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ParaNorman [trailer 2]

Cast: Anna Kendrick, Leslie Mann, John Goodman, Casey Affleck, Jodelle Ferland, Kodi Smit-McPhee, Christopher Mintz-Plasse, Bernard Hill, Jeff Garlin

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ParaNorman

Cast: Anna Kendrick, Leslie Mann, John Goodman, Casey Affleck, Jodelle Ferland, Kodi Smit-McPhee, Christopher Mintz-Plasse, Bernard Hill, Jeff Garlin

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Casey at the Bat

The outlook wasn't brilliant for the Mudville nine that day;
The score stood four to two, with but one inning more to play,
And then when Cooney died at first, and Barrows did the same,
A pall-like silence fell upon the patrons of the game.

A straggling few got up to go in deep despair. The rest
Clung to that hope which springs eternal in the human breast;
They thought, "If only Casey could but get a whack at that--
We'd put up even money now, with Casey at the bat."

But Flynn preceded Casey, as did also Jimmy Blake,
And the former was a hoodoo, while the latter was a cake;
So upon that stricken multitude grim melancholy sat,
For there seemed but little chance of Casey getting to the bat.

But Flynn let drive a single, to the wonderment of all,
And Blake, the much despisèd, tore the cover off the ball;
And when the dust had lifted, and men saw what had occurred,
There was Jimmy safe at second and Flynn a-hugging third.

Then from five thousand throats and more there rose a lusty yell;
It rumbled through the valley, it rattled in the dell;
It pounded on the mountain and recoiled upon the flat,
For Casey, mighty Casey, was advancing to the bat.

There was ease in Casey's manner as he stepped into his place;
There was pride in Casey's bearing and a smile lit Casey's face.
And when, responding to the cheers, he lightly doffed his hat,
No stranger in the crowd could doubt 'twas Casey at the bat.

Ten thousand eyes were on him as he rubbed his hands with dirt;
Five thousand tongues applauded when he wiped them on his shirt;
Then while the writhing pitcher ground the ball into his hip,
Defiance flashed in Casey's eye, a sneer curled Casey's lip.

And now the leather-covered sphere came hurtling through the air,
And Casey stood a-watching it in haughty grandeur there.
Close by the sturdy batsman the ball unheeded sped--
"That ain't my style," said Casey. "Strike one!" the umpire said.

From the benches, black with people, there went up a muffled roar,
Like the beating of the storm-waves on a stern and distant shore;
"Kill him! Kill the umpire!" shouted some one on the stand;
And it's likely they'd have killed him had not Casey raised his hand.

With a smile of Christian charity great Casey's visage shone;
He stilled the rising tumult; he bade the game go on;
He signaled to the pitcher, and once more the dun sphere flew;
But Casey still ignored it, and the umpire said, "Strike two!"

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Allegany Camp

amazing grace circus camp
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amelia earhart in japanese war camp

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Tale XVI

THE CONFIDANT.

Anna was young and lovely--in her eye
The glance of beauty, in her cheek the dye:
Her shape was slender, and her features small,
But graceful, easy, unaffected all:
The liveliest tints her youthful face disclosed;
There beauty sparkled, and there health reposed;
For the pure blood that flush'd that rosy cheek
Spoke what the heart forbade the tongue to speak,
And told the feelings of that heart as well,
Nay, with more candour than the tongue could tell.
Though this fair lass had with the wealthy dwelt,
Yet like the damsel of the cot she felt;
And, at the distant hint or dark surmise,
The blood into the mantling cheek would rise.
Now Anna's station frequent terrors wrought,
In one whose looks were with such meaning fraught,
For on a Lady, as an humble friend,
It was her painful office to attend.
Her duties here were of the usual kind -
And some the body harass'd, some the mind:
Billets she wrote, and tender stories read,
To make the Lady sleepy in her bed;
She play'd at whist, but with inferior skill,
And heard the summons as a call to drill;
Music was ever pleasant till she play'd
At a request that no request convey'd;
The Lady's tales with anxious looks she heard,
For she must witness what her Friend averr'd;
The Lady's taste she must in all approve,
Hate whom she hated, whom she lov'd must love;
These, with the various duties of her place,
With care she studied, and perform'd with grace:
She veil'd her troubles in a mask of ease,
And show'd her pleasure was a power to please.
Such were the damsel's duties: she was poor -
Above a servant, but with service more:
Men on her face with careless freedom gaz'd,
Nor thought how painful was the glow they raised.
A wealthy few to gain her favour tried,
But not the favour of a grateful bride;
They spoke their purpose with an easy air,
That shamed and frighten'd the dependent fair;
Past time she view'd, the passing time to cheat,
But nothing found to make the present sweet:
With pensive soul she read life's future page,
And saw dependent, poor, repining age.
But who shall dare t'assert what years may

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The Haggis Of Private McPhee

"Hae ye heard whit ma auld mither's postit tae me?
It fair maks me hamesick," says Private McPhee.
"And whit did she send ye?" says Private McPhun,
As he cockit his rifle and bleezed at a Hun.
"A haggis! A Haggis!" says Private McPhee;
"The brawest big haggis I ever did see.
And think! it's the morn when fond memory turns
Tae haggis and whuskey--the Birthday o' Burns.
We maun find a dram; then we'll ca' in the rest
O' the lads, and we'll hae a Burns' Nicht wi' the best."

"Be ready at sundoon," snapped Sergeant McCole;
"I want you two men for the List'nin' Patrol."
Then Private McPhee looked at Private McPhun:
"I'm thinkin', ma lad, we're confoundedly done."
Then Private McPhun looked at Private McPhee:
"I'm thinkin' auld chap, it's a' aff wi' oor spree."
But up spoke their crony, wee Wullie McNair:
"Jist lea' yer braw haggis for me tae prepare;
And as for the dram, if I search the camp roun',
We maun hae a drappie tae jist haud it doon.
Sae rin, lads, and think, though the nicht it be black,
O' the haggis that's waitin' ye when ye get back."

My! but it wis waesome on Naebuddy's Land,
And the deid they were rottin' on every hand.
And the rockets like corpse candles hauntit the sky,
And the winds o' destruction went shudderin' by.
There wis skelpin' o' bullets and skirlin' o' shells,
And breengin' o' bombs and a thoosand death-knells;
But cooryin' doon in a Jack Johnson hole
Little fashed the twa men o' the List'nin' Patrol.
For sweeter than honey and bricht as a gem
Wis the thocht o' the haggis that waitit for them.

Yet alas! in oor moments o' sunniest cheer
Calamity's aften maist cruelly near.
And while the twa talked o' their puddin' divine
The Boches below them were howkin' a mine.
And while the twa cracked o' the feast they would hae,
The fuse it wis burnin' and burnin' away.
Then sudden a roar like the thunner o' doom,
A hell-leap o' flame . . . then the wheesht o' the tomb.

"Haw, Jock! Are ye hurtit?" says Private McPhun.
"Ay, Geordie, they've got me; I'm fearin' I'm done.
It's ma leg; I'm jist thinkin' it's aff at the knee;
Ye'd best gang and leave me," says Private McPhee.
"Oh leave ye I wunna," says Private McPhun;
"And leave ye I canna, for though I micht run,

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Mann Toh Mann Hai

Mann to mann hai
Ek sawachand panchi
Kaun use kisi bandhan
me bandh paya hai.

Lakh talo me rah kar bhi
uuse kon bandi bana paya hai.
Dekho to uuadan uski
Chand lamho mei
Vo to kitne brahmand
Bhraman kar aaya hai.

Mann to mann hai
Ek sawachand panchi
Kaun use kisi bandhan
me bandh paya hai.

Tan ko to bandh liya
kadiyo se.
Kabhi diwaroo mein
Kabhi dooriyo mein
Mann ke aashwo ki
Doowd kaun, kaha,
rok paya hai

Mann to mann hai
Ek sawachand panchi
Kaun use kisi bandhan
me bandh paya hai.

mann doodaye
mann hasaye
mann roolaye
mann ki mahima
kya kabhi kooie jaan paya hai.

Mann to mann hai
Ek sawachand panchi
Kaun use kisi bandhan
me bandh paya hai

mann chanchal hai,
jharno sa
baadlo mein chamakti bijjliyo sa.
mann paavan hai
pooja mein chadhe puspo sa.
mann pischash hai
khoon mooh lage narbhakshi sa.

par phir,

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M'Sieu Smit

THE ADVENTURES OF AN ENGLISHMAN IN THE CANADIAN WOODS.


Wan morning de walkim boss say 'Damase,
I t'ink you're good man on canoe d'ecorce,
So I'll ax you go wit' your frien' Philéas
An' meet M'sieu' Smit' on Chenail W'ite Horse.

'He'll have I am sure de grosse baggage--
Mebbe some valise--mebbe six or t'ree--
But if she's too moche for de longue portage
'Poleon he will tak' 'em wit' mail buggee.'

W'en we reach Chenail, plaintee peep be dere,
An' wan frien' of me, call Placide Chretien,
'Splain all dat w'en he say man from Angleterre
Was spik heem de crowd on de 'Parisien.'

Fonny way dat Englishman he'll be dress,
Leetle pant my dear frien' jus' come on knee,
Wit' coat dat's no coat at all--only ves'
An' hat--de more stranger I never see!

Wall! dere he sit on de en' some log
An' swear heem in English purty loud
Den talk Français, w'ile hees chien boule dog
Go smellim an' smellim aroun' de crowd.

I spik im 'Bonjour, M'sieu' Smit', Bonjour,
I hope dat yourse'f and famille she's well?'
M'sieu Smit' he is also say 'Bonjour,'
An' call off hees dog dat's commence for smell.

I tell heem my name dat's Damase Labrie
I am come wit' Philéas for mak' de trip,
An' he say I'm de firs' man he never see
Spik English encore since he lef' de ship.

He is also ax it to me 'Damase,
De peep she don't seem understan' Français,
W'at's matter wit' dat?' An' I say 'Becos
You mak' too much talk on de Parisien.'

De groun she is pile wit' baggage--Sapré!
An' I see purty quick we got plaintee troub--
Two tronk, t'ree valise, four-five fusil,
An' w'at M'sieu Smit' he is call 'bat' tubbe.'

M'sieu Smit' he's tole me w'at for's dat t'ing,
An' it seem Englishman he don't feel correc'

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Robin Hood and the Monk

In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,

To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.

Hit befel on Whitson
Erly in a May mornyng,
The son up feyre can shyne,
And the briddis mery can syng.

'This is a mery mornyng,' seid Litull John,
'Be Hym that dyed on tre;
A more mery man then I am one
Lyves not in Cristianté.

'Pluk up thi hert, my dere mayster,'
Litull John can sey,
'And thynk hit is a full fayre tyme
In a mornyng of May.'

'Ye, on thyng greves me,' seid Robyn,
'And does my hert mych woo:
That I may not no solem day
To mas nor matyns goo.

'Hit is a fourtnet and more,' seid he,
'Syn I my Savyour see;
To day wil I to Notyngham,' seid Robyn,
'With the myght of mylde Marye.'

Than spake Moche, the mylner sun,
Ever more wel hym betyde!
'Take twelve of thi wyght yemen,
Well weppynd, be thi side.
Such on wolde thi selfe slon,
That twelve dar not abyde.'

'Of all my mery men,' seid Robyn,
'Be my feith I wil non have,
But Litull John shall beyre my bow,
Til that me list to drawe.'

'Thou shall beyre thin own,' seid Litull Jon,
'Maister, and I wyl beyre myne,
And we well shete a peny,' seid Litull Jon,

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Casey's Table D'Hote

Oh, them days on Red Hoss Mountain, when the skies wuz fair 'nd blue,
When the money flowed like likker, 'nd the folks wuz brave 'nd true!
When the nights wuz crisp 'nd balmy, 'nd the camp wuz all astir,
With the joints all throwed wide open 'nd no sheriff to demur!
Oh, them times on Red Hoss Mountain in the Rockies fur away,--
There's no sich place nor times like them as I kin find to-day!
What though the camp _hez_ busted? I seem to see it still
A-lyin', like it loved it, on that big 'nd warty hill;
And I feel a sort of yearnin' 'nd a chokin' in my throat
When I think of Red Hoss Mountain 'nd of Casey's tabble dote!

Wal, yes; it's true I struck it rich, but that don't cut a show
When one is old 'nd feeble 'nd it's nigh his time to go;
The money that he's got in bonds or carries to invest
Don't figger with a codger who has lived a life out West;
Us old chaps like to set around, away from folks 'nd noise,
'Nd think about the sights we seen and things we done when boys;
The which is why _I_ love to set 'nd think of them old days
When all us Western fellers got the Colorado craze,--
And _that_ is why I love to set around all day 'nd gloat
On thoughts of Red Hoss Mountain 'nd of Casey's tabble dote.

This Casey wuz an Irishman,--you'd know it by his name
And by the facial features appertainin' to the same.
He'd lived in many places 'nd had done a thousand things,
From the noble art of actin' to the work of dealin' kings,
But, somehow, hadn't caught on; so, driftin' with the rest,
He drifted for a fortune to the undeveloped West,
And he come to Red Hoss Mountain when the little camp wuz new,
When the money flowed like likker, 'nd the folks wuz brave 'nd true;
And, havin' been a stewart on a Mississippi boat,
He opened up a caffy 'nd he run a tabble dote.

The bar wuz long 'nd rangy, with a mirrer on the shelf,
'Nd a pistol, so that Casey, when required, could help himself;
Down underneath there wuz a row of bottled beer 'nd wine,
'Nd a kag of Burbun whiskey of the run of '59;
Upon the walls wuz pictures of hosses 'nd of girls,--
Not much on dress, perhaps, but strong on records 'nd on curls!
The which had been identified with Casey in the past,--
The hosses 'nd the girls, I mean,--and both wuz mighty fast!
But all these fine attractions wuz of precious little note
By the side of what wuz offered at Casey's tabble dote.

There wuz half-a-dozen tables altogether in the place,
And the tax you had to pay upon your vittles wuz a case;
The boardin'-houses in the camp protested 't wuz a shame
To patronize a robber, which this Casey wuz the same!
They said a case was robbery to tax for ary meal;
But Casey tended strictly to his biz, 'nd let 'em squeal;

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The Ballad Of Casey's Billy-Goat

You've heard of "Casey at The Bat,"
And "Casey's Tabble Dote";
But now it's time
To write a rhyme
Of "Casey's Billy-goat."

Pat Casey had a billy-goat he gave the name of Shamus,
Because it was (the neighbours said) a national disgrace.
And sure enough that animal was eminently famous
For masticating every rag of laundry round the place.
For shirts to skirts prodigiously it proved its powers of chewing;
The question of digestion seemed to matter not at all;
But you'll agree, I think with me, its limit of misdoing
Was reached the day it swallowed Missis Rooney's ould red shawl.

Now Missis Annie Rooney was a winsome widow women,
And many a bouncing boy had sought to make her change her name;
And living just across the way 'twas surely only human
A lonesome man like Casey should be wishfully the same.
So every Sunday, shaved and shined, he'd make the fine occasion
To call upon the lady, and she'd take his and coat;
And supping tea it seemed that she might yield to his persuasion,
But alas! he hadn't counted on that devastating goat.

For Shamus loved his master with a deep and dumb devotion,
And everywhere that Casey went that goat would want to go;
And though I cannot analyze a quadruped's emotion,
They said the baste was jealous, and I reckon it was so.
For every time that Casey went to call on Missis Rooney,
Beside the gate the goat would wait with woefulness intense;
Until one day it chanced that they were fast becoming spooney,
When Shamus spied that ould red shawl a-flutter on the fence.

Now Missis Rooney loved that shawl beyond all rhyme or reason,
And maybe 'twas an heirloom or a cherished souvenir;
For judging by the way she wore it season after season,
I might have been as precious as a product of Cashmere.
So Shamus strolled towards it, and no doubt the colour pleased him,
For he biffed it and he sniffed it, as most any goat might do;
Then his melancholy vanished as a sense of hunger seized him,
And he wagged his tail with rapture as he started in to chew.

"Begorrah! you're a daisy," said the doting Mister Casey
to the blushing Widow Rooney as they parted at the door.
"Wid yer tinderness an' tazin' sure ye've set me heart a-blazin',
And I dread the day I'll nivver see me Anniw anny more."
"Go on now wid yer blarney," said the widow softly sighing;
And she went to pull his whiskers, when dismay her bosom smote. . . .
Her ould red shawl! 'Twas missin' where she'd left it bravely drying -
Then she saw it disappearing - down the neck of Casey's goat.

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Nightmare On My Street

Artist: dj jazzy jeff & the fresh prince
Now I have a story that Id like to tell
About this guy you all know he had me scared as hell
He comes to me at night after I crawl into bed
Hes burnt up like a weenie and his name is fred
He wears the same hat and sweater every single day
And even if its hot outside he wears it anyway
Hes home when Im awake but he shows up when I sleep
I cant believe that theres a nightmare on my street
It was a saturday evening if I remember it right
And we had just gotten back off tour last night
So the gang and I thought that it would be groovey
If we summoned up the posse and done rushed the movie
I got angie
Jeff got tina
Ready rock got some girl Id never seen in my life
That was all right because the lady was chill
Then we dipped to the theater set to ill
We saw elm street and man it was def
And everything seemed all right when we left
But when I got home and laid down to sleep
That began the nightmare, but on my street
It was burning in my room like an oven
My bed soaked with sweat
And man I was bugging
I checked the clock and it stopped at 12:30
It had melted it was so darn hot
And I was thirsty
I went downstairs to grab some juice or a coke
Flipped the tv off, and then I almost choked
When I heard this awful voice coming from behind
It said, you got my favorite letter but now you must die
Man, I aint even wait to see who it was
Broke inside my drawers and screamed, so long, cuz
Got halfway up the block
I calmed down and stopped screaming
Then thought, oh, I get it, I must be dreaming
I strolled back home with a grin on my grill
I think that since this is a dream I might as well get ill
I walked in the house, the big bad fresh prince
But freddy killed all that noise real quick
He grabbed me by my neck and said
Heres what well do
We gotta lotta work here, me and you
The souls of your friends you and I will claim
Youve got the body and Ive got the brain
I said, yo fred
I think you got me all wrong
I aint partners with nobody with nails that long
Look, Ill be honest man, this team wont work

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Squire Hawkins's Story

I hain't no hand at tellin' tales,
Er spinnin' yarns, as the sailors say;
Someway o' 'nother, language fails
To slide fer me in the oily way
That LAWYERS has; and I wisht it would,
Fer I've got somepin' that I call good;
But bein' only a country squire,
I've learned to listen and admire,
Ruther preferrin' to be addressed
Than talk myse'f--but I'll do my best:--

Old Jeff Thompson--well, I'll say,
Was the clos'test man I ever saw!--
Rich as cream, but the porest pay,
And the meanest man to work fer--La!
I've knowed that man to work one 'hand'--
Fer little er nothin', you understand--
From four o'clock in the morning light
Tel eight and nine o'clock at night,
And then find fault with his appetite!
He'd drive all over the neighberhood
To miss the place where a toll-gate stood,
And slip in town, by some old road
That no two men in the county knowed,
With a jag o' wood, and a sack o' wheat,
That wouldn't burn and you couldn't eat!
And the trades he'd make, 'll I jest de-clare,
Was enough to make a preacher swear!
And then he'd hitch, and hang about
Tel the lights in the toll-gate was blowed out,
And then the turnpike he'd turn in
And sneak his way back home ag'in!

Some folks hint, and I make no doubt,
That that's what wore his old wife out--
Toilin' away from day to day
And year to year, through heat and cold,
Uncomplainin'--the same old way
The martyrs died in the days of old;
And a-clingin', too, as the martyrs done,
To one fixed faith, and her ONLY one,--
Little Patience, the sweetest child
That ever wept unrickonciled,
Er felt the pain and the ache and sting
That only a mother's death can bring.

Patience Thompson!--I think that name
Must 'a' come from a power above,
Fer it seemed to fit her jest the same
As a GAITER would, er a fine kid glove!

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Brand New Funk

Artist: dj jazzy jeff and the fresh prince
[fresh prince]
Its new, its out of the ordinary
Its rather extrordinary, so yo bust this commentary
A literary, genius, and a superior beat creator
Have come together, and we made a
Musical composition which we think is a remedy
To cure all the dance floors thats empty
You wanna dance? we got what you want
Jazzy jeff and fresh prince bustin out with the brand new funk
It was kind of an accident, the way that it happened
One day I was rappin, and on the beat, jeff was backin me up
And all of a sudden, he brought in a cut
And I dropped my microphone and said, what the...?
Hold up, jeff, wait a minute, play it
He just smiled and said, yeah def aint it?
It was {funky} it made wanna {get, get down!}
And we knew almost at once it was the {brand new funk}
So we continued to listen to it
And we knew it was def when I started rappin to it
So I gave a hi-five to jeff
And without hesitation popped in my cassette
I took it home that night, and analyzed it
Rewound the tape over and over, and memorized it
That friday, we went to the club
And out and out cold tore it up!
You shoulda seen the people dancin and shakin and movin and jumpin
And spinnin and clappin, while the beatboxin was groovin
And screamin and yellin while on the microphone I was flowin
Fresh rhymes I was showin, the people say, yo keep goin
So I continued to rock, while jeff was on the beatbox
Special assistance from my homeboy ready rock
People barged just to get up front
To get a birds eye view of what we call the brand new funk
Yo jeff! {rock the beat}
Yo jeff! {rock the beat}
Yo jeff! {rock the beat}
* jazzy jeff cuts and scratches *
Yo jeff! {rock the beat}
Yo jeff! {rock the beat}
Yo jeff! {rock the beat with your hands..}
* jazzy jeff cuts and scratches *
Now get funky with the beat!
* jeff starts spinning backwards *
Now turn it all around!
The most original, amazing, astounding, miraculous
Remarkable, startling, sensational, stupendous
Music, that has ever been created
Is ours - but believe me it was complicated
But we have done it, so now we can breathe

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Pump Up The Bass

Artist: dj jazzy jeff and the fresh prince
[fresh prince]
In the place to be
Dj jazzy jeff and yours truly the fresh prince
Ay jeff, do me a favor, give em just a lil touch of the bass
Not a lot, just a lil touch jeff
Word word
Ay jeff do me a favor man, jazz it up
Now bring it all back
Yo man now break it down and let me go for mine
When I first started out, jeff used to come to my house
Just as soon as school let out, he used to
Come to my crib, and you know what we did?
We bugged out like two little kids, word
Jeff on the wheels, and me on the m.i.c.
A better combination there could never be
So lets go back, for old times sake
Yo jeff! (what? ) pump up the bass!
I . like . my . music . loud!
The volume, pumpin, the kickdrum thumpin
The people jumpin, up out there seats
When this record comes on, you think somethings wrong
The bass is too strong
You dont have to check your record, its not defective
Its just the way we wanted it, pump it, get it?
We like it loud, strong like a magnum force
I am the lyricist, jeff is the rhythm source
This combination, is virtually omnipotent
That means invincible, you know, dominant
So dont you cross our path, just stay out our face
Or well knock you down, pump up the bass!
Yo jeff man, how bout a funky scratch
Now get funky with it
Now bring in the snare
Now break it down and bring it all back to me
Now pump up the bass!
Im hyped -- psyched up
And Im flowin, so come on lets go in
To the next segment, of this hip-hop fantasy
You say this cant be happening, why cant it be?
Its an equation, mathematically correct
Its jeff + prince, equals, hit records
Sounds too easy? word, I know it does
You wanna know why? well yo its cause
Me and jeff, oh, jeff and i, excuse me
Blend like kool-aid, and flow like an uzi
Thats why we cant be taken or broken or braken, whatever
And if you think we can, youre mistaken, were clever
Cause all we did to make this record a hit
Was turn down the treble, pump up the bass kit

[...] Read more

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Wat Tyler - Act III

ACT III.


SCENE—SMITHFIELD.


PIERS (meeting JOHN BALL.)

You look disturb'd, my father?


JOHN BALL.

Piers, I am so.
Jack Straw has forced the Tower: seized the Archbishop,
And beheaded him.


PIERS.

The curse of insurrection!


JOHN BALL.

Aye, Piers! our nobles level down their vassals—
Keep them at endless labour like their brutes,
Degrading every faculty by servitude:
Repressing all the energy of the mind.
We must not wonder then, that like wild beasts,
When they have burst their chains, with brutal rage
They revenge them on their tyrants.


PIERS.

This Archbishop!
He was oppressive to his humble vassals:
Proud, haughty, avaricious.—


JOHN BALL.

A true high-priest!
Preaching humility with his mitre on!
Praising up alms and Christian charity
Even whilst his unforgiving hand distress'd
His honest tenants.

[...] Read more

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As We Go

Artist: dj jazzy jeff and the fresh prince
{*jazzy jeff cuts and scratches slick rick*
As we go a little somethin like this, hit it!}
[fresh prince]
Now lets get this party, started off the right way
Oww and hoe I think the crowd might say
When were on stage you know you cant resist
{as we go a little somethin like this, hit it!}
Im the ultimate, and thats all I can say
I sat down for about eight hours a day
Tryin to figure out the proper description of me
And I came to the decision that
Theres no one syllable or phrase
That can adequately describe this new craze
But Ill sum it up in one sentence, lets see
Ok, Ive got it, all praise me!
Yup -- thats about the size of it
I know it sounds kinda strange, doesnt it?
But when were on the stage you know you cant resist
{as we go a little somethin like this, hit it!}
{*jazzy jeff cuts and scratches slick rick*
As we go a little somethin like this, hit it!}
[fresh prince]
It was a friday afternoon if I remember it correctly
But I cant quite recall the time exactly
But it was somewhere around, two or three or four
Oh forget it, lets just go on
Anyway I stepped out of school
Sneaks were gucci shirt was polo and my pockets were full
Blew some kisses to the girlies cause I like to tease
They started chantin my name, I said, ladies.. please!
I grabbed my friends and hopped in my benz
Grabbed on martini and rossi passed out to my posse
Things were lookin good, I had plans for later on
Plans for donna michelle, plans for stacy leshaun
Word! I was ready, I wonder if jeffs home
Let me give him a call, on my car phone
Yo jeff, whats shakin? coolin, whassup?
Girlies Im with it, come pick me up!!!
I caught up with ready on the way to jeffs
A whole carload of girlies and they all was def
We walked into jeffs and said, girls, you cant resist
{as we go a little somethin like this, hit it!}
{*jazzy jeff cuts and scratches slick rick*
As we go a little somethin like this, hit it!}
[fresh] yo jeff man, are you with me?
{jeff scratches.. hit it!}
[fresh] I didnt hear you man, are you with me?
{jeff scratches.. hit it!}
[fresh] Im with it to get busy!

[...] Read more

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

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Christopher, Mr. Christopher

Written by dennis deyoung
Lead vocals by dennis deyoung
I remember christopher
Such a man
So brave and tall
He took the baby jesus
In his arms
Across the waterfall
People cried, "he's holy!
He's a saint not a man!"
All at once it was written
In the book of the land
Christopher, mr. christopher
Why won't they leave you alone?
Christopher, mr. christopher
Why won't they leave you alone?
There was mary margaret
A christian lady
Dressed in black
She believed st. christopher
Helped her find
A way back
She told him all her secrets
And the dreams of her years
So when they took that saint away
All that's left were her tears
Mary cried "they're crazy!
The world is changing too fast!"
It was then she discovered
That her faith couldn't last
Christopher, mr. christopher
Why won't they leave you alone?
Christopher, mr. christopher
Why won't they leave you alone?
Christopher, mr. christopher
Why won't they leave you alone?
Christopher, mr. christopher
Why won't they leave you alone?

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Come Dance with Me - Parody Christopher Marlowe - Come Live with Me and be My Love

Come dance with me and find release,
howl to the moon, with wild wolves run,
no nightmares now as heart finds peace, -
a stellar future crowned with fun
shall underwrite harvest increase
two reap together, story spun
from morn to night as worries cease,
while one and one at last make one.

Come dance we'll circumnavigate
the seven seas as zephyr’s breeze
anticipates and may translate
past cares to luck which soul strings frees.
Harp, Terpsichore shall play as Fate
unwinds past phantom_mime banshees,
life’s letter stamps ‘reciprocate’
inventing new realities.

Come dance with me, unlearn life’s woe
owe only to your inner voice
as chivalry and honour flow -
no need to justify your choice.
Slow motion – Time stood still – will throw
away wait’s weights as both rejoice
in unexpected overthrow
of anchors as trim sails we hoist.

Come dance with me, no strings attached –
except of harp or violin -
devotion, eloquence unmatched,
will shed all lies of ties that sin.
Thus inner doors may be unlatched,
as new dimensions open in
embracing wave which saves unscratched
soul stirred from hibernation’s bin.


Come dance with me, endearing smile
will echo caring, sharing, joy,
while Lara’s theme will reconcile
true love to trust, no wiles employ.
Tiara crowned Princess no guile
may meet who, sweet, greets verse employ
as an expression timed to dial
away Time’s hands all else destroy.

Come dance with me, no judgment blind
will claim, will, blame, will shame, reject, -
all icicles soon left behind
Spring’s robin sings you’re soul elect.

[...] Read more

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Anna Hazare’s Crusade against Corruption in India

Anna wants a Lokpal bill strong
Anna wants a Lokpal bill fast
Anna wants a Lokpal bill full
Anna wants a Lokpal bill now

Anna wants a Lokpal bill by fast
Anna wants a Lokpal bill first
Anna wants a Lokpal bill for all
Anna wants a Lokpal bill – his call

Anna wants a Lokpal bill now
Anna wants a Lokpal bill without delay
Anna wants a Lokpal bill, come what may
Anna wants a Lokpal bill even if it means death.

There is no turning back
There is no giving up the fast
There is no fear of arrest
There is no worry about death

For,
India needs an anti-corruption bill
India is monetarily seriously ill
India needs the honesty drill
India has its wealth outside but inside will

Bring the bill
Heed people’s will
Give them the fill
Heal those hearts ill.

Victory to India; victory to Lokpal Bill; victory to Anna!

Copyright by Dr John Celes 22-08-11

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