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Diane Lane

I think that anybody that smiles automatically looks better.

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Sneaky With the Looks

Sneaky with the looks that they give.

I perceive myself alone.
I feel a curiosity directed.
At first I am not sure,
If the curiosity is directed towards me.
And I look around.
Nothing is there to block my steps.
And I begin to whistle in nervousness.
To then talk to myself...
In a calming peacefulness.
I admit is beginning to get a bit restless.

Sneaky with the looks that they give.

I am among the trees.
Alone in fresh Spring breezes.

Sneaky with the looks that they give.

I begin to hear the chirping of birds.
Conversing to break the silence,
With a charm that does not disturb.
And they fly high between the trees.
Trying to hide within the leaves.

Sneaky with the looks that they give.

I follow a path made clear of obstacles.
I stop.
So does the chirping.
I pick up a small rock,
To toss as I also pick up a twig.
There is a wind.
And I continue my journey.

Wings flap as if there is clapping.
I adjust my cap.
And two squirrels chase...
Across my path!
To play tag and hide and seek.
I stop to watch.

Sneaky with the looks that they give.

I look up!
And there they all sit.
As if in conference on a branch.
Together...
Laughing!

[...] Read more

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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

[...] Read more

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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

[...] Read more

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

[...] Read more

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It Looks Like Rain

I stand at the window
Looking out, looking out at the grey
After getting up and reading the paper today
Sometimes I just want to crawl back in bed
Pull the covers over my eyes
This world is so full of trouble
All the war planes in the sky
Chorus:
And it looks like rain
Cant you hear the thunder
And it looks like rain
Dont it make you wonder
Killers make the front page
Good deeds go unnoticed
Seems like, like theres no change
No matter what the vote is
It used to be we were
All looking out for everybody else
But now it seems the only law is
Every man for himself
(chorus)
And it looks like rain
Cant you hear the thunder
It looks like rain
Dont it make you
And it looks like rain
Falling down my eyes
It looks like rain
Dont you wonder why
I hear, hear it pounding
In the courtrooms and halls
I hear, hear it sounding
Through these paper-thin walls
I can hear people lying under oath
Lovers breaking their vows
I dont want to give up hope
Is it too late now
Chorus:
And it looks like rain
Cant you hear the thunder
It looks like rain
Dont it make you
And it looks like rain
Falling down my eyes
It looks like rain
Dont you wonder why
And it looks like rain
Cant you hear the thunder
It looks like rain
Dont it make you

[...] Read more

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Poem (‘It Doesn’t Look Like A Finger...’)

It doesn’t look like a finger it looks like a feather of broken glass
It doesn’t look like something to eat it looks like something eaten
It doesn’t look like an empty chair it looks like an old woman
searching in a heap of stones
It doesn’t look like a heap of stones it looks like an estuary where
the drifting filth is swept to and fro on the tide
It doesn’t look like a finger it looks like a feather with broken teeth
The spaces between the stones are made of stone
It doesn’t look like a revolver it looks like a convolvulus
It doesn’t look like a living convolvulus it looks like a dead one
KEEP YOUR FILTHY HANDS OFF MY FRIENDS USE THEM ON
YOUR BITCHES OR
YOURSELVES BUT KEEP THEM OFF MY FRIENDS
The faces between the stones are made of bone
It doesn’t look like an eye it looks like a bowl of rotten fruit
It doesn’t look like my mother in the garden it looks like my father
when he came up from the sea covered in shells and tangle
It doesn’t look like a feather it looks like a finger with broken wings
It doesn’t look like the old woman’s mouth it looks like a handful
of broken feathers or a revolver buried in cinders
The faces beneath the stones are made of stone
It doesn’t look like a broken cup it looks like a cut lip
It doesn’t look like yours it looks like mine
BUT IT IS YOURS NOW
SOON IT WILL LOOK LIKE YOURS
AND ANYTHING YOU SEE WILL BE USED AGAINST YOU

London Bulletin, No. 2 (May 1938), 7.

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Smiles

Smiles, I was taught never to smile
I was told the stylish smiles of buffoonery
Chicanery and larceny abound
My mom said unless someone sticks you right in front of a camera
A smile is the last thing that you wanna do
Those smiles, those mirthless toothy smiles
Smiles, they all smile on tv
The quizmaster with his withered crones
The talkshow hosting movie stars, the politician licking feet
The mugger, the rapist, the arsonic lover
All smile out from the news, at one time or another
Those smiles, those garish sickly smiles
When I was young my mother said to me
Never, ever, let anyone see that youre happy
Smiles, never, ever let them see you smile
Theyll always put you down
With those smiles, never, ever let them see you smile
Theyll always put you down
With your smiles, never, ever let them see you smile
Dont you know theyll make you go
Doo, doo, doo, doo, doo, doo, doo, doo
Doo, doo, doo, doo, doo, doo, doo, doo, doo
Doo, doo, doo, doo, doo, doo, doo, doo
Doo, doo, doo, doo, doo, doo, doo, doo, doo
(doo, doo, doo, doo, doo, doo, doo, doo
Doo, doo, doo, doo, doo, doo, doo, doo, doo)
(doo, doo, doo, doo, doo, doo, doo, doo
Doo, doo, doo, doo, doo, doo, doo, doo, doo)

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Smile For Me

'Smile for me!

Is somebody waiting for me?

She took this picture

Did she take it for me?

Time is ticking,

Her smile insists, just to tell her was she waiting me?

When she smiles, I feel it, I know, I see it.

When she’s happy,

Smiles so bright, gives me another reason

For her her I’d fight!

I am happy when she’s happy

I smile when she smiles

I face the fact that it’s just her smile.

But I know inside,

Deep inside that smile,

She smiles for me, just for awhile.

A picture perfected, you should see

I just love it when she smiles for me.

She inspires me to reach out my hand

Hold her close

Let her stand

[...] Read more

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The Pleasures of Imagination: Book The Second

When shall the laurel and the vocal string
Resume their honours? When shall we behold
The tuneful tongue, the Promethéan hand
Aspire to ancient praise? Alas! how faint,
How slow the dawn of beauty and of truth
Breaks the reluctant shades of Gothic night
Which yet involve the nations! Long they groan'd
Beneath the furies of rapacious force;
Oft as the gloomy north, with iron-swarms
Tempestuous pouring from her frozen caves,
Blasted the Italian shore, and swept the works
Of liberty and wisdom down the gulph
Of all-devouring night. As long immur'd
In noon-tide darkness by the glimmering lamp,
Each muse and each fair science pin'd away
The sordid hours: while foul, barbarian hands
Their mysteries profan'd, unstrung the lyre,
And chain'd the soaring pinion down to earth.
At last the muses rose, and spurn'd their bonds,
And wildly warbling, scatter'd, as they flew,
Their blooming wreaths from fair Valclusa's bowers
Arno's myrtle border and the shore of soft Parthenope.

But still the rage of dire ambition and gigantic power,
From public aims and from the busy walk
Of civil commerce, drove the bolder train
Of penetrating science to the cells,
Where studious ease consumes the silent hour
In shadowy searches and unfruitful care.
Thus from their guardians torn, the tender arts
Of mimic fancy and harmonious joy,
To priestly domination and the lust
Of lawless courts, their amiable toil
For three inglorious ages have resign'd,
In vain reluctant: and Torquato's tongue
Was tun'd for slavish pæans at the throne
Of tinsel pomp: and Raphael's magic hand
Effus'd its fair creation to enchant
The fond adoring herd in Latian fanes
To blind belief; while on their prostrate necks
The sable tyrant plants his heel secure.

But now behold! the radiant æra dawns,
When freedom's ample fabric, fix'd at length
For endless years on Albion's happy shore
In full proportion, once more shall extend
To all the kindred powers of social bliss
A common mansion, a parental roof.
There shall the virtues, there shall wisdom's train,
Their long-lost friends rejoining, as of old,

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My Paint Heroes

All of paris giggles with flags
Laughing lions leap up from the page
My the world looks good from where you are
My the world looks good from where you paint from
Barcelona, nuclear festive, wire women
Wriggle from lifes cage
My the world looks good from where you are
My the world looks good from where you paint from
My the world looks good from where you are
My the world looks like its all a party
Packed with my paint heroes
Like its all a party
Packed with rousseau
Miro, miro, on my wall
I love you the most of all
In port lligat, liked his gala
Waxed antenna, brushes up a storm
My the world looks good from where you are
My the world looks good from where you paint from
Catalonias atom caveman
Cracks his whipline tipped in purest form
My the world looks good from where you are
My the world looks good from where you paint from
My the world looks good from where you are
My the world looks like its all a party
Packed with my paint heroes
Like its all a party
Packed with dali
Miro, miro, on my wall
I love you the most of all

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My Paint Heroes (home Demo)

All of Paris giggles with flags
Laughing lions leap up from the page
My the world looks good from where you are
My the world looks good from where you paint from
Barcelona, nuclear festive, wire women
Wriggle from life's cage
My the world looks good from where you are
My the world looks good from where you paint from
My the world looks good from where you are
My the world looks like it's all a party
Packed with my paint heroes
Like it's all a party
Packed with Rousseau
Miro, Miro, on my wall
I love you the most of all
In Port Lligat, liked his Gala
Waxed antenna, brushes up a storm
My the world looks good from where you are
My the world looks good from where you paint from
Catalonia's atom caveman
Cracks his whipline tipped in purest form
My the world looks good from where you are
My the world looks good from where you paint from
My the world looks good from where you are
My the world looks like it's all a party
Packed with my paint heroes
Like it's all a party
Packed with Dali
Miro, Miro, on my wall
I love you the most of all

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I've Seen The Devil (And He Looks Like You)

I've watched people in this world,
do evil things to each other,
I've seen them do evil things to the ones,
that they love and cherish,
but I never understood why they did,
the things that they do,

war to me is so useless,
couldn't we just find other ways,
to settle our differences,
except for trying to talk it out,
we put guns in the arms of our young ones,

Chorus: I've Seen The Devil,
and He looks like you,
I've Seen The Devil,
and he looks like you,
I've Seen The Devil,
and He Looks like you,

but do we really know what its all about,
do we really know why we do the things we do,
like going to war with one another,
trying to beat the devil that lives inside all of us,

I see the devil every single day,
I see him on the late night news,
and I see him on the covers of our magazines,
he tells us it’s going to be alright,
and that the wars going to be over,
only if we follow him,
and his un-holy union,

Chorus: I've Seen The Devil,
and He looks like you,
I've Seen The Devil,
and he looks like you,
I've Seen The Devil,
and He Looks like you,

but I don't see why we should,
follow you and your ways,
follow your path of destruction,
follow you and your destruction of the world,
why should we follow you,

you whisper stuff in our ears,
you say it’s going to be alright,
the next war that we fight will be the war of wars,
and we'll all die a Nuclear Holocaust,

[...] Read more

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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

[...] Read more

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Alankar(Decor) -97

Mother And Babe-(Tritina)
Tritina is-
Three tercets and one last line. Choose three words and
these words will be the last word at the end of the
nine lines in the pattern ABC, CAB, BCA. The last
line uses the words ABC.


Mother And Babe

Babe smiles and mom sees a star in her eyes
Winkling to prove a bright celestial splice
Babe smiles and smiles and mom too smiles

Babe too sees a sparkling star when mom smiles
An attested bond of heaven in her eyes
Who in whose bound can break that divine splice

Smile is His paradise and He that divine splice
Can any deny then those loving longing smiles
Babe smiles, mom smiles staring at other's eyes

Conjunct eyes indeed become godly splice of smiles

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Truth Smiles In Child!

What an eternal pair they are,
God and Nature, positive and negative,
God revolving freely around nature,
Smiles at Nature,
And Nature smiles at God,
Smile makes one beautiful and they fell in love of beauty in one another!

Just like parents smile AT the kid,
Nature says to God,
'See, This child is your Creation,
you are its father,
take care of it '

God smiles and says, 'Its your child,
take care of this,
And this is your child '

Child smiles innocently at both,
Nature Smile at child and says,
I am your mother, He is your father,
When child smiles at father,
father's heart too jumps and smiles,
Father sees its beloved Nature,
And Nature sees her Beloved God in the smile of the child!

In the child both smile together, seeing at one another!

Matter smiles at energy and energy smiles at matter,
and in the child both smile together,

But in their love and smile,
Truth smiles,
eyes of both God, Nature shine at the smile of the Child,
Never both able to see the silent smile of Truth,
It says within child, it's soliliquoy goes unheard,

' I am that,
Smiled in you,
I am the creator of both,
But God and Nature Never able to see me,
Only seeing me as their child,
I smile At them,
that I kept my identity,
Hidden safe in You '

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If Looks Could Kill

Caught you in the act - can't put up with that
messing where you shouldn't be
I wanna hear you say you're sorry
cause nobody takes advantage of me

You're missing the mark - shooting in the dark
I'm pulling the wool from my eyes
baby don't you push me further
it's gonna hurt you if it happens here

If looks could kill
you'd be lying on the floor
you'd be begging me please please
baby don't hurt me no more
If looks could kill
you'd be reeling from the pain
and you'd never lie again
If looks could kill

You're living on the edge - hanging by a thread
I'm watching every move you make
you don't want to see my anger
so don't you make another mistake

Love is on the line - I ain't about to be kind
that's a promise and a threat
if I was you I'd really cool it
or risk a night you'll never forget

If looks could kill
you'd be living on the floor
you'd be begging me please please
darlin don't hurt me no more
If looks could kill
you'd be reeling from the pain
and you'd never lie again
If looks could kill

I was a fool to believe in you
a sucker for every line
I'm a little less blind
than I was before
I can see right through your design

You'd be begging me please please
darlin don't hurt me no more
If looks could kill
you'd be reeling from the pain
and you'd never lie again
If looks could kill

[...] Read more

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Selected Poems Of Dr. Mahendra Bhatnagar [2]

[1] O WINGED STEEDS OF DESTINY

O Winged steeds of Destiny!
Holding thy reins
With confidence
And with firm hands,
We will pull them
To give ye direction,
Every time!

Lustrous and indomitable,
We are the sons of the soil
We stand by the toil
We cherish the youthful vigour;
We will pull
Thy bridle — mind you —
To give ye direction,
Every time!

O ye, the sentinels and the stars foretelling!
Our labour is marked with brilliance,
We will pull out
Thy light undecaying;
For, we can reach
The inaccessible Space
Through endurance and steadfast endeavours.
O ye, our stars!
We will, forsooth,
Take away from ye
Thy brilliance!

O ye, the moving invisible hand!
Thou art the invincible citadels
Echoing the distressed cries
Of the ill-fated ones!
Bathed in sweat
We will wash
Thy ominous lines,
And singing sweet the inspiring music
Of hard work,
We will break through
Thy citadels
Of distress and destruction!

O winged steeds of Destiny!
We will hold thy bridle
And give ye direction!

 

[...] Read more

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William Shakespeare

Venus and Adonis

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis tried him to the chase;
Hunting he lov'd, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac'd suitor 'gins to woo him.
'Thrice fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses;
And being set, I'll smother thee with kisses:
'And yet not cloy thy lips with loath'd satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety;
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enrag'd, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens;--O! how quick is love:--
The steed is stalled up, and even now
To tie the rider she begins to prove:
Backward she push'd him, as she would be thrust,
And govern'd him in strength, though not in lust.
So soon was she along, as he was down,
Each leaning on their elbows and their hips:
Now doth she stroke his cheek, now doth he frown,
And 'gins to chide, but soon she stops his lips;
And kissing speaks, with lustful language broken,
'If thou wilt chide, thy lips shall never open.'
He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;

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William Shakespeare

Venus and Adonis

'Vilia miretur vulgus; mihi flavus Apollo
Pocula Castalia plena ministret aqua.'

To the right honorable Henry Wriothesly, Earl of Southampton, and Baron of Tichfield.
Right honorable.

I know not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burden only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest. I leave it to your honourable survey, and your honour to your heart's content; which I wish may always answer your own wish and the world's hopeful expectation.

Your honour's in all duty.

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis hied him to the chase;
Hunting he loved, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor 'gins to woo him.
'Thrice-fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses,
And being set, I'll smother thee with kisses;
'And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety,
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein,
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens:--O, how quick is love!--
The steed is stalled up, and even now
To tie the rider she begins to prove:

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It Occurred To Me Automatically

That wasn't the purpose but it occurred to me automatically,
The wasn't my dream but it occurred to me automatically,
The wasn't my choice but it occurred to me automatically,
And the status and the ordinances of the Laws are i have today;
For, it was all crowed with the muse of your sweet love,
Because, i wrote to you about my love and you accepted me in!

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