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Entrance

Cast: Karen Baird, Suziey Block, Farley Burge, Karen Gorham, Joshua Grote, Florence Hartigan, Bennett Jones, Liesel Kopp, Jonathan Margolis

trailer for Entrance (2012)
Added by Veronica Serbanoiu
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Road Block

Yeah!, all right!
Oh, ain't no problem
Carry no heavy load
Lord, no!
Why can't i love you, baby ?
You try to block my road.
You try to block my road. hey!
Oh, better off to hand you
Everything i own, ha ha ha ha!
Strange to see you waiting for me,
You try to block my road, yeah yeah,
Try to block my road
Hey, hey, hey, hey.
Road block
Road block
Road block
Road block
Road block daddy daddy daddy
Road block
Road block
Alright on the road block
Road block
Road block
Road block
Road block
Road block
Road block
Yeah! road block
Road block, alright, alright, alright!
Road block
Road block
Road block
Road block
Road block
Road block
Whoa road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Yeah!
Try to block my road, daddy daddy daddy
I said now every time i turn around

[...] Read more

song performed by Janis Joplin
Added by Lucian Velea
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Joshua Fit The Battle

(arranged and adapted by elvis presley)
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
Good morning sister mary
Good morning brother john
Well I wanna stop and talk with you
Wanna tell you how I come along
I know youve heard about joshua
He was the son of nun
He never stopped his work until
Until the work was done
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
You may talk about your men of gideon
You may brag about your men of saul
Theres none like good old joshua
At the battle of jericho
Up to the walls of jericho
He marched with spear in hand
Go blow them ram horns, joshua cried
cause the battle is in my hands
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
You may talk about your men of gideon
You may brag about your king of saul
There none like joshua
At the battle of jericho
They tell me, great God that joshuas spear
Was well nigh twelve feet long
And upon his hip was a double edged sword
And his mouth was a gospel horn
Yet bold and brave he stood
Salvation in his hand
Go blow them ram horns joshua cried
cause the devil cant do you no harm
Joshua fit the battle of jericho
Jericho jericho

[...] Read more

song performed by Elvis Presley
Added by Lucian Velea
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Joshua Fit The Battle (take 1)

Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
Good morning sister Mary
Good morning brother John
Well I wanna stop and talk with you
Wanna tell you how I come along
I know you've heard about Joshua
He was the son of Nun
He never stopped his work until
Until the work was done
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
You may talk about your men of Gideon
You may brag about your men of Saul
There's none like good old Joshua
At the battle of Jericho
Up to the walls of Jericho
He marched with spear in hand
Go blow them ram horns, Joshua cried
'Cause the battle is in my hands
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
You may talk about your men of Gideon
You may brag about your king of Saul
There none like Joshua
At the battle of Jericho
They tell me, great God that Joshuas spear
Was well nigh twelve feet long
And upon his hip was a double edged sword
And his mouth was a gospel horn
Yet bold and brave he stood
Salvation in his hand
Go blow them ram horns Joshua cried
'Cause the devil can't do you no harm
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho

[...] Read more

song performed by Elvis Presley
Added by Lucian Velea
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Joshua

Well a good ways down the railroad track
There was this little old rundown shack
And in it lived a man Id never seen
Folks said he was a mean and a vicious man
And you better not set foot on his land
I didnt think nobody could be that mean
So I took me out walking down the railroad track
I was a-gonna go down to that little old shack
And just find out if all them things Id heard was true
There was a big black dog laying out in the yard
And it growled at me and I swallowed hard
And I heard somebody say well who are you
Oh and there he stood in the door of that shack
His beard and his hair was long and black
And he was the biggest man Id ever seen
When he spoke his voice was low and deep
But he just didnt frighten me
cause somehow I just knew he wasnt mean
He said what you doing snooping round my place
And I saw a smile come across his face
So I smiled back and I told him who I was
He said come on in and pull you up a chair
You might as well since you already here
And he said you can call me joshua
Joshua joshua
Whatcha doing living here all alone
Joshua joshua
Aint you got nobody to call your own
No no no no
We talked til the sun was clean out of sight
And we still talking when it come daylight
And there was just so much we had to say hey
Id spent my life in an orphans home
And just like him I was all alone
So I said yeah when he asked if Id stay
Oh we grew closer as time went on
And that little old shack it was a happy home
And we just couldnt help but fall in love
That big black dog and that little old shack
Sitting down by the railroad track
Its plenty good enough for me and joshua
Joshua joshua
Why youre just what Ive been looking for
Joshua joshua
You aint gonna be lonesome anymore
No no
Yodel-a-he-ho
Me and joshua
Me and joshua
Me and joshua yeah yeah

[...] Read more

song performed by Dolly Parton
Added by Lucian Velea
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Dante At Verona

Behold, even I, even I am Beatrice.
(Div. Com. Purg. xxx.)
OF Florence and of Beatrice
Servant and singer from of old,
O'er Dante's heart in youth had toll'd
The knell that gave his Lady peace;
And now in manhood flew the dart
Wherewith his City pierced his heart.
Yet if his Lady's home above
Was Heaven, on earth she filled his soul;
And if his City held control
To cast the body forth to rove,
The soul could soar from earth's vain throng,
And Heaven and Hell fulfil the song.
Follow his feet's appointed way;—
But little light we find that clears
The darkness of the exiled years.
Follow his spirit's journey:—nay,
What fires are blent, what winds are blown
On paths his feet may tread alone?
Yet of the twofold life he led
In chainless thought and fettered will
Some glimpses reach us,—somewhat still
Of the steep stairs and bitter bread,—
Of the soul's quest whose stern avow
For years had made him haggard now.
Alas! the Sacred Song whereto
Both heaven and earth had set their hand
Not only at Fame's gate did stand
Knocking to claim the passage through,
But toiled to ope that heavier door
Which Florence shut for evermore.
Shall not his birth's baptismal Town
One last high presage yet fulfil,
And at that font in Florence still
His forehead take the laurel-crown?
O God! or shall dead souls deny
The undying soul its prophecy?
Aye, 'tis their hour. Not yet forgot
The bitter words he spoke that day
When for some great charge far away
Her rulers his acceptance sought.
“And if I go, who stays?”—so rose
His scorn:—“and if I stay, who goes?”
“Lo! thou art gone now, and we stay”
(The curled lips mutter): “and no star
Is from thy mortal path so far
As streets where childhood knew the way.
To Heaven and Hell thy feet may win,
But thine own house they come not in.”

[...] Read more

poem by Dante Gabriel Rossetti
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Amours de Voyage, Canto V

There is a city, upbuilt on the quays of the turbulent Arno,
Under Fiesole's heights,--thither are we to return?
There is a city that fringes the curve of the inflowing waters,
Under the perilous hill fringes the beautiful bay,--
Parthenope, do they call thee?--the Siren, Neapolis, seated
Under Vesevus's hill,--are we receding to thee?--
Sicily, Greece, will invite, and the Orient;--or are we turn to
England, which may after all be for its children the best?

I. Mary Trevellyn, at Lucerne, to Miss Roper, at Florence.

So you are really free, and living in quiet at Florence;
That is delightful news; you travelled slowly and safely;
Mr. Claude got you out; took rooms at Florence before you;
Wrote from Milan to say so; had left directly for Milan,
Hoping to find us soon;--if he could, he would, you are certain.--
Dear Miss Roper, your letter has made me exceedingly happy.
You are quite sure, you say, he asked you about our intentions;
You had not heard as yet of Lucerne, but told him of Como.--
Well, perhaps he will come; however, I will not expect it.
Though you say you are sure,--if he can, he will, you are certain.
O my dear, many thanks from your ever affectionate Mary.

II. Claude to Eustace.

Florence.

Action will furnish belief,--but will that belief be the true one?
This is the point, you know. However, it doesn't much matter.
What one wants, I suppose, is to predetermine the action,
So as to make it entail, not a chance belief, but the true one.
Out of the question, you say; if a thing isn't wrong we may do it.
Ah! but this wrong, you see--but I do not know that it matters.
Eustace, the Ropers are gone, and no one can tell me about them.

Pisa.

Pisa, they say they think, and so I follow to Pisa,
Hither and thither inquiring. I weary of making inquiries.
I am ashamed, I declare, of asking people about it.--
Who are your friends? You said you had friends who would certainly know them.

Florence.

But it is idle, moping, and thinking, and trying to fix her
Image once more and more in, to write the whole perfect inscription

[...] Read more

poem by Arthur Hugh Clough
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John Gorham

“Tell me what you’re doing over here, John Gorham,
Sighing hard and seeming to be sorry when you’re not;
Make me laugh or let me go now, for long faces in the moonlight
Are a sign for me to say again a word that you forgot.”—

“I’m over here to tell you what the moon already
May have said or maybe shouted ever since a year ago;
I’m over here to tell you what you are, Jane Wayland,
And to make you rather sorry, I should say, for being so.”—

“Tell me what you’re saying to me now, John Gorham,
Or you’ll never see as much of me as ribbons any more;
I’ll vanish in as many ways as I have toes and fingers,
And you’ll not follow far for one where flocks have been before.”—

“I’m sorry now you never saw the flocks, Jane Wayland,
But you’re the one to make of them as many as you need.
And then about the vanishing. It’s I who mean to vanish;
And when I’m here no longer you’ll be done with me indeed.”—

“That’s a way to tell me what I am, John Gorham!
How am I to know myself until I make you smile?
Try to look as if the moon were making faces at you,
And a little more as if you meant to stay a little while.”—

“You are what it is that over rose-blown gardens
Make a pretty flutter for a season in the sun;
You are what it is that with a mouse, Jane Wayland,
Catches him and lets him go and eats him up for fun.”—

“Sure I never took you for a mouse, John Gorham;
All you say is easy, but so far from being true
That I wish you wouldn’t ever be again the one to think so;
For it isn’t eats and butterflies that I would be to you.”—

“All your little animals are in one picture—
One I’ve had before me since a year ago to-night;
And the picture where they live will be of you, Jane Wayland,
Till you find a way to kill them or to keep them out of sight.”—

“Won’t you ever see me as I am, John Gorham,
Leaving out the foolishness and all I never meant?
Somewhere in me there’s a woman, if you know the way to find her.
Will you like me any better if I prove it and repent?”—

“I doubt if I shall ever have the time, Jane Wayland;
And I dare say all this moonlight lying round us might as well
Fall for nothing on the shards of broken urns that are forgotten,
As on two that have no longer much of anything to tell.”

poem by Edwin Arlington Robinson
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Mons Angelorum

MOSES, JOSHUA, THE THREE ANGELS OF THE UNIVERSE

Evening: a slope of Pisgah

Moses –Our span of life is lessening with the years,
Our little sun rolls swiftlier to its end
Among the eternal stars. It is a feather
Blown from a careless lip into the dark,
A fallen feather, the lily of a day,
Brimming with blood and tears instead of dew,
And dying with its sleep. Having known life,
Having known day, I pass into the night;
Having long spoken with God, I hold my peace;
Having long held the sword, I lay it down,
And the new watch believes me. Is all well ?

Joshua –O father of my soul, I cannot tell.
The burden of the Lord is heavy on me,
And I am broken beneath it.

Moses – Since I knew,
All my desires and cares have gone from me.
Rather I think on old forgotten things–
A song within the temple-court, to her,
Isis, the Lady of Love. How white she sat
Above the crowded gate ! I was a boy:
I ran and laid a lotus on her knees,
Dreaming she smiled in answer. Ah, those dreams
Far on the shining level of the sands,–
Thebes and old Tanis builded of a cloud !
The reeds beside the river, those sweet trees
Full of warm buds that ripen and unclose
At eve; the barges passing on the Nile
Like golden water-fowl with ivory wings;
The gardens and the great pomegranate flowers,
And she, my gentle mother in Mizraim,
Calling me, 'Mesu, Mesu.'

Joshua – I cannot think.
My sorrow stays me and my grief prevents.
Yet there are heathen foes and wars to come.
I take thy sword. I cannot take thy soul,
Master of Law, unshaken friend of God,
But I can fight for Israel.

Moses – Fight, and stand
Firmly for God. Jehovah is salvation.
And now, beloved son in all but blood,
Go, get you down again.

[...] Read more

poem by Marjorie Lowry Christie Pickthall
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Now, Heart' - Some Of What I Remember When I Listen

A river is a process through time, and the river stages are its momentary parts.
—Willard Van Orman Quine

From early poems,1970s, youthful indiscretions/attempts to vocally/poetically arrive at/derive a worthwhile writer's voice. Some explication might serve or enhance these under serving, undeserving though 'striving-after' poems hidden in old journals understandably unpublished but now so with apologies which are these expiatory explanations. Recently rediscovering these early arrivals, derivative yet aspiring I recognized and reembraced an enduring self maturing, arriving into late middle age:

Obsessed newly by jazz, mad about the many miraculous lady singers, entranced all too easily as youth are wont to be by sorrows and sexual infatuations which feel, emphasis on 'feel', like love, here are two of many 'songs' as tributes and life markers to jazz singers who provided soundtrack and felt expression to my angst and easily inflated/deflated sense of self, of beloved others, and of that new territory, independent life away from parental home and childhood community discovering, blundering into the fray of separate hearts and minds, irresponsible genitals and insouciant jouissance ('juiciness', in French) , discovering then and again and again that like Walt Whitman I 'contain worlds' and many disparate selves poorly formed, most of them collective projections and expectations of who or what I wanted to be, what others wanted and expected me to be, resulting in much confusion, tumult and multitudes of momentary throw-away selves. Thus singers like Bessie Smith and Dinah Washington became anchors, warm contexts and containers, for my daily fragmentation and re-formation.

I lived on 3rd street in downtown Chattanooga, a refugee from zealous, politically conservative white evangelicals and the vestigial yet still viral Southern Confederacy. Just a block or two from where Bessie Smith was born, I used to watch from my upstairs porch the steep hilly street's comings and goings with a glimpse of the Tennessee River between tenements across the street, its persistent rich aroma heavy in the air. I imagined Bessie Smith as a little girl playing up and down the street like the kids I saw then - once, two of them gleefully chasing a frighteningly large and confused looking rat.

William—he insisted on 'Willie'—an old man down the street who knew Bessie as a little girl, used to come up to my porch after one day hearing Bessie from my phonograph singing blues onto the always busy but attentive street. One of the first and permanent things I learned from my porch is that a city street has keen, observant eyes, acute ears, omnivorously seeing/hearing everything, indifferently, perhaps, but nothing escapes it, a roving, all-knowing urban Eye of God.

Extremely green and eager as green always is though stutteringly, and without apology, I enjoyed Willie's many stories and back pocket bottles of Old Mr. Boston Apricot Brandy, both of which—story and spirits/spirited story —dissolved or appeared to, age, racial, cultural, and sociological differences, along with those catalysts/cata-lusts, the forever alchemical Bessie and other jazz singers, Billie! Dinah! Ella! Sassy! Lil Ester Phillips! Nina Simone! to name only a few of the sensuous solutio chanteuses resolving sexual confoundaries by Miss-ambiguating sins' plethera with loose lilt and will- o-the-lisp whisper tongues.

One night Willie, much 'in the pocket'—an expression for being well onto tipsy which I've never heard from anyone but him—wanted to dance to a Bessie tune playing, 'Back Water Blues', him recalling nights as a young man in rural Tennessee where he'd worked hard days in oppressive vegetable fields then hit the after hours juke joints for 'colored, twas segregation days, ' he explained, where he would go to drink, dance then dive/delve, as it were, into the sensual mysteries of moist skin, hot breath, mutually open mouths with their commodious moans and mumbles, venial hands, always vital parts, private hearts mutually pounding ancient known rhythms, odors and tastes of gin and those slender, forbidden, now greedily stolen bites in those all too short nights with their damned intrusive dawns.

'Dawnus interuptus, ' I quipped, us both slapping knees, passing the narrative bottle fore and aft hefting moments re-grasped between us, offerings to the equally narrative river, the all-knowing hungry street.

Jumping to his feet, Willie described 'powder dancin'' (pronounced marvelously, 'powdah') which I had never heard of. Talcum powder would be copiously scattered onto the dance floor where couples in stocking or bare feet would ecstatically dance, gliding and sliding sweetly scented, muskily bent toward later glides and slides in the slippery joy of momentary allure and amour on dimmed porches or surrounding woods often enough and gratis upon delicate slabs of moonlight gratuitously dewy providing cushion for Passion's out and in, honoring and dignifying deities of skin wanting more making more skin, headlong Nature's frictional algo-rhythms indelibly scored in every/each his/her yawing yen.

Willie shouted, 'YOU GOT ANY TALC POWDER? ! '

...The jazz us trembled...

'NO! ' I bellowed, curious.

'YOU GOT ANY FLOUR? ! '

Even more curious, 'YEAH! ! '

'GO GIT IT! QUICK! ! '

He grinned an Old Mr. Boston juke-joint night-memories quaff-again grin.

Martha White, a brand of flour sold down South, has never been put to better use. Willie threw handfuls of 'Martha' over the tenement-planked living room floor as I half protested at the mess it (and me and Willie) was and would become. Completely gripped by his present-in-the-past brandy trance, a much younger man now, he suddenly grabbed me, brandied and tranced, too, my long hair flying, and danced me all over the floor the night through with swigs of Old But Now Spry 'n' Sprightly Mr. Boston with pauses to change record albums on the phonograph, 'catching up our breaths, ' he panted.

Next morning (more likely early afternoon) , Willie long gone, I awakened sprawled on the penitent porch—a cool concrete floor my sinner's bench—sweaty and thick as pan gravy, mosquito bitten, marinaded in Tennessee night mists. I staggered into the living room onto the ghostly floor powdery white, 'stroked' with two attached, or close to, sets of foot prints, heel slides and smears, a kind of 'Jackson Pollock meets Tibetan sand painting 'yazzed' yantra'**' with cigarette ashes flicked into the flickering impermanent mix. I've not powder danced since when we drank discovering oral history's joys, opened eager ears and fraternal arms forgetting fears of race and religion, age and expressed/ espressed Desire's multilingual disseminations.

I know that wheat is anciently sacred but now even more so for flour, the sight and feel of it, its unbaked smell, turns me again toward a Chattanooga 3rd street, its compass river swelling like bread nearby bearing witness still for one cannot say too much about rivers—their irreverence of edges scored, spilling themselves, proclaiming natural gods deeper than memory yet dependent upon it for traced they must be in every human activity, no matter the breech, for something there is to teach even deity though it may be wrong to do so, or hearsay to say it or sing, but the song is there for those whose ears are broken onto bottoms from which cry urgencies of Being and between, dutiful banks barely containing the straining Word.

**From Tibetan Buddhism. Visual meditation devices,
Yantras function as revelatory conduits of cosmic truths.

1. To Bessie Smith,3rd Street Chattanooga (circa 1971)

Already the river begins its sweat.
April to September I'll be on the porch
Come sunsets listening to cars in the
Dark and you, remembering the flour
On the floor and me and Willie in
Stocking feet dancing till dawn,

[...] Read more

poem by Warren Falcon
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Me And Mrs. Jones

Me and mrs. jones, we got a thing going on,
We both know that it's wrong
But it's much too strong to let it cool down now.
We meet ev'ry day at the same cafe,
Six-thirty i know she'll be there,
Holding hands, making all kinds of plans
While the jukebox plays our favorite song.
Me and mrs., mrs. jones, mrs. jones, mrs. jones,
Mrs. jones got a thing going on,
We both know that it's wrong,
But it's much too strong to let it cool down now.
We gotta be extra careful that we don't build our hopes too high
Cause she's got her own obligations and so do i,
Me, me and mrs., mrs. jones, mrs. jones, mrs. jones,
Mrs. jones got a thing going on,
We both know that it's wrong,
But it's much too strong to let it cool down now.
Well, it's time for us to be leaving,
Iit hurts so much, it hurts so much inside,
Now she'll go her way and i'll go mine,
But tomorrow we'll meet the same place, the same time.
Me and mrs. jones, mrs. jones, mrs. jones.

song performed by Hall & Oates
Added by Lucian Velea
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Me & Mrs. Jones

Me and Mrs. Jones, we got a thing going on,
We both know that it's wrong
But it's much too strong to let it cool down now.
We meet ev'ry day at the same cafe,
Six-thirty I know she'll be there,
Holding hands, making all kinds of plans
While the jukebox plays our favorite song.
Me and Mrs., Mrs. Jones, Mrs. Jones, Mrs. Jones,
Mrs. Jones got a thing going on,
We both know that it's wrong,
But it's much too strong to let it cool down now.
We gotta be extra careful that we don't build our hopes too high
Cause she's got her own obligations and so do I,
Me, me and Mrs., Mrs. Jones, Mrs. Jones, Mrs. Jones,
Mrs. Jones got a thing going on,
We both know that it's wrong,
But it's much too strong to let it cool down now.
Well, it's time for us to be leaving,
Iit hurts so much, it hurts so much inside,
Now she'll go her way and I'll go mine,
But tomorrow we'll meet the same place, the same time.
Me and Mrs. Jones, Mrs. Jones, Mrs. Jones.

song performed by Hall & Oates
Added by Lucian Velea
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Mr. Jones

Mr. jones
Put a wiggle in your stride
Loosen up
I believe he'll be alright
Changing clothes
Now he's got ventilated slacks
Bouncing off the walls
Mr. jones is back!
Bulge out
And wind your waist
Tight pants
Got curly hair
Drinking cold beer
From metal cans
Moonshine
And handi-wipes!
Mr. jones is back in town
It's his lucky day
Hold up your hands and shout
Jones is on his way
Pitter pat
Mr. jones is back in town
Aces high
Now his pants are falling down
He looks so fine
In those patent leather shoes
Mr. jones, you look tired
I believe you'll be alright
Sales men
Conventioneers
Some rock stars
With tambourines
Short skirts
And skinny legs
Selling bibles
And real estate
It's a big day for mr. jones
He is not so square
Mr. jones will stick around
He's everybody's friend
Fast cars
And motorbikes
I'm sure glad
He's on our side
The jones gang
Down at the bar
Watch out, this time
They've gone too far
They call for mr. jones
They put him in charge

[...] Read more

song performed by Talking Heads
Added by Lucian Velea
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Two Statesmen

In that fair city by the inland sea,
Where Blaine unhived his Presidential bee,
Frank Pixley's meeting with George Gorham sing,
Celestial muse, and what events did spring
From the encounter of those mighty sons
Of thunder, and of slaughter, and of guns.
Great Gorham first, his yearning tooth to sate
And give him stomach for the day's debate,
Entering a restaurant, with eager mien,
Demands an ounce of bacon and a bean.
The trembling waiter, by the statesman's eye
Smitten with terror, hastens to comply;
Nor chairs nor tables can his speed retard,
For famine's fixed and horrible regard
He takes for menace. As he shaking flew,
Lo! the portentous Pixley heaved in view!
Before him yawned invisible the cell,
Unheard, behind, the warden's footsteps fell.
Thrice in convention rising to his feet,
He thrice had been thrust back into his seat;
Thrice had protested, been reminded thrice
The nation had no need of his advice.
Balked of his will to set the people right,
His soul was gloomy though his hat was white,
So fierce his mien, with provident accord
The waiters swarmed him, thinking him a lord.
He spurned them, roaring grandly to their chief:
'Give me (Fred. Crocker pays) a leg of beef!'
His wandering eye's deluminating flame
Fell upon Gorham and the crisis came!
For Pixley scowled and darkness filled the room
Till Gorham's flashing orbs dispelled the gloom.
The patrons of the place, by fear dismayed,
Sprang to the street and left their scores unpaid.
So, when Jove thunders and his lightnings gleam
To sour the milk and curdle, too, the cream,
And storm-clouds gather on the shadowed hill,
The ass forsakes his hay, the pig his swill.
Hotly the heroes now engaged-their breath
Came short and hard, as in the throes of death.
They clenched their hands, their weapons brandished high,
Cut, stabbed, and hewed, nor uttered any cry,
But gnashed their teeth and struggled on! In brief,
One ate his bacon, t'other one his beef.

poem by Ambrose Bierce
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Sweetwater Jones

Sweetwater Jones
Went riding
out in to the country night
he left his phone still ringing
ringing by the t.v.'s light
goodbye to you new york city
goodbye to every thing it used to be
you sure can could look good
Emerald City
oh but now your just a drag on me
goodbye to the ringing phone
goodbye to the old grindstone
and what use to be Jimmy Jones
now they known as Sweetwater Jones
Sweetwater Jones
keep on going
hey Jonese boy your'll doing find
smiling a smile and knowing
that your heading fore a better time
look at your face
hey its shinning
hey beaming like it never could
look at your eyes
hey you crying
but you never thought you fell so good
goodbye to the ringing phone
good,good,goodbye to the old grindstone
what used to be Jimmy Jones
now they known as Sweetwater Jones
ohhhhhhhh
ohhhhhhhh Sweetwater Jones
what use to be Jimmy Jones
now they known as Sweetwater Jones
now they known as Sweetwater Jones

song performed by Barry Manilow
Added by Lucian Velea
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Prettiest Cop On The Block

I'm 6 foot 3 with a fist like a hammer
And I work with the Vice Squad when I can
And when I pull out my badge they forget all my glamor
Little guys all surprised
Take a seat
Peek at me
It's a bust
I'm a man
I'm the prettiest cop on the block I set your souls on fire
Yes, I'm the prettiest cop on the block
I'm cool and I'm so mean
Oh, I'm the prettiest cop on the block
I've handcuffed your desire
I've got a stiff reputation with a stick like a rock
My kids are confused and my wife is in shock
I'm a full blooded man not a weak immitation
I like to flex my arms in the neon lights
I'm a queen on the street and a king at the station
It's a secret of mine, not a sign I'm gonna make that right
Because..
I'm the prettiest cop on the block I set your souls on fire
Yes, I'm the prettiest cop on the block
I'm cool and I'm so mean
Oh, I'm the prettiest cop on the block
I've handcuffed your desire
I've got a stiff reputation with a stick like a rock
My kids are confused and my wife is in shock
I must look pretty shocking
In my bullet proof vest
With my black lace stockings
All this hair on my chest
When the boys see me coming
All the boys start to run
They all got their empty holsters
And I got the only gun
Because..
Because, I'm the prettiest cop on the block
I set your souls on fire
Yes, I'm the prettiest cop on the block
I'm cool and I'm so mean
Yes, I'm the prettiest cop on the block
I handcuff your desires
I got a stiff reputation with a stick like a rock
My kids are confused and my wife is in shock
I'm the prettiest cop on the block
I set your souls on fire
Yes, I'm the prettiest cop on the block
And I'm cool -- so mean
I'm the prettiest cop on the block
I handcuff your desires

[...] Read more

song performed by Alice Cooper
Added by Lucian Velea
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Have You Met Miss Jones?

Have you met Miss Jones
Someone said as we shook hands
She was just Miss Jones to me

Then I said Miss Jones
You're a girl who understands
I'm a man who must be free.

And all at once I lost my breath
And all at once was scared to death
And all at once I own the earth and sky

Now I met Miss Jones
And well keep on meeting till we die
Miss Jones and I

And all at once I lost my breath
And all at once was scared to death
And all at once I own the earth and sky

Now I met Miss Jones
And well keep on meeting till we die
Miss Jones and I
Miss Jones and I

Miss Jones and I

song performed by Robbie Williams from Swing When You're Winning
Added by Lucian Velea
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Jones M.P.

It was thus in the beginning: With a sporting chance of winning,
Jones contested an election years ago.
He was young, enthusiastic, and maintained that measures drastic
Were imperative to save the land from Woe.
For the laudable admiration of this budding politician,
Who with zeal to serve his bleeding country burned,
Was to make a reputation as a saviour of the nation,
And a clean and honest statesman - if returned.

The electors took a fancy to the youngster, and the chance he
Had of winning was improved where'er he went.
His high motives were respected, and, in short, he was elected;
And an Honest Man went into Parliament.
Went in to strive for glory where there held a system hoary,
Founded on the good old English party plan.
Wherefore Jones, half understanding things, submitted to the branding,
And became, perforce, a solid party man.

But when he heard a mention of the Whip
Party Whip,
He gave answer, as he curled a scornful lip,
And his honest zeal upbore him,
That his course was plain before him,
Just the clean, straight course of earnest statesmanship.
For young Jones held notions utterly absurd;
And the old campaigners sniggered when they heard
That young patriot unfolding
His stern views, and Truth upholding,
But he meant it, when he said it, ev'ry word.

For a time, in all debating, Jones was famed for boldly stating
Plain, blunt truths and keen uncomfortable facts;
Till his colleagues grew uneasy, for, in fashion bland and breezy,
He proposed to back his burning words with acts.
And they told him, with much cunning, that he might be in the running
For the leadership if he'd consent to hedge.
He was bold, ambitious, clever, but advance, they said, he'd never
While he clung to childish notions of his pledge.

Brave young Jones at first was scornful; but, ere long, with visage mournful,
He sat down to think on what he stood to lose.
And his party friends, with caution, hinted honours were his portion
If he'd but consent to water down his views.
And they e'en suggested slyly that, although they valued highly
His great services, defiance was not meet.
Till, his splendid dream departing, Jones saw plainly that a parting
With his party meant a parting with his seat.

It was then he heard the cracking of the Whip
Party Whip!

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
Added by Poetry Lover
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Old Pictures in Florence

I

The morn when first it thunders in March,
The eel in the pond gives a leap, they say:
As I leaned and looked over the aloed arch
Of the villa-gate this warm March day,

No flash snapped, no dumb thunder rolled
In the valley beneath where, white and wide
And washed by the morning water-gold,
Florence lay out on the mountain-side.

II

River and bridge and street and square
Lay mine, as much at my beck and call,
Through the live translucent bath of air,
As the sights in a magic crystal ball.
And of all I saw and of all I praised,
The most to praise and the best to see
Was the startling bell-tower Giotto raised:
But why did it more than startle me?

III

Giotto, how, with that soul of yours,
Could you play me false who loved you so?
Some slights if a certain heart endures
Yet it feels, I would have your fellows know!
I' faith, I perceive not why I should care
To break a silence that suits them best,
But the thing grows somewhat hard to bear
When I find a Giotto join the rest.

IV

On the arch where olives overhead
Print the blue sky with twig and leaf,
(That sharp-curled leaf which they never shed)
'Twixt the aloes, I used to lean in chief,
And mark through the winter afternoons,
By a gift God grants me now and then,
In the mild decline of those suns like moons,
Who walked in Florence, besides her men.

V

They might chirp and chaffer, come and go
For pleasure or profit, her men alive—
My business was hardly with them, I trow,

[...] Read more

poem by Robert Browning from Men and Women (1855)
Added by Veronica Serbanoiu
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Block Burner

Verse 1: (lil wayne)
Ha ha ha ha check it
Its me thats creepin through the back
And the black on black
Lil soldier with a mac
I bust back till it crack
You see I ride tonight
Bullets fly at night
Lain tonight
Wayne and get high at night
And a high tonight when Im duckin round the mirrors
I run over niggas like eighteen wheelers
Hungry gorilla
Ah what cha what cha got wootay
Gettin beef thinks its cool I hit cha hit cha block wootay
Hit cha get cha gurl
Choppa choppa neighborhood
Let his poppa understood
Nigga burn like wood
And I swang
Through yo house wit that thang
Fo-five range
Can you catch me where I reign
Now look hang to below the sealevel
I be hotter than a devil
Lil daddy Im on fire
17 rider
Mac-mac his supplier
Lil boy my chopper make mo noise than a choir
One of these niggas gone leave here brainless
Some of these niggas aint gone even be remainin
Look now you keep thinkin Im to be played with
My gage spray quick
I aint ta be played with
I ride like a rollercoaster
When I ride with uptown soldiers
Im comin up the back my grill start to spark
Opp Im coming up the front (breathing hard) ya caught
Now where you gone run and where you gone turn
Oohh I got my gun
Oohh chopper bullets burn
To whom it may concern
Chopper bullets burn
Get through your block like a perm
Look weak like sperm
(chorus) 2x
Now check the whole block the whole block catch a fire
I be the I be the block block on the rider
Verse 2
I spin yo corner with my size 16 sankin

[...] Read more

song performed by Hot Boys
Added by Lucian Velea
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