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The Hobbit: An Unexpected Journey [trailer 2]

Cast: Martin Freeman, Ian McKellen, Richard Armitage, Benedict Cumberbatch, Elijah Wood, Hugo Weaving, Cate Blanchett, Evangeline Lilly, Luke Evans, Orlando Bloom, Ian Holm, Christopher Lee, Andy Serkis, Lee Pace, Billy Connolly

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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Orlando Furioso Canto 12

ARGUMENT
Orlando, full of rage, pursues a knight
Who bears by force his lady-love away,
And comes where old Atlantes, by his sleight
Had raised a dome, Rogero there to stay.
Here too Rogero comes; where getting sight
Of his lost love, the County strives in fray
With fierce Ferrau, and, after slaughter fell
Amid the paynim host, finds Isabel.

I
Ceres, when from the Idaean dame in haste
Returning to the lonely valley, where
Enceladus the Aetnaean mountain placed
On his bolt-smitten flanks, is doomed to bear,
Her girl she found not, on that pathless waste,
By her late quitted, having rent her hair,
And marked cheeks, eyes, and breast, with livid signs,
At the end of her lament tore up two pines,

II
And lit at Vulcan's fire the double brand,
And gave them virtue never to be spent;
And, afterwards, with one in either hand,
Drawn by two dragons, in her chariot went,
Searching the forest, hill, and level land,
Field, valley, running stream, or water pent,
The land and sea; and having searched the shell
Of earth above, descended into hell.

III
Had Roland of Eleusis' deity
The sovereign power possessed no less than will,
He for Angelica had land and sea
Ransacked, and wood and field, and pool and rill,
Heaven, and Oblivion's bottom: but since he
Had not, his pressing purpose to fulfil,
Her dragon and her car, the unwearied knight
Pursued the missing maid as best he might.

IV
Through France he sought her, and will seek her through
The realms of Italy and of Almayn,
And thence through the Castiles, both old and new,
So passing into Libya out of Spain.
While bold Orlando has this plan in view,
He hears, or thinks he hears, a voice complain:
He forward spurs, and sees on mighty steed
A warrior trot before him on the mead;

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The Hobbit: An Unexpected Journey

Cast: Cate Blanchett, Luke Evans, Elijah Wood, Martin Freeman, Benedict Cumberbatch, Andy Serkis, Hugo Weaving, Orlando Bloom, Stephen Fry, Christopher Lee, Evangeline Lilly, Ian McKellen, Richard Armitage, Ian Holm, Lee Pace, James Nesbitt

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The Hobbit: The Battle of the Five Armies

Cast: Ian McKellen, Martin Freeman, Richard Armitage, Luke Evans, Benedict Cumberbatch, Lee Pace, Evangeline Lilly, Graham McTavish, Cate Blanchett, Orlando Bloom, Manu Bennett, Hugo Weaving, Aidan Turner, Billy Connolly, Christopher Lee, Stephen Fry, Ian Holm

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The Hobbit: The Battle of the Five Armies [trailer 2]

Cast: Ian McKellen, Martin Freeman, Richard Armitage, Luke Evans, Benedict Cumberbatch, Lee Pace, Evangeline Lilly, Graham McTavish, Cate Blanchett, Orlando Bloom, Manu Bennett, Hugo Weaving, Aidan Turner, Billy Connolly, Christopher Lee, Stephen Fry, Ian Holm

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The Hobbit: The Battle of the Five Armies [trailer 3]

Cast: Ian McKellen, Martin Freeman, Richard Armitage, Luke Evans, Benedict Cumberbatch, Lee Pace, Evangeline Lilly, Graham McTavish, Cate Blanchett, Orlando Bloom, Manu Bennett, Hugo Weaving, Aidan Turner, Billy Connolly, Christopher Lee, Stephen Fry, Ian Holm

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Mr. Lee

(emma pought/jannie pought/helen gathers/laurawebb/rether dixon)
One, two, three, look at mr. lee
Three, four, five, look at him jive
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee
I met my sweetie
His name is mr. lee
I met my sweetie
His name is mr. lee
He's the hansomest sweetie
That you ever did see
My heart is achin' for you mr. lee
My heart is achin' for you mr. lee
'cause i love you so
And i'll never let you go
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee
Here comes mr. lee
He's coming for me
Here comes mr. lee
He's coming for me
He's my lover boy
Let's jump for joy
Come on mr. lee and do your stuff
Come on mr. lee and do your stuff
'cause you're gonna be mine
Till the end of time
One, two, three, look at mr. lee
Three, four, five, look at him jive
One, two, three, look at mr. lee
Three, four, five, look at him jive
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee
One, two, three, look at mr. lee
Three, four, five, look at him jive
Mr. lee, mr. lee
Oh, mr. lee

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Orlando Furioso Canto 11

ARGUMENT
Assisted by the magic ring she wears,
Angelica evanishes from view.
Next in a damsel, whom a giant bears
Beneath his arm, his bride Rogero true
Beholds. Orlando to the shore repairs,
Where the fell orc so many damsels slew;
Olympia frees, and spoils the beast of life:
Her afterwards Oberto takes to wife.

I
Although a feeble rein, in mid career,
Will oft suffice to stop courageous horse;
'Tis seldom Reason's bit will serve to steer
Desire, or turn him from his furious course,
When pleasure is in reach: like headstrong bear,
Whom from the honeyed meal 'tis ill to force,
If once he scent the tempting mess, or sup
A drop, which hangs upon the luscious cup.

II
What reason then Rogero shall withhold
From taking with Angelica delight, -
That gentle maid, there naked in his hold,
In the lone forest, and secure from sight?
Of Bradamant he thinks not, who controlled
His bosom erst: and foolish were the knight,
If thinking of that damsel as before,
By this he had not set an equal store;

III
Warmed by whose youthful beauties, the severe
Xenocrates would not have been more chaste.
The impatient Child had dropt both shield and spear,
And hurrying now his other arms uncased;
When, casting down her eyes in shame and fear,
The virtuous ring upon her finger placed,
Angelica descried, and which of yore
From her Brunello in Albracca bore.

IV
This is the ring she carried into France,
When thither first the damsel took her way;
With her the brother, bearer of the lance,
After, the paladin, Astolpho's prey.
With this she Malagigi's spells and trance
Made vain by Merlin's stair; and on a day
Orlando freed, with many knights and good,
From Dragontina's cruel servitude:

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Orlando Furioso Canto 9

ARGUMENT
So far Orlando wends, he comes to where
He of old Proteus' hears the cruel use
But feels such pity for Olympia fair,
Wronged by Cymosco, who in prison mews
Her plighted spouse, that ere he makes repair
Further, he gives her hope to venge the abuse:
He does so, and departs; and with his spouse
Departs Bireno, to repeat his vows.

I
What cannot, when he has a heart possess'd
This false and cruel traitor Love? since he
Can banish from Orlando's faithful breast
Such tried allegiance and due loyalty?
Wise, full of all regards, and of the blest
And glorious church the champion wont to be,
Now, little for himself or uncle, driven
By a vain love, he cares, and less for heaven.

II
But I excuse him well, rejoiced to know
I have like partner in my vice: for still
To seek my good I too am faint and slow,
But sound and nimble in pursuit of ill.
The count departs, disguised in sable show,
Nor for so many friends, with froward will,
Deserted cares; and comes where on the plain
Are camped the hosts of Afric and of Spain;

III
Rather uncamped: for, in less troops or more,
Rains under shed and tree had driven the band.
Here ten, there twenty, seven or eight, or four,
Near or further off, Orlando scanned.
Each sleeps, oppressed with toil and wearied sore;
This stretched on earth, that propped upon his hand:
They sleep, and many might the count have slain,
Yet never bared his puissant Durindane.

IV
So generous is Orlando's heart, he base
Esteems it were to smite a sleeping foe.
Now this he seeks, and now that other place;
Yet cannot track his lady, high or low.
If he finds any one in waking case,
Sighing, to him he paints her form and show;
Then prays him that for courtesy, he where
The damsel is, will reach him to repair.

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This Friendly World

R.E.M., Andy, Tony---This Friendly World
ANDY: Hi, Michael.
MICHAEL: Hi, Andy. Thanks for joining us. Do you
wanna ... you wanna sing a song together?
ANDY: Sure! Is it a sweet song?
MICHAEL: Yeah, it's real sweet.
ANDY: O.K.!
[They laugh.]
MICHAEL:
In this friendly, friendly world
With each day so full of joy
Why should any heart be lonely?
ANDY: My turn!
In this friendly, friendly world
With each night so full of dreams
Why should any heart be afraid?
The world is ...
MICHAEL ANDY:
... such a wonderful place
To wander through
When you've got someone you love
MICHAEL:
To wander along with you
ANDY: O.K., now take every second word! With ...
MICHAEL: ... the ...
ANDY: ... sky ...
MICHAEL: ... so ...
ANDY: ... full ...
MICHAEL: ... of ...
ANDY: ... stars
MICHAEL: And ...
ANDY: ... the ...
MICHAEL: ... river ...
ANDY: ... so ...
MICHAEL: ... full ...
ANDY: ... of ...
MICHAEL: ... song, Every ...
ANDY: ... heart ...
MICHAEL: ... should ...
ANDY: ... be ...
MICHAEL: ... so ...
ANDY: ... thankful
It's a friendly world! Don't you think so, Michael?
MICHAEL: Yup!
TONY: Oh yeah?! What's so friendly about it?!!
This is Tony Clifton, and, and I demand a part in
this song! I'm just as big a part of the movie as
these guys are! And, and I will not sit back while
some sought-after Colonel Kurtz wanna-be, uh, uh
has his day in the sun! I think he's enough

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Healthy Back Bag

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Tale X

THE LOVER'S JOURNEY.

It is the Soul that sees: the outward eyes
Present the object, but the Mind descries;
And thence delight, disgust, or cool indiff'rence

rise:
When minds are joyful, then we look around,
And what is seen is all on fairy ground;
Again they sicken, and on every view
Cast their own dull and melancholy hue;
Or, if absorb'd by their peculiar cares,
The vacant eye on viewless matter glares,
Our feelings still upon our views attend,
And their own natures to the objects lend:
Sorrow and joy are in their influence sure,
Long as the passion reigns th' effects endure;
But Love in minds his various changes makes,
And clothes each object with the change he takes;
His light and shade on every view he throws,
And on each object what he feels bestows.
Fair was the morning, and the month was June,
When rose a Lover;--love awakens soon:
Brief his repose, yet much he dreamt the while
Of that day's meeting, and his Laura's smile:
Fancy and love that name assign'd to her,
Call'd Susan in the parish-register;
And he no more was John--his Laura gave
The name Orlando to her faithful slave.
Bright shone the glory of the rising day,
When the fond traveller took his favourite way;
He mounted gaily, felt his bosom light,
And all he saw was pleasing in his sight.
'Ye hours of expectation, quickly fly,
And bring on hours of bless'd reality;
When I shall Laura see, beside her stand,
Hear her sweet voice, and press her yielded hand.'
First o'er a barren heath beside the coast
Orlando rode, and joy began to boast.
'This neat low gorse,' said he, 'with golden

bloom,
Delights each sense, is beauty, is perfume;
And this gay ling, with all its purple flowers,
A man at leisure might admire for hours;
This green-fringed cup-moss has a scarlet tip,
That yields to nothing but my Laura's lip;
And then how fine this herbage! men may say
A heath is barren; nothing is so gay:
Barren or bare to call such charming scene

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Michael: A Pastoral Poem

If from the public way you turn your steps
Up the tumultuous brook of Greenhead Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story--unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of shepherds, dwellers in the valleys, men
Whom I already loved; not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.
UPON the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His bodily frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd's calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and, oftentimes,
When others heeded not, He heard the South

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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Billy Barlow In Australia

When I was at home I was down on my luck,
And I earned a poor living by drawing a truck;
But old aunt died, and left me a thousand—"Oh, oh,
I'll start on my travels," said Billy Barlow.
Oh dear, lackaday, oh,
So off to Australia came Billy Barlow.
When to Sydney I got, there a merchant I met,
Who said he would teach me a fortune to get;
He'd cattle and sheep past the colony's bounds,
Which he sold with the station for my thousand pounds.
Oh dear, lackaday, oh,
He gammon'd the cash out of Billy Barlow.
When the bargain was struck, and the money was paid,
He said, "My dear fellow, your fortune is made;
I can furnish supplies for the station, you know,
And your bill is sufficient, good Mr. Barlow."
Oh dear, lackaday, oh,
A gentleman settler was Billy Barlow.
So I got my supplies, and I gave him my bill,
And for New England started, my pockets to fill;
But by bushrangers met, with my traps they made free,
Took my horse and left Billy bailed to a tree.
Oh dear, lackaday, oh,
"I shall die of starvation," thought Billy Barlow.

At last I got loose, and I walked on my way;
A constable came up, and to me did say,
"Are you free?" Says I, "Yes, to be sure; don't you know?"
And I handed my card, "Mr. William Barlow."
Oh dear, lackaday, oh,
He said, "That's all gammon," to Billy Barlow.
Then he put on the handcuffs, and brought me away
Right back down to Maitland, before Mr. Day.
When I said I was free, why the J.P. replied,
"I must send you down to be i—dentified."
Oh dear, lackaday, oh,
So to Sydney once more went poor Billy Barlow.
They at last let me go, and I then did repair
For my station once more, and at length I got there;
But a few days before, the blacks, you must know,
Had spear'd all the cattle of Billy Barlow.
Oh dear, lackaday, oh,
"It's a beautiful country," said Billy Barlow.

And for nine months before no rain there had been,
So the devil a blade of grass could be seen;
And one-third of my wethers the scab they had got,
And the other two-thirds had just died of the rot.
Oh dear, lackaday, oh,
"I shall soon be a settler," said Billy Barlow.

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Henry Wadsworth Longfellow

Evangeline: Part The Second. IV.

FAR in the West there lies a desert land, where the mountains
Lift, through perpetual snows, their lofty and luminous summits.
Down from their jagged, deep ravines, where the gorge, like a gateway,
Opens a passage rude to the wheels of the emigrant's wagon,
Westward the Oregon flows and the Walleway and Owyhee.
Eastward, with devious course, among the Windriver Mountains,
Through the Sweet-water Valley precipitate leaps the Nebraska;
And to the south, from Fontaine-qui-bout and the Spanish sierras,
Fretted with sands and rocks, and swept by the wind of the desert,
Numberless torrents, with ceaseless sound, descend to the ocean,
Like the great chords of a harp, in loud and solemn vibrations.
Spreading between these streams are the wondrous, beautiful prairies,
Billowy bays of grass ever rolling in shadow and sunshine,
Bright with luxuriant clusters of roses and purple amorphas.
Over them wandered the buffalo herds, and the elk and the roebuck;
Over them wandered the wolves, and herds of riderless horses;
Fires that blast and blight, and winds that are weary with travel;
Over them wander the scattered tribes of Ishmael's children,
Staining the desert with blood; and above their terrible war-trails
Circles and sails aloft, on pinions majestic, the vulture,
Like the implacable soul of a chieftain slaughtered in battle,
By invisible stairs ascending and scaling the heavens.
Here and there rise smokes from the camps of these savage marauders;
Here and there rise groves from the margins of swift-running rivers;
And the grim, taciturn bear, the anchorite monk of the desert,
Climbs down their dark ravines to dig for roots by the brookside,
And over all is the sky, the clear and crystalline heaven,
Like the protecting hand of God inverted above them.

Into this wonderful land, at the base of the Ozark Mountains,
Gabriel far had entered, with hunters and trappers behind him.
Day after day, with their Indian guides, the maiden and Basil
Followed his flying steps, and thought each day to o'ertake him.
Sometimes they saw, or thought they saw, the smoke of his camp-fire
Rise in the morning air from the distant plain; but at nightfall,
When they had reached the place, they found only embers and ashes.
And, though their hearts were sad at times and their bodies were weary,
Hope still guided them on, as the magic Fata Morgana
Showed them her lakes of light, that retreated and vanished before them.

Once, as they sat by their evening fire, there silently entered
Into the little camp an Indian woman, whose features
Wore deep traces of sorrow, and patience as great as her sorrow.
She was a Shawnee woman returning home to her people,
From the far-off hunting-grounds of the cruel Camanches,
Where her Canadian husband, a Coureur-des-Bois, had been murdered.
Touched were their hearts at her story, and warmest and friendliest welcome
Gave they, with words of cheer, and she sat and feasted among them
On the buffalo-meat and the venison cooked on the embers.
But when their meal was done, and Basil and all his companions,

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Stagger Lee

The night was clear and the moon was yellow
And the leaves came tumbling down
I was standing on the corner
When I heard my bulldog bark
He was barking up at the two men
Who were gambling in the dark
It was stagger lee and billy
Two men who gambled late
Stagger lee threw a seven
Billy swore, he threw an eight
Stagger lee told billy,
I cant let you get away with that
Well, youve won all my money
And my brand new stetson hat
Stagger lee ran home
Went and got him his 44
Said, Im going to the bar room
Just to pay that debt that I owe
Go stagger lee, go stagger lee
Go stagger lee, go stagger lee
Said, i m going to the bar room
Just to pay that debt that I owe
Stagger lee went to the bar room
Boy, he stood across the bar room doors
Said, now, nobody move
And he pulled out his 44
Stagger lee, cried billy
Oh, please dont you take my life
I got me three little children
And a very sickly wife
Go stagger lee, go stagger lee
Go stagger lee, go stagger lee
Got me three little children
And a very, very sickly wife
Stagger lee shot billy
Boy, he shot that poor boy so bad
That the bullet came thru billy
And went right thru the bartenders glass
While I was standing on the corner
When I heard my bulldog bark
He was barking up at the two men
Who were gambling in the dark
Go stagger lee, go stagger lee
Go stagger lee, go stagger lee
Well, he was barking up at the two men
Who were gambling in the dark

song performed by Neil DiamondReport problemRelated quotes
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Come Dance with Me - Parody Christopher Marlowe - Come Live with Me and be My Love

Come dance with me and find release,
howl to the moon, with wild wolves run,
no nightmares now as heart finds peace, -
a stellar future crowned with fun
shall underwrite harvest increase
two reap together, story spun
from morn to night as worries cease,
while one and one at last make one.

Come dance we'll circumnavigate
the seven seas as zephyr’s breeze
anticipates and may translate
past cares to luck which soul strings frees.
Harp, Terpsichore shall play as Fate
unwinds past phantom_mime banshees,
life’s letter stamps ‘reciprocate’
inventing new realities.

Come dance with me, unlearn life’s woe
owe only to your inner voice
as chivalry and honour flow -
no need to justify your choice.
Slow motion – Time stood still – will throw
away wait’s weights as both rejoice
in unexpected overthrow
of anchors as trim sails we hoist.

Come dance with me, no strings attached –
except of harp or violin -
devotion, eloquence unmatched,
will shed all lies of ties that sin.
Thus inner doors may be unlatched,
as new dimensions open in
embracing wave which saves unscratched
soul stirred from hibernation’s bin.


Come dance with me, endearing smile
will echo caring, sharing, joy,
while Lara’s theme will reconcile
true love to trust, no wiles employ.
Tiara crowned Princess no guile
may meet who, sweet, greets verse employ
as an expression timed to dial
away Time’s hands all else destroy.

Come dance with me, no judgment blind
will claim, will, blame, will shame, reject, -
all icicles soon left behind
Spring’s robin sings you’re soul elect.

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Byron

Parisina

1

It is the hour when from the boughs
The nightingale’s high note is heard;
It is the hour when lovers’ vows
Seem sweet in every whisper’d word;
And gentle winds, and waters near,
Make music to the lonely ear.
Each flower the dews have lightly wet,
And in the sky the stars are met,
And on the wave is deeper blue,
And on the leaf a browner hue,
And in the heaven that clear obscure,
So softly dark, and darkly pure,
Which follows the decline of day,
As twilight melts beneath the moon away.

2

But it is not to list to the waterfall
That Parisina leaves her hall,
And it is not to gaze on the heavenly light
That the lady walks in the shadow of night;
And if she sits in Este’s bower,
’Tis not for the sake of its full-blown flower—
She listens—but not for the nightingale—
Though her ear expects as soft a tale.
There glides a step through the foliage thick,
And her cheek grows pale—and her heart beats quick.
There whispers a voice through the rustling leaves,
And her blush returns, and her bosom heaves:
A moment more—and they shall meet—
’Tis past—her lover’s at her feet.

3

And what unto them is the world beside
With all its change of time and tide?
Its living things—its earth and sky—
Are nothing to their mind and eye.
And heedless as the dead are they
Of aught around, above, beneath;
As if all else had passed away,
They only for each other breathe;
Their very sighs are full of joy
So deep, that did it not decay,
That happy madness would destroy
The hearts which feel its fiery sway:
Of guilt, of peril, do they deem
In that tumultuous tender dream?

[...] Read more

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