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Take This Waltz

Cast: Michelle Williams, Seth Rogen, Sarah Silverman, Luke Kirby, Aaron Abrams, Jennifer Podemski, Vanessa Coelho, Matt Baram

trailer for Take This Waltz, directed by Sarah Polley, screenplay by Sarah Polley (2011)
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Cadenus And Vanessa

THE shepherds and the nymphs were seen
Pleading before the Cyprian Queen.
The counsel for the fair began
Accusing the false creature, man.
The brief with weighty crimes was charged,
On which the pleader much enlarged:
That Cupid now has lost his art,
Or blunts the point of every dart;
His altar now no longer smokes;
His mother's aid no youth invokes—
This tempts free-thinkers to refine,
And bring in doubt their powers divine,
Now love is dwindled to intrigue,
And marriage grown a money-league.
Which crimes aforesaid (with her leave)
Were (as he humbly did conceive)
Against our Sovereign Lady's peace,
Against the statutes in that case,
Against her dignity and crown:
Then prayed an answer and sat down.

The nymphs with scorn beheld their foes:
When the defendant's counsel rose,
And, what no lawyer ever lacked,
With impudence owned all the fact.
But, what the gentlest heart would vex,
Laid all the fault on t'other sex.
That modern love is no such thing
As what those ancient poets sing;
A fire celestial, chaste, refined,
Conceived and kindled in the mind,
Which having found an equal flame,
Unites, and both become the same,
In different breasts together burn,
Together both to ashes turn.
But women now feel no such fire,
And only know the gross desire;
Their passions move in lower spheres,
Where'er caprice or folly steers.
A dog, a parrot, or an ape,
Or some worse brute in human shape
Engross the fancies of the fair,
The few soft moments they can spare
From visits to receive and pay,
From scandal, politics, and play,
From fans, and flounces, and brocades,
From equipage and park-parades,
From all the thousand female toys,
From every trifle that employs
The out or inside of their heads

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poem by Jonathan Swift
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Take This Waltz [trailer 2]

Cast: Michelle Williams, Seth Rogen, Sarah Silverman, Luke Kirby, Aaron Abrams, Jennifer Podemski, Vanessa Coelho, Matt Baram

trailer for Take This Waltz, directed by Sarah Polley, screenplay by Sarah Polley (2011)
Added by Veronica Serbanoiu
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All I Have (feat. Jennifer Lopez)

(LL Cool J)
Baby, don't go... Baby, don't go...
Baby, dont go... Baby, don't go...
Baby, don't go... Baby, don't go...
(Jennifer)
Ooh... Yeah... Yeah... Yeah...
(Jennifer)
It's such a shame but I'm leaving
Can't take the way you're mistreating me
And it's crazy, but oh baby
It don't matter, whatever
Don't phase me
(LL Cool J)
I don't believe you wanna leave like this
I don't believe I just had my last real kiss
I do believe we'll laugh and reminisce
Wait a minute, don't bounce baby,
let's talk about this, man...
(Jennifer)
Well I'm bouncin' and I'm out son
I gotta leave you alone
'Cause I'm good
Holdin' down my spot
And I'm good
Reppin' the girls on the block
And I'm good
I got this thing on lock
So without me you'll be fine - right
(Jennifer)
All my pride is all I have
(LL Cool J)
Pride is what you had, baby girl I'm what you have
(Jennifer)
You'll be needing me but too bad
(LL Cool J)
Be easy, don't make decisions while you're mad
(Jennifer)
The path you chose to run alone
(LL Cool J)
I know you're independent, you can make it on your own
(Jennifer)
Here with me you had a home, oh yeah...
(LL Cool J)
But time is of the essence, why spend it alone
(Jennifer)
The nights I waited up for you
Promises you made about coming through
So much time you wasted
That's why I had to replace you
(LL Cool J)

[...] Read more

song performed by LL Cool J
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Michael: A Pastoral Poem

If from the public way you turn your steps
Up the tumultuous brook of Greenhead Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story--unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of shepherds, dwellers in the valleys, men
Whom I already loved; not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.
UPON the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His bodily frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd's calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and, oftentimes,
When others heeded not, He heard the South

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poem by William Wordsworth
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Sarah’s Special Birthday

There once was a girl named Sarah who had a special toy,

Her toy was a doll named Melodie who brought her lots of joy.

One night when Sarah fell asleep with Melodie in her hand,

Sarah started dreaming she was in a faraway land.

This land was filled with beautiful flowers, birds and butterflies,

This was the land of Krendoll where magical dolls come alive!

Then Sarah saw a shadow along side a tree,

She notices it’s Melodie as happy as can be!

Melodie is sitting on a magical unicorn, the unicorn is fair, soft and
white

The unicorn’s name is UniCandle with his horn shining bright!

Melodie jumps off of UniCandle who lets her to the ground,

And Sarah notices many, many, many presents all around.

The presents are all wrapped with big shiny bows,

They all fit in a glittering cart that has a glittering glow.

“It’s a Special Birthday for…guess who? You guessed it shouts

Melodie, Sarah all the presents are for you! ”

“The magic of your Special Dream brought you to this land,

The land of Special Birthdays is right where you now stand! ”

Then all of a sudden, UniCandle’s horn lit up a deep orange blue,

The flickering of his golden flame would make Sarah’s birthday wish

come true!

Then Melodie moved the cart with the help of the big golden handles,

So UniCandle could reach Sarah’s birthday cake and light Sarah’s

birthday candle.

[...] Read more

poem by Suzae Chevalier
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Confessio Amantis. Explicit Liber Quintus

Incipit Liber Sextus

Est gula, que nostrum maculavit prima parentem
Ex vetito pomo, quo dolet omnis homo
Hec agit, ut corpus anime contraria spirat,
Quo caro fit crassa, spiritus atque macer.
Intus et exterius si que virtutis habentur,
Potibus ebrietas conviciata ruit.
Mersa sopore labis, que Bachus inebriat hospes,
Indignata Venus oscula raro premit.

---------------------------------- -------------------------------------------------

The grete Senne original,
Which every man in general
Upon his berthe hath envenymed,
In Paradis it was mystymed:
Whan Adam of thilke Appel bot,
His swete morscel was to hot,
Which dedly made the mankinde.
And in the bokes as I finde,
This vice, which so out of rule
Hath sette ous alle, is cleped Gule;
Of which the branches ben so grete,
That of hem alle I wol noght trete,
Bot only as touchende of tuo
I thenke speke and of no mo;
Wherof the ferste is Dronkeschipe,
Which berth the cuppe felaschipe.
Ful many a wonder doth this vice,
He can make of a wisman nyce,
And of a fool, that him schal seme
That he can al the lawe deme,
And yiven every juggement
Which longeth to the firmament
Bothe of the sterre and of the mone;
And thus he makth a gret clerk sone
Of him that is a lewed man.
Ther is nothing which he ne can,
Whil he hath Dronkeschipe on honde,
He knowth the See, he knowth the stronde,
He is a noble man of armes,
And yit no strengthe is in his armes:
Ther he was strong ynouh tofore,
With Dronkeschipe it is forlore,
And al is changed his astat,
And wext anon so fieble and mat,
That he mai nouther go ne come,
Bot al togedre him is benome
The pouer bothe of hond and fot,

[...] Read more

poem by John Gower
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Jennifer Ever

She always waits for someone
Someone who'll never leave
Reveiling her decision
Her arms cover me
My couple, no one
To anyone believe
She always waits for someone
Someone, someone just like me
Jennifer
Jennifer Ever
Jennifer
Jennifer always tells me
Please don't be afraid
I just want to hold you
I only want you to stay
My couple, no one
To anyone believe
She always waits for someone
Someone, someone just like me
Jennifer
Jennifer Ever
Jennifer
Jennifer
Jennifer Ever
Jennifer
My couple, no one
To anyone believe
She always waits for someone
Someone, someone just like me
Jennifer
Jennifer Ever
Jennifer

song performed by Smashing Pumpkins
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The Modest Couple

When man and maiden meet, I like to see a drooping eye,
I always droop my own - I am the shyest of the shy.
I'm also fond of bashfulness, and sitting down on thorns,
For modesty's a quality that womankind adorns.

Whenever I am introduced to any pretty maid,
My knees they knock together, just as if I were afraid;
I flutter, and I stammer, and I turn a pleasing red,
For to laugh, and flirt, and ogle I consider most ill-bred.

But still in all these matters, as in other things below,
There is a proper medium, as I'm about to show.
I do not recommend a newly-married pair to try
To carry on as PETER carried on with SARAH BLIGH.

Betrothed they were when very young - before they'd learnt to speak
(For SARAH was but six days old, and PETER was a week);
Though little more than babies at those early ages, yet
They bashfully would faint when they occasionally met.

They blushed, and flushed, and fainted, till they reached the
age of nine,
When PETER'S good papa (he was a Baron of the Rhine)
Determined to endeavour some sound argument to find
To bring these shy young people to a proper frame of mind.

He told them that as SARAH was to be his PETER'S bride,
They might at least consent to sit at table side by side;
He begged that they would now and then shake hands, till he
was hoarse,
Which SARAH thought indelicate, and PETER very coarse.

And PETER in a tremble to the blushing maid would say,
"You must excuse papa, MISS BLIGH, - it is his mountain way."
Says SARAH, "His behaviour I'll endeavour to forget,
But your papa's the coarsest person that I ever met.

"He plighted us without our leave, when we were very young,
Before we had begun articulating with the tongue.
His underbred suggestions fill your SARAH with alarm;
Why, gracious me! he'll ask us next to walk out arm-in-arm!"

At length when SARAH reached the legal age of twenty-one,
The Baron he determined to unite her to his son;
And SARAH in a fainting-fit for weeks unconscious lay,
And PETER blushed so hard you might have heard him miles away.

And when the time arrived for taking SARAH to his heart,
They were married in two churches half-a-dozen miles apart
(Intending to escape all public ridicule and chaff),

[...] Read more

poem by William Schwenck Gilbert
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Michelle

Michelle
I heard your lured howling
I cant resist temptation
I cant resist your smile
I cought your raddle eyes
Michelle
Michelle
My hagridden goblin
Michelle
My mellow
Michelle
Michelle
I must be insane
Its not me to blame
She loves only fame
Michelle caused me really pain
Michelle
Michelle
Michelle
Michelle
Auw

song performed by Xymox
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Epitaph on an Unread Verse after William Carlos Williams' Red Wheelbarrow

This is just to play on plum phrases
hibernating in your brainbox,
which your neurones were probably waiting for
to break free fast.

Forgive me their taste is delicious,
so neat and so bold.

An agèd poet with hollow laughter
swiftly sprayed her incisive syllables
in consonant activity and, yearning,
paid [s]lip service:

so much depends
upon lifelong learning's expectations,
an unread verse [s]pokes for comments,
reigns above lily-livered chicken-hearted critics
before a blank screen.

so much more depends
upon monochromatic ash clouds
glazed with silicates
beside Icelandic
eruptions.

Life is verse role-reversing uninclined ignorance
shadowing dis...inclined ink lined page.

(Revised 3 October 2009 and19 Aptil 2010)

This is Just to Say

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold
William Carlos Williams 1883_1963

Variation on a Theme by William Carlos Williams
1 I chopped down the house that you had been saving to live in next summer. I am sorry, but it was morning, and I had nothing to do and its wooden beams were so inviting.

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poem by Jonathan Robin
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Hold You Down

JENNIFER LOPEZ LYRICS
"Hold You Down"
(feat. Fat Joe)
[Verse 1]
[Jennifer:]
Now you've been holding me down
For such a long time now
From back then
To now in my story
Straight from the hood
You've always been there for me
And ya had my back
(When they) Back when everybody said
I wasn't anything
It was you who had me holdin' on
No matter what was goin' on
So no whatever ya need I got you
[Fat Joe:]
Reminiscing that 6 train from way back
Now its sky blue phantoms and stretch may backs
Sweepin' them floors in them Bronx apartments
Mira esta que on that red carpet
With Pun and Ja you was the first to call me
I never told you but you was there for me
Whatever you need, I'll be there for you
Crack - I got ya back for real (True story)
[Bridge]
[Jennifer:]
Now my loyalty, will always be
With you, if you just promise me
That you'll stay real just like you are
'Cause baby you don't have to change (no)
[Chorus]
[Jennifer:]
You don't know how much you mean to me
Whenever you down
You know that you can lean on me
No matter the situation
Boy, I'm gon' hold you down
[Fat Joe:]
You don't know how much you mean to me
Whenever you down
You know that you can lean on me
No matter the situation
Girl, I'm gon' hold you down
[Verse 2]
[Fat Joe:]
2005 Rakim and Jody Watley
Why'd she paint such a picture so perfect
Quite possibly

[...] Read more

song performed by Jennifer Lopez
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Twin State

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[...] Read more

poem by Caasder Fronds
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Miss Reid's Speed Seeds Misread Red Weed Barrow Greed Screed

Miss Reid's Speed Seeds Misread Red Weed Barrow Greed Screed

So much depends upon callow Monsanto’s
arrow minded rein reign
glazed with gain and, again, phrased with pain,

wheedling sallow farmers who see red
forced to furrow b[l]ushels of transgenic sterile crop seeds
on narrow plain
lots which soon lie fallow
rather than wide marrow
raised with rain
and fertile appetizers

Need greed's speed weed reeds
beside white ants’
terror might nest?

Fazed again, who chickens out of errors?

12 October 2009 robi3_1928_will5_0006 PVW_JNX
Parody William Carlos Williams 1883_1963 The Red Wheelbarrow

The Red Wheelbarrow

so much depends
upon
a red
wheelbarrow
glazed with rain
water
beside the white
chickens

William Carlos WILLIAMS 1883_1963

WILLIAMS William Carlos 1883_1963 will5_0001_will5_0000 PXX_NXX The Red Wheelbarrow_So Much Depends
__________________

The Yellow Goldfish

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poem by Jonathan Robin
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Genesis BK XVIII

(ll. 1082-1089) And there was also in that tribe another son of
Lamech, called Tubal Cain, a smith skilled in his craft. He was
the first of all men on the earth to fashion tools of husbandry;
and far and wide the city-dwelling sons of men made use of bronze
and iron.

(ll. 1090-1103) Then to his two beloved wives, Adah and Zillah,
Lamech rehearsed a tale of shame: "I have struck down a kinsman
unto death! I have defiled my hands with the blood of Cain! I
smote down Enoch's father, slayer of Abel, and poured his blood
upon the ground. Full well I know that for that mortal deed
shall come God's seven-fold vengeance. With fearful torment
shall my deed of death and murder be requited, when I go hence."

(ll. 1104-1111) Then another son was born to Adam in Abel's
stead; and his name was Seth. He was a righteous son and
blessed, a solace to his parents, his father and mother, Adam and
Eve. And he filled the place of Abel in the world. Then Adam
spake, the first of men:

(ll. 1111-1116) "The eternal God of victory, the Lord of life,
hath vouchsafed me another son in place of my beloved whom Cain
slew. So our Lord hath stilled the sorrow of my heart. To Him
be thanks!"

(ll. 1117-1127) Now, when Adam begat another son to be his heir,
that sturdy man had lived an hundred and thirty winters of this
life in the world. The writings tell us that Adam increased his
tribe on earth, begetting sons and daughters eight hundred years.

And all the years of Adam were nine hundred and thirty winters,
and he died.

(ll. 1128-1142) And Seth succeeded Adam: at his father's death
the well-loved son possessed the treasure, and took himself a
wife. And Seth lived an hundred and five winters in the world
and increased his tribe, begetting sons and daughters. Enos was
first-born of the sons of Seth; and he was first of all the sons
of men to call upon the name of God since Adam, first a living
spirit, set foot on the green earth. Seth prospered, eight
hundred and seven winters begetting sons and daughters. And all
the years of Seth were nine hundred and twelve winters, and he
died.

(ll. 1143-1154) And after he went hence, and the earth received
the body of seed-bearing Seth, Enos was warden of the heritage.
Dear was he unto God! He lived for ninety winters in the world,
and begat children. And Cainan was first-born of the sons of
Enos. Eight hundred and fifteen winters the man of wisdom lived,
at peace with God, begetting sons and daughters. And all the

[...] Read more

poem by Caedmon
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Old Town Types No. 13 - Larrikin Luke

Luke Gale, the larrikin lad, dwelt in Larrikin Lane,
A low street, a by-street, right at the edge of the town;
King of the boys and hobbledehoys - a vulgar youth, and vain,
Winning from all respectable folk a very respectable frown.
But, oh, to see him on Saturday nights, dolled in his nobbiest duds,
Doing the weekly Saturday rounds; impudent, out for larks
Eyeing the girls at the Saturday shops
Coming for candy and acidy drops,
While Luke and his henchmen leaned on posts, passing inane remarks.

Larrikin Luke knew how to dress; short, black-braided coat,
Big, black, felt hat, low and broad of brim;
Shirt, white and collarless quite, narrow tie at the throat
Neatly drawn thro' a quandong ring; vest low-cut and trim.
But, pride of his wardrobe, badge of his clan, flapping about his feet,
Black pants - wonderful pants, by a snake-skin belt girt low,
Belled at the bottoms and tight on the thighs;
A curly fringe combed down to his eyes;
Thimble heels to his shiny shoes, laced right down to the toe.

When General Booth sent soldiers hence banging the 'Salvo' drum,
Larrikin Luke and his rowdy push hatched more larrikin plots;
And the 'Starvation Army' marched, to the joy of the township's scum,
Down the streets as they wildly beat on old tins and pots.
And the grave town elders shook their heads hearing the ribald songs
As the badgered brothers of 'Blood and Fire' meekly knelt to pray;
'Larrikin Luke is doomed,' they said;
'Nothing but gaol for him ahead.'
Now Luke and his lads have long passed on, but Booth's men came to stay.

Larrikin Luke, when I saw him last, was a sober man and grey,
Boss of a thriving business now, moved to a different town;
Married and made and settled down; marking the young folk's way,
As any respectable citizen would, with a very respectable frown.
A serious man, Luke Gale, esquire, with a grown-up family now,
A family man, and a solid man, as every townsman grants,
Chiding the wayward young, forsooth!
But I see him still in his own wild youth,
With his thimble heels, and his broad-brimmed hat, and those queer bell-bottomed pants.

poem by Clarence Michael James Stanislaus Dennis
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Pontius Pilate Said

Pontius Pilate was Prefect of Judea
the Roman governor of Judea
during the reign of Tiberius Caesar.

Luke said at Luke 3: 1 “In the fifteenth
year of the reign of Tiberius Caesar,
when Pontius Pilate was governor of Judea
and Herod was district ruler of Galilee...”

That John the Baptist gave answer
that he was not the Christ declaring
as recorded at Luke 3: 16 “John gave
the answer, saying to all: “I, for my

part, baptize YOU with water; but
the one stronger than I am is coming,
the lace of whose sandals I am not fit
to untie. He will baptize you people

with holy spirit and fire.” Amen Lord!

Luke faithfully records at Luke 3: 21-22
by what authority Jesus the Messiah would
come writing “Now when all the people were
baptized, Jesus also was baptized and, as he

was praying, the heaven was opened up and the
holy spirit in bodily shape like a dove came down
upon him, and a voice came out of heaven; “You
are my son, the beloved; I have approved you.””

Years later just before Calvary, in Latin calvaria
“skull” translated from Aramaic Golgotha, John
faithfully records at John 18: 37 “Therefore Pilate
said to him: “Well, then, are you a king? ” Jesus

answered: “You yourself are saying that I am a king.
For this I have been born, and for this I have come
into the world, that I should bear witness to the truth.
Everyone that is on the side of the truth listens to my voice.”””

And Pontius “Pilate said to him: “What is truth? ”

Now do not be mislead Brothers and Sisters in Christ.
Any official professional master, in the art of appeasement,
who plays the game of massive truth manipulation, in
self serving advancement, knows ‘the truth is never the truth.’

All politicians and government officials know play the game that
‘the truth is never the truth’ truth is what people wish to believe!

[...] Read more

poem by Terence George Craddock
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The Hall Of Justice

Part I

VAGRANT.

Take, take away thy barbarous hand,
And let me to thy Master speak;
Remit awhile the harsh command,
And hear me, or my heart will break.

MAGISTRATE.

Fond wretch! and what canst thou relate,
But deeds of sorrow, shame, and sin?
Thy crime is proved, thou know'st thy fate;
But come, thy tale!--begin, begin! -

VAGRANT.

My crime!--This sick'ning child to feed.
I seized the food, your witness saw;
I knew your laws forbade the deed,
But yielded to a stronger law.

Know'st thou, to Nature's great command
All human laws are frail and weak?
Nay! frown not--stay his eager hand,
And hear me, or my heart will break.

In this, th' adopted babe I hold
With anxious fondness to my breast,
My heart's sole comfort I behold,
More dear than life, when life was blest;
I saw her pining, fainting, cold,
I begg'd--but vain was my request.

I saw the tempting food, and seized -
My infant-sufferer found relief;
And in the pilfer'd treasure pleased,
Smiled on my guilt, and hush'd my grief.

But I have griefs of other kind,
Troubles and sorrows more severe;
Give me to ease my tortured mind,
Lend to my woes a patient ear;
And let me--if I may not find
A friend to help--find one to hear.

Yet nameless let me plead--my name
Would only wake the cry of scorn;
A child of sin, conceived in shame,

[...] Read more

poem by George Crabbe
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Sarah Maria

Well the moon is in the ocean
And the starts are in the sky
And all that I can see
Is my sweet marias eyes
Sarah, sarah maria
Sarah maria, ya, ya, ya, ya
Well, you know about the sugar cane
That comes from way down south
Shes got one end in her hand
Shes got one end in her mouth
Sarah, sarah maria
Sarah maria, ya, ya, ya, ya
She took me out walking
To the corner of the world
Where everyone was a-talking
About such a pretty little girl
Sarah, sarah maria.
Sarah maria, ya, ya, ya, ya

song performed by James Taylor
Added by Lucian Velea
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The Water Tower

I sit and stare at this empty page,
The wind howls long at the winter eaves,
The cloud is heavy, and black with rage
As squalls dance in through the myrtle leaves.

While deep inside in the cottage gloom
My love lies weary, cocooned in dreams,
I hear her cry in the darkened room
Call out one name from a nightmare scene.

‘Michelle, ’ she mutters, then groans aloud
I grit my teeth at the open door,
The wind it eddies in dust and leaves
And echoes long at the water tower.

‘Michelle, Michelle, ’ it grumbles and groans,
‘Michelle, ’ it whispers, then skips and howls;
My love rolls over in deepest sleep
While I keep watch through the early hours.

The storm comes in and the rain drives down,
Batters at windows and roof in vain,
The wires whine in a humming frown:
‘Michelle, Michelle, ’ is its one refrain.

And tears roll at my weathered cheek
The clock chimes five at the early hour,
Michelle once crawled from her bed, asleep,
And went to climb at the water tower.

Her hair was black as a raven’s coat
Her eyes set back in that tiny face,
Three winters long was her spell of dreams
Before she crept to that dreadful place.

Three winters long was our fairy child
Who lisped and chattered from heart to heart,
The cottage door had a faulty latch –
I’d always meant to replace that part.

But now, awake from her nest of dreams
I see my love at the open door,
I wait in hope, but her eyes are ice;
She’s staring out at the water tower.

Then I look down, and the page is full,
I’ve scribbled the words of an ancient rhyme,
Over and over and over again –
‘I’ll fix the latch when I get the time.’

[...] Read more

poem by David Lewis Paget
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The Marriage Of Tirzah And Ahirad

IT is the dead of night:
Yet more than noonday light
Beams far and wide from many a gorgeous hall.
Unnumbered harps are tinkling,
Unnumbered lamps are twinkling,
In the great city of the fourfold wall.
By the brazen castle's moat,
The sentry hums a livelier note.
The ship-boy chaunts a shriller lay
From the galleys in the bay.
Shout, and laugh, and hurrying feet
Sound from mart and square and street,
From the breezy laurel shades,
From the granite colonnades,
From the golden statue's base,
From the stately market-place,
Where, upreared by captive hands,
The great Tower of Triumph stands,
All its pillars in a blaze
With the many-coloured rays,
Which lanthorns of ten thousand dyes
Shed on ten thousand panoplies.
But closest is the throng,
And loudest is the song,
In that sweet garden by the river side,
The abyss of myrtle bowers,
The wilderness of flowers,
Where Cain hath built the palace of his pride.
Such palace ne'er shall be again
Among the dwindling race of men.
From all its threescore gates the light
Of gold and steel afar was thrown;
Two hundred cubits rose in height
The outer wall of polished stone.
On the top was ample space
For a gallant chariot race,
Near either parapet a bed
Of the richest mould was spread,
Where amidst flowers of every scent and hue
Rich orange trees, and palms, and giant cedars grew.

In the mansion's public court
All is revel, song, and sport;
For there, till morn shall tint the east,
Menials and guards prolong the feast.
The boards with painted vessels shine;
The marble cisterns foam with wine.
A hundred dancing girls are there
With zoneless waists and streaming hair;
And countless eyes with ardour gaze,

[...] Read more

poem by Thomas Babbington Macaulay
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