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The Croods

Cast: Nicolas Cage, Ryan Reynolds, Emma Stone, Catherine Keener, Clark Duke, Cloris Leachman

trailer for The Croods (2013)
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Duke Of Earl

Duke, duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke of earl
As I walk through this world
Nothing can stop the duke of earl
And you, you are my girl
No one can hurt you, oh, no
Yes, i, oh, im gonna love you, oh, oh
Come on let me hold you, darlin
cause im the duke of earl
So yeah, yeah, yeah, yeah
And when I hold you
Youll be my duchess, duchess of earl
Well walk through my dukedom
And a paradise we will share
Yes, i, oh, im gonna love you, oh, oh
Nothing can stop me now
cause im the duke of earl
So yeah, yeah, yeah, yeah
Duke, duke of earl
Duke, duke of earl
Duke, duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke of earl
Yes, i, oh, im gonna love you, oh, oh
Come on let me hold you, darlin
cause im the duke of earl
So yeah, yeah, yeah, yeah
Duke (nothing can stop me now), duke of earl
Duke, duke of earl
Duke, duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke of earl
Duke, duke, duke of earl

song performed by New Edition
Added by Lucian Velea
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Henry And Emma. A Poem.

Upon the Model of The Nut-Brown Maid. To Cloe.

Thou, to whose eyes I bend, at whose command
(Though low my voice, though artless be my hand.
I take the sprightly reed, and sing and play,
Careless of what the censuring world may say;
Bright Cloe! object of my constant vow,
Wilt thou a while unbend thy serious brow?
Wilt thou with pleasure hear thy lover's strains,
And with one heavenly smile o'erpay his pains?
No longer shall the Nut-brown Maid be old,
Though since her youth three hundred years have roll'd:
At thy desire she shall again be raised,
And her reviving charms in lasting verse be praised.

No longer man of woman shall complain,
That he may love and not be loved again;
That we in vain the fickle sex pursue,
Who change the constant lover for the new.
Whatever has been writ, whatever said
Henceforth shall in my verse refuted stand,
Be said to winds, or writ upon the sand:
And while my notes to future times proclaim
Unconquer'd love and ever-during flame,
O, fairest of the sex, be thou my muse;
Deign on my work thy influence to diffuse:
Let me partake the blessings I rehearse,
And grant me love, the just reward of verse.

As beauty's potent queen with every grace
That once was Emma's has adorn'd thy face,
And as her son has to my bosom dealt
That constant flame which faithful Henry felt,
O let the story with thy life agree,
Let men once more the bright example see;
What Emma was to him be thou to me:
Nor send me by thy frown from her I love,
Distant and sad, a banish'd man to rove:
But, oh! with pity long entreated crown
My pains and hopes: and when thou say'st that one
Of all mankind thou lovest, oh! think on me alone.

Where beauteous Isis and her husband Thame
With mingled waves for ever flow the same,
In times of yore an ancient baron lived,
Great gifts bestowed, and great respect received.

When dreadful Edward, with successful care
Led his free Britons to the Gallic war,

[...] Read more

poem by Matthew Prior
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The Flight of the Duchess

I

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before—
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea shore
—And the whole is our Duke's country.

III

I was born the day this present Duke was—
(And O, says the song, ere I was old!)
In the castle where the other Duke was—
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,

[...] Read more

poem by Robert Browning from Dramatic Romances and Lyrics (1845)
Added by Veronica Serbanoiu
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Flight Of The Duchess, The

I.

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II.

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before,---
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea-shore,
---And the whole is our Duke's country.

III.

I was born the day this present Duke was---
(And O, says the song, ere I was old!)
In the castle where the other Duke was---
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
Three times, four times out of five,
With his huntspear he'd contrive

[...] Read more

poem by Robert Browning
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Orlando Furioso Canto 15

ARGUMENT
Round about Paris every where are spread
The assailing hosts of Africa and Spain.
Astolpho home by Logistilla sped,
Binds first Caligorantes with his chain;
Next from Orrilo's trunk divides the head;
With whom Sir Aquilant had warred in vain,
And Gryphon bold: next Sansonet discerns,
Ill tidings of his lady Gryphon learns.

I
Though Conquest fruit of skill or fortune be,
To conquer always is a glorious thing.
'Tis true, indeed, a bloody victory
Is to a chief less honour wont to bring;
And that fair field is famed eternally,
And he who wins it merits worshipping,
Who, saving from all harm his own, without
Loss to his followers, puts the foe to rout.

II
You, sir, earned worthy praise, when you o'erbore
The lion of such might by sea, and so
Did by him, where he guarded either shore
From Francolino to the mouth of Po,
That I, though yet again I heard him roar,
If you were present, should my fear forego.
How fields are fitly won was then made plain;
For we were rescued, and your foemen slain.

III
This was the Paynim little skilled to do,
Who was but daring to his proper loss;
And to the moat impelled his meiny, who
One and all perished in the burning fosse.
The mighty gulf had not contained the crew,
But that, devouring those who sought to cross,
Them into dust the flame reduced, that room
Might be for all within the crowded tomb.

IV
Of twenty thousand warriors thither sent,
Died nineteen thousand in the fiery pit;
Who to the fosse descended, ill content;
But so their leader willed, of little wit:
Extinguished amid such a blaze, and spent
By the devouring flame the Christians lit.
And Rodomont, occasion of their woes,
Exempted from the mighty mischief goes:

[...] Read more

poem by Ludovico Ariosto
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Orlando Furioso Canto 10

ARGUMENT
Another love assails Bireno's breast,
Who leaves one night Olympia on the shore.
To Logistilla's holy realm addressed,
Rogero goes, nor heeds Alcina more:
Him, of that flying courser repossest,
The hippogryph on airy voyage bore:
Whence he the good Rinaldo's levy sees,
And next Angelica beholds and frees.

I
Of all the loves, of all fidelity
Yet proved, of all the constant hearts and true,
Of all the lovers, in felicity
Or sorrow faithful found, a famous crew,
To Olympia I would give the first degree
Rather than second: if this be not due,
I well may say that hers no tale is told
Of truer love, in present times or old.

II
And this she by so many proofs and clear,
Had made apparent to the Zealand lord,
No woman's faith more certain could appear
To man, though he her open heart explored:
And if fair truth such spirits should endear,
And they in mutual love deserve reward,
Bireno as himself, nay, he above
Himself, I say, should kind Olympia love.

III
Not only should he nevermore deceive
Her for another, were that woman she
Who so made Europe and wide Asia grieve,
Or fairer yet, if one more fair there be;
But rather that quit her the light should leave,
And what is sweet to taste, touch, hear, and see,
And life and fame, and all beside; if aught
More precious can in truth be styled, or thought.

IV
If her Bireno loved, as she had loved
Bireno, if her love he did repay
With faith like hers, and still with truth unmoved,
Veered not his shifting sail another way;
Or ingrate for such service - cruel proved
For such fair love and faith, I now will say;
And you with lips comprest and eye-brows bent,
Shall listen to the tale for wonderment;

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poem by Ludovico Ariosto
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Orlando Furioso Canto 10

ARGUMENT
Another love assails Bireno's breast,
Who leaves one night Olympia on the shore.
To Logistilla's holy realm addressed,
Rogero goes, nor heeds Alcina more:
Him, of that flying courser repossest,
The hippogryph on airy voyage bore:
Whence he the good Rinaldo's levy sees,
And next Angelica beholds and frees.

I
Of all the loves, of all fidelity
Yet proved, of all the constant hearts and true,
Of all the lovers, in felicity
Or sorrow faithful found, a famous crew,
To Olympia I would give the first degree
Rather than second: if this be not due,
I well may say that hers no tale is told
Of truer love, in present times or old.

II
And this she by so many proofs and clear,
Had made apparent to the Zealand lord,
No woman's faith more certain could appear
To man, though he her open heart explored:
And if fair truth such spirits should endear,
And they in mutual love deserve reward,
Bireno as himself, nay, he above
Himself, I say, should kind Olympia love.

III
Not only should he nevermore deceive
Her for another, were that woman she
Who so made Europe and wide Asia grieve,
Or fairer yet, if one more fair there be;
But rather that quit her the light should leave,
And what is sweet to taste, touch, hear, and see,
And life and fame, and all beside; if aught
More precious can in truth be styled, or thought.

IV
If her Bireno loved, as she had loved
Bireno, if her love he did repay
With faith like hers, and still with truth unmoved,
Veered not his shifting sail another way;
Or ingrate for such service - cruel proved
For such fair love and faith, I now will say;
And you with lips comprest and eye-brows bent,
Shall listen to the tale for wonderment;

[...] Read more

poem by Ludovico Ariosto
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In Pursuit of the Poetic Soul of Ryan Adams

In Pursuit of the Poetic Soul of Ryan Adams

By Uriah Lee Hamilton

Last day of summer, football Saturday afternoon. A Warm breeze was pushing me toward Ann Arbor like a happy autumn leaf in pursuit of the beautiful poetic soul of Ryan Adams. Lovely charming mood all the way playing Easy Tiger and Demolition and feeling like the universe was kind and smiling.
Exit off 94 West onto State Street and all excited to make my way to Liberty Street and the heart of the College town I love. Kids were milling around everywhere in their gold and blue, gleeful and happy that Michigan is now playing 500 football after a discouraging start. Parking spaces across the street from Michigan Theater in the parking structure are all taken, I have to drive to the roof and still wait for a football fan to leave.
Me and my friend Cassandra start walking around and dig everything and everyone we see. Ann Arbor brings out your gentle Jack Kerouac nature, the part of you that wants to praise everything for it’s sad but beautiful, integral purpose to this existence.
We enter an Eastern clothing and folk art store that is positively charming and enlightening. I can’t remember the name of the store. Perhaps, it is called the Enchanted Sarong. It almost felt like George Harrison was there with us, beautiful carved statues of Buddha and Krishna and Ganesha were everywhere. The sales lady was friendly and helpful and said sweetly, “we’re Om friendly” as we asked about carved symbols for the breath-word Om. The serene incense Nag Champa drifted through the room but it was now time to leave and make our way to the Ryan Adams concert at Michigan Theater.
I purchased my tickets the very minute they went on sale and prayed I had front row despite my tickets saying double A. No Such luck, but I was still happy to be in row 27. As I was waiting for the show to begin, I saw my concert friend Jeremy and got his attention. He looked as happy and as excited as myself and said he had spent a fortune at some cool record store. Jeremy then handed me a beautiful soundboard copy of Ryan Adams at the Gem Theater in downtown Detroit June 20th 2007. Man, how I’ve been longing for that show! I then gave Jeremy a copy of Ryan’s punk rock band the Finger.
Now the lights go out and the music begins. Ryan Opens with Goodnight Rose and closes with Goodnight Hollywood Boulevard. Everything in-between is just magical. The first auspicious sign was that Ryan came out playing guitar! ! In June, he only sang, he didn’t play any instruments, some injury sidelined him. The June Show as a result was more subtle, almost like MTV Unplugged. Subtle but amazing. Last night was more rocking and adventurous with reworked extended arrangements, ala the Grateful Dead. In particular was a long and lovely version of Off Broadway from Easy Tiger. At the completion of Off Broadway, I shouted, “That was gorgeous! ” Of course, I may have added an expletive, all in the interest of ecstatic joy for music.
Ryan told a story during the show about running into a girl on her way to the concert that didn’t recognize him because he dresses like a plumber. My friend after the show said she thought she saw Ryan Adams on the street near the theater. I asked, “Really? ” She said, “I saw someone that looked like a plumber.” I can say, I didn’t see Ryan on the streets anywhere in Ann Arbor yesterday, but I have been known to miss a plumber or two in my day.
The first two songs in the encore made the whole show for me. Ryan came out by himself with an acoustic guitar and sang Call Me On Your Way Back Home. Toward the end of the song, Ryan played harmonica and I screamed like a schoolgirl, pretty much the way I do whenever Bobby Dylan plays harmonica! And if that wasn’t enough to make the end of summer completely magical, Ryan then sat down at the piano and sang Sylvia Plath: Oh my God, the point of tears! I’ve waited six years to hear him sing that song live from the Album Gold. As I told my friend, that was the song that sealed the deal making Ryan Adams my modern hero! If you want to get my attention and loyalty, sing about one of the tragic poets I love.

poem by Uriah Hamilton
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The Croods [trailer 2]

Cast: Nicolas Cage (voice), Ryan Reynolds (voice), Emma Stone (voice), Catherine Keener (voice), Clark Duke (voice), Cloris Leachman (voice)

trailer for The Croods (2013)
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The Croods [trailer 3]

Cast: Nicolas Cage, Ryan Reynolds, Emma Stone, Catherine Keener, Cloris Leachman, Clark Duke, Chris Sanders, Randy Thom

trailer for The Croods (2013)
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Conroy's Gap

This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range
The roughest crowd that ever drew breath --
Thieves and rowdies, uncouth and strange,
Were mustered round at the "Shadow of Death".

The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
to him that did not matter a rap --
Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.

"I want you, Ryan," the trooper said,
"And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!"
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.

There was a girl in that shanty bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
"The Swagman's round in the stable, Jim."

Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near --
And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west;

[...] Read more

poem by Andrew Barton Paterson
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Canto the Ninth

I
Oh, Wellington! (or "Villainton" -- for Fame
Sounds the heroic syllables both ways;
France could not even conquer your great name,
But punn'd it down to this facetious phrase --
Beating or beaten she will laugh the same),
You have obtain'd great pensions and much praise:
Glory like yours should any dare gainsay,
Humanity would rise, and thunder "Nay!"

II
I don't think that you used Kinnaird quite well
In Marinet's affair -- in fact, 't was shabby,
And like some other things won't do to tell
Upon your tomb in Westminster's old abbey.
Upon the rest 't is not worth while to dwell,
Such tales being for the tea-hours of some tabby;
But though your years as man tend fast to zero,
In fact your grace is still but a young hero.

III
Though Britain owes (and pays you too) so much,
Yet Europe doubtless owes you greatly more:
You have repair'd Legitimacy's crutch,
A prop not quite so certain as before:
The Spanish, and the French, as well as Dutch,
Have seen, and felt, how strongly you restore;
And Waterloo has made the world your debtor
(I wish your bards would sing it rather better).

IV
You are "the best of cut-throats:" -- do not start;
The phrase is Shakspeare's, and not misapplied:
War's a brain-spattering, windpipe-slitting art,
Unless her cause by right be sanctified.
If you have acted once a generous part,
The world, not the world's masters, will decide,
And I shall be delighted to learn who,
Save you and yours, have gain'd by Waterloo?

V
I am no flatterer -- you've supp'd full of flattery:
They say you like it too -- 't is no great wonder.
He whose whole life has been assault and battery,
At last may get a little tired of thunder;
And swallowing eulogy much more than satire, he
May like being praised for every lucky blunder,
Call'd "Saviour of the Nations" -- not yet saved,
And "Europe's Liberator" -- still enslaved.

[...] Read more

poem by Byron from Don Juan (1824)
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Don Juan: Canto The Ninth

Oh, Wellington! (or 'Villainton'--for Fame
Sounds the heroic syllables both ways;
France could not even conquer your great name,
But punn'd it down to this facetious phrase-
Beating or beaten she will laugh the same),
You have obtain'd great pensions and much praise:
Glory like yours should any dare gainsay,
Humanity would rise, and thunder 'Nay!'

I don't think that you used Kinnaird quite well
In Marinet's affair--in fact, 'twas shabby,
And like some other things won't do to tell
Upon your tomb in Westminster's old abbey.
Upon the rest 'tis not worth while to dwell,
Such tales being for the tea-hours of some tabby;
But though your years as man tend fast to zero,
In fact your grace is still but a young hero.

Though Britain owes (and pays you too) so much,
Yet Europe doubtless owes you greatly more:
You have repair'd Legitimacy's crutch,
A prop not quite so certain as before:
The Spanish, and the French, as well as Dutch,
Have seen, and felt, how strongly you restore;
And Waterloo has made the world your debtor
(I wish your bards would sing it rather better).

You are 'the best of cut-throats:'--do not start;
The phrase is Shakspeare's, and not misapplied:
War's a brain-spattering, windpipe-slitting art,
Unless her cause by right be sanctified.
If you have acted once a generous part,
The world, not the world's masters, will decide,
And I shall be delighted to learn who,
Save you and yours, have gain'd by Waterloo?

I am no flatterer- you 've supp'd full of flattery:
They say you like it too- 't is no great wonder.
He whose whole life has been assault and battery,
At last may get a little tired of thunder;
And swallowing eulogy much more than satire, he
May like being praised for every lucky blunder,
Call'd 'Saviour of the Nations'--not yet saved,
And 'Europe's Liberator'--still enslaved.

I've done. Now go and dine from off the plate
Presented by the Prince of the Brazils,
And send the sentinel before your gate
A slice or two from your luxurious meals:
He fought, but has not fed so well of late.

[...] Read more

poem by Byron
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Orlando Furioso Canto 5

ARGUMENT
Lurcanio, by a false report abused,
Deemed by Geneura's fault his brother dead,
Weening the faithless duke, whom she refused,
Was taken by the damsel to her bed;
And her before the king and peers accused:
But to the session Ariodantes led,
Strives with his brother in disguise. In season
Rinaldo comes to venge the secret treason.

I
Among all other animals who prey
On earth, or who unite in friendly wise,
Whether they mix in peace or moody fray,
No male offends his mate. In safety hies
The she bear, matched with hers, through forest gray:
The lioness beside the lion lies:
Wolves, male and female, live in loving cheer;
Nor gentle heifer dreads the wilful steer.

II
What Fury, what abominable Pest
Such poison in the human heart has shed,
That still 'twixt man and wife, with rage possessed,
Injurious words and foul reproach are said?
And blows and outrage hase their peace molest,
And bitter tears still wash the genial bed;
Not only watered by the tearful flood,
But often bathed by senseless ire with blood?

III
Not simply a rank sinner, he appears
To outrage nature, and his God to dare,
Who his foul hand against a woman rears,
Or of her head would harm a single hair.
But who what drug the burning entrail sears,
Or who for her would knife or noose prepare,
No man appears to me, though such to sight
He seem, but rather some infernal sprite.

IV
Such, and no other were those ruffians two,
Whom good Rinaldo from the damsel scared,
Conducted to these valleys out of view,
That none might wot of her so foully snared.
I ended where the damsel, fair of hue,
To tell the occasion of her scathe prepared,
To the good Paladin, who brought release;
And in conclusion thus my story piece.

[...] Read more

poem by Ludovico Ariosto
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The Statue and the Bust

There's a palace in Florence, the world knows well,
And a statue watches it from the square,
And this story of both do our townsmen tell.

Ages ago, a lady there,
At the farthest window facing the East,
Asked, "Who rides by with the royal air?"

The bridesmaids' prattle around her ceased;
She leaned forth, one on either hand;
They saw how the blush of the bride increased—

They felt by its beats her heart expand—
As one at each ear and both in a breath
Whispered, "The Great-Duke Ferdinand."

That self-same instant, underneath,
The Duke rode past in his idle way,
Empty and fine like a swordless sheath.

Gay he rode, with a friend as gay,
Till he threw his head back—"Who is she?"
—"A bride the Riccardi brings home today."

Hair in heaps lay heavily
Over a pale brow spirit-pure—
Carved like the heart of the coal-black tree,

Crisped like a war-steed's encolure—
And vainly sought to dissemble her eyes
Of the blackest black our eyes endure.

And lo, a blade for a knight's emprise
Filled the fine empty sheath of a man,—
The Duke grew straightway brave and wise.

He looked at her, as a lover can;
She looked at him, as one who awakes:
The past was a sleep, and their life began.

Now, love so ordered for both their sakes,
A feast was held that selfsame night
In the pile which the mighty shadow makes.

(For Via Larga is three-parts light,
But the palace overshadows one,
Because of a crime which may God requite!

To Florence and God the wrong was done,
Through the first republic's murder there

[...] Read more

poem by Robert Browning from Men and Women (1855)
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Battle Of Hastings - II

OH Truth! immortal daughter of the skies,
Too lyttle known to wryters of these daies,
Teach me, fayre Saincte! hy passynge worthe to pryze,
To blame a friend and give a foeman prayse.
The fickle moone, bedeckt wythe sylver rays,
Leadynge a traine of starres of feeble lyghte,
With look adigne the worlde belowe surveies,
The world, that wotted not it coud be nyghte;
Wyth armour dyd, with human gore ydeyd,
The sees Kynge Harolde stande, fayre Englands curse and pryde.
With ale and vernage drunk his souldiers lay;
Here was an hynde, anie an erlie spredde;
Sad keepynge of their leaders natal daie!
This even in drinke, toomorrow with the dead!
Thro' everie troope disorder reer'd her hedde;
Dancynge and heideignes was the onlie theme;
Sad dome was theires, who lefte this easie bedde,
And wak'd in torments from so sweet a dream.
Duke Williams menne, of comeing dethe afraide,
All nyghte to the great Godde for succour askd and praied.
Thus Harolde to his wites that stoode arounde;
Goe, Gyrthe and Eilward, take bills halfe a score,
And search how farre our foeman's campe doth bound;
Yourself have rede; I nede to saie ne more.
My brother best belov'd of anie ore,
My Leofwinus, goe to everich wite,
Tell them to raunge the battel to the grore,
And waiten tyll I sende the hest for fyghte.
He saide; the loieaul broders lefte the place,
Success and cheerfulness depicted on ech face.
Slowelie brave Gyrthe and Eilwarde dyd advaunce,
And markd wyth care the armies dystant syde,
When the dyre clatterynge of the shielde and launce
Made them to be by Hugh Fitzhugh espyd.
He lyfted up his voice, and lowdlie cryd;
Like wolfs in wintere did the Normanne yell
Girthe drew hys swerde, and cutte hys burled hyde;
The proto-slene manne of the fielde he felle;
Out streemd the bloude, and ran in smokynge curles,
Reflected bie the moone seemd rubies mixt wyth pearles.
A troope of Normannes from the mass-songe came,
Rousd from their praiers by the flotting crie;
Thoughe Girthe and Ailwardus perceevd the same,
Not once theie stoode abashd, or thoghte to flie.
He seizd a bill, to conquer or to die;
Fierce as a clevis from a rocke ytorne,
That makes a vallie wheresoe're it lie;
Fierce as a ryver burstynge from the borne;
So fiercelie Gyrthe hitte Fitz du Gore a blowe,
And on the verdaunt playne he layde the champyone lowe.

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poem by Thomas Chatterton
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The Gascon Punished

A GASCON (being heard one day to swear,
That he'd possess'd a certain lovely fair,)
Was played a wily trick, and nicely served;
'Twas clear, from truth he shamefully had swerved:
But those who scandal propagate below,
Are prophets thought, and ev'ry action know;
While good, if spoken, scarcely is believed,
And must be viewed, or not for truth received.

THE dame, indeed, the Gascon only jeered,
And e'er denied herself when he appeared;
But when she met the wight, who sought to shine;
And called her angel, beauteous and divine,
She fled and hastened to a female friend,
Where she could laugh, and at her ease unbend.

NEAR Phillis, (our fair fugitive) there dwelled
One Eurilas, his nearest neighbour held;
His wife was Cloris; 'twas with her our dove
Took shelter from the Gascon's forward love,
Whose name was Dorilas; and Damon young,
(The Gascon's friend) on whom gay Cloris hung.

SWEET Phillis, by her manner, you might see,
From sly amours and dark intrigues was free;
The value to possess her no one knew,
Though all admired the lovely belle at view.
Just twenty years she counted at the time,
And now a widow was, though in her prime,
(Her spouse, an aged dotard, worth a plum:--
Of those whose loss to mourn no tears e'er come.)

OUR seraph fair, such loveliness possessed,
In num'rous ways a Gascon could have blessed;
Above, below, appeared angelic charms;
'Twas Paradise, 'twas Heav'n, within her arms!

THE Gascon was--a Gascon;--would you more?
Who knows a Gascon knows at least a score.
I need not say what solemn vows he made;
Alike with Normans Gascons are portrayed;
Their oaths, indeed, won't pass for Gospel truth;
But we believe that Dorilas (the youth)
Loved Phillis to his soul, our lady fair,
Yet he would fain be thought successful there.

ONE day, said Phillis, with unusual glee,
Pretending with the Gascon to be free:--
A favour do me:--nothing very great;
Assist to dupe one jealous of his mate;

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poem by La Fontaine
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Take Me Home

Theres no place I call height, theres no way in a mean street,
Theres no high, low or medium, theres no little be.
So do your searching, until youre down, then realise, youre on your home ground
(echo off)
Sitting in a white room, dreaming of a life, (emma)
You have got me thinking, what is paradise. (emma)
Should I take an ocean drive, cooling from the sun, (emma)
Silver screen got me thinkin this is how it should be done. (emma)
Take me home, theres no place Id a rather be now, yeah,
Take me home, theres no place Id a rather be now, yeah.
Stand together alone, not knowing who you are, (emma)
Friendly strangely strangely friendly, would you keep me warm? (emma)
Would you keep me warm? you now, you could be your paradise,
Talk and keep me warm (emma), you could have youre own dream life,
Step into your comfort side, comfort side.
Take me home, theres no place Id a rather be now, yeah,
Take me home, theres no place Id a rather be now, yeah.
(echo next 4 lines in background (emma) )
There nobody to take me home, cause Im here, yes where I belong,
Im nearly, cause Im on my way, at my home it will always stay.
There nobody to take me home, cause Im here, yes where I belong,
Im nearly, cause Im on my way, at my home it will always stay.
So all thats free falling falls, hangs, out of time,
Youve got yours, Ive got mine, should all this be so precious?
Maybe I should be a little humble? slate of fear, cause I could stumble.
So do your searching until your down, cause your on home ground.
(echo off)
(continuous echo: take take take take me home, take take take me home..(emma) )
Take me home, theres no place Id a rather be now, yeah
Take me home, theres no place Id a rather be now, yeah
(repeat last 2 lines x3 and fade )

song performed by Geri Halliwell
Added by Lucian Velea
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Battle Of Hastings - I

O CHRYSTE, it is a grief for me to tell;
HOW manie a nobil erle and valrous knyghte
In fyghtynge for Kynge Harrold noblie fell,
Al sleyne in Hastyngs feeld in bloudie fyghte.
O sea! our teeming donore han thy floude,
Han anie fructuous entendement,
Thou wouldst have rose and sank wyth tydes of bloude,
Before Duke Wyllyam's knyghts han hither went;
Whose cowart arrows manie erles sleyne,
And brued the feeld wyth bloude as season rayne.

And of his knyghtes did eke full manie die,
All passyng hie, of mickle myghte echone,
Whose poygnant arrowes, typp'd with destynie,
Caus'd manie wydowes to make myckle mone.
Lordynges, avaunt, that chycken-harted are,
From out of hearynge quicklie now deparle;
Full well I wote, to synge of bloudie warre
Will greeve your tenderlie and mayden harte.
Go, do the weaklie womman inn mann's geare,
And scond your mansion if grymm war come there.

Soone as the erlie maten belle was tolde,
And sonne was come to byd us all good daie,
Bothe armies on the feeld, both brave and bolde,
Prepar'd for fyghte in champyon arraie.
As when two bulles, destynde for Hocktide fyghte,
Are yoked bie the necke within a sparre,
Theie rend the erthe, and travellyrs affryghte,
Lackynge to gage the sportive bloudie warre;
Soe lacked Harroldes menne to come to blowes,
The Normans lacked for to wielde their bowes.

Kynge Harrolde turnynge to hys leegemen spake;
My merrie men, be not caste downe in mynde;
Your onlie lode for aye to mar or make,
Before yon sunne has donde his welke, you'll fynde.
Your lovyng wife, who erst dyd rid the londe
Of Lurdanes, and the treasure that you han,
Wyll falle into the Normanne robber's honde,
Unlesse with honde and harte you plaie the manne.
Cheer up youre hartes, chase sorrowe farre awaie,
Godde and Seyncte Cuthbert be the worde to daie.

And thenne Duke Wyllyam to his knyghtes did saie;
My merrie menne, be bravelie everiche;
Gif I do gayn the honore of the daie,
Ech one of you I will make myckle riche.
Beer you in mynde, we for a kyngdomm fyghte;
Lordshippes and honores echone shall possesse;

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poem by Thomas Chatterton
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To My Old Friend, William Leachman

Fer forty year and better you have been a friend to me,
Through days of sore afflictions and dire adversity,
You allus had a kind word of counsul to impart,
Which was like a healin' 'intment to the sorrow of my hart.

When I burried my first womern, William Leachman, it was you
Had the only consolation that I could listen to--
Fer I knowed you had gone through it and had rallied from the blow,
And when you said I'd do the same, I knowed you'd ort to know.

But that time I'll long remember; how I wundered here and thare--
Through the settin'-room and kitchen, and out in the open air--
And the snowflakes whirlin', whirlin', and the fields a frozen glare,
And the neghbors' sleds and wagons congergatin' ev'rywhare.

I turned my eyes to'rds heaven, but the sun was hid away;
I turned my eyes to'rds earth again, but all was cold and gray;
And the clock, like ice a-crackin', clickt the icy hours in two--
And my eyes'd never thawed out ef it hadn't been fer you!

We set thare by the smoke-house--me and you out thare alone--
Me a-thinkin'--you a-talkin' in a soothin' undertone--
You a-talkin'--me a-thinkin' of the summers long ago,
And a-writin' 'Marthy--Marthy' with my finger in the snow!

William Leachman, I can see you jest as plane as I could then;
And your hand is on my shoulder, and you rouse me up again,
And I see the tears a-drippin' from your own eyes, as you say:
'Be rickonciled and bear it--we but linger fer a day!'

At the last Old Settlers' Meetin' we went j'intly, you and me--
Your hosses and my wagon, as you wanted it to be;
And sence I can remember, from the time we've neghbored here,
In all sich friendly actions you have double-done your sheer.

It was better than the meetin', too, that nine-mile talk we had
Of the times when we first settled here and travel was so bad;
When we had to go on hoss-back, and sometimes on 'Shanks's mare,'
And 'blaze' a road fer them behind that had to travel thare.

And now we was a-trottin' 'long a level gravel pike,
In a big two-hoss road-wagon, jest as easy as you like--
Two of us on the front seat, and our wimmern-folks behind,
A-settin' in theyr Winsor-cheers in perfect peace of mind!

And we pinted out old landmarks, nearly faded out of sight:--
Thare they ust to rob the stage-coach; thare Gash Morgan had the fight
With the old stag-deer that pronged him--how he battled fer his life,
And lived to prove the story by the handle of his knife.

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poem by James Whitcomb Riley
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