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Barbra Streisand

I arrived in Hollywood without having my nose fixed, my teeth capped, or my name changed. That is very gratifying to me.

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Hollywood

Performed by george clinton
Composed by tracey lewis and dallas austin
San diego freeway northbound around
Culver city westwood into beverly hills
Uve gone hollywood
Im gonna look, I wont touch
Oh its live but then, thanks very much
Where the happening be at 2 night its hollywood
As I stepped out on my front porch
4 miles around I see
Hollywood the way she once was
Hollywood the way she be
As I step back upon my back terrace
Amongst the pretty leaves on my lemon tree
San fernando valley way below
Im struttin 2 the east side of hollywood
Im stompin on the west side of hollywood
Im steppin 2 the north side of hollywood
Im struttin 2 the south side of hollywood
Chorus:
Holly wants 2 go 2 california (livin in hollywood)
Holly would if holly could (livin in hollywood)
Holly she belongs in california (livin in hollywood)
Holly would if holly could (livin in hollywood)
Say u want 2 be in the moviestars
Bourgeois, intercontinental never know where u are
Uve gone hollywood
I was caught out on the beat
Without even a single piece of id
And the man said 2 me its who u know in hollywood
Hollywood
Im funkin on the north side of hollywood
Im kickin on the east side of hollywood
Im steppin 2 the west side of hollywood
Chorus
Holly wants 2 go
San diego freeway northbound around
Culver city westwood into beverly hills
Uve gone hollywood
Im gonna look, I wont touch
Oh its live but then, thanks very much
Where the happening be at 2 night its hollywood
Holly wants 2 go 2 california (california) (livin in hollywood)
Holly would if holly could (livin in hollywood)
Holly needs 2 be in california (livin in hollywood)
And she wants 2 shine (livin in hollywood)
Like the hollywood sign (livin in hollywood)
Oh, sure 7 fine (california) (livin in hollywood)
Hollys going 2 california (livin in hollywood)
Holly would, holly would if holly could (livin in hollywood)

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Hollywood Swinging

Ahh now party people!
Now party people getting down!
Now you've got to put your hands together!
Just
Get on down and get on down and
Get on down!!
Alright!
Hey Hey Hey!
Come on now! Gotta sing it now...
What you got to say?
Oh, what you got to say now?
Hey Hey Hey!
Come On Now! Gotta sing it now...
What you got to say?
Oh what you got to say now?
Hollywood
Hollywood Swingin'
We got that, we got that, we got that
Hollywood Swingin'
Hollywood! (Hollywood now)
Hollywood Swingin'!
Oh! Now I got that swingin' Aheheh!
I remember
Not too long ago
I went to the theatre
And I saw the Kool & The Gang show
I always wanted (oh yes I did)
To fit into a band
I got to, I got to:
Sing my songs, sing my songs, sing my songs
And become a big piano playing man
So here I am, here I am, here I am...
Oh, in this Hollywood city
Yeah.. City of stars, movies, women and cars
Well I guess.. I guess I have to stay! Alright!
Hey Hey Hey! (Come On Sing It!)
What you got to say? What you got to say now yeah?
Hey Hey Hey! (Sing It Now!)
What you got to say? What you got to say now yeah?
Hollywood! (Hollywood Yeah)
Hollywood Swingin'!
Yo swing it like that!
Hollywood! (Hollywood now)
The Hollywood swingin'!
Oh.. Hollywood Hollywood Hollywood Hollywood now!
Hollywood Swingin' Oh a hey yeah!
Hollywood Hollywood Hollywood!
Now Hollywood Hollywood
Now they're all swinging in Hollywood!
Hollywood Swingin'

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Charles Lamb

Prince Dorus

In days of yore, as Ancient Stories tell,
A King in love with a great Princess fell.
Long at her feet submiss the Monarch sigh'd,
While she with stern repulse his suit denied.
Yet was he form'd by birth to please the fair,
Dress'd, danc'd, and courted, with a Monarch's air;
But Magic Spells her frozen breast had steel'd
With stubborn pride, that knew not how to yield.


This to the King a courteous Fairy told,
And bade the Monarch in his suit be bold;
For he that would the charming Princess wed,
Had only on her cat's black tail to tread,
When straight the Spell would vanish into air,
And he enjoy for life the yielding fair.


He thank'd the Fairy for her kind advice.-
Thought he, 'If this be all, I'll not be nice;
Rather than in my courtship I will fail,
I will to mince-meat tread Minon's black tail.'


To the Princess's court repairing strait,
He sought the cat that must decide his fate;
But when he found her, how the creature stared!
How her back bristled, and her great eyes glared!
That tail, which he so fondly hop'd his prize,
Was swell'd by wrath to twice its usual size;
And all her cattish gestures plainly spoke,
She thought the affair he came upon, no joke.


With wary step the cautious King draws near,
And slyly means to attack her in her rear;
But when he thinks upon her tail to pounce,
Whisk-off she skips-three yards upon a bounce-
Again he tries, again his efforts fail-
Minon's a witch-the deuce is in her tail.-


The anxious chase for weeks the Monarch tried,
Till courage fail'd, and hope within him died.
A desperate suit 'twas useless to prefer,
Or hope to catch a tail of quicksilver.-
When on a day, beyond his hopes, he found
Minon, his foe, asleep upon the ground;
Her ample tail hehind her lay outspread,
Full to the eye, and tempting to the tread.

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Finding Oneself......... [EXTREMELY LONG; Growing Up; Relationships; Humor

Part One

When Bri was 13 and in grade 8,
he noticed classmates beginning to date.
At school (other) boys got their way with the girls with a kiss.
But Bri didn't have the urge; he thought 'what's this? '
He decided he should give it a try,
but each time he tried, the girl would cry.
Not only would she cry; she would run away and hide.
Bri felt between himself and the other boys a great divide.

Back home after school he'd seclude himself in his room and cry.
Through his mind was repeated the question 'why? ' 'Why DO they cry? Why? '

Bri was a straight A+ student with no flubs.
He played football but (except for 'Cooking') he joined not clubs.

After a few months Bri gave up (on girls) . He had NO close friends to set him right;
his parents should have known the problem, but they weren't bright.

In high school he took AP courses, and took 3 courses at a nearby college.
He ignored girls and sports and concentrated on gaining knowledge.

He got a full scholarship to Harvard, but his advisor looked at him funny.
By age 26 he had his PhD in psychology and started making money.
But he still asked 'why? '
It still bothered him and at times he'd cry.

Then waking up one day from a dream, Bri suddenly asked himself 'were they shy?
And if so, why with ME and not the other boys? Why DID they cry? '
The answer could be that his brain and looks were superior.
Were those girls only uncomfortable with boys that were inferior (to him) ?
If that really was the answer, he could now save face,
and could pursue women with HIS high level of brains, looks, and grace.
(But WAS it the answer? He was still not SURE why they did cry.)
For now he would work hard, avoid girls, and try to keep his eyes dry.
In two more years would be a second high school reunion. Thoughts of attending gave Bri a fright. (He'd skipped the first,5 year, reunion.)
But by going this time he might find out if his answer to his 'why? ' was right.

PART TWO

For two more years he waited anxiously for invitation he was dreading.
At times he'd awaken at night from a 'reunion dream', profusely sweating.
Finally it arrived in mail; it would be in June, before it got TOO warm.
He kept his calendar free for the whole month, doubting, at work, he could perform.
He got out the yearbooks his Mom had bought, and he studied each girl's name.
Would he have the nerve to ask them 'why? ' ….OR would he be too scared and lame?

He lived on sedatives for a week. He picked his favorite tie, and a light grey business suit.
Would he find out if the girls had just been shy, or would they give him 'the boot'?

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Hollywood Liar

Liar, liar, liar, hollywood liar,
Who are you, to crash my party, with your mediocre blues,
Your powder has no power over me,
Dont talk to my friends, the way you talk to the girls from the valley,
Youre just another liar to me,
Hollywood liar,
Hollywood liar,
Hollywood liar,
Hollywood liar,
I can see right through your act, the way you lie to yourself,
About deals you know dont even exist,
Dropping all those names the way you think the game should be played,
Youre just another liar to me,
Hollywood liar,
Hollywood liar,
Hollywood liar,
Hollywood liar,
(say) too mon to mon toul le jomey le very tey,
Too par too par, cullear, reason,
Unfortunately youre my neighbour,
But certainly not for long,
Huh, Im the writer of this,
Im the printer of that,
What you gonna do next?
How you gonna top that?
Distributor of this,
Editor of that,
What you gonna do next?
How you gonna top that?
How you gonna top that?
How you gonna top that?
(? )
Hollywood liar,
Hollywood liar,
Hollywood liar,
Hollywood,
Hollywood,
Hollywood,
Hollywood liar,
Kiss me?
(? )
Hollywood liar,
Hollywood liar,
I dont buy it baby!
You just get out of my party!

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Like A Virgin / Hollywood Medley (feat. Christina Aguilera, Britney Spears & Missy Elliott) (2003: M

Britney Spears:
I made it through the wilderness. Somehow I
Made it through. Didn't know how lost I was
Until I found you. I was beat incomplete.
I've been had. I was sad and blue, but you
Made me feel, yeah, you made me feel shiny
And new. Oh, oh.
Christina Aguilera:
Like a virgin, ooooh, touched for the very
First time, oh. Like a virgin when your
Heart beats next to mine, oh oh oooh yeah.
Christina Aguilera and Britney Spears:
Oooooh. Oooooh. Oooooh.
Madonna:
Everybody comes to Hollywood. They wanna
Make it in the neighborhood. They like the
Smell of it in Hollywood. How could it hurt
You when it looks so good?
Madonna:
Everybody comes to Hollywood. They wanna
Make it in the neighborhood. They like the
Smell of it in Hollywood. How could it hurt
You when it looks so good?
Madonna, Christina Aguilera, and Britney Spears:
Shine your light now. This time it's got to
Be good. You'll get it right now, yeah, 'cause
You're in Hollywood. You're in Hollywood.
Madonna:
Everybody comes to Hollywood. They wanna
Make it in the neighborhood. They like the
Smell of it in Hollywood. How could it hurt
You when it looks so good?
Missy Elliott:
Yo! Yo! Yo! Who that be? Missy Elliott, M.I.C.
I works it and I works it. Can I flip my thing
And reverse it? Come on! Go! Go 'head. Go! Go
'Head! I works it and I works it. Can I flip
My thing and reverse it? Come on! Go! Go 'head!
Go! Go 'head. Party people, we'll show you how
To work that. Where you at, Madonna?
Madonna:
Trip the station! Change the channel!
Madonna:
Hollywood. Hollywood. How could it hurt you
When it looks so good? Hollywood. Hollywoood.
How could it hurt you when it looks so good?
Madonna, Christina Aguilera, Britney Spears, and Missy Elliott:
Hollywood. Hollywood. How could it hurt you
When it looks so good? Hollywood. Hollywoood.
How could it hurt you when it looks so good?

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Down In Hollywood

(t. drummond/r. cooder)
(c#7)
Well, did you hear the good news ?
Theres gonna be some bad blues
Somebody said theyre playing all night long
So go and fill your brown bag and put on all your clean rags
Lets go downtown and see whats going on
You take me down the vine street
Stop when you hear the back beat
And Ill sneak past the bounccer at the door
Now I know that he aint looking
Not when the band is cooking
Because hes watching the ladies dancing on the floor
Going down in hollywood
You better hope that you dont run out of gas
Down in hollywood
Hell drag you right out of your car and kick your ass
Down in hollywood
Theyre standing on a corner waiting for a sucker like you
Down in hollywood
Now, if you want to stay healthy just keep a-moving right on through
Be careful, dont look back, keep moving, keep moving
Well, the scotch has started flowing
And some girls she is showing everything shes got
Folks, its a sight!
Some men will give a weeks pay if she would just dance down their way and say
Baby, Im gonna take you home with me tonight
Outside the streets is shaking and I hear the windows breaking
Some poor fools gonna land in jail tonight
Well, all those hookers trying to pull your coat and the pimps reach out to cut your throat
Aint no way out of here without a fight
(whats that fool saying ? )
Going down in hollywood
You better hope that you dont run out of gas
Down in hollywood
Hell drag you right out of your car and kick your ass
Down in hollywood
Theyre standing on a corner waiting for a sucker like you
Down in hollywood
Now, if you want to stay healthy just keep a-moving right on through
Be careful, dont look back, keep moving, keep moving
Voice of gay male: hi. you know that youre going to get arrested the way that those pants fir around your thighs. oh, come back honey! dont leave now.
Voice of pimp: hey, bud. come here, let me talk to you for a second. give me that
[sounds of fists, a robbery]
Cops coming
Voice of policeman (ry): 869 victor. [radio code] jesus, this guys a mess
Voice of other cop: well, hes just drunk. come on, pick him up, put him in the car and take him downtown
Well, his mama told him not to go
Little sister told him too
But the poor boy just didnt listen

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All I Want For Christmas (Is My Two Front Teeth)

(Donald Yetter Gardner)
All I want for Christmas is my two front teeth
My two front teeth, My two front teeth
Gee, if I could only have my two front teeth
Then I could wish you, "Merry Christmas"
It seems so long since I could say
"Sister, Susie sitting on a thistle!"
Gosh, oh gee, how happy Id be, if I could only whistle
All I want for Christmas is my two front teeth
My two front teeth, My two front teeth
Gee, if I could only have my two front teeth
Then I could wish you, "Merry Christmas"
All I want for Christmas is my two front teeth
My two front teeth, My two front teeth
Gee, if I could only have my two front teeth
Then I could wish you, "Merry Christmas"
It seems so long since I could say
"Sister, Susie sitting on a thistle!"
Gosh, oh gee, how happy Id be, if I could only whistle
(All I want for Christmas is my two front teeth)
(Two front teeth), (two front teeth)
Gee, if I could only have my two front teeth
Then I could wish you, "Merry Christmas"
--- Instrumental ---
It seems so long since I could say
"Sister, Susie sitting on a thistle!"
Gosh, oh gee, how happy Id be, if I could only whistle
All I want for Christmas is my two front teeth
Two front teeth, My two front teeth
Gee, if I could only have my two front teeth
Then I could wish you, "Merry Christmas"...

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Hollywood

All night long
Hollywood
All night long
Youre saddle sore
And on the grind
Just pushed you a little bit more
Dont mind if I do
Its hollywood
Hot damn - hands in a jam
Never say cant
cause you know you can
In hollywood
Dont be mesmerized
What goes on here
Aint no surprise
As long as youll be cool
In hollywood
Oh, wee set the pace
Fill your nose
Despite your face
Theyll make you babylon
In hollywood
Now you see it
Now you dont
Someones gonna take it away
Now you see it
Now you wont
Every dog has its day
Oh wee I got the cools
A brand new car
And the family jewels
And they wont stop me now
In hollywood
Oh wee boogedy shoe
Got myself a new hairdo
Im makin it somehow
In hollywood
Now you see it
Now you dont
Someones gonna take it away
Now you see it
Now you wont
Every dog has its day
All night long
Hollywood
All night long
Hollywood
In time theyll build you up
And then theyll bring you down
Hollywood

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Hollywood

Written by christine mcvie and eddy quintela.
The bright lights of the city
Are starting to wear me down
And when I need you
You just cant be found
Loud days, endless nights
Are starting to make me crazy
And now youre gone
Theres nothing left for me
(hollywood)
I dont care for sunny weather
(aint that good)
I like the change of seasons better
(knock on wood)
I love the feel of rain upon my face
(for hollywood)
(hollywood)
No and I dont care if the snow comes down
(aint that good)
Kick the falling leaves around
(knock on wood)
Got to move to some other kind of town
(for hollywood)
Wonderful to know you
Great to know you cared
As I look back
At the crazy things weve shared
I was dazzled by the moonlight
Blinded by neon nights
And as I look back
It never could be right
(hollywood)
I dont care for sunny weather
(aint that good)
I like the change of seasons better
(knock on wood)
I love the feel of rain upon my face
(for hollywood)
(hollywood)
No and I dont care if the snow comes down
(aint that good)
Kick the falling leaves around
(knock on wood)
Got to move to some other kind of town
(for hollywood)
Well I was dazzled by the moonlight
Blinded by neon nights
And now I see
It never could be right
(hollywood)

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Hollywood (Some Other Kind Of Town)

The bright lights of the city
Are starting to wear me down
And when I need you
You just can't be found
Loud days, endless nights
Are starting to make me crazy
And now you're gone
There's nothing left for me
(hollywood)
I don't care for sunny weather
(ain't that good)
I like the change of seasons better
(knock on wood)
I love the feel of rain upon my face
(for hollywood)
(hollywood)
No and I don't care if the snow comes down
(ain't that good)
Kick the falling leaves around
(knock on wood)
Got to move to some other kind of town
(for hollywood)
Wonderful to know you
Great to know you cared
As I look back
At the crazy things we've shared
I was dazzled by the moonlight
Blinded by neon nights
And as I look back
It never could be right
(hollywood)
I don't care for sunny weather
(ain't that good)
I like the change of seasons better
(knock on wood)
I love the feel of rain upon my face
(for hollywood)
(hollywood)
No and I don't care if the snow comes down
(ain't that good)
Kick the falling leaves around
(knock on wood)
Got to move to some other kind of town
(for hollywood)
Well I was dazzled by the moonlight
Blinded by neon nights
And now I see
It never could be right
(hollywood)
I don't care for sunny weather

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Change The Locks

I changed the lock on my front door
So you cant see me anymore
And you cant come inside my house
And you cant lie down on my couch
I changed the lock on my front door
I changed the number on my phone
So you cant call me up at home
And you cant say those things to me
That make me fall down on my knees
I changed the nunmber on my phone
Cause I changed the kind of car I drive
So you cant see me when I go by
And you cant chase me up the street
And you cant knock me off of my feet
I changed the kind of car I drive
I changed the kind of clothes I wear
So you cant find me anywhere
You cant spot me in a crowd
And you cant call my name out loud
I changed the kind of clothes I wear
I changed the tracks underneath the train
So you cant find me ever again
And you cant trace my path
And you cant hear me laugh
And honey Im laughing all the time
I changed the name of this town
So you cant follow me down
And you cant touch me like before
And you cant make me want you more
I changed the name of this town
I changed the lock on my front door
I changed the number on my phone
I changed the kind of car I drive
I changed the kind of clothes I wear
I changed the tracks underneath the train
I changed the name of this town
I changed the name of this town
I changed the name of this town

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With Teeth

But she will not let you go
But this time Im not coming back
She will not let you go
But this time Im not coming back
Keeps holding on
She will not let you go
Keeps holding on and on
She will not let you go
No, no, no, no, no!
With teeth
With teeth
With teeth
With teeth
I cannot go through this again /x8
No, no, no, no, no!
With teeth
With teeth
With teeth
With teeth
Youve finally found the place where you belong
It comes on strong
She makes you hard
The rules have changed, the line begins to blur
To what you were
Wave goodbye
With teeth
With teeth
With teeth
With teeth
And it runs deeper than you dare to dream it could be
The black seal
She makes you better than anything youve tried
Its in her kiss
She comes along
She gets inside

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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You Changed My Life

You changed my life
Came along in a time of strife
In hunger and need
You made my heart bleed
You changed my life
You changed my life
Now the nature of man
Is to beg and to steal
Id do it myself
Its not so unreal
The call of the wilds
Forever at my door
Want me to fly like an eagle
Being chained to the floor, but
You changed my life
Came along in a time of strife
In hunger and need
You made my heart bleed
You changed my life
You changed my life
Eating with the pigs
Off a fancy tray
I was bold, I was looking good
And to have a nice day
It all seemed so proper
And so elite
Eating absolute garbage
While being so discreet.
You changed my life
Came along in a time of strife
In hunger and need
You made my heart bleed
You changed my life
You changed my life
You were glowing in the light
Being peaceably calm
Well, how often does a man dance
To the beat of the balm?
Your eyes were on fire
Your feet were of brass
In a world that you made
You were an outcast
You changed my life
Came along in a time of strife
In hunger and need
You made my heart bleed
You changed my life
You changed my life
Truce makers and partakers
Of every selfish whim

[...] Read more

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I've Changed (Interlude) (feat. Lil' Mo)

Yes I've changed again, baby
Changed.. changed..
Changed, the games, that I, used to play
Play.. leavin when I stay
Woo! Ohhh, ooooh, baby
I've changed - I said that I've changed
I said I've changed - the games, ain't the same
They ain't the same
I've changed - the pressure wasn't greatener
on the, other, siiiiide-ide-ide-ide
[Missy (Mo)]
Aight aight aight Mo chill (cause I know I've changed)
Yo Mo (I know I've changed, baby I swear I'm changed)
Yo Mo chill (yeah yeah yeah yeah yeah yeah yeah yeah yeah)
Yo chill, you singin like you
You singin like you in church raisin money (I've changed)
for some choir rows or somethin (I've changed, I've changed)
You changed? I'm bout to change to a new track (ohhh-

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So Soon We Change

(rod stewart / chen, savigar, cregan, grainger)
Seems like only yesterday
We were laughing like a couple of kids
Fun we had when first met
Aint been around much since
Sharing every hour every day
Funny how time slips away
But theres no replacement, baby
When the good times fade away
Oh how soon we changed
Oh how soon we changed
Funny how soon we change
Oh how soon we changed
You remember caseys bar
And maxfields after dark
We were different people then
Inseparable never apart
But now the novelty is wearing thin
We spend most time arguing
It was all so easy then
Itll never be again
Oh how soon we changed
Oh how soon we changed
Oh how soon we changed
Oh how soon we changed
I thought I knew you inside out
But obviously I was wrong
Makes no difference what I say
We just dont get along
Face the facts it can never last
Were driffing apart real fast
Id gladly give up everything
To start all over again
Oh how soon we changed
Oh how soon we changed
Funny how soon we changed
Oh how soon we changed
Oh how soon we changed
Funny how soon we changed
Oh how soon we changed
Oh how soon we changed

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Book III - Part 03 - The Soul is Mortal

Now come: that thou mayst able be to know
That minds and the light souls of all that live
Have mortal birth and death, I will go on
Verses to build meet for thy rule of life,
Sought after long, discovered with sweet toil.
But under one name I'd have thee yoke them both;
And when, for instance, I shall speak of soul,
Teaching the same to be but mortal, think
Thereby I'm speaking also of the mind-
Since both are one, a substance interjoined.

First, then, since I have taught how soul exists
A subtle fabric, of particles minute,
Made up from atoms smaller much than those
Of water's liquid damp, or fog, or smoke,
So in mobility it far excels,
More prone to move, though strook by lighter cause
Even moved by images of smoke or fog-
As where we view, when in our sleeps we're lulled,
The altars exhaling steam and smoke aloft-
For, beyond doubt, these apparitions come
To us from outward. Now, then, since thou seest,
Their liquids depart, their waters flow away,
When jars are shivered, and since fog and smoke
Depart into the winds away, believe
The soul no less is shed abroad and dies
More quickly far, more quickly is dissolved
Back to its primal bodies, when withdrawn
From out man's members it has gone away.
For, sure, if body (container of the same
Like as a jar), when shivered from some cause,
And rarefied by loss of blood from veins,
Cannot for longer hold the soul, how then
Thinkst thou it can be held by any air-
A stuff much rarer than our bodies be?

Besides we feel that mind to being comes
Along with body, with body grows and ages.
For just as children totter round about
With frames infirm and tender, so there follows
A weakling wisdom in their minds; and then,
Where years have ripened into robust powers,
Counsel is also greater, more increased
The power of mind; thereafter, where already
The body's shattered by master-powers of eld,
And fallen the frame with its enfeebled powers,
Thought hobbles, tongue wanders, and the mind gives way;
All fails, all's lacking at the selfsame time.
Therefore it suits that even the soul's dissolved,
Like smoke, into the lofty winds of air;

[...] Read more

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