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Whenever a situation develops to its extreme, it is bound to turn around and become its opposite.

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Percys Song

Bad news, bad news,
Come to me where I sleep,
Turn, turn, turn again.
Sayin one of your friends
Is in trouble deep,
Turn, turn to the rain
And the wind.
Tell me the trouble,
Tell once to my ear,
Turn, turn, turn again.
Joliet prison
And ninety-nine years,
Turn, turn to the rain
And the wind.
Oh whats the charge
Of how this came to be,
Turn, turn, turn again.
Manslaughter
In the highest of degree,
Turn, turn to the rain
And the wind.
I sat down and wrote
The best words I could write,
Turn, turn, turn again.
Explaining to the judge
Id be there on wednesday night,
Turn, turn to the rain
And the wind.
Without a reply,
I left by the moon,
Turn, turn, turn again.
And was in his chambers
By the next afternoon,
Turn, turn to the rain
And the wind.
Could ya tell me the facts?
I said without fear,
Turn, turn, turn again.
That a friend of mine
Would get ninety-nine years,
Turn, turn to the rain
And the wind.
A crash on the highway
Flew the car to a field,
Turn, turn, turn again.
There was four persons killed
And he was at the wheel,
Turn, turn to the rain
And the wind.
But I knew him as good

[...] Read more

song performed by Bob DylanReport problemRelated quotes
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Turn It Up

Turn it up, turn it up, baby
My signal's gettin' kinda weak
Turn it up, turn it up, baby
I know U got 2 be a freak, ooh
Turn it up, turn it up, baby
I'm still waiting by the knob
Turn it up, turn it up, baby
I'm ready 4 the heavy stuff, oh yeah
CHORUS:
Turn it up, turn it up, baby
Come and play with my controls
Turn it up, turn it up, baby
Work me like a radio (oh, oh)
Turn it up, turn it up, baby
Work it 'til I start 2 groove, ooh
Turn it up, turn it up, baby
I know U know what 2 do (Girl, U know what 2 do)
Turn it up, turn it up, baby
Work it 'til my clothes are wet
Turn it up, turn it up
I wanna drown in your body's sweat! (Oh yeah)
CHORUS
Now turn it up!
Come here
Turn it up, turn it up, baby
Give me everything U got
Turn it up, turn it up, baby
U know I know U got a lot (Oh yeah)
Turn it up, turn it up, baby
I'll play what U want me 2 play
Turn it up, turn it up
It ain't no good unless U turn it up all the way - yeah, yeah!
Turn it up, turn it up, baby
Come and play with my controls (oh, oh)
Turn it up, turn it up, baby
Work me like a radio (Come on, baby, turn it up)
Turn it up, turn it up, baby
Come and play with my controls (oh)
Turn it up, turn it up, baby
Work me like a radio (Listen 2 me now)
Come on baby, what's it gonna be?
Are U gonna do it or are U gonna leave it up 2 me?
Are U gonna stop? Are U gonna drop?
Kiss me, kiss me! Yeah!
Turn it up, turn it up, baby
Come and play with my controls (oh)
Turn it up, turn it up, baby
Work me like a radio (Come on, gotta, gotta, gotta..) (Oh yeah)
Turn it up, turn it up, baby
Come and play with my controls (oh)

[...] Read more

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The Opposite Begins

When one has had it,
With a havoc that misfits...
That one agitated,
Finds an exit and splits.

People known to create conflict,
Seek an attention they don't get...
Until,
The opposite begins.
Opposition steps in.

They pretend a trust to believe,
To have others perceive but...
The opposite begins,
For them.

Wake up and take notice,
That the opposite begins for them.
Those who charade innocence.
The opposite begins for them.
Those masking evil intent.
The opposite begins for them.

When one has had it,
With a havoc that misfits...
Well,
The opposite begins.
The opposite begins.
And...
That one agitated,
Finds an exit and splits.
But then,
The opposite begins.
The opposite begins.

That one who's had it,
Splits and runs into love...
To know the opposite begins,
When someone genuine comes in...
To view.

When one has had it,
With a havoc that misfits...
Well,
The opposite begins.
The opposite begins.
And...
That one who's had it,
Splits and runs into love...
To know the opposite begins,

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Id Rather Be Strong

(myles goodwyn)
Published by slalom publishing co. - bmi
Its a sad situation
Alot of hopeless information
On the news
Nothins gonna please you
And nothins gonna change
Well thats your view
So many hungry people
Its a shame and is it legal?
Well its a sight
Theres something goin on
Somethin we can change
And its our right
So Id rather be strong
In a hopeless situation, yes
I would rather be strong
In a hopeless situation, yes
I would rather be strong
In a hopeless situation
Yes I would, yes I would
Well you can say its a shame
And things remain the same
And so it goes
But no ones gonna hear you
And no ones gonna see
What doesnt show
Itd be cause for celebration
If only every nation understood
And helping one another
And doing for the other, what they could
And Id rather be strong
In a hopeless situation, yes
I would rather be strong
And to show determination, yes
I would rather be strong
In a hopeless situation
Yes I would, yes I would
Id be a lot better off if I could
Be part of the love
Thats seemingly lost from above
A delicate situation (situation)
Requires contemplation, everyone (everyone)
And someone has to care (someone to care)
When people live in fear of each mans son (each mans son)
So Id rather be strong
In a hopeless situation
Yes, I would rather be strong
In a hopeless situation
Yes, I would rather be strong

[...] Read more

song performed by April WineReport problemRelated quotes
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Alabamy Bound

Im alabamy bound
Im alabamy bound
And if the train dont stop n turn around
Im alabamy bound
Dont you leave me here
Dont you leave me here
The locomos ghost suite pullin out
Leave a dime for a beer
Im alabamy bound (Im alabamy bound)
Im alabamy bound (Im alabamy bound)
And if the train dont stop and turn around
Im alabamy bound (Im alabamy bound)
(hair dont curl)
And your eyes aint blue
cause if you dont want me, sweet polly ann
(well, I dont want you)
Alabamy bound (Im alabamy bound)
Im alabamy bound (Im alabamy bound)
And if the train down stop and turn around
Im alabamy bound (Im alabamy bound)
Im alabamy bound (dont cha leave me here) umm
Im alabamy bound (dont cha leave me here)
Im alabamy bound (dont cha leave me here)
Im alabamy bound

song performed by Van MorrisonReport problemRelated quotes
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Turn The Beat Around (Def Classic Mix)

Turn it up, turn it up, turn it upside down
Turn it up, turn it up, turn it upside down
Turn it up, turn it up, turn it upside down
Turn it up, turn it up, turn it upside down
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Love to hear it
Blow horns you sure sound pretty
Your violins keep movin' to the nitty gritty
When you hear the scratch of the guitars scratchin'
Then you'll know that rhythm carries all the action, so
Woah yeah
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Love to hear it
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Love to hear it
Flute player play your flute 'cause
I know that you want to get your thing off
But you see I've made up my mind about it
It's got to be the rhythm, no doubt about it, woah woah
'Cause when the guitar player start playing
With the syncopated rhythm, with the scratch, scratch, scratch
Makes me wanna move my body yeah, yeah, yeah
And when the drummer starts beating that beat
He nails that beat with the syncopated rhythm
With the rat, tat, tat, tat, tat, tat on the drums, hey
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Love to hear it
Love to hear it
Love to hear it
Love to hear it
Turn it up, turn it up, turn it upside down
Turn it up, turn it up, turn it upside down
Turn it up, turn it up, turn it upside down
Turn it up, turn it up, turn it upside down
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion

[...] Read more

song performed by Gloria EstefanReport problemRelated quotes
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Music Time

Written by dennis deyoung
Lead vocals by dennis deyoung
Hey everybody its music time
Now, you cant expect to figure out how to be cool looking in catalogs, so forget about it
Youve gotta do it the old-fashioned way...fake it!
Yeah!
Play your drum boy!
I like music
The rhythm really gets to me
I cant control it
My feet move automatically
And I like hot licks
The kind I wish that I could play
And when I hear them
I crank the volume all the way
Turn it on
Turn it up
Turn it loud
All the way
I like strangers
Their kindness means a lot to me
They dont ask questions
Dont care about my history
And I like fast girls
I dont know whats come over me
They make me do things
I would not ordinarily
Turn me on
Turn me up
Turn me loose
All the way
Hear it
Feel it
Like it
Do it do it do it do it
Want it
Need it
Love it
Cant get enough of it
Try it
Do it
Go ahead and go for it
All the way......
And I like daydreams
Ive had enough reality
My job is boring
Im overworked and underpaid
I like tv
It stirs up all my fantasies
Girls in tight jeans

[...] Read more

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S. N. A. F. U.

Now, the industry has got me thinking twice
Thinking with the treble mix, gotta shake em like dice
Let the whole world know I cant go for that
Girls know that I got gold and stacks
In every cul de sac from the streets to the clubs
Im making hits and everybodys showing love
Fact is Im back and Im rolling like jackson
Wont stop until Im back at multi platinum
So I start with some action, Im the main attraction
Here to lie down to the west crackin
Stackin big chips, holmes, gotta get em
Hauling in lots of residuals, what you got
You cant choose me
Bring it to you live for the year 2g
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Thought I was a puppet you tried to play me
Yeah - and Im going crazy
Thought I was a puppet you tried to play me
No - you never ever made me
Thought I was a puppet you tried to play me
Yeah - and Im going crazy
Thought I was a puppet you tried to play me
No - Im all fu_ked up
Yo, ice its jim splice me in - no, stop
Begin, pause, cause I gotta call the next of kin
Tell em where you been, tell em that youre ok
Doa, here say, no way, wont say
Dead yes, dead all, not dead and gone
Like a multi-leader, a little bit withdrawn
Time and go like a vicious cycle
Then wham, make em think that you are coming out like george michael
On par to make people to turn in no sooner
Hook, line, and sinker; like charlie the tuna
Drop the hero and get with the zero
Ill try to keep it clean like mr. belvedere
Fu_k me, fu_k you, fu_k the single
Dont want to take it in the can, youre not pringles
But once you pop you cant stop
So dont interrupt - situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Thought I was a puppet you tried to play me
Yeah - and Im going crazy
Thought I was a puppet you tried to play me
No - you never ever made me

[...] Read more

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Samuel Butler

Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

[...] Read more

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Alberta Bound

Oh the prairie lights are burnin bright
The chinook wind is a-movin in
Tomorrow night Ill be alberta bound
Though Ive done the best I could
My old luck aint been so good and
Tomorrow night Ill be alberta bound
No one-eyed man could eer forget
The rocky mountain sunset
Its a pleasure just to be alberta bound
I long to see my next of kin
To know what kind of shape theyre in
Tomorrow night Ill be alberta bound
Alberta bound, alberta bound
Its good to be alberta bound
Alberta bound, alberta bound
Its good to be alberta bound
Oh the skyline of toronto
Is somethin youll get onto
But they say youve got to live there for a while
And if you got the money
You can get yourself a honey
A written guarantee ta make you smile
But its snowin in the city
And the streets and brown and gritty
And I know theres pretty girls all over town
But they never seem ta find me
And the one I left behind me
Is the reason that Ill be alberta bound
Alberta bound, alberta bound
Its good to be alberta bound
Alberta bound, alberta bound
Its good to be alberta bound
Its good to be alberta bound

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Turn Around

Turn around and I will show you something
Turn around and you will see
Life is like a roundabout
A kind of lsd
Turn around and have faith in all the changes
Turn around and you will feel
No more age of loneliness
You are a part of me
Turn around and I will show you something
Turn around and I will show you something
Turn around and I will show you something
Turn around and you will see
Life is just a roundbout
A kind of lsd
Turn around have faith in all the changes
Turn around and you will feel
No more age of loneliness
You are a part of me
Turn around~turn around~turn around
~~~~sandra whispers~~~~
Beyond the invisible, the prism of life
Turn around~turn around~turn around
The child in us, gravity of love
Turn around~turn around~turn around
Morphing thru time
Turn around ~turn around~turn around
Turn around and I will show you something amazing
Turn around and you will see
Life is just a roundabout
A kind of lsd
Turn around have faith in all the changes
Turn around and you will feel
No more age of loneliness
You are part of me
~~~~sandra whispers~~~~
The screen behind the mirror
The voice and the snake
Principles of lust
The eyes of truth
Tnt for the brain
Turn around and I will show you something
Turn around and you will see
Life is just a roundabout, a kind of lsd
Turn around and I will show you something
Turn around and you will see
Life is like a roundabout
A kind of lsd
~~~repeat~~~
T..t..t.. turn around and I will show you something

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Turn To Me

Turn to me, Burning me, Turn to me, Burning me
From all the taking down,
To the driving far away.
As if we're lost and found,
Removing us everyday yeah.
Pushing things too far,
Or never moving it along.
Forgiving and forget,
Only makes one person strong.
Hoping and finding, resisting, denying,
Hey, with your classic words of
Turn to me, that's what you say
When you're burning me, that's what you do
When you turn to me, need more days
And the time to turn you off.
Turn to me, that's what you say
When you're burning me, that's what you do
When you turn to me, need more days
And the time to turn you off.
There's no familiar face, or a hand to cling upon,
We've walked a short distance, but it took so very long.
Hoping and fighting, resisting, denying,
With your classic words of
Turn to me, that's what you say
When you're burning me that's what you do
When you turn to me, need more days
And the time to turn you off.
Knowing that we'll jump a little too high to live
Knowing that it's safe, but not safe enogh to give.
Your heart, your dream, no give, no recieve,
Respect, believe, turn to me.
Turn to me, burning me
Turn to me, time to turn you off,
Burning, me, turn to me, resisting, denying.
Turn to me, that's what you say
When you're burning me, that's what you do
When you turn to me, need more days
And the time to turn you off.
Turn to me, that's what you say
When you're burning me, that's what you do
When you turn to me, need more days
And the time to turn you off.
Oh why don't you, why don't you, why don't you, why don't you, why don't you
turn to me baby, time to turn you off,
Turning me not burning me, turning me not burning me, now turning me not
burning me, yeahhhhhh.
Turning me, oh burning me now na-ba-dupa-ba-dupa-ba-dupa yeahhhhhh
Turn me, oh burning me, why don't you burn me yeahhhhh
Turn to me, that's what you say
When you're burning me, that's what you do,

[...] Read more

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The Victim In Me

On the radar again.
Scope it out.
Stealth to the extreme.

Oh how their is a victim in me.
I know what I'd do put in the position.
I know how I would do it.
Reading minds.

On the radar again.
Scope it out.
Stealth to the extreme.

Oh how their is a victim in me.
Coordinating the attack.
Knowing they won't be able to do jack.
How I love the powerless.

On the radar again.
Scope it out.
Stealth to the extreme.

Oh how their is a victim in me.
Can feel the desperation.
Can you see the celebration.
The joyous occasion of misery.

On the radar again.
Scope it out.
Stealth to the extreme.

Oh how their is a victim in me.
On the retreat.
A sign of defeat.
Isn't it neat.
The blood flows right beneath your feet.

On the radar again.
Scope it out.
Stealth to the extreme.

Oh how their is a victim in me.
It's never easy for a king to capture his throne.
Be careful of mercy.
Be you not considered weak.

On the radar again.
Scope it out.
Stealth to the extreme.

[...] Read more

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

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That Situation

(g. valenciano/m. pagan)
There's so much in life
That we would like to do
We can wait for love
Until we know it's true
It's up to us
Not to jump into that situation
I'm too young, not ready yet
I got so much to do
Got to take it step-by-step
It's best for me and you
It's up to us
Not to jump into that situation
Let's take it easy
One step at a time
Why should we risk it?
Our future's on the line
It's up to us
Not to get into that situation
Is this what, what we want?
Is it worth risking?
All we have ahead to do
Let's not make that mistake
We're gonna be all right
If we choose to wait
There's so much in life
That we would like to do
We can wait for love
Until we know it's true
It's up to us
Not to jump into that situation
I'm too young, not ready yet
I got so much to do
Got to take it step-by-step
It's best for me and you
It's up to us
Not to jump into that situation
Let's take it easy
One step at a time
Why should we risk it?
Our future's on the line
It's up to us
Not to get into that situation
There's so much in life
That we would like to do
We can wait for love
Until we know it's true
It's up to us
Not to jump into that situation
(instrumental)

[...] Read more

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Samuel Butler

Hudibras: Part 3 - Canto I

THE ARGUMENT

The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.

'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place

No sooner was the bloody fight,
Between the Wizard, and the Knight,

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Turn Of The Screw

Do you feel the turn of the screw?
Pushing harder, breaking through
It's better than you ever knew
Now it gets to take care of you
I won't go and tell it
Don't bet you're due
It swings enough to know the truth
It even left you black and blue
Never stop when there's nothing left to do
The turn of the screw, the turn of the screw
The thing you said you'd never do
The turn of the screw, the turn of the screw
There's no backing out once you've turned the screw
You never thought what they say could be
One night alone and you would see
I think you'll take back all those doubts
Now you know what the talk was all about
The turn of the screw, the turn of the screw
The thing you said you'd never do
The turn of the screw, the turn of the screw
There's no backing out once you've turned the screw
Turn, Turn, Turn it around
Turn, Turn, Turn it here on the ground
Turn, Turn, Turn it around
Turn, Turn, Turn it here on the ground
The turn of the screw, the turn of the screw
The thing you said you'd never do
The turn of the screw, the turn of the screw
There's no backing out once you've turned the screw
The Turn of the Screw
The Turn of the Screw
The Turn of the Screw
The Turn of the Screw1

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