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Max von Sydow

A vacation spot out of season always has a very special magic.

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Out Of Season

I found out just a little too late.
I had my doubt, but I decided to wait.
Even though I could feel somethin comin
It came as such a surprise.
I should have known when you first started
Runnin away before my eyes.
Im so out of season
You left me cold and Im standin here freezin.
Im so out of season now.
I lost out.
I wasnt playing to win.
And I think about
How I just took it all in.
Just when I thought
I couldnt get any higher
You cut me down to size.
I should have noticed
When you put out the fire.
Instead, I just closed my eyes.
Im so out of season.
You left me cold and Im standin here freezin.
Im so out of season now.
Im so out of season
You let me go and you gave me no reason.
Im so out of season now.

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Out of Season

It's tragic!
And more sadistic it gets,
When a truth is left to sit...
To be decided by those most misfit.

It's tragic!
And more sadistic it gets,
When a truth is left to sit...
To be decided by those most misfit.

Integrity once had is not allowed.
Those made to feel a guilt,
Had walked so proud.
But now...
They're out of season.

It's tragic!
And more sadistic it gets,
When a truth is left to sit...
To be decided by those most misfit.

It's tragic!
And more sadistic it gets,
When a truth is left to sit...
To be decided by those most misfit.

Integrity once had is not allowed.
Those made to feel a guilt,
Had walked so proud.
But now...
They're out of season.

Integrity once had is not allowed.
Those made to feel a guilt,
Had walked so proud.
But now...
They're out of season.

Where is the truth and the goodness of the people.
Have they all gone out of season.
The goodness of the people.

Oh...
Where is the truth and the goodness of the people.
Have they all gone out of season.
The goodness of the people.
Oh...
Where is the truth and the goodness of the people.
Have they all gone out of season.
The goodness of the people.
Oh...
Where is the truth and the goodness of the people.
Have they all gone out of season.
The goodness of the people.
Oh...
Where is the truth and the goodness of the people.
Have they all gone out of season.

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Passing Friend

Well theres nothing worse than a passing friend
Who will die on you till the bitter end
Theres nothing worse than a burning heart
Or a past that tears the world apart
Ive been thinking about my situation
Nothing ventured nothing left to lose
When its easier to just say nothing
I had thought about what I might lose
But through the childs eyes
There were feelings
Touching my violet skin
When the love games start appealing
You better get out and move on in
cause theres nothing worse than a passing friend
Or a pioneer of a dying trend
Nothing worse than a silent ghost
Or to lose your head at the starting post
Aint it always just a short vacation
When its love it always has an end
Under the sheets of life its just frustation
While the body goes in search again
But in the childs eyes
There were feelings
Touching my violet skin
When the love games start appealing
You better get out and move on in
cause theres nothing worse than a passing friend
Who will die on you till the bitter end
Theres nothing worse than a burning heart
Or a past that tears the world apart
Why do you love someone
Who wants to break your heart
Why do you need someone
Who wants to tear your world apart
No no not again
I was packing up my life in cases
For a hundred years or maybe more
Ive been talking to a million people
Dont you think I should have known the score
But in the childs eyes
There were feelings
Touching my violet skin
When the love games start appealing
You better get out and move on in
cause theres nothing worse than a passing friend
Who will die on you till the bitter end
Theres nothing worse than a burning heart
Or a past that tears the world apart
Nothing worse than a passing friend
Or a pioneer of a dying trend
Nothing worse than a silent ghost
Or to lose your head at the starting post
No no not again

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Max von Sydow

Bergman has a very special eye for people. His background taught him to listen and to feel.

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Late Night

When I woke up today
And you werent there to play
Then I wanted to be with you
When you showed me your eyes
Whispered love at the skies
Then I wanted to stay with you
Inside me I feel alone and unreal
And the way you kiss will always be
A very special thing to me...
When I lay still at night seeing
Stars high and light
Then I wanted to be with you
When the rooftops shone dark
All alone (I) saw a spark
Spark of love just to stay with you
Inside me I feel alone and unreal
And the way you kiss will always be
A very special thing to me...
If I mention your name
Turn around on a chain
Then the sky opens for you
When we grew very tall
When I saw you so small
Then I wanted to stay with you
Inside me I feel alone and unreal
And the way you kiss will always be
A very special thing to me...

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The Night Before Christmas

Ribbons and paper cover the floor
It's been a good Christmas, presents galore
Everyone's happy, I'm happy, too
Cause oh, what a night
Oh, what a night
Night before Christmas I had with you
Frost on the window, snow on the ground
Holiday spirit, holiday sounds
Everyone's thankful, I'm thankful, too
Cause oh, what a night
Oh, what a night
Night before Christmas I had with you
It all started underneath that mistletoe
While we were waiting up
To help ol' Santa Claus
We were making merry
In ways we'd never thought of
Then we heard those sleigh bells
Ol' Santa almost caught us
No we didn't take pictures
But I'll always remember
One very special twenty-fourth day of December
Cause oh, what a night
Oh, what a night
Night before Christmas I had with you
It all started underneath that mistletoe
While we were waiting up
To help ol' Santa Claus
We were making merry
In ways we'd never thought of
Then we heard those sleigh bells
Ol' Santa almost caught us
If we don't do it next year
Honey, I'm sure gonna miss it
Why don't we make it a new Yuletide tradition
Cause oh, what a night
Oh, what a night
Night before Christmas I had with you
Cause oh, what a night
Oh, what a night
Night before Christmas I had with you

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Why Do Women Cry

I had gotten this from a friend, and the author is unknown
But it is so beautiful I decided to post it for others to read.
There was no title so I added my own title.

Why do women cry

Why are you crying? A young boy asked his mom.
Because I am a woman, she told him.
I don’t understand, he said.
His mom just hugged him and said:
And you never will, but that’s okay.

Later the little boy asked his father,
Why does mom seem to cry for no reason?
All women cry for no reason.
Was all his dad could say.

The little boy grew up and became a man,
Still wondering why women cry.
Finally, he went on his knees and asked god:
GOD*** why do women cry so easily?
And god answered…

When I made women, I decided she had to be special.
I made her shoulders strong enough to carry
The weight of the world,
Yet her arms gentle enough to give comfort!
I gave her the inner strength to endure childbirth
And the rejection that many times will come
even from her own children!

I gave her a hardness that allows her to keep going
And take care of her family and friends,
Even when everyone else gives up, through
Sickness and fatigue, without complaint!

I gave her sensitivity to love her children
Under any and all circumstances, even when
her child has hurt her badly!
She has the very special power to make a Childs
Boo-boo feel better and to quell a teenagers
Anxieties and fears.

I gave her the strength to care for her husband,
Despite faults, and I fashioned her from his rib
To protect her heart!
I gave her the wisdom to know that a good husband
Never hurts his wife but sometimes tests
her strengths and her resolve to stand beside him unfalteringly!

Son, for all of this hard work…
I also gave her a tear to shed.
It is hers to use whenever needed and
Is her only weakness!

When you see her cry,
Tell her how much you love her
And all she does for everyone.
And even though she may still cry,
You will have made her heart feel good.

She is special! ! !

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Every Hoodie Has His Big Honk

New words pop up everyday
to add in the dictionary.
Now one of the later words is Hoodie
to go with the collection.
Now a Hoodie is someone
who looks a bit like a Monk.
However, what is the first thing that you see
when you spot one of them,
it is their trademark,
and I’m not talking about the hood,
I’m talking about their honk
that stretches out from within.
The bigger the honk,
the bigger the hood
to try to cover it.
Now Mick Jagger has his lips,
but a Hoodie always has his honk.
Everyone one is different,
just like a fingerprint,
even Scotland Yard have started
a new records department
and it is called the Honkers Records Office
with thousands of photographs of Honks
peering out from under hoods.
Soon your Passport photograph
will not be displaying a picture of you,
but just a picture of your honk.
Even the people at the Guinness Book of Records
have started a new section called
Honkers of the world.
The biggest honk is owned by
Eliza Shrinking Violet
with one all of 64 inches long.
Pinocchio came in second place.
He could be first next year
as his honk is still growing.


16 November 2007

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Ode to Rae Wilson Esq.

A WANDERER, Wilson, from my native land,
Remote, O Rae, from godliness and thee,
Where rolls between us the eternal sea,
Besides some furlongs of a foreign sand,—
Beyond the broadest Scotch of London Wall;
Beyond the loudest Saint that has a call;
Across the wavy waste between us stretch'd,
A friendly missive warns me of a stricture,
Wherein my likeness you have darkly etch'd,
And though I have not seen the shadow sketch'd,
Thus I remark prophetic on the picture.

I guess the features:—in a line to paint
Their moral ugliness, I'm not a saint.
Not one of those self-constituted saints,
Quacks—not physicians—in the cure of souls,
Censors who sniff out mortal taints,
And call the devil over his own coals—
Those pseudo Privy Councillors of God,
Who write down judgments with a pen hard-nibb'd;
Ushers of Beelzebub's Black Rod,
Commending sinners, not to ice thick-ribb'd,
But endless flames, to scorch them up like flax—
Yet sure of heav'n themselves, as if they'd cribb'd
Th' impression of St. Peter's keys in wax!

Of such a character no single trace
Exists, I know, in my fictitious face;
There wants a certain cast about the eye;
A certain lifting of the nose's tip;
A certain curling of the nether lip,
In scorn of all that is, beneath the sky;
In brief it is an aspect deleterious,
A face decidedly not serious,
A face profane, that would not do at all
To make a face at Exeter Hall,—
That Hall where bigots rant, and cant, and pray,
And laud each other face to face,
Till ev'ry farthing-candle ray
Conceives itself a great gas-light of grace.

Well!—be the graceless lineaments confest!
I do enjoy this bounteous beauteous earth;
And dote upon a jest
'Within the limits of becoming mirth';—
No solemn sanctimonious face I pull,
Nor think I'm pious when I'm only bilious—
Nor study in my sanctum supercilious
To frame a Sabbath Bill or forge a Bull.
I pray for grace—repent each sinful act—
Peruse, but underneath the rose, my Bible;
And love my neighbour far too well, in fact,
To call and twit him with a godly tract
That's turn'd by application to a libel.
My heart ferments not with the bigot's leaven,
All creeds I view with toleration thorough,
And have a horror of regarding heaven
As anybody's rotten borough.

What else? no part I take in party fray,
With troops from Billingsgate's slang-whanging
tartars,
I fear no Pope—and let great Ernest play
At Fox and Goose with Foxs' Martyrs!
I own I laugh at over-righteous men,
I own I shake my sides at ranters,
And treat sham-Abr'am saints with wicked banters,
I even own, that there are times—but then
It's when I've got my wine—I say d——canters!

I've no ambition to enact the spy
On fellow souls, a Spiritual Pry—
'Tis said that people ought to guard their noses,
Who thrust them into matters none of theirs;
And tho' no delicacy discomposes
Your Saint, yet I consider faith and pray'rs
Amongst the privatest of men's affairs.

I do not hash the Gospel in my books,
And thus upon the public mind intrude it,
As if I thought, like Otaheitan cooks,
No food was fit to eat till I had chewed it.
On Bible stilts I don't affect to stalk;
Nor lard with Scripture my familiar talk,—
For man may pious texts repeat,
And yet religion have no inward seat;
'Tis not so plain as the old Hill of Howth,
A man has got his belly full of meat
Because he talks with victuals in his mouth!

Mere verbiage,—it is not worth a carrot!
Why, Socrates—or Plato—where's the odds?—
Once taught a jay to supplicate the Gods,
And made a Polly-theist of a Parrot!

A mere professor, spite of all his cant, is
Not a whit better than a Mantis,—
An insect, of what clime I can't determine,
That lifts its paws most parson-like, and thence,
By simple savages—thro' sheer pretence—
Is reckon'd quite a saint amongst the vermin.

But where's the reverence, or where the nous,
To ride on one's religion thro' the lobby,
Whether a stalking-horse or hobby,
To show its pious paces to 'the house'?

I honestly confess that I would hinder
The Scottish member's legislative rigs,
That spiritual Pinder,
Who looks on erring souls as straying pigs,
That must be lash'd by law, wherever found,
And driv'n to church, as to the parish pound.
I do confess, without reserve or wheedle,
I view that grovelling idea as one
Worthy some parish clerk's ambitious son,
A charity-boy, who longs to be a beadle.

On such a vital topic sure 'tis odd
How much a man can differ from his neighbour:
One wishes worship freely giv'n to God,
Another wants to make it statute-labour—
The broad distinction in a line to draw,
As means to lead us to the skies above,
You say—Sir Andrew and his love of law,
And I—the Saviour with his law of love.

Spontaneously to God should tend the soul,
Like the magnetic needle to the Pole;
But what were that intrinsic virtue worth,
Suppose some fellow, with more zeal than
knowledge,
Fresh from St. Andrew's College,
Should nail the conscious needle to the north?

I do confess that I abhor and shrink
From schemes, with a religious willy-nilly,
That frown upon St. Giles's sins, but blink
The peccadilloes of all Piccadilly—
My soul revolts at such a bare hypocrisy,
And will not, dare not, fancy in accord
The Lord of Hosts with an Exclusive Lord
Of this world's aristocracy.
It will not own a notion so unholy,
As thinking that the rich by easy trips
May go to heav'n, whereas the poor and lowly
Must work their passage, as they do in ships.

One place there is—beneath the burial sod,
Where all mankind are equalized by death;
Another place there is—the Fane of God,
Where all are equal, who draw living breath;—
Juggle who will elsewhere with his own soul,
Playing the Judas with a temporal dole—
He who can come beneath that awful cope,
In the dread presence of a Maker just,
Who metes to ev'ry pinch of human dust
One even measure of immortal hope—
He who can stand within that holy door,
With soul unbow'd by that pure spirit-level,
And frame unequal laws for rich and poor,—
Might sit for Hell and represent the Devil!

Such are the solemn sentiments, O Rae,
In your last Journey-Work, perchance you ravage,
Seeming, but in more courtly terms, to say
I'm but a heedless, creedless, godless savage;
A very Guy, deserving fire and faggots,—
A Scoffer, always on the grin,
And sadly given to the mortal sin
Of liking Maw-worms less than merry maggots!

The humble records of my life to search,
I have not herded with mere pagan beasts;
But sometimes I have 'sat at good men's feasts,'
And I have been 'where bells have knoll'd to
church.'
Dear bells! how sweet the sounds of village bells
When on the undulating air they swim!
Now loud as welcomes! faint, now, as farewells!
And trembling all about the breezy dells
As flutter'd by the wings of Cherubim.
Meanwhile the bees are chanting a low hymn;
And lost to sight th' ecstatic lark above
Sings, like a soul beatified, of love,—
With, now and then, the coo of the wild pigeon;—
O Pagans, Heathens, Infidels and Doubters!
If such sweet sounds can't woo you to religion,
Will the harsh voices of church cads and touters?

A man may cry 'Church! Church!' at ev'ry word,
With no more piety than other people—
A daw's not reckon'd a religious bird
Because it keeps a-cawing from a steeple.
The Temple is a good, a holy place,
But quacking only gives it an ill savour;
While saintly mountebanks the porch disgrace,
And bring religion's self into disfavour!

Behold yon servitor of God and Mammon,
Who, binding up his Bible with his Ledger,
Blends Gospel texts with trading gammon,
A black-leg saint, a spiritual hedger,
Who backs his rigid Sabbath, so to speak,
Against the wicked remnant of the week,
A saving bet against his sinful bias—
'Rogue that I am,' he whispers to himself,
'I lie—I cheat—do anything for pelf,
But who on earth can say I am not pious?'

In proof how over-righteousness re-acts,
Accept an anecdote well based on facts.
One Sunday morning—(at the day don't fret)—
In riding with a friend to Ponder's End
Outside the stage, we happened to commend
A certain mansion that we saw To Let.
'Ay,' cried our coachman, with our talk to grapple
'You're right! no house along the road comes nigh
it!
'Twas built by the same man as built yon chapel
And master wanted once to buy it,—
But t'other driv the bargain much too hard—
He ax'd sure-ly a sum purdigious!
But being so particular religious,
Why, that, you see, put master on his guard!'

Church is 'a little heav'n below,
I have been there and still would go,'—
Yet I am none of those, who think it odd
A man can pray unbidden from the cassock,
And, passing by the customary hassock,
Kneel down remote upon the simple sod,
And sue in formâ pauperis to God.
As for the rest,—intolerant to none,
Whatever shape the pious rite may bear,
Ev'n the poor Pagan's homage to the Sun
I would not harshly scorn, lest even there
I spurn'd some elements of Christian pray'r—
An aim, tho' erring, at a 'world ayont,'
Acknowledgment of good—of man's futility,
A sense of need, and weakness, and indeed
That very thing so many Christians want—
Humility.
Such, unto Papists, Jews or turban'd Turks,
Such is my spirit—(I don't mean my wraith!)
Such, may it please you, is my humble faith;
I know, full well, you do not like my works!
I have not sought, 'tis true, the Holy Land,
As full of texts as Cuddie Headrigg's mother,
The Bible in one hand,
And my own commonplace-book in the other—
But you have been to Palestine—alas!
Some minds improve by travel, others, rather,
Resemble copper wire, or brass,
Which gets the narrower by going farther!
Worthless are all such Pilgrimages—very!
If Palmers at the Holy Tomb contrive
The human heats and rancour to revive
That at the Sepulchre they ought to bury.
A sorry sight it is to rest the eye on,
To see a Christian creature graze at Sion,
Then homeward, of the saintly pasture full,
Rush bellowing, and breathing fire and smoke,
At crippled Papistry to butt and poke,
Exactly as a skittish Scottish bull
Hunts an old woman in a scarlet cloak!

Why leave a serious, moral, pious home,
Scotland, renown'd for sanctity of old,
Far distant Catholics to rate and scold
For—doing as the Romans do at Rome?
With such a bristling spirit wherefore quit
The Land of Cakes for any land of wafers,
About the graceless images to flit,
And buzz and chafe importunate as chafers,
Longing to carve the carvers to Scotch collops?—
People who hold such absolute opinions
Should stay at home, in Protestant dominions,
Not travel like male Mrs. Trollopes.

Gifted with noble tendency to climb,
Yet weak at the same time,
Faith is a kind of parasitic plant,
That grasps the nearest stem with tendril-rings;
And as the climate and the soil may grant,
So is the sort of tree to which it clings.
Consider then, before, like Hurlothrumbo
You aim your club at any creed on earth,
That, by the simple accident of birth,
You might have been High Priest to Mumbo Jumbo.
For me—thro' heathen ignorance perchance,
Not having knelt in Palestine,—I feel
None of that griffinish excess of zeal,
Some travellers would blaze with here in France.
Dolls I can see in virgin-like array,
Nor for a scuffle with the idols hanker
Like crazy Quixote at the puppet's play,
If their 'offence be rank,' should mine be rancour?
Mild light, and by degrees, should be the plan
To cure the dark and erring mind;
But who would rush at a benighted man,
And give him two black eyes for being blind?

Suppose the tender but luxuriant hop
Around a canker'd stem should twine,
What Kentish boor would tear away the prop
So roughly as to wound, nay, kill the bine?
The images, 'tis true, are strangely dress'd,
With gauds and toys extremely out of season;
The carving nothing of the very best,
The whole repugnant to the eye of reason,
Shocking to Taste, and to Fine Arts a treason—
Yet ne'er o'erlook in bigotry of sect
One truly Catholic, one common form,
At which uncheck'd
All Christian hearts may kindle or keep warm.
Say, was it to my spirit's gain or loss,
One bright and balmy morning, as I went
From Liege's lovely environs to Ghent,
If hard by the wayside I found a cross,
That made me breathe a pray'r upon the spot
While Nature of herself, as if to trace
The emblem's use, had trail'd around its base
The blue significant Forget-me-not?
Methought, the claims of Charity to urge
More forcibly, along with Faith and Hope,
The pious choice had pitched upon the verge
Of a delicious slope
Giving the eye much variegated scope;—
'Look round,' it whisper'd, 'on that prospect rare,
Those vales so verdant, and those hills so blue;
Enjoy the sunny world, so fresh, and fair,
But'—(how the simple legend pierced me thro'!)
'PRIEZ POUR LES MALHEUREUX.'

With sweet kind natures, as in honey'd cells,
Religion lives, and feels herself at home;
But only on a formal visit dwells
Where wasps instead of bees have formed the comb.
Shun pride, O Rae!—whatever sort beside
You take in lieu, shun spiritual pride!
A pride there is of rank—a pride of birth,
A pride of learning, and a pride of purse,
A London pride—in short, there be on earth
A host of prides, some better and some worse;
But of all prides, since Lucifer's attaint,
The proudest swells a self-elected Saint.

To picture that cold pride so harsh and hard,
Fancy a peacock in a poultry yard.
Behold him in conceited circles sail,
Strutting and dancing, and now planted stiff,
In all his pomp of pageantry, as if
He felt 'the eyes of Europe' on his tail!
As for the humble breed retain'd by man,
He scorns the whole domestic clan—
He bows, he bridles,
He wheels, he sidles,
At last, with stately dodgings, in a corner
He pens a simple russet hen, to scorn her
Full in the blaze of his resplendent fan!
'Look here,' he cries (to give him words),
'Thou feather'd clay—thou scum of birds!'
Flirting the rustling plumage in her eyes,—
'Look here, thou vile predestined sinner,
Doom'd to be roasted for a dinner,
Behold those lovely variegated dyes!
These are the rainbow colors of the skies,
That Heav'n has shed upon me con amore—
A Bird of Paradise?—a pretty story!
I am that Saintly Fowl, thou paltry chick!
Look at my crown of glory!
Thou dingy, dirty, drabbled, draggled jill!'
And off goes Partlet, wriggling from a kick,
With bleeding scalp laid open by his bill!
That little simile exactly paints
How sinners are despised by saints.
By saints!—the Hypocrites that ope heav'n's door
Obsequious to the sinful man of riches—
But put the wicked, naked, barelegg'd poor
In parish stocks instead of breeches.

The Saints!—the Bigots that in public spout,
Spread phosphorus of zeal on scraps of fustian,
And go like walking 'Lucifers' about
Mere living bundles of combustion.

The Saints!—the aping Fanatics that talk
All cant and rant, and rhapsodies high-flown—
That bid you baulk
A Sunday walk,
And shun God's work as you should shun your own.

The Saints!—the Formalists, the extra pious,
Who think the mortal husk can save the soul,
By trundling with a mere mechanic bias,
To church, just like a lignum-vitæ bowl!

The Saints!—the Pharisees, whose beadle stands
Beside a stern coercive kirk.
A piece of human mason-work,
Calling all sermons contrabands,
In that great Temple that's not made with hands.
Thrice blessed, rather, is the man, with whom
The gracious prodigality of nature,
The balm, the bliss, the beauty, and the bloom,
The bounteous providence in ev'ry feature,
Recall the good Creator to his creature,
Making all earth a fane, all heav'n its dome!
To his tuned spirit the wild heather-bells
Ring Sabbath knells;
The jubilate of the soaring lark
Is chant of clerk;
For choir, the thrush and the gregarious linnet;
The sod's a cushion for his pious want;
And, consecrated by the heav'n within it,
The sky-blue pool, a font.
Each cloud-capped mountain is a holy altar;
An organ breathes in every grove;
And the full heart's a Psalter,
Rich in deep hymns of gratitude and love!

Sufficiently by stern necessitarians
Poor Nature, with her face begrimed by dust,
Is stoked, coked, smoked, and almost choked; but
must
Religion have its own Utilitarians,
Labell'd with evangelical phylacteries,
To make the road to heav'n a railway trust,
And churches—that's the naked fact—mere factories?

Oh! simply open wide the Temple door,
And let the solemn, swelling, organ greet,
With Voluntaries meet,
The willing advent of the rich and poor!
And while to God the loud Hosannas soar,
With rich vibrations from the vocal throng—
From quiet shades that to the woods belong,
And brooks with music of their own,
Voices may come to swell the choral song
With notes of praise they learned in musings lone.

How strange it is while on all vital questions,
That occupy the House and public mind,
We always meet with some humane suggestions
Of gentle measures of a healing kind,
Instead of harsh severity and vigour,
The Saint alone his preference retains
For bills of penalties and pains,
And marks his narrow code with legal rigor!
Why shun, as worthless of affiliation,
What men of all political persuasion
Extol—and even use upon occasion—
That Christian principle, Conciliation?
But possibly the men who make such fuss
With Sunday pippins and old Trots infirm,
Attach some other meaning to the term,
As thus:

One market morning, in my usual rambles,
Passing along Whitechapel's ancient shambles,
Where meat was hung in many a joint and quarter,
I had to halt awhile, like other folks,
To let a killing butcher coax
A score of lambs and fatted sheep to slaughter.

A sturdy man he looke'd to fell an ox,
Bull-fronted, ruddy, with a formal streak
Of well-greased hair down either cheek,
As if he dee-dash-dee'd some other flocks
Beside those woolly-headed stubborn blocks
That stood before him, in vexatious huddle—
Poor little lambs, with bleating wethers group'd,
While, now and then, a thirsty creature stoop'd
And meekly snuff'd, but did not taste the puddle.

Fierce bark'd the dog, and many a blow was dealt,
That loin, and chump, and scrag and saddle felt,
Yet still, that fatal step they all declined it,—
And shunn'd the tainted door as if they smelt
Onions, mint sauce, and lemon juice behind it.

At last there came a pause of brutal force,
The cur was silent, for his jaws were full
Of tangled locks of tarry wool,
The man had whoop'd and holloed till dead hoarse.
The time was ripe for mild expostulation,
And thus it stammer'd from a stander-by—
'Zounds!—my good fellow,—it quite makes me—why,
It really—my dear fellow—do just try
Conciliation!'

Stringing his nerves like flint,
The sturdy butcher seized upon the hint,—
At least he seized upon the foremost wether,—
And hugg'd and lugg'd and tugg'd him neck and
crop
Just nolens volens thro' the open shop—
If tails come off he didn't care a feather,—
Then walking to the door and smiling grim,
He rubb'd his forehead and his sleeve together—
'There!—I have conciliated him!'
Again—good-humouredly to end our quarrel—
(Good humour should prevail!)
I'll fit you with a tale,
Whereto is tied a moral.

Once on a time a certain English lass
Was seized with symptoms of such deep decline,
Cough, hectic flushes, ev'ry evil sign,
That, as their wont is at such desperate pass,
The Doctors gave her over—to an ass.
Accordingly, the grisly Shade to bilk,
Each morn the patient quaff'd a frothy bowl
Of asinine new milk,
Robbing a shaggy suckling of a foal
Which got proportionably spare and skinny—
Meanwhile the neighbours cried 'Poor Mary Ann!
She can't get over it! she never can!'
When lo! to prove each prophet was a ninny
The one that died was the poor wet-nurse Jenny.

To aggravate the case,
There were but two grown donkeys in the place;
And most unluckily for Eve's sick daughter,
The other long ear'd creature was a male,
Who never in his life had given a pail
Of milk, or even chalk and water.
No matter: at the usual hour of eight
Down trots a donkey to the wicket-gate,
With Mister Simon Gubbins on his back,—
'Your sarvant, Miss',—a worry spring-like day,—
Bad time for hasses tho'! good lack! good lack!
Jenny be dead, Miss,—but I've brought ye Jack,
He doesn't give no milk—but he can bray.
So runs the story,
And, in vain self-glory,
Some Saints would sneer at Gubbins for his blindness—
But what the better are their pious saws
To ailing souls, than dry hee-haws,
Without the milk of human kindness?

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Don Juan: Canto The Fifteenth

Ah!--What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An 'Oh!' or 'Ah!' of joy or misery,
Or a 'Ha! ha!' or 'Bah!'-- a yawn, or 'Pooh!'
Of which perhaps the latter is most true.

But, more or less, the whole's a syncope
Or a singultus - emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean,--
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

But all are better than the sigh supprest,
Corroding in the cavern of the heart,
Making the countenance a masque of rest,
And turning human nature to an art.
Few men dare show their thoughts of worst or best;
Dissimulation always sets apart
A corner for herself; and therefore fiction
Is that which passes with least contradiction.

Ah! who can tell? Or rather, who can not
Remember, without telling, passion's errors?
The drainer of oblivion, even the sot,
Hath got blue devils for his morning mirrors:
What though on Lethe's stream he seem to float,
He cannot sink his tremors or his terrors;
The ruby glass that shakes within his hand
Leaves a sad sediment of Time's worst sand.

And as for love--O love!--We will proceed.
The Lady Adeline Amundeville,
A pretty name as one would wish to read,
Must perch harmonious on my tuneful quill.
There's music in the sighing of a reed;
There's music in the gushing of a rill;
There's music in all things, if men had ears:
Their earth is but an echo of the spheres.

The Lady Adeline, right honourable;
And honour'd, ran a risk of growing less so;
For few of the soft sex are very stable
In their resolves--alas! that I should say so!
They differ as wine differs from its label,
When once decanted;--I presume to guess so,
But will not swear: yet both upon occasion,
Till old, may undergo adulteration.

But Adeline was of the purest vintage,
The unmingled essence of the grape; and yet
Bright as a new Napoleon from its mintage,
Or glorious as a diamond richly set;
A page where Time should hesitate to print age,
And for which Nature might forego her debt--
Sole creditor whose process doth involve in 't
The luck of finding every body solvent.

O Death! thou dunnest of all duns! thou daily
Knockest at doors, at first with modest tap,
Like a meek tradesman when, approaching palely,
Some splendid debtor he would take by sap:
But oft denied, as patience 'gins to fail, he
Advances with exasperated rap,
And (if let in) insists, in terms unhandsome,
On ready money, or 'a draft on Ransom.'

Whate'er thou takest, spare a while poor Beauty!
She is so rare, and thou hast so much prey.
What though she now and then may slip from duty,
The more's the reason why you ought to stay.
Gaunt Gourmand! with whole nations for your booty,
You should be civil in a modest way:
Suppress, then, some slight feminine diseases,
And take as many heroes as Heaven pleases.

Fair Adeline, the more ingenuous
Where she was interested (as was said),
Because she was not apt, like some of us,
To like too readily, or too high bred
To show it (points we need not now discuss)--
Would give up artlessly both heart and head
Unto such feelings as seem'd innocent,
For objects worthy of the sentiment.

Some parts of Juan's history, which Rumour,
That live gazette, had scatter'd to disfigure,
She had heard; but women hear with more good humour
Such aberrations than we men of rigour:
Besides, his conduct, since in England, grew more
Strict, and his mind assumed a manlier vigour;
Because he had, like Alcibiades,
The art of living in all climes with ease.

His manner was perhaps the more seductive,
Because he ne'er seem'd anxious to seduce;
Nothing affected, studied, or constructive
Of coxcombry or conquest: no abuse
Of his attractions marr'd the fair perspective,
To indicate a Cupidon broke loose,
And seem to say, 'Resist us if you can'--
Which makes a dandy while it spoils a man.

They are wrong--that's not the way to set about it;
As, if they told the truth, could well be shown.
But, right or wrong, Don Juan was without it;
In fact, his manner was his own alone;
Sincere he was--at least you could not doubt it,
In listening merely to his voice's tone.
The devil hath not in all his quiver's choice
An arrow for the heart like a sweet voice.

By nature soft, his whole address held off
Suspicion: though not timid, his regard
Was such as rather seem'd to keep aloof,
To shield himself than put you on your guard:
Perhaps 'twas hardly quite assured enough,
But modesty's at times its own reward,
Like virtue; and the absence of pretension
Will go much farther than there's need to mention.

Serene, accomplish'd, cheerful but not loud;
Insinuating without insinuation;
Observant of the foibles of the crowd,
Yet ne'er betraying this in conversation;
Proud with the proud, yet courteously proud,
So as to make them feel he knew his station
And theirs:--without a struggle for priority,
He neither brook'd nor claim'd superiority.

That is, with men: with women he was what
They pleased to make or take him for; and their
Imagination's quite enough for that:
So that the outline's tolerably fair,
They fill the canvas up - and 'verbum sat.'
If once their phantasies be brought to bear
Upon an object, whether sad or playful,
They can transfigure brighter than a Raphael.

Adeline, no deep judge of character,
Was apt to add a colouring from her own:
'Tis thus the good will amiably err,
And eke the wise, as has been often shown.
Experience is the chief philosopher,
But saddest when his science is well known:
And persecuted sages teach the schools
Their folly in forgetting there are fools.

Was it not so, great Locke? and greater Bacon?
Great Socrates? And thou, Diviner still,
Whose lot it is by man to be mistaken,
And thy pure creed made sanction of all ill?
Redeeming worlds to be by bigots shaken,
How was thy toil rewarded? We might fill
Volumes with similar sad illustrations,
But leave them to the conscience of the nations.

I perch upon an humbler promontory,
Amidst life's infinite variety:
With no great care for what is nicknamed glory,
But speculating as I cast mine eye
On what may suit or may not suit my story,
And never straining hard to versify,
I rattle on exactly as I'd talk
With any body in a ride or walk.

I don't know that there may be much ability
Shown in this sort of desultory rhyme;
But there's a conversational facility,
Which may round off an hour upon a time.
Of this I'm sure at least, there's no servility
In mine irregularity of chime,
Which rings what's uppermost of new or hoary,
Just as I feel the 'Improvvisatore.'

'Omnia vult belle Matho dicere - dic aliquando
Et bene, dic neutrum, dic aliquando male.'
The first is rather more than mortal can do;
The second may be sadly done or gaily;
The third is still more difficult to stand to;
The fourth we hear, and see, and say too, daily.
The whole together is what I could wish
To serve in this conundrum of a dish.

A modest hope--but modesty 's my forte,
And pride my feeble:--let us ramble on.
I meant to make this poem very short,
But now I can't tell where it may not run.
No doubt, if I had wish' to pay my court
To critics, or to hail the setting sun
Of tyranny of all kinds, my concision
Were more;--but I was born for opposition.

But then 'tis mostly on the weaker side;
So that I verily believe if they
Who now are basking in their full-blown pride
Were shaken down, and 'dogs had had their day,'
Though at the first I might perchance deride
Their tumble, I should turn the other way,
And wax an ultra-royalist in loyalty,
Because I hate even democratic royalty.

I think I should have made a decent spouse,
If I had never proved the soft condition;
I think I should have made monastic vows,
But for my own peculiar superstition:
'Gainst rhyme I never should have knock'd my brows,
Nor broken my own head, nor that of Priscian,
Nor worn the motley mantle of a poet,
If some one had not told me to forego it.

But 'laissez aller'--knights and dames I sing,
Such as the times may furnish. 'T is a flight
Which seems at first to need no lofty wing,
Plumed by Longinus or the Stagyrite:
The difficultly lies in colouring
(Keeping the due proportions still in sight)
With nature manners which are artificial,
And rend'ring general that which is especial.

The difference is, that in the days of old
Men made the manners; manners now make men--
Pinn'd like a flock, and fleeced too in their fold,
At least nine, and a ninth beside of ten.
Now this at all events must render cold
Your writers, who must either draw again
Days better drawn before, or else assume
The present, with their common-place costume.

We'll do our best to make the best on't:--March!
March, my Muse! If you cannot fly, yet flutter;
And when you may not be sublime, be arch,
Or starch, as are the edicts statesmen utter.
We surely may find something worth research:
Columbus found a new world in a cutter,
Or brigantine, or pink, of no great tonnage,
While yet America was in her non-age.

When Adeline, in all her growing sense
Of Juan's merits and his situation,
Felt on the whole an interest intense,--
Partly perhaps because a fresh sensation,
Or that he had an air of innocence,
Which is for innocence a sad temptation,--
As women hate half measures, on the whole,
She 'gan to ponder how to save his soul.

She had a good opinion of advice,
Like all who give and eke receive it gratis,
For which small thanks are still the market price,
Even where the article at highest rate is:
She thought upon the subject twice or thrice,
And morally decided, the best state is
For morals, marriage; and this question carried,
She seriously advised him to get married.

Juan replied, with all becoming deference,
He had a predilection for that tie;
But that, at present, with immediate reference
To his own circumstances, there might lie
Some difficulties, as in his own preference,
Or that of her to whom he might apply:
That still he'd wed with such or such a lady,
If that they were not married all already.

Next to the making matches for herself,
And daughters, brothers, sisters, kith or kin,
Arranging them like books on the same shelf,
There 's nothing women love to dabble in
More (like a stock-holder in growing pelf)
Than match-making in general: 'tis no sin
Certes, but a preventative, and therefore
That is, no doubt, the only reason wherefore.

But never yet (except of course a miss
Unwed, or mistress never to be wed,
Or wed already, who object to this)
Was there chaste dame who had not in her head
Some drama of the marriage unities,
Observed as strictly both at board and bed
As those of Aristotle, though sometimes
They turn out melodrames or pantomimes.

They generally have some only son,
Some heir to a large property, some friend
Of an old family, some gay Sir john,
Or grave Lord George, with whom perhaps might end
A line, and leave posterity undone,
Unless a marriage was applied to mend
The prospect and their morals: and besides,
They have at hand a blooming glut of brides.

From these they will be careful to select,
For this an heiress, and for that a beauty;
For one a songstress who hath no defect,
For t'other one who promises much duty;
For this a lady no one can reject,
Whose sole accomplishments were quite a booty;
A second for her excellent connections;
A third, because there can be no objections.

When Rapp the Harmonist embargo'd marriage
In his harmonious settlement (which flourishes
Strangely enough as yet without miscarriage,
Because it breeds no more mouths than it nourishes,
Without those sad expenses which disparage
What Nature naturally most encourages)--
Why call'd he 'Harmony' a state sans wedlock?
Now here I've got the preacher at a dead lock.

Because he either meant to sneer at harmony
Or marriage, by divorcing them thus oddly.
But whether reverend Rapp learn'd this in Germany
Or no, 'tis said his sect is rich and godly,
Pious and pure, beyond what I can term any
Of ours, although they propagate more broadly.
My objection's to his title, not his ritual,
Although I wonder how it grew habitual.

But Rapp is the reverse of zealous matrons,
Who favour, malgre Malthus, generation -
Professors of that genial art, and patrons
Of all the modest part of propagation;
Which after all at such a desperate rate runs,
That half its produce tends to emigration,
That sad result of passions and potatoes -
Two weeds which pose our economic Catos.

Had Adeline read Malthus? I can't tell;
I wish she had: his book 's the eleventh commandment,
Which says, 'Thou shalt not marry,' unless well:
This he (as far as I can understand) meant.
'Tis not my purpose on his views to dwell
Nor canvass what so 'eminent a hand' meant;
But certes it conducts to lives ascetic,
Or turning marriage into arithmetic.

But Adeline, who probably presumed
That Juan had enough of maintenance,
Or separate maintenance, in case 'twas doom'd--
As on the whole it is an even chance
That bridegrooms, after they are fairly groom'd,
May retrograde a little in the dance
Of marriage (which might form a painter's fame,
Like Holbein's 'Dance of Death'--but 'tis the same);--

But Adeline determined Juan's wedding
In her own mind, and that 's enough for woman:
But then, with whom? There was the sage Miss Reading,
Miss Raw, Miss Flaw, Miss Showman, and Miss Knowman.
And the two fair co-heiresses Giltbedding.
She deem'd his merits something more than common:
All these were unobjectionable matches,
And might go on, if well wound up, like watches.

There was Miss Millpond, smooth as summer's sea,
That usual paragon, an only daughter,
Who seem'd the cream of equanimity
Till skimm'd - and then there was some milk and water,
With a slight shade of blue too, it might be,
Beneath the surface; but what did it matter?
Love's riotous, but marriage should have quiet,
And being consumptive, live on a milk diet.

And then there was the Miss Audacia Shoestring,
A dashing demoiselle of good estate,
Whose heart was fix'd upon a star or blue string;
But whether English dukes grew rare of late,
Or that she had not harp'd upon the true string,
By which such sirens can attract our great,
She took up with some foreign younger brother,
A Russ or Turk - the one's as good as t'other.

And then there was - but why should I go on,
Unless the ladies should go off?- there was
Indeed a certain fair and fairy one,
Of the best class, and better than her class,--
Aurora Raby, a young star who shone
O'er life, too sweet an image for such glass,
A lovely being, scarcely form'd or moulded,
A rose with all its sweetest leaves yet folded;

Rich, noble, but an orphan; left an only
Child to the care of guardians good and kind;
But still her aspect had an air so lonely!
Blood is not water; and where shall we find
Feelings of youth like those which overthrown lie
By death, when we are left, alas! behind,
To feel, in friendless palaces, a home
Is wanting, and our best ties in the tomb?

Early in years, and yet more infantine
In figure, she had something of sublime
In eyes which sadly shone, as seraphs' shine.
All youth - but with an aspect beyond time;
Radiant and grave - as pitying man's decline;
Mournful - but mournful of another's crime,
She look'd as if she sat by Eden's door.
And grieved for those who could return no more.

She was a Catholic, too, sincere, austere,
As far as her own gentle heart allow'd,
And deem'd that fallen worship far more dear
Perhaps because 'twas fallen: her sires were proud
Of deeds and days when they had fill'd the ear
Of nations, and had never bent or bow'd
To novel power; and as she was the last,
She held their old faith and old feelings fast.

She gazed upon a world she scarcely knew,
As seeking not to know it; silent, lone,
As grows a flower, thus quietly she grew,
And kept her heart serene within its zone.
There was awe in the homage which she drew;
Her spirit seem'd as seated on a throne
Apart from the surrounding world, and strong
In its own strength - most strange in one so young!

Now it so happen'd, in the catalogue
Of Adeline, Aurora was omitted,
Although her birth and wealth had given her vogue
Beyond the charmers we have already cited;
Her beauty also seem'd to form no clog
Against her being mention'd as well fitted,
By many virtues, to be worth the trouble
Of single gentlemen who would be double.

And this omission, like that of the bust
Of Brutus at the pageant of Tiberius,
Made Juan wonder, as no doubt he must.
This he express'd half smiling and half serious;
When Adeline replied with some disgust,
And with an air, to say the least, imperious,
She marvell'd 'what he saw in such a baby
As that prim, silent, cold Aurora Raby?'

Juan rejoin'd - 'She was a Catholic,
And therefore fittest, as of his persuasion;
Since he was sure his mother would fall sick,
And the Pope thunder excommunication,
If--' But here Adeline, who seem'd to pique
Herself extremely on the inoculation
Of others with her own opinions, stated--
As usual--the same reason which she late did.

And wherefore not? A reasonable reason,
If good, is none the worse for repetition;
If bad, the best way's certainly to tease on,
And amplify: you lose much by concision,
Whereas insisting in or out of season
Convinces all men, even a politician;
Or - what is just the same - it wearies out.
So the end's gain'd, what signifies the route?

Why Adeline had this slight prejudice -
For prejudice it was - against a creature
As pure as sanctity itself from vice,
With all the added charm of form and feature,
For me appears a question far too nice,
Since Adeline was liberal by nature;
But nature's nature, and has more caprices
Than I have time, or will, to take to pieces.

Perhaps she did not like the quiet way
With which Aurora on those baubles look'd,
Which charm most people in their earlier day:
For there are few things by mankind less brook'd,
And womankind too, if we so may say,
Than finding thus their genius stand rebuked,
Like 'Anthony's by Caesar,' by the few
Who look upon them as they ought to do.

It was not envy - Adeline had none;
Her place was far beyond it, and her mind.
It was not scorn - which could not light on one
Whose greatest fault was leaving few to find.
It was not jealousy, I think: but shun
Following the 'ignes fatui' of mankind.
It was not - but 'tis easier far, alas!
To say what it was not than what it was.

Little Aurora deem'd she was the theme
Of such discussion. She was there a guest;
A beauteous ripple of the brilliant stream
Of rank and youth, though purer than the rest,
Which flow'd on for a moment in the beam
Time sheds a moment o'er each sparkling crest.
Had she known this, she would have calmly smiled--
She had so much, or little, of the child.

The dashing and proud air of Adeline
Imposed not upon her: she saw her blaze
Much as she would have seen a glow -worm shine,
Then turn'd unto the stars for loftier rays.
Juan was something she could not divine,
Being no sibyl in the new world's ways;
Yet she was nothing dazzled by the meteor,
Because she did not pin her faith on feature.

His fame too,--for he had that kind of fame
Which sometimes plays the deuce with womankind,
A heterogeneous mass of glorious blame,
Half virtues and whole vices being combined;
Faults which attract because they are not tame;
Follies trick'd out so brightly that they blind:--
These seals upon her wax made no impression,
Such was her coldness or her self-possession.

Juan knew nought of such a character--
High, yet resembling not his lost Haidee;
Yet each was radiant in her proper sphere:
The island girl, bred up by the lone sea,
More warm, as lovely, and not less sincere,
Was Nature's all: Aurora could not be,
Nor would be thus:--the difference in them
Was such as lies between a flower and gem.

Having wound up with this sublime comparison,
Methinks we may proceed upon our narrative,
And, as my friend Scott says, 'I sound my warison;'
Scott, the superlative of my comparative--
Scott, who can paint your Christian knight or Saracen,
Serf, lord, man, with such skill as none would share it, if
There had not been one Shakspeare and Voltaire,
Of one or both of whom he seems the heir.

I say, in my slight way I may proceed
To play upon the surface of humanity.
I write the world, nor care if the world read,
At least for this I cannot spare its vanity.
My Muse hath bred, and still perhaps may breed
More foes by this same scroll: when I began it, I
Thought that it might turn out so - now I know it,
But still I am, or was, a pretty poet.

The conference or congress (for it ended
As congresses of late do) of the Lady
Adeline and Don Juan rather blended
Some acids with the sweets - for she was heady;
But, ere the matter could be marr'd or mended,
The silvery bell rang, not for 'dinner ready,
But for that hour, call'd half-hour, given to dress,
Though ladies' robes seem scant enough for less.

Great things were now to be achieved at table,
With massy plate for armour, knives and forks
For weapons; but what Muse since Homer 's able
(His feasts are not the worst part of his works)
To draw up in array a single day-bill
Of modern dinners? where more mystery lurks,
In soups or sauces, or a sole ragout,

There was a goodly 'soupe a la bonne femme,'
Though God knows whence it came from; there was, too,
A turbot for relief of those who cram,
Relieved with 'dindon a la Parigeux;'
How shall I get this gourmand stanza through?--
'Soupe a la Beauveau,' whose relief was dory,
Relieved itself by pork, for greater glory.

But I must crowd all into one grand mess
Or mass; for should I stretch into detail,
My Muse would run much more into excess,
Than when some squeamish people deem her frail.
But though a 'bonne vivante,' I must confess
Her stomach's not her peccant part; this tale
However doth require some slight refection,
Just to relieve her spirits from dejection.

Fowls 'a la Conde,' slices eke of salmon,
With 'sauces Genevoises,' and haunch of venison;
Wines too, which might again have slain young Ammon--
A man like whom I hope we shan't see many soon;
They also set a glazed Westphalian ham on,
Whereon Apicius would bestow his benison;
And then there was champagne with foaming whirls,
As white as Cleopatra's melted pearls.

Then there was God knows what 'a l'Allemande,'
'A l'Espagnole,' 'timballe,' and 'salpicon'--
With things I can't withstand or understand,
Though swallow'd with much zest upon the whole;
And 'entremets' to piddle with at hand,
Gently to lull down the subsiding soul;
While great Lucullus' Robe triumphal muffles
(There's fame) young partridge fillets, deck'd with truffles.

What are the fillets on the victor's brow
To these? They are rags or dust. Where is the arch
Which nodded to the nation's spoils below?
Where the triumphal chariots' haughty march?
Gone to where victories must like dinners go.
Farther I shall not follow the research:
But oh! ye modern heroes with your cartridges,
When will your names lend lustre e'en to partridges?

Those truffles too are no bad accessaries,
Follow'd by 'petits puits d'amour'--a dish
Of which perhaps the cookery rather varies,
So every one may dress it to his wish,
According to the best of dictionaries,
Which encyclopedize both flesh and fish;
But even sans 'confitures,' it no less true is,
There's pretty picking in those 'petits puits.'

The mind is lost in mighty contemplation
Of intellect expanded on two courses;
And indigestion's grand multiplication
Requires arithmetic beyond my forces.
Who would suppose, from Adam's simple ration,
That cookery could have call'd forth such resources,
As form a science and a nomenclature
From out the commonest demands of nature?

The glasses jingled, and the palates tingled;
The diners of celebrity dined well;
The ladies with more moderation mingled
In the feast, pecking less than I can tell;
Also the younger men too: for a springald
Can't, like ripe age, in gormandize excel,
But thinks less of good eating than the whisper
(When seated next him) of some pretty lisper.

Alas! I must leave undescribed the gibier,
The salmi, the consomme, the puree,
All which I use to make my rhymes run glibber
Than could roast beef in our rough John Bull way:
I must not introduce even a spare rib here,
'Bubble and squeak' would spoil my liquid lay:
But I have dined, and must forego, Alas!
The chaste description even of a 'becasse;'

And fruits, and ice, and all that art refines
From nature for the service of the gout--
Taste or the gout,--pronounce it as inclines
Your stomach! Ere you dine, the French will do;
But after, there are sometimes certain signs
Which prove plain English truer of the two.
Hast ever had the gout? I have not had it--
But I may have, and you too, reader, dread it.

The simple olives, best allies of wine,
Must I pass over in my bill of fare?
I must, although a favourite 'plat' of mine
In Spain, and Lucca, Athens, every where:
On them and bread 'twas oft my luck to dine,
The grass my table-cloth, in open-air,
On Sunium or Hymettus, like Diogenes,
Of whom half my philosophy the progeny is.

Amidst this tumult of fish, flesh, and 'fowl,
And vegetables, all in masquerade,
The guests were placed according to their roll,
But various as the various meats display'd:
Don Juan sat next 'an l'Espagnole'--
No damsel, but a dish, as hath been said;
But so far like a lady, that 'twas drest
Superbly, and contain'd a world of zest.

By some odd chance too, he was placed between
Aurora and the Lady Adeline--
A situation difficult, I ween,
For man therein, with eyes and heart, to dine.
Also the conference which we have seen
Was not such as to encourage him to shine;
For Adeline, addressing few words to him,
With two transcendent eyes seem'd to look through him.

I sometimes almost think that eyes have ears:
This much is sure, that, out of earshot, things
Are somehow echoed to the pretty dears,
Of which I can't tell whence their knowledge springs.
Like that same mystic music of the spheres,
Which no one bears, so loudly though it rings,
'T is wonderful how oft the sex have heard
Long dialogues - which pass'd without a word!

Aurora sat with that indifference
Which piques a preux chevalier - as it ought:
Of all offences that's the worst offence,
Which seems to hint you are not worth a thought.
Now Juan, though no coxcomb in pretence,
Was not exactly pleased to be so caught;
Like a good ship entangled among ice,
And after so much excellent advice.

To his gay nothings, nothing was replied,
Or something which was nothing, as urbanity
Required. Aurora scarcely look'd aside,
Nor even smiled enough for any vanity.
The devil was in the girl! Could it be pride?
Or modesty, or absence, or inanity?
Heaven knows? But Adeline's malicious eyes
Sparkled with her successful prophecies,

And look'd as much as if to say, 'I said it;'
A kind of triumph I'll not recommend,
Because it sometimes, as I have seen or read it,
Both in the case of lover and of friend,
Will pique a gentleman, for his own credit,
To bring what was a jest to a serious end:
For all men prophesy what is or was,
And hate those who won't let them come to pass.

Juan was drawn thus into some attentions,
Slight but select, and just enough to express,
To females of perspicuous comprehensions,
That he would rather make them more than less.
Aurora at the last (so history mentions,
Though probably much less a fact than guess)
So far relax'd her thoughts from their sweet prison,
As once or twice to smile, if not to listen.

From answering she began to question; this
With her was rare: and Adeline, who as yet
Thought her predictions went not much amiss,
Began to dread she'd thaw to a coquette--
So very difficult, they say, it is
To keep extremes from meeting, when once set
In motion; but she here too much refined--
Aurora's spirit was not of that kind.

But Juan had a sort of winning way,
A proud humility, if such there be,
Which show'd such deference to what females say,
As if each charming word were a decree.
His tact, too, temper'd him from grave to gay,
And taught him when to be reserved or free:
He had the art of drawing people out,
Without their seeing what he was about.

Aurora, who in her indifference
Confounded him in common with the crowd
Of flatterers, though she deem'd he had more sense
Than whispering foplings, or than witlings loud--
Commenced (from such slight things will great commence)
To feel that flattery which attracts the proud
Rather by deference than compliment,
And wins even by a delicate dissent.

And then he had good looks;--that point was carried
Nem. con. amongst the women, which I grieve
To say leads oft to crim. con. with the married -
A case which to the juries we may leave,
Since with digressions we too long have tarried.
Now though we know of old that looks deceive,
And always have done, somehow these good looks
Make more impression than the best of books.

Aurora, who look'd more on books than faces,
Was very young, although so very sage,
Admiring more Minerva than the Graces,
Especially upon a printed page.
But Virtue's self, with all her tightest laces,
Has not the natural stays of strict old age;
And Socrates, that model of all duty,
Own'd to a penchant, though discreet, for beauty.

And girls of sixteen are thus far Socratic,
But innocently so, as Socrates;
And really, if the sage sublime and Attic
At seventy years had phantasies like these,
Which Plato in his dialogues dramatic
Has shown, I know not why they should displease
In virgins - always in a modest way,
Observe; for that with me's a 'sine qua.'

Also observe, that, like the great Lord Coke
(See Littleton), whene'er I have express'd
Opinions two, which at first sight may look
Twin opposites, the second is the best.
Perhaps I have a third, too, in a nook,
Or none at all - which seems a sorry jest:
But if a writer should be quite consistent,
How could he possibly show things existent?

If people contradict themselves, can
Help contradicting them, and every body,
Even my veracious self?- But that's a lie:
I never did so, never will--how should I?
He who doubts all things nothing can deny:
Truth's fountains may be clear--her streams are muddy,
And cut through such canals of contradiction,
That she must often navigate o'er fiction.

Apologue, fable, poesy, and parable,
Are false, but may he render'd also true,
By those who sow them in a land that's arable.
'Tis wonderful what fable will not do!
'Tis said it makes reality more bearable:
But what's reality? Who has its clue?
Philosophy? No: she too much rejects.
Religion? Yes; but which of all her sects?

Some millions must be wrong, that 's pretty dear;
Perhaps it may turn out that all were right.
God help us! Since we have need on our career
To keep our holy beacons always bright,
'Tis time that some new prophet should appear,
Or old indulge man with a second sight.
Opinions wear out in some thousand years,
Without a small refreshment from the spheres.

But here again, why will I thus entangle
Myself with metaphysics? None can hate
So much as I do any kind of wrangle;
And yet, such is my folly, or my fate,
I always knock my head against some angle
About the present, past, or future state.
Yet I wish well to Trojan and to Tyrian,
For I was bred a moderate Presbyterian.

But though I am a temperate theologian,
And also meek as a metaphysician,
Impartial between Tyrian and Trojan,
As Eldon on a lunatic commission--
In politics my duty is to show John
Bull something of the lower world's condition.
It makes my blood boil like the springs of Hecla,
To see men let these scoundrel sovereigns break law.

But politics, and policy, and piety,
Are topics which I sometimes introduce,
Not only for the sake of their variety,
But as subservient to a moral use;
Because my business is to dress society,
And stuff with sage that very verdant goose.
And now, that we may furnish with some matter all
Tastes, we are going to try the supernatural.

And now I will give up all argument;
And positively henceforth no temptation
Shall 'fool me to the top up of my bent:'--
Yes, I'll begin a thorough reformation.
Indeed, I never knew what people meant
By deeming that my Muse's conversation
Was dangerous;--I think she is as harmless
As some who labour more and yet may charm less.

Grim reader! did you ever see a ghost?
No; but you have heard--I understand--be dumb!
And don't regret the time you may have lost,
For you have got that pleasure still to come:
And do not think I mean to sneer at most
Of these things, or by ridicule benumb
That source of the sublime and the mysterious:-
For certain reasons my belief is serious.

Serious? You laugh;--you may: that will I not;
My smiles must be sincere or not at all.
I say I do believe a haunted spot
Exists--and where? That shall I not recall,
Because I 'd rather it should be forgot,
'Shadows the soul of Richard' may appal.
In short, upon that subject I've some qualms very
Like those of the philosopher of Malmsbury.

The night (I sing by night - sometimes an owl,
And now and then a nightingale) is dim,
And the loud shriek of sage Minerva's fowl
Rattles around me her discordant hymn:
Old portraits from old walls upon me scowl -
I wish to heaven they would not look so grim;
The dying embers dwindle in the grate -
I think too that I have sate up too late:

And therefore, though 'tis by no means my way
To rhyme at noon - when I have other things
To think of, if I ever think - I say
I feel some chilly midnight shudderings,
And prudently postpone, until mid-day,
Treating a topic which, alas! but brings
Shadows;--but you must be in my condition
Before you learn to call this superstition.

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Beppo, A Venetian Story

I.
'Tis known, at least it should be, that throughout
All countries of the Catholic persuasion,
Some weeks before Shrove Tuesday comes about,
The People take their fill of recreation,
And buy repentance, ere they grow devout,
However high their rank, or low their station,
With fiddling, feasting, dancing, drinking, masking,
And other things which may be had for asking.

II.
The moment Night with dusky mantle covers
The skies (and the more duskily the better),
The Time--less liked by husbands than by lovers--
Begins, and Prudery flings aside her fetter,
And Gaiety on restless tiptoe hovers,
Giggling with all the Gallants who beset her;
And there are Songs and quavers, roaring, humming,
Guitars, and every other sort of strumming.

III.
And there are dresses, splendid but fantastical,
Masks of all times and nations, Turks and Jews,
And Harlequins and Clowns, with feats gymnastical,
Greeks, Romans, Yankee-doodles, and Hindoos;
All kinds of dress, except the ecclesiastical,
All people, as their fancies hit, may choose,
But no one in these parts may quiz the Clergy,--
Therefore take heed, ye Freethinkers! I charge ye.

IV.
You'd better walk about begirt with briars,
Instead of Coat and smallclothes, than put on
A single stitch reflecting upon Friars,
Although you swore it only was in fun;
They'd haul you o'er the coals, and stir the fires
Of Phlegethon with every mother's son,
Nor say one Mass to cool the Caldron's bubble
That boil'd your bones--unless you paid them double.

V.
But saving this, you may put on whate'er
You like by way of doublet, cape, or cloak,
Such as in Monmouth Street, or in Rag Fair,
Would rig you out in Seriousness or Joke;
And even in Italy such places are
With prettier name in softer accents spoke,
For, bating Covent Garden, I can hit on
No place that's called 'Piazza' in Great Britain.

VI.
This feast is named the Carnival, which being
Interpreted implies 'Farewell to Flesh':
So call'd, because the name and thing agreeing,
Through Lent they live on fish, both salt and fresh.
But why they usher Lent with so much glee in
Is more than I can tell, although I guess
'Tis as we take a glass with friends at parting
In the Stage-Coach or Packet, just at starting.

VII.
And thus they bid farewell to Carnal dishes,
And solid meats, and highly spiced ragouts,
To live for forty days on ill-dress’d fishes,
Because they have no sauces to their stews--
A thing which causes many 'poohs' and 'pishes,'
And several oaths (which would not suit the Muse)
From travellers accustom'd from a boy
To eat their Salmon, at the least, with Soy;

VIII.
And therefore humbly I would recommend
'The Curious in Fish-Sauce,' before they cross
The Sea, to bid their Cook, or wife, or friend,
Walk or ride to the Strand, and buy in gross
(Or if set out beforehand these may send
By any means least liable to loss)
Ketchup, Soy, Chili-Vinegar, and Harvey,
Or, by the Lord! a Lent will well nigh starve ye.

IX.
That is to say, if your Religion's Roman,
And you at Rome would do as Romans do,
According to the proverb,--although No man
If foreign is obliged to fast, and you--
If Protestant, or sickly--or a woman--
Would rather dine in sin on a ragout--
Dine and be d____d! I don't mean to be coarse,
But that's the penalty, to say no worse.

X.
Of all the places where the Carnival
Was most facetious in the days of yore,
For dance, and song, and serenade, and ball,
And Masque, and Mime, and Mystery, and more
Than I have time to tell now, or at all,
Venice the bell from every city bore,
And at the moment when I fix my story,
That Sea-born City was in all her Glory.

XI.
They've pretty faces yet, those same Venetians,
Black eyes, arch'd brows, and sweet expressions still,
Such as of old were copied from the Grecians,
In ancient Arts by Moderns mimick'd ill;
And like so many Venuses of Titian's
(The best's at Florence--see it, if ye will),
They look when leaning over the Balcony;
Or stepp'd from out a picture by Giorgione,--

XII.
Whose tints are Truth and Beauty at their best;
And when you to Manfrini's palace go,
That Picture (howsoever fine the rest)
Is loveliest to my mind of all the show;
It may perhaps be also to your Zest,
And that's the cause I rhyme upon it so:
'Tis but a portrait of his Son and Wife
And Self; but such a Woman! Love in life!

XIII.
Love in full life and length, not Love ideal,
No, nor ideal Beauty, that fine name,
But something better still, so very real,
That the sweet Model must have been the same;
A thing that you would purchase, beg, or steal,
Were't not impossible, besides a shame;
The face recalls some face, as 'twere with pain,
You once have seen, but ne'er will see again.

XIV.
One of those forms which flit by us, when we
Are young, and fix our eyes on every face;
And, oh! the Loveliness at times we see
In momentary gliding, the soft grace,
The Youth, the Bloom, the Beauty which agree
In many a nameless being we retrace,
Whose course and home we knew not, nor shall know,
Like the lost Pleiad seen no more below.

XV.
I said that like a picture by Giorgione
Venetian women were, and so they are,
Particularly seen from a balcony
(For Beauty's sometimes best set off afar)
And there, just like a heroine of Goldoni,
They peep from out the blind, or o'er the bar;
And truth to say they're mostly very pretty,
And rather like to show it, more's the Pity!

XVI.
For glances beget ogles, ogles sighs,
Sighs wishes, wishes words, and words a letter,
Which flies on wings of light-heel'd Mercuries,
Who do such things because they know no better;
And then, God knows! what Mischief may arise,
When Love links two young people in one fetter:
Vile assignations, and adulterous beds,
Elopements, broken vows, and hearts, and heads.

XVII.
Shakespeare described the Sex in Desdemona
As very fair, but yet suspect in fame,
And to this day from Venice to Verona
Such matters may be probably the same,
Except that since those times was never known a
Husband whom mere Suspicion could inflame
To suffocate a wife no more than twenty,
Because she had a 'Cavalier Servente.'

XVIII.
Their jealousy (if they are ever jealous)
Is of a fair complexion altogether,
Not like that sooty devil of Othello's,
Which smothers women in a bed of feather,
But worthier of these much more jolly fellows,
When weary of the matrimonial tether
His head for such a wife no mortal bothers,
But takes at once another, or another's.

XIX.
Didst ever see a Gondola? For fear
You should not, I'll describe it you exactly:
'Tis a long cover'd boat that's common here,
Carved at the prow, built lightly, but compactly,
Row'd by two rowers, each call'd 'Gondolier,'
It glides along the water looking blackly,
Just like a Coffin clapt in a Canoe,
Where none can make out what you say or do.

XX.
And up and down the long Canals they go,
And under the Rialto shoot along
By night and day, all paces, swift or slow,
And round the theatres, a sable throng,
They wait in their dusk livery of woe,--
But not to them do woeful things belong,
For sometimes they contain a deal of fun,
Like Mourning Coaches when the funeral’s done.

XXI.
But to my story.--'Twas some years ago,
It may be thirty, forty, more or less,
The Carnival was at its height, and so
Were all kinds of Buffoonery and dress;
A Certain Lady went to see the show,
Her real name I know not, nor can guess,
And so we'll call her Laura, if you please,
Because it slips into my verse with ease.

XXII.
She was not old, nor young, nor at the years
Which certain people call a 'certain Age,'
Which yet the most uncertain age appears,
Because I never heard, nor could engage
A person yet by prayers, or bribes, or tears,
To name, define by speech, or write on page,
The period meant precisely by that word,--
Which surely is exceedingly absurd.

XXIII.
Laura was blooming still, had made the best
Of Time, and Time return'd the compliment,
And treated her genteelly, so that, 'drest,
She look'd extremely well where'er she went;
A pretty woman is a welcome guest,
And Laura's brow a frown had rarely bent;
Indeed, she shone all Smiles, and seem'd to flatter
Mankind with her black eyes for looking at her.

XXIV.
She was a married woman; 'tis convenient,
Because in Christian countries 'tis a rule
To view their little slips with eyes more lenient;
Whereas if single ladies play the fool
(Unless within the period intervenient
A well-timed wedding makes the scandal cool),
I don't know how they ever can get over it,
Except they manage never to discover it.

XXV.
Her husband sail'd upon the Adriatic,
And made some voyages, too, in other seas,
And when he lay in Quarantine for Pratique
(A forty days' precaution 'gainst disease),
His wife would mount, at times, her highest attic,
For thence she could discern the ship with ease;
He was a Merchant trading to Aleppo,
His name Giuseppe--call'd more briefly, Beppo.

XXVI.
He was a man as dusky as a Spaniard,
Sunburnt with travel, yet a portly figure;
Though colour'd, as it were, within a tan-yard,
He was a person both of sense and vigour--
A better Seaman never yet did man yard;
And She, although her manners show'd no rigour,
Was deem'd a woman of the strictest principle,
So much as to be thought almost invincible.

XXVII.
But several years elapsed since they had met;
Some people thought the ship was lost, and some
That he had somehow blunder'd into debt,
And did not like the thought of steering home;
And there were several offer'd any bet,
Or that he would, or that he would not come,
For Most Men (till by losing render'd sager)
Will back their own opinions with a wager.

XXVIII.
'Tis said that their last parting was pathetic,
As partings often are, or ought to be,
And their presentiment was quite prophetic,
That they should never more each other see,
(A sort of morbid feeling, half poetic,
Which I have known occur in two or three)
When kneeling on the shore upon her sad knee
He left this Adriatic Ariadne.

XXIX.
And Laura waited long, and wept a little,
And thought of wearing weeds, as well she might;
She almost lost all appetite for victual,
And could not sleep with ease along at night;
She deem'd the window-frames and shutters brittle
Against a daring House-breaker or Sprite,
And so She thought it prudent to connect her.
With a Vice-husband, chiefly to protect her.

XXX.
She chose, (and what is there they will not choose,
If only you will but oppose their choice?)
Till Beppo should return from his long cruise,
And bid once more her faithful heart rejoice,
A Man some women like, and yet abuse--
A Coxcomb was he by the public voice;
A Count of wealth, they said, as well as quality,
And (in his pleasures) of great liberality.

XXXI.
And then he was A Count, and then he knew
Music, and dancing, fiddling, French and Tuscan;
The last not easy, be it known to you.
For few Italians speak the right Etruscan.
He was a Critic upon Operas, too,
And knew all niceties of the sock and buskin;
And no Venetian audience could endure a
Song, scene, or air, when he cried 'Seccatura!'

XXXII.
His 'Bravo' was decisive—for that sound
Hush'd 'Academie' sigh'd in silent awe;
The fiddlers trembled as he look'd around,
For fear of some false note's detected flaw;
The 'Prima Donna's' tuneful heart would bound,
Dreading the deep damnation of his 'Bah!'
Soprano, Basso, even the Contra-Alto,
Wish'd him five fathom under the Rialto.

XXXIII.
He patronised the Improvisatori,
Nay, could himself extemporise some stanzas;
Wrote rhymes, sang songs, could also tell a story,
Sold pictures, and was skilful in the dance as
Italians can be--though in this their glory
Must surely yield the palm to that which France has;
In short, he was a perfect Cavaliero,
And to his very Valet seem'd a Hero.

XXXIV.
Then he was faithful too, as well as amorous;
So that no sort of female could complain--
Although they're now and then a little clamourous,
He never put the pretty souls in pain;
His heart was one of those which most enamour us,
Wax to receive, and Marble to retain:
He was a lover of the good old School,
Who still become more constant as they cool.

XXXV.
No wonder such accomplishments should turn
A female head, however sage and steady--
With scarce a hope that Beppo could return,
In law he was almost as good as dead, he
Nor sent, nor wrote, nor show'd the least concern,
And she had waited several years already;
And really if a Man won't let us know
That he's alive, he's dead, or should be so.

XXXVI.
Besides, within the Alps, to every woman,
(Although, God knows! it is a grievous sin)
'Tis, I may say, permitted to have two men;
I can't tell who first brought the custom in,
But 'Cavalier Serventes' are quite common,
And no one notices nor cares a pin;
And we may call this (not to say the worst)
A Second Marriage which corrupts the First.

XXXVII.
The word was formerly a 'Cicisbeo,'
But that is now grown vulgar and indecent;
The Spaniards call the person a 'Cortejo,'
For the same Mode subsists in Spain, though recent;
In short, it reaches from the Po to Teio,
And may perhaps at last be o'er the Sea sent;
But Heaven preserve Old England from such courses!
Or what becomes of damage and divorces?

XXXVIII.
However, I still think, with all due deference
To the fair single part of the Creation,
That married ladies should preserve the preference
In tête-à-tête or general conversation--
And this I say without peculiar reference
To England, France, or any other nation--
Because they know the world, and are at ease,
And being natural, naturally please.

XXXIX.
'Tis true, your budding Miss is very charming,
But shy and awkward at first coming out,
So much alarm'd, that she is quite alarming,
All Giggle, Blush--half Pertness, and half-Pout--
And glancing at Mamma, for fear there's harm in
What you, she, it, or they, may be about;
The nursery still lisps out in all they utter--
Besides, they always smell of Bread and Butter.

XL.
But 'Cavalier Servente' is the phrase
Used in politest circles to express
This supernumary slave, who stays
Close to the lady as a part of dress--
Her word the only law which he obeys.
His is no Sinecure, as you may guess;
Coach, Servants, Gondola, he goes to call,
And carries fan and tippet, gloves and shawl.

XLI.
With all its sinful doings, I must say,
That Italy's a pleasant place to me,
Who love to see the Sun shine every day,
And vines (not nail’d to walls) from tree to tree
Festoon'd, much like the back Scene of a play,
Or Melodrame, which people flock to see
When the first act is ended by a dance
In Vineyards copied from the South of France.

XLII.
I like on Autumn evenings to ride out,
Without being forced to bid my Groom be sure
My Cloak is round his middle strapp'd about,
Because the skies are not the most secure;
I know too that, if stopp'd upon my route
Where the green alleys windingly allure,
Reeling with grapes red waggons choke the way--
In England 'twould be dung, dust, or a dray.

XLIII.
I also like to dine on Becaficas,
To see the Sun set, sure he'll rise tomorrow,
Not through a misty morning twinkling weak as
A drunken man's dead eye in maudlin sorrow,
But with all Heaven t' himself; the Day will break as
Beauteous as cloudless, nor be forced to borrow
That sort of farthing candlelight which glimmers
Where reeking London's smoky Caldron simmers.

XLIV.
I love the language, that soft bastard Latin,
Which melts like kisses from a female mouth,
And sounds as if it should be writ on satin,
With syllables which breathe of the sweet South,
And gentle liquids gliding all so pat in
That not a single accent seems uncouth--
Like our harsh Northern whistling, grunting guttural,
Which we're obliged to hiss, and spit, and sputter all.

XLV.
I like the women too (Forgive my folly!)
From the rich peasant cheek of ruddy bronze,
And large black eyes that flash on you a volley
Of rays that say a thousand things at once,
To the high Dama's brow, more melancholy,
But clear, and with a wild and liquid Glance,
Heart on her lips, and Soul within her eyes,
Soft as her clime, and Sunny as her skies.

XLVI.
Eve of the land which still is Paradise!
Italian Beauty! didst thou not inspire
Raphael, who died in thy embrace, and vies
With all we know of Heaven, or can desire
In what he hath bequeath'd us?--in what guise,
Though flashing from the fervour of the Lyre,
Would Words describe thy past and present Glow,
While yet Canova can create below?

XLVII.
'England! with all thy faults I love thee still!'
I said at Calais, and have not forgot it;
I like to speak and lucubrate my fill;
I like the Government (but that is not it);
I like the freedom of the press and quill;
I like the Hapeas Corpus (when we've got it);
I like a parliamentary debate,
Particularly when 'tis not too late;

XLVIII.
I like the taxes, when they're not too many;
I like a sea-coal fire, when not too dear;
I like a beef-steak, too, as well as any;
Have no objection to a pot of beer;
I like the weather--when it is not rainy--
That is, I like two months of every Year;
And so God save the Regent, Church, and King!
Which means that I like all and every thing.

XLIX.
Our standing Army, and disbanded Seamen,
Poor's rate, Reform, my own, the nation's debt,
Our little Riots just to show we're free men,
Our trifling Bankruptcies in the Gazette,
Our cloudy Climate, and our chilly Women;
All these I can forgive, and those forget,
And greatly venerate our recent glories,
And wish they were not owing to the Tories.

L.
But to my tale of Laura--for I find
Digression is a sin, that by degrees
Becomes exceeding tedious to my mind,
And, therefore, may the reader too displease--
The gentle reader--who may wax unkind,
And caring little for the Author’s ease,
Insist on knowing what he means, a hard
And hapless situation for a Bard.

LI.
Oh that I had the art of easy writing
What should be easy reading! could I scale
Parnassus, where the Muses sit inditing
Those pretty poems never known to fail!
How quickly would I print (the world delighting)
A Grecian, Syrian, or Assyrian tale;
And sell you, mix'd with Western sentimentalism,
Some samples of the finest Orientalism.

LII.
But I am but a nameless sort of person
(A broken Dandy lately on my travels)
And take for Rhyme, to hook my rambling Verse on,
The first that Walker's Lexicon unravels,
And when I can't find that, I put a worse on,
Not caring as I ought for Critics' cavils;
I've half a mind to tumble down to prose,
But Verse is more in fashion--so here goes!

LIII.
The Count and Laura made their new arrangement,
Which lasted, as Arrangements sometimes do,
For half a dozen years without estrangement;
They had their little differences, too;
Those jealous whiffs, which never any change meant;
In such affairs there probably are few
Who have not had this pouting sort of squabble,
From Sinners of high station to the Rabble.

LIV.
But, on the whole, they were a happy pair,
As happy as unlawful love could make them;
The Gentleman was fond, the Lady fair,
Their chains so slight 'twas not worth while to break them;
The World beheld them with indulgent air;
The Pious only wish'd 'the Devil take them!'
He took them not; he very often waits,
And leaves old Sinners to be young ones’ baits.

LV.
But they were young; Oh! what without our youth
Would Love be! What would youth be without love!
Youth lends it joy, and sweetness, vigour, truth,
Heart, soul, and all that seems as from above;
But, languishing with years, it grows uncouth--
One of few things Experience don't improve,
Which is perhaps the reason why old fellows
Are always so preposterously jealous.

LVI.
It was the Carnival, as I have said
Some six and thirty stanzas back, and so
Laura the usual preparations made,
Which you do when your mind's made up to go
To-night to Mrs. Boehm's Masquerade,
Spectator, or Partaker in the show;
The only difference known between the cases
Is here, we have six weeks of 'varnish'd faces.'

LVII.
Laura, when dress'd, was (as I sang before)
A pretty woman as was ever seen,
Fresh as the Angel o'er a new Inn door,
Or frontispiece of a new Magazine,
With all the Fashions which the last month wore,
Colour'd, and silver paper leaved between
That and the title-page, for fear the Press
Should soil with parts of speech the parts of dress.

LVIII.
They went to the Ridotto;--'tis a hall
Where people dance, and sup, and dance again--
Its proper name perhaps were a masqued Ball,
But that’s of no importance to my strain;
'Tis (on a smaller scale) like our Vauxhall,
Excepting that it can't be spoilt by Rain;
The company is 'mix'd' (the phrase I quote is
As much as saying they're below your Notice).

LIX.
For a 'mix'd company' implies that, save
Yourself and friends and half a hundred more
Whom you may bow to without looking grave,
The rest are but a vulgar set--the Bore
Of public places, where they basely brave
The fashionable stare of twenty score
Of well-bred persons call'd 'The World'--but I,
Although I know them, really don't know why.

LX.
This is the case in England, at least was
During the dynasty of Dandies, now
Perchance succeeded by some other class
Of imitated Imitators :-- how
Irreparably soon decline, alas!
The Demagogues of fashion; all below
Is frail; how easily the World is lost
By Love, or War, and now and then by Frost!

LXI.
Crush'd was Napoleon by the northern Thor,
Who knock’d his army down with icy hammer,
Stopp'd by the Elements, like a Whaler, or
A blundering Novice in his new French grammar;
Good cause had he to doubt the chance of War,
And as for Fortune--but I dare not d___n her,
Because, were I to ponder to Infinity,
The more I should believe in her Divinity.

LXII.
She rules the present, past, and all to be yet;
She gives us luck in lotteries, love, and marriage;
I cannot say that she’s done much for me yet,
Not that I mean her bounties to disparage--
We've not yet closed accounts--and we shall see yet
How much she'll make amends for past miscarriage.
Meantime the Goddess I'll no more importune,
Unless to thank her when she's made my fortune.

LXIII.
To turn--and to return, the Devil take it!
This Story slips for ever through my fingers,
Because, just as the Stanza likes to make it,
It needs must be, and so it rather lingers:
This form of verse began, I can't well break it,
But must keep time and tune like public Singers;
But if I once get through my present measure,
I'll take another when I'm at leisure.

LXIV.
They went to the Ridotto ('tis a place
To which I mean to go myself to-morrow,
Just to divert my thoughts a little space,
Because I’m rather hippish, and may borrow
Some spirits, guessing at what kind of face
May lurk beneath each mask; and as my sorrow
Slackens its pace sometimes, I'll make or find
Something shall leave it half an hour behind).

LXV.
Now Laura moves along the joyous crowd--
Smiles in her eyes, and simpers on her lips--
To some she whispers, others speaks aloud;
To some she curtsies, and to some she dips,
Complains of warmth and, this complaint avow'd,
Her lover brings the Lemonade she sips;
She then surveys, condemns, but pities still
Her dearest friends for being dress'd so ill.

LXVI.
One has false curls, another too much paint,
A third--where did She buy that frightful turban?
A fourth's so pale she fears she's going to faint,
A fifth's look's vulgar, dowdyish, and suburban,
A sixth's white silk has got a yellow taint,
A seventh's thin Muslin surely will be her bane,
And lo! an eighth appears--'I'll see no more!'
For fear, like Banquo's kings, they reach a score.

LXVII.
Meantime, while she was thus at others gazing,
Others were leveling their looks at her;
She heard the Men's half-whisper'd mode of praising,
And, till ’twas done, determined not to stir;
The women only thought it quite amazing
That, at her time of Life, so many were
Admirers still--but Men are so debased,
Those brazen creatures always suit their taste.

LXVIII.
For my part now, I ne'er could understand
Why naughty Women--but I won’t discuss
A thing which is a Scandal to the land;
I only don't see why it should be thus;
And if I were but in a gown and band--
Just to entitle me to make a fuss--
I'd preach on this till Wilberforce and Romilly
Should quote in their next speeches from my homily.

LXIX.
While Laura thus was seen, and seeing, smiling,
Talking, she knew not why, and cared not what,
So that her female friends, with envy broiling,
Beheld her airs and triumph, and all that,
And well-dress'd males still kept before her filing,
And passing bow'd and mingled with her chat;
More than the rest, one person seem'd to stare
With pertinacity that's rather rare.

LXX.
He was a Turk, the colour of mahogany;
And Laura saw him, and at first was glad,
Because the Turks so much admire Phylogyny,
Although their usage of their wives is sad;
'Tis said they use no better than a dog any
Poor woman, whom they purchase like a pad;
They have a number, though they ne'er exhibit 'em,
Four Wives by law, and Concubines 'ad libitum.'

LXXI.
They lock them up, and veil and guard them daily;
They scarcely can behold their male relations,
So that their moments do not pass so gaily
As is supposed the case with Northern nations;
Confinement, too, must make them look quite palely;
And as the Turks abhor long conversations,
Their days are either pass'd in doing nothing,
Or bathing, nursing, making love, and clothing.

LXXII.
They cannot read--and so don't lisp in Criticism;
Nor write--and so they don't affect the Muse;
Were never caught in epigram or witticism,
Have no romances, sermons, plays, reviews--
In harams Learning soon would make a pretty schism!
But luckily these beauties are no 'Blues;'
No bustling Botherbys have they to show 'em
'That charming passage in the last new poem!'

LXXIII.
No solemn Antique gentleman of rhyme,
Who, having angled all his life for Fame
And getting but a nibble at a time,
Still fussily keeps fishing on, the same
Small 'Triton of the Minnows,' the sublime
Of mediocrity, the furious tame,
The echo’s Echo, usher of the School
Of female Wits, boy bards--in short, a fool!

LXXIV.
A stalking Oracle of awful phrase,
The approving 'Good!' (By no means GOOD in law)
Humming like flies around the newest blaze,
The bluest of Bluebottles you e'er saw,
Teasing with blame, excruciating with praise,
Gorging the little fame he gets all raw,
Translating tongues he knows not even by letter,
And sweating plays so middling, bad were better.

LXXV.
One hates an Author that's all Author, fellows
In foolscap uniforms turn'd up with ink,
So very anxious, clever, fine, and jealous,
One don't know what to say to them, or think,
Unless to puff them with a pair of Bellows;
Of Coxcombry's worst Coxcombs e'en the pink
Are preferable to these shreds of paper,
These unquench'd snufflings of the midnight taper.

LXXVI.
Of these same we see several, and of others,
Men of the World, who know the world like men,
Scott, Rogers, Moore, and all the better brothers
Who think of something else besides the pen;
But for the Children of the 'Mighty Mother's'--
The would-be Wits, and can’t-be Gentlemen--
I leave them to their daily 'Tea is ready,'
Smug Coterie, and Literary Lady.

LXXVII.
The poor dear Mussulwomen whom I mention
Have none of these instructive, pleasant people,
And One would seem to them a new Invention,
Unknown as bells within a Turkish steeple;
I think 'twould almost be worth while to pension
(Though best-sown projects very often reap ill)
A Missionary Author, just to preach
Our Christian usage of the parts of Speech.

LXXVIII.
No Chemistry for them unfolds her gases,
No Metaphysics are let loose in lectures,
No Circulating Library amasses
Religious novels, moral tales, and strictures
Upon the living manners, as they pass us;
No Exhibition glares with annual pictures;
They stare not on the Stars from out their Attics,
Nor deal (thank God for that!) in Mathematics.

LXXIX.
Why I thank God for that is no great matter;
I have my reasons, you no doubt suppose,
And as perhaps they would not highly flatter,
I'll keep them for my life (to come) in prose;
I fear I have a little turn for Satire,
And yet, methinks, the older that one grows
Inclines us more to laugh than scold, though Laughter
Leaves us no doubly serious shortly after.

LXXX.
Oh, mirth and innocence! Oh, milk and water!
Ye happy mixtures of more happy days!
In these sad centuries of sin and slaughter,
Abominable Man no more allays
His thirst with such pure beverage. No matter,
I love you both, and both shall have my praise;
Oh, for old Saturn's reign of sugar-candy!
Meantime I drink to your return in Brandy.

LXXXI.
Our Laura's Turk still kept his eyes upon her,
Less in the Mussulman than Christian way,
Which seems to say, 'Madam, I do you honour,
And while I please to stare, you'll please to stay!'
Could staring win a woman, this had won her,
But Laura could not thus be led astray;
She had stood fire too long and well, is boggle
Even at this Stranger's most outlandish Ogle.

LXXXII.
The Morning now was on the point of breaking,
A turn of time at which I would advise
Ladies who have been dancing, or partaking
In any other kind of Exercise,
To make their preparations for forsaking
The Ball-room ere the Sun begins to rise,
Because when once the lamps and candles fail,
His Blushes make them look a little pale.

LXXXIII.
I've seen some balls and revels in my time,
And stay'd them over for some silly reason;
And then I look'd (I hope it was no crime)
To see what lady best stood out the Season;
And though I've seen some thousands in their prime,
Lovely and pleasing, and who still may please on,
I never saw but One (the stars withdrawn)
Whose bloom could, after dancing, dare the dawn.

LXXXIV.
The name of this Aurora I'll not mention,
Although I might, for She was nought to me
More than that patent work of God's invention,
A charming woman, whom we like to see;
But writing names would merit reprehension,
Yet if you like to find out this fair She,
At the next London or Parisian ball
You still may mark her cheek, out-blooming all.

LXXXV.
Laura, who knew it would not do at all
To meet the daylight after seven hours' sitting
Among three thousand people at a ball,
To make her curtsy thought it right and fitting;
The Count was at her elbow with her shawl,
And they the room were on the point of quitting,
When lo! those cursed gondoliers had got
Just in the very place where they should not.

LXXXVI.
In this they're like our Coachmen, and the cause
Is much the same--the Crowd, and pulling, hauling--
With blasphemies enough to break their jaws--
They make a never-intermitted bawling.
At home, our Bow Street Gem'men keep the laws,
And here a Sentry stands within your calling;
But for all that, there is a deal of swearing,
And nauseous words past mentioning or bearing.

LXXXVII.
The Count and Laura found their boat at last,
And homeward floated o'er the silent tied,
Discussing all the dances gone and past;
The Dancers and their dresses, too, beside.
Some little Scandals eke; but all aghast
(As to their palace-stairs the rowers glide)
Sate Laura by the side of her Adorer,
When lo! the Mussulman was there before her!

LXXXVIII.
'Sir!' said the Count, with brow exceeding grave,
'Your unexpected presence here will make
It necessary for myself to crave
Its import--but perhaps 'tis a mistake.
I hope it is so, and at once to waive
All compliment--I hope so for your sake;
You understand my meaning, or you shall.'
'Sir' (quoth the Turk), ''tis no mistake at all:

LXXXIX.
'That Lady is my Wife!' Much wonder paints
The Lady's changing cheek, as well it might,
But where an Englishwoman sometimes faints,
Italian females don't do so outright;
They only call a little on their Saints,
And then come to themselves, almost or quite,
Which saves much hartshorn, salts, and sprinkling faces,
And cutting stays, as usual in such cases.

XC.
She said—what could she say? why, not a word:
But the Count courteously invited in
The Stranger, much appeased by what he heard;
'Such things perhaps we'd best discuss within,'
Said he, 'don't let us make ourselves absurd
In public, by a Scene, nor raise a din,
For then the chief and only satisfaction
Will be much quizzing on the whole transaction.'

XCI.
They enter'd, and for coffee call'd; it came,
A beverage for Turks and Christians both,
Although the way they make it's not the same.
Now Laura, much recover'd, or less loth
To speak, cries 'Beppo! what's your Pagan name?
Bless me! your beard is of amazing growth!
And how came you to keep away so long?
Are you not sensible 'twas very wrong?

XCII.
'And are you really, truly, now a Turk?
With any other women did you wive?
Is't true they use their fingers for a fork?
Well, that's the prettiest Shawl--as I'm alive!
You'll give it me? They say you eat no pork.
And how so many years did you contrive
To--Bless me! did I ever? No, I never
Saw a man grown so yellow! How’s your liver?

XCIII.
'Beppo! that beard of yours becomes you not;
It shall be shaved before you're a day older;
Why do you wear it? Oh! I had forgot--
Pray don't you think the weather here is colder?
How do I look? You shan't stir from this spot
In that queer dress, for fear that some beholder
Should find you out, and make the story known.
How short your hair is! Lord! how grey it’s grown!'

XCIV.
What answer Beppo made to these demands
Is more than I know. He was cast away
About where Troy stood once, and Nothing stands;
Became a Slave of course, and for his pay
Had bread and bastinadoes, till some bands
Of pirates landing in a neighbouring bay,
He join'd the rogues and prosper’d, and became
A Renegado of indifferent fame.

XCV.
But he grew rich, and with his riches grew so
Keen the desire to see his home again,
He thought himself in duty bound to do so,
And not be always thieving on the Main;
Lonely he felt at times as Robin Crusoe,
And so he hired a vessel come from Spain,
Bound for Corfu: she was a fine polacca,
Mann'd with twelve hands, and laden with tobacco.

XCVI.
Himself, and much (Heaven knows how gotten!) Cash,
He then embark'd, with risk of life and limb,
And got clear off, although the attempt was rash.
He said that Providence protected him;
For my part, I say nothing--lest we clash
In our opinions--well, the Ship was trim,
Set sail, and kept her reckoning fairly on,
Except three days of calm when off Cape Bonn.

XCVII.
They reach'd the Island, he transferr'd his lading
And self and live stock to another bottom,
And pass'd for a true Turkey-Merchant, trading
With goods of various names--but I've forgot 'em.
However, he got off by this evading,
Or else the people would perhaps have shot him;
And thus at Venice landed to reclaim
His wife, religion, house, and Christian name.

XCVIII.
His Wife received, the Patriarch re-baptised him
(He made the Church a present, by the way);
He then threw off the Garments which disguised him
And borrow'd the Count's small clothes for a day:
His friends the more for his long absence prized him,
Finding he'd wherewithal to make them gay,
With dinners--where he oft became the laugh of them;
For stories--but I don’t believe the half of them.

XCIX.
Whate'er his Youth had suffer'd, his old Age
With wealth and talking made him some amends;
Though Laura sometimes put him in a rage,
I've heard the Count and He were always friends.
My pen is at the bottom of a page,
Which being finish'd, here the story ends;
'Tis to be wish'd it had been sooner done,
But Stories somehow lengthen when begun.

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Canto the Fifteenth

I
Ah! -- What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An "Oh!" or "Ah!" of joy or misery,
Or a "Ha! ha!" or "Bah!" -- a yawn, or "Pooh!"
Of which perhaps the latter is most true.

II
But, more or less, the whole's a syncopé
Or a singultus -- emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean, --
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

III
But all are better than the sigh supprest,
Corroding in the cavern of the heart,
Making the countenance a masque of rest,
And turning human nature to an art.
Few men dare show their thoughts of worst or best;
Dissimulation always sets apart
A corner for herself; and therefore fiction
Is that which passes with least contradiction.

IV
Ah! who can tell? Or rather, who can not
Remember, without telling, passion's errors?
The drainer of oblivion, even the sot,
Hath got blue devils for his morning mirrors:
What though on Lethe's stream he seem to float,
He cannot sink his tremors or his terrors;
The ruby glass that shakes within his hand
Leaves a sad sediment of Time's worst sand.

V
And as for love -- O love! -- We will proceed.
The Lady Adeline Amundeville,
A pretty name as one would wish to read,
Must perch harmonious on my tuneful quill.
There's music in the sighing of a reed;
There's music in the gushing of a rill;
There's music in all things, if men had ears:
Their earth is but an echo of the spheres.

VI
The Lady Adeline, right honourable;
And honour'd, ran a risk of growing less so;
For few of the soft sex are very stable
In their resolves -- alas! that I should say so!
They differ as wine differs from its label,
When once decanted; -- I presume to guess so,
But will not swear: yet both upon occasion,
Till old, may undergo adulteration.

VII
But Adeline was of the purest vintage,
The unmingled essence of the grape; and yet
Bright as a new napoleon from its mintage,
Or glorious as a diamond richly set;
A page where Time should hesitate to print age,
And for which Nature might forego her debt --
Sole creditor whose process doth involve in 't
The luck of finding every body solvent.

VIII
O Death! thou dunnest of all duns! thou daily
Knockest at doors, at first with modest tap,
Like a meek tradesman when, approaching palely,
Some splendid debtor he would take by sap:
But oft denied, as patience 'gins to fail, he
Advances with exasperated rap,
And (if let in) insists, in terms unhandsome,
On ready money, or "a draft on Ransom."

IX
Whate'er thou takest, spare a while poor Beauty!
She is so rare, and thou hast so much prey.
What though she now and then may slip from duty,
The more's the reason why you ought to stay.
Gaunt Gourmand! with whole nations for your booty,
You should be civil in a modest way:
Suppress, then, some slight feminine diseases,
And take as many heroes as Heaven pleases.

X
Fair Adeline, the more ingenuous
Where she was interested (as was said),
Because she was not apt, like some of us,
To like too readily, or too high bred
To show it (points we need not now discuss) --
Would give up artlessly both heart and head
Unto such feelings as seem'd innocent,
For objects worthy of the sentiment.

XI
Some parts of Juan's history, which Rumour,
That live gazette, had scatter'd to disfigure,
She had heard; but women hear with more good humour
Such aberrations than we men of rigour:
Besides, his conduct, since in England, grew more
Strict, and his mind assumed a manlier vigour;
Because he had, like Alcibiades,
The art of living in all climes with ease.

XII
His manner was perhaps the more seductive,
Because he ne'er seem'd anxious to seduce;
Nothing affected, studied, or constructive
Of coxcombry or conquest: no abuse
Of his attractions marr'd the fair perspective,
To indicate a Cupidon broke loose,
And seem to say, "Resist us if you can" --
Which makes a dandy while it spoils a man.

XIII
They are wrong -- that's not the way to set about it;
As, if they told the truth, could well be shown.
But, right or wrong, Don Juan was without it;
In fact, his manner was his own alone;
Sincere he was -- at least you could not doubt it,
In listening merely to his voice's tone.
The devil hath not in all his quiver's choice
An arrow for the heart like a sweet voice.

XIV
By nature soft, his whole address held off
Suspicion: though not timid, his regard
Was such as rather seem'd to keep aloof,
To shield himself than put you on your guard:
Perhaps 't was hardly quite assured enough,
But modesty's at times its own reward,
Like virtue; and the absence of pretension
Will go much farther than there's need to mention.

XV
Serene, accomplish'd, cheerful but not loud;
Insinuating without insinuation;
Observant of the foibles of the crowd,
Yet ne'er betraying this in conversation;
Proud with the proud, yet courteously proud,
So as to make them feel he knew his station
And theirs: -- without a struggle for priority,
He neither brook'd nor claim'd superiority.

XVI
That is, with men: with women he was what
They pleased to make or take him for; and their
Imagination's quite enough for that:
So that the outline's tolerably fair,
They fill the canvas up -- and "verbum sat."
If once their phantasies be brought to bear
Upon an object, whether sad or playful,
They can transfigure brighter than a Raphael.

XVII
Adeline, no deep judge of character,
Was apt to add a colouring from her own:
'T is thus the good will amiably err,
And eke the wise, as has been often shown.
Experience is the chief philosopher,
But saddest when his science is well known:
And persecuted sages teach the schools
Their folly in forgetting there are fools.

XVIII
Was it not so, great Locke? and greater Bacon?
Great Socrates? And thou, Diviner still,
Whose lot it is by man to be mistaken,
And thy pure creed made sanction of all ill?
Redeeming worlds to be by bigots shaken,
How was thy toil rewarded? We might fill
Volumes with similar sad illustrations,
But leave them to the conscience of the nations.

XIX
I perch upon an humbler promontory,
Amidst life's infinite variety:
With no great care for what is nicknamed glory,
But speculating as I cast mine eye
On what may suit or may not suit my story,
And never straining hard to versify,
I rattle on exactly as I'd talk
With any body in a ride or walk.

XX
I don't know that there may be much ability
Shown in this sort of desultory rhyme;
But there's a conversational facility,
Which may round off an hour upon a time.
Of this I'm sure at least, there's no servility
In mine irregularity of chime,
Which rings what's uppermost of new or hoary,
Just as I feel the Improvvisatore.

XXI
"Omnia vult belle Matho dicere -- dic aliquando
Et bene, dic neutrum, dic aliquando male."
The first is rather more than mortal can do;
The second may be sadly done or gaily;
The third is still more difficult to stand to;
The fourth we hear, and see, and say too, daily.
The whole together is what I could wish
To serve in this conundrum of a dish.

XXII
A modest hope -- but modesty's my forte,
And pride my feeble: -- let us ramble on.
I meant to make this poem very short,
But now I can't tell where it may not run.
No doubt, if I had wished to pay my court
To critics, or to hail the setting sun
Of tyranny of all kinds, my concision
Were more; -- but I was born for opposition.

XXIII
But then 't is mostly on the weaker side;
So that I verily believe if they
Who now are basking in their full-blown pride
Were shaken down, and "dogs had had their day,"
Though at the first I might perchance deride
Their tumble, I should turn the other way,
And wax an ultra-royalist in loyalty,
Because I hate even democratic royalty.

XXIV
I think I should have made a decent spouse,
If I had never proved the soft condition;
I think I should have made monastic vows,
But for my own peculiar superstition:
'Gainst rhyme I never should have knock'd my brows,
Nor broken my own head, nor that of Priscian,
Nor worn the motley mantle of a poet,
If some one had not told me to forego it.

XXV
But laissez aller -- knights and dames I sing,
Such as the times may furnish. 'T is a flight
Which seems at first to need no lofty wing,
Plumed by Longinus or the Stagyrite:
The difficultly lies in colouring
(Keeping the due proportions still in sight)
With nature manners which are artificial,
And rend'ring general that which is especial.

XXVI
The difference is, that in the days of old
Men made the manners; manners now make men --
Pinn'd like a flock, and fleeced too in their fold,
At least nine, and a ninth beside of ten.
Now this at all events must render cold
Your writers, who must either draw again
Days better drawn before, or else assume
The present, with their common-place costume.

XXVII
We'll do our best to make the best on 't: -- March!
March, my Muse! If you cannot fly, yet flutter;
And when you may not be sublime, be arch,
Or starch, as are the edicts statesmen utter.
We surely may find something worth research:
Columbus found a new world in a cutter,
Or brigantine, or pink, of no great tonnage,
While yet America was in her non-age.

XXVIII
When Adeline, in all her growing sense
Of Juan's merits and his situation,
Felt on the whole an interest intense, --
Partly perhaps because a fresh sensation,
Or that he had an air of innocence,
Which is for innocence a sad temptation, --
As women hate half measures, on the whole,
She 'gan to ponder how to save his soul.

XXIX
She had a good opinion of advice,
Like all who give and eke receive it gratis,
For which small thanks are still the market price,
Even where the article at highest rate is:
She thought upon the subject twice or thrice,
And morally decided, the best state is
For morals, marriage; and this question carried,
She seriously advised him to get married.

XXX
Juan replied, with all becoming deference,
He had a predilection for that tie;
But that, at present, with immediate reference
To his own circumstances, there might lie
Some difficulties, as in his own preference,
Or that of her to whom he might apply:
That still he'd wed with such or such a lady,
If that they were not married all already.

XXXI
Next to the making matches for herself,
And daughters, brothers, sisters, kith or kin,
Arranging them like books on the same shelf,
There's nothing women love to dabble in
More (like a stock-holder in growing pelf)
Than match-making in general: 't is no sin
Certes, but a preventative, and therefore
That is, no doubt, the only reason wherefore.

XXXII
But never yet (except of course a miss
Unwed, or mistress never to be wed,
Or wed already, who object to this)
Was there chaste dame who had not in her head
Some drama of the marriage unities,
Observed as strictly both at board and bed
As those of Aristotle, though sometimes
They turn out melodrames or pantomimes.

XXXIII
They generally have some only son,
Some heir to a large property, some friend
Of an old family, some gay Sir John,
Or grave Lord George, with whom perhaps might end
A line, and leave posterity undone,
Unless a marriage was applied to mend
The prospect and their morals: and besides,
They have at hand a blooming glut of brides.

XXXIV
From these they will be careful to select,
For this an heiress, and for that a beauty;
For one a songstress who hath no defect,
For t' other one who promises much duty;
For this a lady no one can reject,
Whose sole accomplishments were quite a booty;
A second for her excellent connections;
A third, because there can be no objections.

XXXV
When Rapp the Harmonist embargo'd marriage
In his harmonious settlement (which flourishes
Strangely enough as yet without miscarriage,
Because it breeds no more mouths than it nourishes,
Without those sad expenses which disparage
What Nature naturally most encourages) --
Why call'd he "Harmony" a state sans wedlock?
Now here I've got the preacher at a dead lock,

XXXVI
Because he either meant to sneer at harmony
Or marriage, by divorcing them thus oddly.
But whether reverend Rapp learn'd this in Germany
Or no, 't is said his sect is rich and godly,
Pious and pure, beyond what I can term any
Of ours, although they propagate more broadly.
My objection's to his title, not his ritual,
Although I wonder how it grew habitual.

XXXVII
But Rapp is the reverse of zealous matrons,
Who favour, malgré Malthus, generation --
Professors of that genial art, and patrons
Of all the modest part of propagation;
Which after all at such a desperate rate runs,
That half its produce tends to emigration,
That sad result of passions and potatoes --
Two weeds which pose our economic Catos.

XXXVIII
Had Adeline read Malthus? I can't tell;
I wish she had: his book's the eleventh commandment,
Which says, "Thou shalt not marry," unless well:
This he (as far as I can understand) meant.
'T is not my purpose on his views to dwell
Nor canvass what so "eminent a hand" meant;
But certes it conducts to lives ascetic,
Or turning marriage into arithmetic.

XXXIX
But Adeline, who probably presumed
That Juan had enough of maintenance,
Or separate maintenance, in case 't was doom'd --
As on the whole it is an even chance
That bridegrooms, after they are fairly groom'd,
May retrograde a little in the dance
Of marriage (which might form a painter's fame,
Like Holbein's "Dance of Death" -- but 't is the same); --

XL
But Adeline determined Juan's wedding
In her own mind, and that's enough for woman:
But then, with whom? There was the sage Miss Reading,
Miss Raw, Miss Flaw, Miss Showman, and Miss Knowman.
And the two fair co-heiresses Giltbedding.
She deem'd his merits something more than common:
All these were unobjectionable matches,
And might go on, if well wound up, like watches.

XLI
There was Miss Millpond, smooth as summer's sea,
That usual paragon, an only daughter,
Who seem'd the cream of equanimity
Till skimm'd -- and then there was some milk and water,
With a slight shade of blue too, it might be,
Beneath the surface; but what did it matter?
Love's riotous, but marriage should have quiet,
And being consumptive, live on a milk diet.

XLII
And then there was the Miss Audacia Shoestring,
A dashing demoiselle of good estate,
Whose heart was fix'd upon a star or blue string;
But whether English dukes grew rare of late,
Or that she had not harp'd upon the true string,
By which such sirens can attract our great,
She took up with some foreign younger brother,
A Russ or Turk -- the one's as good as t' other.

XLIII
And then there was -- but why should I go on,
Unless the ladies should go off? -- there was
Indeed a certain fair and fairy one,
Of the best class, and better than her class, --
Aurora Raby, a young star who shone
O'er life, too sweet an image for such glass,
A lovely being, scarcely form'd or moulded,
A rose with all its sweetest leaves yet folded;

XLIV
Rich, noble, but an orphan; left an only
Child to the care of guardians good and kind;
But still her aspect had an air so lonely!
Blood is not water; and where shall we find
Feelings of youth like those which overthrown lie
By death, when we are left, alas! behind,
To feel, in friendless palaces, a home
Is wanting, and our best ties in the tomb?

XLV
Early in years, and yet more infantine
In figure, she had something of sublime
In eyes which sadly shone, as seraphs' shine.
All youth -- but with an aspect beyond time;
Radiant and grave -- as pitying man's decline;
Mournful -- but mournful of another's crime,
She look'd as if she sat by Eden's door.
And grieved for those who could return no more.

XLVI
She was a Catholic, too, sincere, austere,
As far as her own gentle heart allow'd,
And deem'd that fallen worship far more dear
Perhaps because 't was fallen: her sires were proud
Of deeds and days when they had fill'd the ear
Of nations, and had never bent or bow'd
To novel power; and as she was the last,
She held their old faith and old feelings fast.

XLVII
She gazed upon a world she scarcely knew,
As seeking not to know it; silent, lone,
As grows a flower, thus quietly she grew,
And kept her heart serene within its zone.
There was awe in the homage which she drew;
Her spirit seem'd as seated on a throne
Apart from the surrounding world, and strong
In its own strength -- most strange in one so young!

XLVIII
Now it so happen'd, in the catalogue
Of Adeline, Aurora was omitted,
Although her birth and wealth had given her vogue
Beyond the charmers we have already cited;
Her beauty also seem'd to form no clog
Against her being mention'd as well fitted,
By many virtues, to be worth the trouble
Of single gentlemen who would be double.

XLIX
And this omission, like that of the bust
Of Brutus at the pageant of Tiberius,
Made Juan wonder, as no doubt he must.
This he express'd half smiling and half serious;
When Adeline replied with some disgust,
And with an air, to say the least, imperious,
She marvell'd "what he saw in such a baby
As that prim, silent, cold Aurora Raby?"

L
Juan rejoin'd -- "She was a Catholic,
And therefore fittest, as of his persuasion;
Since he was sure his mother would fall sick,
And the Pope thunder excommunication,
If-" But here Adeline, who seem'd to pique
Herself extremely on the inoculation
Of others with her own opinions, stated --
As usual -- the same reason which she late did.

LI
And wherefore not? A reasonable reason,
If good, is none the worse for repetition;
If bad, the best way's certainly to tease on,
And amplify: you lose much by concision,
Whereas insisting in or out of season
Convinces all men, even a politician;
Or -- what is just the same -- it wearies out.
So the end's gain'd, what signifies the route?

LII
Why Adeline had this slight prejudice --
For prejudice it was -- against a creature
As pure as sanctity itself from vice,
With all the added charm of form and feature,
For me appears a question far too nice,
Since Adeline was liberal by nature;
But nature's nature, and has more caprices
Than I have time, or will, to take to pieces.

LIII
Perhaps she did not like the quiet way
With which Aurora on those baubles look'd,
Which charm most people in their earlier day:
For there are few things by mankind less brook'd,
And womankind too, if we so may say,
Than finding thus their genius stand rebuked,
Like "Anthony's by Cæsar," by the few
Who look upon them as they ought to do.

LIV
It was not envy -- Adeline had none;
Her place was far beyond it, and her mind.
It was not scorn -- which could not light on one
Whose greatest fault was leaving few to find.
It was not jealousy, I think: but shun
Following the ignes fatui of mankind.
It was not -- but 't is easier far, alas!
To say what it was not than what it was.

LV
Little Aurora deem'd she was the theme
Of such discussion. She was there a guest;
A beauteous ripple of the brilliant stream
Of rank and youth, though purer than the rest,
Which flow'd on for a moment in the beam
Time sheds a moment o'er each sparkling crest.
Had she known this, she would have calmly smiled --
She had so much, or little, of the child.

LVI
The dashing and proud air of Adeline
Imposed not upon her: she saw her blaze
Much as she would have seen a glow-worm shine,
Then turn'd unto the stars for loftier rays.
Juan was something she could not divine,
Being no sibyl in the new world's ways;
Yet she was nothing dazzled by the meteor,
Because she did not pin her faith on feature.

LVII
His fame too, -- for he had that kind of fame
Which sometimes plays the deuce with womankind,
A heterogeneous mass of glorious blame,
Half virtues and whole vices being combined;
Faults which attract because they are not tame;
Follies trick'd out so brightly that they blind: --
These seals upon her wax made no impression,
Such was her coldness or her self-possession.

LVIII
Juan knew nought of such a character --
High, yet resembling not his lost Haidée;
Yet each was radiant in her proper sphere:
The island girl, bred up by the lone sea,
More warm, as lovely, and not less sincere,
Was Nature's all: Aurora could not be,
Nor would be thus: -- the difference in them
Was such as lies between a flower and gem.

LIX
Having wound up with this sublime comparison,
Methinks we may proceed upon our narrative,
And, as my friend Scott says, "I sound my warison;"
Scott, the superlative of my comparative --
Scott, who can paint your Christian knight or Saracen,
Serf, lord, man, with such skill as none would share it, if
There had not been one Shakspeare and Voltaire,
Of one or both of whom he seems the heir.

LX
I say, in my slight way I may proceed
To play upon the surface of humanity.
I write the world, nor care if the world read,
At least for this I cannot spare its vanity.
My Muse hath bred, and still perhaps may breed
More foes by this same scroll: when I began it, I
Thought that it might turn out so -- now I know it,
But still I am, or was, a pretty poet.

LXI
The conference or congress (for it ended
As congresses of late do) of the Lady
Adeline and Don Juan rather blended
Some acids with the sweets -- for she was heady;
But, ere the matter could be marr'd or mended,
The silvery bell rang, not for "dinner ready,"
But for that hour, call'd half-hour, given to dress,
Though ladies' robes seem scant enough for less.

LXII
Great things were now to be achieved at table,
With massy plate for armour, knives and forks
For weapons; but what Muse since Homer's able
(His feasts are not the worst part of his works)
To draw up in array a single day-bill
Of modern dinners? where more mystery lurks,
In soups or sauces, or a sole ragoût,
Than witches, b---ches, or physicians, brew.

LXIII
There was a goodly "soupe à la bonne femme,"
Though God knows whence it came from; there was, too,
A turbot for relief of those who cram,
Relieved with "dindon à la Périgeux;"
There also was -- the sinner that I am!
How shall I get this gourmand stanza through? --
"Soupe à la Beauveau," whose relief was dory,
Relieved itself by pork, for greater glory.

LXIV
But I must crowd all into one grand mess
Or mass; for should I stretch into detail,
My Muse would run much more into excess,
Than when some squeamish people deem her frail.
But though a bonne vivante, I must confess
Her stomach's not her peccant part; this tale
However doth require some slight refection,
Just to relieve her spirits from dejection.

LXV
Fowls "à la Condé," slices eke of salmon,
With "sauces Génevoises," and haunch of venison;
Wines too, which might again have slain young Ammon --
A man like whom I hope we shan't see many soon;
They also set a glazed Westphalian ham on,
Whereon Apicius would bestow his benison;
And then there was champagne with foaming whirls,
As white as Cleopatra's melted pearls.

LXVI
Then there was God knows what "à l'Allemande,"
"À l'Espagnole," "timballe," and "salpicon" --
With things I can't withstand or understand,
Though swallow'd with much zest upon the whole;
And "entremets" to piddle with at hand,
Gently to lull down the subsiding soul;
While great Lucullus' Robe triumphal muffles
(There's fame) -- young partridge fillets, deck'd with truffles.

LXVII
What are the fillets on the victor's brow
To these? They are rags or dust. Where is the arch
Which nodded to the nation's spoils below?
Where the triumphal chariots' haughty march?
Gone to where victories must like dinners go.
Farther I shall not follow the research:
But oh! ye modern heroes with your cartridges,
When will your names lend lustre e'en to partridges?

LXVIII
Those truffles too are no bad accessaries,
Follow'd by "petits puits d'amour" -- a dish
Of which perhaps the cookery rather varies,
So every one may dress it to his wish,
According to the best of dictionaries,
Which encyclopedize both flesh and fish;
But even sans confitures, it no less true is,
There's pretty picking in those petits puits.

LXIX
The mind is lost in mighty contemplation
Of intellect expanded on two courses;
And indigestion's grand multiplication
Requires arithmetic beyond my forces.
Who would suppose, from Adam's simple ration,
That cookery could have call'd forth such resources,
As form a science and a nomenclature
From out the commonest demands of nature?

LXX
The glasses jingled, and the palates tingled;
The diners of celebrity dined well;
The ladies with more moderation mingled
In the feast, pecking less than I can tell;
Also the younger men too: for a springald
Can't, like ripe age, in gourmandise excel,
But thinks less of good eating than the whisper
(When seated next him) of some pretty lisper.

LXXI
Alas! I must leave undescribed the gibier,
The salmi, the consommé, the purée,
All which I use to make my rhymes run glibber
Than could roast beef in our rough John Bull way:
I must not introduce even a spare rib here,
"Bubble and squeak" would spoil my liquid lay:
But I have dined, and must forego, Alas!
The chaste description even of a "bécasse;"

LXXII
And fruits, and ice, and all that art refines
From nature for the service of the goût --
Taste or the gout, -- pronounce it as inclines
Your stomach! Ere you dine, the French will do;
But after, there are sometimes certain signs
Which prove plain English truer of the two.
Hast ever had the gout? I have not had it --
But I may have, and you too, reader, dread it.

LXXIII
The simple olives, best allies of wine,
Must I pass over in my bill of fare?
I must, although a favourite plat of mine
In Spain, and Lucca, Athens, every where:
On them and bread 't was oft my luck to dine,
The grass my table-cloth, in open-air,
On Sunium or Hymettus, like Diogenes,
Of whom half my philosophy the progeny is.

LXXIV
Amidst this tumult of fish, flesh, and fowl,
And vegetables, all in masquerade,
The guests were placed according to their roll,
But various as the various meats display'd:
Don Juan sat next "à l'Espagnole" --
No damsel, but a dish, as hath been said;
But so far like a lady, that 't was drest
Superbly, and contain'd a world of zest.

LXXV
By some odd chance too, he was placed between
Aurora and the Lady Adeline --
A situation difficult, I ween,
For man therein, with eyes and heart, to dine.
Also the conference which we have seen
Was not such as to encourage him to shine;
For Adeline, addressing few words to him,
With two transcendent eyes seem'd to look through him.

LXXVI
I sometimes almost think that eyes have ears:
This much is sure, that, out of earshot, things
Are somehow echoed to the pretty dears,
Of which I can't tell whence their knowledge springs.
Like that same mystic music of the spheres,
Which no one bears, so loudly though it rings,
'T is wonderful how oft the sex have heard
Long dialogues -- which pass'd without a word!

LXXVII
Aurora sat with that indifference
Which piques a preux chevalier -- as it ought:
Of all offences that's the worst offence,
Which seems to hint you are not worth a thought.
Now Juan, though no coxcomb in pretence,
Was not exactly pleased to be so caught;
Like a good ship entangled among ice,
And after so much excellent advice.

LXXVIII
To his gay nothings, nothing was replied,
Or something which was nothing, as urbanity
Required. Aurora scarcely look'd aside,
Nor even smiled enough for any vanity.
The devil was in the girl! Could it be pride?
Or modesty, or absence, or inanity?
Heaven knows? But Adeline's malicious eyes
Sparkled with her successful prophecies,

LXXIX
And look'd as much as if to say, "I said it;"
A kind of triumph I'll not recommend,
Because it sometimes, as I have seen or read it,
Both in the case of lover and of friend,
Will pique a gentleman, for his own credit,
To bring what was a jest to a serious end:
For all men prophesy what is or was,
And hate those who won't let them come to pass.

LXXX
Juan was drawn thus into some attentions,
Slight but select, and just enough to express,
To females of perspicuous comprehensions,
That he would rather make them more than less.
Aurora at the last (so history mentions,
Though probably much less a fact than guess)
So far relax'd her thoughts from their sweet prison,
As once or twice to smile, if not to listen.

LXXXI
From answering she began to question; this
With her was rare: and Adeline, who as yet
Thought her predictions went not much amiss,
Began to dread she'd thaw to a coquette --
So very difficult, they say, it is
To keep extremes from meeting, when once set
In motion; but she here too much refined --
Aurora's spirit was not of that kind.

LXXXII
But Juan had a sort of winning way,
A proud humility, if such there be,
Which show'd such deference to what females say,
As if each charming word were a decree.
His tact, too, temper'd him from grave to gay,
And taught him when to be reserved or free:
He had the art of drawing people out,
Without their seeing what he was about.

LXXXIII
Aurora, who in her indifference
Confounded him in common with the crowd
Of flatterers, though she deem'd he had more sense
Than whispering foplings, or than witlings loud --
Commenced (from such slight things will great commence)
To feel that flattery which attracts the proud
Rather by deference than compliment,
And wins even by a delicate dissent.

LXXXIV
And then he had good looks; -- that point was carried
Nem. con. amongst the women, which I grieve
To say leads oft to crim. con. with the married --
A case which to the juries we may leave,
Since with digressions we too long have tarried.
Now though we know of old that looks deceive,
And always have done, somehow these good looks
Make more impression than the best of books.

LXXXV
Aurora, who look'd more on books than faces,
Was very young, although so very sage,
Admiring more Minerva than the Graces,
Especially upon a printed page.
But Virtue's self, with all her tightest laces,
Has not the natural stays of strict old age;
And Socrates, that model of all duty,
Own'd to a penchant, though discreet, for beauty.

LXXXVI
And girls of sixteen are thus far Socratic,
But innocently so, as Socrates;
And really, if the sage sublime and Attic
At seventy years had phantasies like these,
Which Plato in his dialogues dramatic
Has shown, I know not why they should displease
In virgins -- always in a modest way,
Observe; for that with me's a "sine quâ."

LXXXVII
Also observe, that, like the great Lord Coke
(See Littleton), whene'er I have express'd
Opinions two, which at first sight may look
Twin opposites, the second is the best.
Perhaps I have a third, too, in a nook,
Or none at all -- which seems a sorry jest:
But if a writer should be quite consistent,
How could he possibly show things existent?

LXXXVIII
If people contradict themselves, can I
Help contradicting them, and every body,
Even my veracious self? -- But that's a lie:
I never did so, never will -- how should I?
He who doubts all things nothing can deny:
Truth's fountains may be clear -- her streams are muddy,
And cut through such canals of contradiction,
That she must often navigate o'er fiction.

LXXXIX
Apologue, fable, poesy, and parable,
Are false, but may be render'd also true,
By those who sow them in a land that's arable.
'T is wonderful what fable will not do!
'T is said it makes reality more bearable:
But what's reality? Who has its clue?
Philosophy? No: she too much rejects.
Religion? Yes; but which of all her sects?

XC
Some millions must be wrong, that's pretty clear;
Perhaps it may turn out that all were right.
God help us! Since we have need on our career
To keep our holy beacons always bright,
'T is time that some new prophet should appear,
Or old indulge man with a second sight.
Opinions wear out in some thousand years,
Without a small refreshment from the spheres.

XCI
But here again, why will I thus entangle
Myself with metaphysics? None can hate
So much as I do any kind of wrangle;
And yet, such is my folly, or my fate,
I always knock my head against some angle
About the present, past, or future state.
Yet I wish well to Trojan and to Tyrian,
For I was bred a moderate Presbyterian.

XCII
But though I am a temperate theologian,
And also meek as a metaphysician,
Impartial between Tyrian and Trojan,
As Eldon on a lunatic commission --
In politics my duty is to show John
Bull something of the lower world's condition.
It makes my blood boil like the springs of Hecla,
To see men let these scoundrel sovereigns break law.

XCIII
But politics, and policy, and piety,
Are topics which I sometimes introduce,
Not only for the sake of their variety,
But as subservient to a moral use;
Because my business is to dress society,
And stuff with sage that very verdant goose.
And now, that we may furnish with some matter all
Tastes, we are going to try the supernatural.

XCIV
And now I will give up all argument;
And positively henceforth no temptation
Shall "fool me to the top up of my bent:" --
Yes, I'll begin a thorough reformation.
Indeed, I never knew what people meant
By deeming that my Muse's conversation
Was dangerous; -- I think she is as harmless
As some who labour more and yet may charm less.

XCV
Grim reader! did you ever see a ghost?
No; but you have heard -- I understand -- be dumb!
And don't regret the time you may have lost,
For you have got that pleasure still to come:
And do not think I mean to sneer at most
Of these things, or by ridicule benumb
That source of the sublime and the mysterious: --
For certain reasons my belief is serious.

XCVI
Serious? You laugh; -- you may: that will I not;
My smiles must be sincere or not at all.
I say I do believe a haunted spot
Exists -- and where? That shall I not recall,
Because I'd rather it should be forgot,
"Shadows the soul of Richard" may appal.
In short, upon that subject I've some qualms very
Like those of the philosopher of Malmsbury.

XCVII
The night (I sing by night -- sometimes an owl,
And now and then a nightingale) is dim,
And the loud shriek of sage Minerva's fowl
Rattles around me her discordant hymn:
Old portraits from old walls upon me scowl --
I wish to heaven they would not look so grim;
The dying embers dwindle in the grate --
I think too that I have sate up too late:

XCVIII
And therefore, though 't is by no means my way
To rhyme at noon -- when I have other things
To think of, if I ever think -- I say
I feel some chilly midnight shudderings,
And prudently postpone, until mid-day,
Treating a topic which, alas! but brings
Shadows; -- but you must be in my condition
Before you learn to call this superstition.

XCIX
Between two worlds life hovers like a star,
'Twixt night and morn, upon the horizon's verge.
How little do we know that which we are!
How less what we may be! The eternal surge
Of time and tide rolls on, and bears afar
Our bubbles; as the old burst, new emerge,
Lash'd from the foam of ages; while the graves
Of empires heave but like some passing waves.

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Beppo

I.
'Tis known, at least it should be, that throughout
All countries of the Catholic persuasion,
Some weeks before Shrove Tuesday comes about,
The people take their fill of recreation,
And buy repentance, ere they grow devout,
However high their rank, or low their station,
With fiddling, feasting, dancing, drinking, masking,
And other things which may be had for asking.

II.
The moment night with dusky mantle covers
The skies (and the more duskily the better),
The time less liked by husbands than by lovers
Begins, and prudery flings aside her fetter;
And gaiety on restless tiptoe hovers,
Giggling with all the gallants who beset her;
And there are songs and quavers, roaring, humming,
Guitars, and every other sort of strumming.

III.
And there are dresses splendid, but fantastical,
Masks of all times and nations, Turks and Jews,
And harlequins and clowns, with feats gymnastical,
Greeks, Romans, Yankee-doodles, and Hindoos;
All kinds of dress, except the ecclesiastical,
All people, as their fancies hit, may choose,
But no one in these parts may quiz the clergy, —
Therefore take heed, ye Freethinkers! I charge ye.

IV.
You'd better walk about begirt with briars,
Instead of coat and smallclothes, than put on
A single stitch reflecting upon friars,
Although you swore it only was in fun;
They'd haul you o'er the coals, and stir the fires
Of Phlegethon with every mother's son,
Nor say one mass to cool the caldron's bubble
That boil'd your bones, unless you paid them double.

V.
But saving this, you may put on whate'er
You like by way of doublet, cape, or cloak.
Such as in Monmouth-street, or in Rag Fair,
Would rig you out in seriousness or joke;
And even in Italy such places are,
With prettier name in softer accents spoke,
For, bating Covent Garden, I can hit on
No place that's called "Piazza" in Great Britain.

VI.
This feast is named the Carnival, which being
Interpreted, implies "farewell to flesh:"
So call'd, because the name and thing agreeing,
Through Lent they live on fish, both salt and fresh.
But why they usher Lent with so much glee in,
Is more than I can tell, although I guess
'Tis as we take a glass with friends at parting,
In the stage-coach or packet, just at starting,

VII.
And thus they bid farewell to carnal dishes,
And solid meats, and highly spiced ragouts,
To live for forty days on ill-dress'd fishes,
Because they have no sauces to their stews;
A thing which causes many "poohs" and "pishes,"
And several oaths (which would not suit the Muse),
From travellers accustom'd from a boy
To eat their salmon, at the least, with soy;

VIII.
And therefore humbly I would recommend
"The curious in fish-sauce," before they cross
The sea, to bid their cook, or wife, or friend,
Walk or ride to the Strand, and buy in gross
(Or if set out beforehand, these may send
By any means least liable to loss)
Ketchup, Soy, Chili-vinegar, and Harvey,
Or by the Lord! a Lent will well nigh starve ye;

IX.
That is to say, if your religion's Roman,
And you at Rome would do as Romans do,
According to the proverb, — although no man
If foreign, is obliged to fast; and you
If Protestant, or sickly, or a woman,
Would rather dine in sin on a ragout —
Dine and be d—d! I don't mean to be coarse,
But that's the penalty, to say no worse.

X.
Of all the places where the Carnival
Was most facetious in the days of yore,
For dance, and song, and serenade, and ball,
And masque, and mime, and mystery, and more
Than I have time to tell now, or at all,
Venice the bell from every city bore, —
And at the moment when I fix my story,
That sea-born city was in all her glory.

XI.
They've pretty faces yet, those same Venetians,
Black-eyes, arch'd brows, and sweet expressions still;
Such as of old were copied from the Grecians,
In ancient arts by moderns mimick'd ill;
And like so many Venuses of Titian's
(The best's at Florence — see it, if ye will),
They look when leaning over the balcony,
Or stepp'd from out a picture by Giorgione,

XII.
Whose tints are truth and beauty at their best;
And when you to Manfrini's palace go,
That picture (howsoever fine the rest)
Is loveliest to my mind of all the show;
It may perhaps be also to your zest,
And that's the cause I rhyme upon it so:
'Tis but a portrait of his son, and wife,
And self; but such a woman! love in life!

XIII.
Love in full life and length, not love ideal,
No, nor ideal beauty, that fine name,
But something better still, so very real,
That the sweet model must have been the same;
A thing that you would purchase, beg, or steal,
Were 't not impossible, besides a shame:
The face recalls some face, as't were with pain,
You once have seen, but ne'er will see again.

XIV.
One of those forms which flit by us, when we
Are young, and fix our eyes on every face;
And, oh! the loveliness at times we see
In momentary gliding, the soft grace,
The youth, the bloom, the beauty which agree,
In many a nameless being we retrace,
whose course, and home we knew not, nor shall know,
Like the lost Pleiad seen no more below.

XV.
I said that like a picture by Giorgione
Venetian women were, and so they are,
Particularly seen from a balcony
(For beauty's sometimes best set off afar),
And there, just like a heroine of Goldoni,
They peep from out the blind, or o'er the bar;
And truth to say, they're mostly very pretty,
And rather like to show it, more's the pity!

XVI.
For glances beget ogles, ogles sighs,
Sighs wishes, wishes words, and words a letter,
Which flies on wings of light-heel'd Mercuries,
Who do such things because they know no better;
And then, God knows what mischief may arise,
When love links two young people in one fetter,
Vile assignations, and adulterous beds,
Elopements, broken vows, and hearts, and heads.

XVII.
Shakespeare described the sex in Desdemona
As very fair, but yet suspect in fame,
And to this day from Venice to Verona
Such matters may be probably the same,
Except that since those times was never known a
Husband whom mere suspicion could inflame
To suffocate a wife no more than twenty,
Because she had a "cavalier servente."

XVIII.
Their jealousy (if they are ever jealous)
Is of a fair complexion altogether,
Not like that sooty devil of Othello's,
Which smothers women in a bed of feather,
But worthier of these much more jolly fellows,
When weary of the matrimonial tether
His head for such a wife no mortal bothers,
But takes at once another, or another's.

XIX.
Didst ever see a Gondola? For fear
You should not, I'll describe it you exactly:
"Tis a long cover'd boat that's common here,
Carved at the prow, build lightly, but compactly,
Row'd by two rowers, each call'd "Gondolier,"
It glides along the water looking blackly,
Just like a coffin clapt in a canoe,
Where none can make out what you say or do.

XX.
And up and down the long canals they go,
And under the Rialto shoot along,
By night and day, all paces, swift or slow,
And round the theatres, a sable throng,
They wait in their dusk livery of woe, —
But not to them do woeful things belong,
For sometimes they contain a deal of fun,
Like mourning coaches when the funeral's done.

XXI.
But to my story. — 'Twas some years ago,
It may be thirty, forty, more or less,
The Carnival was at its height, and so
Were all kinds of buffoonery and dress;
A certain lady went to see the show,
Her real name I know not, nor can guess,
And so we'll call her Laura, if you please,
Because it slips into my verse with ease.

XXII.
She was not old, nor young, nor at the years
Which certain people call a "certain age,"
Which yet the most uncertain age appears,
Because I never heard, nor could engage
A person yet by prayers, or bribes, or tears,
To name, define by speech, or write on page,
The period meant precisely by that word, —
Which surely is exceedingly absurd.

XXIII.
Laura was blooming still, had made the best
Of time, and time return'd the compliment,
She look'd extremely well where'er she went;
A pretty woman is a welcome guest,
And Laura's brow a frown had rarely bent;
Indeed, she shone all smiles, and seem'd to flatter
Mankind with her black eyes for looking at her.

XXIV.
She was a married woman; 'tis convenient,
Because in Christian countries 'tis a rule
To view their little slips with eyes more lenient;
Whereas if single ladies play the fool
(Unless within the period intervenient
A well-times wedding makes the scandal cool),
I don't know how they ever can get over it,
Except they manage never to discover it.

XXV.
Her husband sail'd upon the Adriatic,
And made some voyages, too, in other seas,
And when he lay in quarantine for pratique
(A forty days' precaution 'gainst disease),
His wife would mount, at times, her highest attic,
For thence she could discern the ship with ease;
He was a merchant trading to Aleppo,
His name Giuseppe, call'd more briefly, Beppo.

XXVI.
He was a man as dusky as a Spaniard,
Sunburnt with travel, yet a portly figure;
Though colour'd, as it were, within a tan-yard,
He was a person both of sense and vigour —
A better seaman never yet did man yard;
And she, although her manners show'd no rigour,
Was deem'd a woman of the strictest principle,
So much as to be thought almost invincible.

XXVII.
But several years elapsed since they had met;
Some people thought the ship was lost, and some
That he had somehow blunder'd into debt,
And did not like the thought of steering home;
And there were several offer'd any bet,
Or that he would, or that he would not come;
For most men (till by losing render'd sager)
Will back their own opinions with a wager.

XXVIII.
'Tis said that their last parting was pathetic,
As partings often are, or ought to be,
And their presentiment was quite prophetic,
That they should never more each other see,
(A sort of morbid feeling, half poetic,
Which I have known occur in two or three,)
When kneeling on the shore upon her sad knee
He left this Adriatic Ariadne.

XXIX.
And Laura waited long, and wept a little,
And thought of wearing weeds, as well she might;
She almost lost all appetite for victual,
And could not sleep with ease along at night;
She deem'd the window-frames and shutters brittle
Against a daring housebreaker or sprite,
And so she thought it prudent to connect her.
With a vice-husband, chiefly to protect her.

XXX.
She chose, (and what is there they will not choose,
If only you will but oppose their choice?)
Till Beppo should return from his long cruise,
And bid once more her faithful heart rejoice,
A man some women like, and yet abuse —
A coxcomb was he by the public voice;
A Count of wealth, they said, as well as quality,
And in his pleasures of great liberality.

XXXI.
And then he was A Count, and then he knew
Music, and dancing, fiddling, French and Tuscan;
The last not easy, be it known to you.
For few Italians speak the right Etruscan.
He was a critic upon operas, too,
And knew all niceties of the sock and buskin;
And no Venetian audience could endure a
Song, scene, or air, when he cried "seccatura!"

XXXII.
His "bravo" was decisive, for that sound
Hush'd "Academie" sigh'd in silent awe;
The fiddlers trembled as he look'd around,
For fear of some false note's detected flaw;
The "prima donna's" tuneful heart would bound,
Dreading the deep damnation of his "bah!"
Soprano, basso, even the contra-alto,
Wish'd him five fathom under the Rialto.

XXXIII.
He patronised the Improvisatori,
Nay, could himself extemporise some stanzas,
Wrote rhymes, sang songs, could also tell a story,
Sold pictures, and was skilful in the dance as
Italians can be, though in this their glory
Must surely yield the palm to that which France has;
In short, he was a perfect cavaliero,
And to his very valet seem'd a hero.

XXIV.
Then he was faithful too, as well as amorous;
So that no sort of female could complain,
Although they're now and then a little clamourous,
He never put the pretty souls in pain;
His heart was one of those which most enamour us,
Wax to receive, and marble to retain:
He was a lover of the good old school,
Who still become more constant as they cool.

XXXV.
No wonder such accomplishments should turn
A female head, however sage and steady —
With scarce a hope that Beppo could return,
In law he was almost as good as dead, he
Nor sent, nor wrote, nor show'd the least concern,
And she had waited several years already;
And really if a man won't let us know
That he's alive, he's dead, or should be so.

XXXVI.
Besides, within the Alps, to every woman,
(Although, God knows, it is a grievous sin,)
'Tis, I may say, permitted to have two men;
I can't tell who first brought the custom in,
But "Cavalier Serventes" are quite common,
And no one notices nor cares a pin;
And we may call this (not to say the worst)
A second marriage which corrupts the first.

XXXVII.
The word was formerly a "Cicisbeo,"
But that is now grown vulgar and indecent;
The Spaniards call the person a "Cortejo,"
For the same mode subsists in Spain, though recent;
In short, it reaches from the Po to Teio,
And may perhaps at last be o'er the sea sent:
But Heaven preserve Old England from such courses!
Or what becomes of damage and divorces?

XXXVIII.
However, I still think, with all due deference
To the fair single part of the creation,
That married ladies should preserve the preference
In tête-à-tête or general conversation —
And this I say without peculiar reference
To England, France, or any other nation —
Because they know the world, and are at ease,
And being natural, naturally please.

XXXIX.
"Tis true, your budding Miss is very charming,
But shy and awkward at first coming out,
So much alarm'd, that she is quite alarming,
All Giggle, Blush; half Pertness, and half-Pout;
And glancing at Mamma, for fear there's harm in
What you, she, it, or they, may be about,
The nursery still lisps out in all they utter —
Besides, they always smell of bread and butter.

XL.
But "Cavalier Servente" is the phrase
Used in politest circles to express
This supernumerary slave, who stays
Close to the lady as a part of dress,
Her word the only law which he obeys.
His is no sinecure, as you may guess;
Coach, servants, gondola, he goes to call,
And carries fan and tippet, gloves and shawl.

XLI.
With all its sinful doings, I must say,
That Italy's a pleasant place to me,
Who love to see the Sun shine every day,
And vines (not nail'd to walls) from tree to tree
Festoon'd, much like the back scene of a play,
Or melodrame, which people flock to see,
When the first act is ended by a dance
In vineyards copied from the south of France.

XLII.
I like on Autumn evenings to ride out,
Without being forced to bid my groom be sure
My cloak is round his middle strapp'd about,
Because the skies are not the most secure;
I know too that, if stopp'd upon my route,
Where the green alleys windingly allure,
Reeling with grapes red waggons choke the way, —
In England 't would be dung, dust, or a dray.

XLIII.
I also like to dine on becaficas,
To see the Sun set, sure he'll rise tomorrow,
Not through a misty morning twinkling weak as
A drunken man's dead eye in maudlin sorrow,
But with all Heaven t'himself; the day will break as
Beauteous as cloudless, nor be forced to borrow
That sort of farthing candlelight which glimmers
Where reeking London's smoky caldron simmers.

XLIV.
I love the language, that soft bastard Latin,
Which melts like kisses from a female mouth,
And sounds as if it should be writ on satin,
With syllables which breathe of the sweet South,
And gentle liquids gliding all so pat in,
That not a single accent seems uncouth,
Like our harsh northern whistling, grunting guttural,
Which we're obliged to hiss, and spit, and sputter all.

XLV.
I like the women too (forgive my folly),
From the rich peasant cheek of ruddy bronze,
And large black eyes that flash on you a volley
Of rays that say a thousand things at once,
To the high dama's brow, more melancholy,
But clear, and with a wild and liquid glance,
Heart on her lips, and soul within her eyes,
Soft as her clime, and sunny as her skies.

XLVI.
Eve of the land which still is Paradise!
Italian beauty! didst thou not inspire
Raphael, who died in thy embrace, and vies
With all we know of Heaven, or can desire,
In what he hath bequeath'd us? — in what guise,
Though flashing from the fervour of the lyre,
Would words describe thy past and present glow,
While yet Canova can create below?

XLVII.
"England! with all thy faults I love thee still,"
I said at Calais, and have not forgot it;
I like to speak and lucubrate my fill;
I like the government (but that is not it);
I like the freedom of the press and quill;
I like the Hapeas Corpus (when we've got it);
I like a parliamentary debate,
Particularly when 'tis not too late;

XLVIII.
I like the taxes, when they're not too many;
I like a seacoal fire, when not too dear;
I like a beef-steak, too, as well as any;
Have no objection to a pot of beer;
I like the weather, when it is not rainy,
That is, I like two months of every year,
And so God save the Regent, Church, and King!
Which means that I like all and everything.

XLIX.
Our standing army, and disbanded seamen,
Poor's rate, Reform, my own, the nation's debt,
Our little riots just to show we are free men,
Our trifling bankruptcies in the Gazette,
Our cloudy climate, and our chilly women,
All these I can forgive, and those forget,
And greatly venerate our recent glories,
And wish they were not owing to the Tories.

L.
But to my tale of Laura, — for I find
Digression is a sin, that by degrees
Becomes exceeding tedious to my mind,
And, therefore, may the reader too displease —
The gentle reader, who may wax unkind,
And caring little for the author's ease,
Insist on knowing what he means, a hard
And hapless situation for a bard.

LI.
Oh that I had the art of easy writing
What should be easy reading! could I scale
Parnassus, where the Muses sit inditing
Those pretty poems never known to fail,
How quickly would I print (the world delighting)
A Grecian, Syrian, or Assyrian tale;
And sell you, mix'd with western sentimentalism,
Some samples of the finest Orientalism!

LII.
But I am but a nameless sort of person,
(A broken Dandy lately on my travels)
And take for rhyme, to hook my rambling verse on,
The first that Walker's Lexicon unravels,
And when I can't find that, I put a worse on,
Not caring as I ought for critics' cavils;
I've half a mind to tumble down to prose,
But verse is more in fashion — so here goes.

LIII.
The Count and Laura made their new arrangement,
Which lasted, as arrangements sometimes do,
For half a dozen years without estrangement;
They had their little differences, too;
Those jealous whiffs, which never any change meant;
In such affairs there probably are few
Who have not had this pouting sort of squabble,
From sinners of high station to the rabble.

LIV.
But on the whole, they were a happy pair,
As happy as unlawful love could make them;
The gentleman was fond, the lady fair,
Their chains so slight, 'twas not worth while to break them;
The world beheld them with indulgent air;
The pious only wish'd "the devil take them!"
He took them not; he very often waits,
And leaves old sinners to be young ones' baits.

LV.
But they were young: Oh! what without our youth
Would love be! What would youth be without love!
Youth lends it joy, and sweetness, vigour, truth,
Heart, soul, and all that seems as from above;
But, languishing with years, it grows uncouth —
One of few things experience don't improve,
Which is, perhaps, the reason why old fellows
Are always so preposterously jealous.

LVI.
It was the Carnival, as I have said
Some six and thirty stanzas back, and so
Laura the usual preparations made,
Which you do when your mind's made up to go
To-night to Mrs. Boehm's masquerade,
Spectator, or partaker in the show;
The only difference known between the cases
Is — here, we have six weeks of "varnish'd faces."

LVII.
Laura, when dress'd, was (as I sang before)
A pretty woman as was ever seen,
Fresh as the Angel o'er a new inn door,
Or frontispiece of a new Magazine,
With all the fashions which the last month wore,
Colour'd, and silver paper leaved between
That and the title-page, for fear the press
Should soil with parts of speech the parts of dress.

LVIII.
They went to the Ridotto; — 'tis a hall
Where people dance, and sup, and dance again;
Its proper name, perhaps, were a masqued ball,
But that's of no importance to my strain;
'Tis (on a smaller scale) like our Vauxhall,
Excepting that it can't be spoilt by rain;
The company is "mix'd" (the phrase I quote is
As much as saying they're below your notice);

LIX.
For a "mix'd company" implies that, save
Yourself and friends, and half a hundred more,
Whom you may bow to without looking grave,
The rest are but a vulgar set, the bore
Of public places, where they basely brave
The fashionable stare of twenty score
Of well-bred persons, call'd "The World;" but I,
Although I know them, really don't know why.

LX.
This is the case in England; at least was
During the dynasty of Dandies, now
Perchance succeeded by some other class
Of imitated imitators: — how
Irreparably soon decline, alas!
The demagogues of fashion: all below
Is frail; how easily the world is lost
By love, or war, and now and then by frost!

LXI.
Crush'd was Napoleon by the northern Thor,
Who knock'd his army down with icy hammer,
Stopp'd by the elements, like a whaler, or
A blundering novice in his new French grammar;
Good cause had he to doubt the chance of war,
And as for Fortune — but I dare not d—n her,
Because, were I to ponder to infinity,
The more I should believe in her divinity.

LXII.
She rules the present, past, and all to be yet,
She gives us luck in lotteries, love, and marriage;
I cannot say that she's done much for me yet;
Not that I mean her bounties to disparage,
We've not yet closed accounts, and we shall see yet;
How much she'll make amends for past miscarriage.
Meantime the Goddess I'll no more importune,
Unless to thank her when she's made my fortune.

LXIII.
To turn, — and return; — the devil take it!
This story slips for ever through my fingers,
Because, just as the stanza likes to make it,
It needs must be, and so it rather lingers:
This form of verse began, I can't well break it,
But must keep time and tune like public singers;
But if I once get through my present measure,
I'll take another when I'm at leisure.

LXIV.
They went to the Ridotto ('tis a place
To which I mean to go myself to-morrow,
Just to divert my thoughts a little space,
Because I'm rather hippish, and may borrow,
Some spirits, guessing at what kind of face
May lurk beneath each mask; and as my sorrow
Slackens its pace sometimes, I'll make, or find,
Something shall leave it half an hour behind).

LXV.
Now Laura moves along the joyous crowd,
Smiles in her eyes, and simpers on her lips;
To some she whispers, others speaks aloud;
To some she curtsies, and to some she dips,
Complains of warmth, and this complaint avow'd,
Her lover brings the lemonade, she sips;
She then surveys, condemns, but pities still
Her dearest friends for being dress'd so ill.

LXVI.
One has false curls, another too much paint,
A third — where did she buy that frightful turban?
A fourth's so pale she fears she's going to faint,
A fifth's look's vulgar, dowdyish, and suburban,
A sixth's white silk has got a yellow taint,
A seventh's thin muslin surely will be her bane,
And lo! an eighth appears, — "I'll see no more!"
For fear, like Banquo's kings, they reach a score.

LXVII.
Meantime, while she was thus at others gazing,
Others were leveling their looks at her;
She heard the men's half-whisper'd mode of praising,
And, till 'twas done, determined not to stir;
The women only thought it quite amazing
That, at her time of life, so many were
Admirers still, — but men are so debased,
Those brazen creatures always suit their taste.

LXVIII.
For my part, now, I ne'er could understand
Why naughty women — but I won't discuss
A thing which is a scandal to the land,
I only don't see why it should be thus;
And if I were but in a gown and band,
Just to entitle me to make a fuss,
I'd preach on this till Wilberforce and Romilly
Should quote in their next speeches from my homily.

LXIX.
While Laura thus was seen, and seeing, smiling,
Talking, she knew not why, and cared not what,
So that her female friends, with envy broiling,
Beheld her airs and triumph, and all that;
And well-dress'd males still kept before her filing,
And passing bow'd and mingled with her chat;
More than the rest one person seem'd to stare
With pertinacity that's rather rare.

LXX.
He was a Turk, the colour of mahogany;
And Laura saw him, and at first was glad,
Because the Turks so much admire phylogyny,
Although their usage of their wives is sad;
'Tis said they use no better than a dog any
Poor woman, whom they purchase like a pad;
They have a number, though the ne'er exhibit 'em,
Four wives by law, and concubines: ad libitum."

LXXI.
They lock them up, and veil, and guard them daily,
They scarcely can behold their male relations,
So that their moments do not pass so gaily
As is supposed the case with northern nations;
Confinement, too, must make them look quite palely;
And as the Turks abhor long conversations,
Their days are either pass'd in doing nothing,
Or bathing, nursing, making love, and clothing.

LXXII.
They cannot read, and so don't lisp in criticism;
Nor write, and so they don't affect the muse;
Were never caught in epigram or witticism,
Have no romances, sermons, plays, reviews, —
In harams learning soon would make a pretty schism,
But luckily these beauties are no "Blues;"
No bustling Botherbys have they to show 'em
"That charming passage in the last new poem;"

LXXIII.
No solemn, antique gentleman of rhyme,
Who having angled all his life for fame,
And getting but a nibble at a time,
Still fussily keeps fishing on, the same
Small "Triton of the minnows," the sublime
Of mediocrity, the furious tame,
The echo's echo, usher of the school
Of female wits, boy bards — in short, a fool!

LXXIV.
A stalking oracle of awful phrase
The approving "Good!" (By no means good in law,)
Humming like flies around the newest blaze,
The bluest of bluebottles you e'er saw,
Teasing with blame, excruciating with praise,
Gorging the little fame he gets all raw,
Translating tongues he knows not even by letter,
And sweating plays so middling, bad were better.

LXXV.
One hates an author that's all author, fellows
In foolscap uniforms turn'd up with ink,
So very anxious, clever, fine, and jealous,
One do'nt know what to say to them, or think,
Unless to puff them with a pair of bellows;
Of coxcombry's worst coxcombs e'en the pink
Are preferable to these shreds of paper,
These unquench'd snufflings of the midnight taper.

LXXVI.
Of these same we see several, and of others,
Men of the world, who know the world like men,
Scott, Rogers, Moore, and all the better brothers,
Who think of something else besides the pen;
But for the children of the "mighty mother's,"
The would-be wits, and can't-be gentlemen,
I leave them to their daily "tea is ready,"
Smug coterie, and literary lady.

LXXVII.
The poor dear Mussulwomen whom I mention
Have none of these instructive pleasant people,
And one would seem to them a new invention,
Unknown as bells within a Turkish steeple;
I think 't would almost be worth while to pension
(though best-sown projects ver often reap ill)
A missionary author, just to preach
Our Christian usage of the parts of speech.

LXXVIII.
No chemistry for them unfolds her gases,
No metaphysics are let loose in lectures,
No circulating library amasses
Religious novels, moral tales, and strictures
Upon the living manners, as they pass us;
No exhibition glares with annual pictures;
They stare not on the stars from out their attics,
Nor deal (thank God for that!) in mathematics.

LXXIX.
Why I thank God for that is no great matter,
I have my reasons, you no doubt suppose,
And as, perhaps, they would not highly flatter,
I'll keep them for my life (to come) in prose;
I fear I have a little turn for satire,
And yet methinks the older that one grows
Inclines us more to laugh than scold, though laughter
Leaves us no doubly serious shortly after.

LXXX.
Oh, mirth and innocence! Oh, milk and water!
Ye happy mixtures of more happy days!
In these sad centuries of sin and slaughter,
Abominable Man no more allays
His thirst with such pure beverage. No matter,
I love you both, and both shall have my praise;
Oh, for old Saturn's reign of sugar-candy! —
Meantime I drink to your return in brandy.

LXXXI.
Our Laura's Turk still kept his eyes upon her,
Less in the Mussulman than Christian way,
Which seems to say, "Madam, I do you honour,
And while I please to stare, you'll please to stay!"
Could staring win a woman, this had won her,
But Laura could not thus be led astray;
She had stood fire too long and well, is boggle
Even at this stranger's most outlandish ogle.

LXXXII.
The morning now was on the point of breaking
A turn of time at which I would advise
Ladies who have been dancing, or partaking
In any other kind of exercise,
To make their preparations for forsaking
The ball-room ere the sun begins to rise,
Because when once the lamps and candles fail,
His blushes make them look a little pale.

LXXXIII.
I've seen some balls and revels in my time,
And stay'd them over for some silly reason,
And then I look'd (I hope it was no crime)
To see what lady best stood out the season,
And though I've seen some thousands in their prime,
Lovely and pleasing, and who still may please on,
I never saw but one (the stars withdrawn)
Whose bloom could after dancing dare the dawn.

LXXXIV.
The name of this Aurora I'll not mention,
Although I might, for she was nought to me
More than that patent work of God's invention,
A charming woman, whom we like to see;
But writing names would merit reprehension,
Yet if you like to find out this fair she,
At the next London or Parisian ball
You still may mark her cheek out-blooming all.

LXXXV.
Laura, who knew it would not do at all
To meet the daylight after seven hours' sitting
Among three thousand people at a ball,
To make her curtsy thought it right and fitting;
The Count was at her elbow with her shawl,
And they the room were on the point of quitting,
When lo! those cursed gondoliers had got
Just in the very place where they should not.

LXXXVI.
In this they're like our coachmen, and the cause
Is much the same — the crowd, and pulling, hauling,
With blasphemies enough to break their jaws,
They make a never intermitted bawling.
At home, our Bow-street gemmen keep the laws,
And here a sentry stands within your calling;
But for all that, there is a deal of swearing,
And nauseous words past mentioning or bearing.

LXXXVII.
The Count and Laura found their boat at last,
And homeward floated o'er the silent tied,
Discussing all the dances gone and past;
The dancers and their dresses, too, beside;
Some little scandals eke; but all aghast
(As to their palace-stairs the rowers glide)
Sate Laura by the side of her Adorer,
When lo! the Mussulman was there before her.

LXXXVIII.
"Sir," said the Count, with brow exceeding grave,
"Your unexpected presence here will make
It necessary for myself to crave
Its import? But perhaps 'tis a mistake;
I hope it is so; and, at once to waive
All compliment, I hope so for your sake;
You understand my meaning, or you shall,"
"Sir" (quoth the Turk), "'tis no mistake at all:

LXXXIX.
"That lady is my wife!" Much wonder paints
The lady's changing cheek, as well it might;
But where an Englishwoman sometimes faints,
Italian females don't do so outright;
They only call a little on their saints,
And then come to themselves, almost or quite;
Which saves much hartshorn, salts, and sprinkling faces,
And cutting stays, as usual in such cases.

XC.
She said, — what could she say? Why, not a word:
But the Count courteously invited in
The stranger, much appeased by what he heard:
"Such things, perhaps, we'd best discuss within,"
Said he; "don't let us make ourselves absurd
In public, by a scene, nor raise a din,
For then the chief and only satisfaction
Will be much quizzing on the whole transaction."

XCI.
They enter'd, and for coffee call'd — it came,
A beverage for Turks and Christians both,
Although the way they make it's not the same.
Now Laura, much recover'd, or less loth
To speak, cries "Beppo! what's your pagan name?
Bless me! your beard is of amazing growth!
And how came you to keep away so long?
Are you not sensible 't was very wrong?

XCII.
"And are you really, truly, now a Turk?
With any other women did you wive?
Is 't true they use their fingers for a fork?
Well, that's the prettiest shawl — as I'm alive!
You'll give it me? They say you eat no pork.
And how so many years did you contrive
To — Bless me! did I ever? No, I never
Saw a man grown so yellow! How's your liver?

XCIII.
"Beppo! that beard of yours becomes you not;
It shall be shaved before you're a day older:
Why do you wear it? Oh! I had forgot —
Pray don't you think the weather here is colder?
How do I look? You shan't stir from this spot
In that queer dress, for fear that some beholder
Should find you out, and make the story known.
How short your hair is! Lord! how grey it's grown!"

XCIV.
What answer Beppo made to these demands
Is more than I know. He was cast away
About where Troy stood once, and nothing stands;
Became a slave of course, and for his pay
Had bread and bastinadoes, till some bands
Of pirates landing in a neighbouring bay,
He join'd the rogues and prosper'd, and became
A renegado of indifferent fame.

XCV.
But he grew rich, and with his riches grew so
Keen the desire to see his home again,
He thought himself in duty bound to do so,
And not be always thieving on the main;
Lonely he felt, at times, as Robin Crusoe,
And so he hired a vessel come from Spain,
Bound for Corfu: she was a fine polacca,
Mann'd with twelve hands, and laden with tobacco.

XCVI.
Himself, and much (Heaven knows how gotten!) cash,
He then embark'd, with risk of life and limb
And got clear off, although the attempt was rash;
He said that Providence protected him —
For my part, I say nothing — lest we clash
In our opinions: — well, the ship was trim,
Set sail, and kept her reckoning fairly on,
Except three days of calm when off Cape Bonn.

XCVII.
They reach'd the island, he transferr'd his lading
And self and live stock to another bottom,
And pass'd for a true Turkey-merchant, trading
With goods of various names, but I've forgot'em.
However, he got off by this evading,
Or else the people would perhaps have shot him;
And thus at Venice landed to reclaim
His wife, religion, house, and Christian name.

XCVIII.
His wife received, the patriarch re-baptised him
(He made the church a present, by the way);
He then threw off the garments which disguised him,
And borrow'd the Count's small clothes for a day:
His friends the more for his long absence prized him,
Finding he'd wherewithal to make them gay,
With dinners, where he oft became the laugh of them,
For stories — but I don't believe the half of them.

XCIX.
Whate'er his youth had suffer'd, his old age
With wealth and talking made him some amends;
Though Laura sometimes put him in a rage,
I've heard the Count and he were always friends.
My pen is at the bottom of a page,
Which being finish'd, here the story ends;
'Tis to be wish'd it had been sooner done,
But stories somehow lengthen when begun.

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Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning
In all, who o'er the great deep take their ways:
They vow to amend their lives, and yet they don't;
Because if drown'd, they can't- if spared, they won't.

A crowd of shivering slaves of every nation,
And age, and sex, were in the market ranged;
Each bevy with the merchant in his station:
Poor creatures! their good looks were sadly changed.
All save the blacks seem'd jaded with vexation,
From friends, and home, and freedom far estranged;
The negroes more philosophy display'd,-
Used to it, no doubt, as eels are to be flay'd.

Juan was juvenile, and thus was full,
As most at his age are, of hope and health;
Yet I must own he looked a little dull,
And now and then a tear stole down by stealth;
Perhaps his recent loss of blood might pull
His spirit down; and then the loss of wealth,
A mistress, and such comfortable quarters,
To be put up for auction amongst Tartars,

Were things to shake a stoic; ne'ertheless,
Upon the whole his carriage was serene:
His figure, and the splendour of his dress,
Of which some gilded remnants still were seen,
Drew all eyes on him, giving them to guess
He was above the vulgar by his mien;
And then, though pale, he was so very handsome;
And then- they calculated on his ransom.

Like a backgammon board the place was dotted
With whites and blacks, in groups on show for sale,
Though rather more irregularly spotted:
Some bought the jet, while others chose the pale.
It chanced amongst the other people lotted,
A man of thirty rather stout and hale,
With resolution in his dark grey eye,
Next Juan stood, till some might choose to buy.

He had an English look; that is, was square
In make, of a complexion white and ruddy,
Good teeth, with curling rather dark brown hair,
And, it might be from thought or toil or study,
An open brow a little mark'd with care:
One arm had on a bandage rather bloody;
And there he stood with such sang-froid, that greater
Could scarce be shown even by a mere spectator.

But seeing at his elbow a mere lad,
Of a high spirit evidently, though
At present weigh'd down by a doom which had
O'erthrown even men, he soon began to show
A kind of blunt compassion for the sad
Lot of so young a partner in the woe,
Which for himself he seem'd to deem no worse
Than any other scrape, a thing of course.

'My boy!' said he, 'amidst this motley crew
Of Georgians, Russians, Nubians, and what not,
All ragamuffins differing but in hue,
With whom it is our luck to cast our lot,
The only gentlemen seem I and you;
So let us be acquainted, as we ought:
If I could yield you any consolation,
'T would give me pleasure.- Pray, what is your nation?'

When Juan answer'd- 'Spanish!' he replied,
'I thought, in fact, you could not be a Greek;
Those servile dogs are not so proudly eyed:
Fortune has play'd you here a pretty freak,
But that 's her way with all men, till they 're tried;
But never mind,- she 'll turn, perhaps, next week;
She has served me also much the same as you,
Except that I have found it nothing new.'

'Pray, sir,' said Juan, 'if I may presume,
What brought you here?'- 'Oh! nothing very rare-
Six Tartars and a drag-chain.'- 'To this doom
But what conducted, if the question's fair,
Is that which I would learn.'- 'I served for some
Months with the Russian army here and there,
And taking lately, by Suwarrow's bidding,
A town, was ta'en myself instead of Widdin.'

'Have you no friends?'- 'I had- but, by God's blessing,
Have not been troubled with them lately. Now
I have answer'd all your questions without pressing,
And you an equal courtesy should show.'
'Alas!' said Juan, ''t were a tale distressing,
And long besides.'- 'Oh! if 't is really so,
You 're right on both accounts to hold your tongue;
A sad tale saddens doubly, when 't is long.

'But droop not: Fortune at your time of life,
Although a female moderately fickle,
Will hardly leave you (as she 's not your wife)
For any length of days in such a pickle.
To strive, too, with our fate were such a strife
As if the corn-sheaf should oppose the sickle:
Men are the sport of circumstances, when
The circumstances seem the sport of men.'

''T is not,' said Juan, 'for my present doom
I mourn, but for the past;- I loved a maid:'-
He paused, and his dark eye grew full of gloom;
A single tear upon his eyelash staid
A moment, and then dropp'd; 'but to resume,
'T is not my present lot, as I have said,
Which I deplore so much; for I have borne
Hardships which have the hardiest overworn,

'On the rough deep. But this last blow-' and here
He stopp'd again, and turn'd away his face.
'Ay,' quoth his friend, 'I thought it would appear
That there had been a lady in the case;
And these are things which ask a tender tear,
Such as I, too, would shed if in your place:
I cried upon my first wife's dying day,
And also when my second ran away:

'My third-'- 'Your third!' quoth Juan, turning round;
'You scarcely can be thirty: have you three?'
'No- only two at present above ground:
Surely 't is nothing wonderful to see
One person thrice in holy wedlock bound!'
'Well, then, your third,' said Juan; 'what did she?
She did not run away, too,- did she, sir?'
'No, faith.'- 'What then?'- 'I ran away from her.'

'You take things coolly, sir,' said Juan. 'Why,'
Replied the other, 'what can a man do?
There still are many rainbows in your sky,
But mine have vanish'd. All, when life is new,
Commence with feelings warm, and prospects high;
But time strips our illusions of their hue,
And one by one in turn, some grand mistake
Casts off its bright skin yearly like the snake.

''T is true, it gets another bright and fresh,
Or fresher, brighter; but the year gone through,
This skin must go the way, too, of all flesh,
Or sometimes only wear a week or two;-
Love 's the first net which spreads its deadly mesh;
Ambition, Avarice, Vengeance, Glory, glue
The glittering lime-twigs of our latter days,
Where still we flutter on for pence or praise.'

'All this is very fine, and may be true,'
Said Juan; 'but I really don't see how
It betters present times with me or you.'
'No?' quoth the other; 'yet you will allow
By setting things in their right point of view,
Knowledge, at least, is gain'd; for instance, now,
We know what slavery is, and our disasters
May teach us better to behave when masters.'

'Would we were masters now, if but to try
Their present lessons on our Pagan friends here,'
Said Juan,- swallowing a heart-burning sigh:
'Heaven help the scholar whom his fortune sends here!'
'Perhaps we shall be one day, by and by,'
Rejoin'd the other, when our bad luck mends here;
Meantime (yon old black eunuch seems to eye us)

'But after all, what is our present state?
'T is bad, and may be better- all men's lot:
Most men are slaves, none more so than the great,
To their own whims and passions, and what not;
Society itself, which should create
Kindness, destroys what little we had got:
To feel for none is the true social art
Of the world's stoics- men without a heart.'

Just now a black old neutral personage
Of the third sex stept up, and peering over
The captives, seem'd to mark their looks and age,
And capabilities, as to discover
If they were fitted for the purposed cage:
No lady e'er is ogled by a lover,
Horse by a blackleg, broadcloth by a tailor,
Fee by a counsel, felon by a jailor,

As is a slave by his intended bidder.
'T is pleasant purchasing our fellow-creatures;
And all are to be sold, if you consider
Their passions, and are dext'rous; some by features
Are bought up, others by a warlike leader,
Some by a place- as tend their years or natures;
The most by ready cash- but all have prices,
From crowns to kicks, according to their vices.

The eunuch, having eyed them o'er with care,
Turn'd to the merchant, and begun to bid
First but for one, and after for the pair;
They haggled, wrangled, swore, too- so they did!
As though they were in a mere Christian fair
Cheapening an ox, an ass, a lamb, or kid;
So that their bargain sounded like a battle
For this superior yoke of human cattle.

At last they settled into simple grumbling,
And pulling out reluctant purses, and
Turning each piece of silver o'er, and tumbling
Some down, and weighing others in their hand,
And by mistake sequins with paras jumbling,
Until the sum was accurately scann'd,
And then the merchant giving change, and signing
Receipts in full, began to think of dining.

I wonder if his appetite was good?
Or, if it were, if also his digestion?
Methinks at meals some odd thoughts might intrude,
And conscience ask a curious sort of question,
About the right divine how far we should
Sell flesh and blood. When dinner has opprest one,
I think it is perhaps the gloomiest hour
Which turns up out of the sad twenty-four.

Voltaire says 'No:' he tells you that Candide
Found life most tolerable after meals;
He 's wrong- unless man were a pig, indeed,
Repletion rather adds to what he feels,
Unless he 's drunk, and then no doubt he 's freed
From his own brain's oppression while it reels.
Of food I think with Philip's son, or rather
Ammon's (ill pleased with one world and one father);

I think with Alexander, that the act
Of eating, with another act or two,
Makes us feel our mortality in fact
Redoubled; when a roast and a ragout,
And fish, and soup, by some side dishes back'd,
Can give us either pain or pleasure, who
Would pique himself on intellects, whose use
Depends so much upon the gastric juice?

The other evening ('t was on Friday last)-
This is a fact and no poetic fable-
Just as my great coat was about me cast,
My hat and gloves still lying on the table,
I heard a shot- 't was eight o'clock scarce past-
And, running out as fast as I was able,
I found the military commandant
Stretch'd in the street, and able scarce to pant.

Poor fellow! for some reason, surely bad,
They had slain him with five slugs; and left him there
To perish on the pavement: so I had
Him borne into the house and up the stair,
And stripp'd and look'd to- But why should I ad
More circumstances? vain was every care;
The man was gone: in some Italian quarrel
Kill'd by five bullets from an old gun-barrel.

I gazed upon him, for I knew him well;
And though I have seen many corpses, never
Saw one, whom such an accident befell,
So calm; though pierced through stomach, heart, and liver,
He seem'd to sleep,- for you could scarcely tell
(As he bled inwardly, no hideous river
Of gore divulged the cause) that he was dead:
So as I gazed on him, I thought or said-

'Can this be death? then what is life or death?
Speak!' but he spoke not: 'Wake!' but still he slept:-
'But yesterday and who had mightier breath?
A thousand warriors by his word were kept
In awe: he said, as the centurion saith,
'Go,' and he goeth; 'come,' and forth he stepp'd.
The trump and bugle till he spake were dumb-
And now nought left him but the muffled drum.'

And they who waited once and worshipp'd- they
With their rough faces throng'd about the bed
To gaze once more on the commanding clay
Which for the last, though not the first, time bled:
And such an end! that he who many a day
Had faced Napoleon's foes until they fled,-
The foremost in the charge or in the sally,
Should now be butcher'd in a civic alley.

The scars of his old wounds were near his new,
Those honourable scars which brought him fame;
And horrid was the contrast to the view-
But let me quit the theme; as such things claim
Perhaps even more attention than is due
From me: I gazed (as oft I have gazed the same)
To try if I could wrench aught out of death
Which should confirm, or shake, or make a faith;

But it was all a mystery. Here we are,
And there we go:- but where? five bits of lead,
Or three, or two, or one, send very far!
And is this blood, then, form'd but to be shed?
Can every element our elements mar?
And air- earth- water- fire live- and we dead?
We whose minds comprehend all things? No more;
But let us to the story as before.

The purchaser of Juan and acquaintance
Bore off his bargains to a gilded boat,
Embark'd himself and them, and off they went thence
As fast as oars could pull and water float;
They look'd like persons being led to sentence,
Wondering what next, till the caique was brought
Up in a little creek below a wall
O'ertopp'd with cypresses, dark-green and tall.

Here their conductor tapping at the wicket
Of a small iron door, 't was open'd, and
He led them onward, first through a low thicket
Flank'd by large groves, which tower'd on either hand:
They almost lost their way, and had to pick it-
For night was dosing ere they came to land.
The eunuch made a sign to those on board,
Who row'd off, leaving them without a word.

As they were plodding on their winding way
Through orange bowers, and jasmine, and so forth
(Of which I might have a good deal to say,
There being no such profusion in the North
Of oriental plants, 'et cetera,'
But that of late your scribblers think it worth
Their while to rear whole hotbeds in their works
Because one poet travell'd 'mongst the Turks)-

As they were threading on their way, there came
Into Don Juan's head a thought, which he
Whisper'd to his companion:- 't was the same
Which might have then occurr'd to you or me.
'Methinks,' said he, 'it would be no great shame
If we should strike a stroke to set us free;
Let 's knock that old black fellow on the head,
And march away- 't were easier done than said.'

'Yes,' said the other, 'and when done, what then?
How get out? how the devil got we in?
And when we once were fairly out, and when
From Saint Bartholomew we have saved our skin,
To-morrow 'd see us in some other den,
And worse off than we hitherto have been;
Besides, I 'm hungry, and just now would take,
Like Esau, for my birthright a beef-steak.

'We must be near some place of man's abode;-
For the old negro's confidence in creeping,
With his two captives, by so queer a road,
Shows that he thinks his friends have not been sleeping;
A single cry would bring them all abroad:
'T is therefore better looking before leaping-
And there, you see, this turn has brought us through,
By Jove, a noble palace!- lighted too.'

It was indeed a wide extensive building
Which open'd on their view, and o'er the front
There seem'd to be besprent a deal of gilding
And various hues, as is the Turkish wont,-
A gaudy taste; for they are little skill'd in
The arts of which these lands were once the font:
Each villa on the Bosphorus looks a screen
New painted, or a pretty opera-scene.

And nearer as they came, a genial savour
Of certain stews, and roast-meats, and pilaus,
Things which in hungry mortals' eyes find favour,
Made Juan in his harsh intentions pause,
And put himself upon his good behaviour:
His friend, too, adding a new saving clause,
Said, 'In Heaven's name let's get some supper now,
And then I 'm with you, if you 're for a row.'

Some talk of an appeal unto some passion,
Some to men's feelings, others to their reason;
The last of these was never much the fashion,
For reason thinks all reasoning out of season.
Some speakers whine, and others lay the lash on,
But more or less continue still to tease on,
With arguments according to their 'forte;'
But no one dreams of ever being short.-

But I digress: of all appeals,- although
I grant the power of pathos, and of gold,
Of beauty, flattery, threats, a shilling,- no
Method 's more sure at moments to take hold
Of the best feelings of mankind, which grow
More tender, as we every day behold,
Than that all-softening, overpowering knell,
The tocsin of the soul- the dinner-bell.

Turkey contains no bells, and yet men dine;
And Juan and his friend, albeit they heard
No Christian knoll to table, saw no line
Of lackeys usher to the feast prepared,
Yet smelt roast-meat, beheld a huge fire shine,
And cooks in motion with their clean arms bared,
And gazed around them to the left and right
With the prophetic eye of appetite.

And giving up all notions of resistance,
They follow'd close behind their sable guide,
Who little thought that his own crack'd existence
Was on the point of being set aside:
He motion'd them to stop at some small distance,
And knocking at the gate, 't was open'd wide,
And a magnificent large hall display'd
The Asian pomp of Ottoman parade.

I won't describe; description is my forte,
But every fool describes in these bright days
His wondrous journey to some foreign court,
And spawns his quarto, and demands your praise-
Death to his publisher, to him 't is sport;
While Nature, tortured twenty thousand ways,
Resigns herself with exemplary patience
To guide-books, rhymes, tours, sketches, illustrations.

Along this hall, and up and down, some, squatted
Upon their hams, were occupied at chess;
Others in monosyllable talk chatted,
And some seem'd much in love with their own dress.
And divers smoked superb pipes decorated
With amber mouths of greater price or less;
And several strutted, others slept, and some
Prepared for supper with a glass of rum.

As the black eunuch enter'd with his brace
Of purchased Infidels, some raised their eyes
A moment without slackening from their pace;
But those who sate ne'er stirr'd in anywise:
One or two stared the captives in the face,
Just as one views a horse to guess his price;
Some nodded to the negro from their station,
But no one troubled him with conversation.

He leads them through the hall, and, without stopping,
On through a farther range of goodly rooms,
Splendid but silent, save in one, where, dropping,
A marble fountain echoes through the glooms
Of night which robe the chamber, or where popping
Some female head most curiously presumes
To thrust its black eyes through the door or lattice,
As wondering what the devil a noise that is.

Some faint lamps gleaming from the lofty walls
Gave light enough to hint their farther way,
But not enough to show the imperial halls,
In all the flashing of their full array;
Perhaps there 's nothing- I 'll not say appals,
But saddens more by night as well as day,
Than an enormous room without a soul
To break the lifeless splendour of the whole.

Two or three seem so little, one seems nothing:
In deserts, forests, crowds, or by the shore,
There solitude, we know, has her full growth in
The spots which were her realms for evermore;
But in a mighty hall or gallery, both in
More modern buildings and those built of yore,
A kind of death comes o'er us all alone,
Seeing what 's meant for many with but one.

A neat, snug study on a winter's night,
A book, friend, single lady, or a glass
Of claret, sandwich, and an appetite,
Are things which make an English evening pass;
Though certes by no means so grand a sight
As is a theatre lit up by gas.
I pass my evenings in long galleries solely,
And that 's the reason I 'm so melancholy.

Alas! man makes that great which makes him little:
I grant you in a church 't is very well:
What speaks of Heaven should by no means be brittle,
But strong and lasting, till no tongue can tell
Their names who rear'd it; but huge houses fit ill-
And huge tombs worse- mankind, since Adam fell:
Methinks the story of the tower of Babel
Might teach them this much better than I 'm able.

Babel was Nimrod's hunting-box, and then
A town of gardens, walls, and wealth amazing,
Where Nabuchadonosor, king of men,
Reign'd, till one summer's day he took to grazing,
And Daniel tamed the lions in their den,
The people's awe and admiration raising;
'T was famous, too, for Thisbe and for Pyramus,
And the calumniated queen Semiramis.

That injured Queen by chroniclers so coarse
Has been accused (I doubt not by conspiracy)
Of an improper friendship for her horse
(Love, like religion, sometimes runs to heresy):
This monstrous tale had probably its source
(For such exaggerations here and there I see)
In writing 'Courser' by mistake for 'Courier:'
I wish the case could come before a jury here.

But to resume,- should there be (what may not
Be in these days?) some infidels, who don't,
Because they can't find out the very spot
Of that same Babel, or because they won't
(Though Claudius Rich, Esquire, some bricks has got,
And written lately two memoirs upon't),
Believe the Jews, those unbelievers, who
Must be believed, though they believe not you,

Yet let them think that Horace has exprest
Shortly and sweetly the masonic folly
Of those, forgetting the great place of rest,
Who give themselves to architecture wholly;
We know where things and men must end at best:
A moral (like all morals) melancholy,
And 'Et sepulchri immemor struis domos'
Shows that we build when we should but entomb us.

At last they reach'd a quarter most retired,
Where echo woke as if from a long slumber;
Though full of all things which could be desired,
One wonder'd what to do with such a number
Of articles which nobody required;
Here wealth had done its utmost to encumber
With furniture an exquisite apartment,
Which puzzled Nature much to know what Art meant.

It seem'd, however, but to open on
A range or suite of further chambers, which
Might lead to heaven knows where; but in this one
The movables were prodigally rich:
Sofas 't was half a sin to sit upon,
So costly were they; carpets every stitch
Of workmanship so rare, they made you wish
You could glide o'er them like a golden fish.

The black, however, without hardly deigning
A glance at that which wrapt the slaves in wonder,
Trampled what they scarce trod for fear of staining,
As if the milky way their feet was under
With all its stars; and with a stretch attaining
A certain press or cupboard niched in yonder-
In that remote recess which you may see-
Or if you don't the fault is not in me,-

I wish to be perspicuous; and the black,
I say, unlocking the recess, pull'd forth
A quantity of clothes fit for the back
Of any Mussulman, whate'er his worth;
And of variety there was no lack-
And yet, though I have said there was no dearth,
He chose himself to point out what he thought
Most proper for the Christians he had bought.

The suit he thought most suitable to each
Was, for the elder and the stouter, first
A Candiote cloak, which to the knee might reach,
And trousers not so tight that they would burst,
But such as fit an Asiatic breech;
A shawl, whose folds in Cashmire had been nurst,
Slippers of saffron, dagger rich and handy;
In short, all things which form a Turkish Dandy.

While he was dressing, Baba, their black friend,
Hinted the vast advantages which they
Might probably attain both in the end,
If they would but pursue the proper way
Which fortune plainly seem'd to recommend;
And then he added, that he needs must say,
''T would greatly tend to better their condition,
If they would condescend to circumcision.

'For his own part, he really should rejoice
To see them true believers, but no less
Would leave his proposition to their choice.'
The other, thanking him for this excess
Of goodness, in thus leaving them a voice
In such a trifle, scarcely could express
'Sufficiently' (he said) 'his approbation
Of all the customs of this polish'd nation.

'For his own share- he saw but small objection
To so respectable an ancient rite;
And, after swallowing down a slight refection,
For which he own'd a present appetite,
He doubted not a few hours of reflection
Would reconcile him to the business quite.'
'Will it?' said Juan, sharply: 'Strike me dead,
But they as soon shall circumcise my head!

'Cut off a thousand heads, before-'- 'Now, pray,'
Replied the other, 'do not interrupt:
You put me out in what I had to say.
Sir!- as I said, as soon as I have supt,
I shall perpend if your proposal may
Be such as I can properly accept;
Provided always your great goodness still
Remits the matter to our own free-will.'

Baba eyed Juan, and said, 'Be so good
As dress yourself-' and pointed out a suit
In which a Princess with great pleasure would
Array her limbs; but Juan standing mute,
As not being in a masquerading mood,
Gave it a slight kick with his Christian foot;
And when the old negro told him to 'Get ready,'
Replied, 'Old gentleman, I 'm not a lady.'

'What you may be, I neither know nor care,'
Said Baba; 'but pray do as I desire:
I have no more time nor many words to spare.'
'At least,' said Juan, 'sure I may enquire
The cause of this odd travesty?'- 'Forbear,'
Said Baba, 'to be curious; 't will transpire,
No doubt, in proper place, and time, and season:
I have no authority to tell the reason.'

'Then if I do,' said Juan, 'I 'll be-'- 'Hold!'
Rejoin'd the negro, 'pray be not provoking;
This spirit 's well, but it may wax too bold,
And you will find us not top fond of joking.'
'What, sir!' said Juan, 'shall it e'er be told
That I unsex'd my dress?' But Baba, stroking
The things down, said, 'Incense me, and I call
Those who will leave you of no sex at all.

'I offer you a handsome suit of clothes:
A woman's, true; but then there is a cause
Why you should wear them.'- 'What, though my soul loathes
The effeminate garb?'- thus, after a short pause,
Sigh'd Juan, muttering also some slight oaths,
'What the devil shall I do with all this gauze?'
Thus he profanely term'd the finest lace
Which e'er set off a marriage-morning face.

And then he swore; and, sighing, on he slipp'd
A pair of trousers of flesh-colour'd silk;
Next with a virgin zone he was equipp'd,
Which girt a slight chemise as white as milk;
But tugging on his petticoat, he tripp'd,
Which- as we say- or, as the Scotch say, whilk
(The rhyme obliges me to this; sometimes
Monarchs are less imperative than rhymes)-

Whilk, which (or what you please), was owing to
His garment's novelty, and his being awkward:
And yet at last he managed to get through
His toilet, though no doubt a little backward:
The negro Baba help'd a little too,
When some untoward part of raiment stuck hard;
And, wrestling both his arms into a gown,
He paused, and took a survey up and down.

One difficulty still remain'd- his hair
Was hardly long enough; but Baba found
So many false long tresses all to spare,
That soon his head was most completely crown'd,
After the manner then in fashion there;
And this addition with such gems was bound
As suited the ensemble of his toilet,
While Baba made him comb his head and oil it.

And now being femininely all array'd,
With some small aid from scissors, paint, and tweezers,
He look'd in almost all respects a maid,
And Baba smilingly exclaim'd, 'You see, sirs,
A perfect transformation here display'd;
And now, then, you must come along with me, sirs,
That is- the Lady:' clapping his hands twice,
Four blacks were at his elbow in a trice.

'You, sir,' said Baba, nodding to the one,
'Will please to accompany those gentlemen
To supper; but you, worthy Christian nun,
Will follow me: no trifling, sir; for when
I say a thing, it must at once be done.
What fear you? think you this a lion's den?
Why, 't is a palace; where the truly wise
Anticipate the Prophet's paradise.

'You fool! I tell you no one means you harm.'
'So much the better,' Juan said, 'for them;
Else they shall feel the weight of this my arm,
Which is not quite so light as you may deem.
I yield thus far; but soon will break the charm
If any take me for that which I seem:
So that I trust for everybody's sake,
That this disguise may lead to no mistake.'

'Blockhead! come on, and see,' quoth Baba; while
Don Juan, turning to his comrade, who
Though somewhat grieved, could scarce forbear a smile
Upon the metamorphosis in view,-
'Farewell!' they mutually exclaim'd: 'this soil
Seems fertile in adventures strange and new;
One 's turn'd half Mussulman, and one a maid,
By this old black enchanter's unsought aid.'

'Farewell!' said Juan: 'should we meet no more,
I wish you a good appetite.'- 'Farewell!'
Replied the other; 'though it grieves me sore;
When we next meet we 'll have a tale to tell:
We needs must follow when Fate puts from shore.
Keep your good name; though Eve herself once fell.'
'Nay,' quoth the maid, 'the Sultan's self shan't carry me,
Unless his highness promises to marry me.

And thus they parted, each by separate doors;
Baba led Juan onward room by room
Through glittering galleries and o'er marble floors,
Till a gigantic portal through the gloom,
Haughty and huge, along the distance lowers;
And wafted far arose a rich perfume:
It seem'd as though they came upon a shrine,
For all was vast, still, fragrant, and divine.

The giant door was broad, and bright, and high,
Of gilded bronze, and carved in curious guise;
Warriors thereon were battling furiously;
Here stalks the victor, there the vanquish'd lies;
There captives led in triumph droop the eye,
And in perspective many a squadron flies:
It seems the work of times before the line
Of Rome transplanted fell with Constantine.

This massy portal stood at the wide close
Of a huge hall, and on its either side
Two little dwarfs, the least you could suppose,
Were sate, like ugly imps, as if allied
In mockery to the enormous gate which rose
O'er them in almost pyramidic pride:
The gate so splendid was in all its features,
You never thought about those little creatures,

Until you nearly trod on them, and then
You started back in horror to survey
The wondrous hideousness of those small men,
Whose colour was not black, nor white, nor grey,
But an extraneous mixture, which no pen
Can trace, although perhaps the pencil may;
They were mis-shapen pigmies, deaf and dumb-
Monsters, who cost a no less monstrous sum.

Their duty was- for they were strong, and though
They look'd so little, did strong things at times-
To ope this door, which they could really do,
The hinges being as smooth as Rogers' rhymes;
And now and then, with tough strings of the bow,
As is the custom of those Eastern climes,
To give some rebel Pacha a cravat;
For mutes are generally used for that.

They spoke by signs- that is, not spoke at all;
And looking like two incubi, they glared
As Baba with his fingers made them fall
To heaving back the portal folds: it scared
Juan a moment, as this pair so small
With shrinking serpent optics on him stared;
It was as if their little looks could poison
Or fascinate whome'er they fix'd their eyes on.

Before they enter'd, Baba paused to hint
To Juan some slight lessons as his guide:
'If you could just contrive,' he said, 'to stint
That somewhat manly majesty of stride,
'T would be as well, and (though there 's not much in 't)
To swing a little less from side to side,
Which has at times an aspect of the oddest;-
And also could you look a little modest,

''T would be convenient; for these mutes have eyes
Like needles, which may pierce those petticoats;
And if they should discover your disguise,
You know how near us the deep Bosphorus floats;
And you and I may chance, ere morning rise,
To find our way to Marmora without boats,
Stitch'd up in sacks- a mode of navigation
A good deal practised here upon occasion.'

With this encouragement, he led the way
Into a room still nobler than the last;
A rich confusion form'd a disarray
In such sort, that the eye along it cast
Could hardly carry anything away,
Object on object flash'd so bright and fast;
A dazzling mass of gems, and gold, and glitter,
Magnificently mingled in a litter.

Wealth had done wonders- taste not much; such things
Occur in Orient palaces, and even
In the more chasten'd domes of Western kings
(Of which I have also seen some six or seven),
Where I can't say or gold or diamond flings
Great lustre, there is much to be forgiven;
Groups of bad statues, tables, chairs, and pictures,
On which I cannot pause to make my strictures.

In this imperial hall, at distance lay
Under a canopy, and there reclined
Quite in a confidential queenly way,
A lady; Baba stopp'd, and kneeling sign'd
To Juan, who though not much used to pray,
Knelt down by instinct, wondering in his mind,
What all this meant: while Baba bow'd and bended
His head, until the ceremony ended.

The lady rising up with such an air
As Venus rose with from the wave, on them
Bent like an antelope a Paphian pair
Of eyes, which put out each surrounding gem;
And raising up an arm as moonlight fair,
She sign'd to Baba, who first kiss'd the hem
Of her deep purple robe, and speaking low,
Pointed to Juan who remain'd below.

Her presence was as lofty as her state;
Her beauty of that overpowering kind,
Whose force description only would abate:
I 'd rather leave it much to your own mind,
Than lessen it by what I could relate
Of forms and features; it would strike you blind
Could I do justice to the full detail;
So, luckily for both, my phrases fail.

Thus much however I may add,- her years
Were ripe, they might make six-and-twenty springs;
But there are forms which Time to touch forbears,
And turns aside his scythe to vulgar things,
Such as was Mary's Queen of Scots; true- tears
And love destroy; and sapping sorrow wrings
Charms from the charmer, yet some never grow
Ugly; for instance- Ninon de l'Enclos.

She spake some words to her attendants, who
Composed a choir of girls, ten or a dozen,
And were all clad alike; like Juan, too,
Who wore their uniform, by Baba chosen;
They form'd a very nymph-like looking crew,
Which might have call'd Diana's chorus 'cousin,'
As far as outward show may correspond;
I won't be bail for anything beyond.

They bow'd obeisance and withdrew, retiring,
But not by the same door through which came in
Baba and Juan, which last stood admiring,
At some small distance, all he saw within
This strange saloon, much fitted for inspiring
Marvel and praise; for both or none things win;
And I must say, I ne'er could see the very
Great happiness of the 'Nil Admirari.'

'Not to admire is all the art I know
(Plain truth, dear Murray, needs few flowers of speech)
To make men happy, or to keep them so'
(So take it in the very words of Creech)-
Thus Horace wrote we all know long ago;
And thus Pope quotes the precept to re-teach
From his translation; but had none admired,
Would Pope have sung, or Horace been inspired?

Baba, when all the damsels were withdrawn,
Motion'd to Juan to approach, and then
A second time desired him to kneel down,
And kiss the lady's foot; which maxim when
He heard repeated, Juan with a frown
Drew himself up to his full height again,
And said, 'It grieved him, but he could not stoop
To any shoe, unless it shod the Pope.'

Baba, indignant at this ill-timed pride,
Made fierce remonstrances, and then a threat
He mutter'd (but the last was given aside)
About a bow-string- quite in vain; not yet
Would Juan bend, though 't were to Mahomet's bride:
There 's nothing in the world like etiquette
In kingly chambers or imperial halls,
As also at the race and county balls.

He stood like Atlas, with a world of words
About his ears, and nathless would not bend:
The blood of all his line 's Castilian lords
Boil'd in his veins, and rather than descend
To stain his pedigree a thousand swords
A thousand times of him had made an end;
At length perceiving the 'foot' could not stand,
Baba proposed that he should kiss the hand.

Here was an honourable compromise,
A half-way house of diplomatic rest,
Where they might meet in much more peaceful guise;
And Juan now his willingness exprest
To use all fit and proper courtesies,
Adding, that this was commonest and best,
For through the South the custom still commands
The gentleman to kiss the lady's hands.

And he advanced, though with but a bad grace,
Though on more thorough-bred or fairer fingers
No lips e'er left their transitory trace;
On such as these the lip too fondly lingers,
And for one kiss would fain imprint a brace,
As you will see, if she you love shall bring hers
In contact; and sometimes even a fair stranger's
An almost twelvemonth's constancy endangers.

The lady eyed him o'er and o'er, and bade
Baba retire, which he obey'd in style,
As if well used to the retreating trade;
And taking hints in good part all the while,
He whisper'd Juan not to be afraid,
And looking on him with a sort of smile,
Took leave, with such a face of satisfaction
As good men wear who have done a virtuous action.

When he was gone, there was a sudden change:
I know not what might be the lady's thought,
But o'er her bright brow flash'd a tumult strange,
And into her dear cheek the blood was brought,
Blood-red as sunset summer clouds which range
The verge of Heaven; and in her large eyes wrought,
A mixture of sensations might be scann'd,
Of half voluptuousness and half command.

Her form had all the softness of her sex,
Her features all the sweetness of the devil,
When he put on the cherub to perplex
Eve, and paved (God knows how) the road to evil;
The sun himself was scarce more free from specks
Than she from aught at which the eye could cavil;
Yet, somehow, there was something somewhere wanting,
As if she rather order'd than was granting.

Something imperial, or imperious, threw
A chain o'er all she did; that is, a chain
Was thrown as 't were about the neck of you,-
And rapture's self will seem almost a pain
With aught which looks like despotism in view:
Our souls at least are free, and 't is in vain
We would against them make the flesh obey-
The spirit in the end will have its way.

Her very smile was haughty, though so sweet;
Her very nod was not an inclination;
There was a self-will even in her small feet,
As though they were quite conscious of her station-
They trod as upon necks; and to complete
Her state (it is the custom of her nation),
A poniard deck'd her girdle, as the sign
She was a sultan's bride (thank Heaven, not mine!).

'To hear and to obey' had been from birth
The law of all around her; to fulfill
All phantasies which yielded joy or mirth,
Had been her slaves' chief pleasure, as her will;
Her blood was high, her beauty scarce of earth:
Judge, then, if her caprices e'er stood still;
Had she but been a Christian, I 've a notion
We should have found out the 'perpetual motion.'

Whate'er she saw and coveted was brought;
Whate'er she did not see, if she supposed
It might be seen, with diligence was sought,
And when 't was found straightway the bargain closed;
There was no end unto the things she bought,
Nor to the trouble which her fancies caused;
Yet even her tyranny had such a grace,
The women pardon'd all except her face.

Juan, the latest of her whims, had caught
Her eye in passing on his way to sale;
She order'd him directly to be bought,
And Baba, who had ne'er been known to fail
In any kind of mischief to be wrought,
At all such auctions knew how to prevail:
She had no prudence, but he had; and this
Explains the garb which Juan took amiss.

His youth and features favour'd the disguise,
And, should you ask how she, a sultan's bride,
Could risk or compass such strange phantasies,
This I must leave sultanas to decide:
Emperors are only husbands in wives' eyes,
And kings and consorts oft are mystified,
As we may ascertain with due precision,
Some by experience, others by tradition.

But to the main point, where we have been tending:-
She now conceived all difficulties past,
And deem'd herself extremely condescending
When, being made her property at last,
Without more preface, in her blue eyes blending
Passion and power, a glance on him she cast,
And merely saying, 'Christian, canst thou love?'
Conceived that phrase was quite enough to move

And so it was, in proper time and place;
But Juan, who had still his mind o'erflowing
With Haidee's isle and soft Ionian face,
Felt the warm blood, which in his face was glowing,
Rush back upon his heart, which fill'd apace,
And left his cheeks as pale as snowdrops blowing;
These words went through his soul like Arab-spears,
So that he spoke not, but burst into tears.

She was a good deal shock'd; not shock'd at tears,
For women shed and use them at their liking;
But there is something when man's eye appears
Wet, still more disagreeable and striking;
A woman's tear-drop melts, a man's half sears,
Like molten lead, as if you thrust a pike in
His heart to force it out, for (to be shorter)
To them 't is a relief, to us a torture.

And she would have consoled, but knew not how:
Having no equals, nothing which had e'er
Infected her with sympathy till now,
And never having dreamt what 't was to bear
Aught of a serious, sorrowing kind, although
There might arise some pouting petty care
To cross her brow, she wonder'd how so near
Her eyes another's eye could shed a tear.

But nature teaches more than power can spoil,
And, when a strong although a strange sensation
Moves- female hearts are such a genial soil
For kinder feelings, whatsoe'er their nation,
They naturally pour the 'wine and oil,'
Samaritans in every situation;
And thus Gulbeyaz, though she knew not why,
Felt an odd glistening moisture in her eye.

But tears must stop like all things else; and soon
Juan, who for an instant had been moved
To such a sorrow by the intrusive tone
Of one who dared to ask if 'he had loved,'
Call'd back the stoic to his eyes, which shone
Bright with the very weakness he reproved;
And although sensitive to beauty, he
Felt most indignant still at not being free.

Gulbeyaz, for the first time in her days,
Was much embarrass'd, never having met
In all her life with aught save prayers and praise;
And as she also risk'd her life to get
Him whom she meant to tutor in love's ways
Into a comfortable tete-a-tete,
To lose the hour would make her quite a martyr,
And they had wasted now almost a quarter.

I also would suggest the fitting time
To gentlemen in any such like case,
That is to say in a meridian clime-
With us there is more law given to the chase,
But here a small delay forms a great crime:
So recollect that the extremest grace
Is just two minutes for your declaration-
A moment more would hurt your reputation.

Juan's was good; and might have been still better,
But he had got Haidee into his head:
However strange, he could not yet forget her,
Which made him seem exceedingly ill-bred.
Gulbeyaz, who look'd on him as her debtor
For having had him to her palace led,
Began to blush up to the eyes, and then
Grow deadly pale, and then blush back again.

At length, in an imperial way, she laid
Her hand on his, and bending on him eyes
Which needed not an empire to persuade,
Look'd into his for love, where none replies:
Her brow grew black, but she would not upbraid,
That being the last thing a proud woman tries;
She rose, and pausing one chaste moment, threw
Herself upon his breast, and there she grew.

This was an awkward test, as Juan found,
But he was steel'd by sorrow, wrath, and pride:
With gentle force her white arms he unwound,
And seated her all drooping by his side,
Then rising haughtily he glanced around,
And looking coldly in her face, he cried,
'The prison'd eagle will not pair, nor
Serve a Sultana's sensual phantasy.

'Thou ask'st if I can love? be this the proof
How much I have loved- that I love not thee!
In this vile garb, the distaff, web, and woof,
Were fitter for me: Love is for the free!
I am not dazzled by this splendid roof,
Whate'er thy power, and great it seems to be;
Heads bow, knees bend, eyes watch around a throne,
And hands obey- our hearts are still our own.'

This was a truth to us extremely trite;
Not so to her, who ne'er had heard such things:
She deem'd her least command must yield delight,
Earth being only made for queens and kings.
If hearts lay on the left side or the right
She hardly knew, to such perfection brings
Legitimacy its born votaries, when
Aware of their due royal rights o'er men.

Besides, as has been said, she was so fair
As even in a much humbler lot had made
A kingdom or confusion anywhere,
And also, as may be presumed, she laid
Some stress on charms, which seldom are, if e'er,
By their possessors thrown into the shade:
She thought hers gave a double 'right divine;'
And half of that opinion 's also mine.

Remember, or (if you can not) imagine,
Ye, who have kept your chastity when young,
While some more desperate dowager has been waging
Love with you, and been in the dog-days stung
By your refusal, recollect her raging!
Or recollect all that was said or sung
On such a subject; then suppose the face
Of a young downright beauty in this case.

Suppose,- but you already have supposed,
The spouse of Potiphar, the Lady Booby,
Phaedra, and all which story has disclosed
Of good examples; pity that so few by
Poets and private tutors are exposed,
To educate- ye youth of Europe- you by!
But when you have supposed the few we know,
You can't suppose Gulbeyaz' angry brow.

A tigress robb'd of young, a lioness,
Or any interesting beast of prey,
Are similes at hand for the distress
Of ladies who can not have their own way;
But though my turn will not be served with less,
These don't express one half what I should say:
For what is stealing young ones, few or many,
To cutting short their hopes of having any?

The love of offspring 's nature's general law,
From tigresses and cubs to ducks and ducklings;
There 's nothing whets the beak, or arms the claw
Like an invasion of their babes and sucklings;
And all who have seen a human nursery, saw
How mothers love their children's squalls and chucklings;
This strong extreme effect (to tire no longer
Your patience) shows the cause must still be stronger.

If I said fire flash'd from Gulbeyaz' eyes,
'T were nothing- for her eyes flash'd always fire;
Or said her cheeks assumed the deepest dyes,
I should but bring disgrace upon the dyer,
So supernatural was her passion's rise;
For ne'er till now she knew a check'd desire:
Even ye who know what a check'd woman is
(Enough, God knows!) would much fall short of this.

Her rage was but a minute's, and 't was well-
A moment's more had slain her; but the while
It lasted 't was like a short glimpse of hell:
Nought 's more sublime than energetic bile,
Though horrible to see yet grand to tell,
Like ocean warring 'gainst a rocky isle;
And the deep passions flashing through her form
Made her a beautiful embodied storm.

A vulgar tempest 't were to a typhoon
To match a common fury with her rage,
And yet she did not want to reach the moon,
Like moderate Hotspur on the immortal page;
Her anger pitch'd into a lower tune,
Perhaps the fault of her soft sex and age-
Her wish was but to 'kill, kill, kill,' like Lear's,
And then her thirst of blood was quench'd in tears.

A storm it raged, and like the storm it pass'd,
Pass'd without words- in fact she could not speak;
And then her sex's shame broke in at last,
A sentiment till then in her but weak,
But now it flow'd in natural and fast,
As water through an unexpected leak;
For she felt humbled- and humiliation
Is sometimes good for people in her station

It teaches them that they are flesh and blood,
It also gently hints to them that others,
Although of clay, are yet not quite of mud;
That urns and pipkins are but fragile brothers,
And works of the same pottery, bad or good,
Though not all born of the same sires and mothers:
It teaches- Heaven knows only what it teaches,
But sometimes it may mend, and often reaches.

Her first thought was to cut off Juan's head;
Her second, to cut only his- acquaintance;
Her third, to ask him where he had been bred;
Her fourth, to rally him into repentance;
Her fifth, to call her maids and go to bed;
Her sixth, to stab herself; her seventh, to sentence
The lash to Baba:- but her grand resource
Was to sit down again, and cry of course.

She thought to stab herself, but then she had
The dagger close at hand, which made it awkward;
For Eastern stays are little made to pad,
So that a poniard pierces if 't is stuck hard:
She thought of killing Juan- but, poor lad!
Though he deserved it well for being so backward,
The cutting off his head was not the art
Most likely to attain her aim- his heart.

Juan was moved; he had made up his mind
To be impaled, or quarter'd as a dish
For dogs, or to be slain with pangs refined,
Or thrown to lions, or made baits for fish,
And thus heroically stood resign'd,
Rather than sin- except to his own wish:
But all his great preparatives for dying
Dissolved like snow before a woman crying.

As through his palms Bob Acres' valour oozed,
So Juan's virtue ebb'd, I know not how;
And first he wonder'd why he had refused;
And then, if matters could be made up now;
And next his savage virtue he accused,
Just as a friar may accuse his vow,
Or as a dame repents her of her oath,
Which mostly ends in some small breach of both.

So he began to stammer some excuses;
But words are not enough in such a matter,
Although you borrow'd all that e'er the muses
Have sung, or even a Dandy's dandiest chatter,
Or all the figures Castlereagh abuses;
Just as a languid smile began to flatter
His peace was making, but before he ventured
Further, old Baba rather briskly enter'd.

'Bride of the Sun! and Sister of the Moon!'
('T was thus he spake) 'and Empress of the Earth!
Whose frown would put the spheres all out of tune,
Whose smile makes all the planets dance with mirth,
Your slave brings tidings- he hopes not too soon-
Which your sublime attention may be worth:
The Sun himself has sent me like a ray,
To hint that he is coming up this way.'

'Is it,' exclaim'd Gulbeyaz, 'as you say?
I wish to heaven he would not shine till morning!
But bid my women form the milky way.
Hence, my old comet! give the stars due warning-
And, Christian! mingle with them as you may,
And as you 'd have me pardon your past scorning-'
Here they were interrupted by a humming
Sound, and then by a cry, 'The Sultan 's coming!'

First came her damsels, a decorous file,
And then his Highness' eunuchs, black and white;
The train might reach a quarter of a mile:
His majesty was always so polite
As to announce his visits a long while
Before he came, especially at night;
For being the last wife of the Emperour,
She was of course the favorite of the four.

His Highness was a man of solemn port,
Shawl'd to the nose, and bearded to the eyes,
Snatch'd from a prison to preside at court,
His lately bowstrung brother caused his rise;
He was as good a sovereign of the sort
As any mention'd in the histories
Of Cantemir, or Knolles, where few shine
Save Solyman, the glory of their line.

He went to mosque in state, and said his prayers
With more than 'Oriental scrupulosity;'
He left to his vizier all state affairs,
And show'd but little royal curiosity:
I know not if he had domestic cares-
No process proved connubial animosity;
Four wives and twice five hundred maids, unseen,
Were ruled as calmly as a Christian queen.

If now and then there happen'd a slight slip,
Little was heard of criminal or crime;
The story scarcely pass'd a single lip-
The sack and sea had settled all in time,
From which the secret nobody could rip:
The Public knew no more than does this rhyme;
No scandals made the daily press a curse-
Morals were better, and the fish no worse.

He saw with his own eyes the moon was round,
Was also certain that the earth was square,
Because he had journey'd fifty miles, and found
No sign that it was circular anywhere;
His empire also was without a bound:
'T is true, a little troubled here and there,
By rebel pachas, and encroaching giaours,
But then they never came to 'the Seven Towers;'

Except in shape of envoys, who were sent
To lodge there when a war broke out, according
To the true law of nations, which ne'er meant
Those scoundrels, who have never had a sword in
Their dirty diplomatic hands, to vent
Their spleen in making strife, and safely wording
Their lies, yclep'd despatches, without risk or
The singeing of a single inky whisker.

He had fifty daughters and four dozen sons,
Of whom all such as came of age were stow'd,
The former in a palace, where like nuns
They lived till some Bashaw was sent abroad,
When she, whose turn it was, was wed at once,
Sometimes at six years old- though it seems odd,
'T is true; the reason is, that the Bashaw
Must make a present to his sire in law.

His sons were kept in prison, till they grew
Of years to fill a bowstring or the throne,
One or the other, but which of the two
Could yet be known unto the fates alone;
Meantime the education they went through
Was princely, as the proofs have always shown:
So that the heir apparent still was found
No less deserving to be hang'd than crown'd.

His majesty saluted his fourth spouse
With all the ceremonies of his rank,
Who clear'd her sparkling eyes and smooth'd her brows,
As suits a matron who has play'd a prank;
These must seem doubly mindful of their vows,
To save the credit of their breaking bank:
To no men are such cordial greetings given
As those whose wives have made them fit for heaven.

His Highness cast around his great black eyes,
And looking, as he always look'd, perceived
Juan amongst the damsels in disguise,
At which he seem'd no whit surprised nor grieved,
But just remark'd with air sedate and wise,
While still a fluttering sigh Gulbeyaz heaved,
'I see you 've bought another girl; 't is pity
That a mere Christian should be half so pretty.'

This compliment, which drew all eyes upon
The new-bought virgin, made her blush and shake.
Her comrades, also, thought themselves undone:
Oh! Mahomet! that his majesty should take
Such notice of a giaour, while scarce to one
Of them his lips imperial ever spake!
There was a general whisper, toss, and wriggle,
But etiquette forbade them all to giggle.

The Turks do well to shut- at least, sometimes-
The women up, because, in sad reality,
Their chastity in these unhappy climes
Is not a thing of that astringent quality
Which in the North prevents precocious crimes,
And makes our snow less pure than our morality;
The sun, which yearly melts the polar ice,
Has quite the contrary effect on vice.

Thus in the East they are extremely strict,
And Wedlock and a Padlock mean the same;
Excepting only when the former 's pick'd
It ne'er can be replaced in proper frame;
Spoilt, as a pipe of claret is when prick'd:
But then their own Polygamy 's to blame;
Why don't they knead two virtuous souls for life
Into that moral centaur, man and wife?

Thus far our chronicle; and now we pause,
Though not for want of matter; but 't is time
According to the ancient epic laws,
To slacken sail, and anchor with our rhyme.
Let this fifth canto meet with due applause,
The sixth shall have a touch of the sublime;
Meanwhile, as Homer sometimes sleeps, perhaps
You 'll pardon to my muse a few short naps.

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,
Paused scarcely a moment, and then sped away,
And two actors more now enliven our play.


A graceful young woman with eyes like the morn,
With hair like the tassels which hang from the corn,
And a face that might serve as a model for Peace,
Moved lightly along, smiled and bowed to Maurice,
Then was lost in the circle of friends waiting near.
A discord of shrill nasal tones smote the ear,
As they greeted their comrade and bore her from sight.
(The ear oft is pained while the eye feels delight
In the presence of women throughout our fair land:
God gave them the graces which win and command,
But the devil, who always in mischief rejoices,
Slipped into their teachers and ruined their voices.)
There had stepped from the train just behind Mabel Lee
A man whose deportment bespoke him to be
A child of good fortune. His mien and his air
Were those of one all unaccustomed to care.
His brow was not vexed with the gold seeker's worry,
His manner was free from the national hurry.
Repose marked his movements. Yet gaze in his eye,
And you saw that this calm outer man was a lie;
And you knew that deep down in the depths of his breast
There dwelt the unmerciful imp of unrest.


He held out his hand; it was clasped with a will
In both the firm palms of Maurice Somerville.
'Well, Reese, my old Comrade;' 'Ha, Roger, my boy,'
They cried in a breath, and their eyes gemmed with joy
(Which but for their sex had been set in a tear),
As they walked arm in arm to the trap waiting near,
And drove down the shining shell roadway which wound
Through forest and meadow, in search of the Sound.


Roger:

I smell the salt water-that perfume which starts
The blood from hot brains back to world withered hearts;
You may talk of the fragrance of flower filled fields,
You may sing of the odors the Orient yields,
You may tell of the health laden scent of the pine,
But give me the subtle salt breath of the brine.
Already I feel lost emotions of youth
Steal back to my soul in their sweetness and truth;
Small wonder the years leave no marks on your face,
Time's scythe gathers rust in this idyllic place.
You must feel like a child on the Great Mother's breast,
With the Sound like a nurse watching over your rest?


Maurice:

There is beauty and truth in your quaint simile,
I love the Sound more than the broad open sea.
The ocean seems always stern, masculine, bold,
The Sound is a woman, now warm, and now cold.
It rises in fury and threatens to smite,
Then falls at your feet with a coo of delight;
Capricious, seductive, first frowning, then smiling,
And always, whatever its mood is, beguiling.
Look, now you can see it, bright beautiful blue,
And far in the distance there loom into view
The banks of Long Island, full thirty miles off;
A sign of wet weather to-morrow. Don't scoff!
We people who chum with the waves and the wind
Know more than all wise signal bureaus combined.


But come, let us talk of yourself-for of me
There is little to tell which your eyes may not see.
Since we finished at College (eight years, is it not?)
I simply have dreamed away life in this spot.
With my dogs and my horses, a book and a pen,
And a week spent in town as a change now and then.
Fatigue for the body, disease for the mind,
Are all that the city can give me, I find.
Yet once in a while there is wisdom I hold
In leaving the things that are dearer than gold,-
Loved people and places-if only to learn
The exquisite rapture it is to return.
But you, I remember, craved motion and change;
You hated the usual, worshiped the strange.
Adventure and travel I know were your theme:
Well, how did the real compare with the dream?
You have compassed the earth since we parted at Yale,
Has life grown the richer, or only grown stale?


Roger:

Stale, stale, my dear boy! that's the story in short,
I am weary of travel, adventure and sport;
At home and abroad, in all climates and lands,
I have had what life gives when a full purse commands
I have chased after Pleasure, that phantom faced elf,
And lost the best part of my youth and myself.
And now, barely thirty, I'm heart sick and blue;
Life seems like a farce scarcely worth sitting through.
I dread its long stretch of dissatisfied years;
Ah! wealth is not always the boon it appears.
And poverty lights not such ruinous fires
As gratified appetites, tastes and desires.
Fate curses, when letting us do as we please-
It stunts a man's soul to be cradled in ease.


Maurice:

You are right in a measure; the devil I hold
Is oftener found in full coffers of gold
Than in bare, empty larders. The soul, it is plain,
Needs the conflicts of earth, needs the stress and the strain
Of misfortune, to bring out its strength in this life-
The Soul's calisthenics are sorrow and strife.
But, Roger, what folly to stand in youth's prime
And talk like a man who could father old Time.
You have life all before you; the past,-let it sleep;
Its lessons alone are the things you should keep.
There is virtue sometimes in our follies and sinnings;
Right lives very often have faulty beginnings.
Results, and not causes, are what we should measure.
You have learned precious truths in your search after pleasure.
You have learned that a glow worm is never a star,
You have learned that Peace builds not her temples afar.
And now, dispossessed of the spirit to roam,
You are finely equipped to establish a home.
That's the one thing you need to lend savor to life,
A home, and the love of a sweet hearted wife,
And children to gladden the path to old age.


Roger:

Alas! from life's book I have torn out that page;
I have loved many times and in many a fashion,
Which means I know nothing at all of the passion.
I have scattered my heart, here and there, bit by bit,
'Til now there is nothing worth while left of it;
And, worse than all else, I have ceased to believe
In the virtue and truth of the daughters of Eve.
There's tragedy for you-when man's early trust
In woman, experience hurls to the dust!


Maurice:

Then you doubt your own mother?


Roger:

She passed heavenward
Before I remember; a saint, I have heard,
While she lived; there are scores of good women to-day,
Temptation has chanced not to wander their way.
The devil has more than his lordship can do,
He can't make the rounds, so some women keep true.


Maurice:

You think then each woman, if tempted, must fall?


Roger:

Yes, if tempted her way-not one way suits them all-
They have tastes in their sins as they have in their clothes,
The tempter, of course, has to first study those.
One needs to be flattered, another is bought;
One yields to caresses, by frowns one is caught.
One wants a bold master, another a slave,
With one you must jest, with another be grave.
But swear you're a sinner whom she has reformed
And the average feminine fortress is stormed.
In rescuing men from abysses of sin
She loses her head-and herself tumbles in.
The mind of a woman was shaped for a saint,
But deep in her heart lies the devil's own taint.
With plans for salvation her busy brain teems,
While her heart longs in secret to know how sin seems.
And if with this question unanswered she dies,
Temptation came not in the right sort of guise.
There's my estimate, Reese, of the beautiful sex;
I see by your face that my words wound and vex,
But remember, my boy, I'm a man of the world.


Maurice:

Thank God, in the vortex I have not been hurled.
If experience breeds such a mental disease,
I am glad I have lived with the birds and the bees,
And the winds and the waves, and let people alone.
So far in my life but good women I've known.
My mother, my sister, a few valued friends-
A teacher, a schoolmate, and there the list ends.
But to know one true woman in sunshine and gloom,
From the zenith of life to the door of the tomb,
To know her, as I knew that mother of mine,
Is to know the whole sex and to kneel at the shrine.


Roger:

Then you think saint and woman synonymous terms?


Maurice:

Oh, no! we are all, men and women, poor worms
Crawling up from the dampness and darkness of clay
To bask in the sunlight and warmth of the day.
Some climb to a leaf and reflect its bright sheen,
Some toil through the grass, and are crushed there unseen.
Some sting if you touch them, and some evolve wings;
Yet God dwells in each of the poor, groping things.
They came from the Source-to the Source they go back;
The sinners are those who have missed the true track.
We can not judge women or men as a class,
Each soul has its own distinct place in the mass.
There is no sex in sin; it were folly to swear
All women are angels, but worse to declare
All are devils as you do. You're morbid, my boy,
In what you thought gold you have found much alloy
And now you are doubting there is the true ore.
But wait till you study my sweet simple store
Of pure sterling treasures; just wait till you've been
A few restful weeks, or a season, within
The charmed circle of home life; then, Roger, you'll find
These malarial mists clearing out of your mind.
As a ship cuts the fog and is caught by the breeze,
And swept through the sunlight to fair, open seas,
So your heart will be caught and swept out to the ocean
Of youth and youth's birthright of happy emotion.
I'll wager my hat (it was new yesterday)
That you'll fall in love, too, in a serious way.
Our girls at Bay Bend are bewitching and fair,
And Cupid lurks ever in salt Summer air.


Roger:

I question your gifts as a prophet, and yet,
I confess in my travels I never have met
A woman whose face so impressed me at sight,
As one seen to-day; a mere girl, sweet and bright,
Who entered the train quite alone and sat down
Surrounded by parcels she'd purchased in town.
A trim country lass, but endowed with the beauty
Which makes a man think of his conscience and duty.
Some women, you know, move us that way-God bless them,
While others rouse only a thirst to possess them
The face of the girl made me wish to be good,
I went out and smoked to escape from the mood.
When conscience through half a man's life has been sleeping
What folly to wake it to worry and weeping!


Maurice:

The pessimist role is a modern day fad,
But, Roger, you make a poor cynic, my lad.
Your heart at the core is as sound as a nut,
Though the wheels of your mind have dropped into the rut
Of wrong thinking. You need a strong hand on the lever
Of good common sense, and an earnest endeavor
To pull yourself out of the slough of despond
Back into the highway of peace just beyond.
And now, here we are at Peace Castle in truth,
And there stands its Chatelaine, sweet Sister Ruth,
To welcome you, Roger; you'll find a new type
In this old-fashioned girl, who in years scarcely ripe,
And as childish in heart as she is in her looks,
And without worldly learning or knowledge of books,
Yet in housewifely wisdom is wise as a sage.
She is quite out of step with the girls of her age,
For she has no ambition beyond the home sphere.
Ruth, here's Roger Montrose, my comrade of dear College days.
The gray eyes of the girl of nineteen
Looked into the face oft in fancy she'd seen
When her brother had talked of his comrade at Yale.
His stature was lower, his cheek was more pale
Than her thought had portrayed him; a look in his eye
Made her sorry, she knew not for what nor knew why,
But she longed to befriend him, as one needing aid.
While he, gazing down on the face of the maid,
Spoke some light words of greeting, the while his mind ran
On her 'points' good and bad; for the average man
When he looks at a woman proceeds first to scan her
As if she were horse flesh, and in the same manner
Notes all that is pleasing, or otherwise. So
Roger gazed at Ruth Somerville.
'Mouth like a bow
And eyes full of motherhood; color too warm,
And too round in the cheek and too full in the form
For the highest ideal of beauty and art.
Domestic-that word is the cue to her part
She would warm a man's slippers, but never his veins;
She would feed well his stomach, but never his brains.
And after she looks on her first baby's face,
Her husband will hold but a second-class place
In her thoughts or emotions, unless he falls ill,
When a dozen trained nurses her place can not fill.
She is sweet of her kind; and her kind since the birth
Of this sin ridden, Circe-cursed planet, the Earth,
Has kept it, I own, with its medleys of evil
From going straight into the hands of the devil.
It is not through its heroes the world lives and thrives,
But through its sweet commonplace mothers and wives.
We love them, and leave them; deceive, and respect them,
We laud loud their virtues and straightway neglect them.
They are daisy and buttercup women of earth
Who grace common ways with their sweetness and worth.
We praise, but we pass them, to reach for some flower
That stings when we pluck it, or wilts in an hour.
'You are thornless, fair Ruth! you are useful and sweet!
But lovers shall pass you to sigh at the feet
Of the selfish and idle, for such is man's way;
Your lot is to work, and to weep, and to pray.
To give much and get little; to toil and to wait
For the meager rewards of indifferent fate.
Yet so wholesome your heart, you will never complain;
You will feast on life's sorrow and drink of its pain,
And thank God for the banquet; 'tis women like you
Who make the romancing of preachers seem true.
The earth is your debtor to such large amounts
There must be a heaven to square up accounts,
Or else the whole scheme of existence at best
Is a demon's poor effort at making a jest.'


That night as Ruth brushed out her bright hazel hair
Her thoughts were of Roger, 'His bold laughing air
Is a cloak to some sorrow concealed in his breast,
His mind is the home of some secret unrest.'
She sighed; and there woke in her bosom once more
The impulse to comfort and help him; to pour
Soothing oil from the urn of her heart on his wounds.
Where motherhood nature in woman abounds
It is thus Cupid comes; unannounced and unbidden,
In sweet pity's guise, with his arrows well hidden.
But once given welcome and housed as a guest,
He hurls the whole quiver full into her breast,
While he pulls off his mask and laughs up in her eyes
With an impish delight at her start of surprise.
So intent is this archer on bagging his game
He scruples at nothing which gives him good aim.


Ruth's heart was a virgin's, in love menaced danger
While she sat by her mirror and pitied the stranger.
But just as she blew out her candle and stood
Robed for sleep in the moonlight, a change in her mood
Quickly banished the dreamer, and brought in its stead
The practical housekeeper. Sentiment fled;
And she puzzled her brain to decide which were best,
Corn muffins or hot graham gems, for the guest!


2
II.
The short-sighted minister preached at Bay Bend
His long-winded sermon quite through to the end,
Unmindful there sat in the Somerville pew
A stranger whose pale handsome countenance drew
All eyes from his own reverend self; nor suspected
What Ruth and her brother too plainly detected
That the stranger was bored.
'Though his gaze never stirred
From the face of the preacher, his heart has not heard,'
Ruth said to herself; and her soft mother-eye
Was fixed on his face with a look like a sigh
In its tremulous depths, as they rose to depart.
Then suddenly Roger, alert, seemed to start
And his dull, listless glance changed to one of surprise
And of pleasure. Ruth saw that the goal of his eyes
Was her friend Mabel Lee in the vestibule; fair
As a saint that is pictured with sun tangled hair
And orbs like the skies in October. She smiled,
And the saint disappeared in the innocent child
With an unconscious dower of beauty and youth
She paused in the vestibule waiting for Ruth
And seemed not to notice the warm eager gaze
Of two men fixed upon her in different ways.
One, the look which souls lift to a being above,
The other a look of unreasoning love
Born of fancy and destined to grow in an hour
To a full fledged emotion of mastering power.


She spoke, and her voice disappointed the ear;
It lacked some deep chords that the heart hoped to hear.
It was sweet, but not vibrant; it came from the throat,
And one listened in vain for a full chested note.
While something at times like a petulant sound
Seemed in strange disaccord with the peace so profound
Of the eyes and the brow.
Though our sight is deceived
The ear is an organ that may be believed.
The faces of people are trained to conceal,
But their unruly voices are prone to reveal
What lies deep in their natures; a voice rarely lies,
But Mabel Lee's voice told one tale, while her eyes
Told another. Large, liquid, and peaceful as lakes
Where the azure dawn rests, ere the loud world awakes,
Were the beautiful eyes of the maiden. 'A saint,
Without mortal blemish or weak human taint,'
Said Maurice to himself. To himself Roger said:
'The touch of her soft little hands on my head
Would convert me. What peace for a world weary breast
To just sit by her side and be soothed into rest.'


Daring thoughts for a stranger. Maurice, who had known
Mabel Lee as a child, to himself would not own
Such bold longings as those were. He held her to be
Too sacred for even a thought that made free.
And the voice in his bosom was silenced and hushed
Lest the bloom from her soul by his words should be brushed.
There are men to whom love is religion; but woman
Is far better pleased with a homage more human.
Though she may not be able to love in like fashion,
She wants to be wooed with both ardor and passion.
Had Mabel Lee read Roger's thoughts of her, bold
Though they were, they had flattered and pleased her, I hold.
The stranger was duly presented.


Roger:

Miss Lee,
I am sure, has no least recollection of me,
But the pleasure is mine to have looked on her face
Once before this.


Mabel:

Indeed? May I ask where?


Roger:

The place
Was the train, and the time yesterday.


Mabel:

'Then I came
From my shopping excursion in town by the same
Fast express which brought you? Had I known that the friend
Of my friends, was so near me en route for Bay Bend,
I had waived all conventions and asked him to take
One-half of my parcels for sweet pity's sake.


Roger:

You sadden me sorely. As long as I live
I shall mourn the great pleasure chance chose not to give.


Maurice:

Take courage, mon ami. Our fair friend, Miss Lee,
Fills her time quite as full of sweet works as the bee;
Like the bee, too, she drives out the drones from her hive.
You must toil in her cause, in her favor to thrive.


Roger:

She need but command me. To wait upon beauty
And goodness combined makes a pleasure of duty.


Maurice:

Who serves Mabel Lee serves all Righteousness too.
Pray, then, that she gives you some labor to do.
The cure for the pessimist lies in good deeds.
Who toils for another forgets his own needs,
And mischief and misery never attend
On the man who is occupied fully.


Ruth:

Our friend
Has the town on her shoulders. Whatever may be
The cause that is needy, we look to Miss Lee.
Have you gold? She will make you disgorge it ere long;
Are you poor? Well, perchance you can dance-sing a song-
Make a speech-tell a story, or plan a charade.
Whatever you have, gold or wits, sir, must aid
In her numerous charities.


Mabel:

Riches and brain
Are but loans from the Master. He meant them, 'tis plain,
To be used in His service; and people are kind,
When once you can set them to thinking. I find
It is lack of perception, not lack of good heart
Which makes the world selfish in seeming. My part
Is to call the attention of Plenty to need,
And to bid Pleasure pause for a moment and heed
The woes and the burdens of Labor.


Roger:

One plea
From the rosy and eloquent lips of Miss Lee
Would make Avarice pour out his coffers of gold
At her feet, I should fancy; would soften the cold,
Selfish heart of the world to compassionate sighs,
And bring tears of pity to vain Pleasure's eyes.


As the sunset a color on lily leaves throws,
The words and the glances of Roger Montrose
O'er the listener's cheeks sent a pink tinted wave;
While Maurice seemed disturbed, and his sister grew grave.
The false chink of flattery's coin smites the ear
With an unpleasant ring when the heart is sincere.
Yet the man whose mind pockets are filled with this ore,
Though empty his brain cells, is never a bore
To the opposite sex.
While Maurice knew of old
Roger's wealth in that coin that does duty for gold
In Society dealings, it hurt him to see
The cheap metal offered to sweet Mabel Lee.


(Yet, perchance, the hurt came, not so much that 'twas offered,
As in seeing her take, with a smile, what was proffered.)
They had walked, two by two, down the elm shaded street,
Which led to a cottage, vine hidden, and sweet
With the breath of the roses that covered it, where
Mabel paused in the gateway; a picture most fair.
'I would ask you to enter,' she said, 'ere you pass,
But in just twenty minutes my Sunday-school class
Claims my time and attention; and later I meet
A Committee on Plans for the boys of the street.
We seek to devise for these pupils in crime
Right methods of thought and wise uses of time.


Roger:

I am but a vagrant, untutored and wild,
May I join your street class, and be taught like a child?


Mabel:

If you come I will carefully study your case.


Maurice:

I must go along, too, just to keep him in place.


Mabel:

Then you think him unruly?


Maurice:

Decidedly so.


Roger:

I was, but am changed since one-half hour ago.


Mabel:

The change is too sudden to be of much worth;
The deepest convictions are slowest of birth.
Conversion, I hold, to be earnest and lasting,
Begins with repentance and praying and fasting,
And (begging your pardon for such a bold speech),
You seem, sir, a stranger to all and to each
Of these ways of salvation.


Roger:

Since yesterday, miss,
When, unseen, I first saw you (believe me in this),
I have deeply repented my sins of the past.
To-night I will pray, and to-morrow will fast-
Or, make it next week, when my shore appetite
May be somewhat subdued in its ravenous might.


Maurice:

That's the way of the orthodox sinner! He waits
Until time or indulgence or misery sates
All his appetites, then his repentance begins,
When his sins cease to please, then he gives up his sins
And grows pious. Now prove you are morally brave
By actually giving up something you crave!
We have fricasseed chicken and strawberry cake
For our dinner to-day.


Roger:

For dear principle's sake
I could easily do what you ask, were it not
Most unkind to Miss Ruth, who gave labor and thought
To that menu, preparing it quite to my taste.


Ruth:

But the thought and the dinner will both go to waste,
If we linger here longer; and Mabel, I see,
Is impatient to go to her duties.


Roger:

The bee
Is reluctant to turn from the lily although
The lily may obviously wish he would go
And leave her to muse in the sunlight alone.
Yet when the rose calls him, his sorrow, I own,
Has its recompense. So from delight to delight
I fly with my wings honeyladen.
Good night.


3
III.
prologue
Oh, love is like the dawnlight
That turns the dark to day,
And love is like the deep night
With secrets hid away.


And love is like the moonlight
Where tropic Summers glow,
And love is like the twilight
When dreams begin to grow.


Oh, love is like the sunlight
That sets the world ablaze.
And love is like the moonlight
With soft, illusive rays.


And love is like the starlight
That glimmers o'er the skies.
And love is like the far light
That shines from God's great eyes.


Maurice Somerville from his turreted den
Looked out of the window and laid down his pen.
A soft salty wind from the water was blowing,
Below in the garden sat Ruth with her sewing.
And stretched on the grass at her feet Roger lay
With a book in his hand.
Through the ripe August day,
Piped the Katydids' voices, Jack Frost's tally-ho
Commanding Queen Summer to pack up and go.
Maurice leaned his head on the casement and sighed,
Strong and full in his heart surged love's turbulent tide.
And thoughts of the woman he worshiped with longing
Took shape and like angels about him came thronging.
The world was all Mabel! her exquisite face
Seemed etched on the sunlight and gave it its grace;
Her eyes made the blue of the heavens, the sun
Was her wonderful hair caught and coiled into one
Shining mass. With a reverent, worshipful awe,
It was Mabel, fair Mabel, dear Mabel he saw,
When he looked up to God.
They had been much together
Through all the bright stretches of midsummer weather,
Ruth, Roger, and Mabel and he. Scarce a day
But the four were united in work or in play.
And much of the play to a man or a maid
Not in love had seemed labor. Recital, charade,
Garden party, church festival, musical, hop,
Were all planned by Miss Lee without respite or stop.
The poor were the richer; school, hospital, church,
The heathen, the laborer left in the lurch
By misfortune, the orphan, the indigent old,
Our kind Lady Bountiful aided with gold
Which she filched from the pockets of pleasure-God's spoil,
And God's blessing will follow such lives when they toil
Through an infinite sympathy.
Fair Mabel Lee
Loved to rule and to lead. She was eager to be
In the eyes of the public. That modern day craze
Possessed her in secret, and this was its phase.
An innocent, even commendable, fad
Which filled empty larders and cheered up the sad.
She loved to do good. But, alas! in her heart,
She loved better still the authoritative part
Which she played in her town.
'Neath the saint's aureole
Lurked the feminine tyrant who longed to control,
And who never would serve; but her sway was so sweet,
That her world was contented to bow at her feet.


Who toils in the great public vineyard must needs
Let other hands keep his own garden from weeds.
So busy was Mabel with charity fairs
She gave little thought to her home or its cares.
Mrs. Lee, like the typical modern day mother,
Was maid to her daughter; the father and brother
Were slaves at her bidding; an excellent plan
To make a tyrannical wife for some man.
Yet where was the man who, beholding the grace
Of that slight girlish creature, and watching her face
With its infantile beauty and sweetness, would dare
Think aught but the rarest of virtues dwelt there?
Rare virtues she had, but in commonplace ones
Which make happy husbands and home loving sons
She was utterly lacking. Ruth Somerville saw
In sorrow and silence this blemishing flaw
In the friend whom she loved with devotion! Maurice
Saw only the angel with eyes full of peace.
The faults of plain women are easily seen.
But who cares to peer back of beauty's fair screen
For things which are ugly to look on?
The lover
Is not quite in love when his sharp eyes discover
The flaws in his jewel.


Maurice from his room
Looked dreamily down on the garden of bloom,
Where Ruth sat with Roger; he smiled as he thought
How quickly the world sated cynic was brought
Into harness by Cupid. The man mad with drink,
And the man mad with love, is quite certain to think
All other men drunkards or lovers. In truth
Maurice had expected his friend to love Ruth.
'She was young, she was fair; with her bright sunny art
She could scatter the mists from his world befogged heart.
She could give him the one heaven under God's dome,
A peaceful, well ordered, and love-guarded home.
And he? why of course he would worship her! When
Cupid finds the soft spot in the hearts of such men
They are ideal husbands.' Maurice Somerville
Felt the whole world was shaping itself to his will.
And his heart stirred with joy as, by thought necromancy,
He made the near future unfold to his fancy,
And saw Ruth the bride of his friend, and the place
She left vacant supplied with the beauty and grace
Of this woman he longed for, the love of his life,
Fair Mabel, his angel, his sweet spirit wife.
Maurice to his desk turned again and once more
Began to unburden his bosom and pour
His heart out on paper-the poet's relief,
When drunk with life's rapture or sick with its grief.


Song.
When shall I tell my lady that I love her?
Will it be while the sunshine woos the world,
Or when the mystic twilight bends above her,
Or when the day's bright banners all are furled?
Will wild winds shriek, or will the calm stars glow,
When I shall tell her that I love her so,
I love her so?


I think the sun should shine in all his glory;
Again, the twilight seems the fitting time.
Yet sweet dark night would understand the story,
So old, so new, so tender, so sublime.
Wild storms should rage to chord with my desire,
Yet faithful stars should shine and never tire,
And never tire.


Ah, if my lady will consent to listen,
All hours, will times, shall hear my story told.
In amorous dawns, on nights when pale stars glisten
In dim hushed gloamings and in noon hours bold,
While thunders crash, and while the winds breathe low,
Will I re-tell her that I love her so.
I love her so.


4
IV.
The October day had been luscious and fair
Like a woman of thirty. A chill in the air
As the sun faced the west spoke of frost lurking near
All day the Sound lay without motion, and clear
As a mirror, and blue as a blond baby's eyes.
A change in the tide brought a change to the skies.
The bay stirred and murmured and parted its lips
And breathed a long sigh for the lost lovely ships,
That had gone with the Summer.
Its calm placid breast
Was stirred into passionate pain and unrest.
Not a sail, not a sail anywhere to be seen!
The soft azure eyes of the sea turned to green.
A sudden wind rose; like a runaway horse
Unchecked and unguided it sped on its course.
The waves bared their teeth, and spat spray in the face
Of the furious gale as they fled in the chase.
The sun hurried into a cloud; and the trees
Bowed low and yet lower, as if to appease
The wrath of the storm king that threatened them Close
To the waves at their wildest stood Roger Montrose.
The day had oppressed him; and now the unrest
Of the wind beaten sea brought relief to his breast,
Or at least brought the sense of companionship. Lashed
By his higher emotions, the man's passions dashed
On the shore of his mind in a frenzy of pain,
Like the waves on the rocks, and a frenzy as vain.


Since the day he first looked on her face, Mabel Lee
Had seemed to his self sated nature to be,
On life's troubled ocean, a beacon of light,
To guide him safe out from the rocks and the night.
Her calm soothed his passion; her peace gave him poise;
She seemed like a silence in life's vulgar noise.
He bathed in the light which her purity cast,
And felt half absolved from the sins of the past.
He longed in her mantle of goodness to hide
And forget the whole world. By the incoming tide
He talked with his heart as one talks with a friend
Who is dying. 'The summer has come to an end
And I wake from my dreaming,' he mused. 'Wake to know
That my place is not here-I must go I must go.
Who dares laugh at Love shall hear Love laughing last,
As forth from his bowstring barbed arrows are cast.
I scoffed at the god with a sneer on my lip,
And he forces me now from his chalice to sip
A bitter sweet potion. Ah, lightly the part
Of a lover I've played many times, but my heart
Has been proud in its record of friendship. And now
The mad, eager lover born in me must bow
To the strong claims of friendship. I love Mabel Lee;
Dared I woo as I would, I could make her love me.
The soul of a maid who knows not passion's fire
Is moth to the flame of a man's strong desire.
With one kiss on her lips I could banish the nun
And wake in her virginal bosom the one
Mighty love of her life. If I leave her, I know
She will be my friend's wife in a season or so.
He loves her, he always has loved her; 'tis he
Who ever will do all the loving; and she
Will accept it, and still be the saint to the end,
And she never will know what she missed; but my friend
Has the right to speak first. God! how can he delay?
I marvel at men who are fashioned that way.
He has worshiped her since first she put up her tresses,
And let down the hem of her school-girlish dresses
And now she is full twenty-two; were I he
A brood of her children should climb on my knee
By this time! What a sin against love to postpone
The day that might make her forever his own.
The man who can wait has no blood in his veins.
Maurice is a dreamer, he loves with his brains
Not with soul and with senses. And yet his whole life
Will be blank if he makes not this woman his wife.
She is woof of his dreams, she is warp of his mind;
Who tears her away shall leave nothing behind.
No, no, I am going: farewell to Bay Bend
I am no woman's lover-I am one man's friend.
Still-born in the arms of the matron eyed year
Lies the beautiful dream that my life buries here.
Its tomb was its cradle; it came but to taunt me,
It died, but its phantom shall ever more haunt me.'


He turned from the waves that leaped at him in wrath
To find Mabel Lee, like a wraith, in his path.
The rose from her cheek had departed in fear;
The tip of her eyelash was gemmed with a tear.
The rude winds had disarranged mantle and dress,
And she clung with both hands to her hat in distress.
'I am frightened,' she cried, in a tremulous tone;
'I dare not proceed any farther alone.
As I came by the church yard the wind felled a tree,
And invisible hands seemed to hurl it at me;
I hurried on, shrieking; the wind, in disgust,
Tore the hat from my head, filled my eyes full of dust,
And otherwise made me the butt of its sport.
Just then I spied you, like a light in the port,
And I steered for you. Please do not laugh at my fright!
I am really quite bold in the calm and the light,
But when a storm gathers, or darkness prevails,
My courage deserts me, my bravery fails,
And I want to hide somewhere and cover my ears,
And give myself up to weak womanish tears.'


Her ripple of talk allowed Roger Montrose
A few needed moments to calm and compose
His excited emotions; to curb and control
The turbulent feelings that surged through his soul
At the sudden encounter.
'I quite understand,'
He said in a voice that was under command
Of his will, 'All your fears in a storm of this kind.
There is something uncanny and weird in the wind;
Intangible, viewless, it speeds on its course,
And forests and oceans must yield to its force.
What art has constructed with patience and toil,
The wind in one second of time can despoil.
It carries destruction and death and despair,
Yet no man can follow it into its lair
And bind it or stay it-this thing without form.
Ah! there comes the rain! we are caught in the storm.
Put my coat on your shoulders and come with me where
Yon rock makes a shelter-I often sit there
To watch the great conflicts 'twixt tempest and sea.
Let me lie at your feet! 'Tis the last time, Miss Lee,
I shall see you, perchance, in this life, who can say?
I leave on the morrow at break o' the day.'


Mabel:

Indeed? Why, how sudden! and may I inquire
The reason you leave us without one desire
To return? for your words seem a final adieu.


Roger:

I never expect to return, that is true,
Yet my wish is to stay.


Mabel:

Are you not your own master?


Roger:

Alas, yes! and therein lies the cause of disaster.
Myself bids me go, my calm, reasoning part,
The will is the man, not the poor, foolish heart,
Which is ever at war with the intellect. So
I silence its clamoring voices and go.
Were I less my own master, I then might remain.


Mabel:

Your words are but riddles, I beg you explain.


Roger:

No, no, rather bid me keep silent! To say
Why I go were as weak on my part as to stay.


Mabel:

I think you most cruel! You know, sir, my sex
Loves dearly a secret. Then why should you vex
And torment me in this way by hinting at one?


Roger:

Let us talk of the weather, I think the storm done.


Mabel:

Very well! I will go! No, you need not come too,
And I will not shake hands, I am angry with you.


Roger:

And you will not shake hands when we part for all time?


Mabel:

Then read me your riddle!


Roger:

No, that were a crime
Against honor and friendship; girl, girl, have a care-
You are goading my poor, tortured heart to despair.


His last words were lost in the loud thunder's crash;
The sea seemed ablaze with a sulphurous flash.
From the rocks just above them an evergreen tree
Was torn up by the roots and flung into the sea.
The waves with rude arms hurled it back on the shore;
The wind gained in fury. The glare and the roar
Of the lightning and tempest paled Mabel Lee's cheek.
Her pupils dilated; she sprang with a shriek
Of a terrified child lost to all save alarm,
And clasped Roger Montrose with both hands by the arm,
While her cheek pressed his shoulder. An agony, sweet
And unbearable, thrilled from his head to his feet,
His veins were like rivers, with billows of fire:
His will lost control; and long fettered desire
Slipped its leash. He caught Mabel Lee to his breast,
Drew her face up to his, on her frightened lips pressed
Wild caresses of passion that startled and shocked.
Like a madman he looked, like a madman he talked,
Waiting not for reply, with no pause but a kiss,
While his iron arms welded her bosom to his.
'Girl, girl, you demanded my secret,' he cried;
'Well, that bruise on your lips tells the story! I tried,
Good God, how I tried! to be silent and go
Without speaking one word, without letting you know
That I loved you; yet how could you look in my eyes
And not see love was there like the sun in the skies?
Ah, those hands on my arm-that dear head lightly pressed
On my shoulder! God, woman, the heart in my breast
Was dry powder, your touch was the spark; and the blame
Must be yours if both lives are scorched black with the flame.
Do you hate me, despise me, for being so weak?
No, no! let me kiss you again ere you speak!
You are mine for the moment; and mine-mine alone
Is the first taste of passion your soft mouth has known.
Whoever forestalls me in winning your hand,
Between you and him shall this mad moment stand-
You shall think of me, though you think only to hate.
There-speak to me-speak to me-tell me my fate;
On your words, Mabel Lee, hangs my whole future life.
I covet you, covet you, sweet, for my wife;
I want to stay here at your side. Since I first
Saw your face I have felt an unquenchable thirst
To be good-to look deep in your eyes and find God,
And to leave in the past the dark paths I have trod
In my search after pleasure. Ah, must I go back
Into folly again, to retread the old track
Which leads out into nothingness? Girl, answer me,
As souls answer at Judgment.'
The face of the sea
Shone with sudden pink splendor. The riotous wind
Swooned away with exhaustion. Each dark cloud seemed lined
With vermilion. The tempest was over. A word
Floated up like a feather; the silence was stirred
By the soul of a sigh. The last remnant of gray
In the skies turned to gold, as a voice whispered, 'Stay.'


5
V.
prologue
God grinds His poor people to powder
All day and all night I can hear,
Their cries growing louder and louder.
Oh, God, have You deadened Your ear?


The chimes in old Trinity steeple
Ring in the sweet season of prayer,
And still God is grinding His people,
He is grinding them down to despair.


Mind, body and muscle and marrow,
He grinds them again and again.
Can He who takes heed of the sparrow
Be blind to the tortures of men?


In a bare little room of a tenement row
Of the city, Maurice sat alone. It was so
(In this nearness to life's darkest phases of grief
And despair) that his own bitter woe found relief.
Joy needs no companion; but sorrow and pain
Long to comrade with sorrow. The flowery chain
Flung by Pleasure about her gay votaries breaks
With the least strain upon it. The chain sorrow makes
Links heart unto heart. As a bullock will fly
To far fields when an arrow has pierced him, to die,
So Maurice had flown over far oceans to find
No balm for his wounds, and no peace for his mind.
Cosmopolitan, always, is sorrow; at home
In all countries and lands, thriving well while we roam
In vain efforts to slay it. Toil only, brings peace
To the tempest tossed heart. What in travel Maurice
Failed to find-self-forgetfulness-came with his work
For the suffering poor in the slums of New York.
He had wandered in strange heathen countries-had been
Among barbarous hordes; but the greed and the sin
Of his own native land seemed the shame of the hour.
In his gold there was balm, in his pen there was power
To comfort the needy, to aid and defend
The unfortunate. Close in their midst, as a friend
And companion, for more than twelve months he had dwelt.
Like a ray of pure light in a cellar was felt
This strong, wholesome presence. His little room bare
Of all luxuries, taught the poor souls who flocked there
For his counsel and aid, how by mere cleanliness
The grim features of want lose some lines of distress.
The slips from the plants on his window ledge, given
To beauty starved souls, spoke more clearly of heaven
And God than did sermons or dry creedy tracts.
Maurice was no preacher; and yet his kind acts
Of mercy and self-immolation sufficed
To wake in dark minds a bright image of Christ-
The Christ often heard of, but doubted before.
Maurice spoke no word of religion. Of yore
His heart had accepted the creeds of his youth
Without pausing to cavil, or question their truth.
Faith seemed his inheritance. But, with the blow
Which slew love and killed friendship, faith, too, seemed to go.


It is easy to be optimistic in pleasure,
But when Pain stands us up by her portal to measure
The actual height of our trust and belief,
Ah! then is the time when our faith comes to grief.
The woes of our fellows, God sends them, 'tis plain;
But the devil himself is the cause of our pain.
We question the wisdom that rules o'er the world,
And our minds into chaos and darkness are hurled.


The average scoffer at faith goes about
Pouring into the ears of his fellows each doubt
Which assails him. One truth he fails wholly to heed;
That a doubt oft repeated may bore like a creed.
Maurice kept his thoughts to himself, but his pen
Was dipped in the gall of his heart now and then,
And his muse was the mouthpiece. The sin unforgiven
I hold by the Cherubim chanting in heaven
Is the sin of the poet who dares sing a strain
Which adds to the world's awful chorus of pain
And repinings. The souls whom the gods bless at birth
With the great gift of song, have been sent to the earth
To better and brighten it. Woe to the heart
Which lets its own sorrow embitter its art.
Unto him shall more sorrow be given; and life
After life filled with sorrow, till, spent with the strife,
He shall cease from rebellion, and bow to the rod
In submission, and own and acknowledge his God.


Maurice, with his unwilling muse in the gloom
Of a mood pessimistic, was shut in his room.
A whistle, a step on the stairway, a knock,
Then over the transom there fluttered a flock
Of white letters. The Muse, with a sigh of content,
Left the poet to read them, and hurriedly went
Back to pleasanter regions. Maurice glanced them through:
There were brief business epistles from two
Daily papers, soliciting work from his pen;
A woman begged money for Christ's sake; three men
Asked employment; a mother wrote only to say
How she blessed him and prayed God to bless him each day
For his kindness to her and to hers; and the last
Was a letter from Ruth. The pale ghost of the past
Rose out of its poor shallow grave, with the scent
And the mold of the clay clinging to it, and leant
O'er Maurice as he read, while its breath fanned his cheek.


'Forgive me,' wrote Ruth; 'for at last I must speak
Of the two whom you wish to forget. Well I know
How you suffered, still suffer, from fate's sudden blow,
Though I am a woman, and women must stay
And fight out pain's battles where men run away.
But my strength has its limit, my courage its end,
The time has now come when I, too, leave Bay Bend.
Maurice, let the bitterness housed in your heart
For the man you long loved as a comrade, depart,
And let pity replace it. Oh, weep for his sorrow-
From your fountain of grief, held in check, let me borrow;
I have so overdrawn on the bank of my tears
That my anguish is now refused payment. For years
You loved Mabel Lee. Well, to some hearts love speaks
His whole tale of passion in brief little weeks.
As Minerva, full grown, from the great brow of Jove
Sprang to life, so full blown from our breasts may spring Love.
Love hid like a bee in my heart's lily cup;
I knew not he was there till his sting woke me up.
Maurice, oh, Maurice! Can you fancy the woe
Of seeing the prize which you coveted so
Misused, or abused, by another? The wife
Of the man whom I worshiped is spoiling the life
That was wax in her hands, wax to shape as she chose.
You were blind to her faults, so was Roger Montrose.
Both saw but the saint; well, let saints keep their places,
And not crowd the women in life's hurried races.
As saint, Mabel Lee might succeed; but, oh brother,
She never was meant for a wife or a mother.
Her beautiful home has the desolate air
Of a house that is ruled by its servants. The care-
The thought of the woman (that sweet, subtle power
Pervading some rooms like the scent of a flower),
Which turns house into home-that is lacking. She goes
On her merciful rounds, does our Lady Montrose,
Looking after the souls of the heathen, and leaving
The poor hungry soul of her lord to its grieving.
He craves her companionship; wants her to be
At his side, more his own, than the public's. But she
Holds such love is but selfish; and thinks he should make
Some sacrifice gladly for charity's sake.
Her schools, and her clubs, and her fairs fill her time;
He wants her to travel; no, that were a crime
To go seeking for pleasure, and leave duty here.
God had given her work and her labor lay near.
A month of the theater season in town?
No, the stage is an evil that needs putting down
By good people. So, scheme as he will, the poor man
Has to finally yield every project and plan
To this sweet stubborn saint; for the husband, you see,
Stands last in her thoughts. He has come, after three
Patient years, to that knowledge; his wishes, his needs
Must always give way to her whims, or her creeds.
She knows not the primer of loving; her soul
Is engrossed with the poor petty wish to control,
And she chafes at restriction. Love loves to be bound,
And its sweetest of freedom in bondage is found.
She pulls at her fetters. One worshiping heart
And its faithful devotion play but a small part
In her life. She would rather be lauded and praised
By a crowd of inferior followers, raised
To the pitiful height of their leader, than be
One man's goddess. There, now, is the true Mabel Lee!
Grieve not that you lost her, but grieve for the one
Who with me stood last night by the corpse of his son,
And with me stood alone. Ah! how wisely and well
Could Mabel descant on Maternity! tell
Other women the way to train children to be
An honor and pride to their parents! Yet she,
From the first, left her child to the nurses. She found
'Twas a tax on her nerves to have baby around
When it worried and cried. The nurse knew what to do,
And a block down the street lived Mama! 'twixt the two
Little Roger would surely be cared for. She must
Keep her strength and be worthy the love and the trust
Of the poor, who were yearly increasing, and not
Bestow on her own all the care and the thought-
That were selfishness, surely.
Well, the babe grew apace,
But yesterday morning a flush on its face
And a look in its eye worried Roger. The mother
Was due at some sort of convention or other
In Boston-I think 'twas a grand federation
Of clubs formed by women to rescue the Nation
From man's awful clutches; and Mabel was made
The head delegate of the Bay Bend Brigade.
Once drop in a small, selfish nature the seed
Of ambition for place, and it grows like a weed.
The fair village angel we called Mabel Lee,
As Mrs. Montrose, has developed, you see,
To a full fledged Reformer. It quite turned her head
To be sent to the city of beans and brown bread
As a delegate! (Delegate! magical word!
The heart of the queer modern woman is stirred
Far more by its sound than by aught she may hear
In the phrases poor Cupid pours into her ear.)
Mabel chirped to the baby a dozen good-byes,
And laughed at the trouble in Roger's grave eyes,
As she leaned o'er the lace ruffled crib of her son
And talked baby-talk: 'Now be good, 'ittle one,
While Mama is away, and don't draw a long breath,
Unless 'oo would worry Papa half to death.
And don't cough, and, of all things, don't sneeze, 'ittle dear,
Or Papa will be thrown into spasms of fear.
Now, good-bye, once again, 'ittle man; mother knows
There is no other baby like Roger Montrose
In the whole world to-day.'
So she left him. That night
The nurse sent a messenger speeding in fright
For the Doctor; a second for Grandmama Lee
And Roger despatched still another for me.
All in vain! through the gray chilly paths of the dawn
The soul of the beautiful baby passed on
Into Mother-filled lands.
Ah! my God, the despair
Of seeing that agonized sufferer there;
To stand by his side, yet denied the relief
Of sharing, as wife, and as mother, his grief.
Enough! I have borne all I can bear. The role
Of friend to a lover pulls hard on the soul
Of a sensitive woman. The three words in life
Which have meaning to me are home, mother and wife-
Or, rather, wife, mother and home. Once I thought
Men cared for the women who found home the spot
Next to heaven for happiness; women who knew
No ambition beyond being loyal and true,
And who loved all the tasks of the housewife. I learn,
Instead, that from women of that kind men turn,
With a yawn, unto those who are useless; who live
For the poor hollow world and for what it can give,
And who make home the spot where, when other joys cease,
One sleeps late when one wishes.
You left me Maurice
Left the home I have kept since our dear Mother died,
With such sisterly love and such housewifely pride,
And you wandered afar, and for what cause, forsooth?
Oh! because a vain, self-loving woman, in truth,
Had been faithless. The man whom I worshiped, ignored
The love and the comfort my woman's heart stored
In its depths for his taking, and sought Mabel Lee.
Well, I'm done with the role of the housewife. I see
There is nothing in being domestic. The part
Is unpicturesque, and at war with all art.
The senile old Century leers with dim eyes
At our sex and demands that we shock or surprise
His thin blood into motion. The home's not the place
To bring a pleased smile to his wicked old face.
To the mandate I bow; since all strive for that end,
I must join the great throng! I am leaving Bay Bend
This day week. I will see you in town as I pass
To the college at C--, where I enter the class
Of medical students-I fancy you will
Like to see my name thus-Dr. Ruth Somerville.'


Maurice dropped the long, closely written epistle,
Stared hard at the wall, and gave vent to a whistle.
A Doctor! his sweet, little home-loving sister.
A Doctor! one might as well prefix a Mister
To Ruth Somerville, that most feminine name.
And then in the wake of astonishment came
Keen pity for all she had suffered. 'Poor Ruth,
She writes like an agonized woman, in truth,
And like one torn with jealousy. Ah, I can see,'
He mused, 'how the pure soul of sweet Mabel Lee
Revolts at the bondage and shrinks from the ban
That lies in the love of that sensual man.
He is of the earth, earthy. He loves but her beauty,
He cares not for conscience, or honor or duty.
Like a moth she was dazzled and lured by the flame
Of a light she thought love, till she learned its true name;
When she found it mere passion, it lost all its charms.
No wonder she flies from his fettering arms!
God pity you, Mabel! poor ill mated wife;
But my love, like a planet, shall watch o'er your life,
Though all other light from your skies disappear,
Like a sun in the darkness my love shall appear.
Unselfish and silent, it asks no return,
But while the great firmament lasts it shall burn.'


Muse, muse, awake, and sing thy loneliest strain,
Song, song, be sad with sorrow's deepest pain,
Heart, heart, bow down and never bound again,
My Lady grieves, she grieves.


Night, night, draw close thy filmy mourning veil,
Moon, moon, conceal thy beauty sweet and pale,
Wind, wind, sigh out thy most pathetic wail,
My Lady grieves, she grieves.
Time, time, speed by, thou art too slow, too slow,
Grief, grief, pass on, and take thy cup of woe,
Life, life, be kind, ah! do not wound her so,
My Lady grieves, she grieves.


Sleep, sleep, dare not to touch mine aching eyes,
Love, love, watch on, though fate thy wish denies,
Heart, heart, sigh on, since she, my Lady, sighs,
My Lady grieves, she grieves.


6
VI.
prologue
The flower breathes low to the bee,
'Behold, I am ripe with bloom.
Let Love have his way with me,
Ere I fall unwed in my tomb.'


The rooted plant sighs in distress
To the winds by the garden walk
'Oh, waft me my lover's caress,
Or I shrivel and die on my stalk.'


The whippoorwill utters her love
In a passionate 'Come, oh come,'
To the male in the depths of the grove,
But the heart of a woman is dumb.


The lioness seeks her mate,
The she-tiger calls her own-
Who made it a woman's fate
To sit in the silence alone?


Wooed, wedded and widowed ere twenty. The life
Of Zoe Travers is told in that sentence. A wife
For one year, loved and loving; so full of life's joy
That death, growing jealous, resolved to destroy
The Eden she dwelt in. Five desolate years
She walked robed in weeds, and bathed ever in tears,
Through the valley of memory. Locked in love's tomb
Lay youth in its glory and hope in its bloom.
At times she was filled with religious devotion,
Again crushed to earth with rebellious emotion
And unresigned sorrow.
Ah, wild was her grief!
And the years seemed to bring her no balm of relief.
When a heart from its sorrow time cannot estrange,
God sends it another to alter and change
The current of feeling. Zoe's mother, her one
Tie to earth, became ill. When the doctors had done
All the harm which they dared do with powder and pill,
They ordered a trial of Dame Nature's skill.
Dear Nature! what grief in her bosom must stir
When she sees us turn everywhere save unto her
For the health she holds always in keeping; and sees
Us at last, when too late, creeping back to her knees,
Begging that she at first could have given!
'Twas so
Mother Nature's heart grieved o'er the mother of Zoe,
Who came but to die on her bosom. She died
Where the mocking bird poured out its passionate tide
Of lush music; and all through the dark days of pain
That succeeded, and over and through the refrain
Of her sorrow, Zoe heard that wild song evermore.
It seemed like a blow which pushed open a door
In her heart. Something strange, sweet and terrible stirred
In her nature, aroused by the song of that bird.
It rang like a voice from the future; a call
That came not from the past; yet the past held her all.
To the past she had plighted her vows; in the past
Lay her one dream of happiness, first, only, last.
Alone in the world now, she felt the unrest
Of an unanchored boat on the wild billow's breast.
Two homes had been shattered; the West held but tombs.
She drifted again where the magnolia blooms
And the mocking bird sings. Oh! that song, that wild strain,
Whose echoes still haunted her heart and her brain!
How she listened to hear it repeated! It came
Through the dawn to her heart, and the sound was like flame.
It chased all the shadows of night from her room,
And burst the closed bud of the day into bloom.
It leaped to the heavens, it sank to the earth
It gave life new rapture and love a new birth.
It ran through her veins like a fiery stream,
And the past and its sorrow-was only a dream.


The call of a bird in the spring for its lover
Is the voice of all Nature when winter is over.
The heart of the woman re-echoed the strain,
And its meaning, at last, to her senses was plain.


Grief's winter was over, the snows from her heart
Were melted; hope's blossoms were ready to start.
The spring had returned with its siren delights,
And her youth and emotions asserted their rights.
Then memory struggled with passion. The dead
Seemed to rise from the grave and accuse her. She fled
From her thoughts as from lepers; returned to old ways,
And strove to keep occupied, filling her days
With devotional duties. But when the night came
She heard through her slumber that song like a flame,
And her dreams were sweet torture. She sought all too soon
To chill the warm sun of her youth's ardent noon
With the shadows of premature evening. Her mind
Lacked direction a

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Byron

Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

VI
'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning
In all, who o'er the great deep take their ways:
They vow to amend their lives, and yet they don't;
Because if drown'd, they can't -- if spared, they won't.

VII
A crowd of shivering slaves of every nation,
And age, and sex, were in the market ranged;
Each bevy with the merchant in his station:
Poor creatures! their good looks were sadly changed.
All save the blacks seem'd jaded with vexation,
From friends, and home, and freedom far estranged;
The negroes more philosophy display'd, --
Used to it, no doubt, as eels are to be flay'd.

VIII
Juan was juvenile, and thus was full,
As most at his age are, of hope and health;
Yet I must own he looked a little dull,
And now and then a tear stole down by stealth;
Perhaps his recent loss of blood might pull
His spirit down; and then the loss of wealth,
A mistress, and such comfortable quarters,
To be put up for auction amongst Tartars,

IX
Were things to shake a stoic; ne'ertheless,
Upon the whole his carriage was serene:
His figure, and the splendour of his dress,
Of which some gilded remnants still were seen,
Drew all eyes on him, giving them to guess
He was above the vulgar by his mien;
And then, though pale, he was so very handsome;
And then -- they calculated on his ransom.

X
Like a backgammon board the place was dotted
With whites and blacks, in groups on show for sale,
Though rather more irregularly spotted:
Some bought the jet, while others chose the pale.
It chanced amongst the other people lotted,
A man of thirty rather stout and hale,
With resolution in his dark grey eye,
Next Juan stood, till some might choose to buy.

XI
He had an English look; that is, was square
In make, of a complexion white and ruddy,
Good teeth, with curling rather dark brown hair,
And, it might be from thought or toil or study,
An open brow a little mark'd with care:
One arm had on a bandage rather bloody;
And there he stood with such sang-froid, that greater
Could scarce be shown even by a mere spectator.

XII
But seeing at his elbow a mere lad,
Of a high spirit evidently, though
At present weigh'd down by a doom which had
O'erthrown even men, he soon began to show
A kind of blunt compassion for the sad
Lot of so young a partner in the woe,
Which for himself he seem'd to deem no worse
Than any other scrape, a thing of course.

XIII
"My boy!" said he, "amidst this motley crew
Of Georgians, Russians, Nubians, and what not,
All ragamuffins differing but in hue,
With whom it is our luck to cast our lot,
The only gentlemen seem I and you;
So let us be acquainted, as we ought:
If I could yield you any consolation,
'T would give me pleasure. -- Pray, what is your nation?"

XIV
When Juan answer'd -- "Spanish!" he replied,
"I thought, in fact, you could not be a Greek;
Those servile dogs are not so proudly eyed:
Fortune has play'd you here a pretty freak,
But that's her way with all men, till they're tried;
But never mind, -- she'll turn, perhaps, next week;
She has served me also much the same as you,
Except that I have found it nothing new."

XV
"Pray, sir," said Juan, "if I may presume,
What brought you here?" -- "Oh! nothing very rare --
Six Tartars and a drag-chain." -- "To this doom
But what conducted, if the question's fair,
Is that which I would learn." -- "I served for some
Months with the Russian army here and there,
And taking lately, by Suwarrow's bidding,
A town, was ta'en myself instead of Widdin."

XVI
"Have you no friends?" -- "I had -- but, by God's blessing,
Have not been troubled with them lately. Now
I have answer'd all your questions without pressing,
And you an equal courtesy should show.'
"Alas!" said Juan, "'t were a tale distressing,
And long besides." -- "Oh! if 't is really so,
You're right on both accounts to hold your tongue;
A sad tale saddens doubly, when't is long.

XVII
"But droop not: Fortune at your time of life,
Although a female moderately fickle,
Will hardly leave you (as she's not your wife)
For any length of days in such a pickle.
To strive, too, with our fate were such a strife
As if the corn-sheaf should oppose the sickle:
Men are the sport of circumstances, when
The circumstances seem the sport of men."

XVIII
"'T is not," said Juan, "for my present doom
I mourn, but for the past; -- I loved a maid:" --
He paused, and his dark eye grew full of gloom;
A single tear upon his eyelash staid
A moment, and then dropp'd; "but to resume,
'T is not my present lot, as I have said,
Which I deplore so much; for I have borne
Hardships which have the hardiest overworn,

XIX
"On the rough deep. But this last blow --" and here
He stopp'd again, and turn'd away his face.
"Ay," quoth his friend, "I thought it would appear
That there had been a lady in the case;
And these are things which ask a tender tear,
Such as I, too, would shed if in your place:
I cried upon my first wife's dying day,
And also when my second ran away:

XX
"My third --" -- "Your third!" quoth Juan, turning round;
"You scarcely can be thirty: have you three?"
"No -- only two at present above ground:
Surely 't is nothing wonderful to see
One person thrice in holy wedlock bound!"
"Well, then, your third," said Juan; "what did she?
She did not run away, too, -- did she, sir?"
"No, faith." -- "What then?" -- "I ran away from her."

XXI
"You take things coolly, sir," said Juan. "Why,"
Replied the other, "what can a man do?
There still are many rainbows in your sky,
But mine have vanish'd. All, when life is new,
Commence with feelings warm, and prospects high;
But time strips our illusions of their hue,
And one by one in turn, some grand mistake
Casts off its bright skin yearly like the snake.

XXII
"'T is true, it gets another bright and fresh,
Or fresher, brighter; but the year gone through,
This skin must go the way, too, of all flesh,
Or sometimes only wear a week or two; --
Love's the first net which spreads its deadly mesh;
Ambition, Avarice, Vengeance, Glory, glue
The glittering lime-twigs of our latter days,
Where still we flutter on for pence or praise."

XXIII
"All this is very fine, and may be true,"
Said Juan; "but I really don't see how
It betters present times with me or you."
"No?" quoth the other; "yet you will allow
By setting things in their right point of view,
Knowledge, at least, is gain'd; for instance, now,
We know what slavery is, and our disasters
May teach us better to behave when masters."

XXIV
"Would we were masters now, if but to try
Their present lessons on our Pagan friends here,"
Said Juan, -- swallowing a heart-burning sigh:
"Heaven help the scholar whom his fortune sends here!"
"Perhaps we shall be one day, by and by,"
Rejoin'd the other, when our bad luck mends here;
"Meantime (yon old black eunuch seems to eye us)
I wish to G-d that somebody would buy us.

XXV
"But after all, what is our present state?
'T is bad, and may be better -- all men's lot:
Most men are slaves, none more so than the great,
To their own whims and passions, and what not;
Society itself, which should create
Kindness, destroys what little we had got:
To feel for none is the true social art
Of the world's stoics -- men without a heart."

XXVI
Just now a black old neutral personage
Of the third sex stept up, and peering over
The captives, seem'd to mark their looks and age,
And capabilities, as to discover
If they were fitted for the purposed cage:
No lady e'er is ogled by a lover,
Horse by a blackleg, broadcloth by a tailor,
Fee by a counsel, felon by a jailor,

XXVII
As is a slave by his intended bidder.
'T is pleasant purchasing our fellow-creatures;
And all are to be sold, if you consider
Their passions, and are dext'rous; some by features
Are bought up, others by a warlike leader,
Some by a place -- as tend their years or natures;
The most by ready cash -- but all have prices,
From crowns to kicks, according to their vices.

XXVIII
The eunuch, having eyed them o'er with care,
Turn'd to the merchant, and begun to bid
First but for one, and after for the pair;
They haggled, wrangled, swore, too -- so they did!
As though they were in a mere Christian fair
Cheapening an ox, an ass, a lamb, or kid;
So that their bargain sounded like a battle
For this superior yoke of human cattle.

XXIX
At last they settled into simple grumbling,
And pulling out reluctant purses, and
Turning each piece of silver o'er, and tumbling
Some down, and weighing others in their hand,
And by mistake sequins with paras jumbling,
Until the sum was accurately scann'd,
And then the merchant giving change, and signing
Receipts in full, began to think of dining.

XXX
I wonder if his appetite was good?
Or, if it were, if also his digestion?
Methinks at meals some odd thoughts might intrude,
And conscience ask a curious sort of question,
About the right divine how far we should
Sell flesh and blood. When dinner has opprest one,
I think it is perhaps the gloomiest hour
Which turns up out of the sad twenty-four.

XXXI
Voltaire says "No:" he tells you that Candide
Found life most tolerable after meals;
He's wrong -- unless man were a pig, indeed,
Repletion rather adds to what he feels,
Unless he's drunk, and then no doubt he's freed
From his own brain's oppression while it reels.
Of food I think with Philip's son, or rather
Ammon's (ill pleased with one world and one father);

XXXII
I think with Alexander, that the act
Of eating, with another act or two,
Makes us feel our mortality in fact
Redoubled; when a roast and a ragout,
And fish, and soup, by some side dishes back'd,
Can give us either pain or pleasure, who
Would pique himself on intellects, whose use
Depends so much upon the gastric juice?

XXXIII
The other evening ('t was on Friday last) --
This is a fact and no poetic fable --
Just as my great coat was about me cast,
My hat and gloves still lying on the table,
I heard a shot -- 't was eight o'clock scarce past --
And, running out as fast as I was able,
I found the military commandant
Stretch'd in the street, and able scarce to pant.

XXXIV
Poor fellow! for some reason, surely bad,
They had slain him with five slugs; and left him there
To perish on the pavement: so I had
Him borne into the house and up the stair,
And stripp'd and look'd to -- But why should I ad
More circumstances? vain was every care;
The man was gone: in some Italian quarrel
Kill'd by five bullets from an old gun-barrel.

XXXV
I gazed upon him, for I knew him well;
And though I have seen many corpses, never
Saw one, whom such an accident befell,
So calm; though pierced through stomach, heart, and liver,
He seem'd to sleep, -- for you could scarcely tell
(As he bled inwardly, no hideous river
Of gore divulged the cause) that he was dead:
So as I gazed on him, I thought or said --

XXXVI
"Can this be death? then what is life or death?
Speak!" but he spoke not: "Wake!" but still he slept: --
"But yesterday and who had mightier breath?
A thousand warriors by his word were kept
In awe: he said, as the centurion saith,
'Go,' and he goeth; 'come,' and forth he stepp'd.
The trump and bugle till he spake were dumb --
And now nought left him but the muffled drum."

XXXVII
And they who waited once and worshipp'd -- they
With their rough faces throng'd about the bed
To gaze once more on the commanding clay
Which for the last, though not the first, time bled:
And such an end! that he who many a day
Had faced Napoleon's foes until they fled, --
The foremost in the charge or in the sally,
Should now be butcher'd in a civic alley.

XXXVIII
The scars of his old wounds were near his new,
Those honourable scars which brought him fame;
And horrid was the contrast to the view --
But let me quit the theme; as such things claim
Perhaps even more attention than is due
From me: I gazed (as oft I have gazed the same)
To try if I could wrench aught out of death
Which should confirm, or shake, or make a faith;

XXXIX
But it was all a mystery. Here we are,
And there we go: -- but where? five bits of lead,
Or three, or two, or one, send very far!
And is this blood, then, form'd but to be shed?
Can every element our elements mar?
And air -- earth -- water -- fire live -- and we dead?
We whose minds comprehend all things? No more;
But let us to the story as before.

XL
The purchaser of Juan and acquaintance
Bore off his bargains to a gilded boat,
Embark'd himself and them, and off they went thence
As fast as oars could pull and water float;
They look'd like persons being led to sentence,
Wondering what next, till the caïque was brought
Up in a little creek below a wall
O'ertopp'd with cypresses, dark-green and tall.

XLI
Here their conductor tapping at the wicket
Of a small iron door, 't was open'd, and
He led them onward, first through a low thicket
Flank'd by large groves, which tower'd on either hand:
They almost lost their way, and had to pick it --
For night was dosing ere they came to land.
The eunuch made a sign to those on board,
Who row'd off, leaving them without a word.

XLII
As they were plodding on their winding way
Through orange bowers, and jasmine, and so forth
(Of which I might have a good deal to say,
There being no such profusion in the North
Of oriental plants, "et cetera,"
But that of late your scribblers think it worth
Their while to rear whole hotbeds in their works
Because one poet travell'd 'mongst the Turks) --

XLIII
As they were threading on their way, there came
Into Don Juan's head a thought, which he
Whisper'd to his companion: -- 't was the same
Which might have then occurr'd to you or me.
"Methinks," said he, "it would be no great shame
If we should strike a stroke to set us free;
Let's knock that old black fellow on the head,
And march away -- 't were easier done than said."

XLIV
"Yes," said the other, "and when done, what then?
How get out? how the devil got we in?
And when we once were fairly out, and when
From Saint Bartholomew we have saved our skin,
To-morrow'd see us in some other den,
And worse off than we hitherto have been;
Besides, I'm hungry, and just now would take,
Like Esau, for my birthright a beef-steak.

XLV
"We must be near some place of man's abode; --
For the old negro's confidence in creeping,
With his two captives, by so queer a road,
Shows that he thinks his friends have not been sleeping;
A single cry would bring them all abroad:
'T is therefore better looking before leaping --
And there, you see, this turn has brought us through,
By Jove, a noble palace! -- lighted too."

XLVI
It was indeed a wide extensive building
Which open'd on their view, and o'er the front
There seem'd to be besprent a deal of gilding
And various hues, as is the Turkish wont, --
A gaudy taste; for they are little skill'd in
The arts of which these lands were once the font:
Each villa on the Bosphorus looks a screen
New painted, or a pretty opera-scene.

XLVII
And nearer as they came, a genial savour
Of certain stews, and roast-meats, and pilaus,
Things which in hungry mortals' eyes find favour,
Made Juan in his harsh intentions pause,
And put himself upon his good behaviour:
His friend, too, adding a new saving clause,
Said, "In Heaven's name let's get some supper now,
And then I'm with you, if you're for a row."

XLVIII
Some talk of an appeal unto some passion,
Some to men's feelings, others to their reason;
The last of these was never much the fashion,
For reason thinks all reasoning out of season.
Some speakers whine, and others lay the lash on,
But more or less continue still to tease on,
With arguments according to their "forte;"
But no one dreams of ever being short. --

XLIX
But I digress: of all appeals, -- although
I grant the power of pathos, and of gold,
Of beauty, flattery, threats, a shilling, -- no
Method's more sure at moments to take hold
Of the best feelings of mankind, which grow
More tender, as we every day behold,
Than that all-softening, overpowering knell,
The tocsin of the soul -- the dinner-bell.

L
Turkey contains no bells, and yet men dine;
And Juan and his friend, albeit they heard
No Christian knoll to table, saw no line
Of lackeys usher to the feast prepared,
Yet smelt roast-meat, beheld a huge fire shine,
And cooks in motion with their clean arms bared,
And gazed around them to the left and right
With the prophetic eye of appetite.

LI
And giving up all notions of resistance,
They follow'd close behind their sable guide,
Who little thought that his own crack'd existence
Was on the point of being set aside:
He motion'd them to stop at some small distance,
And knocking at the gate, 't was open'd wide,
And a magnificent large hall display'd
The Asian pomp of Ottoman parade.

LII
I won't describe; description is my forte,
But every fool describes in these bright days
His wondrous journey to some foreign court,
And spawns his quarto, and demands your praise --
Death to his publisher, to him 't is sport;
While Nature, tortured twenty thousand ways,
Resigns herself with exemplary patience
To guide-books, rhymes, tours, sketches, illustrations.

LIII
Along this hall, and up and down, some, squatted
Upon their hams, were occupied at chess;
Others in monosyllable talk chatted,
And some seem'd much in love with their own dress.
And divers smoked superb pipes decorated
With amber mouths of greater price or less;
And several strutted, others slept, and some
Prepared for supper with a glass of rum.

LIV
As the black eunuch enter'd with his brace
Of purchased Infidels, some raised their eyes
A moment without slackening from their pace;
But those who sate ne'er stirr'd in anywise:
One or two stared the captives in the face,
Just as one views a horse to guess his price;
Some nodded to the negro from their station,
But no one troubled him with conversation.

LV
He leads them through the hall, and, without stopping,
On through a farther range of goodly rooms,
Splendid but silent, save in one, where, dropping,
A marble fountain echoes through the glooms
Of night which robe the chamber, or where popping
Some female head most curiously presumes
To thrust its black eyes through the door or lattice,
As wondering what the devil a noise that is.

LVI
Some faint lamps gleaming from the lofty walls
Gave light enough to hint their farther way,
But not enough to show the imperial halls,
In all the flashing of their full array;
Perhaps there's nothing -- I'll not say appals,
But saddens more by night as well as day,
Than an enormous room without a soul
To break the lifeless splendour of the whole.

LVII
Two or three seem so little, one seems nothing:
In deserts, forests, crowds, or by the shore,
There solitude, we know, has her full growth in
The spots which were her realms for evermore;
But in a mighty hall or gallery, both in
More modern buildings and those built of yore,
A kind of death comes o'er us all alone,
Seeing what's meant for many with but one.

LVIII
A neat, snug study on a winter's night,
A book, friend, single lady, or a glass
Of claret, sandwich, and an appetite,
Are things which make an English evening pass;
Though certes by no means so grand a sight
As is a theatre lit up by gas.
I pass my evenings in long galleries solely,
And that's the reason I'm so melancholy.

LIX
Alas! man makes that great which makes him little:
I grant you in a church 't is very well:
What speaks of Heaven should by no means be brittle,
But strong and lasting, till no tongue can tell
Their names who rear'd it; but huge houses fit ill --
And huge tombs worse -- mankind, since Adam fell:
Methinks the story of the tower of Babel
Might teach them this much better than I'm able.

LX
Babel was Nimrod's hunting-box, and then
A town of gardens, walls, and wealth amazing,
Where Nabuchadonosor, king of men,
Reign'd, till one summer's day he took to grazing,
And Daniel tamed the lions in their den,
The people's awe and admiration raising;
'T was famous, too, for Thisbe and for Pyramus,
And the calumniated queen Semiramis.

LXI
That injured Queen by chroniclers so coarse
Has been accused (I doubt not by conspiracy)
Of an improper friendship for her horse
(Love, like religion, sometimes runs to heresy):
This monstrous tale had probably its source
(For such exaggerations here and there I see)
In writing "Courser" by mistake for "Courier:"
I wish the case could come before a jury here.

LXII
But to resume, -- should there be (what may not
Be in these days?) some infidels, who don't,
Because they can't find out the very spot
Of that same Babel, or because they won't
(Though Claudius Rich, Esquire, some bricks has got,
And written lately two memoirs upon't),
Believe the Jews, those unbelievers, who
Must be believed, though they believe not you,

LXIII
Yet let them think that Horace has exprest
Shortly and sweetly the masonic folly
Of those, forgetting the great place of rest,
Who give themselves to architecture wholly;
We know where things and men must end at best:
A moral (like all morals) melancholy,
And "Et sepulchri immemor struis domos"
Shows that we build when we should but entomb us.

LXIV
At last they reach'd a quarter most retired,
Where echo woke as if from a long slumber;
Though full of all things which could be desired,
One wonder'd what to do with such a number
Of articles which nobody required;
Here wealth had done its utmost to encumber
With furniture an exquisite apartment,
Which puzzled Nature much to know what Art meant.

LXV
It seem'd, however, but to open on
A range or suite of further chambers, which
Might lead to heaven knows where; but in this one
The movables were prodigally rich:
Sofas 't was half a sin to sit upon,
So costly were they; carpets every stitch
Of workmanship so rare, they made you wish
You could glide o'er them like a golden fish.

LXVI
The black, however, without hardly deigning
A glance at that which wrapt the slaves in wonder,
Trampled what they scarce trod for fear of staining,
As if the milky way their feet was under
With all its stars; and with a stretch attaining
A certain press or cupboard niched in yonder --
In that remote recess which you may see --
Or if you don't the fault is not in me, --

LXVII
I wish to be perspicuous; and the black,
I say, unlocking the recess, pull'd forth
A quantity of clothes fit for the back
Of any Mussulman, whate'er his worth;
And of variety there was no lack --
And yet, though I have said there was no dearth,
He chose himself to point out what he thought
Most proper for the Christians he had bought.

LXVIII
The suit he thought most suitable to each
Was, for the elder and the stouter, first
A Candiote cloak, which to the knee might reach,
And trousers not so tight that they would burst,
But such as fit an Asiatic breech;
A shawl, whose folds in Cashmire had been nurst,
Slippers of saffron, dagger rich and handy;
In short, all things which form a Turkish Dandy.

LXIX
While he was dressing, Baba, their black friend,
Hinted the vast advantages which they
Might probably attain both in the end,
If they would but pursue the proper way
Which fortune plainly seem'd to recommend;
And then he added, that he needs must say,
"'T would greatly tend to better their condition,
If they would condescend to circumcision.

LXX
"For his own part, he really should rejoice
To see them true believers, but no less
Would leave his proposition to their choice."
The other, thanking him for this excess
Of goodness, in thus leaving them a voice
In such a trifle, scarcely could express
"Sufficiently" (he said) "his approbation
Of all the customs of this polish'd nation.

LXXI
"For his own share -- he saw but small objection
To so respectable an ancient rite;
And, after swallowing down a slight refection,
For which he own'd a present appetite,
He doubted not a few hours of reflection
Would reconcile him to the business quite."
"Will it?" said Juan, sharply: "Strike me dead,
But they as soon shall circumcise my head!

LXXII
"Cut off a thousand heads, before--" -- "Now, pray,"
Replied the other, "do not interrupt:
You put me out in what I had to say.
Sir! -- as I said, as soon as I have supt,
I shall perpend if your proposal may
Be such as I can properly accept;
Provided always your great goodness still
Remits the matter to our own free-will."

LXXIII
Baba eyed Juan, and said, "Be so good
As dress yourself-" and pointed out a suit
In which a Princess with great pleasure would
Array her limbs; but Juan standing mute,
As not being in a masquerading mood,
Gave it a slight kick with his Christian foot;
And when the old negro told him to "Get ready,"
Replied, "Old gentleman, I'm not a lady."

LXXIV
"What you may be, I neither know nor care,"
Said Baba; "but pray do as I desire:
I have no more time nor many words to spare."
"At least," said Juan, "sure I may enquire
The cause of this odd travesty?" -- "Forbear,"
Said Baba, "to be curious; 't will transpire,
No doubt, in proper place, and time, and season:
I have no authority to tell the reason."

LXXV
"Then if I do," said Juan, "I'll be --" -- "Hold!"
Rejoin'd the negro, "pray be not provoking;
This spirit's well, but it may wax too bold,
And you will find us not too fond of joking."
"What, sir!" said Juan, "shall it e'er be told
That I unsex'd my dress?" But Baba, stroking
The things down, said, "Incense me, and I call
Those who will leave you of no sex at all.

LXXVI
"I offer you a handsome suit of clothes:
A woman's, true; but then there is a cause
Why you should wear them." -- "What, though my soul loathes
The effeminate garb?" -- thus, after a short pause,
Sigh'd Juan, muttering also some slight oaths,
"What the devil shall I do with all this gauze?"
Thus he profanely term'd the finest lace
Which e'er set off a marriage-morning face.

LXXVII
And then he swore; and, sighing, on he slipp'd
A pair of trousers of flesh-colour'd silk;
Next with a virgin zone he was equipp'd,
Which girt a slight chemise as white as milk;
But tugging on his petticoat, he tripp'd,
Which -- as we say -- or, as the Scotch say, whilk
(The rhyme obliges me to this; sometimes
Monarchs are less imperative than rhymes) --

LXXVIII
Whilk, which (or what you please), was owing to
His garment's novelty, and his being awkward:
And yet at last he managed to get through
His toilet, though no doubt a little backward:
The negro Baba help'd a little too,
When some untoward part of raiment stuck hard;
And, wrestling both his arms into a gown,
He paused, and took a survey up and down.

LXXIX
One difficulty still remain'd -- his hair
Was hardly long enough; but Baba found
So many false long tresses all to spare,
That soon his head was most completely crown'd,
After the manner then in fashion there;
And this addition with such gems was bound
As suited the ensemble of his toilet,
While Baba made him comb his head and oil it.

LXXX
And now being femininely all array'd,
With some small aid from scissors, paint, and tweezers,
He look'd in almost all respects a maid,
And Baba smilingly exclaim'd, "You see, sirs,
A perfect transformation here display'd;
And now, then, you must come along with me, sirs,
That is -- the Lady:" clapping his hands twice,
Four blacks were at his elbow in a trice.

LXXXI
"You, sir," said Baba, nodding to the one,
'Will please to accompany those gentlemen
To supper; but you, worthy Christian nun,
Will follow me: no trifling, sir; for when
I say a thing, it must at once be done.
What fear you? think you this a lion's den?
Why, 't is a palace; where the truly wise
Anticipate the Prophet's paradise.

LXXXII
"You fool! I tell you no one means you harm."
"So much the better," Juan said, "for them;
Else they shall feel the weight of this my arm,
Which is not quite so light as you may deem.
I yield thus far; but soon will break the charm
If any take me for that which I seem:
So that I trust for everybody's sake,
That this disguise may lead to no mistake."

LXXXIII
"Blockhead! come on, and see," quoth Baba; while
Don Juan, turning to his comrade, who
Though somewhat grieved, could scarce forbear a smile
Upon the metamorphosis in view, --
"Farewell!" they mutually exclaim'd: "this soil
Seems fertile in adventures strange and new;
One's turn'd half Mussulman, and one a maid,
By this old black enchanter's unsought aid."

LXXXIV
"Farewell!" said Juan: 'should we meet no more,
I wish you a good appetite." -- "Farewell!"
Replied the other; "though it grieves me sore;
When we next meet we'll have a tale to tell:
We needs must follow when Fate puts from shore.
Keep your good name; though Eve herself once fell."
"Nay," quoth the maid, "the Sultan's self shan't carry me,
Unless his highness promises to marry me."

LXXXV
And thus they parted, each by separate doors;
Baba led Juan onward room by room
Through glittering galleries and o'er marble floors,
Till a gigantic portal through the gloom,
Haughty and huge, along the distance lowers;
And wafted far arose a rich perfume:
It seem'd as though they came upon a shrine,
For all was vast, still, fragrant, and divine.

LXXXVI
The giant door was broad, and bright, and high,
Of gilded bronze, and carved in curious guise;
Warriors thereon were battling furiously;
Here stalks the victor, there the vanquish'd lies;
There captives led in triumph droop the eye,
And in perspective many a squadron flies:
It seems the work of times before the line
Of Rome transplanted fell with Constantine.

LXXXVII
This massy portal stood at the wide close
Of a huge hall, and on its either side
Two little dwarfs, the least you could suppose,
Were sate, like ugly imps, as if allied
In mockery to the enormous gate which rose
O'er them in almost pyramidic pride:
The gate so splendid was in all its features,
You never thought about those little creatures,

LXXXVIII
Until you nearly trod on them, and then
You started back in horror to survey
The wondrous hideousness of those small men,
Whose colour was not black, nor white, nor grey,
But an extraneous mixture, which no pen
Can trace, although perhaps the pencil may;
They were mis-shapen pigmies, deaf and dumb --
Monsters, who cost a no less monstrous sum.

LXXXIX
Their duty was -- for they were strong, and though
They look'd so little, did strong things at times --
To ope this door, which they could really do,
The hinges being as smooth as Rogers' rhymes;
And now and then, with tough strings of the bow,
As is the custom of those Eastern climes,
To give some rebel Pacha a cravat;
For mutes are generally used for that.

XC
They spoke by signs -- that is, not spoke at all;
And looking like two incubi, they glared
As Baba with his fingers made them fall
To heaving back the portal folds: it scared
Juan a moment, as this pair so small
With shrinking serpent optics on him stared;
It was as if their little looks could poison
Or fascinate whome'er they fix'd their eyes on.

XCI
Before they enter'd, Baba paused to hint
To Juan some slight lessons as his guide:
"If you could just contrive," he said, "to stint
That somewhat manly majesty of stride,
'T would be as well, and (though there's not much in 't)
To swing a little less from side to side,
Which has at times an aspect of the oddest; --
And also could you look a little modest,

XCII
"'T would be convenient; for these mutes have eyes
Like needles, which may pierce those petticoats;
And if they should discover your disguise,
You know how near us the deep Bosphorus floats;
And you and I may chance, ere morning rise,
To find our way to Marmora without boats,
Stitch'd up in sacks -- a mode of navigation
A good deal practised here upon occasion."

XCIII
With this encouragement, he led the way
Into a room still nobler than the last;
A rich confusion form'd a disarray
In such sort, that the eye along it cast
Could hardly carry anything away,
Object on object flash'd so bright and fast;
A dazzling mass of gems, and gold, and glitter,
Magnificently mingled in a litter.

XCIV
Wealth had done wonders -- taste not much; such things
Occur in Orient palaces, and even
In the more chasten'd domes of Western kings
(Of which I have also seen some six or seven),
Where I can't say or gold or diamond flings
Great lustre, there is much to be forgiven;
Groups of bad statues, tables, chairs, and pictures,
On which I cannot pause to make my strictures.

XCV
In this imperial hall, at distance lay
Under a canopy, and there reclined
Quite in a confidential queenly way,
A lady; Baba stopp'd, and kneeling sign'd
To Juan, who though not much used to pray,
Knelt down by instinct, wondering in his mind,
What all this meant: while Baba bow'd and bended
His head, until the ceremony ended.

XCVI
The lady rising up with such an air
As Venus rose with from the wave, on them
Bent like an antelope a Paphian pair
Of eyes, which put out each surrounding gem;
And raising up an arm as moonlight fair,
She sign'd to Baba, who first kiss'd the hem
Of her deep purple robe, and speaking low,
Pointed to Juan who remain'd below.

XCVII
Her presence was as lofty as her state;
Her beauty of that overpowering kind,
Whose force description only would abate:
I'd rather leave it much to your own mind,
Than lessen it by what I could relate
Of forms and features; it would strike you blind
Could I do justice to the full detail;
So, luckily for both, my phrases fail.

XCVIII
Thus much however I may add, -- her years
Were ripe, they might make six-and-twenty springs;
But there are forms which Time to touch forbears,
And turns aside his scythe to vulgar things,
Such as was Mary's Queen of Scots; true -- tears
And love destroy; and sapping sorrow wrings
Charms from the charmer, yet some never grow
Ugly; for instance -- Ninon de l'Enclos.

XCIX
She spake some words to her attendants, who
Composed a choir of girls, ten or a dozen,
And were all clad alike; like Juan, too,
Who wore their uniform, by Baba chosen;
They form'd a very nymph-like looking crew,
Which might have call'd Diana's chorus "cousin,"
As far as outward show may correspond;
I won't be bail for anything beyond.

C
They bow'd obeisance and withdrew, retiring,
But not by the same door through which came in
Baba and Juan, which last stood admiring,
At some small distance, all he saw within
This strange saloon, much fitted for inspiring
Marvel and praise; for both or none things win;
And I must say, I ne'er could see the very
Great happiness of the "Nil Admirari."

CI
"Not to admire is all the art I know
(Plain truth, dear Murray, needs few flowers of speech)
To make men happy, or to keep them so"
(So take it in the very words of Creech) --
Thus Horace wrote we all know long ago;
And thus Pope quotes the precept to re-teach
From his translation; but had none admired,
Would Pope have sung, or Horace been inspired?

CII
Baba, when all the damsels were withdrawn,
Motion'd to Juan to approach, and then
A second time desired him to kneel down,
And kiss the lady's foot; which maxim when
He heard repeated, Juan with a frown
Drew himself up to his full height again,
And said, "It grieved him, but he could not stoop
To any shoe, unless it shod the Pope."

CIII
Baba, indignant at this ill-timed pride,
Made fierce remonstrances, and then a threat
He mutter'd (but the last was given aside)
About a bow-string -- quite in vain; not yet
Would Juan bend, though 't were to Mahomet's bride:
There's nothing in the world like etiquette
In kingly chambers or imperial halls,
As also at the race and county balls.

CIV
He stood like Atlas, with a world of words
About his ears, and nathless would not bend:
The blood of all his line's Castilian lords
Boil'd in his veins, and rather than descend
To stain his pedigree a thousand swords
A thousand times of him had made an end;
At length perceiving the "foot" could not stand,
Baba proposed that he should kiss the hand.

CV
Here was an honourable compromise,
A half-way house of diplomatic rest,
Where they might meet in much more peaceful guise;
And Juan now his willingness exprest
To use all fit and proper courtesies,
Adding, that this was commonest and best,
For through the South the custom still commands
The gentleman to kiss the lady's hands.

CVI
And he advanced, though with but a bad grace,
Though on more thorough-bred or fairer fingers
No lips e'er left their transitory trace;
On such as these the lip too fondly lingers,
And for one kiss would fain imprint a brace,
As you will see, if she you love shall bring hers
In contact; and sometimes even a fair stranger's
An almost twelvemonth's constancy endangers.

CVII
The lady eyed him o'er and o'er, and bade
Baba retire, which he obey'd in style,
As if well used to the retreating trade;
And taking hints in good part all the while,
He whisper'd Juan not to be afraid,
And looking on him with a sort of smile,
Took leave, with such a face of satisfaction
As good men wear who have done a virtuous action.

CVIII
When he was gone, there was a sudden change:
I know not what might be the lady's thought,
But o'er her bright brow flash'd a tumult strange,
And into her dear cheek the blood was brought,
Blood-red as sunset summer clouds which range
The verge of Heaven; and in her large eyes wrought,
A mixture of sensations might be scann'd,
Of half voluptuousness and half command.

CIX
Her form had all the softness of her sex,
Her features all the sweetness of the devil,
When he put on the cherub to perplex
Eve, and paved (God knows how) the road to evil;
The sun himself was scarce more free from specks
Than she from aught at which the eye could cavil;
Yet, somehow, there was something somewhere wanting,
As if she rather order'd than was granting.

CX
Something imperial, or imperious, threw
A chain o'er all she did; that is, a chain
Was thrown as 't were about the neck of you, --
And rapture's self will seem almost a pain
With aught which looks like despotism in view:
Our souls at least are free, and 't is in vain
We would against them make the flesh obey --
The spirit in the end will have its way.

CXI
Her very smile was haughty, though so sweet;
Her very nod was not an inclination;
There was a self-will even in her small feet,
As though they were quite conscious of her station --
They trod as upon necks; and to complete
Her state (it is the custom of her nation),
A poniard deck'd her girdle, as the sign
She was a sultan's bride (thank Heaven, not mine!).

CXII
"To hear and to obey" had been from birth
The law of all around her; to fulfill
All phantasies which yielded joy or mirth,
Had been her slaves' chief pleasure, as her will;
Her blood was high, her beauty scarce of earth:
Judge, then, if her caprices e'er stood still;
Had she but been a Christian, I've a notion
We should have found out the "perpetual motion."

CXIII
Whate'er she saw and coveted was brought;
Whate'er she did not see, if she supposed
It might be seen, with diligence was sought,
And when 't was found straightway the bargain closed;
There was no end unto the things she bought,
Nor to the trouble which her fancies caused;
Yet even her tyranny had such a grace,
The women pardon'd all except her face.

CXIV
Juan, the latest of her whims, had caught
Her eye in passing on his way to sale;
She order'd him directly to be bought,
And Baba, who had ne'er been known to fail
In any kind of mischief to be wrought,
At all such auctions knew how to prevail:
She had no prudence, but he had; and this
Explains the garb which Juan took amiss.

CXV
His youth and features favour'd the disguise,
And, should you ask how she, a sultan's bride,
Could risk or compass such strange phantasies,
This I must leave sultanas to decide:
Emperors are only husbands in wives' eyes,
And kings and consorts oft are mystified,
As we may ascertain with due precision,
Some by experience, others by tradition.

CXVI
But to the main point, where we have been tending: --
She now conceived all difficulties past,
And deem'd herself extremely condescending
When, being made her property at last,
Without more preface, in her blue eyes blending
Passion and power, a glance on him she cast,
And merely saying, "Christian, canst thou love?"
Conceived that phrase was quite enough to move.

CXVII
And so it was, in proper time and place;
But Juan, who had still his mind o'erflowing
With Haidée's isle and soft Ionian face,
Felt the warm blood, which in his face was glowing,
Rush back upon his heart, which fill'd apace,
And left his cheeks as pale as snowdrops blowing;
These words went through his soul like Arab-spears,
So that he spoke not, but burst into tears.

CXVIII
She was a good deal shock'd; not shock'd at tears,
For women shed and use them at their liking;
But there is something when man's eye appears
Wet, still more disagreeable and striking;
A woman's tear-drop melts, a man's half sears,
Like molten lead, as if you thrust a pike in
His heart to force it out, for (to be shorter)
To them 't is a relief, to us a torture.

CXIX
And she would have consoled, but knew not how:
Having no equals, nothing which had e'er
Infected her with sympathy till now,
And never having dreamt what 't was to bear
Aught of a serious, sorrowing kind, although
There might arise some pouting petty care
To cross her brow, she wonder'd how so near
Her eyes another's eye could shed a tear.

CXX
But nature teaches more than power can spoil,
And, when a strong although a strange sensation
Moves -- female hearts are such a genial soil
For kinder feelings, whatsoe'er their nation,
They naturally pour the "wine and oil,"
Samaritans in every situation;
And thus Gulbeyaz, though she knew not why,
Felt an odd glistening moisture in her eye.

CXXI
But tears must stop like all things else; and soon
Juan, who for an instant had been moved
To such a sorrow by the intrusive tone
Of one who dared to ask if "he had loved,"
Call'd back the stoic to his eyes, which shone
Bright with the very weakness he reproved;
And although sensitive to beauty, he
Felt most indignant still at not being free.

CXXII
Gulbeyaz, for the first time in her days,
Was much embarrass'd, never having met
In all her life with aught save prayers and praise;
And as she also risk'd her life to get
Him whom she meant to tutor in love's ways
Into a comfortable tete-a-tete,
To lose the hour would make her quite a martyr,
And they had wasted now almost a quarter.

CXXIII
I also would suggest the fitting time
To gentlemen in any such like case,
That is to say in a meridian clime --
With us there is more law given to the chase,
But here a small delay forms a great crime:
So recollect that the extremest grace
Is just two minutes for your declaration --
A moment more would hurt your reputation.

CXXIV
Juan's was good; and might have been still better,
But he had got Haidée into his head:
However strange, he could not yet forget her,
Which made him seem exceedingly ill-bred.
Gulbeyaz, who look'd on him as her debtor
For having had him to her palace led,
Began to blush up to the eyes, and then
Grow deadly pale, and then blush back again.

CXXV
At length, in an imperial way, she laid
Her hand on his, and bending on him eyes
Which needed not an empire to persuade,
Look'd into his for love, where none replies:
Her brow grew black, but she would not upbraid,
That being the last thing a proud woman tries;
She rose, and pausing one chaste moment, threw
Herself upon his breast, and there she grew.

CXXVI
This was an awkward test, as Juan found,
But he was steel'd by sorrow, wrath, and pride:
With gentle force her white arms he unwound,
And seated her all drooping by his side,
Then rising haughtily he glanced around,
And looking coldly in her face, he cried,
"The prison'd eagle will not pair, nor I
Serve a Sultana's sensual phantasy.

CXXVII
"Thou ask'st if I can love? be this the proof
How much I have loved -- that I love not thee!
In this vile garb, the distaff, web, and woof,
Were fitter for me: Love is for the free!
I am not dazzled by this splendid roof,
Whate'er thy power, and great it seems to be;
Heads bow, knees bend, eyes watch around a throne,
And hands obey -- our hearts are still our own."

CXXVIII
This was a truth to us extremely trite;
Not so to her, who ne'er had heard such things:
She deem'd her least command must yield delight,
Earth being only made for queens and kings.
If hearts lay on the left side or the right
She hardly knew, to such perfection brings
Legitimacy its born votaries, when
Aware of their due royal rights o'er men.

CXXIX
Besides, as has been said, she was so fair
As even in a much humbler lot had made
A kingdom or confusion anywhere,
And also, as may be presumed, she laid
Some stress on charms, which seldom are, if e'er,
By their possessors thrown into the shade:
She thought hers gave a double "right divine;"
And half of that opinion's also mine.

CXXX
Remember, or (if you can not) imagine,
Ye, who have kept your chastity when young,
While some more desperate dowager has been waging
Love with you, and been in the dog-days stung
By your refusal, recollect her raging!
Or recollect all that was said or sung
On such a subject; then suppose the face
Of a young downright beauty in this case.

CXXXI
Suppose, -- but you already have supposed,
The spouse of Potiphar, the Lady Booby,
Phaedra, and all which story has disclosed
Of good examples; pity that so few by
Poets and private tutors are exposed,
To educate -- ye youth of Europe -- you by!
But when you have supposed the few we know,
You can't suppose Gulbeyaz' angry brow.

CXXXII
A tigress robb'd of young, a lioness,
Or any interesting beast of prey,
Are similes at hand for the distress
Of ladies who can not have their own way;
But though my turn will not be served with less,
These don't express one half what I should say:
For what is stealing young ones, few or many,
To cutting short their hopes of having any?

CXXXIII
The love of offspring's nature's general law,
From tigresses and cubs to ducks and ducklings;
There's nothing whets the beak, or arms the claw
Like an invasion of their babes and sucklings;
And all who have seen a human nursery, saw
How mothers love their children's squalls and chucklings;
This strong extreme effect (to tire no longer
Your patience) shows the cause must still be stronger.

CXXXIV
If I said fire flash'd from Gulbeyaz' eyes,
'T were nothing -- for her eyes flash'd always fire;
Or said her cheeks assumed the deepest dyes,
I should but bring disgrace upon the dyer,
So supernatural was her passion's rise;
For ne'er till now she knew a check'd desire:
Even ye who know what a check'd woman is
(Enough, God knows!) would much fall short of this.

CXXXV
Her rage was but a minute's, and 't was well --
A moment's more had slain her; but the while
It lasted 't was like a short glimpse of hell:
Nought's more sublime than energetic bile,
Though horrible to see yet grand to tell,
Like ocean warring 'gainst a rocky isle;
And the deep passions flashing through her form
Made her a beautiful embodied storm.

CXXXVI
A vulgar tempest 't were to a typhoon
To match a common fury with her rage,
And yet she did not want to reach the moon,
Like moderate Hotspur on the immortal page;
Her anger pitch'd into a lower tune,
Perhaps the fault of her soft sex and age --
Her wish was but to "kill, kill, kill," like Lear's,
And then her thirst of blood was quench'd in tears.

CXXXVII
A storm it raged, and like the storm it pass'd,
Pass'd without words -- in fact she could not speak;
And then her sex's shame broke in at last,
A sentiment till then in her but weak,
But now it flow'd in natural and fast,
As water through an unexpected leak;
For she felt humbled -- and humiliation
Is sometimes good for people in her station

CXXXVIII
It teaches them that they are flesh and blood,
It also gently hints to them that others,
Although of clay, are yet not quite of mud;
That urns and pipkins are but fragile brothers,
And works of the same pottery, bad or good,
Though not all born of the same sires and mothers:
It teaches -- Heaven knows only what it teaches,
But sometimes it may mend, and often reaches.

CXXXIX
Her first thought was to cut off Juan's head;
Her second, to cut only his -- acquaintance;
Her third, to ask him where he had been bred;
Her fourth, to rally him into repentance;
Her fifth, to call her maids and go to bed;
Her sixth, to stab herself; her seventh, to sentence
The lash to Baba: -- but her grand resource
Was to sit down again, and cry of course.

CXL
She thought to stab herself, but then she had
The dagger close at hand, which made it awkward;
For Eastern stays are little made to pad,
So that a poniard pierces if 't is stuck hard:
She thought of killing Juan -- but, poor lad!
Though he deserved it well for being so backward,
The cutting off his head was not the art
Most likely to attain her aim -- his heart.

CXLI
Juan was moved; he had made up his mind
To be impaled, or quarter'd as a dish
For dogs, or to be slain with pangs refined,
Or thrown to lions, or made baits for fish,
And thus heroically stood resign'd,
Rather than sin -- except to his own wish:
But all his great preparatives for dying
Dissolved like snow before a woman crying.

CXLII
As through his palms Bob Acres' valour oozed,
So Juan's virtue ebb'd, I know not how;
And first he wonder'd why he had refused;
And then, if matters could be made up now;
And next his savage virtue he accused,
Just as a friar may accuse his vow,
Or as a dame repents her of her oath,
Which mostly ends in some small breach of both.

CXLIII
So he began to stammer some excuses;
But words are not enough in such a matter,
Although you borrow'd all that e'er the muses
Have sung, or even a Dandy's dandiest chatter,
Or all the figures Castlereagh abuses;
Just as a languid smile began to flatter
His peace was making, but before he ventured
Further, old Baba rather briskly enter'd.

CXLIV
"Bride of the Sun! and Sister of the Moon!"
('T was thus he spake) "and Empress of the Earth!
Whose frown would put the spheres all out of tune,
Whose smile makes all the planets dance with mirth,
Your slave brings tidings -- he hopes not too soon --
Which your sublime attention may be worth:
The Sun himself has sent me like a ray,
To hint that he is coming up this way."

CXLV
"Is it," exclaim'd Gulbeyaz, "as you say?
I wish to heaven he would not shine till morning!
But bid my women form the milky way.
Hence, my old comet! give the stars due warning --
And, Christian! mingle with them as you may,
And as you'd have me pardon your past scorning --"
Here they were interrupted by a humming
Sound, and then by a cry, "The Sultan's coming!"

CXLVI
First came her damsels, a decorous file,
And then his Highness' eunuchs, black and white;
The train might reach a quarter of a mile:
His majesty was always so polite
As to announce his visits a long while
Before he came, especially at night;
For being the last wife of the Emperour,
She was of course the favorite of the four.

CXLVII
His Highness was a man of solemn port,
Shawl'd to the nose, and bearded to the eyes,
Snatch'd from a prison to preside at court,
His lately bowstrung brother caused his rise;
He was as good a sovereign of the sort
As any mention'd in the histories
Of Cantemir, or Knolles, where few shine
Save Solyman, the glory of their line.

CXLVIII
He went to mosque in state, and said his prayers
With more than "Oriental scrupulosity;"
He left to his vizier all state affairs,
And show'd but little royal curiosity:
I know not if he had domestic cares --
No process proved connubial animosity;
Four wives and twice five hundred maids, unseen,
Were ruled as calmly as a Christian queen.

CXLIX
If now and then there happen'd a slight slip,
Little was heard of criminal or crime;
The story scarcely pass'd a single lip --
The sack and sea had settled all in time,
From which the secret nobody could rip:
The Public knew no more than does this rhyme;
No scandals made the daily press a curse --
Morals were better, and the fish no worse.

CL
He saw with his own eyes the moon was round,
Was also certain that the earth was square,
Because he had journey'd fifty miles, and found
No sign that it was circular anywhere;
His empire also was without a bound:
'T is true, a little troubled here and there,
By rebel pachas, and encroaching giaours,
But then they never came to "the Seven Towers;"

CLI
Except in shape of envoys, who were sent
To lodge there when a war broke out, according
To the true law of nations, which ne'er meant
Those scoundrels, who have never had a sword in
Their dirty diplomatic hands, to vent
Their spleen in making strife, and safely wording
Their lies, yclep'd despatches, without risk or
The singeing of a single inky whisker.

CLII
He had fifty daughters and four dozen sons,
Of whom all such as came of age were stow'd,
The former in a palace, where like nuns
They lived till some Bashaw was sent abroad,
When she, whose turn it was, was wed at once,
Sometimes at six years old -- though it seems odd,
'T is true; the reason is, that the Bashaw
Must make a present to his sire in law.

CLIII
His sons were kept in prison, till they grew
Of years to fill a bowstring or the throne,
One or the other, but which of the two
Could yet be known unto the fates alone;
Meantime the education they went through
Was princely, as the proofs have always shown:
So that the heir apparent still was found
No less deserving to be hang'd than crown'd.

CLIV
His majesty saluted his fourth spouse
With all the ceremonies of his rank,
Who clear'd her sparkling eyes and smooth'd her brows,
As suits a matron who has play'd a prank;
These must seem doubly mindful of their vows,
To save the credit of their breaking bank:
To no men are such cordial greetings given
As those whose wives have made them fit for heaven.

CLV
His Highness cast around his great black eyes,
And looking, as he always look'd, perceived
Juan amongst the damsels in disguise,
At which he seem'd no whit surprised nor grieved,
But just remark'd with air sedate and wise,
While still a fluttering sigh Gulbeyaz heaved,
"I see you've bought another girl; 't is pity
That a mere Christian should be half so pretty."

CLVI
This compliment, which drew all eyes upon
The new-bought virgin, made her blush and shake.
Her comrades, also, thought themselves undone:
Oh! Mahomet! that his majesty should take
Such notice of a giaour, while scarce to one
Of them his lips imperial ever spake!
There was a general whisper, toss, and wriggle,
But etiquette forbade them all to giggle.

CLVII
The Turks do well to shut -- at least, sometimes --
The women up, because, in sad reality,
Their chastity in these unhappy climes
Is not a thing of that astringent quality
Which in the North prevents precocious crimes,
And makes our snow less pure than our morality;
The sun, which yearly melts the polar ice,
Has quite the contrary effect on vice.

CLVIII
Thus in the East they are extremely strict,
And Wedlock and a Padlock mean the same;
Excepting only when the former's pick'd
It ne'er can be replaced in proper frame;
Spoilt, as a pipe of claret is when prick'd:
But then their own Polygamy's to blame;
Why don't they knead two virtuous souls for life
Into that moral centaur, man and wife?

CLIX
Thus far our chronicle; and now we pause,
Though not for want of matter; but 't is time
According to the ancient epic laws,
To slacken sail, and anchor with our rhyme.
Let this fifth canto meet with due applause,
The sixth shall have a touch of the sublime;
Meanwhile, as Homer sometimes sleeps, perhaps
You'll pardon to my muse a few short naps.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
'T is stuffed with. Do you know that there was once
This thing: a multitude of worthy folk
Took recreation, watched a certain group
Of soldiery intent upon a game,—
How first they wrangled, but soon fell to play,
Threw dice,—the best diversion in the world.
A word in your ear,—they are now casting lots,
Ay, with that gesture quaint and cry uncouth,
For the coat of One murdered an hour ago!
I am a priest,—talk of what I have learned.
Pompilia is bleeding out her life belike,
Gasping away the latest breath of all,
This minute, while I talk—not while you laugh?

Yet, being sobered now, what is it you ask
By way of explanation? There's the fact!
It seems to fill the universe with sight
And sound,—from the four corners of this earth
Tells itself over, to my sense at least.
But you may want it lower set i' the scale,—
Too vast, too close it clangs in the ear, perhaps;
You'd stand back just to comprehend it more.
Well then, let me, the hollow rock, condense
The voice o' the sea and wind, interpret you
The mystery of this murder. God above!
It is too paltry, such a transference
O' the storm's roar to the cranny of the stone!

This deed, you saw begin—why does its end
Surprise you? Why should the event enforce
The lesson, we ourselves learned, she and I,
From the first o' the fact, and taught you, all in vain?
This Guido from whose throat you took my grasp,
Was this man to be favoured, now or feared,
Let do his will, or have his will restrained,
In the relation with Pompilia? Say!
Did any other man need interpose
—Oh, though first comer, though as strange at the work
As fribble must be, coxcomb, fool that's near
To knave as, say, a priest who fears the world—
Was he bound brave the peril, save the doomed,
Or go on, sing his snatch and pluck his flower,
Keep the straight path and let the victim die?
I held so; you decided otherwise,
Saw no such peril, therefore no such need
To stop song, loosen flower, and leave path. Law,
Law was aware and watching, would suffice,
Wanted no priest's intrusion, palpably
Pretence, too manifest a subterfuge!
Whereupon I, priest, coxcomb, fribble and fool,
Ensconced me in my corner, thus rebuked,
A kind of culprit, over-zealous hound
Kicked for his pains to kennel; I gave place,
To you, and let the law reign paramount:
I left Pompilia to your watch and ward,
And now you point me—there and thus she lies!

Men, for the last time, what do you want with me?
Is it,—you acknowledge, as it were, a use,
A profit in employing me?—at length
I may conceivably help the august law?
I am free to break the blow, next hawk that swoops
On next dove, nor miss much of good repute?
Or what if this your summons, after all,
Be but the form of mere release, no more,
Which turns the key and lets the captive go?
I have paid enough in person at Civita,
Am free,—what more need I concern me with?
Thank you! I am rehabilitated then,
A very reputable priest. But she—
The glory of life, the beauty of the world,
The splendour of heaven, … well, Sirs, does no one move?
Do I speak ambiguously? The glory, I say,
And the beauty, I say, and splendour, still say I,
Who, priest and trained to live my whole life long
On beauty and splendour, solely at their source,
God,—have thus recognized my food in her,
You tell me, that's fast dying while we talk,
Pompilia! How does lenity to me,
Remit one death-bed pang to her? Come, smile!
The proper wink at the hot-headed youth
Who lets his soul show, through transparent words,
The mundane love that's sin and scandal too!
You are all struck acquiescent now, it seems:
It seems the oldest, gravest signor here,
Even the redoubtable Tommati, sits
Chop-fallen,—understands how law might take
Service like mine, of brain and heart and hand,
In good part. Better late than never, law
You understand of a sudden, gospel too
Has a claim here, may possibly pronounce
Consistent with my priesthood, worthy Christ,
That I endeavoured to save Pompilia?

Then,
You were wrong, you see: that's well to see, though late:
That's all we may expect of man, this side
The grave: his good is—knowing he is bad:
Thus will it be with us when the books ope
And we stand at the bar on judgment-day.
Well then, I have a mind to speak, see cause
To relume the quenched flax by this dreadful light,
Burn my soul out in showing you the truth.
I heard, last time I stood here to be judged,
What is priest's-duty,—labour to pluck tares
And weed the corn of Molinism; let me
Make you hear, this time, how, in such a case,
Man, be he in the priesthood or at plough,
Mindful of Christ or marching step by step
With … what's his style, the other potentate
Who bids have courage and keep honour safe,
Nor let minuter admonition tease?—
How he is bound, better or worse, to act.
Earth will not end through this misjudgment, no!
For you and the others like you sure to come,
Fresh work is sure to follow,—wickedness
That wants withstanding. Many a man of blood,
Many a man of guile will clamour yet,
Bid you redress his grievance,—as he clutched
The prey, forsooth a stranger stepped between,
And there's the good gripe in pure waste! My part
Is done; i' the doing it, I pass away
Out of the world. I want no more with earth.
Let me, in heaven's name, use the very snuff
O' the taper in one last spark shall show truth
For a moment, show Pompilia who was true!
Not for her sake, but yours: if she is dead,
Oh, Sirs, she can be loved by none of you
Most or least priestly! Saints, to do us good,
Must be in heaven, I seem to understand:
We never find them saints before, at least.
Be her first prayer then presently for you—
She has done the good to me …

What is all this?
There, I was born, have lived, shall die, a fool!
This is a foolish outset:—might with cause
Give colour to the very lie o' the man,
The murderer,—make as if I loved his wife,
In the way he called love. He is the fool there!
Why, had there been in me the touch of taint,
I had picked up so much of knaves'-policy
As hide it, keep one hand pressed on the place
Suspected of a spot would damn us both.
Or no, not her!—not even if any of you
Dares think that I, i' the face of death, her death
That's in my eyes and ears and brain and heart,
Lie,—if he does, let him! I mean to say,
So he stop there, stay thought from smirching her
The snow-white soul that angels fear to take
Untenderly. But, all the same, I know
I too am taintless, and I bare my breast.
You can't think, men as you are, all of you,
But that, to hear thus suddenly such an end
Of such a wonderful white soul, that comes
Of a man and murderer calling the white black,
Must shake me, trouble and disadvantage. Sirs,
Only seventeen!

Why, good and wise you are!
You might at the beginning stop my mouth:
So, none would be to speak for her, that knew.
I talk impertinently, and you bear,
All the same. This it is to have to do
With honest hearts: they easily may err,
But in the main they wish well to the truth.
You are Christians; somehow, no one ever plucked
A rag, even, from the body of the Lord,
To wear and mock with, but, despite himself,
He looked the greater and was the better. Yes,
I shall go on now. Does she need or not
I keep calm? Calm I'll keep as monk that croons
Transcribing battle, earthquake, famine, plague,
From parchment to his cloister's chronicle.
Not one word more from the point now!

I begin.
Yes, I am one of your body and a priest.
Also I am a younger son o' the House
Oldest now, greatest once, in my birth-town
Arezzo, I recognize no equal there—
(I want all arguments, all sorts of arms
That seem to serve,—use this for a reason, wait!)
Not therefore thrust into the Church, because
O' the piece of bread one gets there. We were first
Of Fiesole, that rings still with the fame
Of Capo-in-Sacco our progenitor:
When Florence ruined Fiesole, our folk
Migrated to the victor-city, and there
Flourished,—our palace and our tower attest,
In the Old Mercato,—this was years ago,
Four hundred, full,—no, it wants fourteen just.
Our arms are those of Fiesole itself,
The shield quartered with white and red: a branch
Are the Salviati of us, nothing more.
That were good help to the Church? But better still—
Not simply for the advantage of my birth
I' the way of the world, was I proposed for priest;
But because there's an illustration, late
I' the day, that's loved and looked to as a saint
Still in Arezzo, he was bishop of,
Sixty years since: he spent to the last doit
His bishop's-revenue among the poor,
And used to tend the needy and the sick,
Barefoot, because of his humility.
He it was,—when the Granduke Ferdinand
Swore he would raze our city, plough the place
And sow it with salt, because we Aretines
Had tied a rope about the neck, to hale
The statue of his father from its base
For hate's sake,—he availed by prayers and tears
To pacify the Duke and save the town.
This was my father's father's brother. You see,
For his sake, how it was I had a right
To the self-same office, bishop in the egg,
So, grew i' the garb and prattled in the school,
Was made expect, from infancy almost,
The proper mood o' the priest; till time ran by
And brought the day when I must read the vows,
Declare the world renounced and undertake
To become priest and leave probation,—leap
Over the ledge into the other life,
Having gone trippingly hitherto up to the height
O'er the wan water. Just a vow to read!

I stopped short awe-struck. "How shall holiest flesh
"Engage to keep such vow inviolate,
"How much less mine? I know myself too weak,
"Unworthy! Choose a worthier stronger man!"
And the very Bishop smiled and stopped my mouth
In its mid-protestation. "Incapable?
"Qualmish of conscience? Thou ingenuous boy!
"Clear up the clouds and cast thy scruples far!
"I satisfy thee there's an easier sense
"Wherein to take such vow than suits the first
"Rough rigid reading. Mark what makes all smooth,
"Nay, has been even a solace to myself!
"The Jews who needs must, in their synagogue,
"Utter sometimes the holy name of God,
"A thing their superstition boggles at,
"Pronounce aloud the ineffable sacrosanct,—
"How does their shrewdness help them? In this wise;
"Another set of sounds they substitute,
"Jumble so consonants and vowels—how
"Should I know?—that there grows from out the old
"Quite a new word that means the very same—
"And o'er the hard place slide they with a smile.
"Giuseppe Maria Caponsacchi mine,
"Nobody wants you in these latter days
"To prop the Church by breaking your back-bone,—
"As the necessary way was once, we know,
"When Diocletian flourished and his like.
"That building of the buttress-work was done
"By martyrs and confessors: let it bide,
"Add not a brick, but, where you see a chink,
"Stick in a sprig of ivy or root a rose
"Shall make amends and beautify the pile!
"We profit as you were the painfullest
"O' the martyrs, and you prove yourself a match
"For the cruelest confessor ever was,
"If you march boldly up and take your stand
"Where their blood soaks, their bones yet strew the soil,
"And cry 'Take notice, I the young and free
"'And well-to-do i' the world, thus leave the world,
"'Cast in my lot thus with no gay young world
"'But the grand old Church: she tempts me of the two!'
"Renounce the world? Nay, keep and give it us!
"Let us have you, and boast of what you bring.
"We want the pick o' the earth to practise with,
"Not its offscouring, halt and deaf and blind
"In soul and body. There's a rubble-stone
"Unfit for the front o' the building, stuff to stow
"In a gap behind and keep us weather-tight;
"There's porphyry for the prominent place. Good lack!
"Saint Paul has had enough and to spare, I trow,
"Of ragged run-away Onesimus:
"He wants the right-hand with the signet-ring
"Of King Agrippa, now, to shake and use.
"I have a heavy scholar cloistered up,
"Close under lock and key, kept at his task
"Of letting Fénelon know the fool he is,
"In a book I promise Christendom next Spring.
"Why, if he covets so much meat, the clown,
"As a lark's wing next Friday, or, any day,
"Diversion beyond catching his own fleas,
"He shall be properly swinged, I promise him.
"But you, who are so quite another paste
"Of a man,—do you obey me? Cultivate
"Assiduous that superior gift you have
"Of making madrigals—(who told me? Ah!)
"Get done a Marinesque Adoniad straight
"With a pulse o' the blood a-pricking, here and there,
"That I may tell the lady 'And he's ours!'"

So I became a priest: those terms changed all,
I was good enough for that, nor cheated so;
I could live thus and still hold head erect.
Now you see why I may have been before
A fribble and coxcomb, yet, as priest, break word
Nowise, to make you disbelieve me now.
I need that you should know my truth. Well, then,
According to prescription did I live,
—Conformed myself, both read the breviary
And wrote the rhymes, was punctual to my place
I' the Pieve, and as diligent at my post
Where beauty and fashion rule. I throve apace,
Sub-deacon, Canon, the authority
For delicate play at tarocs, and arbiter
O' the magnitude of fan-mounts: all the while
Wanting no whit the advantage of a hint
Benignant to the promising pupil,—thus:
"Enough attention to the Countess now,
"The young one; 't is her mother rules the roast,
"We know where, and puts in a word: go pay
"Devoir to-morrow morning after mass!
"Break that rash promise to preach, Passion-week!
"Has it escaped you the Archbishop grunts
"And snuffles when one grieves to tell his Grace
"No soul dares treat the subject of the day
"Since his own masterly handling it (ha, ha!)
"Five years ago,—when somebody could help
"And touch up an odd phrase in time of need,
"(He, he!)—and somebody helps you, my son!
"Therefore, don't prove so indispensable
"At the Pieve, sit more loose i' the seat, nor grow
"A fixture by attendance morn and eve!
"Arezzo's just a haven midway Rome—
"Rome's the eventual harbour,—make for port,
"Crowd sail, crack cordage! And your cargo be
"A polished presence, a genteel manner, wit
"At will, and tact at every pore of you!
"I sent our lump of learning, Brother Clout,
"And Father Slouch, our piece of piety,
"To see Rome and try suit the Cardinal.
"Thither they clump-clumped, beads and book in hand,
"And ever since 't is meat for man and maid
"How both flopped down, prayed blessing on bent pate
"Bald many an inch beyond the tonsure's need,
"Never once dreaming, the two moony dolts,
"There's nothing moves his Eminence so much
"As—far from all this awe at sanctitude—
"Heads that wag, eyes that twinkle, modified mirth
"At the closet-lectures on the Latin tongue
"A lady learns so much by, we know where.
"Why, body o' Bacchus, you should crave his rule
"For pauses in the elegiac couplet, chasms
"Permissible only to Catullus! There!
"Now go to duty: brisk, break Priscian's head
"By reading the day's office—there's no help.
"You've Ovid in your poke to plaster that;
"Amen's at the end of all: then sup with me!"

Well, after three or four years of this life,
In prosecution of my calling, I
Found myself at the theatre one night
With a brother Canon, in a mood and mind
Proper enough for the place, amused or no:
When I saw enter, stand, and seat herself
A lady, young, tall, beautiful, strange and sad.
It was as when, in our cathedral once,
As I got yawningly through matin-song,
I saw facchini bear a burden up,
Base it on the high-altar, break away
A board or two, and leave the thing inside
Lofty and lone: and lo, when next I looked,
There was the Rafael! I was still one stare,
When—"Nay, I'll make her give you back your gaze"—
Said Canon Conti; and at the word he tossed
A paper-twist of comfits to her lap,
And dodged and in a trice was at my back
Nodding from over my shoulder. Then she turned,
Looked our way, smiled the beautiful sad strange smile.
"Is not she fair? 'T is my new cousin," said he:
"The fellow lurking there i' the black o' the box
"Is Guido, the old scapegrace: she's his wife,
"Married three years since: how his Countship sulks!
"He has brought little back from Rome beside,
"After the bragging, bullying. A fair face,
"And—they do say—a pocketful of gold
"When he can worry both her parents dead.
"I don't go much there, for the chamber's cold
"And the coffee pale. I got a turn at first
"Paying my duty: I observed they crouched
"—The two old frightened family spectres—close
"In a corner, each on each like mouse on mouse
"I' the cat's cage: ever since, I stay at home.
"Hallo, there's Guido, the black, mean and small,
"Bends his brows on us—please to bend your own
"On the shapely nether limbs of Light-skirts there
"By way of a diversion! I was a fool
"To fling the sweetmeats. Prudence, for God's love!
"To-morrow I'll make my peace, e'en tell some fib,
"Try if I can't find means to take you there."

That night and next day did the gaze endure,
Burnt to my brain, as sunbeam thro' shut eyes,
And not once changed the beautiful sad strange smile.
At vespers Conti leaned beside my seat
I' the choir,—part said, part sung—"In ex-cel-sis—
"All's to no purpose; I have louted low,
"But he saw you staring—quia sub—don't incline
"To know you nearer: him we would not hold
"For Hercules,—the man would lick your shoe
"If you and certain efficacious friends
"Managed him warily,—but there's the wife:
"Spare her, because he beats her, as it is,
"She's breaking her heart quite fast enough—jam tu—
"So, be you rational and make amends
"With little Light-skirts yonder—in secula
"Secu-lo-o-o-o-rum. Ah, you rogue! Every one knows
"What great dame she makes jealous: one against one,
"Play, and win both!"

Sirs, ere the week was out,
I saw and said to myself "Light-skirts hides teeth
"Would make a dog sick,—the great dame shows spite
"Should drive a cat mad: 't is but poor work this—
"Counting one's fingers till the sonnet's crowned.
"I doubt much if Marino really be
"A better bard than Dante after all.
"'T is more amusing to go pace at eve
"I' the Duomo,—watch the day's last gleam outside
"Turn, as into a skirt of God's own robe,
"Those lancet-windows' jewelled miracle,—
"Than go eat the Archbishop's ortolans,
"Digest his jokes. Luckily Lent is near:
"Who cares to look will find me in my stall
"At the Pieve, constant to this faith at least—
"Never to write a canzonet any more."

So, next week, 't was my patron spoke abrupt,
In altered guise. "Young man, can it be true
"That after all your promise of sound fruit,
"You have kept away from Countess young or old
"And gone play truant in church all day long?
"Are you turning Molinist?" I answered quick:
"Sir, what if I turned Christian? It might be.
"The fact is, I am troubled in my mind,
"Beset and pressed hard by some novel thoughts.
"This your Arezzo is a limited world;
"There's a strange Pope,—'t is said, a priest who thinks.
"Rome is the port, you say: to Rome I go.
"I will live alone, one does so in a crowd,
"And look into my heart a little." "Lent
"Ended,"—I told friends—"I shall go to Rome."

One evening I was sitting in a muse
Over the opened "Summa," darkened round
By the mid-March twilight, thinking how my life
Had shaken under me,—broke short indeed
And showed the gap 'twixt what is, what should be,—
And into what abysm the soul may slip,
Leave aspiration here, achievement there,
Lacking omnipotence to connect extremes—
Thinking moreover … oh, thinking, if you like,
How utterly dissociated was I
A priest and celibate, from the sad strange wife
Of Guido,—just as an instance to the point,
Nought more,—how I had a whole store of strengths
Eating into my heart, which craved employ,
And she, perhaps, need of a finger's help,—
And yet there was no way in the wide world
To stretch out mine and so relieve myself,—
How when the page o' the Summa preached its best,
Her smile kept glowing out of it, as to mock
The silence we could break by no one word,—
There came a tap without the chamber-door,
And a whisper; when I bade who tapped speak out.
And, in obedience to my summons, last
In glided a masked muffled mystery,
Laid lightly a letter on the opened book,
Then stood with folded arms and foot demure,
Pointing as if to mark the minutes' flight.

I took the letter, read to the effect
That she, I lately flung the comfits to,
Had a warm heart to give me in exchange,
And gave it,—loved me and confessed it thus,
And bade me render thanks by word of mouth,
Going that night to such a side o' the house
Where the small terrace overhangs a street
Blind and deserted, not the street in front:
Her husband being away, the surly patch,
At his villa of Vittiano.

"And you?"—I asked:
"What may you be?" "Count Guido's kind of maid—
"Most of us have two functions in his house.
"We all hate him, the lady suffers much,
"'T is just we show compassion, furnish help,
"Specially since her choice is fixed so well.
"What answer may I bring to cheer the sweet
"Pompilia?"

Then I took a pen and wrote
"No more of this! That you are fair, I know:
"But other thoughts now occupy my mind.
"I should not thus have played the insensible
"Once on a time. What made you,—may one ask,—
"Marry your hideous husband? 'T was a fault,
"And now you taste the fruit of it. Farewell."

"There!" smiled I as she snatched it and was gone—
"There, let the jealous miscreant,—Guido's self,
"Whose mean soul grins through this transparent trick,—
"Be baulked so far, defrauded of his aim!
"What fund of satisfaction to the knave,
"Had I kicked this his messenger down stairs,
"Trussed to the middle of her impudence,
"And set his heart at ease so! No, indeed!
"There's the reply which he shall turn and twist
"At pleasure, snuff at till his brain grow drunk,
"As the bear does when he finds a scented glove
"That puzzles him,—a hand and yet no hand,
"Of other perfume than his own foul paw!
"Last month, I had doubtless chosen to play the dupe,
"Accepted the mock-invitation, kept
"The sham appointment, cudgel beneath cloak,
"Prepared myself to pull the appointer's self
"Out of the window from his hiding-place
"Behind the gown of this part-messenger
"Part-mistress who would personate the wife.
"Such had seemed once a jest permissible:
"Now I am not i' the mood."

Back next morn brought
The messenger, a second letter in hand.
"You are cruel, Thyrsis, and Myrtilla moans
"Neglected but adores you, makes request
"For mercy: why is it you dare not come?
"Such virtue is scarce natural to your age.
"You must love someone else; I hear you do,
"The Baron's daughter or the Advocate's wife,
"Or both,—all's one, would you make me the third—
"I take the crumbs from table gratefully
"Nor grudge who feasts there. 'Faith, I blush and blaze!
"Yet if I break all bounds, there's reason sure.
"Are you determinedly bent on Rome?
"I am wretched here, a monster tortures me:
"Carry me with you! Come and say you will!
"Concert this very evening! Do not write!
"I am ever at the window of my room
"Over the terrace, at the Ave. Come!"

I questioned—lifting half the woman's mask
To let her smile loose. "So, you gave my line
"To the merry lady?" "She kissed off the wax,
"And put what paper was not kissed away,
"In her bosom to go burn: but merry, no!
"She wept all night when evening brought no friend,
"Alone, the unkind missive at her breast;
"Thus Philomel, the thorn at her breast too,
"Sings" … "Writes this second letter?" "Even so!
"Then she may peep at vespers forth?"—"What risk
"Do we run o' the husband?"—"Ah,—no risk at all!
"He is more stupid even than jealous. Ah—
"That was the reason? Why, the man's away!
"Beside, his bugbear is that friend of yours,
"Fat little Canon Conti. He fears him,
"How should he dream of you? I told you truth:
"He goes to the villa at Vittiano—'t is
"The time when Spring-sap rises in the vine—
"Spends the night there. And then his wife's a child:
"Does he think a child outwits him? A mere child:
"Yet so full grown, a dish for any duke.
"Don't quarrel longer with such cates, but come!"
I wrote "In vain do you solicit me.
"I am a priest: and you are wedded wife,
"Whatever kind of brute your husband prove.
"I have scruples, in short. Yet should you really show
"Sign at the window … but nay, best be good!
"My thoughts are elsewhere," "Take her that!"

"Again
"Let the incarnate meanness, cheat and spy,
"Mean to the marrow of him, make his heart
"His food, anticipate hell's worm once more!
"Let him watch shivering at the window—ay,
"And let this hybrid, this his light-of-love
"And lackey-of-lies,—a sage economy,—
"Paid with embracings for the rank brass coin,—
"Let her report and make him chuckle o'er
"The break-down of my resolution now,
"And lour at disappointment in good time!
"—So tantalize and so enrage by turns,
"Until the two fall each on the other like
"Two famished spiders, as the coveted fly
"That toys long, leaves their net and them at last!"
And so the missives followed thick and fast
For a month, say,—I still came at every turn
On the soft sly adder, endlong 'neath my tread.
I was met i' the street, made sign to in the church,
A slip was found i' the door-sill, scribbled word
'Twixt page and page o' the prayer-book in my place.
A crumpled thing dropped even before my feet,
Pushed through the blind, above the terrace-rail,
As I passed, by day, the very window once.
And ever from corners would be peering up
The messenger, with the self-same demand
"Obdurate still, no flesh but adamant?
"Nothing to cure the wound, assuage the throe
"O' the sweetest lamb that ever loved a bear?"
And ever my one answer in one tone—
"Go your ways, temptress! Let a priest read, pray,
"Unplagued of vain talk, visions not for him!
"In the end, you'll have your will and ruin me!"

One day, a variation: thus I read:
"You have gained little by timidity.
"My husband has found out my love at length,
"Sees cousin Conti was the stalking-horse,
"And you the game he covered, poor fat soul!
"My husband is a formidable foe,
"Will stick at nothing to destroy you. Stand
"Prepared, or better, run till you reach Rome!
"I bade you visit me, when the last place
"My tyrant would have turned suspicious at,
"Or cared to seek you in, was … why say, where?
"But now all's changed: beside, the season's past
"At the villa,—wants the master's eye no more.
"Anyhow, I beseech you, stay away
"From the window! He might well be posted there."

I wrote—"You raise my courage, or call up
"My curiosity, who am but man.
"Tell him he owns the palace, not the street
"Under—that's his and yours and mine alike.
"If it should please me pad the path this eve,
"Guido will have two troubles, first to get
"Into a rage and then get out again.
"Be cautious, though: at the Ave!"

You of the Court!
When I stood question here and reached this point
O' the narrative,—search notes and see and say
If someone did not interpose with smile
And sneer, "And prithee why so confident
"That the husband must, of all needs, not the wife,
"Fabricate thus,—what if the lady loved?
"What if she wrote the letters?"

Learned Sir,
I told you there's a picture in our church.
Well, if a low-browed verger sidled up
Bringing me, like a blotch, on his prod's point,
A transfixed scorpion, let the reptile writhe,
And then said "See a thing that Rafael made—
"This venom issued from Madonna's mouth!"
I should reply, "Rather, the soul of you
"Has issued from your body, like from like,
"By way of the ordure-corner!"

But no less,
I tired of the same long black teasing lie
Obtruded thus at every turn; the pest
Was far too near the picture, anyhow:
One does Madonna service, making clowns
Remove their dung-heap from the sacristy.
"I will to the window, as he tempts," said I:
"Yes, whom the easy love has failed allure,
"This new bait of adventure tempts,—thinks he.
"Though the imprisoned lady keeps afar,
"There will they lie in ambush, heads alert,
"Kith, kin, and Count mustered to bite my heel.
"No mother nor brother viper of the brood
"Shall scuttle off without the instructive bruise!"

So I went: crossed street and street: "The next street's turn,
"I stand beneath the terrace, see, above,
"The black of the ambush-window. Then, in place
"Of hand's throw of soft prelude over lute,
"And cough that clears way for the ditty last,"—
I began to laugh already—"he will have
"'Out of the hole you hide in, on to the front,
"'Count Guido Franceschini, show yourself!
"'Hear what a man thinks of a thing like you,
"'And after, take this foulness in your face!'"

The words lay living on my lip, I made
The one-turn more—and there at the window stood,
Framed in its black square length, with lamp in hand,
Pompilia; the same great, grave, griefful air
As stands i' the dusk, on altar that I know,
Left alone with one moonbeam in her cell,
Our Lady of all the Sorrows. Ere I knelt—
Assured myself that she was flesh and blood—
She had looked one look and vanished.

I thought—"Just so:
"It was herself, they have set her there to watch—
"Stationed to see some wedding band go by,
"On fair pretence that she must bless the bride,
"Or wait some funeral with friends wind past,
"And crave peace for the corpse that claims its due.
"She never dreams they used her for a snare,
"And now withdraw the bait has served its turn.
"Well done, the husband, who shall fare the worse!"
And on my lip again was—"Out with thee,
"Guido!" When all at once she re-appeared;
But, this time, on the terrace overhead,
So close above me, she could almost touch
My head if she bent down; and she did bend,
While I stood still as stone, all eye, all ear.

She began—"You have sent me letters, Sir:
"I have read none, I can neither read nor write;
"But she you gave them to, a woman here,
"One of the people in whose power I am,
"Partly explained their sense, I think, to me
"Obliged to listen while she inculcates
"That you, a priest, can dare love me, a wife,
"Desire to live or die as I shall bid,
"(She makes me listen if I will or no)
"Because you saw my face a single time.
"It cannot be she says the thing you mean;
"Such wickedness were deadly to us both:
"But good true love would help me now so much—
"I tell myself, you may mean good and true.
"You offer me, I seem to understand,
"Because I am in poverty and starve,
"Much money, where one piece would save my life.
"The silver cup upon the altar-cloth
"Is neither yours to give nor mine to take;
"But I might take one bit of bread therefrom,
"Since I am starving, and return the rest,
"Yet do no harm: this is my very case.
"I am in that strait, I may not dare abstain
"From so much of assistance as would bring
"The guilt of theft on neither you nor me;
"But no superfluous particle of aid.
"I think, if you will let me state my case,
"Even had you been so fancy-fevered here,
"Not your sound self, you must grow healthy now—
"Care only to bestow what I can take.
"That it is only you in the wide world,
"Knowing me nor in thought nor word nor deed,
"Who, all unprompted save by your own heart,
"Come proffering assistance now,—were strange
"But that my whole life is so strange: as strange
"It is, my husband whom I have not wronged
"Should hate and harm me. For his own soul's sake,
"Hinder the harm! But there is something more,
"And that the strangest: it has got to be
"Somehow for my sake too, and yet not mine,
"—This is a riddle—for some kind of sake
"Not any clearer to myself than you,
"And yet as certain as that I draw breath,—
"I would fain live, not die—oh no, not die!
"My case is, I was dwelling happily
"At Rome with those dear Comparini, called
"Father and mother to me; when at once
"I found I had become Count Guido's wife:
"Who then, not waiting for a moment, changed
"Into a fury of fire, if once he was
"Merely a man: his face threw fire at mine,
"He laid a hand on me that burned all peace,
"All joy, all hope, and last all fear away,
"Dipping the bough of life, so pleasant once,
"In fire which shrivelled leaf and bud alike,
"Burning not only present life but past,
"Which you might think was safe beyond his reach.
"He reached it, though, since that beloved pair,
"My father once, my mother all those years,
"That loved me so, now say I dreamed a dream
"And bid me wake, henceforth no child of theirs,
"Never in all the time their child at all.
"Do you understand? I cannot: yet so it is.
"Just so I say of you that proffer help:
"I cannot understand what prompts your soul,
"I simply needs must see that it is so,
"Only one strange and wonderful thing more.
"They came here with me, those two dear ones, kept
"All the old love up, till my husband, till
"His people here so tortured them, they fled.
"And now, is it because I grow in flesh
"And spirit one with him their torturer,
"That they, renouncing him, must cast off me?
"If I were graced by God to have a child,
"Could I one day deny God graced me so?
"Then, since my husband hates me, I shall break
"No law that reigns in this fell house of hate,
"By using—letting have effect so much
"Of hate as hides me from that whole of hate
"Would take my life which I want and must have—
"Just as I take from your excess of love
"Enough to save my life with, all I need.
"The Archbishop said to murder me were sin:
"My leaving Guido were a kind of death
"With no sin,—more death, he must answer for.
"Hear now what death to him and life to you
"I wish to pay and owe. Take me to Rome!
"You go to Rome, the servant makes me hear.
"Take me as you would take a dog, I think,
"Masterless left for strangers to maltreat:
"Take me home like that—leave me in the house
"Where the father and the mother are; and soon
"They'll come to know and call me by my name,
"Their child once more, since child I am, for all
"They now forget me, which is the worst o' the dream—
"And the way to end dreams is to break them, stand,
"Walk, go: then help me to stand, walk and go!
"The Governor said the strong should help the weak:
"You know how weak the strongest women are.
"How could I find my way there by myself?
"I cannot even call out, make them hear—
"Just as in dreams: I have tried and proved the fact.
"I have told this story and more to good great men,
"The Archbishop and the Governor: they smiled.
"'Stop your mouth, fair one!'—presently they frowned,
"'Get you gone, disengage you from our feet!'
"I went in my despair to an old priest,
"Only a friar, no great man like these two,
"But good, the Augustinian, people name
"Romano,—he confessed me two months since:
"He fears God, why then needs he fear the world?
"And when he questioned how it came about
"That I was found in danger of a sin—
"Despair of any help from providence,—
"'Since, though your husband outrage you,' said he,
"'That is a case too common, the wives die
"'Or live, but do not sin so deep as this'—
"Then I told—what I never will tell you—
"How, worse than husband's hate, I had to bear
"The love,—soliciting to shame called love,—
"Of his brother,—the young idle priest i' the house
"With only the devil to meet there. 'This is grave—
"'Yes, we must interfere: I counsel,—write
"'To those who used to be your parents once,
"'Of dangers here, bid them convey you hence!'
"'But,' said I, 'when I neither read nor write?'
"Then he took pity and promised 'I will write.'
"If he did so,—why, they are dumb or dead:
"Either they give no credit to the tale,
"Or else, wrapped wholly up in their own joy
"Of such escape, they care not who cries, still
"I' the clutches. Anyhow, no word arrives.
"All such extravagance and dreadfulness
"Seems incident to dreaming, cured one way,—
"Wake me! The letter I received this morn,
"Said—if the woman spoke your very sense—
"'You would die for me:' I can believe it now:
"For now the dream gets to involve yourself.
"First of all, you seemed wicked and not good,
"In writing me those letters: you came in
"Like a thief upon me. I this morning said
"In my extremity, entreat the thief!
"Try if he have in him no honest touch!
"A thief might save me from a murderer.
"'T was a thief said the last kind word to Christ:
"Christ took the kindness and forgave the theft:
"And so did I prepare what I now say.
"But now, that you stand and I see your face,
"Though you have never uttered word yet,—well, I know,
"Here too has been dream-work, delusion too,
"And that at no time, you with the eyes here,
"Ever intended to do wrong by me,
"Nor wrote such letters therefore. It is false,
"And you are true, have been true, will be true.
"To Rome then,—when is it you take me there?
"Each minute lost is mortal. When?—I ask."

I answered "It shall be when it can be.
"I will go hence and do your pleasure, find
"The sure and speedy means of travel, then
"Come back and take you to your friends in Rome.
"There wants a carriage, money and the rest,—
"A day's work by to-morrow at this time.
"How shall I see you and assure escape?"

She replied, "Pass, to-morrow at this hour.
"If I am at the open window, well:
"If I am absent, drop a handkerchief
"And walk by! I shall see from where I watch,
"And know that all is done. Return next eve,
"And next, and so till we can meet and speak!"
"To-morrow at this hour I pass," said I.
She was withdrawn.

Here is another point
I bid you pause at. When I told thus far,
Someone said, subtly, "Here at least was found
"Your confidence in error,—you perceived
"The spirit of the letters, in a sort,
"Had been the lady's, if the body should be
"Supplied by Guido: say, he forged them all!
"Here was the unforged fact—she sent for you,
"Spontaneously elected you to help,
"—What men call, loved you: Guido read her mind,
"Gave it expression to assure the world
"The case was just as he foresaw: he wrote,
"She spoke."

Sirs, that first simile serves still,—
That falsehood of a scorpion hatched, I say,
Nowhere i' the world but in Madonna's mouth.
Go on! Suppose, that falsehood foiled, next eve
Pictured Madonna raised her painted hand,
Fixed the face Rafael bent above the Babe,
On my face as I flung me at her feet:
Such miracle vouchsafed and manifest,
Would that prove the first lying tale was true?
Pompilia spoke, and I at once received,
Accepted my own fact, my miracle
Self-authorized and self-explained,—she chose
To summon me and signify her choice.
Afterward,—oh! I gave a passing glance
To a certain ugly cloud-shape, goblin-shred
Of hell-smoke hurrying past the splendid moon
Out now to tolerate no darkness more,
And saw right through the thing that tried to pass
For truth and solid, not an empty lie:
"So, he not only forged the words for her
"But words for me, made letters he called mine:
"What I sent, he retained, gave these in place,
"All by the mistress-messenger! As I
"Recognized her, at potency of truth,
"So she, by the crystalline soul, knew me,
"Never mistook the signs. Enough of this—
"Let the wraith go to nothingness again,
"Here is the orb, have only thought for her!"

"Thought?" nay, Sirs, what shall follow was not thought:
I have thought sometimes, and thought long and hard.
I have stood before, gone round a serious thing,
Tasked my whole mind to touch and clasp it close,
As I stretch forth my arm to touch this bar.
God and man, and what duty I owe both,—
I dare to say I have confronted these
In thought: but no such faculty helped here.
I put forth no thought,—powerless, all that night
I paced the city: it was the first Spring.
By the invasion I lay passive to,
In rushed new things, the old were rapt away;
Alike abolished—the imprisonment
Of the outside air, the inside weight o' the world
That pulled me down. Death meant, to spurn the ground.
Soar to the sky,—die well and you do that.
The very immolation made the bliss;
Death was the heart of life, and all the harm
My folly had crouched to avoid, now proved a veil
Hiding all gain my wisdom strove to grasp:
As if the intense centre of the flame
Should turn a heaven to that devoted fly
Which hitherto, sophist alike and sage,
Saint Thomas with his sober grey goose-quill,
And sinner Plato by Cephisian reed,
Would fain, pretending just the insect's good,
Whisk off, drive back, consign to shade again.
Into another state, under new rule
I knew myself was passing swift and sure;
Whereof the initiatory pang approached,
Felicitous annoy, as bitter-sweet
As when the virgin-band, the victors chaste,
Feel at the end the earthly garments drop,
And rise with something of a rosy shame
Into immortal nakedness: so I
Lay, and let come the proper throe would thrill
Into the ecstasy and outthrob pain.

I' the grey of dawn it was I found myself
Facing the pillared front o' the Pieve—mine,
My church: it seemed to say for the first time
"But am not I the Bride, the mystic love
"O' the Lamb, who took thy plighted troth, my priest,
"To fold thy warm heart on my heart of stone
"And freeze thee nor unfasten any more?
"This is a fleshly woman,—let the free
"Bestow their life-blood, thou art pulseless now!"
See! Day by day I had risen and left this church
At the signal waved me by some foolish fan,
With half a curse and half a pitying smile
For the monk I stumbled over in my haste,
Prostrate and corpse-like at the altar-foot
Intent on his corona: then the church
Was ready with her quip, if word conduced,
To quicken my pace nor stop for prating—"There!
"Be thankful you are no such ninny, go
"Rather to teach a black-eyed novice cards
"Than gabble Latin and protrude that nose
"Smoothed to a sheep's through no brains and much faith!"
That sort of incentive! Now the church changed tone—
Now, when I found out first that life and death
Are means to an end, that passion uses both,
Indisputably mistress of the man
Whose form of worship is self-sacrifice:
Now, from the stone lungs sighed the scrannel voice
"Leave that live passion, come be dead with me!"
As if, i' the fabled garden, I had gone
On great adventure, plucked in ignorance
Hedge-fruit, and feasted to satiety,
Laughing at such high fame for hips and haws,
And scorned the achievement: then come all at once
O' the prize o' the place, the thing of perfect gold,
The apple's self: and, scarce my eye on that,
Was 'ware as well o' the seven-fold dragon's watch.

Sirs, I obeyed. Obedience was too strange,—
This new thing that had been struck into me
By the look o' the lady,—to dare disobey
The first authoritative word. 'T was God's.
I had been lifted to the level of her,
Could take such sounds into my sense. I said
"We two are cognisant o' the Master now;
"She it is bids me bow the head: how true,
"I am a priest! I see the function here;
"I thought the other way self-sacrifice:
"This is the true, seals up the perfect sum.
"I pay it, sit down, silently obey."

So, I went home. Dawn broke, noon broadened, I—
I sat stone-still, let time run over me.
The sun slanted into my room, had reached
The west. I opened book,—Aquinas blazed
With one black name only on the white page.
I looked up, saw the sunset: vespers rang:
"She counts the minutes till I keep my word
"And come say all is ready. I am a priest.
"Duty to God is duty to her: I think
"God, who created her, will save her too
"Some new way, by one miracle the more,
"Without me. Then, prayer may avail perhaps."
I went to my own place i' the Pieve, read
The office: I was back at home again
Sitting i' the dark. "Could she but know—but know
"That, were there good in this distinct from God's,
"Really good as it reached her, though procured
"By a sin of mine,—I should sin: God forgives.
"She knows it is no fear withholds me: fear?
"Of what? Suspense here is the terrible thing.
"If she should, as she counts the minutes, come
"On the fantastic notion that I fear
"The world now, fear the Archbishop, fear perhaps
"Count Guido, he who, having forged the lies,
"May wait the work, attend the effect,—I fear
"The sword of Guido! Let God see to that—
"Hating lies, let not her believe a lie!"

Again the morning found me. "I will work,
"Tie down my foolish thoughts. Thank God so far!
"I have saved her from a scandal, stopped the tongues
"Had broken else into a cackle and hiss
"Around the noble name. Duty is still
"Wisdom: I have been wise." So the day wore.

At evening—"But, achieving victory,
"I must not blink the priest's peculiar part,
"Nor shrink to counsel, comfort: priest and friend—
"How do we discontinue to be friends?
"I will go minister, advise her seek
"Help at the source,—above all, not despair:
"There may be other happier help at hand.
"I hope it,—wherefore then neglect to say?"

There she stood—leaned there, for the second time,
Over the terrace, looked at me, then spoke:
"Why is it you have suffered me to stay
"Breaking my heart two days more than was need?
"Why delay help, your own heart yearns to give?
"You are again here, in the self-same mind,
"I see here, steadfast in the face of you,—
"You grudge to do no one thing that I ask.
"Why then is nothing done? You know my need.
"Still, through God's pity on me, there is time
"And one day more: shall I be saved or no?"
I answered—"Lady, waste no thought, no word
"Even to forgive me! Care for what I care—
"Only! Now follow me as I were fate!
"Leave this house in the dark to-morrow night,
"Just before daybreak:—there's new moon this eve—
"It sets, and then begins the solid black.
"Descend, proceed to the Torrione, step
"Over the low dilapidated wall,
"Take San Clemente, there's no other gate
"Unguarded at the hour: some paces thence
"An inn stands; cross to it; I shall be there."

She answered, "If I can but find the way.
"But I shall find it. Go now!"

I did go,
Took rapidly the route myself prescribed,
Stopped at Torrione, climbed the ruined place,
Proved that the gate was practicable, reached
The inn, no eye, despite the dark, could miss,
Knocked there and entered, made the host secure:
"With Caponsacchi it is ask and have;
"I know my betters. Are you bound for Rome?
"I get swift horse and trusty man," said he.

Then I retraced my steps, was found once more
In my own house for the last time: there lay
The broad pale opened Summa. "Shut his book,
"There's other showing! 'T was a Thomas too
"Obtained,—more favoured than his namesake here,—
"A gift, tied faith fast, foiled the tug of doubt,—
"Our Lady's girdle; down he saw it drop
"As she ascended into heaven, they say:
"He kept that safe and bade all doubt adieu.
"I too have seen a lady and hold a grace."

I know not how the night passed: morning broke;
Presently came my servant. "Sir, this eve—
"Do you forget?" I started. "How forget?
"What is it you know?" "With due submission, Sir,
"This being last Monday in the month but one
"And a vigil, since to-morrow is Saint George,
"And feast day, and moreover day for copes,
"And Canon Conti now away a month,
"And Canon Crispi sour because, forsooth,
"You let him sulk in stall and bear the brunt
"Of the octave … Well, Sir, 't is important!"

"True!
"Hearken, I have to start for Rome this night.
"No word, lest Crispi overboil and burst!
"Provide me with a laic dress! Throw dust
"I' the Canon's eye, stop his tongue's scandal so!
"See there's a sword in case of accident."
I knew the knave, the knave knew me.

And thus
Through each familiar hindrance of the day
Did I make steadily for its hour and end,—
Felt time's old barrier-growth of right and fit
Give way through all its twines, and let me go.
Use and wont recognized the excepted man,
Let speed the special service,—and I sped
Till, at the dead between midnight and morn,
There was I at the goal, before the gate,
With a tune in the ears, low leading up to loud,
A light in the eyes, faint that would soon be flare,
Ever some spiritual witness new and new
In faster frequence, crowding solitude
To watch the way o' the warfare,—till, at last,
When the ecstatic minute must bring birth,
Began a whiteness in the distance, waxed
Whiter and whiter, near grew and more near,
Till it was she: there did Pompilia come:
The white I saw shine through her was her soul's,
Certainly, for the body was one black,
Black from head down to foot. She did not speak,
Glided into the carriage,—so a cloud
Gathers the moon up. "By San Spirito,
"To Rome, as if the road burned underneath!
"Reach Rome, then hold my head in pledge, I pay
"The run and the risk to heart's content!" Just that
I said,—then, in another tick of time,
Sprang, was beside her, she and I alone.

So it began, our flight thro' dusk to clear,
Through day and night and day again to night
Once more, and to last dreadful dawn of all.
Sirs, how should I lie quiet in my grave
Unless you suffer me wring, drop by drop,
My brain dry, make a riddance of the drench
Of minutes with a memory in each,
Recorded motion, breath or look of hers,
Which poured forth would present you one pure glass,
Mirror you plain,—as God's sea, glassed in gold,
His saints,—the perfect soul Pompilia? Men,
You must know that a man gets drunk with truth
Stagnant inside him! Oh, they've killed her, Sirs!
Can I be calm?

Calmly! Each incident
Proves, I maintain, that action of the flight
For the true thing it was. The first faint scratch
O' the stone will test its nature, teach its worth
To idiots who name Parian—coprolite.
After all, I shall give no glare—at best
Only display you certain scattered lights
Lamping the rush and roll of the abyss:
Nothing but here and there a fire-point pricks
Wavelet from wavelet: well!

For the first hour
We both were silent in the night, I know:
Sometimes I did not see nor understand.
Blackness engulphed me,—partial stupor, say—
Then I would break way, breathe through the surprise,
And be aware again, and see who sat
In the dark vest with the white face and hands.
I said to myself—"I have caught it, I conceive
"The mind o' the mystery: 't is the way they wake
"And wait, two martyrs somewhere in a tomb
"Each by each as their blessing was to die;
"Some signal they are promised and expect,—
"When to arise before the trumpet scares:
"So, through the whole course of the world they wait
"The last day, but so fearless and so safe!
"No otherwise, in safety and not fear,
"I lie, because she lies too by my side."
You know this is not love, Sirs,—it is faith,
The feeling that there's God, he reigns and rules
Out of this low world: that is all; no harm!
At times she drew a soft sigh—music seemed
Always to hover just above her lips,
Not settle,—break a silence music too.

In the determined morning, I first found
Her head erect, her face turned full to me,
Her soul intent on mine through two wide eyes.
I answered them. "You are saved hitherto.
"We have passed Perugia,—gone round by the wood,
"Not through, I seem to think,—and opposite
"I know Assisi; this is holy ground."
Then she resumed. "How long since we both left
"Arezzo?" "Years—and certain hours beside."

It was at … ah, but I forget the names!
'T is a mere post-house and a hovel or two;
I left the carriage and got bread and wine
And brought it her. "Does it detain to eat?"
"They stay perforce, change horses,—therefore eat!
"We lose no minute: we arrive, be sure!"
This was—I know not where—there's a great hill
Close over, and the stream has lost its bridge,
One fords it. She began—"I have heard say
"Of some sick body that my mother knew,
"'T was no good sign when in a limb diseased
"All the pain suddenly departs,—as if
"The guardian angel discontinued pain
"Because the hope of cure was gone at last:
"The limb will not again exert itself,
"It needs be pained no longer: so with me,
"—My soul whence all the pain is past at once:
"All pain must be to work some good in the end.
"True, this I feel now, this may be that good,
"Pain was because of,—otherwise, I fear!"

She said,—a long while later in the day,
When I had let the silence be,—abrupt—
"Have you a mother?" "She died, I was born."
"A sister then?" "No sister." "Who was it—
"What woman were you used to serve this way,
"Be kind to, till I called you and you came?"
I did not like that word. Soon afterward—
"Tell me, are men unhappy, in some kind
"Of mere unhappiness at being men,
"As women suffer, being womanish?
"Have you, now, some unhappiness, I mean,
"Born of what may be man's strength overmuch,
"To match the undue susceptibility,
"The sense at every pore when hate is close?
"It hurts us if a baby hides its face
"Or child strikes at us punily, calls names
"Or makes a mouth,—much more if stranger men
"Laugh or frown,—just as that were much to bear!
"Yet rocks split,—and the blow-ball does no more,
"Quivers to feathery nothing at a touch;
"And strength may have its drawback weakness scapes."
Once she asked "What is it that made you smile,
"At the great gate with the eagles and the snakes,
"Where the company entered, 't is a long time since?"
"—Forgive—I think you would not understand:
"Ah, but you ask me,—therefore, it was this.
"That was a certain bishop's villa-gate,
"I knew it by the eagles,—and at once
"Remembered this same bishop was just he
"People of old were wont to bid me please
"If I would catch preferment: so, I smiled
"Because an impulse came to me, a whim—
"What if I prayed the prelate leave to speak,
"Began upon him in his presence-hall
"—'What, still at work so grey and obsolete?
"'Still rocheted and mitred more or less?
"'Don't you feel all that out of fashion now?
"'I find out when the day of things is done!'"

At eve we heard the angelus: she turned—
"I told you I can neither read nor write.
"My life stopped with the play-time; I will learn,
"If I begin to live again: but you—
"Who are a priest—wherefore do you not read
"The service at this hour? Read Gabriel's song,
"The lesson, and then read the little prayer
"To Raphael, proper for us travellers!"
I did not like that, neither, but I read.

When we stopped at Foligno it was dark.
The people of the post came out with lights:
The driver said, "This time to-morrow, may
"Saints only help, relays continue good,
"Nor robbers hinder, we arrive at Rome."
I urged, "Why tax your strength a second night?
"Trust me, alight here and take brief repose!
"We are out of harm's reach, past pursuit: go sleep
"If but an hour! I keep watch, guard the while
"Here in the doorway." But her whole face changed,
The misery grew again about her mouth,
The eyes burned up from faintness, like the fawn's
Tired to death in the thicket, when she feels
The probing spear o' the huntsman. "Oh, no stay!"
She cried, in the fawn's cry, "On to Rome, on, on—
"Unless 't is you who fear,—which cannot be!"

We did go on all night; but at its close
She was troubled, restless, moaned low, talked at whiles
To herself, her brow on quiver with the dream:
Once, wide awake, she menaced, at arms' length
Waved away something—"Never again with you!
"My soul is mine, my body is my soul's:
"You and I are divided ever more
"In soul and body: get you gone!" Then I—
"Why, in my whole life I have never prayed!
"Oh, if the God, that only can, would help!
"Am I his priest with power to cast out fiends?
"Let God arise and all his enemies
"Be scattered!" By morn, there was peace, no sigh
Out of the deep sleep.

When she woke at last,
I answered the first look—"Scarce twelve hours more,
"Then, Rome! There probably was no pursuit,
"There cannot now be peril: bear up brave!
"Just some twelve hours to press through to the prize:
"Then, no more of the terrible journey!" "Then,
"No more o' the journey: if it might but last!
"Always, my life-long, thus to journey still!
"It is the interruption that I dread,—
"With no dread, ever to be here and thus!
"Never to see a face nor hear a voice!
"Yours is no voice; you speak when you are dumb;
"Nor face, I see it in the dark. I want
"No face nor voice that change and grow unkind."
That I liked, that was the best thing she said.

In the broad day, I dared entreat, "Descend!"
I told a woman, at the garden-gate
By the post-house, white and pleasant in the sun,
"It is my sister,—talk with her apart!
"She is married and unhappy, you perceive;
"I take her home because her head is hurt;
"Comfort her as you women understand!"
So, there I left them by the garden-wall,
Paced the road, then bade put the horses to,
Came back, and there she sat: close to her knee,
A black-eyed child still held the bowl of milk,
Wondered to see how little she could drink,
And in her arms the woman's infant lay.
She smiled at me "How much good this has done!
"This is a whole night's rest and how much more!
"I can proceed now, though I wish to stay.
"How do you call that tree with the thick top
"That holds in all its leafy green and gold
"The sun now like an immense egg of fire?"
(It was a million-leaved mimosa.) "Take
"The babe away from me and let me go!"
And in the carriage "Still a day, my friend!
"And perhaps half a night, the woman fears.
"I pray it finish since it cannot last
"There may be more misfortune at the close,
"And where will you be? God suffice me then!"
And presently—for there was a roadside-shrine—
"When I was taken first to my own church
"Lorenzo in Lucina, being a girl,
"And bid confess my faults, I interposed
"'But teach me what fault to confess and know!'
"So, the priest said—'You should bethink yourself:
"'Each human being needs must have done wrong!'
"Now, be you candid and no priest but friend—
"Were I surprised and killed here on the spot,
"A runaway from husband and his home,
"Do you account it were in sin I died?
"My husband used to seem to harm me, not …
"Not on pretence he punished sin of mine,
"Nor for sin's sake and lust of cruelty,
"But as I heard him bid a farming-man
"At the villa take a lamb once to the wood
"And there ill-treat it, meaning that the wolf
"Should hear its cries, and so come, quick be caught,
"Enticed to the trap: he practised thus with me
"That so, whatever were his gain thereby,
"Others than I might become prey and spoil.
"Had it been only between our two selves,—
"His pleasure and my pain,—why, pleasure him
"By dying, nor such need to make a coil!
"But this was worth an effort, that my pain
"Should not become a snare, prove pain threefold
"To other people—strangers—or unborn—
"How should I know? I sought release from that—
"I think, or else from,—dare I say, some cause
"Such as is put into a tree, which turns
"Away from the north wind with what nest it holds,—
"The woman said that trees so turn: now, friend,
"Tell me, because I cannot trust myself!
"You are a man: what have I done amiss?"
You must conceive my answer,—I forget—
Taken up wholly with the thought, perhaps,
This time she might have said,—might, did not say—
"You are a priest." She said, "my friend."

Day wore,
We passed the places, somehow the calm went,
Again the restless eyes began to rove
In new fear of the foe mine could not see.
She wandered in her mind,—addressed me once
"Gaetano!"—that is not my name: whose name?
I grew alarmed, my head seemed turning too.
I quickened pace with promise now, now threat:
Bade drive and drive, nor any stopping more.
"Too deep i' the thick of the struggle, struggle through!
"Then drench her in repose though death's self pour
"The plenitude of quiet,—help us, God,
"Whom the winds carry!"

Suddenly I saw
The old tower, and the little white-walled clump
Of buildings and the cypress-tree or two,—
"Already Castelnuovo—Rome!" I cried,
"As good as Rome,—Rome is the next stage, think!
"This is where travellers' hearts are wont to beat.
"Say you are saved, sweet lady!" Up she woke.
The sky was fierce with colour from the sun
Setting. She screamed out "No, I must not die!
"Take me no farther, I should die: stay here!
"I have more life to save than mine!"

She swooned.
We seemed safe: what was it foreboded so?
Out of the coach into the inn I bore
The motionless and breathless pure and pale
Pompilia,—bore her through a pitying group
And laid her on a couch, still calm and cured
By deep sleep of all woes at once. The host
Was urgent "Let her stay an hour or two!
"Leave her to us, all will be right by morn!"
Oh, my foreboding! But I could not choose.

I paced the passage, kept watch all night long.
I listened,—not one movement, not one sigh.
"Fear not: she sleeps so sound!" they said: but I
Feared, all the same, kept fearing more and more,
Found myself throb with fear from head to foot,
Filled with a sense of such impending woe,
That, at first pause of night, pretence of gray,
I made my mind up it was morn.—"Reach Rome,
"Lest hell reach her! A dozen miles to make,
"Another long breath, and we emerge!" I stood
I' the court-yard, roused the sleepy grooms. "Have out
"Carriage and horse, give haste, take gold!" said I.
While they made ready in the doubtful morn,—
'T was the last minute,—needs must I ascend
And break her sleep; I turned to go.

And there
Faced me Count Guido, there posed the mean man
As master,—took the field, encamped his rights,
Challenged the world: there leered new triumph, there
Scowled the old malice in the visage bad
And black o' the scamp. Soon triumph suppled the tongue
A little, malice glued to his dry throat,
And he part howled, part hissed … oh, how he kept
Well out o' the way, at arm's length and to spare!—
"My salutation to your priestship! What?
"Matutinal, busy with book so soon
"Of an April day that's damp as tears that now
"Deluge Arezzo at its darling's flight?—
"'T is unfair, wrongs feminity at large,
"To let a single dame monopolize
"A heart the whole sex claims, should share alike:
"Therefore I overtake you, Canon! Come!
"The lady,—could you leave her side so soon?
"You have not yet experienced at her hands
"My treatment, you lay down undrugged, I see!
"Hence this alertness—hence no death-in-life
"Like what held arms fast when she stole from mine.
"To be sure, you took the solace and repose
"That first night at Foligno!—news abound
"O' the road by this time,—men regaled me much,
"As past them I came halting after you,
"Vulcan pursuing Mars, as poets sing,—
"Still at the last here pant I, but arrive,
"Vulcan—and not without my Cyclops too,
"The Commissary and the unpoisoned arm
"O' the Civil Force, should Mars turn mutineer.
"Enough of fooling: capture the culprits, friend!
"Here is the lover in the smart disguise
"With the sword,—he is a priest, so mine lies still.
"There upstairs hides my wife the runaway,
"His leman: the two plotted, poisoned first,
"Plundered me after, and eloped thus far
"Where now you find them. Do your duty quick!
"Arrest and hold him! That's done: now catch her!"
During this speech of that man,—well, I stood
Away, as he managed,—still, I stood as near
The throat of him,—with these two hands, my own,—
As now I stand near yours, Sir,—one quick spring,
One great good satisfying gripe, and lo!
There had he lain abolished with his lie,
Creation purged o' the miscreate, man redeemed,
A spittle wiped off from the face of God!
I, in some measure, seek a poor excuse
For what I left undone, in just this fact
That my first feeling at the speech I quote
Was—not of what a blasphemy was dared,
Not what a bag of venomed purulence
Was split and noisome,—but how splendidly
Mirthful, how ludicrous a lie was launched!
Would Molière's self wish more than hear such man
Call, claim such woman for his own, his wife
Even though, in due amazement at the boast,
He had stammered, she moreover was divine?
She to be his,—were hardly less absurd
Than that he took her name into his mouth,
Licked, and then let it go again, the beast,
Signed with his slaver. Oh, she poisoned him,
Plundered him, and the rest! Well, what I wished
Was, that he would but go on, say once more
So to the world, and get his meed of men,
The fist's reply to the filth. And while I mused,
The minute, oh the misery, was gone!
On either idle hand of me there stood
Really an officer, nor laughed i' the least:
Nay, rendered justice to his reason, laid
Logic to heart, as 't were submitted them
"Twice two makes four."

"And now, catch her!" he cried.
That sobered me. "Let myself lead the way—
"Ere you arrest me, who am somebody,
"Being, as you hear, a priest and privileged,—
"To the lady's chamber! I presume you—men
"Expert, instructed how to find out truth,
"Familiar with the guise of guilt. Detect
"Guilt on her face when it meets mine, then judge
"Between us and the mad dog howling there!"
Up we all went together, in they broke
O' the chamber late my chapel. There she lay,
Composed as when I laid her, that last eve,
O' the couch, still breathless, motionless, sleep's self,
Wax-white, seraphic, saturate with the sun
O' the morning that now flooded from the front
And filled the window with a light like blood.
"Behold the poisoner, the adulteress,
"—And feigning sleep too! Seize, bind!" Guido hissed.

She started up, stood erect, face to face
With the husband: back he fell, was buttressed there
By the window all a flame with morning-red,
He the black figure, the opprobrious blur
Against all peace and joy and light and life.
"Away from between me and hell!" she cried:
"Hell for me, no embracing any more!
"I am God's, I love God, God—whose knees I clasp,
"Whose utterly most just award I take,
"But bear no more love-making devils: hence!"
I may have made an effort to reach her side
From where I stood i' the door-way,—anyhow
I found the arms, I wanted, pinioned fast,
Was powerless in the clutch to left and right
O' the rabble pouring in, rascality
Enlisted, rampant on the side of hearth
Home and the husband,—pay in prospect too!
They heaped themselves upon me. "Ha!—and him
"Also you outrage? Him, too, my sole friend,
"Guardian and saviour? That I baulk you of,
"Since—see how God can help at last and worst!"
She sprang at the sword that hung beside him, seized,
Drew, brandished it, the sunrise burned for joy
O' the blade, "Die," cried she, "devil, in God's name!"
Ah, but they all closed round her, twelve to one
—The unmanly men, no woman-mother made,
Spawned somehow! Dead-white and disarmed she lay
No matter for the sword, her word sufficed
To spike the coward through and through: he shook,
Could only spit between the teeth—"You see?
"You hear? Bear witness, then! Write down . . but no—
"Carry these criminals to the prison-house,
"For first thing! I begin my search meanwhile
"After the stolen effects, gold, jewels, plate,
"Money and clothes, they robbed me of and fled,
"With no few amorous pieces, verse and prose,
"I have much reason to expect to find."

When I saw that—no more than the first mad speech,
Made out the speaker mad and a laughing-stock,
So neither did this next device explode
One listener's indignation,—that a scribe
Did sit down, set himself to write indeed,
While sundry knaves began to peer and pry
In corner and hole,—that Guido, wiping brow
And getting him a countenance, was fast
Losing his fear, beginning to strut free
O' the stage of his exploit, snuff here, sniff there,—
Then I took truth in, guessed sufficiently
The service for the moment. "What I say,
"Slight at your peril! We are aliens here,
"My adversary and I, called noble both;
"I am the nobler, and a name men know.
"I could refer our cause to our own Court
"In our own country, but prefer appeal
"To the nearer jurisdiction. Being a priest,
"Though in a secular garb,—for reasons good
"I shall adduce in due time to my peers,—
"I demand that the Church I serve, decide
"Between us, right the slandered lady there.
"A Tuscan noble, I might claim the Duke:
"A priest, I rather choose the Church,—bid Rome
"Cover the wronged with her inviolate shield."

There was no refusing this: they bore me off,
They bore her off, to separate cells o' the same
Ignoble prison, and, separate, thence to Rome.
Pompilia's face, then and thus, looked on me
The last time in this life: not one sight since,
Never another sight to be! And yet
I thought I had saved her. I appealed to Rome:
It seems I simply sent her to her death.
You tell me she is dying now, or dead;
I cannot bring myself to quite believe
This is a place you torture people in:
What if this your intelligence were just
A subtlety, an honest wile to work
On a man at unawares? 'T were worthy you.
No, Sirs, I cannot have the lady dead!
That erect form, flashing brow, fulgurant eye,
That voice immortal (oh, that voice of hers!)
That vision in the blood-red day-break—that
Leap to life of the pale electric sword
Angels go armed with,—that was not the last
O' the lady! Come, I see through it, you find—
Know the manoeuvre! Also herself said
I had saved her: do you dare say she spoke false?
Let me see for myself if it be so!
Though she were dying, a Priest might be of use,
The more when he's a friend too,—she called me
Far beyond "friend." Come, let me see her—indeed
It is my duty, being a priest: I hope
I stand confessed, established, proved a priest?
My punishment had motive that, a priest
I, in a laic garb, a mundane mode,
Did what were harmlessly done otherwise.
I never touched her with my finger-tip
Except to carry her to the couch, that eve,
Against my heart, beneath my head, bowed low,
As we priests carry the paten: that is why
—To get leave and go see her of your grace—
I have told you this whole story over again.
Do I deserve grace? For I might lock lips,
Laugh at your jurisdiction: what have you
To do with me in the matter? I suppose
You hardly think I donned a bravo's dress
To have a hand in the new crime; on the old,
Judgment's delivered, penalty imposed,
I was chained fast at Civita hand and foot—
She had only you to trust to, you and Rome,
Rome and the Church, and no pert meddling priest
Two days ago, when Guido, with the right,
Hacked her to pieces. One might well be wroth;
I have been patient, done my best to help:
I come from Civita and punishment
As friend of the Court—and for pure friendship's sake
Have told my tale to the end,—nay, not the end—
For, wait—I'll end—not leave you that excuse!

When we were parted,—shall I go on there?
I was presently brought to Rome—yes, here I stood
Opposite yonder very crucifix—
And there sat you and you, Sirs, quite the same.
I heard charge, and bore question, and told tale
Noted down in the book there,—turn and see
If, by one jot or tittle, I vary now!
I' the colour the tale takes, there's change perhaps;
'T is natural, since the sky is different,
Eclipse in the air now; still, the outline stays.
I showed you how it came to be my part
To save the lady. Then your clerk produced
Papers, a pack of stupid and impure
Banalities called letters about love—
Love, indeed,—I could teach who styled them so,
Better, I think, though priest and loveless both!
"—How was it that a wife, young, innocent,
"And stranger to your person, wrote this page?"—
"—She wrote it when the Holy Father wrote
"The bestiality that posts thro' Rome,
"Put in his mouth by Pasquin." "Nor perhaps
"Did you return these answers, verse and prose,
"Signed, sealed and sent the lady? There's your hand!"
"—This precious piece of verse, I really judge,
"Is meant to copy my own character,
"A clumsy mimic; and this other prose,
"Not so much even; both rank forgery:
"Verse, quotha? Bembo's verse! When Saint John wrote
"The tract 'De Tribus,' I wrote this to match."
"—How came it, then, the documents were found
"At the inn on your departure?"—"I opine,
"Because there were no documents to find
"In my presence,—you must hide before you find.
"Who forged them hardly practised in my view;
"Who found them waited till I turned my back."
"—And what of the clandestine visits paid,
"Nocturnal passage in and out the house
"With its lord absent? 'T is alleged you climbed …"
"—Flew on a broomstick to the man i' the moon!
"Who witnessed or will testify this trash?"
"—The trusty servant, Margherita's self,
"Even she who brought you letters, you confess,
"And, you confess, took letters in reply:
"Forget not we have knowledge of the facts!"
"—Sirs, who have knowledge of the facts, defray
"The expenditure of wit I waste in vain,
"Trying to find out just one fact of all!
"She who brought letters from who could not write,
"And took back letters to who could not read,—
"Who was that messenger, of your charity?"
"—Well, so far favours you the circumstance
"That this same messenger … how shall we say? …
"Sub imputatione meretricis
"Laborat,—which makes accusation null:
"We waive this woman's: nought makes void the next.
"Borsi, called Venerino, he who drove,
"O' the first night when you fled away, at length
"Deposes to your kissings in the coach,
"—Frequent, frenetic …" "When deposed he so?"
"After some weeks of sharp imprisonment …"
"—Granted by friend the Governor, I engage—"
"—For his participation in your flight!
"At length his obduracy melting made
"The avowal mentioned . ." "Was dismissed forthwith
"To liberty, poor knave, for recompense.
"Sirs, give what credit to the lie you can!
"For me, no word in my defence I speak,
"And God shall argue for the lady!"

So
Did I stand question, and make answer, still
With the same result of smiling disbelief,
Polite impossibility of faith
In such affected virtue in a priest;
But a showing fair play, an indulgence, even,
To one no worse than others after all—
Who had not brought disgrace to the order, played
Discreetly, ruffled gown nor ripped the cloth
In a bungling game at romps: I have told you, Sirs—
If I pretended simply to be pure
Honest and Christian in the case,—absurd!
As well go boast myself above the needs
O' the human nature, careless how meat smells,
Wine tastes,—a saint above the smack! But once
Abate my crest, own flaws i' the flesh, agree
To go with the herd, be hog no more nor less,
Why, hogs in common herd have common rights:
I must not be unduly borne upon,
Who just romanced a little, sowed wild oats,
But 'scaped without a scandal, flagrant fault.
My name helped to a mirthful circumstance:
"Joseph" would do well to amend his plea:
Undoubtedly—some toying with the wife,
But as for ruffian violence and rape,
Potiphar pressed too much on the other side!
The intrigue, the elopement, the disguise,—well charged!
The letters and verse looked hardly like the truth.
Your apprehension was—of guilt enough
To be compatible with innocence,
So, punished best a little and not too much.
Had I struck Guido Franceschini's face,
You had counselled me withdraw for my own sake,
Baulk him of bravo-hiring. Friends came round,
Congratulated, "Nobody mistakes!
"The pettiness o' the forfeiture defines
"The peccadillo: Guido gets his share:
"His wife is free of husband and hook-nose,
"The mouldy viands and the mother-in-law.
"To Civita with you and amuse the time,
"Travesty us 'De Raptu Helenoe!'
"A funny figure must the husband cut
"When the wife makes him skip,—too ticklish, eh?
"Do it in Latin, not the Vulgar, then!
"Scazons—we'll copy and send his Eminence.
"Mind—one iambus in the final foot!
"He'll rectity it, be your friend for life!"
Oh, Sirs, depend on me for much new light
Thrown on the justice and religion here
By this proceeding, much fresh food for thought!

And I was just set down to study these
In relegation, two short days ago,
Admiring how you read the rules, when, clap,
A thunder comes into my solitude—
I am caught up in a whirlwind and cast here,
Told of a sudden, in this room where so late
You dealt out law adroitly, that those scales,
I meekly bowed to, took my allotment from,
Guido has snatched at, broken in your hands,
Metes to himself the murder of his wife,
Full measure, pressed down, running over now!
Can I assist to an explanation?—Yes,
I rise in your esteem, sagacious Sirs,
Stand up a renderer of reasons, not
The officious priest would personate Saint George
For a mock Princess in undragoned days.
What, the blood startles you? What, after all
The priest who needs must carry sword on thigh
May find imperative use for it? Then, there was
A Princess, was a dragon belching flame,
And should have been a Saint George also? Then,
There might be worse schemes than to break the bonds
At Arezzo, lead her by the little hand,
Till she reached Rome, and let her try to live?
But you were law and gospel,—would one please
Stand back, allow your faculty elbow-room?
You blind guides who must needs lead eyes that see!
Fools, alike ignorant of man and God!
What was there here should have perplexed your wit
For a wink of the owl-eyes of you? How miss, then,
What's now forced on you by this flare of fact—
As if Saint Peter failed to recognize
Nero as no apostle, John or James,
Till someone burned a martyr, made a torch
O' the blood and fat to show his features by!
Could you fail read this cartulary aright
On head and front of Franceschini there,
Large-lettered like hell's masterpiece of print,—
That he, from the beginning pricked at heart
By some lust, letch of hate against his wife,
Plotted to plague her into overt sin
And shame, would slay Pompilia body and soul,
And save his mean self—miserably caught
I' the quagmire of his own tricks, cheats and lies?
—That himself wrote those papers,—from himself
To himself,—which, i' the name of me and her,
His mistress-messenger gave her and me,
Touching us with such pustules of the soul
That she and I might take the taint, be shown
To the world and shuddered over, speckled so?
—That the agent put her sense into my words,
Made substitution of the thing she hoped,
For the thing she had and held, its opposite,
While the husband in the background bit his lips
At each fresh failure of his precious plot?
—That when at the last we did rush each on each,
By no chance but because God willed it so—
The spark of truth was struck from out our souls—
Made all of me, descried in the first glance,
Seem fair and honest and permissible love
O' the good and true—as the first glance told me
There was no duty patent in the world
Like daring try be good and true myself,
Leaving the shows of things to the Lord of Show
And Prince o' the Power of the Air. Our very flight,
Even to its most ambiguous circumstance,
Irrefragably proved how futile, false …
Why, men—men and not boys—boys and not babes—
Babes and not beasts—beasts and not stocks and stones!—
Had the liar's lie been true one pin-point speck,
Were I the accepted suitor, free o' the place,
Disposer of the time, to come at a call
And go at a wink as who should say me nay,—
What need of flight, what were the gain therefrom
But just damnation, failure or success?
Damnation pure and simple to her the wife
And me the priest—who bartered private bliss
For public reprobation, the safe shade
For the sunshine which men see to pelt me by:
What other advantage,—we who led the days
And nights alone i' the house,—was flight to find?
In our whole journey did we stop an hour,
Diverge a foot from straight road till we reached
Or would have reached—but for that fate of ours—
The father and mother, in the eye of Rome,
The eye of yourselves we made aware of us
At the first fall of misfortune? And indeed
You did so far give sanction to our flight,
Confirm its purpose, as lend helping hand,
Deliver up Pompilia not to him
She fled, but those the flight was ventured for.
Why then could you, who stopped short, not go on
One poor step more, and justify the means,
Having allowed the end?—not see and say
"Here's the exceptional conduct that should claim
"To be exceptionally judged on rules
"Which, understood, make no exception here"—
Why play instead into the devil's hands
By dealing so ambiguously as gave
Guido the power to intervene like me,
Prove one exception more? I saved his wife
Against law: against law he slays her now:
Deal with him!

I have done with being judged.
I stand here guiltless in thought, word and deed,
To the point that I apprise you,—in contempt
For all misapprehending ignorance
O' the human heart, much more the mind of Christ,—
That I assuredly did bow, was blessed
By the revelation of Pompilia. There!
Such is the final fact I fling you, Sirs,
To mouth and mumble and misinterpret: there!
"The priest's in love," have it the vulgar way!
Unpriest me, rend the rags o' the vestment, do—
Degrade deep, disenfranchise all you dare—
Remove me from the midst, no longer priest
And fit companion for the like of you—
Your gay Abati with the well-turned leg
And rose i' the hat-rim, Canons, cross at neck
And silk mask in the pocket of the gown,
Brisk Bishops with the world's musk still unbrushed
From the rochet; I'll no more of these good things:
There's a crack somewhere, something that's unsound
I' the rattle!

For Pompilia—be advised,
Build churches, go pray! You will find me there,
I know, if you come,—and you will come, I know.
Why, there's a Judge weeping! Did not I say
You were good and true at bottom? You see the truth—
I am glad I helped you: she helped me just so.

But for Count Guido,—you must counsel there!
I bow my head, bend to the very dust,
Break myself up in shame of faultiness.
I had him one whole moment, as I said—
As I remember, as will never out
O' the thoughts of me,—I had him in arm's reach
There,—as you stand, Sir, now you cease to sit,—
I could have killed him ere he killed his wife,
And did not: he went off alive and well
And then effected this last feat—through me!
Me—not through you—dsimiss that fear! 'T was you
Hindered me staying here to save her,—not
From leaving you and going back to him
And doing service in Arezzo. Come,
Instruct me in procedure! I conceive—
In all due self-abasement might I speak—
How you will deal with Guido: oh, not death!
Death, if it let her life be: otherwise
Not death,—your lights will teach you clearer! I
Certainly have an instinct of my own
I' the matter: bear with me and weigh its worth!
Let us go away—leave Guido all alone
Back on the world again that knows him now!
I think he will be found (indulge so far!)
Not to die so much as slide out of life,
Pushed by the general horror and common hate
Low, lower,—left o' the very ledge of things,
I seem to see him catch convulsively
One by one at all honest forms of life,
At reason, order, decency and use—
To cramp him and get foothold by at least;
And still they disengage them from his clutch.
"What, you are he, then, had Pompilia once
"And so forwent her? Take not up with us!"
And thus I see him slowly and surely edged
Off all the table-land whence life upsprings
Aspiring to be immortality,
As the snake, hatched on hill-top by mischance,
Despite his wriggling, slips, slides, slidders down
Hill-side, lies low and prostrate on the smooth
Level of the outer place, lapsed in the vale:
So I lose Guido in the loneliness,
Silence and dusk, till at the doleful end,
At the horizontal line, creation's verge,
From what just is to absolute nothingness—
Whom is it, straining onward still, he meets?
What other man deep further in the fate,
Who, turning at the prize of a footfall
To flatter him and promise fellowship,
Discovers in the act a frightful face—
Judas, made monstrous by much solitude!
The two are at one now! Let them love their love
That bites and claws like hate, or hate their hate
That mops and mows and makes as it were love!
There, let them each tear each in devil's-fun,
Or fondle this the other while malice aches—
Both teach, both learn detestability!
Kiss him the kiss, Iscariot! Pay that back,
That smatch o' the slaver blistering on your lip,
By the better trick, the insult he spared Christ—
Lure him the lure o' the letters, Aretine!
Lick him o'er slimy-smooth with jelly-filth
O' the verse-and-prose pollution in love's guise!
The cockatrice is with the basilisk!
There let them grapple, denizens o' the dark,
Foes or friends, but indissolubly bound,
In their one spot out of the ken of God
Or care of man, for ever and ever more!

Why, Sirs, what's this? Why, this is sorry and strange!
Futility, divagation: this from me
Bound to be rational, justify an act
Of sober man!—whereas, being moved so much,
I give you cause to doubt the lady's mind:
A pretty sarcasm for the world! I fear
You do her wit injustice,—all through me!
Like my fate all through,—ineffective help!
A poor rash advocate I prove myself.
You might be angry with good cause: but sure
At the advocate,—only at the undue zeal
That spoils the force of his own plea, I think?
My part was just to tell you how things stand,
State facts and not be flustered at their fume.
But then 't is a priest speaks: as for love,—no!
If you let buzz a vulgar fly like that
About your brains, as if I loved, forsooth,
Indeed, Sirs, you do wrong! We had no thought
Of such infatuation, she and I:
There are many points that prove it: do be just!
I told you,—at one little roadside-place
I spent a good half-hour, paced to and fro
The garden; just to leave her free awhile,
I plucked a handful of Spring herb and bloom:
I might have sat beside her on the bench
Where the children were: I wish the thing had been,
Indeed: the event could not be worse, you know:
One more half-hour of her saved! She's dead now, Sirs!
While I was running on at such a rate,
Friends should have plucked me by the sleeve: I went
Too much o' the trivial outside of her face
And the purity that shone there—plain to me,
Not to you, what more natural? Nor am I
Infatuated,—oh, I saw, be sure!
Her brow had not the right line, leaned too much,
Painters would say; they like the straight-up Greek:
This seemed bent somewhat with an invisible crown
Of martyr and saint, not such as art approves.
And how the dark orbs dwelt deep underneath,
Looked out of such a sad sweet heaven on me!
The lips, compressed a little, came forward too,
Careful for a whole world of sin and pain.
That was the face, her husband makes his plea,
He sought just to disfigure,—no offence
Beyond that! Sirs, let us be rational!
He needs must vindicate his honour,—ay,
Yet shirks, the coward, in a clown's disguise,
Away from the scene, endeavours to escape.
Now, had he done so, slain and left no trace
O' the slayer,—what were vindicated, pray?
You had found his wife disfigured or a corpse,
For what and by whom? It is too palpable!
Then, here's another point involving law:
I use this argument to show you meant
No calumny against us by that title
O' the sentence,—liars try to twist it so:
What penalty it bore, I had to pay
Till further proof should follow of innocence—
Probationis ob defectum,—proof?
How could you get proof without trying us?
You went through the preliminary form,
Stopped there, contrived this sentence to amuse
The adversary. If the title ran
For more than fault imputed and not proved,
That was a simple penman's error, else
A slip i' the phrase,—as when we say of you
"Charged with injustice"—which may either be
Or not be,—'t is a name that sticks meanwhile.
Another relevant matter: fool that I am!
Not what I wish true, yet a point friends urge:
It is not true,—yet, since friends think it helps,—
She only tried me when some others failed—
Began with Conti, whom I told you of,
And Guillichini, Guido's kinsfolk both,
And when abandoned by them, not before,
Turned to me. That's conclusive why she turned.
Much good they got by the happy cowardice!
Conti is dead, poisoned a month ago:
Does that much strike you as a sin? Not much,
After the present murder,—one mark more
On the Moor's skin,—what is black by blacker still?
Conti had come here and told truth. And so
With Guillichini; he's condemned of course
To the galleys, as a friend in this affair,
Tried and condemned for no one thing i' the world,
A fortnight since by who but the Governor?—
The just judge, who refused Pompilia help
At first blush, being her husband's friend, you know.
There are two tales to suit the separate courts,
Arezzo and Rome: he tells you here, we fled
Alone, unhelped,—lays stress on the main fault,
The spiritual sin, Rome looks to: but elsewhere
He likes best we should break in, steal, bear off,
Be fit to brand and pillory and flog—
That's the charge goes to the heart of the Governor:
If these unpriest me, you and I may yet
Converse, Vincenzo Marzi-Medici!
Oh, Sirs, there are worse men than you, I say!
More easily duped, I mean; this stupid lie,
Its liar never dared propound in Rome,
He gets Arezzo to receive,—nay more,
Gets Florence and the Duke to authorize!
This is their Rota's sentence, their Granduke
Signs and seals! Rome for me henceforward—Rome,
Where better men are,—most of all, that man
The Augustinian of the Hospital,
Who writes the letter,—he confessed, he says,
Many a dying person, never one
So sweet and true and pure and beautiful.
A good man! Will you make him Pope one day?
Not that he is not good too, this we have—
But old,—else he would have his word to speak,
His truth to teach the world: I thirst for truth,
But shall not drink it till I reach the source.

Sirs, I am quiet again. You see, we are
So very pitiable, she and I,
Who had conceivably been otherwise.
Forget distemperature and idle heat!
Apart from truth's sake, what's to move so much?
Pompilia will be presently with God;
I am, on earth, as good as out of it,
A relegated priest; when exile ends,
I mean to do my duty and live long.
She and I are mere strangers now: but priests
Should study passion; how else cure mankind,
Who come for help in passionate extremes?
I do but play with an imagined life
Of who, unfettered by a vow, unblessed
By the higher call,—since you will have it so,—
Leads it companioned by the woman there.
To live, and see her learn, and learn by her,
Out of the low obscure and petty world—
Or only see one purpose and one will
Evolve themselves i' the world, change wrong to right:
To have to do with nothing but the true,
The good, the eternal—and these, not alone
In the main current of the general life,
But small experiences of every day,
Concerns of the particular hearth and home:
To learn not only by a comet's rush
But a rose's birth,—not by the grandeur, God—
But the comfort, Christ. All this, how far away!
Mere delectation, meet for a minute's dream!—
Just as a drudging student trims his lamp,
Opens his Plutarch, puts him in the place
Of Roman, Grecian; draws the patched gown close,
Dreams, "Thus should I fight, save or rule the world!"—
Then smilingly, contentedly, awakes
To the old solitary nothingness.
So I, from such communion, pass content …

O great, just, good God! Miserable me!

poem by from The Ring and the BookReport problemRelated quotes
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A season out of time

I watch you turn around
under a electric sun
and your golden body shines
while you are slowly
turning gold

and both breasts
rise up and down
like little hills
at a out of season time
and outside the winter rain chills

and later I rub
more lotion on your back
and you yawn
when I am done
and your auburn hair
lie in strings

and to me
the sun bed looks like
a torturing rack
but your body smells
like summer
and there’s a smile
on your lovely face

and every thing is peaceful
as if all our worries are gone
and I watch you
turning brown all over

and it’s great to be together
and to at last live as one
and it’s as if
in this winter
I have come upon
a season out of time.

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A True Man

He is one with strong fears
but with a soul that never screams
and has hidden tears
only flowing along the heart like streams

He is one with secret yearnings
which float on his mind's top
and can fend for a decent earning
better than the honors of a cop

His heart is one, his love is one
and his soul never meanders
His belief is one, his faith is one
and his spirit never wanders

He finds a real woman
one who needs his support
and this makes him human
a true creature with out pupport

He always takes in one cool breath
and unless he is asleep,
he gives out a 'warm breath'
such that, in his presence, you never slip

He rules with the guide of reason
and he's never swept by a wave
He father's in ripe season
never burying his conscience in a cave!

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Always Will

If time is a train rollin down the track
Every minute is a box car that dont come back
Take a look around you, its all gonna change
Whatever you see aint never gonna stay the same
Except for the rain and the wind in the trees
And the way I feel about you and me
(chorus)
And the way I feel when Im with you
Is like the roll of the ocean
And the calm and quiet of the moon
And when you hold me time stands still
It always has and you know it always will
Out on the horizon the sun is goin down
It aint gone, its just on its way around
Just like your love I see it every day
In the things you do and the things you say
You touch my hand and I feel the thrill
I always have and I always will
(repeat chorus twice)
You know it always will
You know it always will

song performed by Wynonna JuddReport problemRelated quotes
Added by Lucian Velea
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