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Higher Ground

Cast: Vera Farmiga, Joshua Leonard, Dagmara Dominczyk, Donna Murphy, John Hawkes, Nina Arianda, Ebon Moss-Bachrach, Bill Irwin, Taissa Farmiga

trailer for Higher Ground, directed by Vera Farmiga (2011)Report problemRelated quotes
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The Brothers

'These Tourists, heaven preserve us! needs must live
A profitable life: some glance along,
Rapid and gay, as if the earth were air,
And they were butterflies to wheel about
Long as the summer lasted: some, as wise,
Perched on the forehead of a jutting crag,
Pencil in hand and book upon the knee,
Will look and scribble, scribble on and look,
Until a man might travel twelve stout miles,
Or reap an acre of his neighbour's corn.
But, for that moping Son of Idleness,
Why can he tarry 'yonder'?--In our churchyard
Is neither epitaph nor monument,
Tombstone nor name--only the turf we tread
And a few natural graves.'
To Jane, his wife,
Thus spake the homely Priest of Ennerdale.
It was a July evening; and he sate
Upon the long stone-seat beneath the eaves
Of his old cottage,--as it chanced, that day,
Employed in winter's work. Upon the stone
His wife sate near him, teasing matted wool,
While, from the twin cards toothed with glittering wire,
He fed the spindle of his youngest child,
Who, in the open air, with due accord
Of busy hands and back-and-forward steps,
Her large round wheel was turning. Towards the field
In which the Parish Chapel stood alone,
Girt round with a bare ring of mossy wall,
While half an hour went by, the Priest had sent
Many a long look of wonder: and at last,
Risen from his seat, beside the snow-white ridge
Of carded wool which the old man had piled
He laid his implements with gentle care,
Each in the other locked; and, down the path
That from his cottage to the church-yard led,
He took his way, impatient to accost
The Stranger, whom he saw still lingering there.
'Twas one well known to him in former days,
A Shepherd-lad; who ere his sixteenth year
Had left that calling, tempted to entrust
His expectations to the fickle winds
And perilous waters; with the mariners
A fellow-mariner;--and so had fared
Through twenty seasons; but he had been reared
Among the mountains, and he in his heart
Was half a shepherd on the stormy seas.
Oft in the piping shrouds had Leonard heard
The tones of waterfalls, and inland sounds
Of caves and trees:--and, when the regular wind

[...] Read more

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Joshua Fit The Battle

(arranged and adapted by elvis presley)
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
Good morning sister mary
Good morning brother john
Well I wanna stop and talk with you
Wanna tell you how I come along
I know youve heard about joshua
He was the son of nun
He never stopped his work until
Until the work was done
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
You may talk about your men of gideon
You may brag about your men of saul
Theres none like good old joshua
At the battle of jericho
Up to the walls of jericho
He marched with spear in hand
Go blow them ram horns, joshua cried
cause the battle is in my hands
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
You may talk about your men of gideon
You may brag about your king of saul
There none like joshua
At the battle of jericho
They tell me, great God that joshuas spear
Was well nigh twelve feet long
And upon his hip was a double edged sword
And his mouth was a gospel horn
Yet bold and brave he stood
Salvation in his hand
Go blow them ram horns joshua cried
cause the devil cant do you no harm
Joshua fit the battle of jericho
Jericho jericho

[...] Read more

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Joshua Fit The Battle (take 1)

Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
Good morning sister Mary
Good morning brother John
Well I wanna stop and talk with you
Wanna tell you how I come along
I know you've heard about Joshua
He was the son of Nun
He never stopped his work until
Until the work was done
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
You may talk about your men of Gideon
You may brag about your men of Saul
There's none like good old Joshua
At the battle of Jericho
Up to the walls of Jericho
He marched with spear in hand
Go blow them ram horns, Joshua cried
'Cause the battle is in my hands
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
You may talk about your men of Gideon
You may brag about your king of Saul
There none like Joshua
At the battle of Jericho
They tell me, great God that Joshuas spear
Was well nigh twelve feet long
And upon his hip was a double edged sword
And his mouth was a gospel horn
Yet bold and brave he stood
Salvation in his hand
Go blow them ram horns Joshua cried
'Cause the devil can't do you no harm
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho

[...] Read more

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Donna

Oh donna
You made me stand up
You made me sit down, donna
Sit down, donna
Sit down
You made stand up
Donna waiting by the telephone
Donna waiting for the phone to ring
Oh donna
You make me break up
You make me break down, donna
Break down, donna
Break down
You make me break up
Meanwhile waiting by the telephone
Donna is waiting for the phone to ring
Hello, darling
Yes I love you darling
Yes I love you
Oh donna
You made me stand up
You made me sit down, donna
Sit down, donna
Sit down
You make stand up
Donna Id stand on my head for you
Oh my love, my own one
Oh my love, my own one
Donna waiting by the telephone
Donna waiting for the phone to ring
Oh donna
Oh donna
Oh donna
Oh donna
Donna I love you

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Robin Hood and the Monk

In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,

To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.

Hit befel on Whitson
Erly in a May mornyng,
The son up feyre can shyne,
And the briddis mery can syng.

'This is a mery mornyng,' seid Litull John,
'Be Hym that dyed on tre;
A more mery man then I am one
Lyves not in Cristianté.

'Pluk up thi hert, my dere mayster,'
Litull John can sey,
'And thynk hit is a full fayre tyme
In a mornyng of May.'

'Ye, on thyng greves me,' seid Robyn,
'And does my hert mych woo:
That I may not no solem day
To mas nor matyns goo.

'Hit is a fourtnet and more,' seid he,
'Syn I my Savyour see;
To day wil I to Notyngham,' seid Robyn,
'With the myght of mylde Marye.'

Than spake Moche, the mylner sun,
Ever more wel hym betyde!
'Take twelve of thi wyght yemen,
Well weppynd, be thi side.
Such on wolde thi selfe slon,
That twelve dar not abyde.'

'Of all my mery men,' seid Robyn,
'Be my feith I wil non have,
But Litull John shall beyre my bow,
Til that me list to drawe.'

'Thou shall beyre thin own,' seid Litull Jon,
'Maister, and I wyl beyre myne,
And we well shete a peny,' seid Litull Jon,

[...] Read more

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Donna

Oh donna
Oh doonna
Oh donna
Oh donna
I had a girl donna was her name
Since she left me
Well Ive never been the same
cause I love my girl
Donna where can you be
And now that youre gone
Im left here all alone
All by myself to wander and roam
How I love my girl
Donna where can you be
Oh donna
Now that youre gone
I dont know what to do
All my love and all my kisses
Were for you, you just you
I had a girl donna was her name
Since shes been gone
Ive never been the same
cause I love my girl
Donna where can you be
Oh donna
Now that youre gone
I dont know what to do
All my love and all my kisses
Were for you
I had a girl donna was her name
Since shes been gone
Ive never been the same
I love my girl
Donna where, where can you be
Oh donna, oh donna, oh donna, oh donna

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

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Joshua

Well a good ways down the railroad track
There was this little old rundown shack
And in it lived a man Id never seen
Folks said he was a mean and a vicious man
And you better not set foot on his land
I didnt think nobody could be that mean
So I took me out walking down the railroad track
I was a-gonna go down to that little old shack
And just find out if all them things Id heard was true
There was a big black dog laying out in the yard
And it growled at me and I swallowed hard
And I heard somebody say well who are you
Oh and there he stood in the door of that shack
His beard and his hair was long and black
And he was the biggest man Id ever seen
When he spoke his voice was low and deep
But he just didnt frighten me
cause somehow I just knew he wasnt mean
He said what you doing snooping round my place
And I saw a smile come across his face
So I smiled back and I told him who I was
He said come on in and pull you up a chair
You might as well since you already here
And he said you can call me joshua
Joshua joshua
Whatcha doing living here all alone
Joshua joshua
Aint you got nobody to call your own
No no no no
We talked til the sun was clean out of sight
And we still talking when it come daylight
And there was just so much we had to say hey
Id spent my life in an orphans home
And just like him I was all alone
So I said yeah when he asked if Id stay
Oh we grew closer as time went on
And that little old shack it was a happy home
And we just couldnt help but fall in love
That big black dog and that little old shack
Sitting down by the railroad track
Its plenty good enough for me and joshua
Joshua joshua
Why youre just what Ive been looking for
Joshua joshua
You aint gonna be lonesome anymore
No no
Yodel-a-he-ho
Me and joshua
Me and joshua
Me and joshua yeah yeah

[...] Read more

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Railroad Bill

Railroad bill were gonna railroad bill
He never works and he never will
Im gonna ride on a railroad bill
Im gonna ride on a railroad bill
Railroad bill he was a mighty bad man
Kill anybody that he think he can
Gonna ride old railroad bill
Gonna ride old railroad bill
Im singin railroad bill,
Im talkin railroad bill, uh-huh-huh
He never worked and he never will
Im gonna ride on railroad bill, yeah
(cmon) Im gonna ride on railroad bill
Well old railroad bill he done stole my wife
Im gonna check him down Im gonna take his life
Gonna ride on railroad bill
Gonna ride railroad bill
Im singin railroad bill
On a railroad bill
He never worked and he never will
Im gonna ride on railroad bill
Im gonna ride on railroad bill
Railroad bill he was a mighty bad man
Kill anybody that he think he can
Gonna ride old railroad bill
Gonna ride railroad bill
Im talkin railroad bill
I love him railroad bill
Uh-huh-huh
He never worked and he never will
Gonna ride on railroad bill
Yeah, gonna ride on railroad bill
Well Im goin up the mountain
Yes Im goin out west
I got a mighty big pistol
Stickin out of my vest
Gonna ride old railroad bill
Gonna ride (alright)
Railroad bill, I love that railroad bill
Uh-huh-huh
He never works and he never will
Im gonna ride on a railroad bill
Im gonna ride on railroad bill

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Wat Tyler - Act III

ACT III.


SCENE—SMITHFIELD.


PIERS (meeting JOHN BALL.)

You look disturb'd, my father?


JOHN BALL.

Piers, I am so.
Jack Straw has forced the Tower: seized the Archbishop,
And beheaded him.


PIERS.

The curse of insurrection!


JOHN BALL.

Aye, Piers! our nobles level down their vassals—
Keep them at endless labour like their brutes,
Degrading every faculty by servitude:
Repressing all the energy of the mind.
We must not wonder then, that like wild beasts,
When they have burst their chains, with brutal rage
They revenge them on their tyrants.


PIERS.

This Archbishop!
He was oppressive to his humble vassals:
Proud, haughty, avaricious.—


JOHN BALL.

A true high-priest!
Preaching humility with his mitre on!
Praising up alms and Christian charity
Even whilst his unforgiving hand distress'd
His honest tenants.

[...] Read more

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The Ouija Board

In Holmewood a quiet mining village in North Derbyshire
where the terraced houses were still owned by the mine.
There lived a young ex-miner with his wife and children,
and Dennis the father hadn’t worked for sometime.

Concrete floors were laid downstairs because of subsidence,
they had no curtains, carpets, television, or hi-fi.
All their money went on rent, food, and paying bills,
Vera was unhappy, but Dennis couldn’t understand why.

She wanted to move away from the village to Derby,
where opportunities knocked on every ones door.
But Dennis was accustomed to the hardships of mining
and moving away didn’t have the same draw.

He always persuaded Vera that things would get better
and a kiss and cuddle covered his incompetence.
All his ex-miner cronies were in the same boat,
and working for a living to him made no sense.

He’d become lazy and didn’t want the hassle of a new life
unlike many ex-miners who had moved to pastures new.
Many of the young families who rented their houses
were tied to the mine and didn’t know what else to do.

At the end of the main street was the village’s nearest pit,
and on any shift any miner could die.
Throughout the years many men had lost their lives,
and their bodies in the cemetery lie.

The miners’ widows very often came to see Vera
to ask if she would make contact with their dead.
She felt for the community and turned no one away,
and their gratitude helped to pay for the bread.

One night she would organise six people to be together,
in the unlit empty room at the top of the stairs.
Carrying a lit candle, an empty glass and Ouija board,
she would arrange the table and six fold down chairs.

The home made Ouija board lay flat on the table
and in the middle was the upturned glass.
As everyone placed their index finger on the top of it,
Vera whispered for silence for what was about to pass.

They waited whist the candle flame danced and flickered,
again she whispered, “Is anyone there? ”
As the glass moved to letters on the board’s pencilled alphabet,
a confirmation brought a chill to the air.

[...] Read more

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Senza Una Donna - Without A Woman (feat. Paul Young)

This ain't the way, I spent my mornings baby
come stai?
you been with him, and now you come back my lady
hey, what's he like?
I just sit, and watch the ocean
with myself, even doing my own cookin'
you can laugh, you're forgiven
but I'm no longer frightened to be livin'
Senza una donna,...no more pain and no sorrow
Senza una donna,...I'll make it through tomorrow
Senza una donna,... givin' me torture and bliss
without a woman,...better like this
There is no way, that you can buy me baby
don't make fun
you got to dig, a little deeper baby (in the heart?)
yeah, if you have one
Here's my heart, feel the power
look at me, I'm a flower
you can laugh, you're forgiven
but I'm no longer frightened to be livin'
Senza una donna,...no more pain and no sorrow
Senza una donna,...I'll make it through tomorrow
Senza una donna,... givin' me torture and bliss
ohh i stay here, and watch the ocean
don't know why, I keep on talkin'
you may laugh, you're forgiven
but I'm no longer frightened (maybe) to be livin'
Senza una donna,...no more pain and no sorrow
Senza una donna,...I'll make it through tomorrow
Senza una donna,... givin' me torture and bliss
Without a woman,...vieni qui! come on in
Senza una donna,...I don't know what might follow
Senza una donna,...oh, maybe from tomorrow
Senza una donna,...givin' me torture and bliss

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Sicilian Emigrant’s Song

O—eh—lee! La—la!
Donna! Donna!
Blue is the sky of Palermo;
Blue is the little bay;
And dost thou remember the orange and fig,
The lively sun and the sea breeze at evening?
Hey—la!
Donna! Donna! Maria!

O—eh—li! La—la!
Donna! Donna!
Gray is the sky of this land.
Gray and green is the water.
I see no trees, dost thou? The wind
Is cold for the big woman there with the candle.
Hey—la!
Donna! Donna! Maria!

O—eh—li! O—la!
Donna! Donna!
I sang thee by the blue waters;
I sing thee here in the gray dawning.
Kiss, for I put down my guitar;
I’ll sing thee more songs after the landing.
O Jesu, I love thee!
Donna! Donna! Maria!

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

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Said Sadly

James iha: you should know that I love you
And I cant help but fall for you
Oh honey Im just a fool
Now you know
Nina gordon: darling, Ill never be true
You see, for so long I was blue
James iha: Im not the lonely one
Nina gordon: and if I hurt, then you will, too
Oh honey I always lose
Now you know
James iha & nina gordon: lover, when will you?
James iha: Im so afraid that noone cares
James iha & nina gordon: lover, cant find you
James iha: I swear to God dont leave me here
James iha & nina gordon: now you know
James iha & nina gordon: only you know that it cant be
When noone else here really means
James iha: anything to me
James iha & nina gordon: if you hurt inside
If you confide in me again
Nina gordon: since you ran away
James iha: hold me now, tell me how
Nothings lost
James iha & nina gordon: lover, when will you?
Im so afraid that noone cares
Lover, cant find you
And noone knows what brings us here
Lover
James iha: hold me now
Nina gordon: hold me now
James iha: tell me how
James iha & nina gordon: nothings lost

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The Son Of Vera

I'm - the son of Vera...
I did not write you the letters for long,
Vera Pavlovna.
Winds have carried me away,
Winds were singing me a song
Once - impudently,
The other time - terribly,
At last - plaintively.

I'm - the son of Vera.
Oh, how did you help me, mother!
Mama Vera...
You embraced me on the empty stations, mama Vera.
I'm - the son of Vera.
You were waiting for the useless son to be back, mama Vera...
And you asked me to write
in my letters the only truth, mama Vera...

I'm - the son of Vera!
The Belief not into god, not in angels, not in the next world!
I'm - the son of belief in sun,
Which is shining through the tatters of clouds!
I'm - the son of belief in the labour of a man,
In the flowers on the burnt earth.

I'm - the son of belief!
The belief in the silence under the torture!
And in the song before the execution!
I'm - the son of belief in the terrestial love,
dazzling as a miracle.
I'm - the son of belief in the Morrow
such as I wish it to be!
And in the people, who are wide as a road!
Sincere, and worthy...

I'm - the son of belief, I despise ninnies!
I hate ones, whining and groaning! ..
I write to you only the truth, mama Vera.
Only the truth...

Only here is much a business!
Forgive me,
I'll not be back soon...

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Backstage Queen

Music :rudolf schenker
Lyrics:klaus meine
Hey little donna, sweet little donna I know
You wanted my love and I gave it to you.
Hey little donna, sweet little donna you know
Goodbye is hello, cos Im on the road.
Take it easy, dont get me wrong,
Just keep me in your dreams.
Take it easy, life goes on
My little backstage queen.
Hey little donna, sweet little donna so good
My feeling with you was all very true.
Hey little donna, sweet little donna you know
Goodbye is hello, cos Im on the road.
Take it easy, dont get me wrong,
Just keep me in your dreams.
Take it easy, life goes on
My little backstage queen.
Hey little donna
Sweet little donna
Goodbye donna ...

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Senza Una Donna

Non e' cosi' che passo i giorni Baby come stai
Sei stata li e adesso torni Lady Hey, con chi stai
Io sto qui e guardo il mare
sto con me, mi faccio anche da mangiare
si e' cosi', ridi pure, ma non ho piu' pauredi restare
senza una donna
come siamo lontani
senza una donnasto bene anche domani
senza una donna
che m'ha fatto morir
senza una donna
E' meglio cosi'
Non e' cosi' che puoi comprarmi Baby, tu lo sai
E' un po' piu' giu'
che devi andare lady Yes, se ce l'hai
io ce l'ho vuoi da bere
guardami sono un fiore
Be' non proprio cosi', ridi pure, ma
non ho piu' paure di restare
Senza una donna
come siamo lontani
senza una donna
sto bene anche domani
senza una donnache m'ha fatto morir.......
Io sto qui e guardo il mare
ma perche' continuo a parlare
non lo so ridi pure ma
non ho piu' paure di restare
Senza una donna
come siamo lontani
senza una donna
sto bene anche domani
senza una donna
che m'ha fatto morire
senza una donnavieni qui come on here
senza una donna
ora siamo vicini
senza una donna
sto bene anche domani
senza una donna
che m'ha fatto morir.

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John Daniel

(Dolly Parton)
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
John Daniel was a young man, not more than twenty-four
And there was an air about him that one could not ignore
And in spite of callused hands & dirty clothes, his face was kind
And I wanted so to know what was in John Daniel's mind
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
I rented him a room; he went upstairs like all the rest
It was Saturday and he'd be goin' in to town, I guessed
But he left in a robe and sandals, with a Bible in his hand;
And I thought to myself, John Daniel, I don't understand
Now I'd planned to meet some friends of mine when I got off at three,
In the park we often gather to talk of love and peace
When I got there I found that a crowd had gathered 'round;
And there I saw John Daniel a sittin' on the ground
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
So, "You want to be free," he said, "Well, this is how you can."
As he read from the Bible he held in his hand
We were searchin' for the truth not knowin' where to look,
Not knowin' that the answers all were in John Daniel's book
John Daniel told us all how we could be free
John Daniel taught us all a better way for you and me
He came to us in our own way so we'd be sure to see
He had the light and essence of the man from Galilee
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
John Daniel, John Daniel, John Daniel
John Daniel do you hold the answer to a higher plan?
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
Ooh, John Daniel, tell me where did you come from
Tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?

song performed by Dolly PartonReport problemRelated quotes
Added by Lucian Velea
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John, John

John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.

song performed by Yoko OnoReport problemRelated quotes
Added by Lucian Velea
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