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Rise of the Guardians

Cast: Hugh Jackman, Alec Baldwin, Isla Fisher, Chris Pine, Jude Law, Dakota Goyo

trailer for Rise of the Guardians, directed by Peter Ramsey, screenplay, inspired by Peter Ramsey (2012)Report problemRelated quotes
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Sun-Up

(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)

I

CELIA

Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.


When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.


Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.

Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.


It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.

Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.

I wish Celia
could see the sea climb up on the sky
and slide off again…

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Jude

When you tell mama
you are going to do something great
she looks at you
as though you were a window
she were trying to see through,
and says she hopes you will be good
instead of great.

When you are five years old
you spend the day in the Gardens.
The grass is greener than cabbages,
and orange lilies
stand up very straight
and will not curtsey to the sun
when the wind tells them.
Only pansies bow down very low.
Pansies make little purple cushions
for queen bees to stand on.
Bees
have brown silk hair on their bodies.
If you are careful
they will let you stroke them.

The trees over the marble man
catch up all the sunbeams
so the shadows have it their way—
the shadows swallow him up
like a blue shark.
When you scoop a sunbeam up on your palm
and offer it to the marble man,
he does not notice…
he looks into his stone beard.
… When you do something great
people give you a stone face,
so you do not care any more
when the sun throws gold on you
through leaf-holes the wind makes
in green bushes….
This thought makes me very sad.

Jude has eyes like tobacco
with yellow specks on it
and his hair is red as a red orange.
Jude and I
have made a garden in the field
that no one knows about.

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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Hey Jude Lennon/mccartney

Hey jude, dont make it bad.
Take a sad song and make it better.
Remember to let her into your heart,
Then you can start to make it better.
Hey jude, dont be afraid.
You were made to go out and get her.
The minute you let her under your skin,
Then you begin to make it better.
And anytime you feel the pain, hey jude, refrain,
Dont carry the world upon your shoulders.
For well you know that its a fool who plays it cool
By making his world a little colder.
Hey jude, dont let me down.
You have found her, now go and get her.
Remember to let her into your heart,
Then you can start to make it better.
So let it out and let it in, hey jude, begin,
Youre waiting for someone to perform with.
And dont you know that its just you, hey jude, youll do,
The movement you need is on your shoulder.
Hey jude, dont make it bad.
Take a sad song and make it better.
Remember to let her under your skin,
Then youll begin to make it
Better better better better better better, oh.
Da da da da da da, da da da, hey jude...

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Mother In Law

(a. toussaint)
Mother in law, mother in law
Mother in law, mother in law
The worst person I know
Mother in law, mother in law
She worries me so
Mother in law, mother in law
If she leaves us alone
We could have a happy home
Sent from down below
Mother in law, mother in law
Mother in law, mother in law
Satan should be her name
Mother in law, mother in law
To me theyre about the same
Mother in law, mother in law
Everytime I open my mouth
Steps in trying to put me out
How could you stood so low
Mother in law, mother in law
Mother in law, mother in law
Come home with my pay
Mother in law, mother in law
She asks me what I made
Mother in law, mother in law
She thinks her advice is a contribution
If she would leave that would be the solution
Dont come back no more
Mother in law, mother in law
Mother in law, mother in law....

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University Of Central Florida Volleyball

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M'Gillviray's Dream

A Forest-Ranger's Story.

JUST nineteen long years, Jack, have passed o'er my shoulders
Since close to this spot we lay waiting the foe;
Ay, here is the mound where brave Percival moulders,
And yonder's the place where poor Norman lies low;
'Twas only a skirmish — just eight of our number
Were stretch'd on the sward when the fighting was done;
We scooped out their beds, and we left them to slumber,
The bold-hearted fellows went down with the sun.
The month was October — young Summer was peeping
Through evergreen forests where Spring, still supreme,
Spread all the rich tints that she had in her keeping
On tree, shrub, and bush, while each brooklet and stream
With babblings of joy ran along to the river —
But, hang it, old man, I am going too far;
I talk as I used to when from Cupid's quiver
Flew darts of affection my bosom to scar.
I'm not much at poetry, Jack, though I've written
Some nonsense in verse when my heart was aglow
With what they call love — have you ever been smitten
By some artful minx who deceived you? What, no?
By Jove, you've been lucky; but, Jack, I'm digressing.
Our quarters were here, under Lusk, and we made
Our camp in the church without asking a blessing;
This place is still known as the Mauku Stockade.
I'd fought with Von Tempsky along the Waikato;
I'd seen the green banks of that fair river dyed
With British blood, red as the plumes of the rata
When Spring scatters scarlet drops thick in her pride.
I cared not for danger, and fighting was pleasure,
The life of a Ranger was one of romance —
A dare-devil fool ever ready to measure
A savage's length with my rifle. 'Twas chance
That sent me among them; I lived but for glory;
My comrades were all of good mettle and true,
And one was a hero; I'll tell you his story —
God rest poor M'Gillviray — brave-hearted Hugh!
I knew him for years, Jack, and shoulder to shoulder
He stood by me often when swift leaden hail
Whizzed close to our ears. Ah! old man, I was bolder
In those valiant days than I'm now. To my tale: —

The morning was gloomy, and Hugh sat beside me;
We'd chumm'd in together for two years or more;
I found him a brick, and he said when he tried me
In front of the foe, “Dick, you're true to the core!”
Enough — we were friends, and in trouble or danger
We stuck by each other in camp and in fray.
How often we find in the breast of a stranger

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Breaking The Law

There I was completely wasting, out of work and down
All inside its so frustrating as I drift from town to town
Feel as though nobody cares if I live or die
So I might as well begin to put some action in my life
Breaking the law, breaking the law
Breaking the law, breaking the law
Breaking the law, breaking the law
Breaking the law, breaking the law
So much for the golden future, I cant even start
Ive had every promise broken, theres anger in my heart
You dont know what its like, you dont have a clue
If you did youd find yourselves doing the same thing too
Breaking the law, breaking the law
Breaking the law, breaking the law
Breaking the law, breaking the law
Breaking the law, breaking the law
You dont know what its like
Breaking the law, breaking the law
Breaking the law, breaking the law
Breaking the law, breaking the law
Breaking the law, breaking the law
Breaking the law

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Hey Jude

Hey jude, dont make it bad, take a sad song and make it better
Remember to let her into your heart, then you can start, to make it better
Hey jude, dont be afraid, you were made to, go out and get her
The minute, you let her under your skin, then youll begin, to make it better
And any time you feel the pain, hey jude, refrain
Dont carry the world, upon your shoulders
For now you know that its a fool, who plays it cool
By making his world a little colder na na na na na .... na na na na
Hey jude, dont let me down, you have found her, now go and get her
Remember, to let her into your heart, then you can start, to make it better
So let it out and let it in, hey jude, begin
Your waiting for someone to perform with
And dont you know thats its just you, hey jude, youll do
The movement you need is on your shoulder na na na na na .... na na na na
Hey jude, dont make it bad, take a sad song and make it better
Remember to let her into your skin, then youll begin, to make it
Better, better, better, better, better, better yeah!

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Beatles Medley

Were sergeant peppers lonely hearts club band
Were sorry but its time to go
Sergeant peppers one and only lonely hearts club band
We hope you did enjoy the show
Sergeant peppers lonely, sergeant peppers lonely
Sergeant peppers lonely hearts club band...
Sergeant peppers one and only lonely hearts club band!
Sergeant peppers one and only lonely hearts club band!
Sergeant peppers one and only lonely hearts club band!
Sergeant peppers one and only lonely hearts club band!
We were talking about the space between our song!
Aint nothing you can do that cant be done!
Its been a hard days night, I should be sleeping like a log!
Help! I need somebody!
Help!
Shes a big teaser!
She took me half the way there!
Lady madonna, baby at your breast!
Get back, get back
Get back to where you once belonged!
Get back, get back
Get back to where you once belonged!
She loves you yeah yeah yeah!
She loves you yeah yeah yeah!
She loves you yeah yeah yeah!
She loves you yeah!
Sergeant peppers one and only lonely hearts club band!
Nah nah nah nah nah nah!
Nah nah nah!
Hey jude!
Nah nah nah nah nah nah!
Nah nah nah!
Hey jude!
Nah nah nah nah nah nah!
Nah nah nah!
Hey jude!
Dah dah dah dah dah dah!
Dah dah dah!
Hey jude!
Dah dah dah dah dah dah!
Dah dah dah!
Hey jude!
Dah dah dah dah dah dah!
Dah dah dah!
Hey jude!
Hey jude!

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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I Fought The Law

Breakin' rocks in the hot sun
I fought the law and the law won
I fougth the law and the law won
I needed money 'cause I had none
I fought the law and the law won
I fought the law and the law won
I miss my baby and I feel so bad
I guess my race is run
She was the best girl that I ever had
I fought the law and the law won
I fought the law and the law won
Robbin' people with a six-gun
I fought the law and the law won
I fought the law and the law won
I miss my baby and the good fun
I fought the law and the law won
I fought the law and the law won
I miss my baby and I feel so bad
I guess my race is run
She was the best girl that I ever had
I fought the law and the law won
I fought the law and the law won

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I Fought The Law

(s.curtis)
Im breakin rocks in the hot sun, I fought the law and the law won
I fought the law and the law won, I needed money cos I had none
I fought the law and the law won, I fought the law and the law won
I left my baby and I feel so bad, I guess my race is run
Shes the best girl I ever had, I fought the law and the law won
I fought the law and the law won, I was robbing people with a six gun
I fought the law and the law won, I fought the law and the law won
I miss my baby and good fun, I fought the law and the law won
I fought the law and the law won, I left my baby and I feel so bad
I guess my race is run, shes the best girl I ever had
I fought the law and the law won, I fought the law and the law won

song performed by Roy OrbisonReport problemRelated quotes
Added by Lucian Velea
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Fauconshawe

[A Ballad]

To fetch clear water out of the spring
The little maid Margaret ran,
From the stream to the castle's western wing
It was but a bowshot span ;
On the sedgy brink where the osiers cling
Lay a dead man, pallid and wan.

The lady Mabel rose from her bed,
And walked in the castle hall,
Where the porch through the western turret led
She met with her handmaid small.
'What aileth thee, Margaret ?' the lady said,
'Hast let thy pitcher fall ?

'Say, what hast thou seen by the streamlet side—
A nymph or a water sprite—
That thou comest with eyes so wild and wide,
And with cheeks so ghostly white ?'
'Nor nymph nor sprite,' the maiden cried,
'But the corpse of a slaughtered knight.'

The lady Mabel summon'd straight
To her presence Sir Hugh de Vere,
Of the guests who tarried within the gate
Of Fauconshawe, most dear
Was he to that lady ; betrothed in state
They had been since many a year.

'Little Margaret sayeth a dead man lies
By the western spring, Sir Hugh ;
I can scarce believe that the maiden lies—
Yet scarce can believe her true.'
And the knight replies, 'Till we test her eyes
Let her words gain credence due.'

Down the rocky path knight and lady led,
While guests and retainers bold
Followed in haste, for like wildfire spread
The news by the maiden told.
They found 'twas even as she had said—
The corpse had some while been cold.

How the spirit had pass'd in the moments last
There was little trace to reveal ;
On the still, calm face lay no imprint ghast,
Save the angel's solemn seal,
Yet the hands were clench'd in a death-grip fast,
And the sods stamp'd down by the heel.

[...] Read more

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Coming Home

Five minutes here, and they must steal two more!
shameful! Here have I been five mortal years
and not seen home nor one dear kindred face,
and these abominable slugs, this guard,
this driver, porters--what are they about?--
keep us here motionless, two minutes, three.--
Aha! at last!

Good! We shall check our minutes;
we're flying after them, like a mad wind
chasing the leaves it has tossed on in front.
Oh glorious wild speed, what giants' play!
and there are men who tell us poetry
is dead where railways come! Maybe 'tis true,
I'm a bad judge, I've had scant reading time
and little will to read ...... and certainly
I've not found railways in what verse I know:
but there's a whizz and whirr as trains go by,
a bullet-like indomitable rush
and then all's done, which makes me often think
one of those men who found out poetry,
and had to write the things just that they saw,
would have made some of their fine crashing lines
that stir one like the marches one knows best,
and the enemy knows best, with trains in them
as easily as chariots.

Anyhow
I've poetry and music too to-day
in the very clatter: it goes "Home, home, home."

And they'll think that sharp shriek a kinder sound
than sweetest singing, when it presently
pierces the quiet of the night and sends
its eager shrillness on for miles before
to say I'm no time distant. I can see
my mother's soft pink cheeks (like roses, pale
after a June week's blooming,) flush and wan,
and her lip quiver; I can see the girls,
restless between the hall door and the clock,
hear it and hush and lean expectant heads
to catch the rattle of the coming train;
my father, sitting pshawing by the fire
at all the fuss and waiting, half start up,
dropping his Times, forgetful just so long
that he is not impatient like the rest,
the tender foolish women, and, alert
to hide how he was tempted to fuss too,
reseat himself intent on politics;
and Hugh--I think Hugh must be there with them,

[...] Read more

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

[...] Read more

poem by from The Ring and the BookReport problemRelated quotes
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Hey Jude

(words & music by john lennon - paul mccartney)
Hey jude, dont be a fool
Take a sad song and make it better
The minute you let her into your heart
Then you can start to make it better
Hey jude, dont let me down
Take a sad song and make it better
The minute you let her into your heart
Then you can start to make it better
Let it out and let in
Hey jude begin
To making the world a little better
Dont you know that its a fool
Who plays it cool
In making the world a little better
Hey jude, dont let me down
Take a sad song and make it better
The minute you let her into your heart
Then you can start to make it better
Let it out and let in
Hey jude begin
To making the world a little better
Dont you know that its a fool
Who plays it cool
To taking the world upon your shoulder
Hey jude, dont let me down
Take a sad song and make it better
The minute you let her into your heart
Then you can start to make it better
Na na na na na.....

song performed by Elvis PresleyReport problemRelated quotes
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