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Johannes Brahms

Study Bach. There you will find everything.

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Down By The Riverside

(public domain)
Im gonna lay down my burden, down by the riverside,
Down by the riverside, down by the riverside
Im gonna lay down my burden, down by the riverside,
Im gonna study war no more
I aint a gonna study war no more, I aint a gonna study war no more
I aint a gonna study war no more, I aint a gonna study war no more
I aint a gonna study war no more, I aint a gonna study war no more
Well, Im gonna put on my long white robe, (where? ) down by the riverside (oh)
Down by the riverside, down by the riverside
Im gonna put on my long white robe, (where? ) down by the riverside
Im gonna study war no more
I aint a gonna study war no more, I aint a gonna study war no more
I aint a gonna study war no more, I aint a gonna study war no more
I aint a gonna study war no more, I aint a gonna study war no more
Well, Im gonna lay down my sword and shield, (where? ) down by the riverside
Down by the riverside, down by the riverside
Im gonna lay down my sword and shield, (a-ha) down by the riverside
Im gonna study war no more
I aint a gonna study war no more, I aint a gonna study war no more
I aint a gonna study war no more, I aint a gonna study war no more
I aint a gonna study war no more, I aint a gonna study war no more

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Not Communicating To Oneself

Listening to Beethoven we sense
the inspiration pouring from the master.
Johann Sebastian Bach sounds as intense,
but far more distant from disaster.
He seems to want to have a conversation
with anyone prepared to pay attention.
Although we lose him when his great elation
exceeds the limits of our comprehension,
we know that he is trying to communicate,
as if he’d just found, lying on a shelf,
the notes he’s trying to communicate
to us, and not, like Ludwig, to himself.
The proofs of Beethoven’s profundity
lay in the notes that for him had no sound,
while Bach, with effortless fecundity,
encouraged all of us to be profound.

J. M. Coetzee contrasts his relationship to the music of Beethoven and J. S. Bach. Whereas he imagines Beethoven as a genius from whom inspiration pours forth while oblivious to the people who may be listening to him he imagines J. S. Bach as a teacher who is attempting to instruct him while he sits next him while he is playing. As a rider, Coetzee added that there are moments when J. S. Bach’s inspiration exceeds the listener’s comprehension. These are the moments of his greatest inspiration. Listening to this report I was reminded of Richard Eder’s comment on Ceotzee when reviewing his book “Diary of a Bad Year” (“A Writer, A Muse, Their Laundry, ” NYT, January 1,2008) :
I think of the childlike simplicity of late Beethoven on a profound return trip from profundity.”

10/7/08

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Where The River Flows

Music : rudolf schenker
Lyrics: klaus meine
Under suburban skies
Where life is bleeding
Where concrete skies are grey
Theres plenty of room for dreaming
I still keep coming here
Follow those traces
I travel back in time
Remember all those places
Feels like I never left
The houses still standing
Down by the river where
The dreams are never ending
You find me
You find me
You find me by the river
You find me
You find me
You find me where the river flows
Under the silent moon
This industrial city
Is heartland even though
Lifes been not that pretty
I still keep coming here
To that old river
To find my roots just where
The future lives forever
You find me
You find me
You find me by the river
You find me
You find me
You find me, you can find me
By the river where dreams will never die
By the river under suburban skies
You find me
You find me
You find me by the river
You find me
You find me
You find me where the river flows
By the river where dreams have never died
By the river I look through childrens eyes
You find me
You find me
You find me by the river
You find me
You find me
You find me where the river flows

[...] Read more

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There is nothing like a Bach fugue to remove me from a discordant moment... only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me.

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Eternal Golden Braid - Escher, Gödel, Bach

Escher, Gödel, Bach, together
make mind's music tempo weather
form to storm blocks, light as feather
turn constraints most, far less clever,
see as strictures which tight tether,
not as pictures hell-for-leather
spirit lead to question whether
constancy's illusion ever.

Patterns into patterns weaving
both deceiving, undeceiving,
here perception sees stairs leaving
there inspection stares, seize cleaving.

Somehow someone reconciling
forwards, back, and time a-whiling,
motion into more compiling,
starts ball rolling inwards smiling
outwards treadmills single-filing
round in circles never riling,
ever onwards as the aisle in
fact or fiction sets key styling.

As impressions artist wording
so the poet, insight girding
paints life's canvas sixth sense herding
into bridge for future wording.

Mind unwinding never minding
dizzy blinding reels from binding
backwards grinding, from behinding,
springs forth for a fourth time binding
far horizons, nearness, finding
that perceptions interwinding
vision skew to keep reminding
constantly of traces grinding.

Keeping tabs on locomotion
through a tableau that commotion
seems, in turmoil, senseless ocean,
stems from structure's subtle potion.

Thus confusion into fusion
tracks intact design solution
ends, means melds without intrusion
'spite apparent convolution,
inks links' thinklings in profusion
to coherency's conclusion
in a trice as revolution
follows former revolution.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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Find Your Way Back

You know its been a long long road
Since I packed up and left on my own
And I can carry a heavy load
Just try n get back to her heart
I sure aint got no home
I seem to find love where I ramble
And when its time to go
I hear that voice again, say n
Chorus:
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
Leave a message with the rain
You can find me where the wind blows
The snow across the pain
And the frost upon the heart
You got no place to be
Still you wonder where youre goin
And why I had to leave
I hear a voice and it says to me
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
To her heart, cmon
I know its too late now
But I wish I could go back in time
And start all over somehow
And get it right from the start
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back...

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Find Your Way Back

You know its been a long long road
Since I packed up and left on my own
And I can carry a heavy load
Just try n get back to her heart
I sure aint got no home
I seem to find love where I ramble
And when its time to go
I hear that voice again, say n
Chorus:
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
Leave a message with the rain
You can find me where the wind blows
The snow across the pain
And the frost upon the heart
You got no place to be
Still you wonder where youre goin
And why I had to leave
I hear a voice and it says to me
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
To her heart, cmon
I know its too late now
But I wish I could go back in time
And start all over somehow
And get it right from the start
Find your way back
Find your way back to her heart
Find your way back
Find your way back to her heart
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back
Find your way back (find your way back) find your way back...

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Schooling Relationship

you are the subject which i study
understanding and getting to know you psychologically
learning new ways to do right
ways to out do the wrong
you are the subject which i study
practicing and testing the goods and bads
you are the subject which i study
the time has come graduation is here
learn the subject by studing its psychology
understanding is the only way for success
now we move on to the next step
you are the subject which i study to major
as i take hold of your hand
guide you through rough times throughout this life
you are the subject which i study to major
as time goes by ticking away
i studied you all those days
i understand your past history life
your psychology means alot to me
mentally physically emotionally speaking
you are the subject which i study to major...

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Find Out

Ive seen em doing battle
Ive heard in times of war
Still I keep on going
Though its different than before
Theyve been riding high
Up where the cold winds blow
Miles above that highway
Where the rest of us all go
To find out
You have to find out
Its good to find out
Before you open your mouth
Find out
Now dont you find out
You better find out
Before you fill in the blanks
Go find out what it takes
To make a boy break down and cry
Go find out his young mistake
Is a premature goodbye (its a privilege you can buy)
Find out
Where it goes
Find out
Faster roads
Find out
It never grows
Find out
For yourself
You never tried to find the time it takes
To work it out
Its not a waste to taste
The sweat it takes
To work it out
Work!
You dont need a battle
You dont need a war
You dont need any lessons
To find out whats in store
You been riding high
You felt the cold winds blow
Now get back on the highway
Where the others have to go
And find out
And maybe when you do
Youll even find out
You havent got a clue
Unless you find out
Its never like they say
Your gonna find out
Youll take it all the way

[...] Read more

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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The Mystery Remains story poem

By my lanthorn dimly burning.
I have trouble in discerning
the faint words scrawled upon the page
By the hand of a long dead sage.

What I study is forbidden
a secret I must keep hidden.
I dare not study it by day
and that is why I hide away.

In the dark hours of the night.
I study by a lanthorns light.
Lest the priesthood should suspect.
For they would kill me to protect

from what they see as wizardry
although it’s only chemistry.
The shaveling priests of Mother Church
have full authority to search.

As and when and where they choose
.a power open to abuse
And they abuse it readily
in their search for men like me.

Men who defy authority,
pursue their studies secretly.
The church pretends to safeguard souls
but aims to keep in place controls.

Which keep the people ignorant
so that they will accept the cant.
The falsehoods and hypocrisy
of the priests more easily.

The common man must never know.
Because the church will have it so.
That education is the key
to knowledge which will set them free.

From religious domination.
To me a foul abomination.
The Holy Book from which they preach
written in a language will do not teach

To any but the favoured few
Who think the same way that they do.
Which will maintain the Status Quo
beneath the piety they show.

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Find Out Whats Happening

(words & music by j. crutchfield)
Baby you know me well
You know I mean what I say
Before I say farewell
Ill give you just another day
Youd better find out whats happening
Find out whats happening before long, oh yeah
If you dont find out whats happening
Youre gonna find out that Ive gone now, oh yeah
Tell me what youre gonna do
Youd better make up your mind
It all depends on you
Im leaving you behind
Youd better find out whats happening
Find out whats happening before long, oh yeah
If you dont find out whats happening
Youre gonna find out that Ive gone now, oh yeah
Baby you know its true
Weve been through thick and thin
But if you dont come through
You wont ever see me again
Youd better find out whats happening
Find out whats happening before long, oh yeah
If you dont find out whats happening
Youre gonna find out that Ive gone now, oh yeah
Youd better find, find, better find out
Better find out
Better find, better find out
Better find, better find out
If you dont find, youre gonna find out that Im gone

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Somebody To Love

Can anybody find me
Somebody to love?
Each morning I get up I die a little
Cant barely stand on my feet
Take a look in the mirror and cry
Lord, what youre doing to me
I have spent all my years in believing you
But I just cant get no relief, lord
Somebody, somebody
Can anybody find me someone to love
I work hard everyday of my life
I work till I ache my bones
At the end I take home my
Hard earned pay all of my own
I get down on my knees and I start to pray
til the tears run down from my eyes, lord
Somebody, somebody
Can anybody find me somebody to love
Everyday I try and I try
But everybody want to put me down
They say Im goin crazy
They say I got a lot of water in my brain
Got no common sense
I got nobody to believe
Yeah, yeah, yeah, yeah
Ooh, somebody
Somebody can anybody find me
Somebody to love
Got no feel, I got no rhythm
I just keep losing my beat
Im ok, Im alright
Aint gonna face no defeat
I just got to get out of this prison cell
One day Im gonna be free, lord
Find me somebody to love
Find me somebody to love
Find me somebody to love
Find me somebody to love
Find me somebody to love
Find me somebody to love
Find me somebody to love
Find me somebody to love
Find me somebody to love
Somebody, somebody, somebody, somebody
Somebody find me somebody
Find me somebody to love
Can anybody find me
Somebody to love
Find me somebody to love!
Find me somebody to love!

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Gotham - Book III

Can the fond mother from herself depart?
Can she forget the darling of her heart,
The little darling whom she bore and bred,
Nursed on her knees, and at her bosom fed;
To whom she seem'd her every thought to give,
And in whose life alone she seem'd to live?
Yes, from herself the mother may depart,
She may forget the darling of her heart,
The little darling whom she bore and bred,
Nursed on her knees, and at her bosom fed,
To whom she seem'd her every thought to give,
And in whose life alone she seem'd to live;
But I cannot forget, whilst life remains,
And pours her current through these swelling veins,
Whilst Memory offers up at Reason's shrine;
But I cannot forget that Gotham's mine.
Can the stern mother, than the brutes more wild,
From her disnatured breast tear her young child,
Flesh of her flesh, and of her bone the bone,
And dash the smiling babe against a stone?
Yes, the stern mother, than the brutes more wild,
From her disnatured breast may tear her child,
Flesh of her flesh, and of her bone the bone,
And dash the smiling babe against a stone;
But I, (forbid it, Heaven!) but I can ne'er
The love of Gotham from this bosom tear;
Can ne'er so far true royalty pervert
From its fair course, to do my people hurt.
With how much ease, with how much confidence--
As if, superior to each grosser sense,
Reason had only, in full power array'd,
To manifest her will, and be obey'd--
Men make resolves, and pass into decrees
The motions of the mind! with how much ease,
In such resolves, doth passion make a flaw,
And bring to nothing what was raised to law!
In empire young, scarce warm on Gotham's throne,
The dangers and the sweets of power unknown,
Pleased, though I scarce know why, like some young child,
Whose little senses each new toy turns wild,
How do I hold sweet dalliance with my crown,
And wanton with dominion, how lay down,
Without the sanction of a precedent,
Rules of most large and absolute extent;
Rules, which from sense of public virtue spring,
And all at once commence a Patriot King!
But, for the day of trial is at hand,
And the whole fortunes of a mighty land
Are staked on me, and all their weal or woe
Must from my good or evil conduct flow,

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On The Pleasures Of College Life

With tears I leave these academic bowers,
And cease to cull the scientific flowers;
With tears I hail the fair succeeding train,
And take my exit with a breast of pain.
The Fresh may trace these wonders as they smile;
The stream of science like the river Nile,
Reflecting mental beauties as it flows,
Which all the charms of College life disclose;
This sacred current as it runs refines,
Whilst Byron sings and Shakspeare's mirror shines.
First like a garden flower did I rise,
When on the college bloom I cast my eyes;
I strove to emulate each smiling gem,
Resolved to wear the classic diadem;
But when the Freshman's garden breeze was gone;
Around me spread a vast extensive lawn;
'Twas there the muse of college life begun,
Beneath the rays of erudition's sun,

Where study drew the mystic focus down,
And lit the lamp of nature with renown;
There first I heard the epic thunders roll,
And Homer's light'ning darted through my soul.
Hard was the task to trace each devious line,
Though Locke and Newton bade me soar and shine;
I sunk beneath the heat of Franklin's blaze,
And struck the notes of philosophic praise;
With timid thought I strove the test to stand,
Reclining on a cultivated land,
Which often spread beneath a college bower,
And thus invoked the intellectual shower;
E'en that fond sire on whose depilous crown,
The smile of courts and states shall shed renown;
Now far above the noise of country strife,
I frown upon the gloom of rustic life,
Where no pure stream of bright distinction flows,
No mark between the thistle and the rose;
One's like a bird encaged and bare of food,
Borne by the fowler from his native wood,
Where sprightly oft he sprung from spray to spray,
And cheer'd the forest with his artless lay,

Or fluttered o'er the purling brook at will,
Sung in the dale or soar'd above the hill.
Such are the liberal charms of college life,
Where pleasure flows without a breeze of strife;
And such would be my pain if cast away,
Without the blooms of study to display.
Beware, ye college birds, again beware,
And shun the fowler with his subtile snare;

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To My Sons, Eddie & Edwin

You're my cute little son,
But you're always stubborn,
Fast to get anger and upset
Very small hearted person.

Why you so like that
Give me the reasons
Why? , why? , why?
Why you so disobedient person?

You all are clever
But lazy and hard headed
Sometimes, you are good
But you're very naughty boy.

Always Be a good boy
My boy, my boy,
Listen to elderly always,
Respect your parents.

Please study hard
Study smarter
Future in your hands
No one can change you
Unless yourself.

Don't play only
Remember to study things
You love and likes
Learn as much as you can.

Time is short,
Time never return,
Study when you're young
Study when you're grow up too.

Stop playing games,
Start your lessons on time
Stop fooling around,
Stop arguing with parents.

My sons, Eddie and Edwin
Always I love you all
No matter Where,
No matter When,
No matter How.
You're always my sons.

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Elizabeth Barrett Browning

Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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