilt thou lie
In the lethargic sleep, the sad repose
By which thy close thy constant enemy
Has softly lull'd thee to thy woes?
Or wake, degenerate isle, or cease to own
What thy old kings in Gallic camps have done,
The spoils they brought thee back, the crowns they won,
William (so Fate requires) again is arm'd,
Thy father to the field is gone,
Again Maria weeps her absent lord,
For thy repose content to rule alone.
Are thy enervate sons not yet alarm'd?
When William fights dare they look tamely on,
So slow to get their ancient fame restored,
As not to melt at Beauty's tears nor follow Valour's sword?

See the repenting isle awakes,
Her vicious chains the generous goddess breaks;
The fogs around her temples are dispell'd;
Abroad she looks, and sees arm'd Belgia stand
Prepared to meet heir common lord's command,
Her lions roaring by her side, her arrows in her hand,
And blushing to have been so long withheld,
Weeps off her crime, and hastens to the field:
Henceforth her youth shall be inured to bear
Hazardous toil and active war:
To march beneath the dogstar's raging heat,
Patient of summer's drought and martial sweat,
And only grieve in winter's camp to find
Its days too short for labours they design'd:
All night beneath hard heavy arms to watch,
All day to mount the trench, to storm the breach,
And all the rugged paths to tread
Where William and his virtue led.

Silence is the soul of war;
Deliberate counsel must prepare
The mighty work which valour must complete:
Thus William rescued, thus preserves the state,
Thus teaches us to think and dare:
As, whilst his cannon just prepared to breathe
Avenging anger and swift death,
In the tried metal the close dangers glow,
And now, too late, the dying foe
Perceives the flame, yet cannot ward the blow;
So whilst in William's breast ripe counsels lie,
Secret and sure as brooding Fate,
No more of his design appears
Than what awakens Gallia's fears,
And (though Guilt's eye can sharply penetrate)

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poem by Matthew Prior
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The Shepherd's Week : Tuesday; or, the Ditty

Marian.
Young Colin Clout, a lad of peerless meed,
Full well could dance, and deftly tune the reed;
In every wood his carrols sweet were known,
At every wake his nimble feats were shown.
When in the ring the rustic routs he threw,
The damsel's pleasures with his conquests grew;
Or when aslant the cudgel threats his head,
His danger smites the breast of every maid;
But chief of Marian. Marian lov'd the swain,
The parson's maid, and neatest of the plain.
Marian that soft could stroke the udder'd cow,
Or lessen, with her sieve, the barley mow;
Marbled with sage the hardening cheese she press'd,
And yellow butter Marian's skill confess'd;
But Marian now devoid of country cares,
Nor yellow butter nor sage cheese prepares.
For yearning love the witless maid employs,
And love, say swains, 'all busy heed destroys.'
Colin makes mock at all her piteous smart,
A lass that Cicily hight, had won his heart,
The rival of the parson's maid was she.
In dreary shade now Marian lies along,
And mix'd with sighs thus wails in plaining song.
Ah woful day! ah woful noon and morn!
When first by thee my younglings white were shorn,
Then first, I ween, I cast a lover's eye,
My sheep were silly, but more silly I.
Beneath the sheers they felt no lasting smart,
They lost but fleeces while I lost a heart.
Ah Colin! canst thou leave thy sweetheart true!
What have I done for thee will Cicily do?
Will she thy linen wash or hosen darn,
And knit thee gloves made of her own-spun yarn?
Will she with huswife's hand provide thy meat,
And every Sunday morn thy neckcloth plait?
Which o'er thy kersey doublet spreading wide,
In service-time drew Cicily's eyes aside.
Where'er I gad I cannot hide my care,
My new disasters in my look appear.
White as the curd my ruddy cheek has grown,
So thin my features that I'm hardly known;
Our neighbours tell me oft in joking talk,
Of ashes, leather, oatmeal, bran, and chalk;
Unwittingly of Marian they divine,
And wist not that with thoughtful love I pine.
Yet Colin Clout, untoward shepherd swain,
Walks whistling blithe, while pitiful I 'plain.
Whilom with thee 'twas Marian's dear delight
To moll all day, and merry-make at night.

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poem by John Gay
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Colin's Mistakes. Written In Imitation Of Spenser's Style

Fast by the banks of Cam was Colin bred,
(Ye Nymphs, for every guard that sacred stream)
To Wimple's woody shade his way he sped,
(Flourish those woods, the Muses' endless theme.)
As whilom Colin ancient books had read,
Lays Greek and Roman would he oft rehearse,
And much he loved, and much by heart he said,
What Father Spenser sung in British verse.
Who reads that bard desire like him to write,
Still fearful of success, still tempted by delight.

Soon as Aurora had unbarr'd the morn,
And light discover'd Nature's cheerful face,
The sounding clarion and the sprightly horn
Call'd the blithe huntsman to the distance chase.
Eftsoons they issue forth, a goodly band;
The deep mouth'd bounds with thunder rend the air,
The fiery coursers strike the rising sand,
Far through the thicket flies the frighted deer;
Harley the honour of the day supports,
His presence glads the woods, his orders guide the sports.

On a fair palfrey, well equipp'd, did sit
An Amazonian dame; a scarlet vest,
For active horsemanship adaptly fit,
Enclosed her dainty limbs; a plumed crest
Waved o'er her head; obedient by her side
Her friends and servants rode; with artful hand
Full well knew she the steed to turn and guide:
The willing steed received her soft command.
Courage and sweetness on her face was seated:
On her all eyes were bent, and all good wishes waited.

This seeing, Colin thus his Muse bespake,
For alltydes was the Muse to Colin nigh,
Ah me, too nigh! or, Clio, I mistake,
Or that bright form that pleaseth so mine eye,
Is Jove's fair daughter Pallas, gracious queen
Of liberal arts; with wonder and delight
In Homer's verse we read her; well I ween
That emulous of his Grecian master's flight,
Dan Spenser makes the favourite goddess known,
When in her graceful look fair Britomart is shown.

At noon as Colin to the castle came,
Oped were the gates, and right prepared the feast;
Appears at table richly clad a dame,
The lord's delight, the wonder of the guest;
With pearl and jewels was she sumptuous deck'd,
As well became her dignity and place,

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poem by Matthew Prior
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Epitaph on an Unread Verse after William Carlos Williams' Red Wheelbarrow

This is just to play on plum phrases
hibernating in your brainbox,
which your neurones were probably waiting for
to break free fast.

Forgive me their taste is delicious,
so neat and so bold.

An agèd poet with hollow laughter
swiftly sprayed her incisive syllables
in consonant activity and, yearning,
paid [s]lip service:

so much depends
upon lifelong learning's expectations,
an unread verse [s]pokes for comments,
reigns above lily-livered chicken-hearted critics
before a blank screen.

so much more depends
upon monochromatic ash clouds
glazed with silicates
beside Icelandic
eruptions.

Life is verse role-reversing uninclined ignorance
shadowing dis...inclined ink lined page.

(Revised 3 October 2009 and19 Aptil 2010)

This is Just to Say

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold
William Carlos Williams 1883_1963

Variation on a Theme by William Carlos Williams
1 I chopped down the house that you had been saving to live in next summer. I am sorry, but it was morning, and I had nothing to do and its wooden beams were so inviting.

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poem by Jonathan Robin
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Who Hurts Whom?

Hurt, is that lesson of life,
Perfect pool of Imperfects,

A kid may get hurt
Or may hurt its parents too
its parents may hurt
Or may hurt their kid too,

A brother may get hurt,
or he may hurt brothers and sisters too,
Sister gets hurt
Or she may hurt her brothers and sisters too,

Mother gets hurt or she my may hurt father too.
Father may get hurt Or may hurt mother too,

A friend gets hurt
Or may hurt his friend too!
A lover get hurts, or may hurt one's lover too,

Teacher may gets hurt
Or may hurt student too
Student gets hurt Or he may hurt his teacher too,

Life is a pool of Imperfects
And only Imperfects can perfect life,
And life is that greatest class room,
Where the greatest and perfect teacher teaches perfect lessons,

But life when teaches, we just close the chapter,
'saying it is our fate! '

Is it true that one has to hurt others to make his living?
Living a life, and make a Living aren't the differ?

People are determined to build life than live a life,
Where one may hurt others,

This the story of Buddha asking kisa Gouthami ' I will save your child, but bring handful of mustard from a home where death not entered! '

This is the story,
'I will heal your hurts, if you can bring some dust of a man's feet, whoever neither got hurt nor hurt others! '

Life a that teaches and hurt is that lesson,
Which shows the one who hurts is Imperfect than who gets hurt,
Both are still imperfect,
The one got hurt is more imperfect,
And he is the one who hurts himself,
by his desires and expectations,
He is the one who gives chance to others to hurt,

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poem by Ramdas Bhandarkar
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The Shepheardes Calender: November

November: Ægloga vndecima. Thenot & Colin.

Thenot.
Colin my deare, when shall it please thee sing,
As thou were | wont songs of some iouisaunce?
Thy Muse to long slombreth in sorrowing,
Lulled a sleepe through loues misgouernaunce.
Now somewhat sing, whose endles souenaunce,
Emong the shepeheards swaines may aye remaine,
Whether thee list the loued lasse aduaunce,
Or honor Pan with hymnes of higher vaine.

Colin.
Thenot, now nis the time of merimake.
Nor Pan to herye, nor with loue to playe:
Sike myrth in May is meetest for to make,
Or summer shade vnder the cocked haye.
But nowe sadde Winter welked hath the day,
And Phoebus weary of his yerely tas-ke,
Ystabled hath his steedes in lowlye laye,
And taken vp his ynne in Fishes has-ke.
Thilke sollein season sadder plight doth aske:
And loatheth sike delightes, as thou doest prayse:
The mornefull Muse in myrth now list ne mas-ke,
As shee was wont in yougth and sommer dayes.
But if thou algate lust light virelayes,
And looser songs of loue to vnderfong
Who but thy selfe deserues sike Poetes prayse?
Relieue thy Oaten pypes, that sleepen long.

Thenot.
The Nightingale is souereigne of song,
Before him sits the Titmose silent bee:
And I vnfitte to thrust in [s]kilfull thronge,
Should Colin make iudge of my fooleree.
Nay, better learne of hem, that learned bee,
An han be watered at the Muses well:
The kindlye dewe drops from the higher tree,
And wets the little plants that lowly dwell.
But if sadde winters wrathe and season chill,
Accorde not with thy Muses meriment:
To sadder times thou mayst attune thy quill,
And sing of sorrowe and deathes dreeriment.
For deade is Dido, dead alas and drent,
Dido the greate shepehearde his daughter sheene:
The fayrest May she was that euer went,
Her like shee has not left behind I weene.
And if thou wilt bewayle my wofull tene:
I shall thee giue yond Cosset for thy payne:
And if thy rymes as rownd and rufull bene,

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poem by Edmund Spenser
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A Story at Dusk

An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

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poem by Ada Cambridge
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William Street

’Tis William Street, the link street,
That seems to stand alone;
’Tis William Street, the vague street,
With terraces of stone:
That starts with clean, cool pockets,
And ancient stable ways,
And built by solid landlords
And in more solid days.
Beginning where the shadow streets
Of vacant wealth begin,
Street William runs down sadly
Across the vale of sin.
’Tis William Street, the haggard,
Where all the streets are mean
That’s trying to be honest,
That’s trying to keep clean.

’Tis William Street with method,
And nought of show or pride,
That tries to keep its business
Upon the right-hand side.
No pavement exhibition
Of carcases and slops;
But old-established principles
In old-established shops.

’Tis William Street the highway—
Whichever way it be—
To business and the theatres,
Or empty luxury.
’Tis William Street (the East-end)—
The world-wise and exempt—
That sells Potts Point its purgatives
With something of contempt.

With fronts that hint of England,
As England used to be,
Old houses once in gardens,
And signs of Italy.
With hints of the forgotten,
Strange Sydney of the past,
When bricks were burnt for all time,
And walls were built to last.

’Tis William Street that rises
From stagnant dust and heat,
(Old trees by the Museum
Hold back with hands and feet)—
And where the blind are plying
Deft fingers, supple wrists—

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poem by Henry Lawson
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Young William And Young April

Young William and young April
Met in the park one day.
Young William said to April,
'Why did you come this way? '

Young April said to William,
'I thought I might see you.'
Young William, then to April,
'It's funny, what you do.'

Young April gave to William
A sweet, young childhood kiss.
Young William said to April,
'Don't bother me like this.'

Young April stood in silence,
Not knowing what to do.
Then young William turned away.
Young April, torn in two.

Young William said, 'Don't follow me.'
Away from her he fled.
April then, sat down and cried,
And wished that she was dead.

William never came again.
At least, for many years.
Fearful that young April still,
Might be there shedding tears.

William walked the park again.
It seemed just like before.
Wondering if he might see her.
Young April, there once more.

Young William never noticed.
The roses hid it well.
The place they found Young April.
The place she used to dwell.

poem by Greenwolfe 1962
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The Forest Boy

THE trees have now hid at the edge of the hurst
The spot where the ruins decay
Of the cottage, where Will of the Woodland was nursed,
And lived so beloved, till the moment accursed
When he went from the woodland away.
Among all the lads of the plough or the fold;
Best esteem'd by the sober and good,
Was Will of the Woodlands; and often the old
Would tell of his frolics, for active and bold
Was William the boy of the wood.
Yet gentle was he, as the breath of the May,
And when sick and declining was laid
The woodman his father, young William away
Would go to the forest to labour all day,
And perform his hard task in his stead.
And when his poor father the forester died,
And his mother was sad, and alone,
He toil'd from the dawn, and at evening he hied
In storm or in snow, or whate'er might betide,
To supply all her wants from the town.

One neighbour they had on the heath to the west,
And no other the cottage was near,
But she would send Phoebe, the child she loved best,
To stay with the widow, thus sad and distress'd,
Her hours of dejection to cheer.
As the buds of wild roses, the cheeks of the maid
Were just tinted with youth's lovely hue,
Her form, like the aspen, wild graces display'd,
And the eyes, over which her luxuriant locks stray'd,
As the skies of the summer were blue.
Still labouring to live, yet reflecting the while,
Young William consider'd his lot;
'Twas hard, yet 'twas honest; and one tender smile
From Phoebe at night overpaid ev'ry toil,
And then all his fatigues were forgot.
By the brook where it glides through the copse of Arbeal,
When to eat his cold fare he reclined,
Then soft from her home his sweet Phoebe would steal,
And bring him wood-strawberries to finish his meal,
And would sit by his side while he dined.
And though when employed in the deep forest glade,
His days have seem'd slowly to move,
Yet Phoebe going home, through the wood-walk has stray'd
To bid him good night!--and whatever she said
Was more sweet than the voice of the dove.
Fair Hope, that the lover so fondly believes,
Then repeated each soul-soothing speech,
And touch'd with illusion, that often deceives
The future with light; as the sun through the leaves

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poem by Charlotte Smith
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What Is Love?

what is love
Oh baby, don't hurt me
Don't hurt me no more
Oh, baby don't hurt me
Don't hurt me no more
What is love
Yeah
Oh, i don't know why you're not there
I give you my love, but you don't care
So what is right and what is wrong
Gimme a sign
What is love
Oh baby, don't hurt me
Don't hurt me no more
What is love
Oh baby, don't hurt me
Don't hurt me no more
Whoa whoa whoa, oooh oooh
Whoa whoa whoa, oooh oooh
Oh, i don't know, what can i do
What else can i say, it's up to you
I know we're one, just me and you
I can't go on
What is love
Oh baby, don't hurt me
Don't hurt me no more
What is love
Oh baby, don't hurt me
Don't hurt me no more
Whoa whoa whoa, oooh oooh
Whoa whoa whoa, oooh oooh
What is love, oooh, oooh, oooh
What is love, oooh, oooh, oooh
What is love
Oh baby, don't hurt me
Don't hurt me no more
Don't hurt me
Don't hurt me
I want no other, no other lover
This is your life, our time
When we are together, i need you forever
Is it love
What is love
Oh baby, don't hurt me
Don't hurt me no more
What is love
Oh baby, don't hurt me
Don't hurt me no more (oooh, oooh)
What is love
Oh baby, don't hurt me

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song performed by Haddaway
Added by Lucian Velea
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Miss Reid's Speed Seeds Misread Red Weed Barrow Greed Screed

Miss Reid's Speed Seeds Misread Red Weed Barrow Greed Screed

So much depends upon callow Monsanto’s
arrow minded rein reign
glazed with gain and, again, phrased with pain,

wheedling sallow farmers who see red
forced to furrow b[l]ushels of transgenic sterile crop seeds
on narrow plain
lots which soon lie fallow
rather than wide marrow
raised with rain
and fertile appetizers

Need greed's speed weed reeds
beside white ants’
terror might nest?

Fazed again, who chickens out of errors?

12 October 2009 robi3_1928_will5_0006 PVW_JNX
Parody William Carlos Williams 1883_1963 The Red Wheelbarrow

The Red Wheelbarrow

so much depends
upon
a red
wheelbarrow
glazed with rain
water
beside the white
chickens

William Carlos WILLIAMS 1883_1963

WILLIAMS William Carlos 1883_1963 will5_0001_will5_0000 PXX_NXX The Red Wheelbarrow_So Much Depends
__________________

The Yellow Goldfish

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poem by Jonathan Robin
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William and Helen

I.
From heavy dreams fair Helen rose,
And eyed the dawning red:
'Alas, my love, thou tarriest long!
O art thou false or dead?'-

II.
With gallant Fred'rick's princely power
He sought the bold Crusade;
But not a word from Judah's wars
Told Helen how he sped.

III.
With Paynim and with Saracen
At length a truce was made,
And every knight return'd to dry
The tears his love had shed.

IV.
Our gallant host was homeward bound
With many a song of joy;
Green waved the laurel in each plume,
The badge of victory.

V.
And old and young, and sire and son,
To meet them crowd the way,
With shouts, and mirth, and melody,
The debt of love to pay.

VI.
Full many a maid her true-love met,
And sobb'd in his embrace,
And flutt'ring joy in tears and smiles
Array'd full many a face.

VII.
Nor joy nor smile for Helen sad
She sought the host in vain;
For none could tell her William's fate,
In faithless, or if slain.

VIII.
The martial band is past and gone;
She rends her raven hair,
And in distraction's bitter mood
She weeps with wild despair.

IX.
'O rise, my child,' her mother said,

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poem by Sir Walter Scott
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The Hurt

You say you want to seek the truth, but its hard to find
No one to help you, your friends dont have the time
So you ride around in your car. switch on the radio
You want to relate to something you once read in a book
What kind of a way to try to take a look
Until I got hurt I was looking, I was on my way
Until I got hurt, until I got hurt, darling I painted my face grey
Until I got hurt, till got hurt, why didnt i
I didnt think of this until I got hurt
till I got hurt. baby. I didnt know what love is
You say you want to learn to laugh cause music makes you cry
But the tears you shed are only in your eye
So you turn to any phoney mouth with a tale to tell
But hes just a hoaxer dont you know, selling peace and religion
Between his jokes and his karma chewing gum
Until I got hurt, I was looking, I was the same as you
Until I got hurt, until I got hurt, I did not know what to do
Until I got hurt, till I got hurt, why didnt i
I didnt think of this until I got hurt
till I got hurt, baby, I didnt know what love is
Young son, dont let me down, young son
Im trusting you to keep on, never turn away now
Hold on, never let go, now hold on
Turn your heart to the bright sun
Love will come your way
Cos till you make that final show
Youll never know what love youve been missing
Missing
You say you want to seek the truth but you work alone
No one to help you and nobody to push you on
So you sit at home drinking your wine, television on
You wait for a miracle, cos you say one day onell come along
(but wishful thinking, boy) any minute now you might be gone
Id like to help you brother but that would be wrong
Until I got hurt, I was looking, I was on my way
Until I got hurt, until I got hurt, darling I didnt know which way
Until I got hurt, till I got hurt, why didnt i
I didnt think of this until I got hurt
till I got hurt, baby, I didnt know what love is
Until I got hurt, oh I didnt know what love is

song performed by Cat Stevens
Added by Lucian Velea
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William And Bill

Our Mr. Jiggs was certainly an estimable youth,
A pillar of propriety, a champion of truth;
He had a good position in a warehouse in the town;
A staunch church-worker, he became a layman of renown.

Jiggs owned a bijou villa in a little suburb here;
His wife was small but precious, and their baby was a dear;
But a fly in William’s ointment (and intrude such creatures will)
Was his father, known about the neighborhood as “Bill.”

Now if you’re a serious soul, and known as “William” still,
It’s unpleasant to have hanging round a father who is “Bill.”
So William had discovered, for at sixty-two his dad
Behaved with great exuberance, aspired to be “a lad”;

Got shicker on occasion, and came home with the milk
(Which also means the whisky) and with fellows of the ilk
Would sing a ribald ditty, and he’d dance upon his hat,
Then curl hard down, and slumber on the goodly William’s mat.

If you’re a worker at the church, abhorring wicked fun,
An old man sleeping on your mat in full light of the sun
Is very detrimental; so William had to steal
From bed full oft his roystering pa to drag in by the heel.

And Bill went giddy with the girls, and made excessive love
To the wives of William’s neighbors. There was one two doors above
Who said he was a nice old man, so very clean and gay –
She let him buy her suppers, and went with him to the play.

Her husband was a travelling man. One day he spoke to Bill.
Bill pointed out where on the lawn toiled unsuspecting Will.
That ma he struck at Will with his fist, a thing of fear –
He knocked him down, he kicked him, and he trod upon his ear.

He beat him with a rake, and with the hose he washed him round,
Till William, stunned and helpless now, was presently half-downed.
Then said the fellow: “Billy Jiggs, I hope from this time out
You’ll kindly let my wife alone when I am not about.”

Will sadly looked upon his dad, reproachment in his eye.
Bills raised him up, and to his glance made reverent reply:
“Sins of the fathers fall upon the children. Be resigned.
It’s according to the gospel, so I thought you wouldn’t mind.”

Now William hides at Cooktown, and old Bill resides at hay.
Responsible for all his venal actions, so to say.
Of William Jiggs, whose “gorn all wrong,” a touching tale he’ll tell –
“A-renouncin’ of the Scriptures. And I brought him up so well!”

poem by Edward George Dyson
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Colin The Cumberland Sausage

Colin the Cumberland sausage
was as happy as a pig in mud.
Today the master butcher made him
for the table of Mr Wood.

So full of beans was Colin
he was nearly bursting from his skin,
until the butcher wrapped him in paper
for the errand boy to deliver him.

Colin the Cumberland sausage
was delivered the very same day
to Publican Wood at the Barley Mow pub
who would cook him in the usual way.

Colin was laid out on the table
ready to go in the pan,
but Wuffer the dog entered the kitchen
and took Colin in his mouth and ran.

Now nobody knows what became of Colin
we assume he was eaten by the dog,
but don’t be surprised to see his brother
on the table of the Barley Mow pub.

poem by Orlando Belo
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