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Ellen Goodman

You can teach someone who cares to write columns, but you can

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Why Do I Write

I write from my sadness
I write from the madness
I write because I have something to say
I write to pass the day
I write only from the heart
I write for sometimes I am not that smart
Whatever is in head just comes out on paper (in this case a word document) , and I go with the flow
Write to let my mind go

I follow my hand to where ever it takes me
I write all the things that I can see
I write when I am happy, but not as much
I write from my heart that you can touch
I write because I’d go insane
I am driven to write quell my pain

At times I feel alone so I write what I am feeling
I write for it is self-healing
Confident not so I write it all away
I write and write to pass the day
I write to comfort my soul that cries out in the night
I write for love is always out of sight
I write so I don't have to cry any more
I write for I have no one to adore
I write so someone somewhere will hear my plea
I write for someone is out there for me
I am lost and I the clown
I write to turn my frown upside down

I write to embrace the sadness I hide inside
I write with my heart opened wide
I write to silence the ghost
I write for I’ve been let down by the one I loved the most
I write through the stormy weather
I write for I am light as a feather
I am not a writer nor am I a poet
I write for the grief I do know it

I will write until I draw my last breath
I write because I'll die a lonely death
I have to write for strangers delight
I write because I have to write
I write for my own happiness
I write to relieve my stress
I write because I have no other choice
I write as if I was writing a letter
I write because I can’t do any better
I write because I am afraid not to
I write for this is what I do
I write for I give a damn

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A Poem Written By A Confessed Bipolar (her Name To Be Revealed Upon Her Permission)

I write because I can
I write because there are so many things to be written.
I write because I can make a painting without a brush and paints in my hand.
I write because I can capture the moment without having a camera.
I write because letters and words are the only recipe I know how to cook.
I write because I want to read what I’ve written.
I write because I’m used to speak in silence.
I write because I have a story to tell.
I write because I want to strip off my flesh and live as a pure being.
I write because I can record my “voice” without having a recorder.
I write because it’s like a cup of coffee, it keeps me awake
I write because I want to live even when I do not exist.
I write because this is my throwing stones when I’m frustrated.
6/11/09 at 4: 42 PM
I write because I can flaunt my being when I don’t have clothes to show off.
I write because this is like making an encyclopedia to a coloring book.
I write because it’s more effective than my lithium medication.
I write because I’m tired of carrying these baggages on the road.
I write because I’m tired of talking too much.
I write because it’s a healthier diversion than smoking.
I write because it’s more therapeutic than analyzing my problem.
I write because I want to paint a thousand pictures with words.
I write because I can put colors to the letters and make a rainbow of words.
I write because it’s the key combinations to my hidden vaults.
I write because my ball pen is my best friend in the darkest nights.
I write because it surprises me with what I am capable of thinking&doing. 6/11/09 at 4: 43 PM
I write because I like that ideas are popping like pop corns.
I write because I can wander in the adventures of my own world.
I write because I have to cleanse my collection of memories of an old home.
I write because like a mirror you need to do a lot of reflections.
I write because I want to fight the battle of life.
I write because I wanted my little voice to be heard.
I write because I want to run from the insanities of the world.
I write because pictures don’t talk.
I write because it helps me connect the dots when I look back in my life.
I write because it brings me back to my crib of silence.
I write because it makes a buzz to other bees in my beehive.
I write because unlike my bike my destination is limitless.
I write because I want to become an inspiration without extinction 6/11/09 at 4: 43 PM
I write because like strumming of the guitar, it vibrates in my soul.
I write because I love to write.

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Write Me

Aerosmith
Write Me
Well I've been away forever, suicide's crossin' my mind,
But I'll never never never never never get so far behind.
I said, the ways of the night are evil with eyes that love the day,
but I'll never never never never never get so far away.
I said write me, write me, write me.
I said write me, write me, write me.
Well there's nothin' I can see that'd ever make
me want to be without her she's good, she's good to me.
Said there's no way to explain the kind of feeling
that you get out in the rain she's good, she's good to me.
See this emptiness inside it makes me scream
it make me crawl out of my high, she's good, she's good to me.
I love her.
Write me a letter, write me a letter, write it today, I'm goin' away.
Well I've been away forever, suicide's crossin' my mind,
But I'll never never never never never get so far behind.
Well I've been so many places hidin' from the wind and the rain,
But you could write me a letter for to save me from a goin' insane.
I said write me, write, write, write me.
Write me, write, write, write me.
Write me, write, write, write.
I said write me, write, write, write me.
Write me, write, write, write me.
Don't write me baby.

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Write Me A Letter

Write me a letter
Write me a letter
Write it today
Im goin away (yes it has)
Write me a letter
Write me a letter
Write it today
Im goin away (yes it is)
Well Ive been away forever
Suicides crossin my mind
Well Ill never, never get so far behind
I said, the ways of the night are evil
Without that lord of day
But Ill never, never get so far away
I said write me
Write me
Write me
Write me
I said write me
Write me
Write me
Well theres nothin I can see
Thatd ever make me
Want to be without her
Shes good, she good to me
Said theres no way to explain
The kind of feelin that you get out in the
She good, she good to me
She good, she good to me
I love her
Write me a letter
Write me a letter
Write it today
Im goin away (yes it has)
Write me a letter
Write me a letter
Write it today
Im goin away (yes it is)
Well Ive been away forever
Suicides crossin my mind
Well Ill never, never get so far behind
Well Ive been so many places
Hidin from the wind and the rain
But you could write me a letter
For to save me from goin insane
Write me
Excite me
Write me
Write me
Write me

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The Library

When the sad soul, by care and grief oppress'd,
Looks round the world, but looks in vain for rest;
When every object that appears in view
Partakes her gloom and seems dejected too;
Where shall affliction from itself retire?
Where fade away and placidly expire?
Alas! we fly to silent scenes in vain;
Care blasts the honours of the flow'ry plain:
Care veils in clouds the sun's meridian beam,
Sighs through the grove, and murmurs in the stream;
For when the soul is labouring in despair,
In vain the body breathes a purer air:
No storm-tost sailor sighs for slumbering seas,-
He dreads the tempest, but invokes the breeze;
On the smooth mirror of the deep resides
Reflected woe, and o'er unruffled tides
The ghost of every former danger glides.
Thus, in the calms of life, we only see
A steadier image of our misery;
But lively gales and gently clouded skies
Disperse the sad reflections as they rise;
And busy thoughts and little cares avail
To ease the mind, when rest and reason fail.
When the dull thought, by no designs employ'd,
Dwells on the past, or suffer'd or enjoy'd,
We bleed anew in every former grief,
And joys departed furnish no relief.
Not Hope herself, with all her flattering art,
Can cure this stubborn sickness of the heart:
The soul disdains each comfort she prepares,
And anxious searches for congenial cares;
Those lenient cares, which with our own combined,
By mix'd sensations ease th' afflicted mind,
And steal our grief away, and leave their own

behind;
A lighter grief! which feeling hearts endure
Without regret, nor e'en demand a cure.
But what strange art, what magic can dispose
The troubled mind to change its native woes?
Or lead us willing from ourselves, to see
Others more wretched, more undone than we?
This BOOKS can do;--nor this alone; they give
New views to life, and teach us how to live;
They soothe the grieved, the stubborn they

chastise,
Fools they admonish, and confirm the wise:
Their aid they yield to all: they never shun
The man of sorrow, nor the wretch undone:

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Alexander Pope

The Temple of Fame

In that soft season, when descending show'rs
Call forth the greens, and wake the rising flow'rs;
When op'ning buds salute the welcome day,
And earth relenting feels the genial day,
As balmy sleep had charm'd my cares to rest,
And love itself was banish'd from my breast,
(What time the morn mysterious visions brings,
While purer slumbers spread their golden wings)
A train of phantoms in wild order rose,
And, join'd, this intellectual sense compose.
I stood, methought, betwixt earth, seas, and skies;
The whole creation open to my eyes:
In air self-balanc'd hung the globe below,
Where mountains rise and circling oceans flow;
Here naked rocks, and empty wastes were seen,
There tow'ry cities, and the forests green:
Here sailing ships delight the wand'ring eyes:
There trees, and intermingled temples rise;
Now a clear sun the shining scene displays,
The transient landscape now in clouds decays.
O'er the wide Prospect as I gaz'd around,
Sudden I heard a wild promiscuous sound,
Like broken thunders that at distance roar,
Then gazing up, a glorious pile beheld,
Whose tow'ring summit ambient clouds conceal'd.
High on a rock of Ice the structure lay,
Steep its ascent, and slipp'ry was the way;
The wond'rous rock like Parian marble shone,
And seem'd, to distant sight, of solid stone.
Inscriptions here of various Names I view'd,
The greater part by hostile time subdu'd;
Yet wide was spread their fame in ages past,
And Poets once had promis'd they should last.
Some fresh engrav'd appear'd of Wits renown'd;
I look'd again, nor could their trace be found.
Critics I saw, that other names deface,
And fix their own, with labour, in their place:
Their own, like others, soon their place resign'd,
Or disappear'd, and left the first behind.
Nor was the work impair'd by storms alone,
But felt th' approaches of too warm a sun;
For Fame, impatient of extremes, decays
Not more by Envy than excess of Praise.
Yet part no injuries of heav'n could feel,
Like crystal faithful to th' graving steel:
The rock's high summit, in the temple's shade,
Nor heat could melt, nor beating storm invade.
Their names inscrib'd, unnumber'd ages past
From time's first birth, with time itself shall last;
These ever new, nor subject to decays,

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Teach Me How to Eat

If you notice I stay hungry,
Teach me how to eat.
If you notice no baloney,
Teach me how to eat.

More discipline I may be needing.
Teach me how to eat.
More seriousness I may yet miss.
Teach me how to eat.

No medications do I take,
To keep a pace that irritates.
No longer young with dumb ideals.
Teach me how to eat.

I wish a peace that keeps me feeding.
So teach me how to eat.
I see in you more than in some.
The ones who can not overcome.
I see some stumble as others run.
But you,
Know how to eat.

Success you've reached and still you seek.
Teach me how to eat...
I'm hungry.
Teach me how to eat.

Success you've reached and still you seek.
Teach me how to eat...
I'm hungry.
Teach me how to eat.

If you notice I stay hungry,
Teach me how to eat.
If you notice no baloney,
Teach me how to eat.
I'm hungry.
Teach me how to eat.

Teach me how to eat.
I'm hungry.
Teach me how to eat.

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A Castaway

Poor little diary, with its simple thoughts,
its good resolves, its "Studied French an hour,"
"Read Modern History," "Trimmed up my grey hat,"
"Darned stockings," "Tatted," "Practised my new song,"
"Went to the daily service," "Took Bess soup,"
"Went out to tea." Poor simple diary!
and did I write it? Was I this good girl,
this budding colourless young rose of home?
did I so live content in such a life,
seeing no larger scope, nor asking it,
than this small constant round -- old clothes to mend,
new clothes to make, then go and say my prayers,
or carry soup, or take a little walk
and pick the ragged-robins in the hedge?
Then for ambition, (was there ever life
that could forego that?) to improve my mind
and know French better and sing harder songs;
for gaiety, to go, in my best white
well washed and starched and freshened with new bows,
and take tea out to meet the clergyman.
No wishes and no cares, almost no hopes,
only the young girl's hazed and golden dreams
that veil the Future from her.

So long since:
and now it seems a jest to talk of me
as if I could be one with her, of me
who am ...... me.

And what is that? My looking-glass
answers it passably; a woman sure,
no fiend, no slimy thing out of the pools,
a woman with a ripe and smiling lip
that has no venom in its touch I think,
with a white brow on which there is no brand;
a woman none dare call not beautiful,
not womanly in every woman's grace.

Aye let me feed upon my beauty thus,
be glad in it like painters when they see
at last the face they dreamed but could not find
look from their canvass on them, triumph in it,
the dearest thing I have. Why, 'tis my all,
let me make much of it: is it not this,
this beauty, my own curse at once and tool
to snare men's souls -- (I know what the good say
of beauty in such creatures) -- is it not this
that makes me feel myself a woman still,
some little pride, some little --

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Knock It Up a Notch

Teach me...
How to knock it up a notch.
Teach me...
What it is that you've got!

Teach me.
I'm willing and able.
Teach me.
Don't you want my help,
To fulfill your need.

Teach me...
How to knock it up a notch.
Teach me...
What it is that you've got!
Will you teach me.
When you want that bop to stop.
Teach me...
And I promise you one day I'll want to 'eatcha'.

And there will be a need for slower speed,
When I begin to heat the teacher.

Um-um,
Mama teach me...
How to knock it up a notch.
Oh Mama teach me...
What it is that you've got!
Give me what it is until I like it more than not!

Teach me...
How to knock it up a notch.
Teach me...
What it is that you've got!
Will you teach me.
When you want that bop to stop.
Teach me...
And I'll promise you'll,
We'll switch up when you want me as your teacher.

We'll switch up when you want me as your teacher.
Switch up when you want me as your teacher.
We'll switch up when you want me as your teacher.
Switch up when you want me as your teacher.

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Wake Up!

You put your cleanest dirty shirt on
Then you stagger down to meet the dawn
You take a ride upon a bus, its just a fuss
You know it keeps you born
You get to know a morning face
You get to join the human race
You get to know the world
Has passed you by
Who cares? you might be dead
Who cares? you stayed in bed
Who cares? you wrote the note
Who cares? you might have spoke
Wake up!
You take a snack to fill the gap
And then youre ready for another shift
Your attention was diverted
By the girl who smiled and made the lift
The radio is blaring out
Its in one ear and then its out
You didnt notice that the records over
Who cares? you might be dead
Who cares? you stayed in bed
Who cares? you wrote the note
Who cares? you might have spoke
Wake up!
In the road a crowd had gathered
And a man was close to dead
The blood is running down the gutter
While youre yawning, nothings said
His bodys wriggling like an eel
They got no sense, no touch, no feel
Somebody better go and get a blanket
Who cares? you might be dead
Who cares? you stayed in bed
Who cares? you wrote the note
Who cares? you might have spoke
Who cares?

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0005 Letter to a Younger Poet

Thanks for your letter. Though
you’ve caught me at a rather awkward time –
I’m going into surgery tomorrow – a rather
risky op; so I’ll try to put all the answers that I’ve got
into this one letter;
I hope you'll understand...

and that helps me to make my first point to you:
write as if you, too, may not live
beyond tomorrow – write as if
it’s the last thing that you’ll ever write
give it everything you’ve got,
hold nothing back;

or better still – write as if
the world will end for everyone tomorrow:
write so that in their last hours, too, this
will make them feel, will make them know
we’ve faced life fully, faced it so complete
that death is relatively unimportant now…

write as if it were only yesterday
that, in an air crash, all your family –
parents, wife or husband, partner, children, and best friend,
had lost their lives; write as if,
were you not to write,
your heart would break forever, or you would go mad...

write as if you’re writing somewhere
where there’s no such thing around, as ink;
you’ll have to use your own blood in the pen,
so use it carefully; so red, so living,
look at it… so beautiful, so precious,
and so solemn – use it carefully, don’t spill a drop…

write as if you’re borrowing every word
from the very centre of the universe, where suns and gods are made;
and need thus to account for every word
with your whole life, no less; know that every word
must be given back, cleaner, stronger, brighter
with your own power, than when you borrowed it;

write as if every poet that ever lived
is leaning over your shoulder, so that you
can feel their breath upon your neck as they say
‘Tell them all that we would tell,
but cannot now; tell them all of this’…
this, now, is how you must deeply be and speak;

write as if you are the only being on earth

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Paul Eluard

The Human Face

I. Soon

Of all the springtimes of the world
This one is the ugliest
Of all of my ways of being
To be trusting is the best

Grass pushes up snow
Like the stone of a tomb
But I sleep within the storm
And awaken eyes bright

Slowness, brief time ends
Where all streets must pass
Through my innermost recesses
So that I would meet someone

I don’t listen to monsters
I know them and all that they say
I see only beautiful faces
Good faces, sure of themselves
Certain soon to ruin their masters

II. The women’s role

As they sing, the maids dash forward
To tidy up the killing fields
Well-powdered girls, quickly to their knees

Their hands -- reaching for the fresh air --
Are blue like never before
What a glorious day!

Look at their hands, the dead
Look at their liquid eyes

This is the toilet of transience
The final toilet of life
Stones sink and disappear
In the vast, primal waters
The final toilet of time

Hardly a memory remains
the dried-up well of virtue
In the long, oppressive absences
One surrenders to tender flesh
Under the spell of weakness

III. As deep as the silence

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Reputation

(brian spence)
(reputation) - (repeat x 12)
Theyre gonna want you
Theyre gonna love you
Theyre gonna make your dreams come true
They dont know the real you, but
Theyre gonna steal you, oh
Theyre gonna take my dreams away
Well you tried, you looked for a way
Of keeping your face, of keeping your face, oh, oh
(reputation)
You try and you try again
(isnt worth the patience)
You leave me to cry again
(who cares what theyre thinking? ) oh, oh
(who cares what theyre whispering? , whispering, whispering)
You know I wont blame you
And I wont defame you, oh
I wont name you in any court of law
Well you tried, you looked for a way
Of keeping your face, of keeping your face, oh, oh
(reputation)
You try and you try again
(isnt worth the patience)
You leave me to cry again
(who cares what theyre thinking? ) oh, oh
(who cares what theyre whispering? , whispering)
Theyre whispering
(reputation)
You try and you try again
(isnt worth the patience)
You leave me to cry again
(who cares what theyre thinking? ) baby
(who cares what theyre whispering? , whispering, whispering), ooh, ooh
You leave me to cry again
Well you tried
Baby, you looked for a way, oh
You dont want to change, but
You still change the same, oh
(reputation)
You try and you try again
(isnt worth the patience)
You leave me to cry again
(who cares what theyre thinking? ) oh, oh
(who cares what theyre whispering, whispering? )
Theyre whispering
(reputation)
You try and you try again
(isnt worth the patience)
You leave me to cry again

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Giving Up To Give Away

You're just another who has run out of luck.
And living amongst the others,
Who have decided...
To throw their hands up!

You're just another one seen,
Not to be around them to strut.
With a chosen disposition,
As if to say, 'So what! , if I sit around on my butt.'

Who cares,
If initiative is not there?
Who cares,
If initiative is not there?
Who cares,
If initiative is not there?
With a bottled up...
Giving up!

Who cares,
If they're living in a danger?
Who cares,
About a pain feeling stranger?
Who cares,
If they're living in a danger?
With a bottled up...
Giving up!

You're just another who has run out of luck.
And living amongst the others,
Who have decided...
To throw their hands up!

And who cares,
If you're living in a danger.
Who cares,
About a pain feeling stranger.
Who cares,
If you're living in a danger?
With a bottled up...
Giving up!

Who cares,
If initiative is not there?
Who cares,
If initiative is not there?
Who cares,
If initiative is not there?
With a bottled up...
Giving up to give away!

[...] Read more

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Who cares? - Nobody Cares.

No-body cares!
if I die, or You die
no-body cares!
if i cry, or your cry
no-body cares!
if you move out or i stay
no-body cares!
if your hurt or I'm hurt
no-body cares!
i fail, win or gain any form of victory
no-body cares!
if your job-less and i be skint, and out of pocket
no-body cares!
if your being abused, I'm being abused behind closed doors
no-body cares!
if there is justice for me and no-justice for you
no-body cares!
if my child is known, and yours be UN-known
no-body cares!
if there are wars in my country, wars in your country
no-body cares!
no-body cares! no-body dare's to put a 'STOP' sign up!

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Paul Eluard

Liberty

On my school notebooks
On my desk and on the trees
On the sands of snow
I write your name

On the pages I have read
On all the white pages
Stone, blood, paper or ash
I write your name

On the images of gold
On the weapons of the warriors
On the crown of the king
I write your name

On the jungle and the desert
On the nest and on the brier
On the echo of my childhood
I write your name

On all my scarves of blue
On the moist sunlit swamps
On the living lake of moonlight
I write your name

On the fields, on the horizon
On the birds’ wings
And on the mill of shadows
I write your name

On each whiff of daybreak
On the sea, on the boats
On the demented mountaintop
I write your name

On the froth of the cloud
On the sweat of the storm
On the dense rain and the flat
I write your name

On the flickering figures
On the bells of colors
On the natural truth
I write your name

On the high paths
On the deployed routes
On the crowd-thronged square
I write your name

[...] Read more

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Teach The Gifted Children

Teach the gifted children
Teach them to have mercy
Teach them about sunsets
Teach them about moonrise
Teach them about anger
The sin that comes with dawning
Teach them about flowers
And the beauty of forgetfulness
Then take me to the river (take me to the river)
And put me in the water (and put me in the water)
Bless them and forgive them (take me to the river)
Father cause they just dont know (take me to the river)
All the gifted children
Teach the gifted children
The way of men and animals
Teach them about cities
The history of the mysteries
Their vice and their virtues
About branches that blow in the wind
On the wages of their sins
Teach them of forgiveness
Teach them about mercy
Teach them about music
And the cool and cleansing waters
What do they say, take me to the river (take me to the river)
Take me to the river (take me to the river)
Put me in the water (take me to the river)
And teach the gifted children (take me to the river)
All the gifted children (take me to the river)
(take me to the river)
(take me to the river)

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Teach Me How To Fly

It's never to late to open the gate.
'Teach me.
Teach me.'
Age is nothing but an excuse to make.
'Teach me to free myself.
Teach me like no one else.'

Moons come and those Summers go.
It's never too late to open the gate.
Minds in fear keep those dreams slowed.
Age aint nothing but an excuse to make.
'Teach me.
Teach me.
Teach me how to fly.'
It's never too late to open the gate.
'Teach me,
I'd like to try.'

You're the only one who decides it's too late.
You're the only one afraid to open the gate.
You're the one with urges wishing to escape.

'Why can't you reach me to teach me,
To break away from those limits made? '

You're the only one who decides it's too late.
You're the only one afraid to open the gate.
You're the one with urges wishing to escape.

'Teach me.
Teach me.
Teach me how to fly.'

I can't.
It was something I desired.
And with that desire...
I found it could be done.

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