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Welcome to the Jungle

Cast: Megan Boone, Jean-Claude Van Damme, Kristen Schaal, Adam Brody, Dennis Haysbert, Rob Huebel, Bianca Bree, Eric Edelstein, Robert Peters, Aaron Takahashi

trailer for Welcome to the Jungle, directed by Rob Meltzer, screenplay by Jeff Kauffmann (2013)
Added by Veronica Serbanoiu
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Twin State

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poem by Caasder Fronds
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Lord Robert

Tall and young and light of tongue,
Gallantly riding by wood and lea,
He was ware of a maiden fair
And turned and whispered, 'Remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)

Day by day she walks that way
Never hoping by wood or lea
To be ware of the stranger gay
Who turned and whispered, 'Remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?

Chance for chance he rides that way,
And again by wood or by lea
He was ware of the maiden fair,
And again he whispered, 'Remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)

Chance for chance that way rode he,
And again where he was ware,
Debonnair to that maiden fair
He turned and said, 'You remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)

Chance for chance on a summer-day,
Meeting her still by wood and lea,
He leaped gay from his gallant grey
And said, 'I see you remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;

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poem by Sydney Thompson Dobell
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The Tale of Gamelyn

Fitt 1

Lithes and listneth and harkeneth aright,
And ye shul here of a doughty knyght;
Sire John of Boundes was his name,
He coude of norture and of mochel game.
Thre sones the knyght had and with his body he wan,
The eldest was a moche schrewe and sone bygan.
His brether loved wel her fader and of hym were agast,
The eldest deserved his faders curs and had it atte last.
The good knight his fadere lyved so yore,
That deth was comen hym to and handled hym ful sore.
The good knyght cared sore sik ther he lay,
How his children shuld lyven after his day.
He had bene wide where but non husbonde he was,
Al the londe that he had it was purchas.
Fayn he wold it were dressed amonge hem alle,
That eche of hem had his parte as it myght falle.
Thoo sente he in to contrey after wise knyghtes
To helpen delen his londes and dressen hem to-rightes.
He sent hem word by letters thei shul hie blyve,
If thei wolle speke with hym whilst he was alyve.

Whan the knyghtes harden sik that he lay,
Had thei no rest neither nyght ne day,
Til thei come to hym ther he lay stille
On his dethes bedde to abide goddys wille.
Than seide the good knyght seke ther he lay,
'Lordes, I you warne for soth, without nay,
I may no lenger lyven here in this stounde;
For thorgh goddis wille deth droueth me to grounde.'
Ther nas noon of hem alle that herd hym aright,
That thei ne had routh of that ilk knyght,
And seide, 'Sir, for goddes love dismay you nought;
God may don boote of bale that is now ywrought.'
Than speke the good knyght sik ther he lay,
'Boote of bale God may sende I wote it is no nay;
But I beseche you knyghtes for the love of me,
Goth and dresseth my londes amonge my sones thre.
And for the love of God deleth not amyss,
And forgeteth not Gamelyne my yonge sone that is.
Taketh hede to that oon as wel as to that other;
Seelde ye seen eny hier helpen his brother.'

Thoo lete thei the knyght lyen that was not in hele,
And wenten into counselle his londes for to dele;
For to delen hem alle to on that was her thought.
And for Gamelyn was yongest he shuld have nought.
All the londe that ther was thei dalten it in two,
And lete Gamelyne the yonge without londe goo,

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poem by Anonymous Olde English
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Adam: A Sacred Drama. Act 3.

SCENE I.-- Adam and Eve.

Oh, my beloved companion!
Oh thou of my existence,
The very heart and soul!
Hast thou, with such excess of tender haste,
With ceaseless pilgrimage,
To find again thy Adam,
Thus solitary wandered?
Behold him! Speak! what are thy gentle orders?
Why dost thou pause? what ask of God? what dost thou?

Eve. Adam, my best beloved!
My guardian and my guide!
Thou source of all my comfort, all my joy!
Thee, thee alone I wish,
And in these pleasing shades
Thee only have I sought.

Adam. Since thou hast called thy Adam,
(Most beautiful companion),
The source and happy fountain of thy joy;
Eve, if to walk with me
It now may please thee, I will show thee love,
A sight thou hast not seen;
A sight so lovely, that in wonder thou
Wilt arch thy graceful brow.
Look thou, my gentle bride, towards that path,
Of this so intricate and verdant grove,
Where sit the birds embowered;
Just there, where now, with soft and snowy plumes,
Two social doves have spread their wings for flight,
Just there, thou shalt behold, (oh pleasing wonder),
Springing amid the flowers,
A living stream, that with a winding course
Flies rapidly away;
And as it flies, allures
And tempts you to exclaim, sweet river, stay!
Hence eager in pursuit
You follow, and the stream, as it it had
Desire to sport with you,
Through many a florid, many a grassy way,
Well known to him, in soft concealment flies:
But when at length he hears,
You are afflicted to have lost his sight,
He rears his watery locks, and seems to say,
Gay with a gurgling smile,
'Follow! ah, follow still my placid course!
If thou art pleased with me, with thee I sport.
And thus with sweet deceit he leads you on

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poem by William Cowper
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Amours de Voyage, Canto II

Is it illusion? or does there a spirit from perfecter ages,
Here, even yet, amid loss, change, and corruption abide?
Does there a spirit we know not, though seek, though we find, comprehend not,
Here to entice and confuse, tempt and evade us, abide?
Lives in the exquisite grace of the column disjointed and single,
Haunts the rude masses of brick garlanded gaily with vine,
E'en in the turret fantastic surviving that springs from the ruin,
E'en in the people itself? is it illusion or not?
Is it illusion or not that attracteth the pilgrim transalpine,
Brings him a dullard and dunce hither to pry and to stare?
Is it illusion or not that allures the barbarian stranger,
Brings him with gold to the shrine, brings him in arms to the gate?

I. Claude to Eustace.

What do the people say, and what does the government do?--you
Ask, and I know not at all. Yet fortune will favour your hopes; and
I, who avoided it all, am fated, it seems, to describe it.
I, who nor meddle nor make in politics,--I who sincerely
Put not my trust in leagues nor any suffrage by ballot,
Never predicted Parisian millenniums, never beheld a
New Jerusalem coming down dressed like a bride out of heaven
Right on the Place de la Concorde,--I, nevertheless, let me say it,
Could in my soul of souls, this day, with the Gaul at the gates shed
One true tear for thee, thou poor little Roman Republic;
What, with the German restored, with Sicily safe to the Bourbon,
Not leave one poor corner for native Italian exertion?
France, it is foully done! and you, poor foolish England,--
You, who a twelvemonth ago said nations must choose for themselves, you
Could not, of course, interfere,--you, now, when a nation has chosen----
Pardon this folly! The Times will, of course, have announced the occasion,
Told you the news of to-day; and although it was slightly in error
When it proclaimed as a fact the Apollo was sold to a Yankee,
You may believe when it tells you the French are at Civita Vecchia.

II. Claude to Eustace.

Dulce it is, and decorum, no doubt, for the country to fall,--to
Offer one's blood an oblation to Freedom, and die for the Cause; yet
Still, individual culture is also something, and no man
Finds quite distinct the assurance that he of all others is called on,
Or would be justified even, in taking away from the world that
Precious creature, himself. Nature sent him here to abide here;
Else why send him at all? Nature wants him still, it is likely;
On the whole, we are meant to look after ourselves; it is certain
Each has to eat for himself, digest for himself, and in general

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poem by Arthur Hugh Clough
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Catch Me If You Can

Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, ohh my...
Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, my, my, my...
Sweet magicians daughter, weaving spells my way
You know I want to be with you, but magic words are all you say
Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, my, my...
Merlins magic daughter, I know thats what you are
Im playing magic games with you, its easier to guide a star
Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, my...woo
Magic lady waiting, your palace walls are tall
I can wait forever, but Im climbing up the palace wall
Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, ohhh, my, my, my, my...
Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, my...

song performed by Rick Springfield
Added by Lucian Velea
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Afrikaans: Sterregordels, Stilsonjare, Tydsbroekspypdinge, Haarsliert

Sterregordels

Cosmology in Afrikaans is an ode to joy, the
terms form sing-song strings with delightful
sounds “ewigbewegende elektron”
continuously spinning electron

“elektron in die hart van die atoomkorrel”
electron in the centre of the atom particle
- what a song!

“Triljoene Melkwegstelsels waaromheen ons
Melkweg elke tweehonderdmiljoenjaar
wentel – ‘n mallemeule van sterregordels…”

“Dobberende patrone, mesone en elektrone,
'n konfigurasie van konvekse novae”…

- these terms are singing to me!

A merry-go-round of star systems

Quotes from Adriaan Snyman “Die Messias Kode” (The Messiah Code) pp.9,10

Bombardement Van Frekwensies (English Explanation)

Waarmee sal ek hierdie leë oomblikke,
ankerloos, betekenisloos; aan die ewigheid
vasmaak - die gevoelsruimte in my hart

Is leeg, alle gevoel en denke het gesamentlik
in die donker duisternis van my brein ingeval
‘n laserbrein wat die hologramwêreld

Self moet konsituteer uit ‘n bombardement
van betekenislose frekwensies – maar
vandag is die ligstraalfokus uit

My pendulumgedagtes swaai ongefokus rond
die opgerolde, ingevoude ses-en-twintig of
meer dimensies van die virtuele werklikheid

Wil nie vir my oopgaan nie…

All thought and feeling fell into the black hole in my brain and the twenty-six or more rolled-up frequencies of reality does not want to open for me today…

Geloof In Liefde - Faith In Love

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poem by Margaret Alice
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Little Liza Jane

Traditional
Where is my tambourine wait a minute I'll get your tambourine
Got my tambourine get your thing baby
What's wrong with you what is it you want
Can't forget my tambourine boy want a minute
This is a folk tune nad it's called Little Liza Jane
We get some rhythm started here and see what happens
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Come my love and live with me
I will take good care of thee Little Liza Jean
Come my love and live with me
I will take good care of thee Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Hambone Hammer where you've been
Down by the river making gin
I know a man that's three feet tall
Drink his liquor and has a ball
Saw him just the other day
He had a horse and a ball of hay
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
He took me to his great big town
Lots of people standing around
They were listening to a great big band
the bestest music in the land
I tell you once and tell you twice
Enjoy yourself and live your life
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean

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song performed by Nina Simone
Added by Lucian Velea
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Little Liza Jean

Traditional
Where is my tambourine wait a minute Ill get your tambourine
Got my tambourine get your thing baby
Whats wrong with you what is it you want
Cant forget my tambourine boy want a minute
This is a folk tune nad its called little liza jane
We get some rhythm started here and see what happens
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
Come my love and live with me
I will take good care of thee little liza jean
Come my love and live with me
I will take good care of thee little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
Hambone hammer where youve been
Down by the river making gin
I know a man thats three feet tall
Drink his liquor and has a ball
Saw him just the other day
He had a horse and a ball of hay
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
He took me to his great big town
Lots of people standing around
They were listening to a great big band
The bestest music in the land
I tell you once and tell you twice
Enjoy yourself and live your life
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Oh little liza liza jane oh little liza liza jean

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song performed by Nina Simone
Added by Lucian Velea
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Amours de Voyage, Canto I

Over the great windy waters, and over the clear-crested summits,
Unto the sun and the sky, and unto the perfecter earth,
Come, let us go,--to a land wherein gods of the old time wandered,
Where every breath even now changes to ether divine.
Come, let us go; though withal a voice whisper, 'The world that we live in,
Whithersoever we turn, still is the same narrow crib;
'Tis but to prove limitation, and measure a cord, that we travel;
Let who would 'scape and be free go to his chamber and think;
'Tis but to change idle fancies for memories wilfully falser;
'Tis but to go and have been.'--Come, little bark! let us go.

I. Claude to Eustace.

Dear Eustatio, I write that you may write me an answer,
Or at the least to put us again en rapport with each other.
Rome disappoints me much,--St Peter's, perhaps, in especial;
Only the Arch of Titus and view from the Lateran please me:
This, however, perhaps is the weather, which truly is horrid.
Greece must be better, surely; and yet I am feeling so spiteful,
That I could travel to Athens, to Delphi, and Troy, and Mount Sinai,
Though but to see with my eyes that these are vanity also.
Rome disappoints me much; I hardly as yet understand it, but
Rubbishy seems the word that most exactly would suit it.
All the foolish destructions, and all the sillier savings,
All the incongruous things of past incompatible ages,
Seem to be treasured up here to make fools of present and future.
Would to Heaven the old Goths had made a cleaner sweep of it!
Would to Heaven some new ones would come and destroy these churches!
However, one can live in Rome as also in London.*
It is a blessing, no doubt, to be rid, at least for a time, of
All one's friends and relations,--yourself (forgive me!) included,--
All the assujettissement of having been what one has been,
What one thinks one is, or thinks that others suppose one;
Yet, in despite of all, we turn like fools to the English.
Vernon has been my fate; who is here the same that you knew him,--
Making the tour, it seems, with friends of the name of Trevellyn.
* The 1968 Oxford Edition, edited by A.L.P. Norrington,
includes a line immediately following this:
Rome is better than London, because it is other than London.

II. Claude to Eustace.

Rome disappoints me still; but I shrink and adapt myself to it.
Somehow a tyrannous sense of a superincumbent oppression
Still, wherever I go, accompanies ever, and makes me
Feel like a tree (shall I say?) buried under a ruin of brickwork.

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poem by Arthur Hugh Clough
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Amours de Voyage, Canto III

Yet to the wondrous St. Peter's, and yet to the solemn Rotunda,
Mingling with heroes and gods, yet to the Vatican Walls,
Yet may we go, and recline, while a whole mighty world seems above us,
Gathered and fixed to all time into one roofing supreme;
Yet may we, thinking on these things, exclude what is meaner around us;
Yet, at the worst of the worst, books and a chamber remain;
Yet may we think, and forget, and possess our souls in resistance.--
Ah, but away from the stir, shouting, and gossip of war,
Where, upon Apennine slope, with the chestnut the oak-trees immingle,
Where, amid odorous copse bridle-paths wander and wind,
Where, under mulberry-branches, the diligent rivulet sparkles,
Or amid cotton and maize peasants their water-works ply,
Where, over fig-tree and orange in tier upon tier still repeated,
Garden on garden upreared, balconies step to the sky,--
Ah, that I were far away from the crowd and the streets of the city,
Under the vine-trellis laid, O my beloved, with thee!

I. Mary Trevellyn to Miss Roper,--on the way to Florence.

Why doesn't Mr. Claude come with us? you ask.--We don't know,
You should know better than we. He talked of the Vatican marbles;
But I can't wholly believe that this was the actual reason,--
He was so ready before, when we asked him to come and escort us.
Certainly he is odd, my dear Miss Roper. To change so
Suddenly, just for a whim, was not quite fair to the party,--
Not quite right. I declare, I really almost am offended:
I, his great friend, as you say, have doubtless a title to be so.
Not that I greatly regret it, for dear Georgina distinctly
Wishes for nothing so much as to show her adroitness. But, oh, my
Pen will not write any more;--let us say nothing further about it.
* * * * * * * * * * * * * * * *
Yes, my dear Miss Roper, I certainly called him repulsive;
So I think him, but cannot be sure I have used the expression
Quite as your pupil should; yet he does most truly repel me.
Was it to you I made use of the word? or who was it told you?
Yes, repulsive; observe, it is but when he talks of ideas
That he is quite unaffected, and free, and expansive, and easy;
I could pronounce him simply a cold intellectual being.--
When does he make advances?--He thinks that women should woo him;
Yet, if a girl should do so, would be but alarmed and disgusted.
She that should love him must look for small love in return,--like the ivy
On the stone wall, must expect but a rigid and niggard support, and
E'en to get that must go searching all round with her humble embraces.

II. Claude to Eustace,--from Rome

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poem by Arthur Hugh Clough
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Honor and Betrayal (Jiangsu 1937-1945)

The bamboo leaves swished in the wind
As Lieutenant Ryouta Takahashi said goodbye
To his wife and son.

He made his way to the port
With measured steps,
His mind thick with heavy thoughts.

On route
To reinforce the Japanese garrison in Shanghai
The convoy set sail
From the Sasebo Naval Arsenal
In Nagasaki Prefecture.

It was part of the 3rd expeditionary fleet
Of the Imperial Japanese Navy
Consisting of a dozen cruisers and gunboats.

Their mission was to patrol the coasts
And river ways of China and to give support
to the landing operations of Japanese troops.

The boats ploughed through choppy waters
In the South China Sea for two days
And three nights.

Upon casting anchor in the Yangtze delta,
Lieutenant Ryouta Takahashi reported himself
To the staff of his commanding officer,
Major Daiki Chinen.

Judging by his name,
Takahashi-san told himself,
The major ought to be from Okinawa.

The lieutenant spent
A few relatively calm weeks
In Jiangsu Province.
But then, on August 13,1937,
The Battle of Shanghai began.

The exchange of fire
Escalated into a full-scale war
Between Japan and China.

Imperial Japanese Army units,
Supported by aircrafts and tanks,
Crossed over the Bazi Bridge in Shanghai.

Hirohito’s Third Fleet

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poem by Paul Hartal
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Paradise Lost: Book X

Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know

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poem by John Milton
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Bianca's Dream - A Venetian Story

BIANCA!—fair Bianca!—who could dwell
With safety on her dark and hazel gaze,
Nor find there lurk'd in it a witching spell,
Fatal to balmy nights and blessed days?
The peaceful breath that made the bosom swell,
She turn'd to gas, and set it in a blaze;
Each eye of hers had Love's Eupyrion in it,
That he could light his link at in a minute.

So that, wherever in her charms she shone,
A thousand breasts were kindled into flame;
Maidens who cursed her looks forgot their own,
And beaux were turn'd to flambeaux where she
came;
All hearts indeed were conquer'd but her own,
Which none could ever temper down or tame:
In short, to take our haberdasher's hints,
She might have written over it,—'from Flints.'

She was, in truth, the wonder of her sex,
At least in Venice—where with eyes of brown
Tenderly languid, ladies seldom vex
An amorous gentle with a needless frown;
Where gondolas convey guitars by pecks,
And Love at casements climbeth up and down,
Whom for his tricks and custom in that kind,
Some have considered a Venetian blind.

Howbeit, this difference was quickly taught,
Amongst more youths who had this cruel jailer,
To hapless Julio—all in vain he sought
With each new moon his hatter and his tailor;
In vain the richest padusoy he bought,
And went in bran new beaver to assail her—
As if to show that Love had made him smart
All over—and not merely round his heart.

-5-

In vain he labour'd thro' the sylvan park
Bianca haunted in—that where she came,
Her learned eyes in wandering might mark
The twisted cypher of her maiden name,
Wholesomely going thro' a course of bark:
No one was touched or troubled by his flame,
Except the Dryads, those old maids that grow
In trees,—like wooden dolls in embryo.

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poem by Thomas Hood
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Ort Jan van Hunks

Many years back an old pirate
Ort Jan van Hunks lived in Cape Town
and he had gathered enough loot
to live an honest life.

Just above the company gardens
he bought some land
and he thought that trustful slaves
would do the work for him
while he would watch his vineyards grow
and it would be possible
to give attention to his weaknesses.

The loneliness caught up with van Hunks
and he got himself a wife
but in Cape Town
at that time the choices was slim
and he was married to a huge woman
that was so broad
that she could not enter a door
without turning sideways
but he thought that in the cold winter evenings
she would keep him warm.

The trouble with his wife
was that she was a strict person
who drove their slave girls
to polish everything,
she had driven him away
from his own fireplace
with a hard hitting elbow,
as she was scared
that the ash from his pipe
would fall on the beautiful yellow-wood floor.

At the trees high up against the saddle
where Devil's peak joins Table Mountain,
van Hunks found a big rock
that was flat like a settee
and there nobody would bother him
as the Citizens thought
that only a lunatic
would climb the peaks of Table Mountain.

With a barrel of rum and a heap of tobacco
that he had carried along secretary
van Hunks was dreaming
with his pipe in his mouth
while he saw the shadow
of the mountain

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poem by Gert Strydom
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Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

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poem by William Cowper
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Paradise Lost: Book 11

Undoubtedly he will relent, and turn
From his displeasure; in whose look serene,
When angry most he seemed and most severe,
What else but favour, grace, and mercy, shone?
So spake our father penitent; nor Eve
Felt less remorse: they, forthwith to the place
Repairing where he judged them, prostrate fell
Before him reverent; and both confessed
Humbly their faults, and pardon begged; with tears
Watering the ground, and with their sighs the air
Frequenting, sent from hearts contrite, in sign
Of sorrow unfeigned, and humiliation meek.
Thus they, in lowliest plight, repentant stood
Praying; for from the mercy-seat above
Prevenient grace descending had removed
The stony from their hearts, and made new flesh
Regenerate grow instead; that sighs now breathed
Unutterable; which the Spirit of prayer
Inspired, and winged for Heaven with speedier flight
Than loudest oratory: Yet their port
Not of mean suitors; nor important less
Seemed their petition, than when the ancient pair
In fables old, less ancient yet than these,
Deucalion and chaste Pyrrha, to restore
The race of mankind drowned, before the shrine
Of Themis stood devout. To Heaven their prayers
Flew up, nor missed the way, by envious winds
Blown vagabond or frustrate: in they passed
Dimensionless through heavenly doors; then clad
With incense, where the golden altar fumed,
By their great intercessour, came in sight
Before the Father's throne: them the glad Son
Presenting, thus to intercede began.
See$ Father, what first-fruits on earth are sprung
From thy implanted grace in Man; these sighs
And prayers, which in this golden censer mixed
With incense, I thy priest before thee bring;
Fruits of more pleasing savour, from thy seed
Sown with contrition in his heart, than those
Which, his own hand manuring, all the trees
Of Paradise could have produced, ere fallen
From innocence. Now therefore, bend thine ear
To supplication; hear his sighs, though mute;
Unskilful with what words to pray, let me
Interpret for him; me, his advocate
And propitiation; all his works on me,
Good, or not good, ingraft; my merit those
Shall perfect, and for these my death shall pay.
Accept me; and, in me, from these receive
The smell of peace toward mankind: let him live

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poem by John Milton
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Maiden-Song

Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Megan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.

When Megan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.

Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Megan said one day:
'Fair Margaret can bide at home,
But you come with me, May;
Up the hill and down the hill,
Along the winding way 30
You and I are used to go.'

So these two fair sisters
Went with innocent will
Up the hill and down again,
And round the homestead hill:
While the fairest sat at home,
Margaret like a queen,
Like a blush-rose, like the moon
In her heavenly sheen,
Fragrant-breathed as milky cow
Or field of blossoming bean,
Graceful as an ivy bough
Born to cling and lean;
Thus she sat to sing and sew.

When she raised her lustrous eyes
A beast peeped at the door;

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poem by Christina Georgina Rossetti
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Adam Bell, Clym of the Clough, and William of Cloudesly

Part the First

Mery it was in the grene forest
Amonge the leves grene,
Wheras men hunt east and west,
Wyth bowes and arrowes kene,

To ryse the dere out of theyr denne,
Suche sightes hath ofte bene sene,
As by thre yemen of the north countrey,
By them it is I meane.

The one of them hight Adam Bel,
The other Clym of the Clough,
The thyrd was William of Cloudesly,
An archer good ynough.

They were outlawed for venyson,
These yemen everychone;
They swore them brethren upon a day,
To Englyshe-wood for to gone.

Now lith and lysten, gentylmen,
That of myrthes loveth to here:
Two of them were single men,
The third had a wedded fere.

Wyllyam was the wedded man,
Muche more then was hys care:
He sayde to hys brethren upon a day,
To Carleile he would fare,

For to speke with fayre Alyce his wife,
And with hys chyldren thre.
'By my trouth,' sayde Adam Bel,
'Not by the counsell of me.

'For if ye go to Carleile, brother,
And from thys wylde wode wende,
If the justice may you take,
Your lyfe were at an ende.'

'If that I come not to-morrowe, brother,
By pryme to you agayne,
Truste you then that I am 'taken,'
Or else that I am slayne.'

He toke hys leave of hys brethren two,
And to Carleile he is gon;

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poem by Anonymous Olde English
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Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

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poem by John Milton
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