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The Moth Diaries

Cast: Sarah Bolger, Sarah Gadon, Lily Cole, Scott Speedman, Anne Day-Jones, Valerie Tian, Melissa Farman, Zina Anaplioti, Deena Aziz, Laurence Hamelin

trailer for The Moth Diaries, directed by Mary Harron, screenplay, inspired by Rachel Klein (2011)Report problemRelated quotes
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Allegany Camp

amazing grace circus camp
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amcmovie camps
amelia earhart in japanese war camp

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Fragmentary Scenes From The Road To Avernus

Scene I
'Discontent'

LAURENCE RABY.


Laurence:
I said to young Allan M'Ilveray,
Beside the swift swirls of the North,
When, in lilac shot through with a silver ray,
We haul'd the strong salmon fish forth
Said only, 'He gave us some trouble
To land him, and what does he weigh?
Our friend has caught one that weighs double,
The game for the candle won't pay
Us to-day,
We may tie up our rods and away.'

I said to old Norman M'Gregor,
Three leagues to the west of Glen Dhu
I had drawn, with a touch of the trigger,
The best BEAD that ever I drew
Said merely, 'For birds in the stubble
I once had an eye-I could swear
He's down-but he's not worth the trouble
Of seeking. You once shot a bear
In his lair-
'Tis only a buck that lies there.'

I said to Lord Charles only last year,
The time that we topp'd the oak rail
Between Wharton's plough and Whynne's pasture,
And clear'd the big brook in Blakesvale
We only-at Warburton's double
He fell, then I finish'd the run
And kill'd clean-said, 'So bursts a bubble
That shone half an hour in the sun
What is won?
Your sire clear'd and captured a gun.'

I said to myself, in true sorrow,
I said yestere'en, 'A fair prize
Is won, and it may be to-morrow
'Twill not seem so fair in thine eyes
Real life is a race through sore trouble,
That gains not an inch on the goal,
And bliss an intangible bubble
That cheats an unsatisfied soul,
And the whole
Of the rest an illegible scroll.'

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Pictures Of Lily

I used to wake up in the morning
I used to wake up in the morning
I used to feel so bad
I used to feel so bad
I got so sick of having sleepless nights
I got so sick of having sleepless nights
I went and told my dad
I went and told my dad
He said, son now heres some little something
He said, son now heres some little something
And stuck them on my wall
And stuck them on my wall
And now my nights aint quite so lonely
And now my nights aint quite so lonely
In fact i, I dont feel bad at all
In fact i, I dont feel bad at all
Pictures of lily made my life so wonderful
Pictures of lily made my life so wonderful
Pictures of lily helped me sleep at night
Pictures of lily helped me sleep at night
Pitcures of lily solved my childhood problems
Pitcures of lily solved my childhood problems
Pictures of lily helped me feel alright
Pictures of lily helped me feel alright
Pictures of lily
Pictures of lily
Lily, oh lily
Lily, oh lily
Lily, oh lily
Lily, oh lily
Pictures of lily
Pictures of lily
And then one day things werent quite so fine
And then one day things werent quite so fine
I fell in love with lily
I fell in love with lily
I asked my dad where lily I could find
I asked my dad where lily I could find
He said, son, now dont be silly
He said, son, now dont be silly
shes been dead since 1929
Shes been dead since 1929
Oh, how I cried that night
Oh, how I cried that night
If only Id been born in lilys time
If only Id been born in lilys time
It would have been alright
It would have been alright
Pictures of lily made my life so wonderful
Pictures of lily made my life so wonderful

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Valerie

Valerie, ooh yeah
We were laughing, and hangin round some hotel bar
And we were so young, and now I wonder where you are
cause that was years ago, but how was I to know wed part
Dont wanna hear you say, you dont know me, valerie
There is somethin, somethin that you gotta know
And valerie you were the first, though I never told you so
You were the main event, you didnt need to steal the show
Im telling you, you dont know me
Valerie - do you remember me, when we were wild and free
Valerie - do you remember me - do you remember
Im recalling all the crazy things weve done
Hey but when your folks found out, they said that we were way too young
That was way back when, maybe it will be again
Dont wanna hear you say, you dont know me
Valerie - do you remember me, when we were wild and free
Valerie - do you remember me - do you remember, yeah
(solo)
Do you remember me - ooh yeah - when we were wild and free
Valerie - do you remember me - just tell me how you feel
Valerie - do you remember me, when we were wild and free
Yeah, valerie - do you remember me - just tell me how you feel
Do you remember me - oh valerie - when we were wild and free
Valerie - do you remember me, just tell me how you feel...

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Sarah’s Special Birthday

There once was a girl named Sarah who had a special toy,

Her toy was a doll named Melodie who brought her lots of joy.

One night when Sarah fell asleep with Melodie in her hand,

Sarah started dreaming she was in a faraway land.

This land was filled with beautiful flowers, birds and butterflies,

This was the land of Krendoll where magical dolls come alive!

Then Sarah saw a shadow along side a tree,

She notices it’s Melodie as happy as can be!

Melodie is sitting on a magical unicorn, the unicorn is fair, soft and
white

The unicorn’s name is UniCandle with his horn shining bright!

Melodie jumps off of UniCandle who lets her to the ground,

And Sarah notices many, many, many presents all around.

The presents are all wrapped with big shiny bows,

They all fit in a glittering cart that has a glittering glow.

“It’s a Special Birthday for…guess who? You guessed it shouts

Melodie, Sarah all the presents are for you! ”

“The magic of your Special Dream brought you to this land,

The land of Special Birthdays is right where you now stand! ”

Then all of a sudden, UniCandle’s horn lit up a deep orange blue,

The flickering of his golden flame would make Sarah’s birthday wish

come true!

Then Melodie moved the cart with the help of the big golden handles,

So UniCandle could reach Sarah’s birthday cake and light Sarah’s

birthday candle.

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La Fontaine

The Case Of Conscience

THOSE who in fables deal, bestow at ease
Both names and titles, freely as they please.
It costs them scarcely any thing, we find.
And each is nymph or shepherdess designed;
Some e'en are goddesses, that move below,
From whom celestial bliss of course must flow.

THIS Horace followed, with superior art:--
If, to the trav'ller's bed, with throbbing heart,
The chambermaid approached, 'twas Ilia found,
Or fair Egeria, or some nymph renowned.

GOD, in his goodness, made, one lovely day,
Apollo, who directs the lyrick lay,
And gave him pow'rs to call and name at will,
Like father Adam, with primordial skill.
Said he, go, names bestow that please the ear;
In ev'ry word let sweetest sound appear.
This ancient law then proves, by right divine,
WE oft are sponsors to the royal line.

WHEN pleasing tales and fables I endite,
I, who in humble verse presume to write,
May surely use this privilege of old,
And, to my fancy, appellations mould.
If I, instead of Anne, should Sylvia say,
And Master Thomas (when the case I weigh)
Should change to Adamas, the druid sage,
Must I a fine or punishment engage?
No, surely not:--at present I shall choose
Anne and the Parson for my tale to use.

WITHIN her village, Anne was thought the belle,
And ev'ry other charmer to excel.
As near a river once she chanced to stray,
She saw a youth in Nature's pure array,
Who bathed at ease within the gliding stream;
The girl was brisk, and worthy of esteem,
Her eyes were pleased; the object gave delight;
Not one defect could be produced in sight;
Already, by the shepherdess adored,
If with the belle to pleasing flights he'd soared,
The god of love had all they wished concealed
None better know what should not be revealed.
Anne nothing feared: the willows were her shade,
Which, like Venetian blinds, a cov'ring made;
Her eyes, howe'er, across had easy view,
And, o'er the youth, each beauty could pursue.

SHE back four paces drew, at first, through shame;

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Carrie Ann

The Hollies
Carrie Anne
(Alan Clarke, Tony Hicks & Graham Nash)
Single release 1967
Doo-doo-roo-roo-doot-doot-doo-roo-roo
doo-d-doo-roo-doot-doot-doo-roo-roo
doo-
hey Carrie Anne
hey Carrie Anne
{Allan Clarke vocal:}
When we were at school our games were simple
I played the janitor you played a monitor.
Then you played with older boys and prefects.
What's the attraction in what they're doing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Tony Hicks vocal:}
You're always something special to me.
Quite independent, never caring.
You lost your charm as you were aging
Where is your magic dissappearing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Allan Clarke lead vocal:}
You're so, so like a woman to me
(so like a woman to me)
So (so) so like (so) a woman to me
So like a woman to me.
{interlude}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Graham Nash vocal:}
People live and learn but you're still learning
you use my mind and I'll be your teacher.
When the lesson's over you'll be with me
Then I'll hear the other people saying:
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
Carrie Anne (Carrie Anne, Carrie Anne)

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New

We knew.
Anne to come.
Anne to come.
Be new.
Be new too.
Anne to come
Anne to come
Be new
Be new too.
And anew.
Anne to come.
Anne anew.
Anne do come.
Anne do come too, to come and to come not to come and as to
and new, and new too.
Anne do come.
Anne knew.
Anne to come.
Anne anew.
Anne to come.
And as new.
Anne to come to come too.
Half of it.
Was she
Windows
Was she
Or mine
Was she
Or as she
For she or she or sure.
Enable her to say.
And enable her to say.
Or half way.
Sitting down.
Half sitting down.
And another way.
Their ships
And please.
As the other side.
And another side
Incoming
Favorable and be fought.
Adds to it.
In half.
Take the place of take the place of take the place of taking
place.
Take the place of in places.
Take the place of taken in place of places.
Take the place of it, she takes it in the place of it. In the way
of arches architecture.

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Not at a Loss Chord - after Adelaide Anne Procter – A Lost Chord

Not at a Loss Chord

Playing one day with my organ,
I was blissful – not ill at ease -
while five fingers wandered wildly
web-cams recording each wheeze.

I know the spot vibrating,
less what I was dreaming then,
but I strummed with both will and spirit
and an “Oh My God! Amen! ”

Adrenaline flowed not vainly
from heart to crimson palm,
as it coursed both veins and spirit
with little akin to calm.

It quieted pain and sorrow,
like love overcoming strife;
it seem[en]ed orgasmic echo
to tune discordant life.

It linked all perplexèd meanings
into one perfect peace,
and trembled away into silence
although I was loth to cease.

I have sought, and I seek not vainly,
that one G spot divine,
which linked my soul to the organ
so manifestly mine.

La petite morte delightful
strikes shivering molten core,
as this little verse insightful
calls for en corps encore!


It may be that Death's bright angel
will speak in that chord again,
for it’s surely in seventh Heaven
one sings “Oh My God! Amen! ”


Parody Adelaide Anne PROCTER – A Lost Chord
8 April 2007

ROBIN Jonathan 1947_2006 robi3_1338_proc1_0001 PXY_MXX Not at a Loss Chord_Playing one day with my organ
A Lost Chord

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Lily Adair

On the beryl-rimmed rebecs of Ruby,
Brought fresh from the hyaline streams,
She played, on the banks of the Yuba,
Such songs as she heard in her dreams.
Like the heavens, when the stars from their cyries
Look down through the ebon night air,
Were the groves by the Ouphantic Fairies
Lit up for my Lily Adair—
For my child-like Lily Adair—
For my heaven-born Lily Adair—
For my beautiful, dutiful Lily Adair.

Like two rose-leaves in sunshine when blowing,
Just curled softly, gently apart,
Were her lips by her passion, while growing
In perfume on the stalk of her heart.
As mild as the sweet influences
Of the Pleiades 'pregning the air—
More mild than the throned Excellencies
Up in heaven, was my Lily Adair—
Was my Christ-like Lily Adair—
Was my lamb-like Lily Adair—
Was my beautiful, dutiful Lily Adair.

At the birth of this fair virgin Vestal,
She was taken for Venus' child;
And her voice, though like diamond in crystal,
Was not more melodious than mild.
Like the moon in her soft silver splendor,
She was shrined in her own, past compare,
For no Angel in heaven was more tender
Than my beautiful Lily Adair—
Than my dove-like Lily Adair—
Than my saint-like Lily Adair—
Than my beautiful, dutiful Lily Adair.

Thus she stood on the arabesque borders
Of the beautiful blossoms that blew
On the banks of the crystalline waters,
Every morn, in the diaphane dew.
The flowers, they were radiant with glory,
And shed such perfume on the air,
That my soul, now to want them, feels sorry,
And bleeds for my Lily Adair—
For my much-loved Lily Adair—
For my long-lost Lily Adair—
For my beautiful, dutiful Lily Adair.

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The Modest Couple

When man and maiden meet, I like to see a drooping eye,
I always droop my own - I am the shyest of the shy.
I'm also fond of bashfulness, and sitting down on thorns,
For modesty's a quality that womankind adorns.

Whenever I am introduced to any pretty maid,
My knees they knock together, just as if I were afraid;
I flutter, and I stammer, and I turn a pleasing red,
For to laugh, and flirt, and ogle I consider most ill-bred.

But still in all these matters, as in other things below,
There is a proper medium, as I'm about to show.
I do not recommend a newly-married pair to try
To carry on as PETER carried on with SARAH BLIGH.

Betrothed they were when very young - before they'd learnt to speak
(For SARAH was but six days old, and PETER was a week);
Though little more than babies at those early ages, yet
They bashfully would faint when they occasionally met.

They blushed, and flushed, and fainted, till they reached the
age of nine,
When PETER'S good papa (he was a Baron of the Rhine)
Determined to endeavour some sound argument to find
To bring these shy young people to a proper frame of mind.

He told them that as SARAH was to be his PETER'S bride,
They might at least consent to sit at table side by side;
He begged that they would now and then shake hands, till he
was hoarse,
Which SARAH thought indelicate, and PETER very coarse.

And PETER in a tremble to the blushing maid would say,
"You must excuse papa, MISS BLIGH, - it is his mountain way."
Says SARAH, "His behaviour I'll endeavour to forget,
But your papa's the coarsest person that I ever met.

"He plighted us without our leave, when we were very young,
Before we had begun articulating with the tongue.
His underbred suggestions fill your SARAH with alarm;
Why, gracious me! he'll ask us next to walk out arm-in-arm!"

At length when SARAH reached the legal age of twenty-one,
The Baron he determined to unite her to his son;
And SARAH in a fainting-fit for weeks unconscious lay,
And PETER blushed so hard you might have heard him miles away.

And when the time arrived for taking SARAH to his heart,
They were married in two churches half-a-dozen miles apart
(Intending to escape all public ridicule and chaff),

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Annes Song

hey! what? ? oh nothing, just wondering why it is youre doing
That whatever it is youre doing. oh yeah, why? I dunno it just
Doesnt seem like something ]youd[ be doing thats all ]you[ of all
People, know what I mean? yeah I know its been bugging you since the
Day I was born, huh? I asked my friend anne about it. I said, anne,
Anne, anne, what am I supposed to do, its been bugging them since the
Day that I was born. she said do whatever the hell you want to do!
Now is the time to do whatever you want, and it will still turn out
Great. youve got the world at your feet.
I never claimed to be different, I only said I was bored and shes
Tired of your uniqueness, it sends her over head first then the rest
Of her follows, the breath of life, it never left her hollow...
I can do everything, she said, she said with a smile.
And I can go anywhere tonight, cause Im with anne.
Anne, anne, who? anne dagnabit island princess queen with the juice
Whats this? I see she brought her whole uplown contingent. first theres
Jon e., he always loves a party, hes followed by vinnie, whos feelin
Kinda skinny, he says hey anne Im starved what you got to eat, she
Says vinnie youre always starving man get away from that fridge!
Here comes lucy, shes feelin really sexy, shes followed by her
Boyfriend, whod better not turn around, this time, or hes bound to lose
Her, and here comes jamilla, whos got the cream soda...
I can do everything, she said, she said with a smile
And I can go anywhere tonight, cause Im with anne

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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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One Leg Anne and the Innocent Flirt.

Sister Mary pushed Anne
in her wheelchair
to the white table
where you were sitting

with Lydia Sad
and Malcolm
and a curly headed girl
with burn scars

on her face and neck
there
said the nun
here you can sit

and wait for breakfast
and catch the morning sun
Anne looked glumly
at the sky

and said nothing
as the nun
walked away
I wonder

what's for breakfast?
Malcolm asked
stewed cat on toast
Anne said

looking at Lydia Sad
whose blonde hair
and blue eyes
gave her

an angelic look
that's horrible
the girl with burn scars said
don't eat it then

Anne said
Malcolm looked at you
it wouldn't be that
would it?

He asked
no
you said
Anne's just having you on

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Mr. Jones

Mr. jones
Put a wiggle in your stride
Loosen up
I believe he'll be alright
Changing clothes
Now he's got ventilated slacks
Bouncing off the walls
Mr. jones is back!
Bulge out
And wind your waist
Tight pants
Got curly hair
Drinking cold beer
From metal cans
Moonshine
And handi-wipes!
Mr. jones is back in town
It's his lucky day
Hold up your hands and shout
Jones is on his way
Pitter pat
Mr. jones is back in town
Aces high
Now his pants are falling down
He looks so fine
In those patent leather shoes
Mr. jones, you look tired
I believe you'll be alright
Sales men
Conventioneers
Some rock stars
With tambourines
Short skirts
And skinny legs
Selling bibles
And real estate
It's a big day for mr. jones
He is not so square
Mr. jones will stick around
He's everybody's friend
Fast cars
And motorbikes
I'm sure glad
He's on our side
The jones gang
Down at the bar
Watch out, this time
They've gone too far
They call for mr. jones
They put him in charge

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Me And Mrs. Jones

Me and mrs. jones, we got a thing going on,
We both know that it's wrong
But it's much too strong to let it cool down now.
We meet ev'ry day at the same cafe,
Six-thirty i know she'll be there,
Holding hands, making all kinds of plans
While the jukebox plays our favorite song.
Me and mrs., mrs. jones, mrs. jones, mrs. jones,
Mrs. jones got a thing going on,
We both know that it's wrong,
But it's much too strong to let it cool down now.
We gotta be extra careful that we don't build our hopes too high
Cause she's got her own obligations and so do i,
Me, me and mrs., mrs. jones, mrs. jones, mrs. jones,
Mrs. jones got a thing going on,
We both know that it's wrong,
But it's much too strong to let it cool down now.
Well, it's time for us to be leaving,
Iit hurts so much, it hurts so much inside,
Now she'll go her way and i'll go mine,
But tomorrow we'll meet the same place, the same time.
Me and mrs. jones, mrs. jones, mrs. jones.

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Me & Mrs. Jones

Me and Mrs. Jones, we got a thing going on,
We both know that it's wrong
But it's much too strong to let it cool down now.
We meet ev'ry day at the same cafe,
Six-thirty I know she'll be there,
Holding hands, making all kinds of plans
While the jukebox plays our favorite song.
Me and Mrs., Mrs. Jones, Mrs. Jones, Mrs. Jones,
Mrs. Jones got a thing going on,
We both know that it's wrong,
But it's much too strong to let it cool down now.
We gotta be extra careful that we don't build our hopes too high
Cause she's got her own obligations and so do I,
Me, me and Mrs., Mrs. Jones, Mrs. Jones, Mrs. Jones,
Mrs. Jones got a thing going on,
We both know that it's wrong,
But it's much too strong to let it cool down now.
Well, it's time for us to be leaving,
Iit hurts so much, it hurts so much inside,
Now she'll go her way and I'll go mine,
But tomorrow we'll meet the same place, the same time.
Me and Mrs. Jones, Mrs. Jones, Mrs. Jones.

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George Meredith

Archduchess Anne

1--I

In middle age an evil thing
Befell Archduchess Anne:
She looked outside her wedding-ring
Upon a princely man.

II

Count Louis was for horse and arms;
And if its beacon waved,
For love; but ladies had not charms
To match a danger braved.

III

On battlefields he was the bow
Bestrung to fly the shaft:
In idle hours his heart would flow
As winds on currents waft.

IV

His blood was of those warrior tribes
That streamed from morning's fire,
Whom now with traps and now with bribes
The wily Council wire.

V

Archduchess Anne the Council ruled,
Count Louis his great dame;
And woe to both when one had cooled!
Little was she to blame.

VI

Among her chiefs who spun their plots,
Old Kraken stood the sword:
As sharp his wits for cutting knots
Of babble he abhorred.

VII

He reverenced her name and line,
Nor other merit had
Save soldierwise to wait her sign,
And do the deed she bade.

VIII

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The Pied Piper of Hamelin

A Child's Story

I.

Hamelin Town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side
A pleasanter spot you never spied;
But when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

II.

Rats!
They fought the dogs and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cooks' own ladles.
Split open the kegs of salted sprats,
Made nests inside men's Sunday hats,
And even spoiled the women's chats
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

III.

At last the people in a body
To the town hall came flocking:
"'Tis clear," cried they, "our mayor's a noddy;
And as for our corporation—shocking
To think we buy gowns lined with ermine
For dolts that can't or won't determine
What's best to rid us of our vermin!
You hope, because you're old and obese,
To find in the furry civic robe ease?
Rouse up, sirs! Give your brains a racking
To find the remedy we're lacking,
Or, sure as fate, we'll send you packing!"
At this the Mayor and Corporation
Quaked with a mighty consternation.

IV.

An hour they sat in council;
At length the Mayor broke silence
"For a guilder I'd my ermine gown sell;

[...] Read more

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Pied Piper Of Hamelin, The

A CHILD'S STORY.

(_Written for, and inscribed to, W. M. the Younger._)

I.

Hamelin Town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

II.

Rats!
They fought the dogs and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cooks' own ladles,
Split open the kegs of salted sprats,
Made nests inside men's Sunday hats,
And even spoiled the women's chats
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

III.

At last the people in a body
To the Town Hall came flocking:
``'Tis clear,'' cried they, ``our Mayor's a noddy;
``And as for our Corporation---shocking.
``To think we buy gowns lined with ermine
``For dolts that can't or won't determine
``What's best to rid us of our vermin!
``You hope, because you're old and obese,
``To find in the furry civic robe ease?
``Rouse up, sirs! Give your brains a racking
``To find the remedy we're lacking,
``Or, sure as fate, we'll send you packing!''
At this the Mayor and Corporation
Quaked with a mighty consternation.

IV.

An hour they sat in council,

[...] Read more

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