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Jobs

Cast: Ashton Kutcher, Josh Gad, J.K. Simmons, Dermot Mulroney, Amanda Crew, James Woods, Matthew Modine, Lukas Haas, Ron Eldard, Lesley Ann Warren

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Barabara Ann

A Bar bar bar bar Barbar Ann
Bar bar bar bar Barbar Ann
(Bar bar bar bar Barbar Ann)
Oh Barbara Ann take my hand
(Bar bar bar bar Barbar Ann)
Barbara Ann
(Bar bar bar bar Barbar Ann)
You got me rockin' and a rollin'
Rockin' and a reelin' Barbara Ann
Bar bar bar bar Barbar Ann
Went to a dance looking for romance
Saw Barbara Ann so I thought I'd take a chance
Barbara Ann
Bar bar bar bar Barbar Ann
Oh Barbara Ann take my hand
(Bar bar bar bar Barbar Ann)
Barbara Ann
(Bar bar bar bar Barbar Ann)
You got me rockin' and a rollin'
Rockin' and a reelin' Barbara Ann
Bar bar bar bar Barbar Ann
Say Bar bar bar bar Barbar Ann
Bar bar bar bar Barbar Ann
Oh Barbara Ann take my hand
(Bar bar bar bar Barbar Ann)
Barbara Ann
(Bar bar bar bar Barbar Ann)
You got me rockin' and a rollin'
Rockin' and a reelin' Barbara Ann
Bar bar bar bar Barbar Ann
Tried Betty Lou
Danced with Peggy Sue
Tried Mary Lou
But I knew she wouldn't do
Bar bar bar bar Barbar Ann
Oh Barbara Ann take my hand
(Bar bar bar bar Barbar Ann)
Barbara Ann
(Bar bar bar bar Barbar Ann)
You got me rockin' and a rollin'
Rockin' and a reelin' Barbara Ann
Bar bar bar bar Barbar Ann
Bar bar bar bar Barbar Ann
Bar bar bar bar Barbar Ann
Bar bar bar bar Barbar Ann
Oh Barbara Ann take my hand
(Bar bar bar bar Barbar Ann)
Barbara Ann
(Bar bar bar bar Barbar Ann)
You got me rockin' and a rollin'

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Barbara Ann

Ah, ba ba ba ba barbara ann
Ba ba ba ba barbara ann
Oh barbara ann, take my hand
Barbara ann
You got me rockin and a-rollin
Rockin and a-reelin
Barbara ann ba ba
Ba barbara ann
Went to a dance, lookin for romance
Saw barbara ann, so I thought Id take a chance
With barbara ann, barbara ann
Take my hand
You got me rockin and a-rollin
(oh! oh!)
Rockin and a-reelin
Barbara ann ba ba
Ba ba ba ba black sheep
Ba ba ba ba barbara ann
Ba ba ba ba barbara ann
Barbara ann, take my hand
Barbara ann
You got me rockin and a-rollin
Rockin and a-reelin
Barbara ann ba ba
Ba barbara ann
(lets go now!)
(ow!)
([...])
([...], carl.)
(hal, and his famous ashtray!)
([...])
(you smell like rocky. youre always scratchin it.)
(hey, come on!)
(scratch it, carl, scratch it, baby, right over there.
Down a little lower. down a little lower!)
(saw-- tried--)
Tried peggy sue
Tried betty lou
Tried mary lou
But I knew she wouldnt do
Barbara ann, barbara ann
Take my hand
Barbara ann
Take my hand
You got me rockin and a-rollin
Rockin and a-reelin
Barbara ann ba ba
Ba barbara ann
Ba ba ba ba barbara ann
Ba ba ba ba barbara ann

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Da Doo Ron Ron

I met him on a monday and my heart stood still
Da doo ron ron ron
Da doo ron ron
Somebody told me that his name was bill
Da doo ron ron ron
Da doo ron ron
Yeah, my heart stood still
Yeah, his name was bill
And when he walked me home
Da doo ron ron ron
Da doo ron ron
Yeah, he looked so fine
Yeah, Ill make him mine
And when he walked me home
Da doo ron ron ron
Da doo ron ron
Yeah da doo ron ron
Da doo ron ron ron
Da doo ron ron
Yeah da doo ron ron
Da doo ron ron ron
Da doo ron ron

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Allegany Camp

amazing grace circus camp
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amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

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Annie Marshall the Foundling

Annie Marshall was a foundling, and lived in Downderry,
And was trained up by a coast-guardsman, kind-hearted and merry
And he loved Annie Marshall as dear as his life,
And he resolved to make her his own loving wife.

The night was tempestuous, most terrific, and pitch dark,
When Matthew Pengelly rescued Annie Marshall from an ill-fated barque,
But her parents were engulfed in the briny deep,
Which caused poor Annie at times to sigh and weep.

One day Matthew asked Annie if she would be his wife,
And Annie replied, I never thought of it in all my life;
Yes, my wife, Annie, replied Matthew, hold hard a bit,
Remember, Annie, I've watched you grow up, and consider you most fit.

Poor Annie did not speak, she remained quite mute,
And with agitation she trembled from head to foot,
The poor girl was in a dilemma, she knew not what to say,
And owing to Matthew training her, she couldn't say him nay.

Oh! Matthew, I'm afraid I would not make you a good wife,
And in that respect there would be too much strife,
And the thought thereof, believe me, makes me feel ill,
Because I'm unfit to be thy wife, Matthew, faltered the poor girl.

Time will prove that, dear Annie, but why are you so calm?
Then Annie put her hand shyly into Matthew's brown palm
Just then the flashing lightning played upon Annie's face,
And the loud thunder drowned Matthew's words as Annie left the place.

But Matthew looked after her as she went home straightway,
And his old heart felt light and gay,
As he looked forward for his coming marriage day,
Because he knew that Annie Marshall couldn't say him nay.

Then the sky drew dark, and the sea lashed itself into foam,
But he heeded it not as he sat there alone,
Till the sound of a gun came booming o'er the sea,
Then Matthew had to attend to his duty immediately.

A ship, he muttered, Lord, help them! and coming right in by the sound,
And in a few minutes she will run aground.
And the vessel was dashed against the rocks with her helpless crew,
Then in hot haste for assistance Matthew instantly flew.

Then Matthew returned with a few men all willing to lend their aid,
But amongst them all Matthew seemed the least afraid;
Then an old man cried, Save my boy, for his mother's sake,
Oh! Matthew, try and save him, or my heart will break!

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Jonathan Swift

A Pastoral Dialogue

DERMOT, SHEELAH

A Nymph and swain, Sheelah and Dermot hight;
Who wont to weed the court of Gosford knight;
While each with stubbed knife removed the roots,
That raised between the stones their daily shoots;
As at their work they sate in counterview,
With mutual beauty smit, their passion grew.
Sing, heavenly Muse, in sweetly flowing strain,
The soft endearments of the nymph and swain.


DERMOT


My love to Sheelah is more firmly fixt,
Than strongest weeds that grow those stones betwixt;
My spud these nettles from the stones can part;
No knife so keen to weed thee from my heart.


SHEELAH


My love for gentle Dermot faster grows,
Than yon tall dock that rises to thy nose.
Cut down the dock, 'twill sprout again; but, O!
Love rooted out, again will never grow.


DERMOT


No more that brier thy tender leg shall rake:
(I spare the thistles for Sir Arthur's sake)
Sharp are the stones; take thou this rushy mat;
The hardest bum will bruise with sitting squat.


SHEELAH


Thy breeches, torn behind, stand gaping wide;
This petticoat shall save thy dear backside;
Nor need I blush; although you feel it wet,
Dermot, I vow, 'tis nothing else but sweat.


DERMOT

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Passion Plot - Arthur Abacus' Affiancing

Passion Plot - Arthur Abacus' Affiancing Application Against Ann's Approval

Passion Plot

Aspiring author aims at gold award
accordingly advancing work of art
always rhyming, rhythmic, in accord,
A I O U and Y are drawn apart
from that which follows D, and from the start
inscription shows how mighty is nib's sword.

This way of writing is simplistic - word
word follows automatically drawn,
idyllic musing is it or absurd?
no hours are lost, all printing rags untorn,
prompt spurring, on hot air as tiny bird,
this work so artificial's promptly born.

It could draw out two thousand stanzas or
twenty million with diversity,
standards upholding day and night to pour
amusing thoughts of country, town, city,
crisply painting many a mount, rill, tor,
adroit aphorisms with alacrity.

Alas what worth would such quack actions show
apart from quickly boring, much kowtow,
if constant word-play adding to quick flow
no wisdom, no profundity knows now -
graffiti stylistic in sporadic glow
through basic instincts' which skill disavow.

Instincts, advancing rapid thought,
aim at showing how facility
uniting consonants is swifly caught
up in a fountain where ability
canvas fills approaching imprint sought,
avoiding mundanity, banality.

Multi-modal intuitions work
harmoniously to form additional scan,
nothing making this bright insight shirk
task as luminous sparkling mensans can
simply scrawl ad infinitum, hardly irk
Wrinkling Mind who fair Bloom fain would span
twilight draping passion in joy's van.

Alas, as passion is not always found

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Rudyard Kipling

The Song at Cock-Crow

1918 -- Ille autem iterum negavit.


The first time that Peter denied his Lord
He shrank from the cudgel, the scourge and the cord,
But followed far off to see what they would do,
Till the cock crew--till the cock crew--
After Gethsemane, till the cock crew!

The first time that Peter denied his Lord
'Twas only a maid in the palace who heard,
As he sat by the fire and warmed himself through.
Then the cock crew! Then the cock crew!
("Though also art one of them.") Then the cock crew!

The first time that Peter denied his Lord
He had neither the Throne, nor the Keys nor the Sword--
A poor silly fisherman, what could he do,
When the cock crew--when the cock crew--
But weep for his wickedness when the cock crew?
. . . . . .

The next time that Peter denied his Lord
He was Fisher of Men, as foretold by the Word,
With the Crown on his brow and the Cross on his shoe,
When the cock crew--when the cock crew--
In Flanders and Picardy when the cock crew!

The next time that Peter denied his Lord
'Twas Mary the Mother in Heaven Who heard,
She grieved for the maidens and wives that they slew
When the cock crew--when the cock crew--
At Tirmonde and Aerschott when the cock crew!

The next time that Peter denied his Lord
The Babe in the Manger awakened and stirred,
And He stretched out His arms for the playmates
He knew--
When the cock crew--when the cock crew--
But the waters had covered them when the cock crew!

The next time that Peter denied his Lord
'Twas Earth in her agony waited his word,
But he sat by the fire and naught would he do,
Though the cock crew--though the cock crew--
Over all Christendom, though the cock crew!

The last time that Peter denied his Lord,
The Father took from him the Keys and the Sword,
And the Mother and Babe brake his Kingdom in two,

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Barbara Ann

Ba ba ba, ba barbara ann,
Ba ba ba, ba barbara ann,
Barbara ann, take my hand, barbara ann
Youve got me rockin and arollin
Rockin and areelin barbara ann
I went to a dance
Looking for romance
Saw barbara ann so I thought Id take a chance
With barbara ann, barbara ann
Youve got me rockin and arollin
Rockin and areelin barbara ann
Tried mary lou,
Tried peggy sue,
Tried freddie too
But I knew she wouldnt do
Like barbara ann, barbara ann
Youve got me rockin and arollin
Rockin and areelin barbara ann
Barbara ann, barbara ann...

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Edmund Spenser

Epithalamion

YE learned sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyed in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh lusty-hed,
Go to the bowre of my beloved love,
My truest turtle dove;
Bid her awake; for Hymen is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wished day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,

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Smokin Me Out

Ron isley-
If you wanna be with me, yeah, let me hear you say warren g, warren g
If you wanna be with me, well well well, let me hear you say warren g,
Warren g
Warren g-
Smokin me out to the finish, I thought you knew,
I thought they knew, who was up in this,
Ron isley, is be warren g,
Baby said would ya please come roll deep,
Chocolate thai, I said i,
Got the hennessey chaser, skirt you look fly
Peepin them lips, hittin two finger sips,
On the 710 freeway, I straight dips
Wit a fat one rolled up to puff
Im ready to hit it and I wont quit it until I get enough
Tokin nothing but the bomb thats without no doubt,
As she twist up another split shes straight smokin me out
(chorus) ron isley-
Shes smokin me out, smokin me out
Smokin me out, smokin me out,
Oh shes smokin me out with the homeys love
Warren g-
I slinkin while Im thinkin just how good it is,
To do it how we do it in the hood I live,
Passin homies on the block, gettin major respect,
And by then yall the hen dog is taken effect,
Never panic hit atlantic then I banked to right
Pulled straight nellin bs order steak and rice,
With the gravy, baby gets the shrimps and fries,
Im diggin on her figure as I glimpse her thighs,
Shes satisfied, I left the tip and dipped to get back
To twist another zag and to grab a six pack,
She went back, so we proceed to parlay,
Everything is lovely and we doin it always
(chorus) x2
This aint no love ballad,
But see baby I gots to have it,
When I see that bomb I grab it, cuz its a habit,
So dont come with that toe down stretch,
I aint stressin, long beach baby keep smokin me out, she learned a lesson,
Floatin high as a kite as I chill and lay low,
Bumpin time is collected, sunday nights on the radio
Oh, I forgot, how lit I was, crazy glued to the seat
Dog said she need,
So conversation aint needed,
When she know that Im weeded,
Headin to the hotel to regulate it and beat it
I exhaled, I seen a cloud of smoke,
I banged it to the boogie by my head and got locced
(chorus) x6

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Disobedience

James James
Morrison Morrison
Weatherby George Dupree
Took great
Care of his Mother,
Though he was only three.
James James Said to his Mother,
"Mother," he said, said he;
"You must never go down
to the end of the town,
if you don't go down with me."

James James
Morrison's Mother
Put on a golden gown.
James James Morrison's Mother
Drove to the end of the town.
James James Morrison's Mother
Said to herself, said she:
"I can get right down
to the end of the town
and be back in time for tea."

King John
Put up a notice,
"LOST or STOLEN or STRAYED!
JAMES JAMES MORRISON'S MOTHER
SEEMS TO HAVE BEEN MISLAID.
LAST SEEN
WANDERING VAGUELY:
QUITE OF HER OWN ACCORD,
SHE TRIED TO GET DOWN
TO THE END OF THE TOWN -
FORTY SHILLINGS REWARD!"

James James
Morrison Morrison
(Commonly known as Jim)
Told his
Other relations
Not to go blaming him.
James James
Said to his Mother,
"Mother," he said, said he:
"You must never go down to the end of the town
without consulting me."

James James
Morrison's mother
Hasn't been heard of since.

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Amanda Jane

Amanda Jane

Just thirteen, with wide bright smile
Across the field, she'd ride a mile.
Encampment there, with tents galore
Too much excitement... she can't ignore.

Then she see's him standing there
Young leath lad, wavy brown hair
A soldier boy who stands so tall
He's answered now, his countries call.

Amanda Jane, Amanda Jane,
A fine young soldier you have seen,
With shoulders wide and eyes gray-blue
Some day He'll ask to marry you.

For nigh four years, men fought and died
Mothers wept and Widows cried
What's left of family, moved up North
These trends of war, no longer worth.

This fine young man of twenty one
No longer carries a soldiers gun,
But now must try to ply his trade
Three years a carpenter, some money made.

Amanda Jane, Amanda Jane,
A fine young soldier you have seen
With shoulders wide and eyes gray-blue
Someday this man will marry you.

Now a young woman of nineteen
Among the young men she would preen
So far He'd travel, for her hand
And to her soldier she'd remand.

Back from Indiana to Kentucky
A blushing bride, She'd feel so lucky,
A home He'd built there just for her
And in his arms, she'd surely purr.

Amanda Jane, Amanda Jane
A fine young soldier you have seen
With shoulders wide and eyes gray-blue
This time He's finally married you.

Three boys, God blessed, this family with
A simple life, they now would live.
Builder of ships, this man became

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Robert Frost

The Death of the Hired Man

Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. "Silas is back."
She pushed him outward with her through the door
And shut it after her. "Be kind," she said.
She took the market things from Warren's arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

"When was I ever anything but kind to him?
But I'll not have the fellow back," he said.
"I told him so last haying, didn't I?
'If he left then,' I said, 'that ended it.'
What good is he? Who else will harbour him
At his age for the little he can do?
What help he is there's no depending on.
Off he goes always when I need him most.
'He thinks he ought to earn a little pay,
Enough at least to buy tobacco with,
So he won't have to beg and be beholden.'
'All right,' I say, 'I can't afford to pay
Any fixed wages, though I wish I could.'
'Someone else can.' 'Then someone else will have to.'
I shouldn't mind his bettering himself
If that was what it was. You can be certain,
When he begins like that, there's someone at him
Trying to coax him off with pocket-money,--
In haying time, when any help is scarce.
In winter he comes back to us. I'm done."

"Sh! not so loud: he'll hear you," Mary said.

"I want him to: he'll have to soon or late."

"He's worn out. He's asleep beside the stove.
When I came up from Rowe's I found him here,
Huddled against the barn-door fast asleep,
A miserable sight, and frightening, too--
You needn't smile--I didn't recognise him--
I wasn't looking for him--and he's changed.
Wait till you see."

"Where did you say he'd been?"

"He didn't say. I dragged him to the house,
And gave him tea and tried to make him smoke.
I tried to make him talk about his travels.
Nothing would do: he just kept nodding off."

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The Tearful Tale Of Captain Dan

A sinner was old Captain Dan;
His wives guv him no rest:
He had one wife to East Skiddaw
And one to Skiddaw West.

Now Ann Eliza was the name
Of her at East Skiddaw;
She was the most cantankerous
Female you ever saw.

I don’t know but one crosser-grained,
And of this Captain Dan
She was the wife at Skiddaw West—
She was Eliza Ann.

Well, this old skeesicks, Captain Dan,
He owned a ferryboat;
From East Skiddaw to Skiddaw West
That vessel used to float.

She was as trim a ferry-craft
As ever I did see,
And on each end a p’inted bow
And pilothouse had she.

She had two bows that way, so when
She went acrost the sound
She could, to oncet, run back ag’in
Without a-turnin’ round.

Now Captain Dan he sailed that boat
For nigh on twenty year
Acrost that sound and back ag’in,
Like I have stated here.

And never oncet in all them years
Had Ann Eliza guessed
That Dan he had another wife
So nigh as Skiddaw West.

Likewise, Eliza Ann was blind,
Howas she never saw
As Dan he had another wife
Acrost to East Skiddaw.

The way he fooled them female wives
Was by a simple plan
That come into the artful brain
Of that there Captain Dan.

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My Fault

the tears run down my face
for yet again they disprove of him
when will they like him cause
I will never date anyone else but him
so I’ll just have to put up with this
shit for two more years
I’m sure if we can make it through that
we can make it through anything

some times I wish for another
but I know I couldn’t be able to brake his heart
for his pain would be so great
that it might kill the both of us
for his pain becomes mine
and mine becomes his
because of the bond of life
has always been there under our noses
we were just to blind to notice
once we did notice we feel hard and fast.
the faster we fell
the harder it was to break us apart
right now I feel as if our bond and our lives
are consumed by our love
neither one of us could live with out the other in our lives
for we feed off of each other
I cant stand being away from him

but yet there is anther that they will approve of.
the other guy(josh) is tearing my heart into two pieces
and my beautiful relationship with my boyfriend
I really don’t want that to happen
so every day I tell my self
I don’t like josh a million times
but once I see him he takes my breath away
he makes me almost faint and as he comes closer to hug me
my knees become week and
I want to given to the little devil on my shoulder that’s saying
look at josh he is gorgeous go with josh
take him into your world and show him a good time
but the angle says no
you love mason take mason into your world and mason is hot
take mason into your world
not josh... no josh..... stay away from him he’s trouble

yes josh is gorgeous but I love mason
and I always will love mason
no matter what happens
not even a huge crush such as josh
cause I’ am mason’s soul mate and he is mine
we belong together and not apart for we are in love

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Said Sadly

James iha: you should know that I love you
And I cant help but fall for you
Oh honey Im just a fool
Now you know
Nina gordon: darling, Ill never be true
You see, for so long I was blue
James iha: Im not the lonely one
Nina gordon: and if I hurt, then you will, too
Oh honey I always lose
Now you know
James iha & nina gordon: lover, when will you?
James iha: Im so afraid that noone cares
James iha & nina gordon: lover, cant find you
James iha: I swear to God dont leave me here
James iha & nina gordon: now you know
James iha & nina gordon: only you know that it cant be
When noone else here really means
James iha: anything to me
James iha & nina gordon: if you hurt inside
If you confide in me again
Nina gordon: since you ran away
James iha: hold me now, tell me how
Nothings lost
James iha & nina gordon: lover, when will you?
Im so afraid that noone cares
Lover, cant find you
And noone knows what brings us here
Lover
James iha: hold me now
Nina gordon: hold me now
James iha: tell me how
James iha & nina gordon: nothings lost

song performed by Veruca SaltReport problemRelated quotes
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Love Tangle

(ronnie scott/steve wolfe)
Producers for bonnie: david mackay, ronnie scott, steve wolfe
Its a love tangle
Something we dont understand
More than a triangle
Billy, me, bobby and ann
We dont understand
Billy he loves me
But, I just dont love him
Cause I only love bobby
But bobby loves ann
Ann she loves billy
But his eyes are on me
But I only see bobby
But bobby loves ann
Weve got ourselves a love tangle
Something we dont understand
More than a triangle
Billy, me, bobby and ann
Looks like a love tangle
Something we dont understand
More than a triangle
Billy, me, bobby and ann
We dont understand
Like a love story
With the final page missing
Its a four-way heartbreaker
Cause bobby loves ann
Weve got ourselves a love tangle
Something we dont understand
More than a triangle
Billy, me, bobby and ann
Looks like a love tangle
Something we dont understand
More than a triangle
Billy, me, bobby and ann
We dont understand

song performed by Bonnie TylerReport problemRelated quotes
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The Lady of the Lake: Canto IV. - The Prophecy

I.
The rose is fairest when 't is budding new,
And hope is brightest when it dawns from fears;
The rose is sweetest washed with morning dew
And love is loveliest when embalmed in tears.
O wilding rose, whom fancy thus endears,
I bid your blossoms in my bonnet wave,
Emblem of hope and love through future years!'
Thus spoke young Norman, heir of Armandave,
What time the sun arose on Vennachar's broad wave.

II.
Such fond conceit, half said, half sung,
Love prompted to the bridegroom's tongue.
All while he stripped the wild-rose spray,
His axe and bow beside him lay,
For on a pass 'twixt lake and wood
A wakeful sentinel he stood.
Hark!-on the rock a footstep rung,
And instant to his arms he sprung.
'Stand, or thou diest!-What, Malise?-soon
Art thou returned from Braes of Doune.
By thy keen step and glance I know,
Thou bring'st us tidings of the foe.'-
For while the Fiery Cross tried on,
On distant scout had Malise gone.-
'Where sleeps the Chief?' the henchman said.
'Apart, in yonder misty glade;
To his lone couch I'll be your guide.'-
Then called a slumberer by his side,
And stirred him with his slackened bow,-
'Up, up, Glentarkin! rouse thee, ho!
We seek the Chieftain; on the track
Keep eagle watch till I come back.'

III.
Together up the pass they sped:
'What of the foeman?' Norman said.-
'Varying reports from near and far;
This certain,-that a band of war
Has for two days been ready boune,
At prompt command to march from Doune;
King James the while, with princely powers,
Holds revelry in Stirling towers.
Soon will this dark and gathering cloud
Speak on our glens in thunder loud.
Inured to bide such bitter bout,
The warrior's plaid may bear it out;
But, Norman, how wilt thou provide
A shelter for thy bonny bride?''-

[...] Read more

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We Want Yo Hands Up

(feat. Mr. Malik)
Your musical evolution has ended. We control the sound.
Its time we all got down. We bring you electrofonic funk funk funk funk.
[Chorus]
We want yo hands in the air with yo mouth shut
with Hershey Locc on the mic and Warren G is on the cut
we make your heart beat, with Hershey Locc and Warren G
[Mr. Malik]
We make yo heart beat like the beat of a heart
with these rhymes I release busta B plays his part
get it start, get it set, I bet we goin
G Funk plus timer the energize bunny still goin
ain't you knowin, I'm so seasick and tired of these niggaz
tryin to get us all start up, cuz they got caught up by trickaz now
lock down to all blood clots, Malik and Warren G and we shakin up
spots
[Warren G]
plots, when we got work to do
from Atlanta GA to the beach with the Long Beach Crew
ooh, what would you do what we do, what we do when we comin after
you
[Mr. Malik]
They say that drama for they Mama, no we can't talk like Tevyn
wonder why they families cried and died before 97
them and they sins burn to heavy make it all the way to heaven
and we keep bellin, yo G Z it ain't easy tell em
[Warren G]
its the second time arizzound
you know we gotta clizzown
Young GFC and Hershey Locc from the pizzound
from OG to BG, from BG to OG
my sounds thump pump pump and you know me
[Chorus x2]
We want yo hands in the air with yo mouth shut
with Hershey Locc on the mic and Warren G in the cut
we make your heart beat, with Hershey Locc and Warren G
[Mr Malik]
Now he's solo while we roll up on yo block like the kesops
makin everybody drop stop and stand it

song performed by Warren GReport problemRelated quotes
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