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Intolerance of ambiguity is the mark of an authoritarian personality.

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Idylls of the King: The Last Tournament (excerpt)

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a wither'd leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, "Why skip ye so, Sir Fool?"

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead.
From roots like some black coil of carven snakes,
Clutch'd at the crag, and started thro' mid air
Bearing an eagle's nest: and thro' the tree
Rush'd ever a rainy wind, and thro' the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarr'd from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
"Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize."

To whom the King, "Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear."

"Would rather you had let them fall," she cried,
"Plunge and be lost--ill-fated as they were,
A bitterness to me!--ye look amazed,
Not knowing they were lost as soon as given--
Slid from my hands, when I was leaning out
Above the river--that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

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The Last Tournament

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, `Why skip ye so, Sir Fool?'

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead,
From roots like some black coil of carven snakes,
Clutched at the crag, and started through mid air
Bearing an eagle's nest: and through the tree
Rushed ever a rainy wind, and through the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarred from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
`Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize.'

To whom the King, `Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear.'

`Would rather you had let them fall,' she cried,
`Plunge and be lost-ill-fated as they were,
A bitterness to me!-ye look amazed,
Not knowing they were lost as soon as given-
Slid from my hands, when I was leaning out
Above the river-that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

[...] Read more

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Pantheon Of Tears

Chaos, time of need political prophecy,
Pions adultery, New gods come to life
Suffering for you and I, contradictious, Heresy!
Competing faiths collide, politicians supervise
Love, hate intertwined
Condemnation, intolerance is their unifying point
Condemnation, intolerance is their unifying point
Shedding their tears at the hostile crowds!
Choose to avoid, choose to ignore...
Gods must weep!
New philosophies arise, exhibiting intolerance,
With religious intensity.
Once ideals are outlined, belief systems are defined
Faith organized!!! Pions hate in the name of god
Noble hate in the name of good
Pions noble hate: opium of the masses!
Condemnation, intolerance is they unifying point
Condemnation, intolerance is they unifying point
Shedding their tears at the hostile crowds!
Choose to avoid, choose to ignore...
Gods must weep!

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The Old Leaven

Mark:
So, Maurice, you sail to-morrow, you say?
And you may or may not return?
Be sociable, man! for once in a way,
Unless you're too old to learn.
The shadows are cool by the water side
Where the willows grow by the pond,
And the yellow laburnum's drooping pride
Sheds a golden gleam beyond.
For the blended tints of the summer flowers,
For the scents of the summer air,
For all nature's charms in this world of ours,
'Tis little or naught you care.
Yet I know for certain you haven't stirred
Since noon from your chosen spot;
And you've hardly spoken a single word-
Are you tired, or cross, or what?
You're fretting about those shares you bought,
They were to have gone up fast;
But I heard how they fell to nothing-in short,
They were given away at last.

Maurice:
No, Mark, I'm not so easily cross'd;
'Tis true that I've had a run
Of bad luck lately; indeed, I've lost;
Well! somebody else has won.

Mark:
The glass has fallen, perhaps you fear
A return of your ancient stitch-
That souvenir of the Lady's Mere,
Park palings and double ditch.

Maurice:
You're wrong. I'm not in the least afraid
Of that. If the truth be told,
When the stiffness visits my shoulder-blade,
I think on the days of old;
It recalls the rush of the freshening wind,
The strain of the chestnut springing,
And the rolling thunder of hoofs behind,
Like the Rataplan chorus ringing.

Mark:
Are you bound to borrow, or loth to lend?
Have you purchased another screw?
Or backed a bill for another friend?
Or had a bad night at loo?

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John Gay

The Shepherd's Week : Thursday; or, The Spell

Hobnelia.
Hobnelia, seated in a dreary vale,
In pensive mood rehears'd her piteous tale,
Her piteous tale the wind in sighs bemoan,
And pining echo answers groan for groan.
I rue the day, a rueful day I trow,
The woful day, a day indeed of wo!
When Lubberkin to town his cattle drove,
A maiden fine bedight he hap'd to love;
The maiden fine bedight his love retains,
And for the village he forsakes the plains.
Return, my Lubberkin, these ditties hear;
Spells will I try, and spells shall ease my care.
'With my sharp heel I three times mark the ground,
And turn me thrice around, around, around.'
When first the year, I heard the cuckoo sing,
And call with welcome note the budding spring,
I straightway set a running with such haste,
Deborah that won the smock scarce ran so fast.
'Till spent for lack of breath quite weary grown,
Upon a rising bank I sat adown,
Then doff'd my shoe, and by my troth I swear,
Therein I spy'd this yellow frizzled hair,
As like to Lubberkin's in curl and hue,
As if upon his comely pate it grew.
'With my sharp heel I three times mark the ground,
And turn me thrice around, around, around.'
At eve last midsummer no sleep I sought,
But to the field a bag of hemp-seed brought,
I scatter'd round the seed on every side,
And three times in a trembling accent cried,
'This hemp-seed with my virgin hand I sow,
Who shall my true-love be, the crop shall mow.'
I straight look'd back, and if my eyes speak truth,
With his keen scythe behind me came the youth.
'With my sharp heel I three times mark the ground,
And turn me thrice around, around, around.'
Last Valentine, the day when birds of kind
Their paramours with mutual chirpings find;
I rearly rose, just at the break of day,
Before the sun had chas'd the stars away,
A-field I went, amid the morning dew,
To milk my kine (for so should huswifes do)
Thee first I spy'd, and the first swain we see,
In spite of fortune shall our true-love be;
See, Lubberkin, each bird his partner take,
And canst thou then thy sweet-hear dear forsake?
'With my sharp heel I three times mark the ground,
And turn me thrice around, around, around.'
Last May-day fair I search'd to find a snail

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Byron

Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

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Byron

Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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Love Takes Two

[mark:]
Baby, tell me, are we heading into trouble, yeah
Is it my imagine taking whole
Do I read to much into the way we slay
The way you move away from me
I may feel that youre the one
But when all is said and done
[all:]
Love takes two
Time after time weve talked it through
Cos baby, I need you
What am I supposed to do
[mark:]
Love takes two
[shane:]
Theres a whole lot of things you can do and do without me, yeah
Theres a million things I can do and do alone
But the best you can do for yourself
Is sharing with that someone else
No one wants to be alone
Its the one thing that I know
[all:]
Love takes two
Time after time weve talked it through
Cos baby, I need you
What am I supposed to do
[mark:]
When your words could disguise what youre going through
But they cant fool your heart
Now its time to decide what you wanna do
Im telling you
[all:]
Love takes two
[mark:]
Love takes two
[all:]
Time after time its proven true
Cos baby, I need you
What am I supposed to do
[mark:]
Love takes two
[all:]
Love takes two
[mark:]
Love takes two
How can you
What am I gonna do about you, hey baby
[all:]
And I need you
[mark:]

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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There's Power In Ambiguity

She knows there's power in ambiguity
And she lords it over me
Not even flaunting it like some gift but shoving it my face
Being rude and ignoring me enough to make question are we even friends? !
And nice enough to keep me close, leaving me to crave more, she sends
These mixed signals and I can't keep pace
While her true feelings remain hidden as she wields her power
I can feel it sap my strength hour after hour
I can't do this forever
O these ties I wish I could sever
But there's nothing I can do because I'm pushed far away like a stranger
Yet drawn closer through nicety to my greatest danger
And overwhelming desire
It's ALL her
But she wields ambiguity, the greatest weapon: ' Not Knowing'
The cruelest response: not showing: affection or love when its given you
Being incapable of saying those words: I love you too
Much less to be the one who starts the compliments
But the one who repulses me, like I'm some sort of offense
The ambiguity
Is just stronger than me...
If 'Not Knowing' is the worst
Then the one I supposedly love is my curse

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Give Me Image

Enough!
Enough of this...
Self righteous ambiguity!
Fed by those seeking consciousness.

Give me image.
I have yet to have enough,
Of this 'truth-as-I-see-it-life-I-live'.'.

Give me image.

How else can it be expected,
I keep my pretensions alive and thriving?
Do not rid from me my freedom,
To exist living for images I see fit to project.
I can not bare the acceptance of the reality...
Thrown in my face I am suppose to respect!

Give me image!
Do not strip me of my need,
To seek quality delusions to please, eat and feed.

Give me image.
So that I may feel free,
To live in the midst of unending fantasies.
And aspects of threatening truth...
Disturbs my mentality!
As I witness it pursue the awakening of masses.
Pass me my rose colored glasses, please!

Enough!
Enough of this...
Self righteous ambiguity!

Give me image.
I have yet to have enough,
Of this 'truth-as-I-see-it-life-I-live'.'.

Give me image.

Let those images forever in my mind,
Find within me reason to exist!

Give me image.
And enough...
Enough of this,
Self righteous ambiguity.
Fed by those seeking consciousness.

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Positivity

Yes,yes,yes,yes,yes
Positivity yes
Have u had your plus sign 2 day?
Positivity yes
Do we mark u present, or do we mark u late?
Is that a good man
Walking down that street with that money in his hand
Is that a good man?
Why do u dog him
If that was yo father, tell me, would u dog him then
Would u dog him?
Positivity yes
Have u had your plus sign 2 day?
Positivity yes
Do we mark u present, or do we mark u late?
Is that all your gold?
Where did it come from? what did u have 2 do? (did u have 2 do)
Can u sleep nights?
Do u dream straight up or do u dream in ws?
Positivity yes
Have u had your plus sign 2 day?
Positivity yes
Do we mark u present, or do we mark u late?
Na na na na na na, so slow
Positivity yes
Na na na na na na, so slow
Can a boy who drops out at school
At 13 years of age
Answer the 2 of life and death
When it slaps him in the face?
Whos 2 blame when hes got no place 2 go
And all hes got is the sense 2 know
That a life of crimell help him beat u in the race
Help him beat u in the race (help him beat u in the race)
Positivity
Positivity yes
Have u had your plus sign 2 day?
Positivity yes
Do we mark u present, or do we mark u late?
Na na na na na na, so slow (na na na na na na, so slow)
Chorus
Na na na na na na, so slow (say it again - na na na na na na, so slow)
Positivity yes
Na na na na na na, so slow
Wave your hands 4 positivity yall!
All the boys and all the girls (all the boys and all the girls)
U r the new kings of the world!
Shall the court sing together
In every mans life there will be a hang-up
A whirlwind designed 2 slow u down

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Rokeby: Canto IV.

I.
When Denmark's raven soar'd on high,
Triumphant through Northumbrian sky,
Till, hovering near, her fatal croak
Bade Reged's Britons dread the yoke,
And the broad shadow of her wing
Blacken'd each cataract and spring,
Where Tees in tumult leaves his source,
Thundering o'er Caldron and High-Force;
Beneath the shade the Northmen came,
Fix'd on each vale a Runic name,
Rear'd high their altar's rugged stone,
And gave their Gods the land they won.
Then, Balder, one bleak garth was thine,
And one sweet brooklet's silver line,
And Woden's Croft did title gain
From the stern Father of the Slain;
But to the Monarch of the Mace,
That held in fight the foremost place,
To Odin's son, and Sifia's spouse,
Near Stratforth high they paid their vows,
Remember'd Thor's victorious fame,
And gave the dell the Thunderer's name.

II.
Yet Scald or Kemper err'd, I ween,
Who gave that soft and quiet scene,
With all its varied light and shade,
And every little sunny glade,
And the blithe brook that strolls along
Its pebbled bed with summer song,
To the grim God of blood and scar,
The grisly King of Northern War.
O, better were its banks assign'd
To spirits of a gentler kind!
For where the thicket-groups recede,
And the rath primrose decks the mead,
The velvet grass seems carpet meet
For the light fairies' lively feet.
Yon tufted knoll, with daisies strown,
Might make proud Oberon a throne,
While, hidden in the thicket nigh,
Puck should brood o'er his frolic sly;
And where profuse the wood-vetch clings
Round ash and elm, in verdant rings,
Its pale and azure-pencill'd flower
Should canopy Titania's bower.

III.
Here rise no cliffs the vale to shade;

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Rokeby: Canto VI.

I.
The summer sun, whose early power
Was wont to gild Matilda's bower,
And rouse her with his matin ray
Her duteous orisons to pay,
That morning sun has three times seen
The flowers unfold on Rokeby green,
But sees no more the slumbers fly
From fair Matilda's hazel eye;
That morning sun has three times broke
On Rokeby's glades of elm and oak,
But, rising from their sylvan screen,
Marks no grey turrets' glance between.
A shapeless mass lie keep and tower,
That, hissing to the morning shower,
Can but with smouldering vapour pay
The early smile of summer day.
The peasant, to his labour bound,
Pauses to view the blacken'd mound,
Striving, amid the ruin'd space,
Each well-remember'd spot to trace.
That length of frail and fire-scorch'd wall
Once screen'd the hospitable hall;
When yonder broken arch was whole,
‘Twas there was dealt the weekly dole;
And where yon tottering columns nod,
The chapel sent the hymn to God.
So flits the world's uncertain span
Nor zeal for God, nor love for man,
Gives mortal monuments a date
Beyond the power of Time and Fate.
The towers must share the builder's doom;
Ruin is theirs, and his a tomb:
But better boon benignant Heaven
To Faith and Charity has given,
And bids the Christian hope sublime
Transcend the bounds of Fate and Time.

II.
Now the third night of summer came,
Since that which witness'd Rokeby's flame.
On Brignall cliffs and Scargill brake
The owlet's homilies awake,
The bittern scream'd from rush and flag,
The raven slumber'd on his crag,
Forth from his den the otter drew,
Grayling and trout their tyrant knew,
As between reed and sedge he peers,
With fierce round snout and sharpen'd ears
Or, prowling by the moonbeam cool,

[...] Read more

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The Rose of England

'Twas a most solemn day
Of that most the world would say.
The Rose of England would pass
Her still form in a gun carriage alas.

Many called it the event of the years
As the cortege the Royal Standard bears.
The clip clop of the horses thru Hyde Park
As on history the Princess leaves her mark.

John Bull's joie de vivre now diminished
It seemed to many that an era had finished.
The clip clop of the horses thru Hyde Park
As on history the Princess leaves her mark.

Yet, even in dying she still lives on
In the heart of many, a love already born.
The clip clop of the horses thru Hyde Park
As on History the Princess leaves her mark.

They'd come from near and far
This massive crowd there'd been no par.
Bless you.Bless you.They cried
For the Queen of their hearts had died.

Many a funeral there had been
But nothing like this the world had seen.
The multitude weepingly lined the way
There was hardly anything you can say.

Two young princes with solemn look
Their precious mother the angels took.
The clip clop of the horses thru Hyde Park
As on History the Princess leaves her mark.

A day one could almost feel wintry's cold
Merry ole England had lost her gold.
Now the winsome princess to be seen no more
Her loving fans no more could adore!

The Queen, Her Majesty, stood at her Palace gate
Had her compassion and caring come too late?
The clip clop of the horses thru Hyde Park
As on History the Princess leaves her mark!

And the bell at the abbey tolls
As the cortege bearing the fallen Rose rolls.
The clip clop of the horses thru Hyde Park
As on History the Princess leaves her mark!

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Small Bridge Over A Little Creek

We enter the world with our parents being
Roughly twenty to thirty years older than us;
That distance of time at first seems
Like an unimaginable gulf of eternity
Through our first twenty years;
There is no concept that they are remotely like us
Facing the same difficulties and challenges;
They are simply older authoritarian figures,
Albeit kind and loving authoritarian figures.

Somewhere after our first twenty years
We begin to view them as human,
Maybe in a judgmental fashion,
Maybe in an understanding fashion;
Maybe we begin to even notice the similarity
Of physical features and personal characteristics
With which we share;
We may even seek their wisdom and guidance
In concerns of the heart like marriage
Or concerns of economical survival.

Then one day when we are approaching fifty,
They are now seventy or eighty and mostly likely
Securely in decline;
We ourselves have declined since days of youth
With issues of weight or graying hair or hair loss
And we realize now that the distance of time
That was once a gulf of eternity is now a small bridge
Over a little creek;
We can see in their suffering the journey
We will soon commence.

It is a journey of farewell to joy,
Gradual bidding adieu to activities and pleasures
That we are no longer capable of performing
Or for which we can no longer gain satisfaction;
Sporting activities will give way to walking
And walking will give way to sitting or resting;
Sexual appetite will cease to exist
Or at least to find meaningful expression,
But often we are given a strong solace
In enduring affections and gestures
Such as kissing and touching hands;
Even the joy of a meal begins to cease
In upset stomach or regurgitation
Or in some cases the complete inability to swallow.

All that is left is the extinguishing of light
To the earthling kingdom
And the entering into an unknown kingdom

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I'll Be There

Shane:
Ooh yeah
You and I must make a pact
We must bring salvation back
Where there is love
Ill be there
(Ill be there)
Ill reach out my hand to you
Ill have faith, you know you do
Just call my name
And Ill be there
(Ill be there)
Mark:
Woh oh yeah
All:
Ill be there to comfort you
Ill build my world of dreams around you
Im so glad that Ive found you
Ill be there with love thats strong
Ill be your strength
Ill be holding on and on
Shane:
Oh yes I will
Mark:
Let me fill your heart with joy and laughter
Togetherness
Well thats all Im after
Whenever you need me
Ill be there
(Ill be there)
Ill be there to protect you
With a unselfish love, and respect you
Just call my name
Ill be there
(Ill be there)
All:
Ill be there to comfort you
Ill build my world of dreams around you
Im so glad that Ive found you
Ill be there with love thats strong
Ill be your strength
Ill keep holding on and on
Shane:
Oh yeah
Mark:
If you should ever find someone new
I know he better be good to you oh
Shane:
Cos if he doesnt
Then Ill be there

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Merlin And Vivien

A storm was coming, but the winds were still,
And in the wild woods of Broceliande,
Before an oak, so hollow, huge and old
It looked a tower of ivied masonwork,
At Merlin's feet the wily Vivien lay.

For he that always bare in bitter grudge
The slights of Arthur and his Table, Mark
The Cornish King, had heard a wandering voice,
A minstrel of Caerlon by strong storm
Blown into shelter at Tintagil, say
That out of naked knightlike purity
Sir Lancelot worshipt no unmarried girl
But the great Queen herself, fought in her name,
Sware by her--vows like theirs, that high in heaven
Love most, but neither marry, nor are given
In marriage, angels of our Lord's report.

He ceased, and then--for Vivien sweetly said
(She sat beside the banquet nearest Mark),
'And is the fair example followed, Sir,
In Arthur's household?'--answered innocently:

'Ay, by some few--ay, truly--youths that hold
It more beseems the perfect virgin knight
To worship woman as true wife beyond
All hopes of gaining, than as maiden girl.
They place their pride in Lancelot and the Queen.
So passionate for an utter purity
Beyond the limit of their bond, are these,
For Arthur bound them not to singleness.
Brave hearts and clean! and yet--God guide them--young.'

Then Mark was half in heart to hurl his cup
Straight at the speaker, but forbore: he rose
To leave the hall, and, Vivien following him,
Turned to her: 'Here are snakes within the grass;
And you methinks, O Vivien, save ye fear
The monkish manhood, and the mask of pure
Worn by this court, can stir them till they sting.'

And Vivien answered, smiling scornfully,
'Why fear? because that fostered at THY court
I savour of thy--virtues? fear them? no.
As Love, if Love is perfect, casts out fear,
So Hate, if Hate is perfect, casts out fear.
My father died in battle against the King,
My mother on his corpse in open field;
She bore me there, for born from death was I
Among the dead and sown upon the wind--

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The Coming Mark

Although the times may be bleak, it will be worse that final week,
The final week of man’s history, as men presently know and see,
A final corridor of present time, of seven years by God’s design,
That time known as the Tribulation, a time ahead for every nation.

When future things get truly dark, every man shall receive a mark,
A physical mark upon the hand, of every person from every land,
If not on the hand, than instead, the mark will be on the forehead,
That mark issued by Antichrist, who then controls your entire life.

It will be the sign of allegiance to, the Antichrist and all he will do,
That mark is needed to survive, and is mandatory to remain alive,
Required for all, to buy or sell, during a time that’ll seem like Hell,
If that mark, you do not accept, it will be for you, a certain death.

With The Church raptured and gone, Satan’s plan will continue on,
A day’s wages for a loaf of bread, filling men with fear and dread,
With the economy beyond repair, all men’s hearts fill with despair,
As he institutes his own authority, denouncing the God of Eternity.

All of this calls for God’s wisdom, to be aware of Perdition’s Son,
As dark shadows we begin to see, throughout our world politically,
Leading all to a Great Tribulation, foretold in our Lord’s Revelation,
Where God will destroy the enemy, and condemn all evil in eternity.

For believers it shall usher in, Jesus Christ’s reign for a millennium,
With those saved out of tribulation, by God’s Grace and Salvation,
For the mark, they will not receive, instead in God they will believe,
As others sealed by Jesus Christ, to enter together into eternal life.

(Copyright ©03/2009)

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