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Originality consists in returning to the origin.

classic quote by Antoni Gaudi
Added by Veronica Serbanoiu
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Life Vs Mylife

LIFE

IS HAPPY AND GOOD

MY LIFE

IS FULL OF SHAME AND REGRET

LIFE

CONSISTS OF EVERYONE

MY LIFE

CONSISTS OF ONLY ME

LIFE

CONSISTS OF LIFE

MY LIFE

CONSISTS OF DEATH AND PAIN

LIFE

TOLD ME WHAT I KNOW NOW

MY LIFE

HELPED ME BELIEVE IT

LIFE

TAUGHT ME TO BE STRONG

MY LIFE TAUGHT ME TO BECOME IT

LIFE

IS THE SUBJECT

MY LIFE

IS THE REASON

LIFE

TOLD ME TO FIGHT

[...] Read more

poem by Michole Petersen
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Because of this, originality consists in returning to the origin.

quote by Antonio Gaudi
Added by Lucian Velea
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All This Information

All of us seem to walk away from everything
It takes a certain amount of originality to describe this place as home
And all of us seem to walk away from everything
It takes a certain amount of originality to describe yourself as interesting
And all of us seem to walk away from everything
It takes a certain amount of originality to describe yourself as home
All this information that we have to choose from
It means nothing to you
It means nothing to you
There's no suggestion that it's needless
When the competition is so needless
It's all so meaningless
There's no suggestion that it's needless
When the competition is so needless
It's all so meaningless
All of us seem to walk away from everything
It takes a certain amount of personality to describe yourself as interesting
And all of us seem to walk away from everything
It takes a certain amount of personality to describe yourself as truly truly honest
All this information that we have to choose from
It means nothing to you
It means nothing to you
There's no suggestion that it's needless
When the competition is so needless
It's all so meaningless
There's no suggestion that it's needless
When the competition is so needless
It's all so meaningless
There's no suggestion that it's needless
When the competition is so needless
It's all so meaningless
There's no suggestion that it's needless
When the competition is so needless
It's so needless when things change

song performed by Idlewild
Added by Lucian Velea
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Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions.

quote by Thomas Couture
Added by Lucian Velea
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Kisses Of Fire

Lay your head on my chest so you hear every beat of my heart
Now theres nothing at all that can keep us apart
Touch my lips, close your eyes and see with your fingertips
Things that you do, and you know Im crazy bout you
Kisses of fire, burning, burning
Im at the point of no returning
Kisses of fire, sweet devotions
Caught in a land-slide of emotions
Ive had my share of love affairs but they were nothing compared to this
Oh, Im riding higher than the sky and there is fire in every kiss
Kisses of fire
Kisses of fire
When you sleep by my side I feel safe and I know I belong
Still its making me scared that my love is so strong
Losing you is a nightmare fate and to me its new
Never before did you see me begging for more
Kisses of fire, burning, burning
Im at the point of no returning
Kisses of fire, sweet devotions
Caught in a land-slide of emotions
Ive had my share of love affairs but they were nothing compared to this
Oh, Im riding higher than the sky and there is fire in every kiss
Kisses of fire
Kisses of fire
Kisses of fire, burning, burning
Im at the point of no returning
Kisses of fire, sweet devotions
Caught in a land-slide of emotions
Kisses of fire, burning, burning
(Im at the point of no returning)
Kisses of fire, sweet devotions
Im riding higher than the sky and there is fire in every kiss
(caught in a land-slide of emotions)
Kisses of fire, burning, burning
Im at the point of no returning
Kisses of fire, sweet devotions
Caught in a land-slide of emotions

song performed by ABBA
Added by Lucian Velea
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Flowers Are The Clocks Of The Light

Flowers are the clocks of the light.
Spring grey. Clouds. Half smoke, half crocus.
The rivulets are carrying last November's leaves away
like long lines of ants bearing the gnostic gospels
of the snow thawing into a spiritual life of water
back to the shrine of their colony
to be chewed over by the divines
masticating the mystery into something
like an edible orthodoxy of mystic impiety.

My heart is a bruised apple with purple blood today.
Neither passionate, nor aloof, clinging
nor unwilling to let go if that's what I must do.
One foot on shore. One in a lifeboat.
O what funny bridges we make as if
we were trying to balance the axis
of heaven and earth upon our nose
like the calves of giraffes learning to walk on stilts.
But there you go. What are you going to do?
That's the way it seems.
You've got to look up and stick your neck out
if you want to graze on the stars.
Same way with dreams. You've got to
risk waking up if you don't want to lose them.

I've wandered off from the carnage
of my doomed holy war of one with my heart
into a peaceful valley where I can sit
on a glacial skull of prophetic rock
and sheathe my sword in the wound I drew it from
like fire from the ore of a crippled dragon
that walked with a limp out of the war
weary of winning these honourable surrenders
like Jacob wrestling with the angel in the way.

Soft here. Easy on the eyes. A gentle touch.
The air on the verge of tears and the trees
about to see who's a skeleton and who's a survivor.
Who made it through the winter, and who
dreamed they died in their sleep and did,
and who, the ghost amputee of the limbs they lost.
I have a mindful heart and a warrior's compassion
for lost lovers, friends, suicides, martyrs, heretics,
neglected gods, defrocked saints, those
who fell half crazy on the broken panes
of their own clarity, committing hara kiri
on the splintered plinths of their own love-crossed stars.
One-eyed artists riding a pair of red bicycle glasses
in a high-wire act without safety nets
like a dropp of dew on a spider's thread

[...] Read more

poem by Patrick White
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A poem on divine revelation

This is a day of happiness, sweet peace,
And heavenly sunshine; upon which conven'd
In full assembly fair, once more we view,
And hail with voice expressive of the heart,
Patrons and sons of this illustrious hall.
This hall more worthy of its rising fame
Than hall on mountain or romantic hill,
Where Druid bards sang to the hero's praise,
While round their woods and barren heaths was heard
The shrill calm echo of th' enchanting shell.
Than all those halls and lordly palaces
Where in the days of chivalry, each knight,
And baron brave in military pride
Shone in the brass and burning steel of war;
For in this hall more worthy of a strain
No envious sound forbidding peace is heard,
Fierce song of battle kindling martial rage
And desp'rate purpose in heroic minds:
But sacred truth fair science and each grace
Of virtue born; health, elegance and ease
And temp'rate mirth in social intercourse
Convey rich pleasure to the mind; and oft
The sacred muse in heaven-breathing song
Doth wrap the soul in extasy divine,
Inspiring joy and sentiment which not
The tale of war or song of Druids gave.
The song of Druids or the tale of war
With martial vigour every breast inspir'd,
With valour fierce and love of deathless fame;
But here a rich and splendid throng conven'd
From many a distant city and fair town,
Or rural seat by shore or mountain-stream,
Breathe joy and blessing to the human race,
Give countenance to arts themselves have known,
Inspire the love of heights themselves have reach'd,
Of noble science to enlarge the mind,
Of truth and virtue to adorn the soul,
And make the human nature grow divine.

Oh could the muse on this auspicious day
Begin a song of more majestic sound,
Or touch the lyre on some sublimer key,
Meet entertainment for the noble mind.
How shall the muse from this poetic bow'r
So long remov'd, and from this happy hill,
Where ev'ry grace and ev'ry virtue dwells,
And where the springs of knowledge and of thought
In riv'lets clear and gushing streams flow down
Attempt a strain? How sing in rapture high

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poem by Hugh Henry Brackenridge
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A poem, on the rising glory of America

LEANDER.
No more of Memphis and her mighty kings,
Or Alexandria, where the Ptolomies.
Taught golden commerce to unfurl her falls,
And bid fair science smile: No more of Greece
Where learning next her early visit paid,
And spread her glories to illume the world,
No more of Athens, where she flourished,
And saw her sons of mighty genius rise
Smooth flowing Plato, Socrates and him
Who with resistless eloquence reviv'd
The Spir't of Liberty, and shook the thrones
Of Macedon and Persia's haughty king.
No more of Rome enlighten'd by her beams,
Fresh kindling there the fire of eloquence,
And poesy divine; imperial Rome!
Whose wide dominion reach'd o'er half the globe;
Whose eagle flew o'er Ganges to the East,
And in the West far to the British isles.
No more of Britain, and her kings renown'd,
Edward's and Henry's thunderbolts of war;
Her chiefs victorious o'er the Gallic foe;
Illustrious senators, immortal bards,
And wise philosophers, of these no more.
A Theme more new, tho' not less noble claims
Our ev'ry thought on this auspicious day
The rising glory of this western world,
Where now the dawning light of science spreads
Her orient ray, and wakes the muse's song;
Where freedom holds her sacred standard high,
And commerce rolls her golden tides profuse
Of elegance and ev'ry joy of life.

ACASTO.
Since then Leander you attempt a strain
So new, so noble and so full of fame;
And since a friendly concourse centers here
America's own sons, begin O muse!
Now thro' the veil of ancient days review
The period fam'd when first Columbus touch'd
The shore so long unknown, thro' various toils,
Famine and death, the hero made his way,
Thro' oceans bestowing with eternal storms.
But why, thus hap'ly found, should we resume
The tale of Cortez, furious chief, ordain'd
With Indian blood to dye the sands, and choak
Fam'd Amazonia's stream with dead! Or why,
Once more revive the story old in fame,

[...] Read more

poem by Hugh Henry Brackenridge
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A Map Of Culture

Culture

Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?

What is Culture?

I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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poem by Nyein Way
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The Columbiad: Book II

The Argument

Natives of America appear in vision. Their manners and characters. Columbus demands the cause of the dissimilarity of men in different countries, Hesper replies, That the human body is composed of a due proportion of the elements suited to the place of its first formation; that these elements, differently proportioned, produce all the changes of health, sickness, growth and decay; and may likewise produce any other changes which occasion the diversity of men; that these elemental proportions are varied, not more by climate than temperature and other local circumstances; that the mind is likewise in a state of change, and will take its physical character from the body and from external objects: examples. Inquiry concerning the first peopling of America. View of Mexico. Its destruction by Cortez. View of Cusco and Quito, cities of Peru. Tradition of Capac and Oella, founders of the Peruvian empire. Columbus inquires into their real history. Hesper gives an account of their origin, and relates the stratagems they used in establishing that empire.

High o'er his world as thus Columbus gazed,
And Hesper still the changing scene emblazed,
Round all the realms increasing lustre flew,
And raised new wonders to the Patriarch's view.

He saw at once, as far as eye could rove,
Like scattering herds, the swarthy people move
In tribes innumerable; all the waste,
Wide as their walks, a varying shadow cast.
As airy shapes, beneath the moon's pale eye,
People the clouds that sail the midnight sky,
Dance thro the grove and flit along the glade,
And cast their grisly phantoms on the shade;
So move the hordes, in thickets half conceal'd,
Or vagrant stalking thro the fenceless field,
Here tribes untamed, who scorn to fix their home,
O'er shadowy streams and trackless deserts roam;
While others there in settled hamlets rest,
And corn-clad vales a happier state attest.

The painted chiefs, in guise terrific drest,
Rise fierce to war, and beat their savage breast;
Dark round their steps collecting warriors pour,
Some fell revenge begins the hideous roar;
From hill to hill the startling war-song flies,
And tribes on tribes in dread disorder rise,
Track the mute foe and scour the howling wood,
Loud as a storm, ungovern'd as a flood;
Or deep in groves the silent ambush lay,
Lead the false flight, decoy and seize their prey,
Their captives torture, butcher and devour,
Drink the warm blood and paint their cheeks with gore.

Awhile he paused, with dubious thoughts opprest,
And thus to Hesper's ear his doubts addrest:
Say, to what class of nature's sons belong
The countless tribes of this untutor'd throng?
Where human frames and brutal souls combine,
No force can tame them, and no arts refine.
Can these be fashion'd on the social plan,
Or boast a lineage with the race of man?
When first we found them in yon hapless isle,
They seem'd to know and seem'd to fear no guile;
A timorous herd, like harmless roes, they ran,

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poem by Joel Barlow
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Solomon on the Vanity of the World, A Poem. In Three Books. - Knowledge. Book I.

The bewailing of man's miseries hath been elegantly and copiously set forth by many, in the writings as well of philosophers as divines; and it is both a pleasant and a profitable contemplation.
~
Lord Bacon's Advancement of Learning.

The Argument

Solomon, seeking happiness from knowledge, convenes the learned men of his kingdom; requires them to explain to him the various operations and effects of Nature; discourses of vegetables, animals and man; proposes some questions concerning the origin and situation of the habitable earth: proceeds to examine the system of the visible heaven: doubts if there may not be a plurality of worlds; inquires into the nature of spirits and angels, and wishes to be more fully informed as to the attributes of the Supreme Being. He is imperfectly answered by the Rabbins and Doctors; blames his own curiosity: and concludes that, as to human science, All Is Vanity.

Ye sons of men with just regard attend,
Observe the preacher, and believe the friend,
Whose serious muse inspires him to explain
That all we act and all we think is vain:
That in this pilgrimage of seventy years,
O'er rocks of perils and through vales of tears
Destined to march, our doubtful steps we tend,
Tired with the toil, yet fearful of its end:
That from the womb we take our fatal shares
Of follies, passions, labours, tumults, cares;
And at approach of death shall only know
The truths which from these pensive numbers flow,
That we pursue false joy and suffer real wo.

Happiness! object of that waking dream
Which we call life, mistaking; fugitive theme
Of my pursuing verse: ideal shade,
Notional good; by fancy only made,
And by tradition nursed; fallacious fire,
Whose dancing beams mislead our fond desire;
Cause of our care, and error of our mind:
Oh! hadst thou ever been by Heaven design'd
To Adam, and his mortal race, the boon
Entire had been reserved for Solomon;
On me the partial lot had been bestow'd,
And in my cup the golden draught had flow'd.

But, O! ere yet original man was made,
Ere the foundations of this earth were laid,
It was opponent to our search ordain'd,
That joy still sought should never be attain'd:
This sad experience cites me to reveal,
And what I dictate is from what I feel.

Born, as I as, great David's favourite son,
Dear to my people on the Hebrew throne,
Sublime my court, with Ophir's treasures bless'd.
My name extended to the farthest east,
My body clothed with every outward grace,
Strength in my limbs, and beauty in my face,

[...] Read more

poem by Matthew Prior
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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poem by Sir Francis Bacon
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Your Love

(david friedman)
Sometimes when Im sitting all alone
I think of things that I have done
And start to wonder if theres one thing
That means more than others I have known
And suddenly its clear to me
Without your love where would I be
Your love has kept me going
Through good and bad times
Its kept me growing
Like a steady flame
Your love has kept on burning
Through sweet and sad times
Ill keep returning to the magic of your love
Through the years my dreams may come and go
For fortune is a fleeting time
And no one knows what time may bring
But through the highs and lows of it Ill know
That theres one thing of which Im sure
The one thing Ive been living for
Your love has kept me going
Through good and bad times
Its kept me growing
Like a steady flame
Your love has kept on burning
Through sweet and sad times
Ill keep returning to the magic of your love
Your love has kept me going
Through good and bad times
Its kept me growing
Like a steady flame
Your love has kept on burning
Through sweet and sad times
Ill keep returning to the magic of your love
Ill keep returning to the magic of your love
Your love

song performed by Diana Ross
Added by Lucian Velea
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Borellus

Essential Salts of animals may
Be so prepared and preserved
That an ingenious man
May have the whole Ark of Noah in his own
Study and raise the fine shape of an animal
Out of its ashes at his pleasure
Unhappy is he to whom the memories of childhood
Bring only fear and sadness
Old years of play
Wretched is he who looks back upon lone hours
In vast and dismal chambers
With brown hangings
And maddening rows of antique books
Watch them in twilight groves
Oh in twilight groves
Oh in twilight groves
By method from the essential salts of humane dust
A philosopher may call up the shape of any dead ancestor
From the dust where into his body has been
Incinerated incinerated incinerated
You're under pressure baby
Christ has returned he's returning
In every new born child
In every new born child
You're under pressure baby
Christ has returned he's returning
In every new born child
In every new born child
In every new born child
Essential Salts of animals may
Be so prepared and preserved
That an ingenious man
May have the whole Ark of Noah in his own
Study and raise the fine shape of an animal
Out of its ashes at his pleasure
You're under pressure baby
Christ has returned, he's returning
In every new born child
In every new born child
You're under pressure baby
Christ has returned, he's returning
In every new born child
In every new born child

song performed by H.I.M.
Added by Lucian Velea
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The Sky Is Falling

Time will tell
Give some new meaning now
What it really takes to survive
Time will prove
That my fears, all were coming true
Now that youre leaving my life
Clouding up, think l see rain,and now
Oh no, lm feeling the pain
So far the omens are saying
That a stormy time is coming again
Chorus:
The sky is falling
No early warning
Theres no returning
Lts the end of the loving
The sky is falling
No early warning
Theres no returning
The sky is falling
Coming down
Oh baby its all around
Waves are washing over me
Weathered through other storms
Yeah they seemed so long
But not as hard as this will be
Dont we know, havent we learned by now
Hurt love and youre gonna cry
Oh baby nothing can save us now
My heart is as dark as the sky
Chorus:
The sky ja falling
No early warning
Theres no returning
Lts the end of the loving
The sky is falling
No early warning
Theres no returning
The sky is falling
Gotta turn my back on the feeling
So I can face the world
Dont you know my heart stopped believing
And I just cant keep reaching
For love
Chorus: (repeat)

song performed by Hall & Oates
Added by Lucian Velea
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The Towers of Time

Under what withering leprous light
The very grass as hair is grey,
Grass in the cracks of the paven courts
Of gods we graved but yesterday.
Senate, republic, empire, all
We leaned our backs on like a wall
And blessed as strong and blamed as stolid--
Can it be these that waver and fall?
And what is this like a ghost returning,
A dream grown strong in the strong daylight?
The all-forsaken, the unforgotten,
The ever-behind and out of sight.
We turned our backs and our blind flesh felt it
Growing and growing, a tower in height.

Ah, not alone the evil splendour
And not the insolent arms alone
Break with the ramrod, stiff and brittle,
The sceptre of the nordic throne;
But things of manlier renown
Reel in the wreck of throne and crown,
With tyrannous tyranny, tyrannous loyalty
Tyrannous liberty, all gone down.

(There is never a crack in the ivory tower
Or a hinge to groan in the house of gold
Or a leaf of the rose in the wind to wither
And she grows young as the world grows old.
A Woman clothed with the sun returning
to clothe the sun when the sun is cold.)

Ah, who had guessed that in a moment
Great Liberty that loosed the tribes,
the Republic of the young men's battles
Grew stale and stank of old men's bribes;
And where we watched her smile in power
A statue like a starry tower
the stone face sneers as in a nightmare
Down on a world that worms devour.
(Archaic incredible dead dawns breaking
Deep in the deserts and waste and wealds,
Where the dead cry aloud on Our Lady of Victories,
Queen of the Eagles, aloft on the shields,
And the sun is gone up on the Thundering Legion
On the roads of Rome to the Battlefields.)

Ah, who had known who had not seen
How soft and sudden on the fame
Of my most noble English ships
The sunset light of Carthage came

[...] Read more

poem by G.K. Chesterton
Added by Veronica Serbanoiu
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The Towers of Time

Under what withering leprous light
The very grass as hair is grey,
Grass in the cracks of the paven courts
Of gods we graved but yesterday.
Senate, republic, empire, all
We leaned our backs on like a wall
And blessed as stron as strong and blamed as stolid--
Can it be these that waver and fall?
And what is this like a ghost returning,
A dream grown strong in the strong daylight?
The all-forsaken, the unforgotten,
The ever-behind and out of sight.
We turned our backs and our blind flesh felt it
Growing and growing, a tower in height.

Ah, not alone the evil splendour
And not the insolent arms alone
Break with the ramrod, stiff and brittle,
The sceptre of the nordic throne;
But things of manlier renown
Reel in the wreck of throne and crown,
With tyrannous tyranny, tyrannous loyalty
Tyrannous liberty, all gone down.

(There is never a crack in the ivory tower
Or a hinge to groan in the house of gold
Or a leaf of the rose in the wind to wither
And she grows young as the world grows old.
A Woman clothed with the sun returning
to clothe the sun when the sun is cold.)

Ah, who had guessed that in a moment
Great Liberty that loosed the tribes,
the Republic of the young men's battles
Grew stale and stank of old men's bribes;
And where we watched her smile in power
A statue like a starry tower
the stone face sneers as in a nightmare
Down on a world that worms devour.
(Archaic incredible dead dawns breaking
Deep in the deserts and waste and wealds,
Where the dead cry aloud on Our Lady of Victories,
Queen of the Eagles, aloft on the shields,
And the sun is gone up on the Thundering Legion
On the roads of Rome to the Battlefields.)

Ah, who had known who had not seen
How soft and sudden on the fame
Of my most noble English ships
The sunset light of Carthage came

[...] Read more

poem by Gilbert Keith Chesterton
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Give Me That Love

When you give me your love...
Give me 'that' love,
You love.
Give me that love you say,
You've been dreaming of.
And I will give you what you're yearning.

When you give me your love...
Give me 'that' love,
You love.
Give me that love you say,
You've been dreaming of.
And I will give you what you're yearning.

Give me all your love...
And I'll return what you've been yearning.
Give me 'that' love...
And you'll have earned what I'm returning.
Give me all your love...
And I'll return what you've been yearning.
Give me 'that' love...
And you'll have earned what I'm returning.

When you give me your love...
Give me 'that' love,
You love.
Give me that love you say,
You've been dreaming of.
And I will give you what you're yearning.

Do not trick me with a double dip slicked.
If you want me just admit it and be quick.
Do not doubt my heart is yours to benefit.
I'm ready and prepared to be with you and be committed.

Do not trick me with a double dip slicked.
If you want me just admit it and be quick.
Do not doubt my heart is yours to benefit.
I'm ready and prepared to be with you and be committed.

Give me all your love...
And I'll return what you've been yearning.
Give me 'that' love...
And you'll have earned what I'm returning.
Give me all your love...
And I'll return what you've been yearning.
Give me 'that' love...
And you'll have earned what I'm returning.

Do not trick me with a double dip slicked.

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poem by Lawrence S. Pertillar
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Orlando Furioso Canto 17

ARGUMENT
Charles goes, with his, against King Rodomont.
Gryphon in Norandino's tournament
Does mighty deeds; Martano turns his front,
Showing how recreant is his natural bent;
And next, on Gryphon to bring down affront,
Stole from the knight the arms in which he went;
Hence by the kindly monarch much esteemed,
And Gryphon scorned, whom he Martano deemed.

I
God, outraged by our rank iniquity,
Whenever crimes have past remission's bound,
That mercy may with justice mingled be,
Has monstrous and destructive tyrants crowned;
And gifted them with force and subtlety,
A sinful world to punish and confound.
Marius and Sylla to this end were nursed,
Rome with two Neros and a Caius cursed;

II
Domitian and the latter Antonine;
And, lifted from the lowest rabble's lees,
To imperial place and puissance, Maximine:
Hence Thebes to cruel Creon bent her knees,
Mezentius ruled the subject Agiline,
Fattening his fields with blood. To pests like these
Our Italy was given in later day,
To Lombard, Goth, and Hun a bleeding prey.

III
What shall I of fierce Attila, what say
Of wicked Ezzeline, and hundreds more?
Whom, because men still trod the crooked way,
God sent them for their pain and torment sore.
Of this ourselves have made a clear assay,
As well as those who lived in days of yore;
Consigned to ravening wolves, ordained to keep
Us, his ill-nurturing and unuseful sheep;

IV
Who, as if having more than served to fill
Their hungry maw, invite from foreign wood
Beyond the mountain, wolves of greedier will,
With them to be partakers of their food.
The bones which Thrasymene and Trebbia fill,
And Cannae, seem but few to what are strewed
On fattened field and bank, where on their way
Adda and Mella, Ronco and Tarro stray.

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poem by Ludovico Ariosto
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Damascus, What Are You Doing to Me?

1
My voice rings out, this time, from Damascus
It rings out from the house of my mother and father
In Sham. The geography of my body changes.
The cells of my blood become green.
My alphabet is green.
In Sham. A new mouth emerges for my mouth
A new voice emerges for my voice
And my fingers
Become a tribe

2
I return to Damascus
Riding on the backs of clouds
Riding the two most beautiful horses in the world
The horse of passion.
The horse of poetry.
I return after sixty years
To search for my umbilical cord,
For the Damascene barber who circumcised me,
For the midwife who tossed me in the basin under the bed
And received a gold lira from my father,
She left our house
On that day in March of 1923
Her hands stained with the blood of the poem…

3
I return to the womb in which I was formed . . .
To the first book I read in it . . .
To the first woman who taught me
The geography of love . . .
And the geography of women . . .

4
I return
After my limbs have been strewn across all the continents
And my cough has been scattered in all the hotels
After my mother’s sheets scented with laurel soap
I have found no other bed to sleep on . . .
And after the “bride” of oil and thyme
That she would roll up for me
No longer does any other 'bride' in the world please me
And after the quince jam she would make with her own hands
I am no longer enthusiastic about breakfast in the morning
And after the blackberry drink that she would make
No other wine intoxicates me . . .

5
I enter the courtyard of the Umayyad Mosque
And greet everyone in it

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poem by Nizar Qabbani
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