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You only say what's important and you own the scene.

quote by Steve McQueen
Added by Veronica Serbanoiu
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Diamond In The Back

Gangsta whitewalls, TV antennas in the back (the back, the back...)
[Chorus]
I wanna (diamond in the back)
I wanna (sunroof top)
I wanna (diggin' the scene with a gangsta lean)
I wanna (diamond in the back)
I wanna (sunroof top)
I wanna (diggin' the scene with a gangsta lean)
I wanna (diamond in the back)
I wanna (sunroof top)
I wanna (diggin' the scene with a gangsta lean)
I wanna (diamond in the back)
And I wanna (sunroof top)
I wanna (diggin' the scene with a gangsta lean)
diamond in the, diamond in the, diamond in the...
[Verse 1]
It's hard growin' up lookin' at drug dealers wit' all this paper
Wonderin' how I can get me some
My family's strugglin', I'm buggin', sittin' on my porch
So confused, chewin' on some bubblegum
I was always taught to use my manners with the misses
But please, stay away from the hoes and snithes
And I was always reached for the sky, I dont know why
Ima little bitty kid wit' a whole buncha gangsta wishes
When I grow up, you just wait, Ima be so straight
And everything's gonna be so marvelous
No more borrowin' from the neighbors, no more haters
No more blowin' Nintendo cartridges
Ima have it made in the shade, Ima be so paid
And my fam, get 'em off that payin' them bills
Matta fact Im schemin' my way on up out this hood, I'll be good
When I ditch these trainin' wheels
[Chorus]
Diamond in the back
I wanna (sunroof top)
I wanna (diggin' in the scene with a gangsta lean)
I wanna (diamond in the back)
I wanna (sunroof top)
I wanna (diggin' in the scene with a gangsta lean)
I wanna (diamond in the back)
And I wanna (sunroof top)
I wanna (diggin' in the scene with a gangsta lean)
I wanna (diamond in the back)
I wanna (sunroof top)
I wanna (diggin' in the scene with a gangsta lean)
Diamond in the, diamond in the, diamond in the...
[Verse 2]
I'm sick and tired of ridin' public transportation
Been patient waitin' on my set of wheels
I'm willin' to do what it takes, whatever the stakes

[...] Read more

song performed by Ludacris
Added by Lucian Velea
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If It's Love!

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important that unshown love,
Is a thing one wants to do...
Just to prove what is said,
Is absolutely true.

A hug,
And maybe a kiss.
A touch,
That has been missed.
A show of thoughtfulness...
Can go a very long distance.

A call,
Every once in a while...
Will go further than a mile.
If love is there to be shared...
Show someone they are cared for!
And doubts will come no more.

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,
If it's love!

It shoos a boo-hooin'...
Known.

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,

[...] Read more

poem by Lawrence S. Pertillar
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A Changing_Is On_The Scene

A changing_is on_the scene.
And people coming to their senses,
With determined common sense.

A changing_is on_the scene.
An adolscent outlook taken,
Has been shakened and replaced.

A changing_is on_the scene.
A giddy-ap has now provoked,
A seriousness of some folks.

A changing_is on_the scene.
A rap attacking has been saddled.
Restless cattle held back.
And disturbances that rattled,
Has stopped a need for war and battle.
With a pawning of a new dawn,
Found wrong and now retrieved.
People who were fast asleep,
Awaken now to believe...
All their miseries inflicted,
Were their real enemies.

A changing_is on_the scene.
And people coming to their senses,
With determined common sense.

A changing_is on_the scene.
An adolscent outlook taken,
Has been shakened and replaced.
With a pawning of a new dawn,
Found wrong and now retrieved.
People who were fast asleep,
Awaken now to believe...
All their miseries inflicted,
Were their real enemies.

Now there is a need for people,
To confront reality!
For_what_it_is...
And not what is perceived!

A changing_is on_the scene.
A giddy-ap has now provoked,
A seriousness of some folks.

Now there is a need for people,
To confront reality!
For_what_it_is...

[...] Read more

poem by Lawrence S. Pertillar
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Adam: A Sacred Drama. Act 3.

SCENE I.-- Adam and Eve.

Oh, my beloved companion!
Oh thou of my existence,
The very heart and soul!
Hast thou, with such excess of tender haste,
With ceaseless pilgrimage,
To find again thy Adam,
Thus solitary wandered?
Behold him! Speak! what are thy gentle orders?
Why dost thou pause? what ask of God? what dost thou?

Eve. Adam, my best beloved!
My guardian and my guide!
Thou source of all my comfort, all my joy!
Thee, thee alone I wish,
And in these pleasing shades
Thee only have I sought.

Adam. Since thou hast called thy Adam,
(Most beautiful companion),
The source and happy fountain of thy joy;
Eve, if to walk with me
It now may please thee, I will show thee love,
A sight thou hast not seen;
A sight so lovely, that in wonder thou
Wilt arch thy graceful brow.
Look thou, my gentle bride, towards that path,
Of this so intricate and verdant grove,
Where sit the birds embowered;
Just there, where now, with soft and snowy plumes,
Two social doves have spread their wings for flight,
Just there, thou shalt behold, (oh pleasing wonder),
Springing amid the flowers,
A living stream, that with a winding course
Flies rapidly away;
And as it flies, allures
And tempts you to exclaim, sweet river, stay!
Hence eager in pursuit
You follow, and the stream, as it it had
Desire to sport with you,
Through many a florid, many a grassy way,
Well known to him, in soft concealment flies:
But when at length he hears,
You are afflicted to have lost his sight,
He rears his watery locks, and seems to say,
Gay with a gurgling smile,
'Follow! ah, follow still my placid course!
If thou art pleased with me, with thee I sport.
And thus with sweet deceit he leads you on

[...] Read more

poem by William Cowper
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As Life Was Five

Portate bien,
behave yourself you always said to me.
I behaved myself
when others were warm in winter
and I stood out in the cold.
I behaved myself when others had full plates
and I stared at them hungrily,
never speaking out of turn,
existing in a shell of good white behavior
with my heart a wet-feathered
bird growing but never able to crack out of the shell.
Behaving like a good boy,
my behavior shattered
by outsiders who came
to my village one day
insulting my grandpa because he couldn't speak
English
English-
the invader's sword
the oppressor's language-
that hurled me into profound despair
that day Grandpa and I walked into the farm office
for a loan and this man didn't give my grandpa
an application because he was stupid, he said,
because he was ignorant and inferior,
and that moment
cut me in two torturous pieces
screaming my grandpa was a lovely man
that this government farm office clerk was a rude beast-
and I saw my grandpa's eyes go dark
with wound-hurts, regret, remorse
that his grandchild would witness
him humiliated
and the apricot tree in his soul
was buried
was cut down
using English language as an ax,
and he hung from that dead tree
like a noosed-up Mexican
racist vigilante strung up ten years earlier
for no other reason than that he was different,
than that they didn't understand
his sacred soul, his loving heart,
his prayers and his songs,
Your words, Portate bien,
resonate in me,
and I obey in my integrity, my kindness, my courage,
as I am born again in the suffering of my people,
in our freedom, our beauty, our dual-faced,
dual-cultured, two-songed soul

[...] Read more

poem by Jimmy Santiago Baca
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The Undying One' - Canto I

MOONLIGHT is o'er the dim and heaving sea,--
Moonlight is on the mountain's frowning brow,
And by their silvery fountains merrily
The maids of Castaly are dancing now.
Young hearts, bright eyes, and rosy lips are there,
And fairy steps, and light and laughing voices,
Ringing like welcome music through the air--
A sound at which the untroubled heart rejoices.
But there are hearts o'er which that dancing measure
Heavily falls!
And there are ears to which the voice of pleasure
Still vainly calls !
There's not a scene on earth so full of lightness
That withering care
Sleeps not beneath the flowers, and turns their brightness
To dark despair!

Oh! Earth, dim Earth, thou canst not be our home;
Or wherefore look we still for joys to come?
The fairy steps are flown--the scene is still--
Nought mingles with the murmuring of the rill.
Nay, hush! it is a sound--a sigh--again!
It is a human voice--the voice of pain.
And beautiful is she, who sighs alone
Now that her young and playful mates are gone:
The dim moon, shining on her statue face,
Gives it a mournful and unearthly grace;
And she hath bent her gentle knee to earth;
And she hath raised her meek sad eyes to heaven--
As if in such a breast sin could have birth,
She clasps her hands, and sues to be forgiven.
Her prayer is over; but her anxious glance
Into the blue transparency of night
Seems as it fain would read the book of chance,
And fix the future hours, dark or bright.
A slow and heavy footstep strikes her ear--
What ails the gentle maiden?--Is it fear?
Lo! she hath lightly raised her from the ground,
And turn'd her small and stag-like head around;
Her pale cheek paler, and her lips apart,
Her bosom heaving o'er her beating heart:
And see, those thin white hands she raises now
To press the throbbing fever from her brow--

In vain--in vain! for never more shall rest
Find place in that young, fair, but erring breast!
He stands before her now--and who is he
Into whose outspread arms confidingly
She flings her fairy self?--Unlike the forms
That woo and win a woman's love--the storms

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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The Abencerrage : Canto III.

Heroes of elder days! untaught to yield,
Who bled for Spain on many an ancient field;
Ye, that around the oaken cross of yore
Stood firm and fearless on Asturia's shore,
And with your spirit, ne'er to be subdued,
Hallowed the wild Cantabrian solitude;
Rejoice amidst your dwellings of repose,
In the last chastening of your Moslem foes!
Rejoice! - for Spain, arising in her strength,
Hath burst the remnant of their yoke at length,
And they, in turn, the cup of woe must drain,
And bathe their fetters with their tears in vain.
And thou, the warrior
born in happy hour,

Valencia's lord, whose name alone was power,
Theme of a thousand songs in days gone by,
Conqueror of kings! exult, O Cid! on high.
For still 'twas thine to guard thy country's weal,
In life, in death, the watcher for Castile!

Thou, in that hour when Mauritania's bands
Rushed from their palmy groves and burning lands,
E'en in the realm of spirits didst retain
A patriot's vigilance, remembering Spain!
Then, at deep midnight, rose the mighty sound,
By Leon heard, in shuddering awe profound,
As through her echoing streets, in dread array,
Beings, once mortal, held their viewless way:
Voices from worlds we know not - and the tread
Of marching hosts, the armies of the dead,
Thou and thy buried chieftains - from the grave
Then did thy summons rouse a king to save,
And join thy warriors with unearthly might
To aid the rescue in Tolosa's fight.
Those days are past - the crescent on thy shore,
O realm of evening! sets, to rise no more.
What banner of streams afar from Vela's tower?
The cross, bright ensign of Iberia's power!
What the glad shout of each exulting voice?
Castile and Aragon! rejoice, rejoice!
Yielding free entrance to victorious foes,
The Moorish city sees her gates unclose,
And Spain's proud host, with pennon, shield, and lance,
Through her long streets in knightly garb advance.

Oh! ne'er in lofty dreams hath Fancy's eye
Dwelt on a scene of statelier pageantry,
At joust or tourney, theme of poet's lore,
High masque, or solemn festival of yore.

[...] Read more

poem by Felicia Dorothea Hemans
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Adam: A Sacred Drama. Act 1.

CHORUS OF ANGELS, Singing the Glory of God.

To Heaven's bright lyre let Iris be the bow,
Adapt the spheres for chords, for notes the stars;
Let new-born gales discriminate the bars,
Nor let old Time to measure times be slow.
Hence to new Music of the eternal Lyre
Add richer harmony and praise to praise;
For him who now his wondrous might displays,
And shows the Universe its awful Sire.
O Thou who ere the World or Heaven was made,
Didst in thyself, that World, that Heaven enjoy,
How does thy bounty all its powers employ;
What inexpressive good hast thou displayed!
O Thou of sovereign love almighty source,
Who knowest to make thy works thy love express,
Let pure devotion's fire the soul possess,
And give the heart and hand a kindred force.
Then shalt thou hear how, when the world began,
Thy life-producing voice gave myriads birth,
Called forth from nothing all in Heaven and Earth
Blessed in thy light Eagles in the Sun.

ACT I.
Scene I. -- God The Father. -- Chorus of Angels.

Raise from this dark abyss thy horrid visage,
O Lucifer! aggrieved by light so potent,
Shrink from the blaze of these refulgent planets
And pant beneath the rays of no fierce sun;
Read in the sacred volumes of the sky,
The mighty wonders of a hand divine.
Behold, thou frantic rebel,
How easy is the task,
To the great Sire of Worlds,
To raise his his empyrean seat sublime:
Lifting humility
Thither whence pride hath fallen.
From thence with bitter grief,
Inhabitant of fire, and mole of darkness,
Let the perverse behold,
Despairing his escape and my compassion,
His own perdition in another's good,
And Heaven now closed to him, to others opened;
And sighing from the bottom of his heart,
Let him in homage to my power exclaim,
Ah, this creative Sire,
(Wretch as I am) I see,
Hath need of nothing but himself alone
To re-establish all.

[...] Read more

poem by William Cowper
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Retirement

Hackney'd in business, wearied at that oar,
Which thousands, once fast chain'd to, quit no more,
But which, when life at ebb runs weak and low,
All wish, or seem to wish, they could forego;
The statesman, lawyer, merchant, man of trade,
Pants for the refuge of some rural shade,
Where, all his long anxieties forgot
Amid the charms of a sequester'd spot,
Or recollected only to gild o'er
And add a smile to what was sweet before,
He may possess the joys he thinks he sees,
Lay his old age upon the lap of ease,
Improve the remnant of his wasted span,
And, having lived a trifler, die a man.
Thus conscience pleads her cause within the breast,
Though long rebell'd against, not yet suppress'd,
And calls a creature form'd for God alone,
For Heaven's high purposes, and not his own,
Calls him away from selfish ends and aims,
From what debilitates and what inflames,
From cities humming with a restless crowd,
Sordid as active, ignorant as loud,
Whose highest praise is that they live in vain,
The dupes of pleasure, or the slaves of gain,
Where works of man are cluster'd close around,
And works of God are hardly to be found,
To regions where, in spite of sin and woe,
Traces of Eden are still seen below,
Where mountain, river, forest, field, and grove,
Remind him of his Maker’s power and love.
'Tis well, if look’d for at so late a day,
In the last scene of such a senseless play,
True wisdom will attend his feeble call,
And grace his action ere the curtain fall.
Souls, that have long despised their heavenly birth,
Their wishes all impregnated with earth,
For threescore years employ’d with ceaseless care,
In catching smoke, and feeding upon air,
Conversant only with the ways of men,
Rarely redeem the short remaining ten.
Inveterate habits choke the unfruitful heart,
Their fibres penetrate its tenderest part,
And, draining its nutritious power to feed
Their noxious growth, starve every better seed.
Happy, if full of days—but happier far,
If, ere we yet discern life’s evening star,
Sick of the service of a world that feeds
Its patient drudges with dry chaff and weeds,
We can escape from custom’s idiot sway,
To serve the sovereign we were born to obey.

[...] Read more

poem by William Cowper
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Yoga Is As Yoga Does

(words & music by nelson - burch)
Well I can see that you and yoga will never do
Yoga is as yoga does theres no in-between
Your either with it on the ball or youve blown the scene
I can see lookin at you, you just cant get settled
How can I even move, twistin like a pretzel
(yoga is, yoga does)
(theres no in-between)
(your either with it all the way) or youve blown the scene
(or youve blown the scene)
Come on come on, untwist my legs
Pull my arms a lot
How did I get so tied up
In this yoga knot
You tell me just how I can take this yoga serious
When all it ever gives to me is a pain in my posteriors
(yoga is, yoga does)
(theres no in-between)
(your either with it all the way) or youve blown the scene
(or youve blown the scene)
Stand upside down on your head, feet against the wall
A simple yoga exercise done by one and all
Now cross your eyes and hold your breath, look just like a clown
Yogas sure to catch you if you come falling down
(yoga is, yoga does)
(theres no in-between)
(your either with it all the way) or youve blown the scene
(or youve blown the scene)
(yoga is, yoga does)
(theres no in-between)
(your either with it all the way) or youve blown the scene
(or youve blown the scene)

song performed by Elvis Presley
Added by Lucian Velea
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Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

[...] Read more

poem by William Cowper
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St. Michael's Mount

INSCRIBED TO THE RIGHT HONOURABLE LORD SOMERS.

While summer airs scarce breathe along the tide,
Oft pausing, up the mountain's craggy side
We climb, how beautiful, how still, how clear,
The scenes that stretch around! The rocks that rear
Their shapes, in rich fantastic colours dressed;
The hill-tops, where the softest shadows rest;
The long-retiring bay, the level sand,
The fading sea-line, and the furthest land,
That seems, as low it lessens from the eye,
To steal away beneath the cloudless sky!
But yesterday, the misty morn was spread
In dreariness on the bleak mountain's head;
No glittering prospect from the upland smiled,
The driving squall came dark, the sea heaved wild,
And, lost and lonely, the wayfarer sighed,
Wet with the hoar spray of the flashing tide.
How changed is now the circling scene! The deep
Stirs not; the glancing roofs and white towers peep
Along the margin of the lucid bay;
The sails, descried far in the offing gray,
Hang motionless, and the pale headland's height
Is touched as with sweet gleams of fairy light!
Oh, lives there on earth's busy-stirring scene,
Whom Nature's tranquil charms, her airs serene,
Her seas, her skies, her sunbeams, fail to move
With stealing tenderness and grateful love!
Go, thankless man, to Misery's cave--behold
Captivity, stretched in her dungeon cold!
Or think on those who, in yon dreary mine,
Sunk fathoms deep beneath the rolling brine,
From year to year, amid the lurid shade,
O'er-wearied, ply their melancholy trade;
That thou may'st bless the glorious sun; and hail
Him who with beauty clothed the hill and vale;
Who bent the arch of the high heavens for thee,
And stretched in amplitude the broad blue sea!
Now sunk are all its murmurs; and the air
But moves by fits the bents, that here and there
Upshoot in casual spots of faded green:
Here straggling sheep the scanty pasture glean,
Or, on the jutting fragments that impend,
Stray fearlessly, and gaze, as we ascend.
Mountain, no pomp of waving woods hast thou,
That deck with varied shade thy hoary brow;
No sunny meadows at thy feet are spread,
No streamlets sparkle o'er their pebbly bed!
But thou canst boast thy beauties: ample views
That catch the rapt eye of the pausing Muse;

[...] Read more

poem by William Lisle Bowles
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The Spirit Of Discovery By Sea - Book The First

Awake a louder and a loftier strain!
Beloved harp, whose tones have oft beguiled
My solitary sorrows, when I left
The scene of happier hours, and wandered far,
A pale and drooping stranger; I have sat
(While evening listened to the convent bell)
On the wild margin of the Rhine, and wooed
Thy sympathies, 'a-weary of the world,'
And I have found with thee sad fellowship,
Yet always sweet, whene'er my languid hand
Passed carelessly o'er the responsive wires,
While unambitious of the laurelled meed
That crowns the gifted bard, I only asked
Some stealing melodies, the heart might love,
And a brief sonnet to beguile my tears!
But I had hope that one day I might wake
Thy strings to loftier utterance; and now,
Bidding adieu to glens, and woods, and streams,
And turning where, magnificent and vast,
Main Ocean bursts upon my sight, I strike,--
Rapt in the theme on which I long have mused,--
Strike the loud lyre, and as the blue waves rock,
Swell to their solemn roar the deepening chords.
Lift thy indignant billows high, proclaim
Thy terrors, Spirit of the hoary seas!
I sing thy dread dominion, amid wrecks,
And storms, and howling solitudes, to Man
Submitted: awful shade of Camoens
Bend from the clouds of heaven.
By the bold tones
Of minstrelsy, that o'er the unknown surge
(Where never daring sail before was spread)
Echoed, and startled from his long repose
The indignant Phantom of the stormy Cape;
Oh, let me think that in the winds I hear
Thy animating tones, whilst I pursue
With ardent hopes, like thee, my venturous way,
And bid the seas resound my song! And thou,
Father of Albion's streams, majestic Thames,
Amid the glittering scene, whose long-drawn wave
Goes noiseless, yet with conscious pride, beneath
The thronging vessels' shadows; nor through scenes
More fair, the yellow Tagus, or the Nile,
That ancient river, winds. THOU to the strain
Shalt haply listen, that records the MIGHT
Of OCEAN, like a giant at thy feet
Vanquished, and yielding to thy gentle state
The ancient sceptre of his dread domain!
All was one waste of waves, that buried deep
Earth and its multitudes: the Ark alone,

[...] Read more

poem by William Lisle Bowles
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Oh That's Right You're Just Another Girl

i like the echo of the narrow mountain:


Oh! that's right
You're just another girl
That loves to show of And to feel important at the same time

And to feel important at the same time
And to feel important at the same time
at the same time at the same time
at the same time at the same time
same time same time same time same time
And to feel important at the same time
And to feel important at the same time
at the same time at the same time
at the same time at the same time
same time same time same time same time
at the same time at the same time
at the same time at the same time
same time same time same time same time
And to feel important at the same time
And to feel important at the same time
at the same time at the same time
at the same time at the same time
same time same time same time same time
And to feel important at the same time
And to feel important at the same time
at the same time at the same time

Oh! that's right
You're just another girl
You're just another girl
You're just another girl
You're just another girl

aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo

crash! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! krassssssssssssssssssssssssssssssssssssssssssssss sss!

poem by Ric S. Bastasa
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Heavenly

Heavenly scene
Of mine or could be Hell
Or maybe I'm not eheheh
Everything I should be eh
Or maybe I'm not eheheh
And everything I've wanted to real-
Lize
Baby I got eheh
Everything
I could be eh
Or maybe I'm not eh
Oh I got yeah heavenly scene
Oh I could yeah heavenly scene
Oh I got yeah
Heavenly scene
Of mine or could be Hell
Or maybe I'm not eheheh
Everything I should be eh
Or maybe I'm not eheheh
And everything I've wanted to real-
Lize
Baby I got eheh
Oh I got yeah heavenly scene
Oh I could yeah heavenly scene
Oh I got yeah
Oh I got yeah heavenly scene
Oh I could yeah heavenly scene
Oh I got yeah
We got we got yeah
We got we got yeah
We got we got yeah
We got we got yeah
We got we got yeah
We got we got yeah
We got we got yeah
We got we got yeah

song performed by Dandy Warhols
Added by Lucian Velea
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Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

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poem by Byron
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Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

[...] Read more

poem by Byron
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The Four Seasons : Summer

From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,

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poem by James Thomson
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The Four Seasons : Winter

See, Winter comes, to rule the varied year,
Sullen and sad, with all his rising train;
Vapours, and clouds, and storms. Be these my theme,
These! that exalt the soul to solemn thought,
And heavenly musing. Welcome, kindred glooms,
Congenial horrors, hail! with frequent foot,
Pleased have I, in my cheerful morn of life,
When nursed by careless Solitude I lived,
And sung of Nature with unceasing joy,
Pleased have I wander'd through your rough domain;
Trod the pure virgin-snows, myself as pure;
Heard the winds roar, and the big torrent burst;
Or seen the deep-fermenting tempest brew'd,
In the grim evening sky. Thus pass'd the time,
Till through the lucid chambers of the south
Look'd out the joyous Spring, look'd out, and smiled.
To thee, the patron of her first essay,
The Muse, O Wilmington! renews her song.
Since has she rounded the revolving year:
Skimm'd the gay Spring; on eagle-pinions borne,
Attempted through the Summer-blaze to rise;
Then swept o'er Autumn with the shadowy gale;
And now among the wintry clouds again,
Roll'd in the doubling storm, she tries to soar;
To swell her note with all the rushing winds;
To suit her sounding cadence to the floods;
As is her theme, her numbers wildly great:
Thrice happy could she fill thy judging ear
With bold description, and with manly thought.
Nor art thou skill'd in awful schemes alone,
And how to make a mighty people thrive;
But equal goodness, sound integrity,
A firm, unshaken, uncorrupted soul,
Amid a sliding age, and burning strong,
Not vainly blazing for thy country's weal,
A steady spirit regularly free;
These, each exalting each, the statesman light
Into the patriot; these, the public hope
And eye to thee converting, bid the Muse
Record what envy dares not flattery call.
Now when the cheerless empire of the sky
To Capricorn the Centaur Archer yields,
And fierce Aquarius stains the inverted year;
Hung o'er the farthest verge of Heaven, the sun
Scarce spreads through ether the dejected day.
Faint are his gleams, and ineffectual shoot
His struggling rays, in horizontal lines,
Through the thick air; as clothed in cloudy storm,
Weak, wan, and broad, he skirts the southern sky;
And, soon-descending, to the long dark night,

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poem by James Thomson
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The Pleasures of Imagination: Book The Second

When shall the laurel and the vocal string
Resume their honours? When shall we behold
The tuneful tongue, the Promethéan hand
Aspire to ancient praise? Alas! how faint,
How slow the dawn of beauty and of truth
Breaks the reluctant shades of Gothic night
Which yet involve the nations! Long they groan'd
Beneath the furies of rapacious force;
Oft as the gloomy north, with iron-swarms
Tempestuous pouring from her frozen caves,
Blasted the Italian shore, and swept the works
Of liberty and wisdom down the gulph
Of all-devouring night. As long immur'd
In noon-tide darkness by the glimmering lamp,
Each muse and each fair science pin'd away
The sordid hours: while foul, barbarian hands
Their mysteries profan'd, unstrung the lyre,
And chain'd the soaring pinion down to earth.
At last the muses rose, and spurn'd their bonds,
And wildly warbling, scatter'd, as they flew,
Their blooming wreaths from fair Valclusa's bowers
Arno's myrtle border and the shore of soft Parthenope.

But still the rage of dire ambition and gigantic power,
From public aims and from the busy walk
Of civil commerce, drove the bolder train
Of penetrating science to the cells,
Where studious ease consumes the silent hour
In shadowy searches and unfruitful care.
Thus from their guardians torn, the tender arts
Of mimic fancy and harmonious joy,
To priestly domination and the lust
Of lawless courts, their amiable toil
For three inglorious ages have resign'd,
In vain reluctant: and Torquato's tongue
Was tun'd for slavish pæans at the throne
Of tinsel pomp: and Raphael's magic hand
Effus'd its fair creation to enchant
The fond adoring herd in Latian fanes
To blind belief; while on their prostrate necks
The sable tyrant plants his heel secure.

But now behold! the radiant æra dawns,
When freedom's ample fabric, fix'd at length
For endless years on Albion's happy shore
In full proportion, once more shall extend
To all the kindred powers of social bliss
A common mansion, a parental roof.
There shall the virtues, there shall wisdom's train,
Their long-lost friends rejoining, as of old,

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poem by Mark Akenside
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