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Joseph Fiennes

I've got a vendetta to destroy the Net, to make everyone go to the library. I love the organic thing of pen and paper, ink on canvas. I love going down to the library, the feel and smell of books.

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Open Book's Monologue Part 5: Welcome To The Library!

Welcome to the library! come one come all
Welcome to the library! come with your brethren on this wall
Welcome to the library! come all you books tattered or new
Welcome to the library! come tired and overdue

Yes welcome to the library the place where you're most mundane
Yes welcome to the library the place where you're to endure most pain
Yes welcome to the library where you'll sit unwanted
Yes welcome to the library where you'll sit haunted
Yes welcome to the library where everyone's just like you
Yes welcome to the library where we're all books too!
Yes welcome to the library where you can take comfort
Yes welcome to the library where In the fact you're no longer unique
Yes welcome to the library You're just pen marks ink

Departing the library? I think not, even if you get out we'll bring you back
Departing the library? Here you rot, but we'll dust you to ease your passing
Departing the library? Don't make me laugh, here you're black and white
Departing the library? Nobody argues on your behalf, look more amassing

Welcome to the library! A place of keeping and safety
Welcome to the library! Take your place you'll like it, just wait and see
Welcome to the library! New books don't mind the old they're disillusioned
Welcome to the library! You've sold your soul... but it's too late for you

so WELCOME

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Paper And Pen

Paper and pen
Trying to write a song again
Paper and pen
Paper and pen

Paper and pen
Trying to write a song again
Paper and pen
Paper and pen

Can’t think of anything to say today
Can’t think of anything to do
Can’t think of anything to play today
Minds gone blank
Leaving me here, just sitting here
Listening to my hair grow

Paper and pen
Paper and pen

And I look towards you
For an inspiration or a word or two
I try but I find
Every road only leads me back to these lines

Paper and pen
Paper and pen

Paper and pen
Piano, guitar
I try but don't get very far
Paper and pen
Piano, guitar

Paper and pen
Trying to write a song again
Paper and pen
Paper and pen

Copyright Colin Coplin 1985 / 2010

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Byron

English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.


Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

[...] Read more

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

[...] Read more

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Guitar & Pen

Youre alone above the street somewhere
Youre alone above the street somewhere
Wondering how youll ever count out there
Wondering how youll ever count out there
You can walk, you can talk, you can fight
You can walk, you can talk, you can fight
But inside youve got something to write
But inside youve got something to write
In your hand you hold your only friend
In your hand you hold your only friend
Never spend your guitar or your pen
Never spend your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
When you take up a pencil and sharpen it up
When you take up a pencil and sharpen it up
When youre kicking the fence and still nothing will budge
When youre kicking the fence and still nothing will budge
When the words are immobile until you sit down
When the words are immobile until you sit down
Never feel theyre worth keeping, theyre not easily found
Never feel theyre worth keeping, theyre not easily found
Then you know in some strange, unexplainable way
Then you know in some strange, unexplainable way
You must really have something
You must really have something
Jumping, thumping, fighting, hiding away
Jumping, thumping, fighting, hiding away
Important to say
Important to say
When you sing through the verse and you end in a scream
When you sing through the verse and you end in a scream
And you swear and you curse cause the rhyming aint clean
And you swear and you curse cause the rhyming aint clean
But it suddenly comes after years of delay
But it suddenly comes after years of delay
You pick up your guitar, you can suddenly play
You pick up your guitar, you can suddenly play
When your fingers are bleeding and the knuckles are white
When your fingers are bleeding and the knuckles are white
Then you can be sure, you can open the door
Then you can be sure, you can open the door
Get off of the floor tonight
Get off of the floor tonight

[...] Read more

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Healthy Back Bag

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That Smell

Whiskey bottles, and brand new cars
Oak tree you're in my way
There's too much coke and too much smoke
Look what's going on inside you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Angel of darkness is upon you
Stuck a needle in your arm
So take another toke, have a blow for your nose
One more drink fool, will drown you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Now they call you Prince Charming
Can't speak a word when you're full of 'ludes
Say you'll be all right come tomorrow
But tomorrow might not be here for you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Hey, you're a fool you
Stick them needles in your arm
I know I been there before
One little problem that confronts you
Got a monkey on your back
Just one more fix, Lord might do the trick
One hell of a price for you to get your kicks
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you

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That Smell

(allen collins - ronnie vanzant)
Whiskey bottles, and brand new cars
Oak tree youre in my way
Theres too much coke and too much smoke
Look whats going on inside you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Angel of darkness is upon you
Stuck a needle in your arm
So take another toke, have a blow for your nose
One more drink fool, will drown you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Now they call you prince charming
Cant speak a word when youre full of ludes
Say youll be all right come tomorrow
But tomorrow might not be here for you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Hey, youre a fool you
Stick them needles in your arm
I know I been there before
One little problem that confronts you
Got a monkey on your back
Just one more fix, lord might do the trick
One hell of a price for you to get your kicks
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you

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Paper Thin

Rich and wealthy canvas
Clustered up in jewels
Finding all your heavyweights
Are featherweights and fools
Broken all your promises
Broken all your paper plates
Clustered in gold
Crusted in gold
Heavy and hollow
Look at the shape were in
Find us here
Paper thin
Heavy and humble
Look at the shape were in
Find us here
Paper thin
In origami cities
In nations build on sand
Love got bend right outta shape
Things got outta hand
Polystyrene skylines
Papier mch smiles
Rusted and bruised
Tarnished and frail
Heavy and hollow
Look at the shape were in
Find us here
Paper thin
Heavy and humble
Look at the shape were in
Find us here
Paper thin
Stars scrape the moon
And the moon scrapes the sky
We stand beneath
Wondering why
Stars scrape the moon
And the moon scrapes the sky
We stand beneath
Wondering, wondering why
Paper buys the men
The men that make the bomb
The bomb that makes this world
Paper thin!
Money markets crumble
Gentle as a drum
But if you see me stumble, im
Paper thin!
Life is but a fragile thing
So delicate and pure

[...] Read more

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James Russell Lowell

A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

[...] Read more

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Revel In The Joy Of Books

Revel in the Joy of books

Revel in the joy of books
On the joy of get hooked
It’s an addiction that’s boredom proof
Indulge, it’s fun to revel in the joy of books

Take up a book and get hooked
Nothing’s wrong with getting hooked on the joy of books
Don’t’ be a fool change your outlook take up a book
Look into the joy of books

Revel in the joy of books
In monotony don’t remain stuck take a journey with a book
Find adventure and excitement in the joy of books
A book will certainly change your gloomy outlook

Take up a boot and leisurely get hooked
Books are enlightening just try reading
Free your imagination with a book allow it to roam freely
Shucks get with the program revel in the joy of books


Books they are boredom proof just revel in the joy of books.

Anthony S.Phillander©280112


Revel in the Joy of books

Revel in the joy of books
On the joy of get hooked
It’s an addiction that’s boredom proof
Indulge, it’s fun to revel in the joy of books

Take up a book and get hooked
Nothing’s wrong with getting hooked on the joy of books
Don’t’ be a fool change your outlook take up a book
Look into the joy of books

Revel in the joy of books
In monotony don’t remain stuck take a journey with a book
Find adventure and excitement in the joy of books
A book will certainly change your gloomy outlook

Take up a boot and leisurely get hooked

[...] Read more

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Fitration Bags

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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

[...] Read more

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Love In The Library

Love in the library
By: jimmy buffett, mac mcanally
1994
On the corner of government and bay avenue
The old doomsday fanatic wore a crown of kudzu
Sirens were wailing in the gulf coastal heat
And it seemed like the whole world was in forced retreat
Paid no attention, revolved through the door
Past the newspaper racks on the worn marble floor
Near civil war history my heart skipped a beat
She was standing in fiction stretched high on bare feet
Chorus:
Love in the library
Quiet and cool
Love in the library
There are no rules
Surrounded by stories
Surreal and sublime
I fell in love in the library
Once upon a time
I was the pirate, she was the queen
Sir francis and elizabeth, the best theres ever been
Then she strolled past my table and stopped at the stairs
Then sent me a smile as she reached for flaubert
Chorus:
Love in the library
Quiet and cool
Love in the library
There are no rules
Surrounded by stories
Surreal and sublime
I fell in love in the library
Once upon a time
She gathered her books, walked while she read
Words never spoken, but so much was said
You can read all you want into this rendezvous
But its safer than most things that lovers can do
Well stories have endings, fantasies fade
And the guard by the door starts drawing the shade
So write your own ending and hope it comes true
For the lovers and strangers on bay avenue
Chorus:
Love in the library
Quiet and cool
Love in the library
There are no rules
Surrounded by stories
Surreal and sublime
I fell in love in the library
Once upon a time

[...] Read more

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Erica Jong

Books

The universe (which others call the library). . .
-Jorge Luis Borges

Books which are stitched up the center with coarse white thread
Books on the beach with sunglass-colored pages
Books about food with pictures of weeping grapefruits
Books about baking bread with browned corners
Books about long-haired Frenchmen with uncut pages
Books of erotic engravings with pages that stick
Books about inns whose stars have sputtered out
Books of illuminations surrounded by darkness
Books with blank pages & printed margins
Books with fanatical footnotes in no-point type
Books with book lice
Books with rice-paper pastings
Books with book fungus blooming over their pages
Books with pages of skin with flesh-colored bindings
Books by men in love with the letter O
Books which smell of earth whose pages turn

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Henry Wadsworth Longfellow

The Courtship of Miles Standish

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

[...] Read more

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Pelang

Pelang! Pelang! Mon cher garçon,
I t'ink of you--t'ink of you night and day--
Don't mak' no difference, seems to me
De long long tam you're gone away.

* * * * *

De snow is deep on de Grande Montagne--
Lak tonder de rapide roar below--
De sam' kin' night, ma boy get los'
On beeg, beeg storm forty year ago.

An' I never was hear de win' blow hard,
An' de snow come sweesh on de window pane--
But ev'ryt'ing 'pear lak' it's yesterday
An' whole of ma troub' is come back again.

Ah me! I was foolish young girl den
It's only ma own plaisir I care,
An' w'en some dance or soirée come off
Dat's very sure t'ing you will see me dere.

Don't got too moche sense at all dat tam,
Run ev'ry place on de whole contree--
But I change beeg lot w'en Pelang come 'long
For I love him so well, kin' o' steady me.

An' he was de bes' boy on Coteau,
An' t'ink I am de bes' girl too for sure--
He's tole me dat, geev de ring also
Was say on de inside 'Je t'aime toujours.'

I geev heem some hair dat come off ma head,
I mak' de nice stocking for warm hees feet,
So ev'ryt'ing's feex, w'en de spring is come
For mak' mariée on de church toute suite.

'W'en de spring is come!' Ah I don't see dat,
Dough de year is pass as dey pass before,
An' de season come, an' de season go,
But our spring never was come no more.

* * * * *

It's on de fête of de jour de l'an,
An' de worl' outside is cole an' w'ite,
As I sit an' watch for mon cher Pelang
For he's promise come see me dis very night.

Bonhomme Peloquin dat is leev near us--

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Henry Wadsworth Longfellow

Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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Synergy of Love

'Were you honed from poetry? '
I asked your saddened smile.
For it seems to tell a longing tale -
One of words in oratory
That speaks in languid metaphors
From lips of mind in deep despair
And solitude from inner wars
That over time has rendered life so frail.

'Were you carved from doleful prose? '
I sought to ask your gaze,
For a pain lies deep within your eyes -
One of barren territory
Where no fair heart could ever drift
And hope to venture back content
With grateful memories in a gift -
A land of your affectional demise.

'Do I hear a mournful hum? '
I wondered of your cry,
For it sings a song of deep lament -
One of quiet soliloquy
Recited on deserted strands
To waves that have no sense of song
And only wish to fight the sands -
A chant that cites emotional descent.

Do you know your face portrays
The colours of your soul?
It tells me at a single glance
Of how you burned your furnace whole
To stay the fire in our romance.

And see the prismic hues they bore!
I cherished all I ever saw:
Mauve of mystic; browns of rustic;
Reddened tones to match your blush;
Marine of passion, spending out your being,
Leaving you for ashen embers, fleeing
The dying light in hush of night.
And how you lay there empty.

So let me help re-grow the flowers
Once erect in fiery showers!
For now I've seen what love can do
When torn asunder - oh my catastrophic blunder!

But we must realise -
Our flaming want is meant to be!
We are the ocean and the sea;

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Paper & Ink

Touched the mirror
Broke the surface of the water
Saw my true self
All illusions shattered
Moneys only paper only ink
Well destroy ourselves if we cant agree
How the world turns
Who made the sun
Who owns the sea
The world we know will fall piece by piece
Sat down up close to the colored black hole
Like theyd always told me not to
Saw the one dimension polka dot pacifier
And all illusions shattered
Moneys only paper only ink
Well destroy ourselves if we cant agree
How the world turns
Who made the sun
Who owns the sea
The world we know will fall piece by piece
Bared myself wholly heart and body unadorned
Stripped down solely
To the evil and the good
Felt no shame
Naked to the world
And all illusions shattered
Moneys only paper only ink
Well destroy ourselves if we cant agree
How the world turns
Who made the sun
Who owns the sea
The world we know will fall piece by piece
Faced towards the sea
Looked to heaven up above
Felt the world revolve around me
No one could tell me otherwise
But the turbulent waters wont reflect this life
Only the sun the moon and sky
And all illusions shattered
Moneys only paper only ink
Well destroy ourselves if we cant agree
How the world turns
Who made the sun
Who owns the sea
The world we know will fall piece by piece
Moneys only paper only ink

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