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Omar Sharif

I didn't want to be a slave to any passion anymore. I gave up card playing altogether, even bridge and gambling - more or less. It took me a few years to get out of it.

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Wait Any More

Written by: myles goodwyn
Youre a restless girl
To drive a man insane
With the same old story
You play the same old games
You could always make it easy
But there was no way out
If you want, just say that youre sorry
But theres nothing you can do without
So give a little and take a little for nothing
Show a little and make it something exciting
I just wont take it any more
Im not gonna wait anymore
I just wont take anymore take anymore take anymore from you
Im not gonna wait anymore wait anymore wait anymore wait anymore wait anymore
Another restless moment
Another runaround
Almost picture perfect
But no life can be found
Wont you make it easy
So we can play for keeps
Under pressure for the moment
Dont you know what everyone can see
So give a little and take a little for nothing
Show a little and make it something exciting
Ill tell ya
Im not gonna take anymore take anymore from you
I just wont wait anymore I swear this love is through
Im not gonna take anymore take anymore from you
I just wont wait anymore wait anymore wait anymore wait anymore wait anymore
So give a little and take a little for nothing
Show a little and make it something exciting
Ill tell ya
I just wont take anymore
I just wont take anymore
Im not gonna take anymore take anymore from you
Im not gonna wait anymore wait anymore wait anymore wait anymore
Im not gonna take anymore take anymore from you
Im not gonna wait anymore wait anymore from you
Im not gonna take anymore take anymore take anymore take anymore
Im not gonna wait anymore wait anymore wait anymore wait anymore wait anymore

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The things I love with a passion

I rock and roll with passion
I talk out my soul with a passion

I eat good food with passion
I defeat bad mood with a passion

I sleep well with passion
I weep hell with a passion

I dream endlessly with passion
I gleam ceaselessly with a passion

I aim for money with passion
I do the same for honey with a passion

I listen carefully with passion
I glisten dutifully with a passion

I search for fame with passion
I research to blame with a passion

I walk everyday with passion
I talk and play with a passion

I embrace life with passion
I face nightlife with a passion

I laugh out with passion
I chaffe about with a passion

I cook with others with passion
I look at mothers with a passion

I touch gently with passion
I clutch tightly with a passion

I work hard with a passion
I rock mad with a passion

I gear up goals with passion
I stir up roles with a passion

I make friends with passion
I take weekends with a passion

I love kissing with passion
I love teasing with a passion

I make love with passion
I take from above with a passion

[...] Read more

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Passion

(rod stewart / chen, savigar, cregan, grainger)
Somebody somewhere
In the heat of the night
Looking pretty dangerous
Running out of patience
Tonight in the city
You wont find any pity
Hearts are being twisted
Another lover cheated, cheated
In the bars and the cafes, passion
In the streets and the alleys, passion
A lot of pretending, passion
Everybody searching, passion
Once in love youre never out of danger
One hot night spent with a stranger
All you wanted was somebody to hold on to yeah
Passion, passion
Passion, passion
New york, moscow, passion
Hong kong, tokyo, passion
Paris and bangkok, passion
A lotta people aint got, passion
Hear it in the radio, passion
Read it in the papers, passion
Hear it in the churches, passion
See it in the school yards, passion
Once in love youre never out of danger
One hot night spent with a stranger
All you wanted was somebody to hold on to yeah
Once in love youre never out of danger
One hot night spent with a stranger
All you wanted was somebody to hold on to yeah
Alone in your bed at night, passion
Its half past midnight, passion
As you turn out your sidelight, passion
Something aint right, passion
Theres no passion, theres no passion
Theres no passion, I need passion
You need passion, we need passion
Cant live without passion
Wont live without passion
Even the president needs passion
Everybody I know needs some passion
Some people die and kill for passion
Nobody admits they need passion
Some people are scared of passion
Yeah passion

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Mommy And Daddy

by Micky Dolenz
M=Micky, C=Coco Dolenz, CR=Control Room (Chip Douglas)
M: ...or we could do...
C: Ha-ha, Micky, just do what they want...
CR: Do, uh, do both of these again...
Well, I'm an angry man, I sing an angry song,
Tell you, honey, it won't be long,
Well, I'll pack my bags, get out of here
With my guitar and a case of beer.
Well I'm going north and I'm going south,
Tell you, honey, better shut your mouth,
Well, I'll kick your head from here to hell,
You better know I can do it well.
Midnight train, rambling, rambling,
All night long I'm gambling, gambling,
Losing all my money, well, it really ain't so funny, hon,
Midnight train, rambling, rambling,
All night long I'm gambling, gambling,
Tell you what baby, well you better be moving on.
Well I really don't know I'm going for sure,
Ain't got a map and it ain't no tour,
I'm just heading out for the open sky,
Who knows, I might even die.
Well, don't you worry your pretty little head,
I never give a damn what I did or said,
That's why I'm packing to leave this place,
Can't stand to look at your cheating face.
Midnight train, rambling, rambling,
All night long I'm gambling, gambling,
Losing all my money, well, it really ain't so funny, hon,
Midnight train, rambling, rambling,
All night long I'm gambling, gambling,
Tell you what baby, well you better be moving on.
Well you treated me like a little boy
And you played around like I was a toy,
Guess you thought I'd have the blues,
Look whose crying, guess you lose.
Midnight train, rambling, rambling,
All night long I'm gambling, gambling,
Losing all my money, well, it really ain't so funny, hon,
Midnight train, r

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I Don't Care Anymore

Well you can tell ev'ryone I'm a down disgrace
So drag my name all over the place.
I don't care anymore. (I don't care)
You can tell ev'rybody 'bout the state I'm in
You won't catch me crying 'cos I just can't win.
I don't care anymore I don't care anymore
I don't care what you say
I don't play the same games you play.
'Cos I've been talking to the people that you call your friends
And it seems to me there's a means to and end.
They don't care anymore. (they don't care)
And as for me I can sit here and bide my time
I got nothing to lose if I speak my mind.
I don't care anymore I don't care no more
I don't care what you say
We never played by the same rules anyway.
I won't be there anymore
Get out of my way
Let me by
I got better things to do with my time
I don't care anymore I don't care anymore
I don't care anymore I don't care anymore
Well, I don't care now what you say (I don't care what you say)
'Cos ev'ry day (everyday)
I'm feeling fine with myself (I'm feeling fine with myself)
And I don't care now what you say (I don't care what you say)
Hey I'll do alright by myself (I'll be alright by myself)
I don't care (I don't care) anymore (anymore)
I don't care (I don't care) anymore (anymore)
I don't care (I don't care) anymore (anymore)
I don't care anymore
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
'Cos I remember all the times I tried so hard
And you laughed in my face 'cos ya held all the cards.
I don't care anymore.

[...] Read more

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The Screams Of Passion

Performed by the family
{from the family (1985)}
Woah, no. woah, yeah.
Woah, no, woah no, yeah, yeah
Theres a gentle autumn breeze
That blows whenever we be lyin
Lyin in my bed
The moon appears and disappears
U look at me, my clothes I quickly
I quickly shed
The curtains dance a minuet
Autumn plays the music baby
Come on hold my hand
Leaves are fallin velvet splash
Only u and I can under
Only u can understand
The sunlight draws a picture
Through the silky lace that hangs above your
Hangs above your door
A picture that is waving
That is seems to be with every thrust
U make me beg for more
A robin sings a masterpiece
That lives and dies unheard
For screams of passion
A sound produced by two in love (oh, two in love)
Curtains dance and autumn plays on (and on and on)
The screams of passion
All I hear in my [head/hair]
Echoing like a volcano baby
The screams of passion
Back and forth the raging seas of lust
I want u madly
Cant u tell, cant u tell
Cant u tell, cant u tell, ow!
Take me in your arms, oh baby
The crime is done
Id rather die here in your
Screams of passion (woah, hold me now, baby)
Tell me that u [want/love] me (tell me that u [want/love] me)
Is it sunday or is it passion?
The screams of passion (the screams of passion, yeah)
The screams of... the screams of...
The screams of passion (passion)
Yeah! (shhh, not so loud, baby)
Yeah! (shhh, shhh)
The screams of passion
The screams of passion
The screams of passion
The screams of... the screams of...

[...] Read more

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Solomon on the Vanity of the World, A Poem. In Three Books. - Pleasure. Book II.

The Argument


Solomon, again seeking happiness, inquires if wealth and greatness can produce it: begins with the magnificence of gardens and buildings; the luxury of music and feasting; and proceeds to the hopes and desires of love. In two episodes are shown the follies and troubles of that passion. Solomon, still disappointed, falls under the temptations of libertinism and idolatry; recovers his thought; reasons aright; and concludes that, as to the pursuit of pleasure and sensual delight, All Is Vanity and Vexation of Spirit.


Try then, O man, the moments to deceive
That from the womb attend thee to the grave:
For wearied Nature find some apter scheme;
Health be thy hope, and pleasure be thy theme;
From the perplexing and unequal ways
Where Study brings thee from the endless maze
Which Doubt persuades o run, forewarn'd, recede
To the gay field, and flowery path, that lead
To jocund mirth, soft joy, and careless ease:
Forsake what my instruct for what may please:
Essay amusing art and proud expense,
And make thy reason subject to thy sense.

I communed thus: the power of wealth I tried,
And all the various luxe of costly pride;
Artists and plans relieved my solemn hours:
I founded palaces and planted bowers,
Birds, fishes, beasts, of exotic kind
I to the limits of my court confined,
To trees transferr'd I gave a second birth,
And bade a foreign shade grace Judah's earth.
Fish-ponds were made where former forests grew
And hills were levell'd to extend the view.
Rivers, diverted from their native course,
And bound with chains of artificial force,
From large cascades in pleasing tumult roll'd,
Or rose through figured stone or breathing gold.
From furthest Africa's tormented womb
The marble brought, erects the spacious dome,
Or forms the pillars' long-extended rows,
On which the planted grove and pensile garden grows.

The workmen here obey the master's call,
To gild the turret and to paint the wall;
To mark the pavement there with various stone,
And on the jasper steps to rear the throne:
The spreading cedar, that an age had stood,
Supreme of trees, and mistress of the wood,
Cut down and carved, my shining roof adorns,
And Lebanon his ruin'd honour mourns.

A thousand artists show their cunning powers
To raise the wonders of the ivory towers:
A thousand maidens ply the purple loom

[...] Read more

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I Ain't Got Time Anymore

Got no time to stop to speak to friends passing by
Got no strength to wipe away the tears from my eyes
I don't care what's going on
Only know she's gone
The sun don't shine anymore
And I don't feel fine anymore
She ain't mine anymore
No, I don't feel fine anymore
I Ain't got time anymore
Seems to be such sadness in each place I go
The people laugh and still I just wouldn't know
Never stop to see who's there
Once I used to care
But the sun don't shine anymore
I don't feel fine anymore
She ain't mine anymore
No, I don't feel fine anymore
I Ain't got time anymore
I can't get use to being left on my own
It takes up all the time just trying to be alone
Used to take an interest in the state of affairs
Now I only know how much I'm missing that girl
Hope the world will understand
I can't lend a hand
Cause she ain't mine anymore
I don't feel fine anymore
She ain't mine anymore
No, I don't feel fine anymore
Ain't got time anymore
She ain't mine anymore
I don't feel fine anymore
Ain't got time anymore
She ain't mine anymore
No, I don't feel fine anymore

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The Great Hunger

I
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,

[...] Read more

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Plastic Passion

Plastic passion is a hard to handle
Plastic passion is a sold out scandal
Oh it's a plastic passion
It's a plastic passion
Plastic passion is the ladies lover
Plastic passion is the marble mother
Oh it's a plastic passion
It's a plastic passion
Plastic passion is a diamond delight
Plastic passion is the nadir of night
Oh it's a plastic passion
It's a plastic passion
It's a plastic passion
Plastic passion is a hycoscine heart
Plastic passion is a transparent tart
Oh it's a plastic passion
It's a plastic passion
Plastic passion is a gold guarantee
The plastic passion is murdering me
Oh it's a plastic passion
It's a plastic passion
It's a plastic passion

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Henry Wadsworth Longfellow

The Golden Legend: V. A Covered Bridge At Lucerne

_Prince Henry_. God's blessing on the architects who build
The bridges o'er swift rivers and abysses
Before impassable to human feet,
No less than on the builders of cathedrals,
Whose massive walls are bridges thrown across
The dark and terrible abyss of Death.
Well has the name of Pontifex been given
Unto the Church's head, as the chief builder
And architect of the invisible bridge
That leads from earth to heaven.

_Elsie_ How dark it grows!
What are these paintings on the walls around us?

_Prince Henry_ The Dance Macaber!

_Elsie_ What?

_Prince Henry_ The Dance of Death!
All that go to and fro must look upon it,
Mindful of what they shall be, while beneath,
Among the wooden piles, the turbulent river
Rushes, impetuous as the river of life,
With dimpling eddies, ever green and bright,
Save where the shadow of this bridge falls on it.

_Elsie._ O, yes! I see it now!

_Prince Henry_ The grim musician
Leads all men through the mazes of that dance,
To different sounds in different measures moving;
Sometimes he plays a lute, sometimes a drum,
To tempt or terrify.

_Elsie_ What is this picture?

_Prince Henry_ It is a young man singing to a nun,
Who kneels at her devotions, but in kneeling
Turns round to look at him, and Death, meanwhile,
Is putting out the candles on the altar!

_Elsie_ Ah, what a pity 't is that she should listen
to such songs, when in her orisons
She might have heard in heaven the angels singing!

_Prince Henry_ Here he has stolen a jester's cap and bells,
And dances with the Queen.

_Elsie_ A foolish jest!

[...] Read more

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London Bridge Song

Jonis lighthearted take on london bridge was a crowd pleaser in her mid-sixties club show, before she signed her first recording contract. this transcription includes spoken patter
Combined with her music, enchanted audiences back in the early days when joni was playing the smaller, more intimate venues she has always enjoyed most.
(spoken words are in italics)
London bridge is falling down
See the people in my town
Theyre the ones who bring it down
(its true theyve been for centuries,
Walking by it and saying, you know,
London bridge really is falling down, poor thing,
It just fell down in shame)
My fair lady-o
London bridge is falling up
Save the tea leaves in my cup
Guess the cup is cracking up
My fair lady-o
(Ill have to get a pyrex one)
London bridge is up for sale
Booze heads put my friend in jail
Spent my bridge money on bail
My fair lady-o
(sure wouldve like to have bought that bridge)
(couldnt let him go to jail)
If the bridge belonged to me
I would serve you tarts and tea
Smiles, thats all the tolls would be
(dont grant you people would be getting across at all)
My fair lady-o
On the bridge there stands a car
Painted with peculiar flowers
Its the beatles its not ours
(guess theyre looking at the bridge)
(hope they buy it)
My fair lady-o
London bridge is falling down
(something like that)
London bridge is coming down
Coming down on london bridge
Ice cubes melting in my fridge
(they always, do you know those fridges are terrible, theyre always melting things and ice cubes are dripping all over the floor)
(and the vegetables are all rotten and your friend turns to you in her very british way and she says: you know I paid two bob for this. it smells a bit peculiar doesnt it, but dont you t
.. well, we can serve it anyway and she does)
Coming down on london bridge
Mutton rotting in my fridge
Coming dow-ow-ow-ow-ow-ow-ow-ow
Coming-ming-ming-ming-ming-ming
(a little electronic music there for your pleasure)
Coming down on london bridge
My fair lady-o

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London Bridge Song, The

Joni's lighthearted take on "london bridge" was a crowd pleaser in her mid-sixties club show, before she signed her first recording contract. this transcription includes spoken patter
Combined with her music, enchanted audiences back in the early days when joni was playing the smaller, more intimate venues she has always enjoyed most.
(spoken words are in italics)
London bridge is falling down
See the people in my town
They're the ones who bring it down
(it's true they've been for centuries,
Walking by it and saying, you know,
London bridge really is falling down, poor thing,
It just fell down in shame)
My fair lady-o
London bridge is falling up
Save the tea leaves in my cup
Guess the cup is cracking up
My fair lady-o
(i'll have to get a pyrex one)
London bridge is up for sale
Booze heads put my friend in jail
Spent my bridge money on bail
My fair lady-o
(sure would've like to have bought that bridge)
(couldn't let him go to jail)
If the bridge belonged to me
I would serve you tarts and tea
Smiles, that's all the tolls would be
(don't grant you people would be getting across at all)
My fair lady-o
On the bridge there stands a car
Painted with peculiar flowers
It's the beatles' it's not ours
(guess they're looking at the bridge)
(hope they buy it)
My fair lady-o
London bridge is falling down
(something like that)
London bridge is coming down
Coming down on london bridge
Ice cubes melting in my fridge
(they always, do you know those fridges are terrible, they're always melting things and ice cubes are dripping all over the floor)
(and the vegetables are all rotten and your friend turns to you in her very british way and she says: "you know i paid two bob for this. it smells a bit peculiar doesn't it, but don't you t
.. well, we can serve it anyway" and she does)
Coming down on london bridge
Mutton rotting in my fridge
Coming dow-ow-ow-ow-ow-ow-ow-ow
Coming-ming-ming-ming-ming-ming
(a little electronic music there for your pleasure)
Coming down on london bridge
My fair lady-o

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Keep Gambling

Keep gambling
As questions
Instinctive living
Memories go blunt
Dark slums

Keep gambling
Survival game
Gets beyond guts
On the street
Dead mother floating
Religious riot

Keep gambling
A small hope of love
Running hiding
Betrayals of friends
Masters and jealousies

Keep gambling
Satire and irony
Hardest reality
Brute law
Third world slum
In urbanity
Away the fantasy
Platoon of dancers

Keep gambling
To find answers
Follow the signs
From the past
As life unravels

Keep gambling
In faith
Nothing as adverse
Nothing so unusual
Broken sword
Of fate
Never let it a chance
To kill

Keep gambling
For life itself
From life itself
11/3/2009

(After watching the movie “Slumdog Millionaire”)

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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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Byron

The Corsair

'O'er the glad waters of the dark blue sea,
Our thoughts as boundless, and our soul's as free
Far as the breeze can bear, the billows foam,
Survey our empire, and behold our home!
These are our realms, no limits to their sway-
Our flag the sceptre all who meet obey.
Ours the wild life in tumult still to range
From toil to rest, and joy in every change.
Oh, who can tell? not thou, luxurious slave!
Whose soul would sicken o'er the heaving wave;
Not thou, vain lord of wantonness and ease!
whom slumber soothes not - pleasure cannot please -
Oh, who can tell, save he whose heart hath tried,
And danced in triumph o'er the waters wide,
The exulting sense - the pulse's maddening play,
That thrills the wanderer of that trackless way?
That for itself can woo the approaching fight,
And turn what some deem danger to delight;
That seeks what cravens shun with more than zeal,
And where the feebler faint can only feel -
Feel - to the rising bosom's inmost core,
Its hope awaken and Its spirit soar?
No dread of death if with us die our foes -
Save that it seems even duller than repose:
Come when it will - we snatch the life of life -
When lost - what recks it but disease or strife?
Let him who crawls enamour'd of decay,
Cling to his couch, and sicken years away:
Heave his thick breath, and shake his palsied head;
Ours - the fresh turf; and not the feverish bed.
While gasp by gasp he falters forth his soul,
Ours with one pang - one bound - escapes control.
His corse may boast its urn and narrow cave,
And they who loath'd his life may gild his grave:
Ours are the tears, though few, sincerely shed,
When Ocean shrouds and sepulchres our dead.
For us, even banquets fond regret supply
In the red cup that crowns our memory;
And the brief epitaph in danger's day,
When those who win at length divide the prey,
And cry, Remembrance saddening o'er each brow,
How had the brave who fell exulted now!'

II.
Such were the notes that from the Pirate's isle
Around the kindling watch-fire rang the while:
Such were the sounds that thrill'd the rocks along,
And unto ears as rugged seem'd a song!
In scatter'd groups upon the golden sand,
They game-carouse-converse-or whet the brand:

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken itI never saw the like:

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Soboba

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